- 1 day ago
India’s favourite crime thriller show is back! Abhijeet, Daya and other CiD officers, led by ACP Pradyuman, join forces with forensic expert Dr Salunkhe to track down the perpetrators who have committed heinous crimes, using every small clue they can find.
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00:00You have to stay at home for so little time.
00:29There's so much sofa, TV, fridge, washing machines, everything.
00:34But what do I do with all these things when you don't have me?
00:38Abba will see you at this time.
00:40You're so scared of Abba, how do you do it?
00:44When you went to jail, I wasn't alone at home.
00:49I'm pregnant.
00:51I'm pregnant.
00:54You have to do anything.
00:57But you don't have to do anything.
01:00Leave me alone.
01:02You have to decide.
01:04Either I or I will kill you.
01:24Oh, my god.
01:39Yeah, huh.
01:43Oh, my God.
01:48Oh, my god.
01:53I'm sorry
02:03I'm sorry
02:09Hi
02:13Parsi bhai, and then
02:15Dharu mat misting operation
02:17Please belshab
02:23I want to write a book, a piracy.
02:28So write it, right? What is it?
02:30How do I write a book as a hero?
02:32Well, you put a hero in jail?
02:36They are just a hero in jail.
02:39So then I'm Gandhi?
02:40No.
02:43But who has told you that a picture hero is the one who is good,
02:46who is going to go on the path of truth?
02:49No.
02:51And go, trust me.
02:53I help you to write this book.
02:59What is my benefit?
03:03What do you need?
03:06Sir.
03:08The one you give to the police.
03:13Tip.
03:19That is not possible.
03:27Then the book is not possible.
03:31Chai pio.
03:35You are very smart, right?
03:41Okay, fine.
03:43I will help you, but...
03:46...when I want to help, then...
03:50Madam.
03:51I don't even have to work without advance.
03:54But what do you remember?
04:00Ask now.
04:02What do you want to ask?
04:03I don't have to ask you...
04:12...in steel glass.
04:13This is your tea...
04:14...steel glass.
04:20What does it bring to me?
04:22What do you think?
04:24It doesn't have a taste of steel.
04:27From childhood.
04:29You will get into your house of steel and aluminum.
04:34Because they don't break.
04:36That's right.
04:38But they hear a lot.
04:40Look, they can hear a voice once again.
04:43But the one who has never seen any benefit,
04:46how do they take away the waste of burning?
04:50How do they take away the waste of burning?
04:53Do they take away the waste of burning?
04:56I don't have any heart.
04:58Okay.
05:00I don't know what to do in the jail.
05:02I know.
05:04But I've been doing it outside.
05:06I've been telling you that I'm going to die.
05:09I've also called two times.
05:11One time I've been in reading,
05:13one time I've been in shooting.
05:15I don't know what to do.
05:17I've been making movies.
05:18The pictures are just made in Bollywood.
05:19It's not in Hindustan.
05:21There are other languages.
05:22When you don't get a job in Hindi cinema,
05:26the South cinema runs in many heroines.
05:29Is this a Madrasi picture?
05:32Every South film is Madrasi.
05:34Okay, let's leave it.
05:36Or that you'll also leak it.
05:38But you don't come to Madras, so how do you say the dialogue?
05:42Everything is done. We have to act at that speed. Just done.
05:47I'll tell you. Angry scene.
05:51One, two, three, four. One, two, three, four.
05:54One, two, three, four. One, two, three, four.
05:58Will you be romantic?
06:00One, two, three, four. One, two, three, four.
06:07One, two, three, four.
06:09Two, three, four.
06:13One, two, three, four.
06:23How many people don't want to be romantic?
06:27One, two, three, four.
06:28But you also have Sukoon.
06:30One, two, three, four.
06:31One, two, three, four.
06:32One, two, three, four.
06:33I remember a song from Sukoon.
06:35It's true.
06:36It's true.
06:39In the same place, there is a song in Sukoon's struggle.
06:42In the same place.
06:44In the same place, there is a song in Sukoon's struggle.
06:48Where the man was sent to a punishment.
06:52In the same place, there was a song in Sukoon's struggle.
07:01In the same place, there was a song in Sukoon's struggle.
07:03But it's not that Alphira's struggle too.
07:07Even theええ and the other man who has asked me,
07:10There is no one way to do this.
07:13I have a dialogue like one, two, three, four, one, two, three, four.
07:18I need to adopt the person who wants to listen.
07:34Let's go.
07:37Otherwise, you will be a guest for two months.
07:40Otherwise, you will have to go for a shoot tomorrow.
