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FunTranscript
00:09:59Good night.
00:10:01Good night.
00:10:03Good night.
00:10:57I don't know.
00:11:27I don't know.
00:11:57I don't know.
00:11:59I don't know.
00:12:01I don't know.
00:12:03I don't know.
00:12:05I don't know.
00:12:07I don't know.
00:12:09I don't know.
00:12:41I don't know.
00:12:43I don't know.
00:13:15I don't know.
00:13:17I don't know.
00:13:19I don't know.
00:13:21I don't know.
00:13:23I don't know.
00:13:25I don't know.
00:13:27I don't know.
00:13:29I don't know.
00:13:31I don't know.
00:13:33I don't know.
00:13:35I don't know.
00:13:37I don't know.
00:13:39I don't know.
00:13:41I don't know.
00:13:43I don't know.
00:13:45I don't know.
00:13:47I don't know.
00:13:49I don't know.
00:13:51I don't know.
00:13:53I don't know.
00:13:55I don't know.
00:13:57I don't know.
00:13:59I don't know.
00:14:01I don't know.
00:14:03I don't know.
00:14:05I know .
00:14:07Yeah.
00:14:08Are you
00:14:11I don't know.
00:14:13What
00:14:18Everybody
00:14:20talking to,
00:14:22are
00:14:25the
00:14:26It was more than a mountain water nursing home from them.
00:14:30So what are you?
00:14:32Your address is correct.
00:14:52Wow! That's great!
00:14:54Let's go to nursing home.
00:14:56I'm ready to go.
00:14:58I also have to go with you.
00:15:00Yes, we both go.
00:15:17Hello, madam.
00:15:18I had to ask you something.
00:15:20Ask me.
00:15:22We went to a restaurant called Hangbook Noodles.
00:15:24There was a restaurant.
00:15:26And all these letters were on the ground.
00:15:28I have to ask you something.
00:15:30I have to ask you something.
00:15:32Oh, this is.
00:15:34Do you know them?
00:15:36I know.
00:15:37Their mother lives in our nursing home.
00:15:38They come to meet one month.
00:15:40I don't know.
00:15:42They are not getting a horse.
00:15:43They are coming to the house.
00:15:44They are coming to the house.
00:15:45Oh, they are coming to the house.
00:15:46Yes.
00:15:47They are coming to the house.
00:15:48Oh.
00:15:49If you are ready,
00:15:51do we go to the house for a little while?
00:15:54Why?
00:15:55Who is it?
00:15:56Oh.
00:15:57We were going to ask you something.
00:15:58When are those Hangbook Noodles going to open again?
00:16:00What is it that we were eating meat noodles so far?
00:16:03Oh.
00:16:04But if you get to meet them,
00:16:05you will not get the answer.
00:16:07They have dementia.
00:16:09So they are difficult to talk to them.
00:16:11Oh.
00:16:12That's right.
00:16:13That's right.
00:16:14I think this is the owner of Hangbook Noodles in Jiju Island.
00:16:17If they are coming out,
00:16:19they will not get to meet their mother every month.
00:16:21Yes.
00:16:22But now they are coming to the next month, right?
00:16:24So there is no need to be waiting for them.
00:16:26Because we will have to go back here.
00:16:37Hello, who?
00:16:38Donny, where are you?
00:16:43Hmm.
00:16:46What did you say to this?
00:16:47What?
00:16:48What did you say?
00:16:50Don't worry about it.
00:16:51Don't worry about it.
00:16:52The owner of Hangbook Noodles'
00:16:53has never been found in nursing homes.
00:16:57Did he get it?
00:16:58No.
00:16:59Not yet.
00:17:00Not yet.
00:17:01Look,
00:17:02Ateni,
00:17:03you remember that
00:17:04we are here to the Jiju Island
00:17:05for Huang Ji's case.
00:17:07So you are ready to prepare the case.
00:17:09Yes.
00:17:10Okay.
00:17:11I understand.
00:17:12Okay.
00:17:13I understand.
00:17:14That's it.
