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BRITCOM I
  • 5 hours ago

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00:01How long has she been out here?
00:03A couple of days at least.
00:05But why would you bring her out here?
00:07Who did this to her?
00:09Did either of you speak to the woman who lived there?
00:11We haven't spoken to anyone.
00:12I did see someone there.
00:14Where's Edie? I need to see Edie.
00:16Lana.
00:17Come on.
00:18Sorry about Mum. Dementia.
00:20I don't understand. What do you mean you offend her body?
00:23We think someone killed your mum.
00:25Who?
00:26She kept talking about settling her affairs.
00:28What do you think she meant by that?
00:30That she knew something was coming?
00:32Edie Tullock's bank just sent through her account information.
00:34Where the hell did she get 400 grand from?
00:37God knows.
00:38But that is the kind of money someone would kill for.
00:58What if she was.
00:59Good.
01:00Can I see?
01:01No.
01:02No, no.
01:03No.
01:04No, no, no.
01:05Okay.
01:06Mama.
01:07Mama.
01:08Mama.
01:09Mama.
01:10Mama.
01:11Mama.
01:12Mama.
01:13I know this is all you can see.
01:14Mama.
01:15Mama.
01:16Mama.
01:17Mama.
01:18Mama.
01:19Mama.
01:20Mama.
01:21Mama.
01:22Mama.
01:24Mama.
01:24Mama.
01:25Mama.
01:26Mama.
01:27Mama.
01:27Look, just stay there.
01:30OK?
01:31I think it'll be OK.
01:32Look, it's...
01:33Just get me on the... on the run.
01:35What's this?
01:36That's...
01:37That's...
01:38It's OK.
01:40Come on.
01:41Come on.
01:42Come on.
01:57You're fine.
02:04Lana Mare?
02:05I didn't see her.
02:07Only knew something was wrong when I heard the window.
02:10Sorry.
02:11And then you found her outside?
02:13Yeah.
02:14What does she say?
02:15Nothing coherent.
02:16OK, well, where is she now?
02:18Back home.
02:19Right.
02:27Hi.
02:28Uh...
02:35Where's Mrs Mare?
02:37She needed to sleep.
02:39And no one saw her go out?
02:42Or heard her say anything?
02:44We'd have stopped her.
02:46Mr Jameson?
02:48I want to know what's going on as much as you.
02:51I mean...
02:52If she's setting fire out of things now...
02:55What?
02:57We live here too, Arthur.
02:59In my house.
03:03Look, has Lana ever done anything like this before?
03:06No.
03:18Mum?
03:19Oh.
03:20Sorry.
03:21Sorry.
03:22We'll have to bring her in.
03:23Ask her a few questions.
03:25Please.
03:26She won't have known what she was doing.
03:29Arthur?
03:31It's all right, lass.
03:33Nothing to worry about.
03:36She's going nowhere without me.
03:43Hi, Mrs Mare.
03:45I'm a police detective.
03:47D.I. Mackintosh.
03:50We need to talk to you about Edie Tulloch's house.
03:55Edie?
03:56There's something wrong with her.
03:58What now?
04:01We'll explain everything, but right now,
04:04it would be really helpful if you could come with us.
04:07This is ridiculous.
04:16They're just coming.
04:17I don't know.
04:18Just coming.
04:19No, no, no, no.
04:20Stop.
04:21No.
04:22No, no, no.
04:23She's coming.
04:24Hello.
04:25No.
04:26No, no, no.
04:27I'm sorry.
04:28Come on.
04:29No.
04:30No, no.
04:31No, no.
04:32No.
04:33No, no, no.
04:35No, no.
04:36No.
04:37No.
04:38No.
04:39No, no, sorry.
04:40No, no.
04:41No.
04:42No, no, no.
04:43No.
04:44I don't know.
05:14I don't know if you've noticed, Chris, but you're not the centre of a true crime podcast.
05:44Oh, Billy.
05:58Sorry.
06:02Couldn't sleep.
06:03I tried not to wake you.
06:05I've had a bad night myself.
06:09Coffee?
