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Short filmTranscript
00:00:00The End
00:00:29DC motorheads final tap is you know in the vortex I listen to tap like every
00:00:35night before I go to bed really you think that's a calming that's a calming
00:00:38it's very calming
00:00:59this is where it all happened the site of spinal taps reunion concert hi I'm Marty
00:01:09DeBerge 40 years ago I was honored to direct a film called this is spinal tap
00:01:14it chronicled what was to be taps final tour but after the release of the film
00:01:20tap continued on and played such storied venues as Wembley Stadium
00:01:26Glastonbury
00:01:30and the Royal Albert Hall
00:01:36then 15 years ago lead guitarist Nigel Tufnell and David St. Hubbins friends
00:01:45since childhood mysteriously stopped talking to each other and to the
00:01:50heartbreak of their loyal but shrinking fan base taps stopped performing
00:01:55but I discovered that hope faith the daughter of taps now deceased manager
00:02:00Ian faith had inherited taps contract which called for one more performance
00:02:05when he passed away were you surprised that he died oh yeah were you surprised
00:02:11that he died no I'm it's a miracle he lived as long as he did
00:02:13to be honest yeah yeah yeah he was an angry man certainly in the topsy-turvy world of heavy rock
00:02:20having a good solid piece of wood in your hand is quite often useful I mean he
00:02:25didn't have much to leave me because when he died there wasn't much of anything
00:02:29but because I was next of kin I got the contract which I thought was pretty
00:02:33worthless to be honest I mean no disrespect but the band hadn't played
00:02:36together for some time so I just thought it was dead in the water and then after
00:02:40the Garth Brooks song went viral
00:02:45so I was like oh hang on this isn't maybe worthless hope was no fool
00:03:04she knew she knew a thing or two about hot irons and when to strike them but hey
00:03:10enough of my exposition it's time to make some noise
00:03:14the first order of business tracked down Nigel David and Derek I found lead guitarist Nigel
00:03:37Tufnell living in the quaint village of Berwick upon tweed he and his lady friend Moira Bebbage
00:03:43were proprietors of a cheese and guitar shop I'm just wondering why you chose
00:03:48this after the band broke up yeah well I thought how do you make your life after
00:03:55rock and roll cheese that that's odd because you normally wouldn't think the
00:04:01rock and roll now cheese yeah you wouldn't think though maybe not but for me it was
00:04:08and then I see over there you have a number of guitars yeah and you sell both yes and no
00:04:14sometimes people come in with a guitar yeah and they trade for cheese really yeah so and sometimes
00:04:22it's the opposite sometimes people come in with cheese yeah it goes both ways what I do is I go
00:04:29like this because I trust my hands more than a scale I go like this yeah then I go like this let's say yeah
00:04:38close yeah very close so a half a wheel of that righties would buy you that righty that phrase
00:04:46everyone's happy do you miss uh playing music I play music where at a pub
00:04:52do you miss playing with spinal tap I don't miss the uh friction you know we had um friction yeah
00:05:12have you talked to David in the last 15 years no or Derek no I really no I haven't spoken to them
00:05:18at all so how do you feel after 15 years I feel um nervous not about the playing bit about the um
00:05:31the people part of it yeah so hello hello hello and now who's this it's Moira nice to meet you
00:05:40and you work here with you you're standing where I was when I met him oh you were a customer she walked
00:05:47in I saw her and I thought oh my god he gave me a piece of wigmore and it melted my heart oh wow it
00:05:56was so delicious and I just thought that feeling you know I want to I want to like take off my clothes
00:06:05and stay forever really and she did so that little piece of cheese the wigmore does it
00:06:11lead guitarist david st hubbins was living in morro bay california and was still making music
00:06:21would you like to see where the magic happened yeah wow yeah wow look at this this is this is
00:06:36incredible yeah this is where you do all your recording you do everything here actually I do it
00:06:41all there oh there yeah everything in this studio would fit in this one's left hind leg this is uh
00:06:48something I've been working on this is for a podcast it's one of those murder podcasts oh yeah
00:06:53people love murder oh they love they do yeah they call it murder porn
00:07:01it was a day like any other the sun was peeking through the aspens in the quiet town of silverton
00:07:06colorado joanne miller was expected at the skyview diner to greet the breakfast crowd however on this
00:07:14brisk fall morning joanne miller would never arrive to serve her hungry guests
00:07:20but that's the trouble with murder so you wrote the music yeah for for that podcast yeah so have
00:07:29you been spending most of your time writing these scores essentially yes i'm just working on a score
00:07:35now for a film oh really yeah it's a horror film that takes place in a retirement community it's called
00:07:42knighted the assisted living dead yeah yeah but i'll tell you what my biggest hit was
00:07:48this is a little something you're going to recognize it right away
00:07:54your call is important to us so please stay on the line the first available operator will be happy to assist
00:08:00favorite bit
00:08:15oh wow it won a holdy a holdy yeah that's an award for hold on uh you know music for putting you on hold
00:08:23music yeah wow that's interesting you know you haven't played together in 15 years yeah
00:08:27and uh how do you feel about uh about that there was a stick in the spokes let's put it that way and
00:08:33there was a there was a moment that i couldn't get over and when janine left it all that all kind of
00:08:40came into focus and have you spoken to her since no no do you do you know where she is no you know i i
00:08:48don't want to speak out of school but i think you'd be surprised to find what happened to her i'd just
00:08:54like to say that i hope she's found the right man i didn't tell him about jesus i mean i didn't want him
00:09:00to be jealous or anything because he he might be a lot has happened since the last time i saw you can you
00:09:08tell me anything what happened we broke up and i just didn't know what to do i had i i had a nice cup
00:09:15tea right and i'm having a cup of tea i noticed this glow comes into the room grows almost like it grows
00:09:31inside me and then i hear this voice this voice says to me every breath you take
00:09:42every move you make i've been watching you it sounds like uh a song uh the police that's a song
00:09:53that uh sting sings the police yeah bass player derek smalls was living in london and became the curator
00:10:02and sole owner of a museum that featured glue from virtually every country in the world have you been
00:10:09playing music at all in the last yes i i i tried to organize a tour and uh we had two symphony orchestras
00:10:23to pay how long have you been running this glue museum glue had always been something that
00:10:38fascinated me what keeps things together glue what keeps people together glue it's the adhesives of
00:10:47human behavior i'm in a band that constantly is breaking apart and coming back together and you
00:10:53see yourself as glue glue i want to show you something okay okay come with me glue's made of
00:10:59all sorts of things yeah mainly animals yeah in the first thousands of years you know this is from
00:11:07a tortoise in the galapagos you cannot get glue from a tortoise anymore oh that what is like an outlawed
00:11:16or something i think it's a union thing this is the most valuable glue on this continent smell this
00:11:25can you smell that wow that's very powerful yeah you cannot get this you cannot make this anymore
00:11:36it can you you can't get can you try to get you can't get that out no no oh bibid can you bring
00:11:47some solvent please can we keep talking yeah okay yeah the band hasn't played together in 15 years do
00:11:53you have any idea what caused the the rift i was a representative of a cryptocurrency
00:12:01hi derek smalls here like everyone else in rock i know a little bit about money especially the newest
00:12:10kind of money crypto everyone knows peter bruegel is a painter of great masterpieces now you can have
00:12:17the artist at bruegel coin paint a masterpiece for your portfolio i mean i i feel a little
00:12:23uh guilty about this i got uh david and nigel to invest in it oh and maybe there's some bad feeling
00:12:33about that because it went it's worth zero so for the first time in 15 years david nigel and derek
00:12:42would meet again in the home of jazz blues and gumbo the big easy new orleans
00:12:53we're in the french quarter now we could do the ghost tour oh the ghost tour that might be fun
00:12:59but at night no you don't do it in the daytime scare me in the day what from the daytime ghosts are just
00:13:04rumors who's that yeah who do you think it is oh have you seen him i got a postcard from him one
00:13:12christmas really yeah it's more than i got
00:13:15oh hello hello all good yeah long flight yeah shut the door
00:13:29there you are yeah we're here hey mate this is uh quite a thing isn't it
