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FunTranscript
00:00So, what are you doing?
00:19Kalpoo, what are you doing?
00:21I feel like I'm getting a lot of love.
00:24Like Princess Jessie.
00:26One minute.
00:28Maa, Paa.
00:30Really?
00:31I think I'm very simple.
00:33Simple?
00:34Kalpu, you're my daughter.
00:36Look in front of me.
00:38How can you feel simple?
00:41I'm very loving in this bridal get-up.
00:43Really?
00:44Just one second.
00:46Don't look at anyone.
00:48Papa, go.
00:49Let me ask Papa.
00:50Papa!
00:51I'm sorry, Kalpu.
00:52Rajan,
00:53this is a friend, right?
00:55That's fine.
00:57Okay?
00:58And one thing,
01:00this guest house painting,
01:01that's fine too.
01:03It's fine or not?
01:04No need to complain about the girls.
01:06Sir,
01:07everything will happen.
01:08Don't take any attention.
01:09Dad.
01:10Great.
01:11Nice.
01:11Tell me how I feel.
01:12Oh, oh, oh.
01:14Look at her.
01:15I feel good, but I don't.
01:16Okay?
01:17I feel good.
01:23My daughter.
01:25Maa is saying the truth.
01:26I feel good.
01:27I feel good.
01:29Sir, I'm saying the truth.
01:31Look at that.
01:32In the engagement party,
01:33you have all your heart.
01:38Wait a second.
01:40Rajan, one minute.
01:41Yes, sir.
01:42Hello?
01:43Yes, did you say it?
01:44Kuldeep.
01:45Kuldeep.
01:46Kuldeep.
01:47It's not solved yet.
01:48It's not solved yet.
01:50This is the last warning for you.
01:53The next one,
01:54the phone will not hit.
01:57It will be your death.
02:01Thank you very much.
02:03I'm afraid of you.
02:04You understand?
02:05Go.
02:06Don't do it.
02:09Kuldeep,
02:10what is this?
02:11Don't do it.
02:12These calls are fun.
02:13Kuldeep,
02:14I've said before,
02:15the police train.
02:16Relax, Mithali.
02:17Relax.
02:18I've already told CID.
02:21I just need to get some fresh air.
02:22Okay?
02:23I'll go to my room in my meditation.
02:41To be returned.
02:42To be right after,
02:43please share my Thus becoming a source to show.
02:44Briono.
02:45verst,
02:46have burned.
02:47Pray for a while all at the station,
02:48packing room for a haunted
02:48off.
02:49It's gemaakt in plain 번 très.
02:50To be right after the station.
02:52It's already heard of it.
02:54It's funny.
02:56Thanks to the Vulchin address,
02:57I'll wait for a last contest Rules Iceゃ
03:07to Italy.
03:08Hi, sir. I'm Rajan. Kuldeep, sir, manager.
03:33Kuldeep ji, where are you? I didn't talk to him. It's necessary.
03:36Sir, it's a little late for you.
03:38What?
03:41Where?
03:43Sir, come here.
03:59Excuse me. One minute.
04:06I don't know.
04:11No.
04:13No.
04:15No.
04:17When did you come to the house?
04:38Sir, it's time for a few hours.
04:47Sir, this is the death of Kuldeep Ji.
04:59Okay, sir. Yeah.
05:05When did you see Kuldeep Ji?
05:07Sir, the last time Kuldeep Ji didn't see Kuldeep Ji.
05:10This is Sir's bodyguard.
05:12What happened before Kuldeep Ji in the meditation room?
05:15Sir, I left from the living room and came to his meditation room in the corridor.
05:20He closed the door and I was standing outside.
05:24Sir, the meditation session is about 20 minutes.
05:28But this time, it was about 40 to 45 minutes and Kuldeep didn't come out.
05:31Kuldeep Ji has not done anything like that.
05:34This is all for me, sir.
05:36Kuldeep Ji, sir.
05:38Sir, you are fine, right?
05:42What happened, Prabhakar?
05:44Sir, it's about 40 to 45 minutes.
05:46Just like we have to come out of 20 minutes,
05:49we don't have enough time to go.
05:51Kuldeep, sir.
05:53I think we have to close the door.
05:55Yes.
05:56Okay.
06:01Kuldeep, sir.
06:02Kuldeep, sir.
06:03Kuldeep, sir.
06:04Kuldeep, sir.
06:05Here I go.
06:06Wait.
06:07Wait.
06:08Keep up.
06:09Right.
06:10Hold.
06:14Stop.
06:16Hooked!
06:17Kuldeep!
06:19Map.
06:20Map.
06:22Sir, I don't understand what it was all about.
06:24How do you know all the time did those things go?
06:26Where did all this happen?
06:27Sir, I was in my study room.