00:17:15Ateni
00:17:16Jhii
00:17:17Jhii
00:17:18Ateni
00:17:18Jhii
00:17:20Ateni
00:17:21Jhii
00:17:22Ateni
00:17:23Ateni
00:17:25Ateni
00:17:27Yor 1983
00:17:28Jib
00:17:29Jib
00:17:30Sarkar
00:17:30Now
00:17:31Jhok
00:17:32highway three zero zero eight bana ya jayega
00:17:34to us par wang jisa ka kya kya nah tha
00:17:36hum to pehle se hi saadak banane ke sak khilaaf thay
00:17:39kyunki is se temple ke environment ko nukhsaan pohunchta
00:17:42aur sanyasiyo ko dhyan lagane mei parišanhi hothi
00:17:45aur us ke khilaaf khada honi ki sabse bada wajah
00:17:48usse banane mei na jane kitnou ko jan gavani pardhi
00:17:51na jane kitnay peed ukhara diya jate
00:17:53aur kitnay janwar aur loog us saadak pere
00:17:55honne wali kar dhurgatna ka shikar bantay
00:17:58toh kya wang jisa ka aetras jatane ke baad bhi
00:18:00sarkar road bananei pere tiki rahi?
00:18:02tabhi to road bananei
00:18:04aur road ke baddele unhounne hame cultural heritage fees
00:18:06vasaunle ko kaha
00:18:08toh bas phir hamne bhi isse chhoeddei
00:18:11par aap loog aachanak se maan kaise gaya?
00:18:14kya aapko laga wang jisa ka jo nukasan hoonne waala hai?
00:18:17uski bharpaii milne waalhi cultural heritage admission fees se ho jayegi?
00:18:20bas aap yuhi samaj liege?
00:18:24haame laga agar wahaan se guzarne ke paise leggengi
00:18:26toh kam loog aayenge
00:18:28haameh ye vichar aachha laga
00:18:30isse haamari sanskritik dharodar ko
00:18:32kam nukhsaan hoota aur kam jeevon ki jaan jati
00:18:34kyunki haame laga eis feez ki wajah se
00:18:36kam se kam loog yahaan ghoomne aate
00:18:38meera abhi yehi maanna hai
00:18:40ki cultural heritage admission fees ka
00:18:42agar koji sabse zhururi maksad hai
00:18:44toh woh sirf yehi hai
00:18:46shukriya, that's all your honor
00:18:48that's all your honor
00:18:50counselor, cross examination please
00:18:52please
00:18:54huang ji sa
00:19:02huang ji sa
00:19:04huang ji sa
00:19:06ka karib kitna munaapah ho jata hai
00:19:08mujhe koji andaaza nahi
00:19:10thik thak sankhia batana
00:19:12philhaal meri liye mumkin nahi hai
00:19:14ministry of land infrastructure
00:19:16from the name of Hwangjisa,
00:19:17Cultural Heritage Admission Feeds,
00:19:19is the right one month?
00:19:21At the same time,
00:19:22I will not tell you the truth.
00:19:26So, Hwangjisa,
00:19:27where do you use the money from the Admission Feeds?
00:19:30The money from Hwangjisa
00:19:32and Hwangjisa's cultural heritage
00:19:34is paid for it
00:19:36and is paid for it.
00:19:37But Hwangjisa and cultural heritage
00:19:39is paid for it.
00:19:41The government is paid for it.
00:19:44The administration has decided
00:19:46the total total budget for the cultural heritage
00:19:48and the total budget for the cultural heritage
00:19:50and the total budget for the 12 of Hwangjisa
00:19:52has been replaced for the 12 of Hwangjisa.
00:19:54In addition, Hwangjisa will be more help from the administration.
00:19:57So, what is the name of the Admission Feeds
00:19:59of the name of the Admission Feeds?
00:20:01When you are talking about Hwangjisa,
00:20:03this money is good for the money.
00:20:05Hwangjisa is not being sold.
00:20:08We only get paid for the government
00:20:10and we get paid for the money
00:20:11and we get paid for the money
00:20:12and we get paid for the money
00:20:13and we get paid for the money.
00:20:15Do you know
00:20:16the budget breakdown of Hwangjisa
00:20:17and how much money is going to happen?
00:20:19To tell this,
00:20:20it will be very difficult for me
00:20:21because Hwangjisa's knowledge is
00:20:22because this is Hwangjisa's knowledge.
00:20:24You have said
00:20:25that you are not hiding anything.