00:13:38excuse me hello love how are you doing hello how are you oh it's weird i'm off
00:13:53i'll see you in a bit
00:13:56it's very strange being without you and so far away you know it's uh
00:14:01i don't know if this was a good idea or not just don't know give it time do we have any towels
00:14:21do we have any towels you know it's so strange i knew him when i was five years old
00:14:29how was it the last time you'd met was it fine the last time no it was it got a little tense you know
00:14:36when we did the last few gigs i would say what's going on and he'd say as if you don't know he said
00:14:44oh no for years the band had uh bobby fleckman was their uh their publicist their pr person she was
00:15:03yeah and uh you know i'm just curious why you didn't reach out i did reach out to her oh yeah
00:15:10a lot she's busy listen to me i still have ptsd from that smell the glove tour oh it was
00:15:20so painful for me i can't even tell i became buddhist hey hey hey here they are
00:15:30i understand hope hired you to help promote the concert how is that going i would say i'm working
00:15:37as smoothly with hope as with anyone i've ever worked with really yes she's sort of she's bless
00:15:43her she's you know tremendously out of her depth um and that's lovely because you know it gives her
00:15:49the opportunity to grow as a person and it gives me the opportunity to take advantage tomorrow we're
00:15:54auditioning drummers oh yeah we've lined up some yeah that's a sore subject in it yeah for obvious
00:16:03reasons there is some reluctance amongst the drumming community we understand to engage yes
00:16:07and we have actually started to put out advertisements that don't name the band at all in the hope that
00:16:13you know just we can slowly walk so it's like a sneak it's like a sneak gig i like the way he thinks
00:16:18and so the other guy was uh arty fufkin who was there uh a and our guy i mean he was the guy who
00:16:24promoted the the their albums it was great and again you know he's he didn't want to know yeah
00:16:30well i was able to find him no way yes i was able to track him down and he's going in a completely
00:16:36different direction the whole industry had collapsed yeah yeah you know with the streaming and the thing
00:16:42and the whatever and the youtube how did you uh wind up with this i woke up in the middle of the night
00:16:48and i said two words were on my brain dancing inflatables if this is the final gig that spinal
00:16:54tap do then what we need to do is secure your legacy the simplest most effective way yeah that we could
00:17:02do that is that if during the gig at least one but ideally no more than two of you were to die
00:17:09that's what i call the elvis effect it really allows for a sort of late flowering of pretend die
00:17:15i think that would complicate matters it's easier if you just if if you know if we just expire do
00:17:23you mean actually die yes yeah well yeah but i don't want to arrange no no i i appreciate that but
00:17:30i i think in terms of your legacy going forwards how you'll be remembered how you'll be talked about
00:17:37what effect that will have on record sales i'm thinking documentaries i'm thinking a huge memorial
00:17:42you can do that without actually killing one of us though can't you it's very difficult to do a
00:17:46memorial concert when the person is still alive that's just a sort of rule of thumb would you
00:17:50settle for a coma oh no that's interesting yeah oh no now david that's really expensive that's a great
00:17:58bit of thinking outside well the literal box i suppose yeah actually so we have a few drummers lined up
00:18:04some on zoom some in the room before we shut down your drummer what happened to him oh skippy sad yeah
00:18:12really sad yeah skippie scuffleton sneezed himself into oblivion what yeah yeah a terrible sneezing thing
00:18:19and it he couldn't stop sneezing a sneezing fit yeah yeah and it wouldn't stop no and he died yeah is
00:18:28that medically possible well look we think that it was because he was allergic to the seeds inside
00:18:33the maracas he'd never played maracas before and we wanted him to put maracas on a track but no one
00:18:38really knows well that's my theory anyway because it's all of a sudden the important thing is he's dead
00:18:46we are yeah so how'd you find this place wow look at that well there's only one in new orleans so this is
00:18:54the best one this is the best one it's the only one it better be the best one of course it's very nice
00:19:01here we go this is your new room nice and this nice wow this is all for us then all for you
00:19:08i think this is great amazing it's just crazy this is very harmy and i think yeah so
00:19:14are the acoustics seem all right good i think we're in business i think we've got what we need it looks
00:19:20like yeah hello hello hello hello give me an a huh hey hey hey when first laid eyes on county done i was green
00:19:34as the hill so high but in later years the streets ran red with blood near the violet sky i love me a lass
00:19:49whose hair was blonde and brown as the finest stew and she swore by the stars in the jet black night she'd be
00:20:02true true is the sky so blue nice yeah yeah okay you're not going to do that on stage though
00:20:11cards on the table the music industry have always hated me they've always hated me and a lot of that
00:20:16is jealousy um but what they perceive as my weakness you know is my superpower in that i don't give a
00:20:24shit about music the reason for that is i suffer from a medical condition um called saint cecilia's curse
00:20:31which means that i can't process music so i can't hear it and i can't replicate it so ask me to
00:20:37sing any song name a song uh happy birthday to you i can't sing it name another one uh the best
00:20:43things in life are free i can't sing it you see it's it's a curse we're gonna run the track by you
00:20:48yeah have fun and uh we've stripped the actual drummer out uh he's dead anyway so uh just thought you
00:20:54may just give it a fly you know all right
00:21:08too well um thank you thank you i'm gonna try and sort some clean is it coming this way um um we
00:21:37really need someone who can take a step we have quest love on the line in the other room oh this
00:21:42might solve more problems okay oh here they are here they are this is final step he's coming back to us
00:21:48about the audition very nice yeah very nice oh ah oh yeah look who you are good good thank you for
00:21:57coming thank you for considering us it's my pleasure you guys are legends thank you oh well so are you as
00:22:03well great so you think you might fill the bill you know guys uh i have a colonoscopy to do so
00:22:14what if we got an extra comfy stool for you guys i look yes you're legendary but
00:22:21i i don't want to die not not legendary enough okay all right okay we've got to respect that i i would
00:22:31love to you know i'm i'm i'm still doing a chili pepper yes you are we know yeah but but it's a
00:22:36dangerous dangerous you know gig for a drummer we've only lost 11 or 12 11 11 drummers you know what
00:22:44i got the guy for you who's that lars lars from metallica lars holding yes he's good he's a great
00:22:53drummer how are you lars good to see you hope faith do you remember do you remember ian faith our
00:23:00manager from years back uh that's his daughter i'm ian's daughter that's right how's your dad holding up
00:23:06my dad is dead yeah so yeah he's holding down yeah so anyway we've got this one gig we're still
00:23:13sure to drummer because things happen that's very kind of you though uh this so this metallica thing
00:23:19um we're a couple four decades into it you don't need to leave metallica you you can stay yeah i mean
00:23:27they can find someone else for a night one night one night i have however heard uh that chad smith uh
00:23:36the red hot the red hot yeah i don't know if you've heard it's sad um i believe he may be looking for a
00:23:42gig my question to you really is having seen everybody yeah do you need a drummer it's a rock
00:23:50band no rock band doesn't have a drummer yeah i've put together 19 bands three of whom have had number one
00:23:56hits not one of those people played an instrument thank you so much for having me we got one more
00:24:02we got one more oh good to know hello hi we spoke on the phone hi hi hi hi yes that's me nice to
00:24:10see you nice to meet you such a pleasure what's her name didi didi hello hi wow didi and derek wow i can't
00:24:19believe nigel yeah hi all right we're gonna run a track down and see what you like okay i think we're done
00:24:25after this don't you
00:25:38Very good point.
00:25:39I noticed they're setting up your drum kit over there.
00:25:42It's green.
00:25:43You chose that color.
00:25:44Is there any reason for that?
00:25:46Yeah, Stumpy Peeps is one of my personal heroes.
00:25:49I decided to pay him a tribute for how he passed away in a bizarre gardening accident.
00:25:54So, hence the green and the pink underheads, and we're setting up some roses there, and that's for my fallen hero.
00:26:03Next in line is Stumpy Joe, who unfortunately choked on someone else's vomit.
00:26:10Yes.
00:26:10I have a kit that looks...
00:26:14Like vomit?
00:26:15Yeah.
00:26:16What makes it look like vomit?
00:26:18Are there little pieces of corn?
00:26:20Because I always notice when people throw up, there's always a little corn in there, even if they didn't eat corn.