06:29Sir, I was making the next day schedule,
06:32and when Sir didn't come out,
06:34he came out of the meditation room.
06:38Okay, let's go out.
06:48Pankaj, Sachin,
06:50let's talk about everything.
06:51Let's see what happens.
06:56Do you have a lot of people here?
07:00Yes, Sir.
07:01It's the place of Kalpana baby's engagement.
07:04It's working for the house and decoration.
07:07That's why a lot of people came and went.
07:09Did anyone get a lot of entry?
07:11No, sir.
07:12I have a lot of experience.
07:14No one can't come from my eyes.
07:16And if it's closed, then?
07:17What do you mean, sir?
07:18It means that you're doing duty here,
07:20you've got to sleep,
07:21you've got to sleep,
07:22and you've got to go inside.
07:23Is that something happened?
07:24No, sir.
07:25I've never had to sleep in duty.
07:27Is this another way to come in the jungle?
07:29This is the only way, sir.
07:31And the room was closed for the door.
07:32There's only one door in the castle.
07:33And the bodyguard was standing outside.
07:34And it was closed.
07:35Sir, this door was locked from inside.
07:36There is no way to come inside.
07:37There is no way to come inside.
07:38There is no way to see.
07:39There is only one door in the door.
07:40There is no way.
07:41There is no way to come inside.
07:42I don't see any secret way in the middle of the house.
07:49There is only a door on the door.
07:53There is also a grill.
07:56Tell me that in the 40 to 45 minutes,
07:59someone came in the house or came out of the house?
08:02Or did you leave the house of the house?
08:05No sir, I didn't leave the door for a moment.
08:08No one came in or went out.
08:12Sir, how did this happen again?
08:16And who did it?
08:18Because there is no secret place in this house,
08:22where someone can find it.
08:25Who is taking some paint here?
08:29Sir, you are working on renovation here.
08:34Are you coming from there?
08:35No, inside.
08:38You are looking here.
08:40I am going to secure the house of the house.
08:44I am going to put this.
08:47This is the place of a橘.
08:51Sir, do you see under the house?
08:54Sir, see,
08:56it's the house of the house,
08:58and the house of the house
08:59and the house of the house is collected by the house.
09:02It's a very much?
09:03There is a lot of aroma oil here, and then there is also a bottle of aroma oil here.
09:14When you put the aroma oil in the diffuser, it will be put in his hand.
09:20But sir, why would you put the aroma oil on your face?
09:23This oil has not put the aroma oil on your face.
09:26It has not put the oil on your face.
09:28How is it, sir?
09:30Look at this. Look at this.
09:32Look at this.
09:34This is it.
09:38This oil has come from this door.
09:42He has...
09:46...guldeep ji for a while meditating on his face.
09:50He will put his hands on his face.
09:53When he comes to his face, he will probably paint his face on his face.
09:59He has used the aroma oil here.
10:00He has removed his face.
10:01He has removed his face and his face.
10:02He has removed his face.
10:03He has removed his face.
10:04He has removed his face.
10:09Did he get a mask?
10:10He caused his face.
10:12And the bite of his face is removed.
10:13He really has to do with it.
10:14He has also removed his face.
10:15and maybe
10:20Kuldeep Ji's body
10:23took the sona
10:25and took the sona
10:27sona?
10:29Look at this in the photo
10:31this is the chair
10:33there is a chain
10:35here is a bracelet
10:37and here
10:41bracelet, chain
10:43everything is gone
10:45sir, we believe
10:47that the light
10:49came from this door
10:51but the camera is on the higher floor
10:53and the door is also on the plane
10:55there is no support
10:57and how did she come from?
10:59hmm
11:01she didn't come from the bottom
11:03so
11:05she came from the ceiling
11:07from the ceiling
11:09from the ceiling
11:11inside
11:13Kuldeep Ji's phone
11:15and he ran away
11:17from the ceiling
11:19sir Rajan, tell us
11:21this is working in the house
11:23is someone who is supervising
11:25yes sir
11:27Kuldeep Sir's wife
11:29I want to talk to you
11:31with the CID
11:33I want to talk to you
11:35with the CID
11:37I want to talk to you
11:39with the CID
11:41how are you doing
11:43now
11:45how are you doing
11:47now?
11:48it's too bad sir
11:49it's so big
11:50I can't help
11:51my child
11:53Kuldeep Ji
11:55had a phone
11:57you have any idea about it
11:59yes sir
12:00I know
12:01who was calling
12:02Kuldeep
12:03who was calling
12:04who?
12:05Hemat
12:06Kuldeep's business partner
12:08although a few days ago
12:09his partnership
12:10was finished
12:11why?