06:11Please.
06:19You need to go around your head.
06:22Aye.
06:22Don't worry.
06:44Just a swab inside your mouth.
06:47It's okay.
06:56Mrs Mayer.
07:00Do you know why you're here?
07:02What it is we want to talk to you about?
07:04You did tell her.
07:09Did something happen to her?
07:11Yeah, that's right.
07:12It did.
07:14It's the girl I'd worry about.
07:17She was a force of nature.
07:20Edie, you mean?
07:21I used to help.
07:23I mean, I'd cook the tea for the lads and that.
07:27Lana, you know Edie died?
07:34Well, you reap what you sow.
07:44What do you mean by that, Lana?
07:45Well, she was always nosing into other people's business, you know.
07:49I mean, it was probably her job, but...
07:51Are you saying that Edie did something?
07:54To someone else?
07:56Or to you?
07:57No.
07:59We were friends.
08:04Lana, her house was set on fire.
08:06Mm-hmm.
08:07Do you remember that?
08:12I want to see Arthur.
08:14Yeah, well, Arthur will be here soon.
08:16Kirsty's here to look after you.
08:18You're safe, Lana.
08:21Where are my clothes?
08:27Lana, you said that Edie did something.
08:30Did Edie hurt someone?
08:32No, that's all behind us now.
08:34Aye, it is, but we still need to know.
08:37No, some things are best just left to lie.
08:40Was it connected to the fire?
08:42Lana, can you help us?
08:43Tell us what happened.
08:45Lana, you're doing really well.
08:46We just need to chat about the fire and then you can go.
08:48I don't know, but I...
08:49Arthur, Arthur!
08:51Arthur, I don't want you.
08:53Lana, Mrs. Mayor.
08:54Arthur!
08:59Arthur, Arthur!
09:00Lana?
09:01Arthur!
09:02Lana, Mrs. Mayor?
09:03Please, Lana, calm down.
09:04No, just, Lana, we need to...
09:06No, I think we need to stop this.
09:07I know, I know.
09:08No, no.
09:09No, no.
09:10Oh, Tris, get Arthur in here!
09:11Lana!
09:12Hold on the door.
09:13Let me in!
09:14I'm so sorry.
09:15Just go, go, go.
09:17Are we okay?
09:18Okay.
09:18Eh.
09:19I don't know what happened there.
09:20Heal us.
09:21I'm so sorry.
09:21I'll be come.
09:22I'll be come.
09:22I'll be get here.
09:23It's okay.
09:25It's all right.
09:27Oh, I know what's been going on here.
09:30I know.
09:31I know what's been going on here.
09:33First the fire at our murder site, then an interview with a vulnerable adult descends into bedlam.
09:44Matt, we had an appropriate adult.
09:46We were gentle, respectful.
09:48So gentle she's been seen by a doctor.
09:51Matt, no one in our family could explain why she started that fire.
09:54We had to at least try and talk to her.
09:57Right, well, then you've got a problem.
09:59Because now you can't talk to her.
10:00Well, I know.
10:00Not until she's been checked over, obviously, and she's calm.
10:03No, absolutely not.
10:04Not if she's going to get distressed like that again.
10:07And let's brace ourselves for a formal complaint.
10:15Maybe we did push her too hard.
10:17Well, I don't know about that.
10:19You reap what you sow.
10:23But we don't know what it means.
10:25Well, maybe she meant Edie had it coming to her, or that she had something coming.
10:31Or maybe she was just babbling.
10:33Well, either way, I think we need to consider the possibility that maybe Edie had some enemies, including Lana.
10:41Yeah.
10:42Yeah, okay, maybe you're right.
10:44Well, I'll have a word with David Powell, see if Edie mentioned having any issues with anyone.
10:49Ruth, eight Tullochs out front.
10:52Oh, okay.
10:53Thanks.
10:54Hey.
10:59I can talk to him as well.
11:02Were you expecting him?
11:04Yeah.
11:05He, well, he, he wanted someone to go with him to ID the body.
11:08You know, a bit more support.