00:26:25There is yellow mixed up with green and red.
00:26:29Ah, and I noticed this year's snack, you're eating very healthy.
00:26:33I just have learned from all the rock and roll tragedies, and so I want to try and up my chances of maybe dodging this curse.
00:26:42I see what you're saying.
00:26:43This curse.
00:26:44I see.
00:26:44Oh, all right.
00:26:46Well, I'll take an almond.
00:26:46Cheers.
00:26:47All right.
00:26:47Yeah, cheers.
00:26:48Dink.
00:26:49Right.
00:26:49Dink.
00:26:50I'm curious as to why you chose New Orleans.
00:27:02There was a cancellation, and a date opened up at the arena, and that was really why we came here.
00:27:10Oh, really?
00:27:10They were like all of a sudden...
00:27:11All of a sudden, yeah.
00:27:12Who was supposed to be there?
00:27:13An evening with Stormy Daniels.
00:27:15Oh.
00:27:16That was cancelled.
00:27:16Cancelled.
00:27:17So that made way for us.
00:27:18And you slid in.
00:27:19Slid right in.
00:27:20Yeah.
00:27:21Thank God we found someone.
00:27:23She's great.
00:27:24She's unbelievable.
00:27:25She's great.
00:27:25She's great.
00:27:26She's great.
00:27:26How do you suppose a girl grows up, like, becoming a drummer?
00:27:29You know, because it's not natural.
00:27:31It doesn't.
00:27:31Eating, exercise, you know.
00:27:33That's how one continues living.
00:27:35These days, you know, they can be anything.
00:27:39Oh, what's this?
00:27:40Movie plate.
00:27:42Where's that going to go?
00:27:42Oh, wait a minute.
00:27:44I have prepared a traditional Cajun dinner for three.
00:27:49You take your forks, your knives, and you just go right at that.
00:27:52All right, we'll try it.
00:27:53Thank you so much.
00:27:54It looks lovely.
00:27:55You're welcome.
00:27:56You're welcome.
00:27:57Okay.
00:27:57For me, and I'm not trying to be unadventurous, but I think the corn is probably the only thing
00:28:04I can eat.
00:28:04Yeah, that's bad.
00:28:05I might try the bangers.
00:28:06Don't try to scare the ghosts.
00:28:08Don't try to twat them or yell boo.
00:28:10Don't do that.
00:28:10And get those monitors up really, really high, all right?
00:28:13Excuse me.
00:28:13Because this house is...
00:28:14Hello.
00:28:14Hello.
00:28:15Hello.
00:28:15What's this?
00:28:16We're having dinner.
00:28:17Oh, well, this is Sinister Sightings.
00:28:19It's a tour group.
00:28:21Haunted tours.
00:28:21I bring them through every day, around the same time.
00:28:23So don't mind us.
00:28:24Hi.
00:28:25You guys go right ahead and have your dinner.
00:28:26Oh, now, see, this is great.
00:28:28I see these, your instruments?
00:28:29Yes.
00:28:30Oh, well, you know, musically, you know who lives here?
00:28:33No.
00:28:33Oh, my goodness.
00:28:34Fats Domino, Louis Armstrong.
00:28:35They don't live anywhere.
00:28:37They don't live.
00:28:37Yes.
00:28:37They're dead.
00:28:38Well, their spirits live here.
00:28:39Yeah.
00:28:39Put those up high now.
00:28:40Actually, this was not mentioned.
00:28:42Well, this came.
00:28:43It was a one-nighter I was supposed to play with them.
00:28:56Oh, really?
00:28:56Just one night?
00:28:57One-nighter.
00:28:58And that turned into 33 years.
00:28:59I didn't know what gig it was, and they gave me an address in Beverly Hills, and it was a
00:29:03bris.
00:29:05Listen to what the flower people say.
00:29:09What?
00:29:14You care to join us?
00:29:16What's that?
00:29:16You care to join?
00:29:17I think we all do the R's, or you do the R's, and I come in underneath.
00:29:22All right.
00:29:23Listen.
00:29:24Shh.
00:29:25What the flower people say.
00:29:29La, la, la, la, la, la, la.
00:29:32But were you doing la, la's at the end there instead of the R's?
00:29:36La, la, la, la, la.
00:29:37Was I hearing la, la's?
00:29:38do again no don't i don't want to hear it i'm just here we go
00:29:44i don't want the lars where did the lars come from it should just be ours right it's ours
00:29:52yeah well i've been doing lars you've never done that in your life i think i have let's hear all
00:29:58about it another time
00:30:08hello hi oh couldn't sleep do you know what jim died today jim died but he wasn't that old
00:30:29and do you know what my worst fear is that cheese is upping everyone's cholesterol
00:30:35no it's i don't think no people eat cheese and don't die don't they got it got it well it's
00:30:42it don't go don't go spending all your money yeah save your your yeah your david david give me a
00:30:49sec i'm sorry just uh hello yeah i think better with david no i don't understand
00:30:58this coldness even though i've known him since we were children i just can't say
00:31:06what is going on i could say to you could you sing it out like in a song like just sing it out
00:31:12oh yeah i could do that i could write a song and that would be my way of communicating with him
00:31:19david what's going on with you are you feeling blue is it me or you see it would be something
00:31:32like that you might start to harmonize like nothing much yeah i wonder if i'd have the publishing
00:31:39of that
00:31:40what what what what
00:32:07no just give it give it a chance i'm doing it we're doing it yeah and it's it's like
00:32:16a car going into a wall yeah there's a beautiful figure there you're not hearing i hear it no
00:32:22you've changed you've changed you can't hear it up over the sound of your mind slapping shut
00:32:27look you've changed this time signature just it goes to six eight for two miles well i know
00:32:32but it just jumps at you like a like a cat jumping that's a good thing that's a good thing okay go
00:32:38one two three and
00:32:40yeah
00:32:42and you can keep that energy going even if you don't care for the chords
00:32:48f
00:32:50g
00:32:55why this is so hard for you to grab
00:33:05it's really simple that's the problem is the problem i'm actually grasping it once you grab my fingers are saying don't would you get away yeah yeah you're not saying a word
00:33:16i'm not saying a word um no i know you're not saying you don't have to say you're not saying he's about to say a word
00:33:21you're not saying pointing out i was not saying a word now i'm going to say a word okay what's the word is it like this all the time
00:33:27uh sometimes
00:33:34yeah
00:33:41yeah
00:33:46This B-flat, which becomes a B in the E chord,
00:33:59it brings us right back to the top.
00:34:00No, you can explain it all you want.
00:34:02It's just, it's right here.
00:34:03I interrupted.
00:34:05Is that what's happening in that bit?
00:34:06No, what's happening is that you're pushing back
00:34:08against anything you don't care for
00:34:10or anything you don't understand, which is a lot.
00:34:13Hey, guys.
00:34:14Hello.
00:34:14Hey, can you hear me?
00:34:15Yeah.
00:34:15Paul here.
00:34:16Is that, is that the Paul?
00:34:19It's one of them.
00:34:20Well, no, it's the one, actually.
00:34:22Well, I was listening, and I've got a suggestion for you.
00:34:25Don't interrupt, but, yeah.
00:34:27Yeah, you can come in.
00:34:28Come in.
00:34:29Do we stand?
00:34:30Do we salute?
00:34:30I think we stand, yeah.
00:34:31We should stand.
00:34:32Hello.
00:34:32Hello.
00:34:33Hello.
00:34:34Wow, that's amazing.
00:34:36I was just rehearsing, and I was passing,
00:34:37so I thought I'd just drop in and say hello.
00:34:40Hello.
00:34:40I don't think of you as a heavy metal guy.
00:34:44Let's not do it.
00:34:45These guys are great.
00:34:46Really?
00:34:47And, you know, the lyrics, it's almost educational.
00:34:51Yeah, anyone who can write about a flesh tuxedo.
00:34:57Yes.
00:34:58And a pink torpedo.
00:35:00That's literature.
00:35:02Yeah, yeah.
00:35:03Really.
00:35:03Listen, you have a note for us?
00:35:05Yeah, you know, I was listening to what you're doing,
00:35:08and it's going along great.