12:12there was a business dispute
12:13he gave Kuldeep
12:14many times
12:15Kuldeep
12:16I told Kuldeep
12:17that they complain
12:18to the police
12:19but they never
12:20took my story
12:21seriously
12:22and now
12:23everything happened
12:24Baba
12:25Baba
12:26Baba
12:27Baba
12:28Baba
12:31Baba
12:32Baba
12:33Baba
12:34everything is fine
12:35everything is fine
12:56on the terrace
12:57there is no place
12:58there is no place
12:59there is no place
13:00there is no place
13:01but this is the
13:02the workhorse's bathroom
13:03there is bamboo
13:04trees
13:05and painting
13:06everything is done
13:07so if you haven't come
13:08from above
13:09then you have to come
13:10from below
13:11these trees
13:12and bamboo
13:13are there
13:14now
13:15who has come
13:16who has been
13:17sir
13:21Mr. Nakul
13:22has given this
13:23renovation
13:24contract
13:25you have not been charged
13:26so you don't know
13:27how to do
13:28the grill
13:29that was fine
13:30sir
13:31there is no grill
13:33in the meditation room
13:34there is no grill
13:35because of the
13:36window
13:37and they have to
13:38do the meditation room
13:39and they have to do the
13:40meditation room
13:41so the
13:42metal lady said
13:43let's put the grill in it
13:44but the grill didn't
13:45okay?
13:46no sir, there was only
13:47welding
13:48and the rest of it
13:49was fixed so that
13:50the grill can't come
13:51okay
13:52the grill
13:53is working
13:54who has done this
13:55painting?
13:56Mr. Jaggu
13:57tell him
13:58Mr. Jaggu
13:59didn't come to work today
14:00sir
14:01I called him
14:02but he is telling
14:03his phone
14:04what is his number?
14:05yes
14:06this
14:10the number is officer
14:13not that he has come
14:14and you have to see
14:15you have to see
14:16please
14:17call the watchman
14:18sir
14:24sir
14:25there is no entry
14:26in the register
14:29what is this?
14:30what is this?
14:31Nakul told you
14:32that he came here
14:33this morning
14:34why did you not
14:35enter the register
14:36sir
14:37don't say anything
14:38stop
14:39stop
14:40what is happening here
14:41huh?
14:45hey
14:46sit
14:47sit
14:48you have to come into
14:49and killed him
14:50with him
14:51and killed him
14:52I did nothing
14:53sir
14:54see
14:55Vinda
14:56there is a murder case
14:57very long
14:58so it will be better
14:59tell the truth
15:00sir
15:05I was asleep
15:06in the gate
15:07for 10 minutes
15:08I could
15:09see
15:10that
15:11I came into
15:12in that
15:13then
15:14what happened?
15:15madam
15:16then
15:17when the door
15:18broke
15:19my eyes
15:20opened
15:21my eyes
15:22could
15:23see
15:24sir
15:25when his eyes
15:26came into
15:27the room
15:28and left
15:29and left
15:30out
15:31Nakul
15:32yes
15:33you
15:34keep your employees
15:35all of your identification
15:36and the card
15:37etc
15:38yes sir
15:39the details
15:40are given to
15:41Vinda
15:42to
15:44take the
15:45card
15:46and take the
15:47card
15:48and take the
15:49the card
15:50and take the
15:51card
15:52Pankar, the people in the morning have come from all the people in the morning.
15:57Fingerprints, identification, all the details.
16:04Boss, this is Kuldeep's skin sample.
16:07And I got paint stains on it.
16:10Tell me something new.
16:12I got steric acid traces on it.
16:15This is new.
16:16Steric acid? And what is this, sir?
16:19As a result, steric acid is a bit different in every paint.
16:24But there is something different here.
16:26The grill of the window and where it has been painted for the renovation,
16:31I didn't get this steric acid traces on it.
16:35Sorry, sir. I can't explain anything.
16:37I can explain it, Pankar.
16:39The steric acid has left the steric acid to the Kuldeep's body.
16:46Okay, sir. Now you've said that it's not matched with the acid, grill or paint.
16:51It's possible that this steric acid has come from a murder weapon in his body.
16:57Okay, sir.
16:59What is this steric acid and what is used in paint?
17:03Satchin, in paint, this steric acid is used in cosmetics and skincare.
17:09Like, as a saloon, shampoo and shampoo.
17:14So, Kuldeep has also used cosmetics, shampoo, and all the rest.
17:19Thank you, boss.
17:20I checked perfectly.
17:22I didn't get any residue from it in the body of Kuldeep.
17:27So it means that...
17:28You mean what I mean?
17:29Why would Kuldeep have used these things?
17:32It means that when Kuldeep's face was removed from the face of Kuldeep's face,
17:35it was probably the steric acid in the face of Kuldeep's face of Kuldeep's face.
17:42Right.
17:44One more thing.