07:45One, two, three, four.
07:47One, two, three, four.
07:50One, two, three, four.
07:53One, two, three, four.
07:59Be careful and become a doctor soon.
08:03Will you get out of this day?
08:05Let's go.
08:07Yes, study.
08:08And take a different interview from the doctor.
08:10In the past, Hakim was watching the music and telling him what is the disease.
08:15Tell him what the disease is.
08:17Then he will give you the disease.
08:21Wow.
08:22You should see the disease.
08:24What a mess is ready.
08:26Let's go.
08:27I have to go.
08:28I have to go.
08:29I have to go.
08:30I have to go.
08:31Yes, ma.
08:32What is that?
08:33This is your bag.
08:34How will you go?
08:35Go, ma.
08:36I will think about your arm in the doctor's tub.
08:37Keep it up.
08:38I have to go.
08:39Wait, wait, wait, wait.
08:40What happened?
08:41What happened?
08:42Don't you forget about your disease?
08:43Yes, you look at me.
08:44I have to go.
08:45I love you.
08:50Oh, why do you think?
08:54Oh, what a light is.
08:56Don't you sit behind the scenes.
08:57Grab the towel, you just let that wrong.
08:59OK, stop, stop.
09:02Don't feel at full time.
09:08Now, no one will off.
09:15Oh
09:20Oh
09:23Hey, yeah, Ghosn
09:45no
09:46no
09:49no
09:52no
09:55oh
09:56god
09:57shud
09:58not
09:59i would like to see the video
10:00i would like to see the video
10:01no sir
10:02no sir
10:03no sir
10:04you don't listen to me
10:05i don't know
10:06yes
10:13sir up
10:15Oh, what's the other
10:17sir you bring me to the end of the body body body
10:20What do you mean?
10:22I mean, I'm going to get all of it
10:24two days ago, I have to get my son
10:27I'm a man of school
10:29I know that
10:31I'm going to get a blue film CD
10:33Open me
10:34Chimte, sir, what are you doing?
10:37It's not going to happen in one day.
10:40Okay, do a job.
10:42There are old history sheets of piracy.
10:44Let them pick up.
10:45I need ten culprits tomorrow.
10:48Why, sir?
10:49Only ten culprits?
10:51Sir, this is with the head of the head of the head of the head.
10:57Get out of the head of the head.
11:00We pick up the head.
11:04How long have you come to the head of the head?
11:06I've come to the head of the head.
11:07I've come to the head.
11:08I've come to the head.
11:09Okay, tell me.
11:10Why do you have so much interest in South producers?
11:14Anand, you'll get to know them.
11:19Hear, what's this?
11:26Why are you looking at the head of the head of the head of the head?
11:29I'll tell you.
11:31You don't have to know them.
11:32I'm not going to be in the head of the head.
11:33I'll tell you.
11:34In the head of the head of the head.
11:36You don't have to know them.
11:36I'll tell you.
11:37I'll tell you.
11:38You don't have to know them.
11:39I'll tell you.
11:40I'll tell you.
11:40Hello, Mona.
11:41How are you?
11:42Hi.
11:43Arif, YS Penitentiary.
11:45Sir, Arif.
11:46Don't be honest.
11:47What do you understand?
11:48It will be in the shortcut.
11:50YS, we'll meet you.
11:52Nice to meet you.
11:53I'll tell you.
11:54Better ask me.
11:55That's what you said to me, but I'm going to go to Hyderabad, that's why I'm going to be a little quick.
12:04Mona Ji, I'm telling you, you have 50 pictures from the right.
12:0850 is just my right, I've got 90, and the right is also my right.
12:15Ys, brother, I have a plan.
12:20The South picture is in Hindi.
12:25I think I'd like to see here.
12:27Wow, wow, wow, wow.
12:29Because I think Mona Ji will be like another actor.
12:32Exactly.
12:33Who wants to see everyone.
12:35That's right.
12:36Hey, brother.
12:37If you want to see the South picture, then you will open the wallet.
12:41Then, don't worry.
12:43Mona Ji will have her own dialogue in Hindi.
12:46And she won't need to do one, two, three, four.
12:50She will have a proper dialogue.
12:52Very nice, very nice.
12:53Reloc, sir.
12:54You, Bombay people.
12:56Always in Hari.
12:57First, he will talk about it.
12:59Absolutely, sir.
13:00Now, what can I talk about?
13:045,000,000.
13:055,000,000?
13:07What, sir?
13:0890 films.
13:09Hindi dubbing rights.
13:11Are you guys 20,000,000,000?