00:20:26But also,
00:20:27the budget breakdown of Hwangjisa
00:20:28is difficult for the budget breakdown.
00:20:29What is it?
00:20:30What is it?
00:20:31What is it?
00:20:32What is it?
00:20:33What is it?
00:20:34What is it?
00:20:38Objection, Your Honor.
00:20:39The plaintiff's counsellor is asking
00:20:41questions
00:20:42or they are killing them.
00:20:43The witness of Hwangjisa
00:20:44and all the Sanyasi
00:20:46and the Buddhist
00:20:47are killing them.
00:20:48And killing them,
00:20:49the insults are the same.
00:20:50Your Honor.
00:20:51Counselor,
00:20:52you can't do someone's fault
00:20:54in court.
00:20:55Okay.
00:20:56In the last year,
00:20:57the ticket booth
00:20:58on Hwangjisa
00:20:59stopped the cars
00:21:00and took the money
00:21:01which has 62 complaints
00:21:02of police.
00:21:03So, this is a big problem.
00:21:04Do you know about it
00:21:06or do not?
00:21:07I know that people
00:21:08are often against us
00:21:09against these complaints.
00:21:10So,
00:21:11did you think
00:21:12that you did not think
00:21:13about it?
00:21:14You could have taken the ticket booth
00:21:15from the beach route
00:21:16and get out of Hwangjisa.
00:21:17Hwangjisa
00:21:18took the cultural heritage
00:21:19admission fees
00:21:20and took the cultural heritage
00:21:21admission fees
00:21:22and did not do anything.
00:21:23The cultural heritage
00:21:25is a big deal.
00:21:26The cultural heritage
00:21:27is a big deal.
00:21:28The cultural heritage
00:21:29has a big deal.
00:21:30The cultural heritage
00:21:31is a big deal.
00:21:32The cultural heritage
00:21:33is a big deal.
00:21:34And if the problem
00:21:35is a big deal
00:21:36is,
00:21:37we should not have
00:21:38any problem
00:21:39to remove this,
00:21:40the problem.
00:21:41she's not a big deal.
00:21:42She's not a big deal.
00:21:43The cultural heritage
00:21:44has been a big deal.
00:21:45I
00:21:48I
00:21:50I
00:21:52I
00:21:54I
00:21:56I
00:21:58I
00:22:00I
00:22:02I
00:22:04I
00:22:06I
00:22:08I
00:22:10I
00:22:12I
00:22:14I
00:22:16I
00:22:17I
00:22:18I
00:22:21I
00:22:23I
00:22:24I
00:22:25I
00:22:27I
00:22:29I
00:22:30I
00:22:31I
00:22:33I
00:22:35I
00:22:37I don't know what to do, but I don't have to do anything wrong with the fees.
00:22:42Forgive me, but who are you?
00:22:46My name is Boo Young-Boo.
00:22:48Whether it's straight or straight or straight,
00:22:50like Robert Chomachka Nekatak Malayalam, Boo Young-Boo.
00:22:54This is my new attorney's office.
00:22:56Forgive me, but who are you?
00:22:59I...
00:23:00Stop.
00:23:01My ex-wife.
00:23:03Oh, ex-wife.
00:23:05Oh, ex-wife, that means...
00:23:07That ex-wife, who stayed for eight years until the attorney's office,
00:23:10when she was in the family,
00:23:12and had to take a divorce.
00:23:16What?
00:23:17Honey,
00:23:18Jisoo,
00:23:19can I talk a little bit about attorney with her work?
00:23:24Do it.
00:23:33Yes,
00:23:34yes.
00:23:35Can I ask her,
00:23:36please?
00:23:37Yes,
00:23:38please.
00:23:39Yes,
00:23:40I think I'm gonna say that
00:23:43that there is no legal justification of their equation.
00:23:45Yes.
00:23:46Yes,
00:23:47yes,
00:23:48yes,
00:23:49I believe that
00:23:50there is no legal justification of their issue.
00:23:52Legal justification?
00:23:53Yes.
00:23:54Yes.
00:23:55Yes.
00:23:56The justification of Huang Ji Sa is clear.
00:23:59According to the cultural heritage protection act,
00:24:02his fees is not a valid,
00:24:04but he is also giving theoretical justification
00:24:06that the temple of the cultural heritage
00:24:08will also be used in the areas of the temple.