11:11And he, he asked you.
11:14Oh.
11:15Oh, and, uh, Billy rang too.
11:20Asked if you could go and see him at their house this afternoon.
11:23Morag has some information.
11:25Oh, sure.
11:26Oh, hey, did you get anywhere with the money in Edie's account?
11:29Talking to the bank today.
11:31Yeah.
11:31Okay.
11:41So, is that it then?
11:43You're releasing me, right?
11:44You're still the last person to see Edie alive, David.
11:47So, you will need to stay on the aisles.
11:49Do you understand?
11:52Yeah, okay.
11:54Also, I have a question.
11:55When you chatted with Edie, did she ever mention Lana Mayer?
12:01Yeah.
12:03They, they both used to help organise the Lana's Week Gala.
12:08Did you get any sense that they'd fallen out?
12:12That Edie had done anything to upset Lana?
12:15No.
12:16Did Edie talk about anything that was worrying her?
12:19No.
12:19What about that last time when she mentioned settling her affairs?
12:23She was clearing up her tea when I got there.
12:27Most of us talked about her son.
12:28She, she always did.
12:30Ed?
12:31No.
12:33The one that died.
12:35Craig.
12:36Never really mentioned Ed.
12:37Ed.
12:53Yeah, that's fine.
13:06I'm sorry it's been so long.
13:08I could deal with something stronger, really.
13:25I could deal with something stronger, really.
13:38Thanks for being in there with me.
13:39Look, it's fine.
13:42Listen, Mum's house.
13:45This fire last night, what the hell happened?
13:47Ah, I'm sorry about that.
13:50We are still trying to get to the bottom of it, but...
13:54Was it an accident or something?
13:55Ah, do you know Lana Mayer?
14:00You're not saying Lana caused the fire.
14:03Why would she do that?
14:04Mum and Lana were close.
14:05We all were.
14:07Kim but not blood, Dad would say.
14:09What does that look like?
14:10Well, you know, us kids played together.
14:13I mean, their boy Ali and our Craig were best mates.
14:15Mum and Lana ran the village to organise and stuff.
14:19Dad and Arthur went fishing.
14:20And then my brother died.
14:24Yes.
14:25I, er, I heard.
14:27I'm sorry about that.
14:28It was a long time ago, but that shared loss tied them even closer.
14:33What do you mean, shared?
14:35Well, Ali and Craig, they were in the storm together.
14:38Wait, what, er, both families lost a son?
14:43Eh?
14:46Yeah, that's what started the rift between me and Mum, really.
14:49Could never live up to Craig.
14:50I might head back to the pub and get something stronger after all.
15:00Were you there last Saturday, working at the pub?
15:03Er, Saturday, yeah.
15:05Yeah, I would have been there until pretty late.
15:06Why?
15:07It was the last time anyone saw your mum alive.
15:08I just need to know everyone's movements.
15:15Sure.
15:19So, Billy says she wanted to talk about Edie's work.
15:23Aye, it's, er, it's to do with Amy Shannon.
15:26Okay.
15:27Who's Amy Shannon?
15:29An old case of Edie's.
15:30She recommended that Amy and her sister be removed from their birth mum.
15:34She's suing social services.
15:36Why?
15:37It happens, Tosh, you know, kids grow up, they look back, they want someone to blame.
15:45She's angry.
15:47But the way she's been pressing her case, it's been very stressful.
15:51Has she been contacting you directly, or Edie?
15:54She turned up at our offices once, shouting, accusing us of delaying the legal process.
16:00She threatened you?
16:01Not really, she...
16:02She calmed down and she left.
16:04It's just that, after Edie, I...
16:06Not that I think that Amy would...
16:09I thought you should know.
16:12Well, yeah.
16:13So, Amy's in Shetland.
16:16Aye, she was adopted here.
16:18She's a teacher.
16:19She's got a flat in Lerwick with a partner and a kid.
16:22And her sister?
16:23Stevie.
16:24She ended up in the mainland.
16:27Look, I'm sure Amy's got nothing to do with this.
16:30It's just...
