- 2 days ago
The plot of Hell Squad (1986) follows a group of Las Vegas showgirls who are recruited to become commandos to rescue the kidnapped son of a U.S. diplomat
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Short filmTranscript
00:00Get this, a cow.
00:16You know, that last steak was a horse.
00:19What in the hell happened to them?
00:21Just disappeared into the atmosphere.
00:24Can you dig this? A complete elephant wiped out.
00:28That'll sure add to the smog up there.
00:30What are they trying to prove with this new bomb?
00:33That they can destroy humanity but leave the buildings.
00:36Maybe we can sell the idea to a paint commercial.
00:39The entire race wiped out, but chevron paint didn't even peel.
00:44Let's get back to the base.
00:46We're not supposed to be spending more than 15 minutes in this radiation.
00:58Goddamn it, Dad. I can't believe they actually did it.
01:04I mean, until now, the neutron bomb was just an idea.
01:08I just can't believe they actually tested one.
01:10And not just anyone, but that goddamn ultra-neutron bomb.
01:13Well, the UN bomb is the president calls it.
01:15I mean, what kind of sick brain can invent a device
01:18that kills all life within a certain radius,
01:20that doesn't even singe in newspaper?
01:22Some of us in government positions believe the UN bomb is a blessing.
01:25What happened to you, Dad?
01:26You're starting to sound just like those mush heads in Washington.
01:32Come here, son. I want to show you something.
01:37Look out there, son.
01:38See what war can do to a city?
01:40The people out there may never be able to rebuild what was once theirs.
01:43If America should engage in a nuclear war,
01:46I'd rather we be hit by a bomb
01:48that will leave our cities intact for future generations.
01:51Why should our descendants have to live like rats,
01:54roveling through rubble and debris,
01:56just because a handful of their ancestors wanted to kill each other?
01:59Use the ultra-neutron bomb
02:01and there won't be any descendants to worry about.
02:04I'm sorry, Dad.
02:06This whole thing stinks to high hell.
02:09When I get back to the States,
02:13I'm going to use my name and my influence
02:15as a surname from the American ambassador,
02:17and I'm going to tell the people about this horror.
02:20Jack, son, wait!
02:23Hello, Jack.
02:24How are you?
02:25Leaving so soon?
02:26Got to go.
02:27Ready to take that dictation now?
02:40Yes, sir.
02:57What the hell did I say about this horror tale?
03:00They won't go.
03:01They'd fall in felt weighed.
03:02Every one of us has been seen.
03:03Not how did it do we become serious,
03:04but the occasional inter clapping.
03:05They won't believe it if nobody was caught even.
03:07Elliot거 is always high.
03:08Speaking of me,
03:10they'd be here.
03:11To make it all the police report day.
03:12Which I want you to learn most for women?
03:14I'm scientists and businessmen and lawyer.
03:15They ain't ever learning more about this horror story.
03:17See, Harald and pictures like us.
03:18Darling in an intermediate history,
03:19the farmers were Hindu mean sus that
03:21That we know,
03:23and that we know as chanel agnan or the truth
03:24Can we go a little faster?
03:28The sooner we get out of here, the better I'll feel.
03:30We may have no choice unless those are your friends.
03:36Hey, here we are. On!
03:43Come on! Let's get the hell out of here!
03:54Come on! Let's get the hell out of here!
04:05Come on, Dan! Speed up!
04:24Come on!
04:27Come on!
04:32Come on!
04:42Come on!
04:49Come on!
04:51Let's go.
05:06Chaney, over here.
05:08What?
05:09What?
05:11What?
05:12Oh, look.
05:13Look at that.
05:15Hold on.
05:21Hey, where are we?
05:32I want you to connect me with the American ambassador, Mark Stewart.
05:37This is a call of great urgency. Do not screw it up.
05:43Hey, hey, we're going.
05:46Where are you taking me?
05:48Jack's got to be alive.