00:35:09Yeah, it's got a nice tempo, yeah.
00:35:12And then, it seemed to fall apart.
00:35:14So it's just E.
00:35:15Yeah.
00:35:16Bam, bam.
00:35:17G, C, A, F.
00:35:20And then, the G is good, right?
00:35:26Then it goes to the 6, 8, major 7.
00:35:33That's the bit.
00:35:35It kind of went somewhere else.
00:35:36It didn't seem to fit with the, you know, this rocky feel.
00:35:42There is a case to be made for a kind of a standalone bit of four bars.
00:35:47Yeah, if it stands alone in another room.
00:35:50It sounds like we're playing, and then it's like, let's go on holiday somewhere.
00:35:54I think it works.
00:35:56I think it bloody works, but...
00:35:57Well, it's not for me to say, but...
00:36:00It sort of is, actually, yeah.
00:36:02Well, just lose that bit and go back to where you were.
00:36:06We'll take it under advisement.
00:36:07What does that mean?
00:36:09He's going to call his lawyer.
00:36:10Exactly.
00:36:11Listen, it's all creative.
00:36:12Well, it is until you get to that bit, yeah.
00:36:14Then it's not creative.
00:36:16Then it's like a wrecking ball.
00:36:17Why don't we do something else?
00:36:19Cups and Cakes.
00:36:21Love Cups and Cakes.
00:36:21See, that's not got a funny bit in the middle.
00:36:23No, exactly.
00:36:24That makes sense.
00:36:26On like...
00:36:27Okay, yeah, exactly.
00:36:28And don't have to belabor it.
00:36:29Let's try it, yeah.
00:36:32D.
00:36:34D minor.
00:36:36D.
00:36:41Cups and Cakes.
00:36:44Cups and Cakes.
00:36:46Oh, what good fit his mother makes.
00:36:49You've got an A-team to take it with.
00:36:53What a good time it will be.
00:36:56What a good time it will be.
00:36:57What a good time it will be.
00:36:57What a good time it will be.
00:36:59Cups and Cakes.
00:37:00Cups and Cakes.
00:37:01Cups and Cakes.
00:37:02Please make sure that nothing breaks.
00:37:07The china's so dear and the treacle's so clear.
00:37:11And I'm glad that you are here.
00:37:16Milk and sugar, bread and jam.
00:37:20Yes, please, sir, and thank you, ma'am.
00:37:25And here I am.
00:37:27Me again.
00:37:27Beat my ba-ba-ba.
00:37:29Instrumental.
00:37:30Okay.
00:37:30Ba-ba-ba-ba-ba.
00:37:31Yeah.
00:37:32There's a little trumpet, yeah.
00:37:34Ba-ba-ba-ba.
00:37:35Ba-ba-ba.
00:37:35Ba-ba-ba.
00:37:37Ba-ba-ba.
00:37:38Ba-ba-ba.
00:37:39Ba-ba-ba.
00:37:40Oh, yeah.
00:37:41Cups and Cakes.
00:37:42Cups and Cakes.
00:37:44I have to know, how does it feel to be playing with Paul McCartney?
00:38:12I was a bit put off.
00:38:13Why?
00:38:14Well, because, I mean, you know, he came in, he immediately started throwing his weight around.
00:38:19I would think that they would respect your opinion.
00:38:22I mean, it's not like you don't have an experience doing that.
00:38:26I'm not sure David respected me.
00:38:28No, he's got this sort of, like, toxic personality.
00:38:31He spreads everywhere.
00:38:33I'm not gonna let that worry me.
00:38:34No, I think that's wise on your part.
00:38:36Yeah.
00:38:37I think that's wise.
00:38:38It's all right.
00:38:39If he doesn't want it, screw him.
00:38:41But I mean, as a kid growing up in Squadney, did you ever think you'd be playing with a beetle?
00:38:46No.
00:38:47No, that was, it was a thrill that I wish I could enjoy more, but it's only due to the flaws in my character, which I'm rather proud of.
00:38:55Obviously, there'll be the regular merch.
00:38:57T-shirts and stuff.
00:38:58T-shirts and stuff.
00:38:59And hats.
00:39:00And caps.
00:39:01Caps and all of that.
00:39:02Baseball caps.
00:39:03If you think about the age of your audience, we should actually be trying to partner with, say, companies that do stair lifts and walk-in showers.
00:39:09You know, those hammocks that lower you into a buff.
00:39:12That kind of thing can sell with your demographic tremendously well.
00:39:15I don't know how you're gonna sell that at a concert.
00:39:17No, no.
00:39:18You brought Simon in, so you feel like it was a smart move on your part.
00:39:22I think it's about knowing who you are and what your skill set is.
00:39:25Right.
00:39:26And I just think there are things that I know that I can't do that are skills that Simon has, but I know that I've got like soft skills, you know, and I've got a connection with the band and obviously I know them and because of my dad and all that.
00:39:40So I bring that and then he brings that kind of slightly cold, trying to find the right word without seeming mean, but just that sort of shitty vibe.
00:39:51If I said to you, what are people drinking a lot of these days, what would you say?
00:39:54Beer.
00:39:55Well, yes, certainly beer.
00:39:56Tea.
00:39:57True, tea.
00:39:58Coffee.
00:39:59But what are people drinking a lot of water?
00:40:01Yes.
00:40:02And Hope has had a rather brilliant idea.
00:40:04Oh.
00:40:05Look at that.
00:40:06Tap water.
00:40:07Tap water.
00:40:08Look at that.
00:40:09Look at that.
00:40:10Look at the shape.
00:40:11It's too perfect.
00:40:12But what's inside is some kind of special water.
00:40:14It says artisan now.
00:40:16It's just tap water.
00:40:17It's tap water.
00:40:18Now, the piece of resistance is, here we go.
00:40:22There it is.
00:40:23Oh, I think it's great.
00:40:24I think it's fantastic.
00:40:25Well, this isn't it.
00:40:26It's got a sheet over it.
00:40:27Ah, I see.
00:40:28I think we can all agree it was an outrage that you were not inducted into the Rock and Roll Hall of Fame.
00:40:32That you were refused entry.
00:40:33I think it was the letter that upset me, which just said, fuck off.
00:40:39Yes.
00:40:40You could say no, not yet.
00:40:41Yeah.
00:40:42It said, fuck off, sincerely yours.
00:40:43Yeah.
00:40:44Well, that's true.
00:40:45Brace yourself.
00:40:46We present the International House of Rock.
00:40:50Oh, thanks.
00:40:51This is like the Rock and Roll Hall of Fame?
00:40:54Like the Rock and Roll Hall of Fame, only better because it will have you in it.
00:40:57Yeah.
00:40:58We're going to build precisely this structure, and in it, we're going to memorialize Tap.
00:41:05Rock in general, but Tap specifically.
00:41:07Oh.
00:41:08Can I ask a question?
00:41:09Yes.
00:41:10There's only four people.
00:41:11Four people.
00:41:12Yeah, but there'll be more.
00:41:13These are just little models, aren't they?
00:41:15Yeah.
00:41:16So you're saying this is going to be big?
00:41:18This is going to be big.
00:41:19Not as a toy.
00:41:20Oh.
00:41:21Yeah, absolutely.
00:41:22I don't know why I keep wanting pancakes.
00:41:25Why is that?
00:41:27You got problems?
00:41:28Maybe you're white and you're big.
00:41:31When I'm busy, maybe you want to dance with my leg.
00:41:36I'm going to chain you.
00:41:38I'll make you sleep out of doors.
00:41:41You're so fetching when you're down in all fours.
00:41:46And when you hear your master, you will love a little faster thing to me.
00:41:52Let's go.
00:41:53Let's go.
00:41:54Let's go.
00:41:55Let's go.
00:41:56Let's go.
00:41:57Let's go.
00:41:59I'll have to take you back.
00:42:01Let's go.
00:42:02Let's go.
00:42:03And the girl, on the paper.
00:42:04Let's see.
00:42:05I'll bring you back to this room.
00:42:11And a girl. On the paper.
00:42:14That's it.
00:42:16Wow.
00:42:18Hi. Oh.
00:42:20Fucking brilliant.