16:31Edie had a long career.
16:33And the kind of work she was doing, well, it...
16:36Made her unpopular.
16:43So, I'll need copies of the letters Amy Shannon's solicitor sent, and I'll look at her case file.
16:48I'll get more, I have to send them over.
16:50Well, here, there's something I was going to ask you.
16:52I was talking to Gina Powell last night.
16:54I was pulling her up for hindering the case, and she said something strange.
16:58She said the last time she helped us, she nearly lost her family.
17:03Us, as in the police?
17:05Yeah, I think she meant Shetland police.
17:08You said her husband was arrested.
17:09Ray Powell.
17:10Was there anything unusual about the case?
17:13Not really.
17:15Robert was the one who charged him.
17:16I didn't have anything to do with it.
17:18But I do know that he confessed.
17:20Hmm.
17:22All right.
17:23Well, you take care.
17:25Yeah.
17:25Okay?
17:28So, uh, what'd you make of yesterday's poetry night?
17:37Well, uh, I can't say I've been to many.
17:42Quite like your poem, though.
17:43Hmm?
17:44Like the wind.
17:45Yeah?
17:46It's an old one.
17:47From back when I wrote properly.
17:50Well, I had a collection pop this year's bag.
17:52Hmm.
17:53Won a few awards.
17:54Oh.
17:55Was it successful?
17:57What?
17:58I've definitely seen it in the odd charity shop.
18:04You, uh, seen James recently?
18:07Uh, no.
18:09No, um, well, not since Carl's funeral.
18:13I mean, I wanted to, but, uh, just, you know.
18:18I reckon he'd appreciate it.
18:20Yeah.
18:20Uh, sorry.
18:24Gotta go.
18:26Sure.
18:29Loudon!
18:30I trust you to choose a dead end.
18:40I've been looking for you since your disappearing act yesterday.
18:45I told you that I could not be there when you started making arrests.
18:48You said we didn't make any, did we?
18:49Yeah, I heard about that.
18:51Oh, I heard, did you?
18:53What did you hear?
18:53After?
18:54Or did you set us up?
18:56What?
18:57No, why would I set you up?
18:58Oh, I don't know, you tell me.
18:59Look, I thought the stuff was on that boat, right?
19:03That's why I've been laying low since.
19:05Why?
19:05Because if it's not on the boat, then they're gonna know someone talked.
19:08Look, they're gonna know about me.
19:09Oh, I think you'll be fine, Will.
19:11You're hardly super grass material, are you?
19:13So, that means they still need to land the gear, right?
19:18Yeah, I think so.
19:20You think so?
19:22Right.
19:23Well, if you hear of anything, you get in touch.
19:26Anything at all.
19:28Right?
19:29Yes.
19:30Yes!
19:30Yes!
19:31Good.
19:32You wee shite.
19:37I'll get directions to this beach.
19:41What's this now?
19:43It's not the same house as earlier, but they were there yesterday.
19:51Oh.
19:53Dropping someone back.
19:54For God's sake, Chris.
19:55Hey.
20:07Hey.
20:20Hey.
20:21I'm at the mortuary.
20:22Cora rang.
20:23She's got something for us.
20:24Oh, OK.
20:25Great.
20:25Well, I'll be with you as soon as I can.
20:27How's it going?
20:27Well, I had an unexpected interlude with Will Loudon.
20:31Loudon?
20:31Where did you find him?
20:33Just walking along the street.
20:35Says he had no idea that boat was clean.
20:37What are you up to?
20:38I think you might be right about Edie having made some enemies.
20:41Oh, who have you got in mind?
20:42Hmm.
20:43Maura gave me a heads up on an Amy Shannon, an old social work client.
20:47She has issues with the way Edie handled her case.
20:50Right.
20:50Have you spoken to her yet?
20:51Just about to.
20:52OK.
20:53I'll see you here when you're done.
21:08Hi.
21:09Sorry, are you Amy Shannon?
21:11No, I'm her sister, Stevie.
21:14Who is it?
21:16Can I help?
21:17Is this about her case against children's services?
