- 14 hours ago
Ek jhooti kahani ep 17 Pakistani drama
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FunTranscript
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12:26I'm a big brother.
12:27My responsibilities are double.
12:30I can't do this to be yourself,
12:33and I'll sit in your house with you.
12:36My enemy will be a good friend.
12:38That's right, Rufan.
12:40I was also a kid for the children.
12:45When I was a kid,
12:50I asked myself a question.
12:53He said, Mr. Masheed, today is your pleasure, or your own happiness.
13:00Do you know what the answer is?
13:03Your pleasure is your pleasure.
13:06Oh my God!
13:08Have you finished lunch?
13:10Today is lunch with samosa.
13:13Oh my God!
13:16I wanted a few hours for a few hours.
13:23What's that, Harriyat?
13:25Yes, I don't want to show the truth of the doctor.
13:33Okay, let's go.
13:35It's fine.
13:38Why are you so ashamed?
13:41I understand, sir. This is the case.
13:44Which case?
13:45It's the case of the marriage.
13:48Oh, that's it.
13:50Oh, this is brown.
13:52Yes, yes.
13:55Are you ready?
13:56Yes.
13:57What did you do for lunch?
13:59He's doing the same thing with Bashir.
14:01He's doing the same thing.
14:03He's doing the same thing.
14:05We're going to take a long time.
14:07Why are you doing the same thing with him?
14:09It's going to happen that we're going to be the same.
14:12We're going to die and we're going to die.
14:14Stay.
14:15If I had so much trouble,
14:17my son would kill him.
14:19What's the meaning?
14:20I mean, that's what I'm saying.
14:22It's a filmy dialogue.
14:23He's saying that.
14:24He's sitting in the same way.
14:25He's sitting in the same way.
14:26Okay, let's go.
14:28Wait a minute.
14:29I'll go out and open the door.
14:32I mean, I'll go out.
14:33You'll go out.
14:34You'll come out.
14:35We'll come out.
14:36We'll come out with a young lady.
14:37I'll tell you what she's doing.
14:38Oh, that's your actions and your actions.
14:42You'll become up.
14:43Amma.
14:44Oh, my God.
14:46Yes.
14:47Oh, my God.
14:48He'll be right.
14:49I'll tell you.
14:50If you eat a drink,
14:51I'll go out.
14:52Oh, I'll tell you.
14:53Why?
14:54I want to die for money.
14:55Oh, my God.
14:56I can't sit here.
14:57Oh, my God.
14:58I'll be a drinker.
14:59I'll tell you tonight.
15:00Hi, Mother.
15:04Don't say anything about me.
15:09Hello, Mother?
15:12What are you saying, Mother?
15:17She arrived.
15:20She killed her.
15:23She scared her.
15:25Mother, what did she do?
15:30What are you doing with her sister?
15:37She didn't have to give up on her hands.
15:40She had to give up.
15:42Okay.
15:44Did she give up?
15:46Yes.
15:48What was she doing?
15:50She was doing normal things.
15:52She's home.
15:54There's no plan to get out of her.
15:58The mission is this way.
16:00Okay.
16:04Hi, Bashir.
16:05Are you going to go?
16:07I can never go.
16:09I'm going to go.
16:10I'm going to keep her.
16:12The show is finished, Bashirah.
16:16Go back.
16:19The show is just a bit.
16:20What are you doing?
16:21What do you want to do?
16:22When the show is still a bit.
16:23It's not possible.
16:24It's not possible.
16:25It's not possible.
16:26If you're in the future,
16:28I'm going to see my face.
16:30I'm going to do the show.
16:31And Fakirah.
16:32I'm going to go with you.
16:33Okay, I'm sure I'll give you a chance.
16:48There are children of course, but they are not allowed.
16:53If you want to give them a chance, I'll give them a chance.
16:57It will be so much fun.
17:03Oh, do this steering competition. I'll show you a new one.
17:22I'm going to go. I'm going to play the ball.
17:25Yay!
17:26I'm going to play the ball.
17:32Oh, good to see you.
17:34This is a very scary situation.
17:36Abba Ji, we'll kill our girl in the media.
17:41Rizwan, you're going to leave with the girl.
17:44You're going to die with the bus.
17:49Allah, forgive me.
17:50Sorry, God bless me.
17:52Rizwan, what's wrong?
17:54I'll never tell you about this.
17:58Rizwan, come on.
17:59The last one, you've got a baby.
18:01You've got to get to go to this one.