00:24:10In front of them,
00:24:11all of our questions are based off of Betuke.
00:24:13And we are just the only thing
00:24:15that the plaintiff Huang Ji Sa has never left.
00:24:17That's why we want to take our side to the judge
00:24:20is a bit difficult for us,
00:24:22because there is no legal basis for our side.
00:24:25Why do you use this fact as a justification
00:24:27that the National Park had finished the entrance fees
00:24:30and Huang Ji Sa also is in the handbag mountain National Park.
00:24:33But Huang Ji Sa is calling the cultural heritage admission fees
00:24:36and not the entrance fees for the National Park.
00:24:38So why?
00:24:39We request the judge that Huang Ji Sa
00:24:40to show his budget breakdowns.
00:24:42I have told him that this is a double collection
00:24:44because he is taking the government's aid
00:24:46and the admission fees are also being paid.
00:24:48But I didn't say anything much
00:24:49because his budget breakdowns didn't know.
00:24:51Now, I don't think that the judge is going to give it.
00:24:54because this case is not the case of Huang Ji Sa
00:24:56to know about the budget.
00:24:57The case is not the case.
00:24:58The case is the case
00:24:59that the plaintiff's
00:25:00cultural heritage admission fees
00:25:02is valid.
00:25:03Hmm.
00:25:04Hmm.
00:25:05Hmm.
00:25:06So then,
00:25:07what kind of legal justification should be
00:25:09I mean,
00:25:10how is come to get my mind?
00:25:13Hmm.
00:25:14Hmm.
00:25:19Hmm.
00:25:20Hmm.
00:25:21Hmm.
00:25:22Did McGee something come to mind?
00:25:23Hmm.
00:25:24Hmm.
00:25:25in your brain?
00:25:27Just a little bit.
00:25:37Have you gone?
00:25:39Yes.
00:25:49It's not changed. It's the same thing.
00:25:51What?
00:25:55You are so happy with me.
00:25:57I've been so happy that I've been so happy with you.
00:25:59I've been so happy in a few days.
00:26:01I've been so happy now.
00:26:07I've been so happy about five years ago.
00:26:09When I was with me,
00:26:11I couldn't see the eyes of my eyes.
00:26:13But now I'm so happy.
00:26:15But now I'm so happy.
00:26:17But now I have a different light.
00:26:19I have a different light.
00:26:21You have to remind me again that I left him at the end of the day.
00:26:32What was he left?
00:26:36I was with him.
00:26:41I was completely alone.
00:26:48I was completely alone.
00:26:51There was no joy in my heart.
00:27:11You're doing a good job. I'm happy.
00:27:14Listen, if you have any need, you have to call me.
00:27:17Did you understand?
00:27:19Yes.
00:27:21Father.
00:27:23Yes, please.
00:27:25If I brought Junho to the house, how will you help him with him?
00:27:32But who is Junho?
00:27:34Who did I do in front of the house?
00:27:37Oh, that's a loafer.
00:27:39So you're going to bring him to the house?
00:27:42No.
00:27:43I just wanted to know why you have to find him.
00:27:47Please tell me.
00:27:48What?
00:27:49What does that mean?
00:27:50I want to see how the girl is.
00:27:52Is he going to keep me happy or not?
00:27:55I want to see that he will keep you in my life.
00:28:00Hmm.
00:28:01Hmm.
00:28:03Hmm.
00:28:04Hmm.
00:28:05Hmm.
00:28:06Hmm.
00:28:07I'm not sure what Junho is.
00:28:09She's the attorney.
00:28:10She's the attorney.
00:28:12That girl keeps my heart up.
00:28:15I'm justción.
00:28:17But the problem is in me.
00:28:24Do I...
00:28:27Do I...
00:28:29Do I feel so happy that I can keep him as he keeps me?
00:28:35Maybe with me
00:28:40I don't feel alone with him.
00:28:45What's the difference?
00:28:50She has seen a dolphin every day.
00:28:54But when we both look, he doesn't see a child's dolphin.
00:28:59What about you?
00:29:02That's the reason why.
00:29:04It's for people to see a dolphin every day.
00:29:07But when we both look, he doesn't see a dolphin only.