17:45I think that Kuldeep is not professional.
17:48What does that mean?
17:49It means that the war has been told that it's not done with precision.
17:55It's not the same war.
17:57Look at this.
17:58I think that the blood has been in anger.
18:02Once again.
18:03This has been taken a new angle.
18:05Now we feel like the blood has been made for robbery.
18:09But you've taken the personal guilt.
18:12The angle of the enemy.
18:13But sir, what can Kuldeep's face of Kuldeep's face of Kuldeep's face?
18:17It's possible that someone has used the painter and used the phone to do it.
18:23And to remove the enemy.
18:26Now this is it.
18:28In this case, one name is a bad name.
18:31That is Kuldeep's ex-business partner.
18:35Heemanth was the enemy of Kuldeep.
18:39Mr. Heemanth.
18:41Mr. Heemanth, Kuldeep was your old man with your land deal and the ownership of bungalow.
18:47You are right.
18:49When we bought the bungalow, we were both partners.
18:53And we wanted to build a bungalow and build a building.
18:57And Kuldeep took the bungalow,
19:00because I was the owner of the property.
19:03Is there any proof?
19:05I'll show you.
19:09Look at this.
19:11We wanted to build the building.
19:14This is a blue-print.
19:16This is the agreement between us.
19:21And in some photos.
19:25Look at the photos.
19:26You can also see it.
19:31You took the bungalow and gave them the bungalow and gave them the bungalow.
19:35And then gave them the bungalow.
19:37No, sir.
19:39I wanted to buy this property that I have 50% of the property.
19:46I wanted to buy it.
19:49I didn't want to kill it.
19:51But they were dead.
19:52You can't kill them.
19:55You could die.
19:57So that you could get the bungalow.
19:59I was afraid of him.
20:02I was afraid of him.
20:04And I wanted to be afraid of him.
20:05And I wanted to be afraid of him.
20:07But it doesn't mean that I killed him.
20:10We believe only in the proof.
20:13And the proof is not saying that.
20:15If it's proof, take it away.
20:17If you think both of you think that I killed Kuldeep,
20:21take it away.
20:23I don't think it's time for the proof.
20:25I don't think it's time for the proof.
20:26If the bungalow is dead, the bungalow is dead.
20:29Then the real bungalow will come back.
20:31Yes.
20:32So, we'll come back to that same time.
20:34Okay.
20:35We'll take these photos and blueprints.
20:37We'll take you with me.
20:43Yeah, Purvi.
20:47Great.
20:49Where is it?
20:51Okay, we'll meet.
20:52We'll meet.
20:53We've got to know Jaggu.
20:55I just want to meet him.
20:57Let's take a look at Hemant's phone.
21:00And I'll check Kuldeep's phone record.
21:04Who is behind him?
21:06Okay.
21:09Hello?
21:10I'm talking to you, my partner.
21:13Yes.
21:14What is it?
21:15I've got a new phone.
21:16And this is my new number.
21:18Save me.
21:19Okay?
21:20Okay?
21:20Yes.
21:21No, no, no, no, no.
21:22Okay?
21:23Okay?
21:24And listen.
21:25I'll sit on the first time in the car.
21:29What, Jigguji?
21:34You had a little bit of time.
21:36I had to talk a little bit about you.
21:38Who are you?
21:39I don't talk about people.
21:41You don't talk about people.
21:42You don't talk about people.
21:43We're from Sassural.
21:44Sassural?
21:45My?
21:46C.A.D.
21:47C.A.D.?
21:48C.A.D.?
21:49What happened, sir?
21:51Nothing.
21:52It's a new phone.
21:54A new number.
21:55A new ticket.
21:56A new plane.
21:57No, no.
21:58Don't.
21:59What?
22:00You have to use a photo ID.
22:02You have to use a photo ID.
22:04You have to use a card card.
22:05This is wrong.
22:06You have to look at our card card.
22:08Come on.
22:09Come on.
22:10Come on, Sassural.
22:11Huh?
22:12Sassural?
22:13No.
22:14Hey!
22:15Hey!
22:16What are you doing?
22:17What are you doing?
22:18What are you doing?
22:19Will you do a senior?
22:20Run, run, run.
22:21Run, run, run.
22:22I'm set.
22:23What are your mindsets?
22:24What are you doing?
22:26What are you doing?
22:27What are you doing?
22:28What are you doing?
22:29I am not a man.
22:31I am not a man.
22:33Sir, sir, sir, sir.
22:35Sorry, sir.
22:37I am sorry.
22:39Sir, sir, sir.
22:41Sorry, sir.
22:43I am sorry.
22:45You are on the murder of Kuldeep's murder.
22:47Do you understand?
22:49Why would I kill them, sir?
22:51What is my destiny?
22:53It is not a destiny, it is a friend.