00:42:21Legend. Oh my gosh.
00:42:23Yeah, that's wonderful.
00:42:24I love playing with you.
00:42:25Oh, thank you. I love playing with you.
00:42:27So listen, since we're playing together,
00:42:30why don't we play together?
00:42:33Oh my gosh. I'm, I'm beyond flattery.
00:42:37Well, you know.
00:42:38I just, I can't believe it.
00:42:39Oh my God.
00:42:40Speaking of playing together.
00:42:42Oh.
00:42:43This is my girlfriend.
00:42:44Hi, Annie.
00:42:45Hi.
00:42:47Hi, everyone.
00:42:50This is my girlfriend.
00:42:51Hello.
00:42:52Hi, I'm Annie.
00:42:53Annie.
00:42:54Great to meet you.
00:42:55Nice to meet you.
00:42:56Great to meet you.
00:42:57Congratulations.
00:42:58Thank you so much. I'm the luckiest.
00:42:59You are luckiest.
00:43:00My grandpa took me to see y'all when I was a little girl.
00:43:02Yeah.
00:43:03Oh yeah.
00:43:04It was a good time.
00:43:05I've been noticing this, this, the pedal board that you have.
00:43:07Yeah.
00:43:08Do you use every single one of these?
00:43:09Every one of them, sure.
00:43:10Let's see this, of course, you know what this is.
00:43:12Yeah, that's the pedal.
00:43:13Oh no, it's a wah.
00:43:14Yeah.
00:43:15well don't keep doing it you're doing it vocally this is doing it for you oh yeah
00:43:29what's that look like to you that one it looks like a wedge of cheese no it's a pizza but now
00:43:35it's it's like someone singing through a duck and then you you need that no duck sound no I don't
00:43:47need it yeah but I love it yeah you can mix these all up that's the beauty of it if it worked for
00:43:52this guitar which is amazing I've got the Union Jack well yes that's obvious isn't it but here's
00:43:58the great part look at this oh look the spinal tap logo there but this board can be used as a
00:44:04cutting board for cheese oh look there's a little piece of cheese in there there's cheese in here
00:44:11yeah and what's that inside it is the cheese grater oh so let's say you were playing and you're playing
00:44:18a gig or just at home and you think I'd like to have some cheese and I don't want to have to go
00:44:25to the kitchen it's right here there's an issue though you can't put my favorite cheese in here
00:44:31why not stinky yeah yeah smell like a little person had died in that little hole right which
00:44:40will be sad and smelly if you're playing loud you wouldn't hear a little person right right right
00:44:50but are there people this size it could happen yeah good morning you are leads this is final tap if
00:45:03you're looking for a proper ass kicking come to the lakefront arena Saturday night and let tap tap into
00:45:09your central nervous system how's it going really good are they going to be sitting down the whole
00:45:26time what do you mean are they going to be sitting down the whole time because at this moment you mean
00:45:33I mean in general because I'm thinking have these people got legs you know that's where I'm at the
00:45:40moment I just see them sitting down where's the movement Taylor Swift stands still on the stage
00:45:51it feels static what's that static little as you you're getting feedback from that no no no no no
00:46:07no I mean are you are you going to be sitting down the whole time sitting down well here's a lovely
00:46:14little idea how about rehearsing facing the way you're going to eventually we turn around the other
00:46:20ways yes and when is eventually do you have a sort of uh you want an estimate yes later at some
00:46:26point they're going to have to rehearse you know dances or other moves no no I talk through the
00:46:30dancing you don't have to dance are you thinking more sort of like a Korean boy band is that what
00:46:35you're imagining in your head well I actually manage a Korean boy band they're not Korean but they
00:46:40identify as Korean Korean style yes yeah they're Nicaraguan I think but anyway the point is we are in a
00:46:47post-k-pop world people are going to expect movement do you know what this sound is
00:46:51that's time being wasted okay I'm really sorry and he and I will talk you're antagonizing them
00:47:01and people can't make music people can't make music if they feel like shit but well that's frankly not
00:47:08true secondly they're children they're behaving like children you're making it so not fun and I
00:47:14really want it to be fun it's not meant to be fun because it's the music business he's shady I think
00:47:23yeah but that's a job where you've got a plus you need some to be shady yeah and we're not saying
00:47:29like slim shady we're just saying yeah yeah yeah he's slim and he does something I've noticed doesn't
00:47:40button his shirt up well he doesn't button his shirt yes a and two he winks you don't trust a
00:47:46winker as opposed to a wanker that's different you can always as well you can always trust a wanker sure
00:47:52that's right he's just you know don't shake his hand I've never really done anything with a band like
00:47:57spinal tap so it's a challenge it's fascinating to watch them it takes quite a lot of self
00:48:02actualization uh not to develop at all either musically or personally in an entire lifetime and
00:48:09I I sort of want to see that up close there's a sort of anthropological interest very good now that's
00:48:16the perfect pose right there you're like the most famous rock and roll photographer in the world Henry
00:48:22Diltz everybody knows Henry Diltz I mean this is an iconic photo Crosby Stills and Nash sitting on
00:48:28that couch so you don't feel like you're stealing from yourself in a way no no just reliving okay let's
00:48:36walk over here it feels like you've brought us to a place where the dead people are but we're not dead yet
00:48:44no but we have to start thinking about that and get used to it we'll take a few real good yeah that
00:48:52looks fabulous there we go yeah look at that and I started thinking about what I would be like yeah
00:49:00after I die so it's like an afterlife thing yes and I'm going what now yeah that's what the premise of
00:49:07this is so lay it on us yeah that's the drum part yeah I'm sure you can hear that yeah
00:49:14yeah
00:49:15it's getting near the final end says a neighbor says a friend but as I take my family don't protest do not
00:49:36that's great that repeats and there's a bridge one thing I know about the great hereafter I'll still
00:49:55be blitzing eardrums on the highest rafter you think I was hot at our legendary bachelors it means all of
00:50:01us yeah yeah yeah wait till you see me when I'm all ashes oh bashes ashes good good my lifetime of
00:50:09loud helped me learn I'm gonna be rockin rollin and rockin gonna be rockin in the air but you did it
00:50:16lower when you sang I'm gonna be rockin in the air I think it's got great promise if we run a softical
00:50:24and it is deep and it's it is deep it's as deep as it goes yeah if you think about it
00:50:30this is an exercise regime to get you on your feet up and about jiggling around hey there they are
00:50:50Mr. Tufnel how do you do it's a pleasure to meet you hey Mr. St. Hubbins and I'm correct you must be
00:50:57Dr. Smalls I must be Derek Smalls how do you do Derek Smalls it's a pleasure to meet you my name is Bob
00:51:02Kipnis Bob Kipnis Fitness we're rehearsing here today what's going on well we're gonna do a nice
00:51:08workout for you so that you're ready for your big presentation you look like you've done a little
00:51:13bit of conspicuous consumption God knows I have when is this happening the workout yeah right
00:51:19now ready and we're gonna do a big breath in oh and a big breath out and a big breath in and a big
00:51:30breath out there you go well done everybody before we get into the actual workout I saw dates of birth
00:51:36on you fellas and it sounds to me like the candles are starting to cost a little bit more than the
00:51:42cake but I would like to ask you a few questions these are standard boilerplate type questions number
00:51:49one does anyone have any penis pain what do you mean they're exercising they need to be rehearsing
00:51:55they need to be exercising lifting our leg and twisting around keeps us nice and fit you kidding
00:52:02they're really old Simon which is precisely why they need to be exercising do you understand
00:52:05boy that's living
00:52:11the big of the cushion the sweet of the cushion that's what it said
00:52:26the looser the waistband the deeper the quicksand so I have a ring
00:52:35my baby fist is like a flesh tuxedo I like to sink them with my thing torpedo
00:52:45big bottom big bottom talk about bump cakes my girls got a big bottom drive me out of my mind
00:52:57how could I leave this behind
00:53:01what was that was that my guitar doing that well I pre-recorded it he farted earlier recorded it
00:53:14was it that's not clever parts are funny I can't argue with you in in in principle but I don't think
00:53:22it's appropriate look at this I think it could be more subtle like a no imagine you're on public
00:53:30transport and there's a an old lady sitting next to you and she's got a little bag you know she's