00:29:12I don't see a child.
00:29:17Juno, one thing is.
00:29:18Yes, tell me.
00:29:22I don't think we should do this dating both.
00:29:42Why are you doing all these things like this?
00:30:01You're saying all about the disease of Atani Chhang, right?
00:30:04You'll feel bad that we've arrived here on a date
00:30:07and where Atani Chhang is dealing with such big diseases.
00:30:11You'll feel bad about the cancer.
00:30:14Why?
00:30:15That's it, right?
00:30:17That's it.
00:30:18I didn't think about it.
00:30:19But it's the point of your story.
00:30:22Then, what can it be, Juno?
00:30:35Maybe...
00:30:36Our death will not be bad because we haven't seen dolphins.
00:30:41Oh, you too.
00:30:42What are you thinking about these things?
00:30:45Those dolphins are now in the ocean.
00:30:49They will not see us from here.
00:30:51Abbott also said,
00:30:52if you see them, they will not be true.
00:30:55The things that you see are not true.
00:30:59The most of the eyes are not true.
00:31:02The most of the eyes are not true.
00:31:03Indriya, open your eyes.
00:31:05The eyes are not able to see.
00:31:06Yes. Do you remember Abbott's story too?
00:31:11I understand.
00:31:13I was seeing the eyes in front of my eyes.
00:31:15And I couldn't see the eyes in front of my eyes.
00:31:18It's on highway 3008 on the ground.
00:31:21The government had to build it for tourism.
00:31:23So people see the whole temple cultural heritage of Hongjisa and Hongjisa.
00:31:27I have to look up on these things.
00:31:29Local highway number 3008 is a road.
00:31:33This is the main point.
00:31:36Why are you talking about the case?
00:31:39The public property concept comes to the Public Administration Act.
00:31:42Public property, state or local government,
00:31:44the administrative body can be made so that the administrative purpose can be made.
00:31:47And the road is also a representative public property
00:31:50which is made for people's transit.
00:31:52This concept of public property will become our justification.
00:31:56Legal justification.
00:31:59Where are you going?
00:32:01I'm going to discuss all these things with Sir.
00:32:06How can you go like this?
00:32:13You said you don't want to stay with us and you're running.
00:32:17What are our videos?
00:32:18Are these all jokes?
00:32:21What have you thought of me?
00:32:23What have you thought of me, Yang Wu?
00:32:28What have you thought of me, Yang Wu?
00:32:30What have you thought of me, Yang Wu?
00:32:32I'm sorry, Junho.
00:32:41I don't know.
00:33:11I don't know.
00:33:41I don't know.
00:34:11I don't know.
00:34:13I don't know.
00:34:15I don't know.
00:34:17I don't know.
00:34:19I don't know.
00:34:21I don't know.
00:34:23I don't know.
00:34:25I don't know.
00:34:27I don't know.
00:34:29I don't know.
00:34:31I don't know.
00:34:33I don't know.
00:34:35I don't know.
00:34:37I don't know.
00:34:39I don't know.
00:34:41I don't know.
00:34:43I don't know.
00:34:45I don't know.
00:34:47I don't know.
00:34:49I don't know.
00:34:51I don't know.
00:34:53I don't know.
00:34:55I don't know.
00:34:57I don't know.
00:34:59I don't know.
00:35:01I don't know.
00:35:03I don't know.
00:35:05I don't know.
00:35:07I don't know.
00:35:09I don't know.
00:35:11I don't know.
00:35:13I don't know.
00:35:15You've I don't know.
00:35:17I don't know.
00:35:19I don't know.
00:35:21I don't know.
00:35:23I don't know.
00:35:25I don't know.
00:35:27I don't know.
00:35:29You're looking at me.
00:35:31Don't look at me.
00:35:33I'm not seeing them.
00:35:35I've seen them.
00:35:37I'll say bad things.
00:35:39I cannot,
00:35:41I could not.
00:35:43It will be a little strange.
00:35:45Then, you have no idea.
00:35:47I said that it would be good if we don't have a date with us.
00:35:53What?
00:35:54What?
00:35:55What happened to you both?
00:35:57No, no, no.
00:35:59Wait, don't worry.
00:36:01What do you want to drink?