22:55But with money.
22:57You are not a man.
22:59I am not a man.
23:01You are not a man.
23:03You are a man.
23:05I have painted the room.
23:07I am not a man.
23:09I am not a man.
23:11So, you can come back from that way.
23:13And Kuldeep's murder.
23:15He said that to me.
23:17He was still working on the soldering.
23:19He had a painting on the other side.
23:21So, he left it.
23:23Why did he come back to this?
23:25He came, sir.
23:26It was a little late.
23:27When he arrived at home,
23:29he had a jewelry in a house.
23:31And there was no one.
23:33So, he took me the jewelry,
23:35and I left it there, sir.
23:37He left it out, sir.
23:53Sir, this is the jewelry that Kuldeep Ji has been sold.
23:57What is this, sir?
23:58I am saying, sir.
23:59I am saying, sir.
24:00He is a jewelry.
24:01He has no idea.
24:02I was talking to him about the murder of Kuldeep Ji.
24:04I was talking to him, sir.
24:05My husband.
24:09Sir.
24:10Sir, I checked CCTV footage from a mangalo.
24:13He was talking about a mangalo.
24:15He was talking about a mangalo.
24:16He was talking about a mangalo after a mangalo.
24:18So, I mean, that's what I mean,
24:20that he cannot get a mangalo.
24:22So, if there are no places,
24:24then who is there?
24:26Sir, who is there?
24:28And sir, no one has a finger on the grill?
24:30And the Prabhakar said,
24:32that he didn't see anyone in the meditation room.
24:34But if there is no one's angry or a grill
24:36or a window of a window,
24:38then who can't leave the closed door,
24:40and who can kill Kuldeep Ji?
24:42Oh, that's right.
24:43Sir.
24:44Yes.
24:45Sir, I checked Kuldeep Ji's record.
24:47He came last call at 10 minutes, sir.
24:49After the call,
24:51when he was in the meditation room.
24:52Who was called?
24:53Mr. Mitali.
24:54Mr. Mitali was calling Kuldeep.
24:56Mr. Mitali was calling Kuldeep to Kuldeep.
25:00And he was also in the meditation room.
25:03Mr. Mitali has called him
25:05to come to the meditation room
25:07and Kuldeep Ji didn't know.
25:09In this case,
25:10he was happy in the room,
25:11and he was out of the room and left.
25:13Mr. Prabhakar said that he was standing outside the room.
25:16He didn't see anyone in the room.
25:18Mr. Pankaj,
25:19I don't as much as a reward for anyone.
25:22No one else has been the same.
25:24He can.
25:25Mr. Promalkar and Mitali
25:28shall meet.
25:30And after Kuldeep's death,
25:33they will be the name of the business and property.
25:36Mr. Mitali.
25:37Okay, so this is the thing.
25:42So, my Ravjit, call them both in the office.
25:47You know, this Prabhaqar and Mithali,
25:52which is what they are eating.
25:55Mother, where are you going?
25:58I'm going to the office.
26:00Why?
26:01It's a necessary job.
26:03If I'm a father, I don't go.
26:06If I'm a father,
26:08but if I'm not a father,
26:09I don't have to worry anyone.
26:11That's why I have to go to the office.
26:13Come on, ma, please.
26:14Yes.
26:15Hello?
26:16Rajan is also here.
26:18You sit with Rajan and talk to me.
26:21I'll come back to you.
26:36I'll come back to you.
26:38I'll come back to you.
26:43What's the matter, Mithali?
26:44Did you have to fix a business very fast?
26:48Yes, sir.
26:50My partner called it.
26:52There were mistakes from him.
26:55I was just trying to fix him.
26:58Did he come back to him?
27:00Did he come back to him?
27:01Okay, what are you saying?
27:03No, the boss died.
27:05He was going to be friends with his enemies.
27:08No friends, sir.
27:10He was here to deal with business.
27:12We will talk to you, Mr. Ayman.
27:14Now, Mr. Amit Ali Ji is going to ask him.
27:17You will be forced to go to the bureau.
27:20Come here, come here.
27:22Yes, let's go.
27:31Come here, Mr. Amit Ali Ji.
27:40When Kuldeep was in the meditation room,
27:43you called him.
27:45Why?
27:46Why did he find us?
27:48No one had to take this call from this case.
27:50If we take it or not,
27:52we will decide, Mr. Amit Ali Ji.
27:54We are saying that
27:56you have met Kuldeep and killed him.
28:00Why?
28:01Why did you do that, Mr. Amit Ali Ji?
28:02You have no phone with your boss.
28:04Don't talk about it.
28:05You have got your fingerprints on our body.
28:07Sir, I didn't kill him.
28:09And why would I kill him?
28:11And the fingerprints of him,
28:12when I saw him,
28:13they were hurt.