05:50Otherwise, we would have found his body, too, and he would have sent this.
05:54It adds up, Mark. I've seen this scenario before.
05:58It won't be the last time an American dignitary's son or daughter is kidnapped.
06:02If only the abductors would make contact. This damn waiting is...
06:15Ambassador Stewart speaking.
06:19You must tell me. Is Jack...alive?
06:24Here. Say hello to your daddy.
06:26Dad? I'm alive and okay. Don't worry about me. Don't do anything rash.
06:33What do you want?
06:35Use your political influence and great wealth to get us the second phase fuel formula for the ultra-neutron bomb.
06:44Or by Allah, your son will be returned to you organ by organ.
06:48How much time do I have?
06:53I see.
06:55Well, one thing's certain. You can't meet their demands.
06:58The U.N. bomb is a dangerous enough weapon in the hands of sane people.
07:02I've got to do something, Jim. He's my son.
07:04If we can pull a rescue.
07:07I have an idea.
07:08Look, don't bullshit me.
07:10I've already been refused help by the Israelis.
07:13Even our own government.
07:14Too many political problems involved.
07:16I am not talking about any government-sanctioned rescue.
07:20Then what?
07:21Girls look great tonight, Jan.
07:23You did a terrific job with them.
07:25Should be a good show tonight.
07:27Thanks, Joe.
07:28Hey, lady, turn. Turn to your left a little bit more.
07:47Hello.
07:49I'm joking.
07:51I'm sure hope there's enough to go around.
07:52You want a drink, gentlemen?
07:53I want you to take a walk.
07:55What are you talking about?
07:56I want you to take a walk.
07:59I'll get security, Jan.
08:15What's wrong, boys?
08:16I thought I'm supposed to be the weaker sex.
08:17All right, you creeps.
08:29Want any more?
08:30Come and get it.
08:31That's enough, Jan.
08:32You passed the test.
08:35Jan?
08:36What's going on?
08:37I have an offer that can make you and your girls
08:46more money than you'll ever make in Las Vegas.
08:49What are the details?
08:51Come on.
08:52Let's go.
08:53Sounds good.
08:54Come on.
08:55Let's go.
08:55Come on.
08:56Let's go.
08:57Come on.
08:58Come on.
08:59Come on.
09:00Come on.
09:01Come on.
09:02Come on.
09:03Come on.
09:04Come on.
09:05Come on.
09:06Come on.
09:07Come on.
09:08Come on.
09:08Come on.
09:25Geez, would you look at that?
09:26It's a military coming for you, Sergeant.
09:28I often wonder about that myself, sir.
09:35It's hot out here.
09:38The officer's bar closes in an hour.
09:40Get my drift, Sergeant.
09:42So, this is the secret training center.
09:45This was used as a special CIA training camp.
09:48Well, Beth, you said you wanted to be on the bus in the morning.
09:51Yeah, but they sure are at a house in Springfield.
09:53Not exactly in Palm Springs either, but for 25 grand.
09:57Hey, what are you going to do with that 25 grand, Dolly?
10:00She hasn't got it yet.
10:02You're going to let them keep us here all day, Sergeant?
10:05All right, ladies, let's settle down.
10:09All right, you're all here because you volunteered.
10:12And we promised you money and excitement.
10:15But I'm warning you, it's not going to be easy.
10:17I'd like to introduce you to your commanding officer.
10:20This is Colonel Ballin.
10:22And this is your drill instructor, Sergeant Hearth.
10:27We have less than 10 days to transform you from Las Vegas showgirls into expert commando fighters.
10:33During that time, some of you will be dismissed.
10:35Some will quit.
10:37Some, if you don't listen to every word I say, could be seriously injured.
10:40But I'll tell you this.
10:44Those of you that do make it through are going to be the best fighters that ever came out of this camp.
10:48If you're having any second thoughts about this, now's the time to speak up.
10:54Bus hasn't left yet.