13:1220,000,000,000?
13:19I will give a picture of $5,000,000.
13:21I am giving $20,000,000.
13:24I am giving a picture of my $20,000,000.
13:25I was giving you $20,000,000.
13:26If you are good at the ICR, there is no place in the auto.
13:28Sir, you don't have to deal with Mona Ji in 15 lakhs.
13:37No, no, no.
13:38For Mona Ji, I'll give you 18 lakhs.
13:42Final.
13:43Okay.
13:4518 lakhs, final.
13:47Deal locked.
13:48You'll get cash in two hours.
13:50How do you get cash?
13:52Where are you going?
13:53There are partners who don't know.
13:55You check me.
13:56Okay?
13:57Now, don't tell me. Please.
13:58Okay.
13:59Your train tomorrow will be reached before.
14:02Yeah.
14:05Yeah.
14:06Yeah.
14:08Yeah.
14:09Yeah.
14:11Yeah.
14:12Yeah.
14:14Yeah.
14:15Yeah.
14:17Yeah.
14:18Yeah.
14:19Yeah.
14:22Yeah.
14:24Yeah.
14:54Yeah.
15:24Yeah.
15:54Yeah.
16:24How much money will it happen from South's films?
16:34What have you written behind it?
16:37Don't look back. Now look back.
16:43Look behind the paper.
16:47These are all the films that are going to be released this year.
16:56What are you doing?
16:58I was given this information for you.
17:01I opened the studio for this.
17:04You had made a 10% partner.
17:07Now your whole business is 10%.
17:10What are you doing?
17:13Oh, Savan.
17:15It's not only the release date of pictures.
17:17It's written on which picture, which stage, dubbing, or sensor.
17:22It's a whole country.
17:25Savan, you know,
17:27every picture is on three stages.
17:29Pre-production, production, post-production.
17:33Pre-production is a picture on paper.
17:36It doesn't work.
17:37Production is a picture on camera.
17:39In the middle of the film,
17:41it's also far away.
17:42There's no work.
17:43Post-production.
17:45Where the picture is closed.
17:47In the studio,
17:49I didn't have this dubbing for the South.
17:52The studio,
17:53because of this,
17:54there are so many people here.
17:55I can have friends with them.
17:56I can have them all.
17:58Look.
18:00Look.
18:02Look.
18:03Before the director,
18:05he asks himself
18:07that he will send a copy
18:08and copy it.
18:09What is the right thing to copy it?
18:11You're a big man.
18:14First, you picked the real ones.
18:16When you picked the real ones,
18:18then you picked the censors.
18:20When you picked the censors,
18:21then you picked the studio.
18:23If you picked the studio,
18:25then who will pick the producer?
18:28What will you pick the producer?
18:31Sawan,
18:32you're ready to put everything in here.
18:35The producer is also a human.
18:38What will you tell me?
18:41He will also put it in there.
18:51If you're good or bad,
18:53you don't need to start growing.
18:55What's going on?
18:57This one's been fun.
18:59The guygehers don't have to go to the pirates.
19:01Uh-huh.
19:02The boys are fast to run.
19:03Them the boys are like the news.
19:04The boys are not so used to say.
19:06The boys are like the king todavía.
19:08The boys are fast to run.
19:10The boys are like the intelligent God.
19:11The people in the mountains and the ibnals are like it.
19:13If somebody wants to speak some!
19:14The HoneypegusiBridegg.
19:16Jesus has a secret agent growing.
19:18The Weilid itself of Sy Wire.
19:20The Red hếtabi overstayers.
19:22No matter how hard I'm going to do it.
19:24You make me make a bag.
19:26What happened in the city?
19:27I couldn't see everyone.
19:28I couldn't see anything.
19:30Anything that I couldn't find.
19:32Nobody heard this story.
19:34It's like this.
19:36I don't know how to call a man.
19:45I get to see the eyes,
19:47I find my ears.
19:49I come and eat your money.
19:51Two numbers, no one ever
19:53Just one thing, one thing
19:54My first coffee original
19:56And your OG is fake
19:57I'm going to stop my song for Bambay
20:00I'm going to get drunk and I'm going to get drunk
20:03Two numbers, no one ever
20:05Just one thing, one thing
20:06My first coffee original
20:08And your OG is fake
20:11I'm going to say fake
20:21Nasty!
20:23Masty!
20:27Nasty!
20:29Tasty!
20:31Your OG is also fake.
20:35My first copy is original.
20:37My first copy is original.
20:39I'm making a live picture.
20:41We give one take.
20:43Our first copy is OG
20:45and your original too.
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