28:14Then, Mr. Amit Ali Ji said
28:15that you had a big deal with Kuldeep.
28:18Did you kill him?
28:20No, sir.
28:21There was no deal with that.
28:23He is saying that.
28:24Why did he say that?
28:25Mr. Amit Ali Ji Ji wants me.
28:27And I doubt that Mr. Amit Ali Ji Ji
28:29has not been murdered.
28:30Why did he say that?
28:32Because after Mr. Amit Ali Ji
28:35Mr. Amit Ali Ji
28:36has taken over all the witnesses.
28:38Sir, I doubt that Mr. Amit Ali Ji
28:40will not kill Mr. Amit Ali Ji.
28:42I called him to Kuldeep
28:44because I was calling him
28:46that we are going to get to the airport.
28:50I am going to get to the airport.
28:51Yes, sir.
28:52I am going to get to the airport.
28:53Yes, sir.
28:54But you are going to get to the airport.
28:55So, when the airport was out,
28:56where are you going to get to the airport?
28:58Yes, sir.
28:59My daughter, Kalpana,
29:00we were on the video call.
29:02We were with the manager of the event management company
29:04with the manager.
29:05Sir, we are going to get married for two months.
29:07We were talking about the marriage
29:08and we were talking about the manager.
29:10We could cross-check with the manager.
29:12We can cross-check with the manager.
29:14We will cross-check with Mitali.
29:16But until our investigation is not done,
29:19you will leave the city and leave.
29:22Do you understand?
29:29Sir.
29:30Yes.
29:31The lotion bottle that Mitali used,
29:33didn't get a trace of steric acid,
29:35which we had on the body.
29:36What?
29:42Abhijit, this is the blueprint.
29:45This is the ancient Bangla's blueprint,
29:47which we had not given.
29:49Now, in this blueprint,
29:51the Bangla and the meditation room were attached.
29:55They were connected.
29:56But now,
29:57this is the connection,
30:01and here is the wall.
30:03So, it is not like that.
30:05With this wall,
30:07someone ate a tree.
30:09What?
30:10Sir,
30:11when we investigated,
30:12all the walls were good.
30:14All the walls were originally estimated.
30:17There was no shade.
30:18But, sir,
30:20then,
30:21someone ate a tree in the open room,
30:22and ate a tree in the open room.
30:23So,
30:28There is a sign,
30:29which was the one that was fitted in.
30:30How could it happen?
30:32How could it happen?
30:34Not the damns like that.
30:35And no one came out.
30:38There is not.
30:39No one died.
30:40How could it happen?
30:41What is that?
30:42What is it?
30:43That,
30:44when you read the book first,
30:46had the damns like that.
30:48But,
30:49after this painting,
30:51and I was born from the house.
30:53I was born from the house.
30:54I was born from the house.
30:56I was born from the house.
30:57Sir, tell me a little detail.
30:59Please, sir.
31:00Pankaj,
31:03this is the old photograph of the house of the house.
31:08When the house was on sale.
31:15And this is the new house of the house.
31:20This is the new photograph of the house of the house.
31:27Hmm?
31:29Take care of it, Pankaj.
31:31In these two photographs,
31:33there is something that is missing.
31:46Oh, good!
31:48You understand, Pankaj?
31:51If we haven't seen the pictures of the house of the house of the house of the house of the house,
31:56then what is the real game of the house?
31:59We don't know.
32:01We don't know.
32:02We don't know.
32:03But,
32:05we don't know.
32:06In this photograph, there was a statue here.
32:13Where did that statue go, Amit Ali?
32:16Who?
32:18The statue told Kuldeep that the statue is damaged.
32:23Yes sir, I remember.
32:25Kuldeep told me that he was going to repair the statue.
32:28This is a multi-tot, send it to repair.
32:31Yes sir.
32:32Where is that statue?
32:33I was going to keep the statue in the garage.
32:36I'll take it.
32:47Prabhakar?
32:48Yes sir.
32:50After killing Kuldeep's death, when you came to the door,
32:53was this statue here?
33:00Kuldeep sir, I was shocked.
33:02I don't know if there was a statue or not.
33:07There was a statue here, but there was no statue.
33:10What does that mean sir?
33:12I mean, the statue was standing here.
33:15He was standing there.
33:16He was still there.
33:17He was standing there in the room can't be.
33:18As a statue was standing there, he was standing there.
33:23Then, he was standing there.
33:25He was standing there with the statue.
33:26And when he was in the meditation, he came from behind him and then sat again and sat again and sat again.
33:40And when the staff and workers came here, he took his chair from his clothes and all of them were left behind him and left.
33:49Then he went to work in the bathroom, cleaned his paint, and then worked on his work, just like something didn't happen.
33:59There are those marks on this dress, like this statue.