10:56Any questions before we start?
10:58Good.
10:58Move them out, Sergeant.
11:00Right away, sir.
11:02We're going to move down to the obstacle course now.
11:05When I blow this whistle, I want you to move through this course as if you were going through a minefield.
11:09Imagine if those tires were mines and you touched one of them.
11:13You could lose both legs.
11:15This guy's got a fertile imagination.
11:21Let's move it out.
11:23All right, let's go.
11:24Come on.
11:24All right, let's go.
11:54All right, let's go.
12:24All right, let's go.
12:55Remember that saying?
12:56I want you to come up.
12:58Each of you can do this.
12:59But, Jan, I want you to come up.
13:00I want you to concentrate on putting your fists right through this wood, right into my chest.
13:06Okay, you can do that now.
13:07Take your time and concentrate.
13:09See your hand going all the way through.
13:11Let's go.
13:11Okay, now how did Bruce Lee do this?
13:41Ladies, this is a killing instrument.
13:45It's the M16 rifle now being used around the world in war wars than we need.
13:50You take care of it, and it will take care of you.
13:56Now remember, squeeze those rounds off slowly.
14:00Okay, on your shoulders.
14:02Ready on the left.
14:04Ready on the right.
14:06Hold it, hold it, hold it, hold it, hold it.
14:09What's the problem here?
14:11I can't seem to get it right, officer.
14:14Uh, well...
14:18Uh...
14:20Try it from the hip.
14:40Cease fire!
14:46I told you never to point that weapon anywhere but down the range.
14:48You understand?
14:49You don't do a thing until you're instructed.
14:51Do you understand?
14:52All right.
14:53That's enough for today.
14:54Ladies, I, uh, got permission to use the, uh, officer's swimming pool.
15:05I want you all to change into your swimwear.
15:07In a few minutes, we'll call you, back out, and tell you who has been selected.
15:11Woo!
15:14Woo!
15:15All right.
15:17Woo!
15:27Come on.
15:30Hey, Jan, when will we all be selected?
15:32Who acted? Yeah, and who turns back into a showgirl?
15:36You did.
15:37Hey, you'll all be a better showgirl for this.
15:40Bang, two, three, four, five, six, seven, six, eight.
15:45How do we use that in our new number?
15:48Huh, especially the target practice.
15:51Oh, well, it was a nice vacation.
15:53A nice paid vacation, if nothing else.
15:56Well, I had a wonderful time at it.
15:58Oh, and it had a wonderful time with you.
16:02Yeah, those guys couldn't keep their eyes off you.
16:06I hope watching you made them overlook our mistake.
16:08Well, you might have served a useful purpose after all.
16:11I always serve a useful purpose.
16:13Yeah, a couple of them.
16:16I'm kind of sorry it's all over with, you know?
16:19Now that I got my body back in shape, now what do I do?
16:24Oh, you can always join the real army if this one won't take you.
16:28Jan, if we're not selected, can we still get our old jobs back?
16:30Oh, with all this training, if they won't give us our old jobs back, we'll just go in and take them back.
16:36Yeah!
16:37I sure hope I'm one of the lucky ones who get to lunch.
16:40After what we've been through, I wonder if it's the lucky ones who get turned down.
16:44All right, ladies, let me have your attention.
16:49Quiet down, girls.
16:50We're going to read the lunch.
16:51Quiet!
16:53Because of the delicacy of this mission, I'm going to read the selected girls by their first name only.
16:59Of course, Jan, you'll be the leader.
17:01Oh, yeah!
17:04Yeah!
17:05Ha, ha, ha, ha.
17:05Ha, ha, ha, ha.
17:06Ha, ha, ha, ha.
17:07Ha, ha, ha, ha, ha.
17:08Ha, ha, ha, ha, ha.
17:09Ha, ha, ha, ha, ha, ha.
17:10Ha, ha, ha, ha, ha.
17:11I know you, Will.