00:36:03Do you want to go?
00:36:05Yes, let's go.
00:36:07Oh no, leave me.
00:36:09I have no mood to drink.
00:36:13Why did he say that?
00:36:15Huh?
00:36:17Why did he say that?
00:36:19Why did he say that?
00:36:21Or Sampal, Chunsam, Bukhsun and J-Dos?
00:36:26Nobody saw that?
00:36:27No, I don't think Youngbu will tell you that.
00:36:31Why did he say that?
00:36:34Everything was fine.
00:36:37What happened?
00:36:39Maybe you went back to me.
00:36:41Look, brother.
00:36:43You went back to her and took her to meet her husband.
00:36:47You're nervous.
00:36:48If my girlfriend meets me with her husband,
00:36:52she will be my mother.
00:36:54That's the case.
00:36:56I've been back to her.
00:36:58I've been back to her.
00:37:02Maybe her.
00:37:03Maybe the pressure has been in jail.
00:37:06And what happened to you?
00:37:08Why are you acting like acting?
00:37:10I'm not acting acting.
00:37:12Why are you staying with me?
00:37:15Why do you stay back after me?
00:37:17I'm telling you.
00:37:19There was a bit of trouble.
00:37:21I didn't get a gimbab from him.
00:37:24He was eating meat and sashimi.
00:37:27I'm not going to get out of my head.
00:37:32Juno, don't cry.
00:37:34Whatever happens, it's good.
00:37:36You have to cry a lot later.
00:37:38I'll stop and stop.
00:37:40Water?
00:37:42It's impossible to find you.
00:37:44What?
00:37:45Why are you saying that Juno,
00:37:47Young Wu can't use it?
00:37:49Correct.
00:37:50You've got more than that.
00:37:53No.
00:37:54The birth of the attorney Wu.
00:37:58What does it mean by birth?
00:38:00What?
00:38:03That birth.
00:38:05The birth of the people.
00:38:07The birth of the people.
00:38:09The birth of the people.
00:38:11You understand?
00:38:12The birth of the people.
00:38:13I've come to my kids.
00:38:14Let's drink.
00:38:15Let's drink.
00:38:16Let's drink.
00:38:18Let's drink.
00:38:19The glass of the tongue is released.
00:38:22It's illegal?
00:38:24You're really keen to drink.
00:38:27I don't drink.
00:38:31Chin-do candy.
00:38:32Another glass.
00:38:33One more glass.
00:39:03One more glass.
00:39:33One more glass.
00:40:03One more glass.
00:40:33One more glass.
00:41:03One more glass.
00:41:33One more glass.
00:42:03One more glass.
00:42:33One more glass.
00:43:03One more glass.
00:43:33One more glass.
00:44:03One more glass.
00:44:33One more glass.
00:45:03One more glass.
00:45:33One more glass.
00:46:03One more glass.
00:46:33One more glass.
00:47:03One more glass.
00:47:33One more glass.
00:48:03One more glass.
00:48:33One more glass.
00:49:03One more glass.
00:49:33One more glass.
00:50:03One more glass.
00:50:33One more glass.
00:51:03One more glass.
00:51:33One more.
00:52:03One more glass.
00:52:33One more glass.
00:53:03One more glass.
00:53:33One more glass.
00:54:03One more glass.
00:54:33One more glass.
00:55:03One more glass.
00:55:33One more glass.
00:56:03One more glass.
00:56:33One more glass.
00:57:03One more glass.
00:57:33One more glass.
00:58:03One more glass.
00:58:33One more glass.
00:59:03One more glass.
00:59:32One more glass.
01:00:02One more glass.
01:00:32One more glass.
01:01:02One more glass.
01:01:32One more glass.
01:02:02One more glass.
01:02:32One more glass.
01:03:02One more glass.
01:03:32One more glass.
01:04:02One more glass.
01:04:32One more glass.
01:05:02One more glass.
01:05:32One more glass.
01:06:02One more glass.
01:06:32One more glass.
01:07:02One more glass.
01:07:32One more glass.
01:08:02One more glass.
01:08:32One more glass.
01:09:02One more glass.
01:09:32One more glass.
01:10:02One more glass.
01:10:32One more glass.
01:11:02One more glass.
01:11:32One more glass.
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