34:07And this color was also on the killer's face.
34:11This color is steric acid.
34:14There is a steric acid in the cosmetic paint.
34:17And this steric acid was also on the body of Kuldeep's body.
34:22That means the height of the blood and the statue of the height.
34:25Should it be the same?
34:35Now the question is,
34:37that the height of the statue matches the height of the statue.
34:45And where I remember,
34:48there is only one man.
34:50Ballou.
34:54But sir,
34:55if Ballou was mixed in the sand, then why did anyone see it?
34:58Because someone helped him from here.
35:02But who is he?
35:04He will tell Ballou.
35:07He didn't.
35:08Come on,
35:09he will tell me about the statue.
35:10He is.
35:11I'll tell you about the statue.
35:12I know.
35:14Does he have any attention here?
35:16The statue of the statue is the last statue.
35:20Man?
35:21Can you tell me about the statue of the statue ?
35:23Yes,
35:24I will tell you that the statue is taken to it.
35:26I'm sure you dare tell him.
35:28That's the statue of the statue.
35:29He died.
35:30A dream.
35:31your work's last installment.
35:33Okay.
35:34Good question, Nathma.
35:35CID has already found out that
35:37Kuldeep sir's murder is your hand.
35:39So, as soon as possible,
35:41you'll get down from the city.
35:42Okay, let's go.
35:55Why are you, baby?
35:57Where are you running?
35:59If you don't know today or not,
36:00then you'll get caught up.
36:01So why are you complaining?
36:02Sir, I haven't done anything, sir.
36:04Stop!
36:05What have you done?
36:06What have you done?
36:07We all know.
36:08Why are you running?
36:09Huh?
36:10How much money?
36:12Who gave you?
36:13How many people have reached me?
36:15This is back to the tempo.
36:17Do you understand?
36:18This is your friend's tempo, right?
36:20The painter?
36:21Who gave you paint?
36:22Huh?
36:29Who gave you?
36:30No.
36:31He doesn't have a lot of getting away.
36:32He's paying me.
36:33Okay.
36:34Guys, I'm paying.
36:35We will be paying for you.
36:36Who gave you in the cash?
36:37Yes.
36:38Who gave you the cash for you.
36:39Okay, sorry.
36:40Okay.
36:41I'm paying for you.
36:42A cruise.
36:43I'm paying for you.
36:44You're paying for you.
36:45You're paying for me.
36:46Who gave us,
36:47you're paying for you.
36:48You're paying for a while.
36:49What's going through?
36:51You're paying for you.
36:53Okay?
37:06How about that?
37:07Sir.
37:10Rajin Marikas, sir.
37:22What's wrong?
37:24You killed Kuldeep.
37:25After that, you killed Kuldeep.
37:28After that, you killed Rajin.
37:30Sir, I didn't kill Rajin.
37:32I was getting married, but I was left here.
37:35I killed Kuldeep.
37:37He was also called Rajin.
37:52He killed Kuldeep.
38:06After that, Kuldeep killed him.
38:10Then who killed Rajin?
38:14There is someone who didn't want us to reach Rajin.
38:18He is still running out of the house.
38:22Boss,
38:25Boss test report is known that Raja's death is just a bad thing.
38:30He has a resin based compound that was mixed in lip balm.
38:34Sure.
38:35In other words,
38:37whoever has a blood,
38:38he probably knows that Raja uses lip balm.
38:43Sir,
38:45Raja has a laptop,
38:47password is protected.
38:49But in his laptop bag,
38:51there is a gift box.
38:52There is a diamond pendant.
38:54The bill is not bought,
38:56but the interesting thing is that the initial diamond pendant is M.
39:05M.
39:08Wow, M.
39:11Abhijit,
39:13in this case,
39:15there is only one person whose name is M.
39:20M.
39:24Mitali.
39:25Thank you so much for your service.
39:27Thank you so much for your service.
39:28Ah,
39:29from today's time,
39:30we will leave this house.
39:32What happened, Mitali?
39:35Where are you going to go to the poor?
39:37Where are you going to go to the poor?
39:39Sir,
39:40I and Kalpana are going to our old house.
39:43After Kuldeep's death,
39:44we will be a little strange to live in this house.
39:47And we will be a little change here.
39:50In the old house,
39:51we will go to each other.
39:54And the other one will go to jail.
39:56Jail?
39:57Rajaan's death.
39:58What?
39:59Rajaan's death?
40:01And in the car,
40:02we got the body of Rajaan,
40:04we got a pendant.
40:06And we are sure that this is the pendant
40:08who had the blood of Rajaan's death
40:10and was running with it.
40:12And this is the initial pendant,
40:14that is M.
40:17So,
40:18there is no such person
40:19whose name is M.