17:12You're welcome.
17:13Someone out there.
17:14Yo, Will.
17:15Hey, what?
17:16Oh, yeah, you'd like to go.
17:17Tina.
17:18So, all right, Tina.
17:20All right, Tina.
17:21Megan.
17:22I know you're welcome to a movie.
17:23No, no, no.
17:24I know you're welcome.
17:27See you next.
17:29Nothing.
17:30Chrissy.
17:31Well, of course.
17:32I knew that.
17:33Oh, no.
17:34Oh, no, no.
17:37Karen.
17:38Oh, no, no.
17:39Not baby.
17:40Those of you not selected, we want to thank you
17:46with a bonus of $1,000 a piece.
17:50I can't understand why they passed me by.
17:53Either can I, Mary.
17:55Either can I.
17:56Yeah, hi, Mr. Ambassador.
17:57How was the flight?
17:58I'm in Vegas, aren't I?
18:00Yeah, well, I hope the hotel's treating you right.
18:02Never mind that.
18:03I want to know what progress is being made
18:05with your scheme to rescue Jack.
18:07Well, everything's going well so far.
18:08Just give me one more day
18:10and I'll be able to show you the entire plan.
18:12And then you'll be able to see our secret weapon.
18:15Hell Squad, Hell Squad, we're the best!
18:19Don't ever put us to the test!
18:22Don't ever put us to the test!
18:25If you want a job well done,
18:28call for Hell Squad, we're number one!
18:38According to the Geneva Convention,
18:45we are obligated to give you food and water once a day.
18:48So here's your food
18:49and here's your water.
18:53Bon appétit!
18:54What, is this some kind of cruel joke?
19:01You bring me a handful of Las Vegas showgirls
19:03and you tell me they can get my son out?
19:04Mark, it's no joke.
19:06It's all we've got left.
19:08These girls are commando trained.
19:10Each one of them is an expert in their field.
19:12Karate, marksmanship, demolitions.
19:15Mark, you said to yourself
19:16that no one else would lift a finger to help us on this.
19:19It's all we've got left.
19:20A bunch of showgirls or whatever?
19:23That's their cover.
19:30Show me.
19:34Hey, wait a minute!
19:35Let's go!
19:38To force him to get what they want.
19:43What if we can't pull this off?
19:45Then what?
19:46Well, they said his son would be sent back to us
19:48in bits and pieces.
19:49It's a hell of a lot to expect
19:50from a handful of Las Vegas dancers.
19:53Yeah, what a responsibility.
19:55We're not just Las Vegas dancers.
19:57We're trained commandos.
19:59Even so, our lives are really going to be on the line, huh?
20:04Suddenly, 25 grand doesn't look so great.
20:08Look, we knew we weren't training
20:09to become camp counselors when we signed up.
20:12So let's go on with it.
20:14Go ahead, Jim.
20:15Okay, you're booked as Las Vegas dancers
20:17at a club in Carajan.
20:19Now your uniforms, vehicles, and weapons
20:21will be delivered to you by friends.
20:23You'll receive instructions by phone
20:25as to possible locations
20:27where Jack might be held prisoner.
20:30Your mission, Miss Richards,
20:31now that you've decided to accept it,
20:33is to take that location at any cost and free it.
20:37Are we going to have to kill people?
20:38No, we just fly a point blank.
20:41If they fall down a dock, that's their problem.
20:53I'm flushed.
20:55Really, what an exhausting flight.
20:57Wow!
21:17If I would have known hotels look like this
21:19in this part of the world,
21:20I would have visited here long ago.
21:22It's the British influence.
21:24Otherwise, we'll be staying in tents.
21:26Don't get too enthusiastic.
21:28This might be the only luxury we see
21:30while we're here.
21:31Well, I could just sleep for days.
21:33Wake me up when the war's over.
21:36Don't take up too much room there.
21:38There's nine of us and only five beds.
21:40Aren't you guys forgetting something?