18:02You've got to get to go to the house.
18:07Rizwan, come on.
18:09Come on, come on.
18:11Run, Rizwan. Run.
18:24Run!
18:29Run!
18:30Run!
18:31Run!
18:32Get it back!
18:33Run!
18:35Run!
18:37Run!
18:40Get out of here!
18:41Just run!
18:42Love!
18:43Rotate!
18:44Drop!
18:45Die!
18:46Do you have to keep running?
18:47Get out of here!
18:49Get out of here!
18:50That's what I had to say.
19:00Warm, warm, warm, samosa.
19:02Wow. What a good smell!
19:03Today, people are in the kitchen.
19:10Brother Bashir, I've said half a day to you.
19:14Half a day to you?
19:16I mean, after marriage, I will also come to the kitchen with Mushra's help.
19:23What was the matter of hiding in it?
19:26You said that in front of your Salih,
19:31I mean, if I was wrong with you, I would have knocked out.
19:36But now I'm sitting in your head.
19:38What?
19:41Knock?
19:42I mean, it doesn't work.
19:46What is it inside of it?
19:52My brother.
20:12Okay.
20:22What the hell is wrong with this?
20:25What's wrong with this fool?
20:28If you were to teach this person,
20:30it's not true for that.
20:32It's not that true for me.
20:33I'm giving up the money that if I get the money, then I'll fix everything and fix everything.
20:38We will leave our own home.
20:40How do you live here with Rizwan and Abba?
20:43Yes, that's what you have done with me.
20:45What was the need to show my house?
20:47It's so heavy, it's so heavy.
20:49My head hurts now.
20:51And what was it?
20:52It's not going to be a sweetie.
20:54Who is it?
20:55What was it?
20:56When I left out of this house, my Abba opened the house.
21:00The house was going to be a drama.
21:03So what will happen?
21:04The police will come here.
21:06She wanted money for any college.
21:09She will have money for her.
21:12Who is it?
21:14Who is it?
21:15No.
21:16No.
21:17I'm telling you,
21:19I'll send it to my mom's house to save her.
21:24Yes.
21:25It's such a big house.
21:27There are so many houses.
21:28There are so many food.
21:29There are so many people.
21:31What is it?
21:32If my mom is going to go, what is it?
21:34Listen to me.
21:35I'll take your knowledge and take my own.
21:37I'll take my own.
21:38I won't dance at this stage.
21:40No.
21:41I'm not dancing.
21:42It's a decent story.
21:43It's a funny story.
21:44Snow White has lived with five young children.
21:47Snow White?
21:48It's such a bad story.
21:50It's a bad story.
21:51It's a bad story.
21:52I'll never do it.
21:53I'll never do it.
21:54I'll never do it.
21:56It's a bad story.
21:57It's a bad story.
21:58It's a bad story.
21:59The girl tells her how to save her.
22:00How to save her?
22:01I'll leave her in the world.
22:02I won't do it.
22:03I'll never do it.
22:04Mom, just put it on the side of God.
22:05You'll keep it on your hands.
22:07The production will give you a good job.
22:09But it'll take it away from here.
22:11If that's the protein shake will come from here.
22:13No.
22:14No.
22:15No.
22:16No.
22:17No.
22:18No.
22:19No.
22:20No.
22:21No.
22:22No.
22:23No.
22:24No.
22:25No.
22:26No.
22:27Sir?
22:28Huh?
22:29What's your name?
22:30What's your name?
22:31Mom?
22:32What?
22:33What?
22:34What?
22:35Why are you running here?
22:37He's a dog.
22:38He was angry in the garage.
22:39Why?
22:40He didn't have to run.
22:41Do you have to catch him?
22:42Sir?
22:43Sir?
22:44O.M.Z.
22:45Sir?
22:46Wait.
22:47Wait.
22:48Sir Rizwan.
22:49Wait.
22:54This is Rizwan.
22:55Who is your tutor?
22:57Do you understand him?
22:58This?
22:59Tutor?
23:01Yes.
23:02This is Farid brothers.
23:04What?
23:05I listen to myself.
23:06I've called my machine in the bag.
23:08To put a new cell.
23:10Myself, Rizwan Salim.
23:12M.A.M.Z.
23:16I'm doing my own thoughts.
23:19If you want to join in the bag,
23:21I'm going to join in the bag.
23:22I'm going.
23:23Maybe you want to join in the bag.
23:26My method is like this.
23:28I understand.
23:29A healthy body carries a healthy mind.