40:21Sir,
40:22there are thousands of names from M.
40:24Why do you think that M is just M?
40:27What are you doing on me?
40:29Amira and Rajaan's affair?
40:31No,
40:32we didn't say that.
40:33We were so lucky.
40:35Then we got Rajaan's laptop,
40:37we cracked it,
40:39so that the laptop has given us all to the Rajaan.
40:42He wrote all his feelings on his laptop.
40:45There were a lot of love letters
40:47which he didn't mail.
40:49And in all letters,
40:51there was one name
40:52whose initial initial
40:53started from M.
40:55I've heard my story.
40:57Look, sir,
40:58there's no wrong idea.
40:59No, no,
41:00there's no wrong idea,
41:01Mithali Ji.
41:02He was loving
41:03with some M-name.
41:07Why, Kalpna Ji?
41:08How do you know me, sir?
41:10No, no,
41:11listen to the whole thing.
41:12I'm saying
41:13why Kalpna Ji
41:15is Mithi?
41:16Mithi.
41:20You call him the same name in the house.
41:22Mithi.
41:23M.
41:24M.
41:25M.
41:26M.
41:30M.
41:31M.
41:32M.
41:33M.
41:34M.
41:35M.
41:36M.
41:37M.
41:38M.
41:39M.
41:41M.
41:42M.
41:43M.
41:44M.
41:45M.
41:46M.
41:47M.
41:48M.
41:49M.
41:50M.
41:52M.
41:53M.
41:54M.
41:55M.
41:56M.
41:57M.
41:58M.
41:59M.
42:00M.
42:01M.
42:02M.
42:03M.
42:04M.
42:05M.
42:06M.
42:07M.
42:08M.
42:09M.
42:10M.
42:11M.
42:12M.
42:13M.
42:14M.
42:15M.
42:16M.
42:17M.
42:18M.
42:19M.
42:20M.
42:21M.
42:22I know that you love me very first.
42:27And tell me one thing.
42:31I love you too.
42:34What?
42:36I want to marry you.
42:44But how will it happen?
42:46What is that? Why are you waiting for me?
42:53I will never believe for my marriage.
42:57She wants to marry me as a girl.
43:00Do you know?
43:02My marriage is only a real business.
43:05You have to take attention to me.
43:07I am, right? I will go to Kuldeer.
43:10No, Rajar.
43:12You don't understand.
43:14I will never believe Papa.
43:17If I don't believe it, I will die.
43:20What are you doing?
43:22There is a path.
43:24What?
43:26We will have to die.
43:28What?
43:30We will stay with you.
43:31No, this path is completely broken.
43:33You can live without me.
43:35I cannot live without you.
43:37Why do you understand me?
43:38I will not die without you.
43:40I will be dead without you.
43:41But okay. I am sorry.
43:42All right.
43:47Okay.
43:50If you are saying,
43:53I will die against him.
43:56I did my right hand.
43:58I will not be able to get at my marriage.
44:00The trust that Papa gave me with respect to Papa.
44:03But when I knew that Rajar is also exposed,
44:06I will also hit him our way.
44:08But I would have been put on it.
44:10Why did you want to marry with Rajan?
44:12I didn't want to marry with him.
44:14I wanted to become a son of Papa.
44:16I wanted to grow his business.
44:18I wanted to grow his empire.
44:20But Papa, his thoughts were very hard.
44:24He is a girl.
44:26He will marry and marry him.
44:28I wanted to change his thoughts.
44:30And I tried a lot.
44:32But for Papa,
44:34I was just a business deal.
44:36Hey Ma,
44:38Sir, we are young people who have no life.
44:40We are young people.
44:42There is nothing from us.
44:44We are just listening to our lives.
44:47Do not do that, do not do that, do not do that, do not do that.
44:51What?
44:53I wanted to live my own life.
44:55I wanted to live my own way.
44:57I wanted to know that
44:59what I want to do,
45:01I will get to do it.
45:03I want to know that
45:04we are not talking about.
45:06We are not talking about it.
45:07We are not talking about it.
45:09We are living our own way.
45:10It is a lie.
45:11And in today's time,
45:12we are all of them.
45:13Yes, if there are some people who have fought for the right people,
45:16then there are also paths.
45:17But the path you have found,
45:19that was wrong.
45:20You made your own decision.
45:22You made your entire life.
45:24Now, the rest of the lives of your life
45:26will cut you down to jail.
45:28You're going to die here.
45:29I remember going to die.
45:30And the gone and dusk.
45:31I am going to die.
45:32To be honest,
45:33let's see you begin to watch.
45:34Let's check it out.
45:35Look at that man.
45:37Maybe we can watch it.
45:38We can adjust it.
45:39Let's see it later.
45:40Now, all-you.
45:41We've popped up.
45:42Now, you.
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