21:42What's that?
21:43The bedroom.
21:48Hey, a tub, a tub!
21:50All right!
21:52There's enough room in here for all of us.
21:55Well, I'd rather be in there with all men.
21:58Oh!
22:00Oh, all men.
22:01Hey, so what do we do?
22:03Take turns?
22:03Well, I read on the plane over here
22:05that there's a water shortage.
22:07Plenty of oil in this country,
22:08but little water.
22:09There's a water shortage.
22:30There's a water shortage.
22:34I've seen it.
22:36Come on, boys.
22:38Come on.
22:43Come on.
23:06Come on.
23:36Let's go!
24:06Come on.
24:36Why are we entering the fire?
24:38Well, because we can't go through the middle of the hotel with our uniform on, can we?
24:55Come on.
24:56You know what I want?
24:57A cold drink and a hot bath.
25:00Oh, I feel tired.
25:02You know, if it wasn't for knowing that somewhere they're holding,
25:05and maybe even torturing the ambassador's son,
25:07I just couldn't keep on shooting men.
25:11I can.
25:12I had to close my eyes and turn on my shooting gallery
25:15like the ones we used to have back home.
25:17You girls just don't know how to handle the sight.
25:20Isn't this our cue to jump in the bathtub, men?
25:24Oh, God, let's go.
25:35Come on.
25:52Come.
25:54Well, I'll go.
25:56Well, I'll go.
26:17Great.
26:19This is anything like the team we trained on now, Matt.
26:22Now we might. Don't worry. I'll figure this thing down.
26:29Right. Rotate left.
26:32Okay. I've got him in my sights.
26:35Can't make a big bang.
26:38I always do, honey.
26:43Yeah! It's a direct hit!
26:49Let's go!
26:52Let's go!
27:15They're the chiefs! Go that way!
27:17Watch out! You're driving on the ammo dump!
27:23Look out! Watch where you're going!
27:27All right! It's okay.
27:28It's a good thing you didn't hit that ambulance.
27:30All right! It's okay!
27:32It's a good thing you didn't hit that ambulance.
27:34All right! It's okay!
27:36It's a good thing you didn't hit that ambulance.
27:38All right.
27:40To be continued.
27:43I'm not sure if it was gonna be the care station
27:46but even if he was to love,
27:49Oh what?
27:50Let's go!
27:52Areunkt então!
27:53Oh, my God.
28:23Oh, my God.
28:53I guess I'd better start greeting the little bastards.
29:03You had better watch what you say.
29:06One day, one might understand you.
29:09Just words of endearment, darling.
29:12Besides, we always talk like that to one another in the States.
29:15I just bet you do.
29:23Well, how are you tonight, you rancid sacks of suet?
29:28Oh, we got a great show for you lame-brained idiots tonight.
29:32Listen, drink up, drink up, you scum-bums.
29:45I need all the money I can get so I can get out of your stinking country.
29:48Nice scene, yeah, nice.
29:55Ha, ha, ha.
30:25Oh, I'll drink of that.
30:37Yes, sir.
30:43You know, in the finale number, it's a kick, pot de beret, and then a turn.
30:47No, no, no, no. It's a kick, a ball change, and then two turns.
30:52A kick, a ball change, and then two turns.
30:53Hey, don't worry. Nobody's looking at your feet anyway.
30:56I'm looking at my feet.
30:58Ah, hello.
31:01Hello?
31:02Be at Lebanon Heights at 12.
31:23Hello, John. Follow my directions precisely.
31:28Be there.
31:29Hello, John. Follow my directions precisely. Be there.
31:36Hello, John. Follow my directions precisely.
31:53Be there.
31:54Oh, yeah, I'm just kidding me.
32:24Oh, yeah.
32:25Oh, yeah.
32:27Oh, yeah.
32:28Oh, yeah.
32:29Oh, yeah.
32:30I just felt so...
32:33Shh.