00:53:37looking in her bag for a mint or something and then you hear and you're trying to be polite you
00:53:44look over and try to pretend that you didn't hear it but you can't not have heard it so we're on the
00:53:50same page you want me to go find an old lady farting on a bus no not literally this is a story it didn't
00:53:55actually happen you're starting with hellhole no no no I was saying tentatively start with
00:54:01magic oh majesty that's a good yeah second intro come with the robes so we got kind of a mini set a
00:54:08mini insert of clam caravan and and then turn it up again for cash on delivery yeah and then double the
00:54:20tempo for diva viva good and then uh so let's keep moving so you're gonna be good to fellows are
00:54:25working to give me some money
00:54:26give me some money
00:54:48give me some money
00:54:55give me some money
00:55:00give me some money
00:55:06all right wasn't bad musically you seem to be yeah grooving pretty good I mean you seem to be
00:55:34gelling you know in the in rehearsals not to be profound or anything and it would be a first time
00:55:40for me but I think the more we retreat into the music the more we yield to the cowardice we feel
00:55:48about confronting one another with things the more the nicer things become be honest how does it look
00:55:54no don't pull too hard I'm sorry it looks like bug eyes yes that is the point because they are bugs
00:55:59I can't see though most of you how how would I find the stage what about that
00:56:05well now you're talking I could see you in there this is perfect I love this this is me
00:56:11David that looks fantastic this is me what are the fucking bits this shirt is for my mother it's not
00:56:15for you she really loves this blouse you know yeah I have another really really good thing that is
00:56:20oh yes yes would you like to put this on as well the thing about the glasses is they take away something
00:56:26like this I think that looks very futuristic so it's all bugs is what you've done let me tell you
00:56:31something insect means pestilence and what is more rock and roll than pestilence what's more rock
00:56:37and roll than disease is what you're saying absolutely Derek you're the glue you're the
00:56:42he's the elder statesman in a way yeah and he doesn't would be the silly one running about because we can run around and make faces and make faces and make a lot of people
00:56:48out because we can run around and make faces and play who who amongst you is the silly one
00:56:52I'd say it's gonna be him you're the silly one yeah what's he laughing at you know I've noticed that you're happier than you were really you used to be gloomy
00:57:04well I was more sullen well sullen and questioning your own should I be doing this and well I know that you
00:57:12know you weren't all that thrilled the first time when the film came out you maybe thought I didn't do
00:57:20you justice do you feel that we've still I mean we have taken you off the hook oh that makes you were
00:57:27there you witnessed you witness some of the ups and downs and you see some people think oh it's all down
00:57:34but you saw things that were good yes I saw a lot of good things you saw us reach the stage you say to
00:57:41us many than I you know many times sometimes you couldn't find this day yeah but most of the time
00:57:47we did mostly yeah yeah here she comes that rainy day sun peeking in and out the falling raindrops
00:57:56smiling down on everyone gentlemen boys boys boys we had a visitor hey everyone a special guest
00:58:06welcome welcome what an honor so good to see you how much were you aware of Spinal Tap you know
00:58:13in the early days were you aware of the band did you know about this band or yeah I knew about the
00:58:18band yeah um and yeah I was a big fan actually well I'm surprised they're very underrated musicians
00:58:24I think but these guys just on a heavy rock and roll band they're really good right I mean look for
00:58:29example in the bit in Stonehenge where he plays the mandolin I love the mandolin but that's yeah most
00:58:33heavy metal bands can do that did you recognize that tune that was the flip side of uh that was rainy day
00:58:38sun out yeah it was a flip side of flower people no I know but let's do flower people big fan would
00:58:43you like to do really unless you flower people yeah that would be great yeah fantastic yeah I'll just
00:58:48have to follow you guys okay okay we've followed you many times
00:58:52listen listen to what the flower people say
00:59:06listen it's getting louder every day
00:59:16listen it's getting louder every day listen it's like a bolt out of the blue
00:59:23listen it could be calling out for you
00:59:33listen it could be calling out for you
00:59:38when they called and asked you you said okay I'll do this and oh it was an honor it was like having
01:00:05your first hit record to be asked to do this it was like wow are you kidding me I didn't have to
01:00:10even think about it had you ever met any of the members of the band I've never met them it's funny
01:00:15that we all travel around and you don't really meet that people on the road because you could
01:00:18just a zigzagging around and you just miss people so I've never really been in the same town as them
01:00:22but it's nice to meet them now yeah I mean it's you know at this point now at this point in their
01:00:28life and this point in my life it's a great thing to sometimes waiting for something is even better than
01:00:34meeting someone up early on
01:00:36yeah yeah
01:00:38oh yeah
01:00:40thank you
01:00:44no but I just one of my favorite songs of yours that's all I never thought I'd get I'd never thought I'd get
01:00:50an actual singer with you guys yeah thank you yeah thank you I wonder if there's a bit too much piano I'm very much enjoying the singing I'm just wondering if there's too much piano he doesn't understand music I'm so sorry
01:01:04well that's mad sir Elton said he'd like to play with us and he's singing and playing that's what he does you may not have heard the last 50 years but you know what number he might like to do it's called Stonehenge
01:01:16okay yeah you aware that would be oh of course I'm aware we got the right size this time it's more dynamic it's you know it's very visual it's dramatic as well well I can do that you want me to do that one instead
01:01:31what's this
01:01:43what's this
01:01:57what's this
01:02:00why are people falling down a hill
01:02:02what does that have to do with us
01:02:04I would like to see more of it actually
01:02:06yeah we'll make you a copy
01:02:08just show the band alright
01:02:09show the band
01:02:10you share such a history
01:02:12such a personal history
01:02:13particularly Nigel and David going back to childhood
01:02:16and Derek coming in you know in the last
01:02:19in our 20s
01:02:20you know over 40 years
01:02:21yeah
01:02:22do you find those dynamics changing
01:02:25are those relationships changing
01:02:27I think there are differences though
01:02:29you know time goes by and things change
01:02:32with relationships
01:02:34and um
01:02:35but the thing that you guys had as kids
01:02:37yes
01:02:38is that still there
01:02:39we were close as small boys
01:02:41and uh
01:02:42then you grow away and back and away and back again
01:02:46and um
01:02:48I don't know where it is now
01:02:49it's somewhere
01:02:50but do you feel that that thing that you had
01:02:52as kids
01:02:53is still there somewhere
01:02:55or
01:02:56somewhere
01:02:57I'm so used to being like
01:03:05like intimate with these guys so close
01:03:07and obviously this is like a huge arena
01:03:09is there any way we can push this whole rig forward
01:03:14the whole rig?
01:03:15like downstage a little bit
01:03:19so I'm noticing that the pedal board is quite a bit larger
01:03:24it is yeah
01:03:25that you showed me earlier
01:03:26this is the first section
01:03:27yeah
01:03:28and then it was this one
01:03:29yeah
01:03:30this
01:03:31they're all linked together
01:03:32yeah
01:03:33by this
01:03:34oh that's the
01:03:35what you called the brain
01:03:36it's the brain
01:03:37right
01:03:38what do these extra things do?
01:03:39well you can read some of them
01:03:40yeah
01:03:41to yourself
01:03:42oh
01:03:43I shouldn't
01:03:44yeah
01:03:45so what's your favorite
01:03:46give me the new one that you added there
01:03:47you say
01:03:48boy I'm glad
01:03:49I'm so glad they added this one
01:03:50yeah
01:03:51yeah
01:03:52yeah
01:03:55yeah
01:03:56that's a bit annoying
01:03:57well to you
01:03:58how's it going?
01:03:59sounding good?
01:04:00oh
01:04:01hello
01:04:02hello how's it going?
01:04:03it's nice it's loud
01:04:04but that's your reputation right?
01:04:05well that is yeah
01:04:06it's what the people want and indeed need
01:04:08just quickly to say good luck
01:04:09I hope it goes tremendously well
01:04:10should
01:04:11yeah
01:04:12it should be marvelous
01:04:13everything is set up
01:04:14you're in excellent hands with hope
01:04:16I have to go
01:04:17what?