23:32Are you joining us?
23:35Are you joining us?
23:36Yes.
23:44What is this, Farid?
23:45Why did you take me here?
23:47Now, Samia's track is a proud track.
23:50She was showing her mother's hat.
23:52She was supposed to be with her mother.
23:54You took me here.
23:55Why did you take me here?
23:56Why did you come to hit my career?
23:59She was a emergency.
24:02Five of them areniscient.
24:04My mother took her back to her house.
24:05She got her hair up.
24:06She's a little girl.
24:07She's a little girl.
24:08A terrible man.
24:09She's a little girl.
24:10She's a little girl.
24:11She's got her hair up.
24:13I killed her heart.
24:14She's got her hair up.
24:15She's a little girl.
24:16She's a little girl.
24:17What?
24:18You're a little girl.
24:19I'm going to take her mother.
24:21I'm going to take her.
24:22Why?
24:23You go.
24:24I'm going to take my hand.
24:26I took my hand.
24:28I had to take my hand and take my hand.
24:30I threw my hand.
24:32I didn't have to take my hand.
24:34There are all the stories
24:36that walk through his character.
24:38All the stories.
24:40I'm going to take my hand.
24:42Please, please.
24:44Now, there's a lot of excitement.
24:46I need you.
24:48And even after that,
24:50you can't take my hand.
24:52I'll take my hand.
24:54The drama of their family, I can't leave my mother alone.
24:59Abba Ji, don't you think about any role.
25:03Wow, my child is still alive.
25:05Look at that child.
25:07All of her mother is in a drama.
25:09Wow, come on.
25:11Vishmi Lakhan.
25:15Now she's still here.
25:17If she gets the money from her office, she'll come.
25:20She won't come from the side of the road.
25:23Can you tell me?
25:25Yes.
25:26You go to the kitchen.
25:29This churi, she used to dice the vegetables.
25:36And she used to roast roast.
25:41And this is for the chopping.
25:48She made a fish.
25:50I have never heard of her life.
25:55That she has never heard of her.
25:57She has never heard of her.
25:59When she's walking around,
26:04she tells her what she's going to tell.
26:08What are you going to do?
26:12It's like that.
26:18Do you understand?
26:22We haven't talked about them about them.
26:27My brother, what happened in the restaurant, was an affair.
26:34If you don't understand that, what do you think?
26:38We need to investigate.
26:41We need to investigate that accident.
26:44What happened?
26:50Why are you crying?
26:55My father is dead.
26:57I'm going to be you, father.
27:02You have a lot of work with me.
27:05What work?
27:06We need to do an emergency.
27:07You have to go to the minister.
27:09I'll talk to Samia.
27:10Talk to you about the talk.
27:11Come and talk.
27:12Brother, go.
27:13It's important to her.
27:14See?
27:15Come.
27:16I'm going to be you.
27:17I'm going to be you.
27:19I've been to you.
27:21I'm going to be you.
27:22He's a child.
27:25He's an old child.
27:29He's a kid.
27:33He's a child.
27:37He's a kid.
27:39He's a kid.
27:41He'll play a game.
27:44You're an old kid.
27:46He's a kid, right?
27:49This is my mind.
27:51He put his head on his head.
27:53And he put his head on his head.
27:58He put his head on his head.
28:11How many heads are you?
28:14I'm saying that I'm going to have a garden here.
28:19I'm going to have a garden here.
28:37She calls a mavra to our side.
28:41What was that?
28:42I'm sorry.
28:43I'm sorry.
28:44I'm sorry.
28:45I'm sorry to say that the thump would have to be a woman's hand.
28:50It's not possible.
28:51It's an uncle.
28:53Did you have a wig check?
28:55Yes, it was a thump.
28:56A wig?
28:57No.
28:59It was such a technique that it was not a wig.
29:03Do you think that it was an uncle?
29:07And it was a thump because the wig didn't have to be?
29:10Hey!
29:11I'm a alpha male.
29:13I've been working in the gym.
29:15I've been working so hard.
29:16I've been working so hard.
29:17I can't get a thump.
29:20But if I eat a thump, it's a mess.
29:23It's a mess.
29:26So you can understand the other side of the world that the thump would have to be a man?
29:33I don't know.
29:35What about this matter?
29:37Why do you think that there are women who have to be a man who can be a man who can be a man who can be a man?
29:45Why are you here?
29:46I don't think you're making a man who has nobody.
29:49You're making a man who has a man who has a man who has a man who can be a man who can be a man who has a man.