21:24Indirectly.
21:25It is about Edie Tulloch.
21:26Our social worker?
21:27Yeah.
21:29Look, I've got some difficult news.
21:32She's been found dead.
21:36What?
21:39Um, yeah, I heard on the radio there was a body.
21:45So that was her?
21:47She was killed.
21:50I'm afraid so.
21:53Your complaint is that she made a mistake in your care, is that right?
21:58She did.
21:59A few months after we were removed, our mum died.
22:04And then they split us up.
22:06You mean when you went to the mainland?
22:10Yeah, disposed of in Aberdeen.
22:13On Edie Tulloch, say so.
22:14Stevie's been through four different foster families.
22:18Two children's homes.
22:20Did you ever talk to Edie directly about the case?
22:24No, of course not.
22:25Everything went through the solicitor.
22:27But you did go to the social services offices once?
22:33Once.
22:33But Edie wasn't there.
22:35She was longer tired.
22:37What about you, Stevie?
22:38Had you seen Edie?
22:40No.
22:41No, not since I was a kid.
22:45Sorry, why exactly are you here?
22:47We're just looking into Edie's connections.
22:50And since your case is a live issue...
22:52You think we might have killed her?
22:53Oh, sorry.
23:01What's going on?
23:03Nothing.
23:04I think you are...
23:05I think we're finished.
23:08OK, well, look, thanks for your time.
23:10Stay where you can see us, Chloe.
23:20It's rocky down there.
23:22I will, Dad.
23:24Pretty spectacular.
23:28No?
23:30For God's sake.
23:34What?
23:34You're the one who brought us here, Hale.
23:39We dropped everything because you suddenly needed a break.
23:42And here we are, babe, on a beach having a break.
23:45Yeah, but you haven't been here since we've arrived.
23:49You look sneaking off.
23:50Checking your emails, is it?
23:52Do you think the questions from the staff, the supplier,
23:53do you think they just stop coming?
23:55Yeah, they do.
23:56If you don't log on.
23:58I run two restaurants.
23:59It's not like taking the odd front of house shift.
24:01Then let me help you.
24:03Chris, you're amazing.
24:04I've been working with customers, but you're hardly...
24:07What?
24:09A top entrepreneur?
24:10A girl boss?
24:11Oh, piss off.
24:18I thought things had got a lot better this year.
24:21You seem less stressed.
24:24Why Shetland?
24:26Lunarsvik?
24:26I mean, it's the end of the world.
24:28I'm sorry.
24:28You were the one that didn't want to leave this morning
24:29because you were getting off on some local tragedy.
24:32No?
24:32You keep an eye on Chloe for once.
24:38I'm going for a walk.
24:42I wanted to go to Mallorca.
24:50Whiskey?
24:51You could smell it as soon as I opened the stomach.
24:53And we're not just talking a wee dram here?
24:57Toxicology will give us an idea of how much she actually consumed.
25:00But we're talking a skinful.
25:02So, hang on.
25:03Are you saying she was actually drunk at the time she was killed?
25:07More than likely, yes.
25:08Oh, well, that would account for the lack of self-defence wounds.
25:11She didn't fight back because she was in no fit state.
25:15Any food?
25:17Intestinal contents suggest ongoing digestion.
25:20But that's from a meal consumed well before death.
25:23How long before?
25:2410 to 14 hours, maybe.
25:26So she took to the whiskey after.
25:29And then some.
25:30So, turns out, our 76-year-old victim was paralytic at the time of our murder.
25:39Yeah, except I don't remember there being any booze in the house.
25:42Well, maybe we missed it.
25:45Sandy, can you ask Socko to send over the inventory from the Tillich house?
25:49Sure.
25:49What are we looking for?
25:50Specifically, whiskey bottles.
25:53But, see if you can find anything else that would indicate that Eddie Tillich was a drinker.
25:57I'll get on to them.
25:58Yeah, and speak to Colin.
25:59Wait.
25:59Find out if he ever added a bottle of scotch to one of our food parcels.
26:04Oh, sorry, Sandy.