01:04:18what do you mean?
01:04:19well I have to meet my birth mother
01:04:20what?
01:04:21my birth mother
01:04:22you're saying you're leaving
01:04:23you're not going to be here
01:04:24no no no
01:04:25some things
01:04:26I hate to break this to you
01:04:27some things are more important than rock and roll
01:04:29and one of them is family
01:04:30unbelievable
01:04:31you could wait a day Simon
01:04:32you didn't give me any information
01:04:34well I didn't know
01:04:35it's not a good thing at all
01:04:36let me ask you this
01:04:37is your birth mother a shark as well?
01:04:39it's your shark?
01:04:40oh I see
01:04:41er
01:04:42well I know nothing about her
01:04:43that's the point
01:04:44I think that you've run out of feeding ground here
01:04:45and you're off to the next swindle
01:04:48fucking hell
01:04:49the very best of luck to all of you
01:04:50whatever
01:04:51it's been an experience
01:04:52and then
01:04:53something approaching a play here
01:04:58wow
01:05:03hey
01:05:04rock and roll nightmare
01:05:07we are living it
01:05:09well
01:05:16of you
01:05:17no
01:05:19you
01:05:20and your
01:05:21what
01:05:22you there
01:05:23you
01:05:34areמ�heim
01:05:35And when the rock'n'roll nightmare comes
01:05:45The devil's gonna make me eat my truck
01:05:49What is that?
01:05:54I'm sorry, what is that?
01:05:57What is that?
01:06:03Can you stop it? Can you kill it?
01:06:05Can you kill it?
01:06:08I don't even know what you're playing anymore
01:06:09It's another voice
01:06:10It's a voice
01:06:11You may not hear this voice
01:06:13But I hear it
01:06:15I'm lucky to hear my own voice at this rate
01:06:17I think it's a distraction
01:06:18I think you're on edge
01:06:19You are on edge
01:06:22Why are you not?
01:06:29Yeah, let's make use of that
01:06:30The Japanese woman being knifed
01:06:33She's from Vietnam, first of all
01:06:36All right, fine
01:06:36Can we play again, baby?
01:06:42Just play the music
01:06:43Just play the music
01:06:46You've got to stop playing with your train set
01:06:52And play the music
01:06:53You can't do it, can you?
01:06:55You can't do it
01:06:56You can't just play the tune
01:06:58I can?
01:06:59You can't
01:07:00I can
01:07:01And now I did it
01:07:01I know what else you did
01:07:02October 9th
01:07:042009
01:07:05Yeah, what are you talking about?
01:07:07You know exactly what I'm talking about
01:07:09You fucked my wife
01:07:10I fucked your wife
01:07:12That's what I'm hearing
01:07:13You must be joking
01:07:13And that's what I'm saying
01:07:14You must be fucking joking
01:07:16Oh, no, no
01:07:17You must be fucking joking
01:07:18Where's Nigel?
01:07:19Where's Janine?
01:07:19Oh, here they are
01:07:20They're together
01:07:21They're smiling
01:07:22I knew what happened
01:07:23You have gone really mad
01:07:25Fuck
01:07:26Good grief
01:07:28You're fucking mad
01:07:29Is what you are
01:07:30You're fucking mad
01:07:30Go follow him
01:07:31Follow him
01:07:32There's no fucking way
01:07:34I would have done that
01:07:35Fuck you
01:07:37Fuck you
01:08:07I wish you now, baby
01:08:13Run right by my baby's nose
01:08:17I wish you now, baby
01:08:22Run right by my baby's nose
01:08:25Well, you know I can't get to what I'm loving
01:08:30I ain't going down that long no more
01:08:33Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
01:09:03And I'm gonna cry, cry, cry, cry, oh wait.
01:09:33Okay, gents and ladies, showtime.
01:09:38Time to rock.
01:09:39Are you ready?
01:09:40Okay.
01:09:41You okay?
01:09:42Yeah.
01:09:43You okay?
01:09:44Yeah.
01:09:45Okay.
01:09:46You okay?
01:09:47Yeah.
01:09:48Okay.
01:09:49Okay.
01:09:50Okay.
01:09:51Okay.
01:09:52Okay.
01:09:53Okay.
01:09:54Okay.
01:09:55Okay.
01:09:56Okay.
01:09:57Okay.
01:09:58Okay.
01:09:59Okay.
01:10:00Okay.
01:10:01Okay.
01:10:02Okay.
01:10:03Whatever you did, I forgive you.
01:10:07I didn't do anything.
01:10:12Well, then I forgive you for that.
01:10:17Well, they're not going anywhere.
01:10:21What do we do about that?
01:10:24Do a show?
01:10:26Why not?
01:10:27They're stuck with us.
01:10:29Correct!
01:10:30Right!
01:10:31Right!
01:10:32Right!
01:10:33Right!
01:10:34Right!
01:10:35Right!
01:10:36Right!
01:10:37Right!
01:10:38Direct from hell.
01:10:39Spinal Tack!
01:10:40Good evening.
01:10:44Dreaming!
01:11:14I don't think I ever can
01:11:18The floor is filthy
01:11:20The walls are thin
01:11:22The wind is howling in my face
01:11:26The rats are peagling
01:11:28I'm losing ground
01:11:30Can't seem to join a human race
01:11:34Oh come, tell me why then?
01:11:36Cause I'm living in a hell hole
01:11:40Don't want to stay in this hell hole
01:11:44Don't want to die in this hell hole
01:11:48Girl, get me out of this hell hole
01:11:54No light fantastic girl crosses my mind
01:12:00That meditation stuff can make you go blind
01:12:06Or just crank that volume to the point of pain
01:12:13Why waste good music on a brain?
01:12:19Heavy
01:12:20Heavy
01:12:21Duty
01:12:22Heavy duty
01:12:24Rock and roll
01:12:25Heavy
01:12:26Heavy
01:12:27Heavy
01:12:28Duty
01:12:30Brings out the duty in my soul
01:12:34Yeah
01:12:35There's a pulse in the newborn son
01:12:38Heavy
01:12:39Heavy
01:12:40Heavy
01:12:41Heavy
01:12:42Heavy
01:12:43Heavy
01:12:44Heavy
01:12:45Heavy
01:12:46Heavy
01:12:47Heavy
01:12:48Heavy
01:12:49Heavy
01:12:50Heavy
01:12:51Heavy
01:12:52Heavy
01:12:53Heavy
01:12:54Heavy
01:12:56Heavy
01:12:57Heavy
01:12:58Heavy
01:12:59Heavy
01:13:00Heavy
01:13:01Heavy
01:13:02Heavy
01:13:03Heavy
01:13:04Heavy
01:13:05Heavy
01:13:06Heavy
01:13:07Heavy
01:13:08Heavy
01:13:09Heavy
01:13:10Heavy
01:13:11Heavy
01:13:12Heavy
01:13:13Heavy
01:13:14Heavy
01:13:15Heavy
01:13:16Heavy
01:13:17Heavy
01:13:18Heavy
01:13:19Heavy
01:13:20Heavy
01:13:21Heavy
01:13:22Heavy
01:13:23The ticking of the clock
01:13:25The waning of the soul
01:13:27The prisoner in the dark
01:13:29The digger in the hole
01:13:31We're in this together
01:13:33And ever
01:13:53In ancient times
01:14:01Hundreds of years
01:14:05Before the dawn of history
01:14:07Vived a strange race of people
01:14:11It's druids
01:14:15It's druids
01:14:25No one knows
01:14:27Who they were
01:14:29Or what they were doing
01:14:33But their legacy reminds you
01:14:37Into the living rock
01:14:39Of Stone Age
01:14:45Stonehenge
01:14:49Stonehenge
01:14:51Where the demons dwell
01:14:53Where the banks live
01:14:55And if you live well
01:14:57Stonehenge
01:14:59Where a man's a man
01:15:01And the children dance
01:15:03To the pipes a plant
01:15:15Stonehenge
01:15:21Stonehenge
01:15:22Is a mad place
01:15:23Where the moons of wrath
01:15:25Will the dragons fade
01:15:27Stonehenge
01:15:29Where the birds lie
01:15:31And the prayers of devils
01:15:33Fill the midnight sky
01:15:35And you, my love
01:15:41Won't you take my hand
01:15:43We'll go back in time
01:15:45We'll go back in time
01:15:47To that mystic land
01:15:51Where the dewdrops cry
01:15:55And the cats meow
01:15:57I will take you there
01:16:01I will show you how
01:16:05Oh!