32:34Shh.
32:54Jack!
32:55Oh, my!
32:57Oh, my God.
33:24Watch out.
33:27M.C.
33:33I want to thank you all for visiting me today.
33:37Visiting you? You slob!
33:40You kidnapped us at gunpoint at our hotel.
33:43How you got here isn't important.
33:46You're here.
33:48And now I suppose you want to know why you're here, yes?
33:53Because I want to know why you are in my country.
33:57I don't believe you are only dancers.
34:00I want to know what you are doing here, spying.
34:03You can't cut your tongs, eh?
34:07You can't cut your tongs, eh?
34:09You can't cut your tongs, eh?
34:19You can't cut your tongs, eh?
34:20You can't cut your tongs, eh?
34:21You can't cut your tongs, eh?
34:25You can't cut your tongs, eh?
34:27You can't cut your tongs, eh?
34:29You can't cut your tongs, eh?
34:31You can't cut your tongs, eh?
34:33You can't cut your tongs, eh?
34:34You can't cut your tongs, eh?
34:36Oh.
34:37Oh.
34:38Oh.
34:39Release one of them and bring her over here.
34:42This can eat once a week on Tuesdays.
34:48And what is today, everyone?
35:03Saturday.
35:04No, it's Wednesday.
35:07Saturday is Wednesday, Wednesday.
35:12Now, who sent you?
35:14Joe sent us.
35:16Joe?
35:17a joke? No, Joe Hastings from the William Morris Agency sent us here. We're dancers.
35:24We dance at the Ed Al Casino every night at the 9 p.m. dinner show. Showtime! Five, six, seven, eight.
35:32I don't believe you're only dancers. Several of my men were killed in my west tower by a group of
35:40female commandos. Do we look like soldiers? Do we have guns? I'm not wrong.
35:47I'm never wrong. It must be you. I am correct. I'll feed each one of you to the tiger one by
35:56one until I get the truth.
36:11Jack, behind you!
36:17Look out!
36:31Oh, my God.
37:01Tell us where they're holding Ambassador Stuart Sun.
37:04Get the cap off of me!
37:06You better tell us where Ambassador Stuart Sun is first.
37:10The dungeons of Amal Zwila. Amal Zwila!
37:14Now get her off of me!
37:24Bon appetit, Kitty.
37:26I'd give you anything for a beer.
37:31Look, there's tire tracks. There's gotta be a road somewhere.
37:34Ah, so what? There'll be no one on it.
37:37Probably some chariot tracks from 200 B.C.
37:40God, you'll realize that we could die of dehydration out here.
37:45Even lack of water.
37:47We've only got about six more hours to live.
37:51Yeah, Pauline, get us out of this peril.
37:54Okay, well, we can't walk.
37:56Oh, shit.
37:58Probably sheep.
38:01I wonder what it is.
38:02Deja vu! I saw the same scene in Lawrence of Arabia.
38:06It turns out to be an Arab who shoots the man who was watching.
38:12Come on, let's get the hell out of here.
38:14And go where, huh?
38:16Well, we can't just stand here and be slaughtered.
38:19You make out what it is yet?
38:21I can see several heads and huge bodies.
38:24Elephants!
38:25Out here in the deserts.
38:28They're camels!
38:30They sure are!
38:34How are we gonna fit nine girls on three camels?
38:37A couple could ride on ahead and get hell.
38:40No, I think we should all stick together.
38:42Can they carry all of us?
38:50Say, where can a girl get a cold drink around here?
38:54Is that water in that bag?
38:59Sure it is. Let's have a drink.
39:01Ooh, what is it, Tina?
39:02It's camel piss.
39:03This guy's taking his camels to the doctors with their specimens.
39:04Give me that.
39:05What is it?
39:06It's only warm water in goatskin bags.
39:07Sure it tastes terrible, but at least it's water.
39:08I'd rather dehydrate.
39:09We will, we will.
39:10What is it?