29:54I'll be married to you.
29:55It's the same thing as Imam Khalifa.
29:59It's like an old uncle.
30:00He was married to 6 kids.
30:02He was winning gold medals in the Olympics.
30:04And the only thing I'm gonna do is Imam Khalifa.
30:06That's a good guy.
30:08I have a full faith that you are going to be who is a guy.
30:13Alpha Mill.
30:14Yes.
30:15Alpha Mill.
30:16I'm sorry.
30:18I'm sorry.
30:20I'm sorry.
30:22Safiya!
30:24Safiya!
30:26Safiya!
30:28Safiya is gone.
30:30Habib Sahib is with her.
30:32I don't know if she has a bag with her.
30:34Where is Safiya?
30:36I don't know.
30:38Habib Sahib is with her.
30:40How can this be? It's time for lunch.
30:42How can we go home from home?
30:44In the garage, Mirob and his tutor were running.
30:46I think they were running.
30:48I told them to chase them.
30:50Mirob and Hurya are sitting in his room.
30:52Where are they sitting in his room?
30:54Where are they running?
30:56Mirob was running away.
30:58Safiya was running away.
31:00Safiya,
31:02either you are crazy,
31:04or there is a game in this house
31:06that has been a lot to me.
31:08Tell her that Mirob's tutor
31:10came from where?
31:14I don't know.
31:16I don't know.
31:17I don't know.
31:18I don't know.
31:19I don't know.
31:20I've been talking to you.
31:22But Bushra was looking at Mirob's
31:24vintage knife with Mirob's mother.
31:26Why?
31:28Samia,
31:29what will happen to you
31:31and you will make it?
31:32Everything is so messed up.
31:34This Bushra is so messed up.
31:36So much messed up.
31:37So much messed up.
31:39All the same things.
31:40What's happening to you?
31:48Tell me, I know that Safiya was at this time.
31:50What do you know?
31:52I was standing there,
31:53Mirab was running with her teacher.
31:55Khabib Sahib opened the gate for her,
31:56Safiya was cheering for her.
31:58She was a great friend.
32:00I told her to see if Mirab is safe or not.
32:03Safiya is going to go to the chadar chadal.
32:06How can I tell my route?
32:10Safiya will never come back again.
32:28What's this, your emergency?
32:37My Gotem will be on the phone from Bashir.
32:40You can listen to the children, you can listen to the children.
32:55You have to take a lot of truth to your name.
32:59It doesn't matter if you don't have a punishment.
33:02And you have to listen to the showbiz and media.
33:06You have to listen to the showbiz.
33:08In films and dramas, they kill 100-100 people.
33:12But in real life, they can't do it.
33:16Okay, let's listen to another story.
33:19Remember to keep it.
33:21It's a bad thing here.
33:29So, the real thing is that...
33:32What is it?
33:33What is it?
33:35My mother took care of the house.
33:38And she sent the house to the house.
33:41She sent the house to the house.
33:44Oh.
33:47Now, we can't send her to her, right?
33:50She's back home.
33:52Because she's controlling all the supporting cast on the set.
33:57So, that's not possible.
34:00We've also sent the house to Samiyah.
34:03That's why we've also sent the house to Abba Ji.
34:04That's right.
34:05That's right.
34:06She was crying a lot.
34:10I understand.
34:12I can understand.
34:16I know that you and Samiyah are doing something.
34:19You can't even understand your mother's pain.
34:25I can understand.
34:27But they're just your mother's pain.
34:31I've got money from you.
34:33I know that my job is here.
34:36And I've been here for 10-12 days.
34:38I've been here for a story for 10-12 days.
34:40But I'm going to leave my mother's pain.
34:43Oh.
34:44Oh.
34:49Look, you...
34:50You're not a horse.
34:52Mushra?
34:53No doubt that everything is a drama.
34:56But the mother is a mother.
34:57Look, when the mother comes to her,
35:00there's no harm to her.
35:01The whole thing hasn't happened so much.
35:05There's no harm to her.
35:06There's no harm to her.
35:07There's no harm to her.
35:08There's no harm to her.
35:13What's your mind?
35:14What?
35:15No.
35:16No.
35:17No.
35:18No.
35:19No harm to her.
35:25Oh.
35:27No harm to her.
35:30Oh!
35:31Oh.
35:32Oh.
35:33Oh.
35:36Oh.
35:39Oh, look.
35:41Oh.
35:45This thought was the way it will go through
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