01:16:07Oh!
01:16:27I know how they danced
01:16:29The little children of Stonehenge
01:16:31Beneath
01:16:33Beneath the halted moon
01:16:35For fear
01:16:37That daybreak
01:16:39Might come
01:16:40Too soon
01:16:41Let's move it over!
01:16:43She made me move the stage forward
01:16:45You can't blame her!
01:17:01Out Theme
01:17:13Ó
01:17:17o o o o o m
01:17:21layers
01:17:23when the pedal
01:17:25jr
01:17:27I got you, I got you.
01:17:28Erased my browsing history.
01:17:33Stop Spital Time!
01:17:37Hi.
01:17:38David, I'm so sorry.
01:17:40Where have you been?
01:17:41Well, I've been sorting out a lot of the insurance stuff.
01:17:44Good.
01:17:45How are you doing, Mr. Sir Elton?
01:17:47I think I have no feeling in my legs.
01:17:50I've got plenty in mine.
01:17:52A huge stone fell on my legs, and they said I was concussed.
01:17:57They also said it really looked great.
01:18:00I was hearing the buzz that it really worked theatrically.
01:18:04How are you doing over there? You're good.
01:18:06Oh, yeah. Never felt better.
01:18:08You look very well.
01:18:11I think catastrophic accidents agree with me.
01:18:16Now, I can either put this in the film or keep it out of the film.
01:18:20It's up to you.
01:18:21Talk to my manager.
01:18:22I haven't edited yet.
01:18:24We have not signed any release for this.
01:18:26Because I can always have it up to that point.
01:18:28Oh, fuck off.
01:18:29Okay.
01:18:30It ended bad. It did end bad.
01:18:32Yes.
01:18:33I mean, it's press.
01:18:35Yeah.
01:18:36Like, as in, it got a lot of attention.
01:18:38Yeah, it did.
01:18:39And you're the mind, any press is good press.
01:18:42Well, there is a bit of that.
01:18:43Like, you know, dropping Stonehenge on a grand piano and crushing Elton John's legs.
01:18:48That stays with you, doesn't it?
01:18:50Uh, we're healing up.
01:18:51Yeah.
01:18:52Let's say this.
01:18:53We're healing up.
01:18:54And do you feel like you could perform again?
01:18:56We keep bouncing back in some form or another.
01:18:59Mm.
01:19:00And this was a tough bounce.
01:19:03There's no tougher bounce than having a, you know, thousand-pound Stonehenge thing fall on top of you.
01:19:10Yeah.
01:19:11Well, there are a few blows in life that might beat that, but not many.
01:19:14Yeah.
01:19:15Yeah.
01:19:16Yeah.
01:19:17Waking up in public library, having passed down and shot yourself, that'd be another one.
01:19:21Have you talked to him since, uh, since the hospital?
01:19:24I have, yeah.
01:19:25After being in hospital, we said, you know, how are you feeling?
01:19:28He's still got this knee thing where he can't.
01:19:31Well, he can do this, but that's all he can do.
01:19:34Well, then he could, it's like, almost like a Jewish guy davening.
01:19:37I mean, like at the Wailing Wall in Israel and just go like that.
01:19:43I guess the question is, now what?
01:19:47Do you see a future for the band?
01:19:49I don't know.
01:19:51Cruises, maybe?
01:19:53Oh, you mean like a...
01:19:54Rock and roll cruise?
01:19:55On a cruise ship?
01:19:56Yeah, with a lot of, you know, older people who don't have full use to their limbs.
01:20:01And I put together an acapella rap group called Mod Men.
01:20:06Again, nobody had thought of acapella rap groups, but the problem with acapella rap,
01:20:12as it turns out, is there's a very thin line between acapella rap and simply shouting threats that rhyme.
01:20:20I'm looking at, uh, Mick Jagger, who still runs around the stage.
01:20:24Yeah.
01:20:25We're still performing.
01:20:26Yeah.
01:20:27These guys are in their seventh.
01:20:28They're still performing.
01:20:29Yeah.
01:20:30They grew up in the 50s, and Danny and the Juniors said rock and roll was here to stay.
01:20:35Yeah.
01:20:36And clearly, he was right.
01:20:37They were right.
01:20:38Yeah.
01:20:39So what is it?
01:20:40Is it just that you love to play?
01:20:41Is that it, or...?
01:20:43And drugs.
01:20:45I have decided to write a memoir of my early years.
01:20:50The Squatney years, you know, as a young, wild teenager in Squatney.
01:20:55I was inspired by Bruce's book.
01:20:57I am...
01:20:58Bruce Springsteen.
01:20:59I am Springsteen going on Spreventine.
01:21:01And then you also like to invent things.
01:21:03I mean, you're...
01:21:04I do, yeah.
01:21:05You're an inventor.
01:21:06I think, what if you could go on a picnic and have a folding wine glass?
01:21:14It's acrylic sides, four sides with hinges.
01:21:17Yeah.
01:21:18Pour the wine...
01:21:21And that was successful?
01:21:23No.
01:21:24Yeah.
01:21:25I'll tell you the truth.
01:21:26Uh, I had sex with David's wife.
01:21:29Really?
01:21:30Does David know about this?
01:21:32No.
01:21:33You pretend that you came in.
01:21:35Okay.
01:21:36Okay.
01:21:37Uh, sir, I...
01:21:38But with a different accent.
01:21:39Uh, sir, uh...
01:21:41No.
01:21:42Let's do it the other way.
01:21:43All right.
01:21:44Do you.
01:21:45If I brought in a half a wheel of the St. George...
01:21:49Cuello?
01:21:50What is it?
01:21:51Cuello?
01:21:52What's that you're saying?
01:21:53Well, it's the name of it.
01:21:54What's that?
01:21:55Cuello.
01:21:56I don't know that last part.
01:21:57Cuello.
01:21:58Cuello.
01:21:59Cuello.
01:22:00Cuello.
01:22:01Cuello.
01:22:02Cuello.
01:22:03We'll save that for another...
01:22:04So, if I brought in a half a wheel of the San...
01:22:06Of which one?
01:22:07Cuello.
01:22:08Yes.
01:22:09And, you know, you correct me if I'm wrong, because I could be wrong about this.
01:22:12Should we wait until you finish?
01:22:14Yeah.
01:22:15Finish the same thing.
01:22:16Well, yeah, I mean, there's nothing to correct at this point.
01:22:18Okay.
01:22:19Good point.
01:22:20I didn't say anything.
01:22:21Once I say it, then you can correct.
01:22:23Yeah, yeah.
01:22:24Is there something that I should be corrected on now?
01:22:27Not yet.
01:22:28Not yet.
01:22:29Let's wait.
01:22:30We'll wait.
01:22:31We'll wait.
01:22:32I noticed...
01:22:33I think now would be a good time.
01:22:34I mean, every drummer of Spinal Tap Drummer, they always wind up with an unfortunate ending,
01:22:39and do you feel lucky that you're the one that was able to break that curse?
01:22:44I mean, you're the one that survived.
01:22:46I do.
01:22:47I'm wracked with survivor's guilt, so...
01:22:49Yeah, I see you're still eating healthy.
01:22:51I'm still trying to ward off the Grim Reaper as much as I can.
01:22:54Maybe you have broken the curse of all those drummers.
01:22:57You might have been the one that breaks that curse.
01:22:59I mean, yeah.
01:23:00Knock on wood.
01:23:01What?
01:23:02What?
01:23:03What?
01:23:04Oh, oh, oh, Jesus.
01:23:05Are you joking?
01:23:06All right, all right.
01:23:07Here, come on.
01:23:08Here we go.
01:23:09Here we go.
01:23:10One cake.
01:23:11One more.
01:23:12Okay.
01:23:13Okay.
01:23:14Okay.
01:23:15Now we'll see you next time.
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