39:39Maybe we should follow them they might lead us to civilization. It could be days. No, we can't go on much further
40:04Can you give us a ride
40:06How far is the nearest city?
40:09We're going to the Phoenicia hotel. Please take us to the city. Yeah, please. Oh my god
40:17Where this beautiful girls come from? My goodness. Come on over with me. I'll take I make a lot of money on you. Come on. Let's go
40:39Not even undressed yet
40:52You'd better come up with the right answer this time, buddy
40:57Yeah, we think that's where they're holding the ambassador's son
41:02I'm a villain. I'm a villain. It's on Lake Cosmo
41:05Well, how do we get there?
41:07Swim
41:09You think it's safe telling this guy where Stuart's son might be? What if he's not on the level and he's using us to locate the sun so that he can grab him?
41:19You're right then we better act fast
41:21Come on girls get up. It's an emergency. Come on get up. Let's get going
41:26We think we found out where Stuart's son is. Yeah, come on, but we have to get there by morning. Come on
41:32Come on girls. We have to get we're swimwear and snorkel. Come on girls, and we got it
41:55I'm reading this huge sign. There is no huge sign. No shit, Sherlock. We are lost
42:03What are you guys doing?
42:05No, this isn't a public expedition. They didn't tattoo it on my ass
42:10Yes, we would, wouldn't we? What's going on?
42:13Where'd you stop for? We are lost. We're not lost
42:17We're heading in the right direction. Well, couldn't you figure this out back at the hotel room?
42:23No, I left my atlas at home. Thank you. Come on girls. Let's just keep going. It's gotta be this direction. It's gotta be around the bend
42:32Let's go
42:33Just make it over that mountain. Let's just keep driving. Come on
42:43Well, I don't see anything yet
42:46Do you see anything yet?
42:47No, I don't see anything yet. Do you see anything yet?
42:49I don't see anything yet. Keep driving. We don't see anything yet
42:56I don't see anything yet.
43:02The lake! The lake! Where?
43:04There it is!
43:09Come on!
43:09Come on!
43:21Well, where's the transportation to get us out of here?
43:29You're it, kid. Let's go!
43:34I wonder if there's anything in the water.
43:51There's anything in the water.
43:54Whoo! This will wake us all up.
44:21Oh, it smells in here.
44:29Oh, God.
44:34Hey, it's Doc in here.
44:37No shit, Sherlock.
44:42There are rats down here.
44:44Doc, I'll get one of my spirits.
44:51Billy, it's wet in here.
44:59I'm trying, man.
45:01My knees are hurting.
45:05Oh, God.
45:06That was a spider.
45:08Oh, God, how did I get myself into this mess?
45:21Oh, that's what I call a double header.
45:34Oh, yes.
45:37Oh, God.
45:42That's what I call a double header.
45:45Are you Jack?
46:00Are you Jack Stewart?
46:02It's too late for this guy. He's dead.
46:05Come on, this is him. Let's go.
46:07Come on, come on. Hurry up.
46:11Hurry up, come on.
46:13Let's go.
46:15You want to see another Big Bang?
46:36Aren't you supposed to light it?
46:39But I forgot something.
46:41We got to go back to the hotel, we got to go back to the hotel, we got to go back to the hotel.
47:04Over there.
47:04Over there.
47:05Over there.
47:17Over there.
47:18over there.
47:20Oh
47:50She's with you and after what I've been doing.
48:20Come on, come on, come on!
48:28Oh, shit!
48:50Come on, come on!
49:00Come on, come on!
49:20The girls are here, Stuart, uh, Mr. Ambassador.
49:35Show them in, please, Ann.
49:36All right.
49:38Remember, it's Tuesday. Is our date on as usual?
49:41Of course.
49:42Okay, great, thanks.
49:45You can go right in.
49:48They're here.
49:50Good show. Congratulations. Thank you so much.
49:58Good to see you. Good show.
50:00Thank you so much for getting this.
50:02Hi, how are you?
50:03Good show.
50:04It really is something else.
50:06Good show.
50:08Congratulations. Thank you so much.
50:11Well, everything worked out fine. Here's your money.
50:15Not quite.
50:17At least not unless you want a repetition of the kidnapping.
50:20What does that mean?
50:21Or worse.
50:22What does that mean?
50:23Jack's back safely. The girls did a remarkable job.
50:26Uh, yeah, what's all this about, Jim?
50:29Didn't any of you wonder how the terrorists knew every move we made?
50:34Well, I wondered how we kept getting fake instructions every night by phone.
50:39Then the next day we'd go out and wipe out a bunch of Arabs.
50:42But they weren't terrorists.
50:44Wait, are you saying that one of us is an enemy agent? That one of us risked all your lives? That one of us masterminded the kidnapping?
50:54Yes, Jim. That's exactly what I'm saying.
50:57But why?
50:58He's right, Jen. You're going off the deep end. Let's just take our money and get the hell out of here.
51:04If you'd like that, wouldn't you, Tina? Take the easy way out. No more scrapes, no more problems. Just get our money and get it over with.
51:12Jan, you flipped. None of us here is a terrorist.
51:15Uh, Anna, why don't you call the girl, Patsy?
51:19Of course.
51:22Yes, why don't you, Ann, or Anton, or whatever your name is.
51:29Would you just back off a minute, all right? Would you let me explain?
51:40Oh, my God! Get out of here! I'll throw it!
51:44Oh, God!
51:46God!
51:49Why, that two-faced bitch!
51:55Well, how did you know it was Ann, or Andy?
51:58It had to be someone in our immediate group.
52:01Quite frankly, Ann, or Andy, was the only one beyond suspicion.
52:06Besides yourself, Mr. Ambassador.
52:08Well, thanks a lot, Jan.
52:09Really?
52:10Really, Jan.
52:11That's really great.
52:12I'm sorry, gang.
52:13But thanks to those weird midnight phone calls, I wasn't even sure of myself.
52:18Well, how did you finally zero in on Ann or Andy?
52:22Yeah.
52:23When I went to the ladies' room, right after Ann or Andre had left.
52:31The ladies' room?
52:32Yeah, the toilet seat was up.
52:35Well, everybody knows that a man has to lift the toilet seat to go to the bathroom.
52:41Listen, you girls take Ann or Anthony downtown to police headquarters.
52:50Okay, come on, let's go.
52:51Wait a minute.
52:52What is your name?
52:53Fred.
52:54But don't you know you'll be executed as a traitor?
52:57Nobody lives forever.
52:58Let's go.
52:59Come on.
53:00I'm shocked.
53:01It just goes to show you can work with a person and never really get to know him.
53:08How about a quiet dinner together, son, to get better acquainted?
53:16I'd like that, Dad.
53:17Mind if I bring a friend along?
53:20Not at all.
53:21In fact, let's bring a few friends along.
53:23Okay.
53:27How about it, Jan?
53:28How about a little dinner and conversation?
53:30Okay.
53:31But give me two years to change.
53:35Come on, Jan.
53:36Be reasonable.
54:01I'll be right back.
54:02From I?
54:03Who's Mom?
54:04Yeah, that's not right.
54:05I'll be right back!
54:06Bye-bye.
54:07Bye-bye.
54:08I'll be right back.
54:09I'll be right back.
54:10Some people might live be a little bit Boise one day.
54:13My buddy.
54:14I'll be right back.
54:14I'll be right back.
54:15You let meい or you tell me why I'm older.
54:17Well, obviously, we'll be right back.
54:20Why are you there?
54:21Hey.
54:22You 50 please?
54:24I'll be right back.
54:26Play with filtered and bon lit one press house.
54:28All at all.
54:29wherever I end you kompress your regularly...
54:30Joполож.
54:30Way to go check your student.
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