26:05Could you also phone Aberdeen Children's Services?
26:08I need some background on a Stevie Shannon.
26:11Got it.
26:13I thought it was Amy Shannon you were talking to.
26:15Who's Stevie Shannon?
26:16Her sister.
26:17Brought up in Aberdeen.
26:18But it turns out she's staying with Amy at the moment.
26:21It's kind of got a weird vibe from her.
26:24Why did Morag put you on to them?
26:26So, Edie handled their case and now Amy's suing social services.
26:30Any grounds?
26:32I mean, it seems pretty clear from their file that they were being neglected.
26:35And the mum had a string of boyfriends, a recurring drug habit.
26:39But they're angry at Edie's decision.
26:42Angry enough to hurt her.
26:45Well, it could be a motive.
26:47If they felt that Edie had ruined their childhood.
26:50Question is, is there anyone else out there with a grudge against her?
26:54Did you get anything from Ed Tulloch?
26:56I don't think Ed knew anything about what was going on with his mum.
27:00He did say that Lana and Edie were close, though.
27:03So, why set fire to her house?
27:07Well, unless Matt lets us have another crack at her, we'll never know.
27:11Hmm.
27:12I've had an idea about that.
27:15No.
27:16After this morning, we should have been sent home hours ago.
27:20Mr. Mayor, what Lana did was very, very serious.
27:27Why don't you help us to get her home?
27:31You'd need to let Lana talk on her own terms.
27:33You couldn't speak for her, but you would help her to feel safe.
27:37Lana, we need to speak to you again about the fire that you started.
27:55The one at Edie's house.
27:57We were such good friends.
28:00Yeah, we know that you were close.
28:02That's why we don't understand last night.
28:04I know what happened.
28:10What do you mean, Lana?
28:13Edie Tulloch.
28:15You know what happened to Edie?
28:19It was terrible what it did.
28:25What who did, Lana?
28:27Him.
28:31Arthur.
28:34It's confusing having me here.
28:38We need to stop now.
28:39Lana.
28:40What did Arthur do?
28:41I said we need to stop.
28:44Are you cross?
28:46Lana.
28:47Lana.
28:49Could you tell us what it was that Arthur did?
28:52No.
28:53Stop.
28:54It's so cruel.
28:55So damn cruel.
28:57You've got a temper on you, Arthur Mayer.
29:01What was she talking about, Arthur?
29:03I told you.
29:04It's nonsense.
29:05She doesn't know what she is saying.
29:08I'm not sure that's entirely true.
29:10You're not answering any more of your damn questions.
29:12How are you doing?
29:27It's like she's got away with it.
29:28Who?
29:30Edie.
29:31I mean, everything that she did and we're the ones they're looking into.
29:35I know.
29:36Look, maybe it's a sign to take stock as well.
29:39What Edie did was wrong.
29:41I know Stevie had it tough, but she was only supposed to stay a few days.
29:45Stevie's my sister, who I didn't see for years because Edie Tulloch sent her to fucking Aberdeen.
29:51Well, she apparently has no life to go back to.
30:00Stevie, I'm sorry.
30:09Okay, so tonight, where and when do you want to meet?
30:23Look, I just need to work out how I'm going to get away.
30:38It's not going to be easy.
30:39Chloe?
30:56Chloe?
30:57Chloe?
31:01Chloe?
31:03Chloe?
31:03Chloe?
31:04Chloe?
31:05Where is she?
31:06Oh, my God.
31:06Chloe?
31:07Just stay there.
31:08Stay there.
31:08I was just looking for shells.
31:10There you go.
31:11Go, go, go.
31:12I've got you.
31:14Chloe?
31:15Oh, God.
31:16Oh, you're okay.
31:17You're okay.
31:17Chloe?
31:18Chloe, what happened?
31:19Okay, she's fine.
31:20She's okay.
31:20She's fine.
31:21Hey.
31:22You're okay.
31:22It's okay.
31:23I'm fine, Dad.
31:24You're okay.
31:25You're supposed to be watching her.
31:30Okay, sweetheart.
31:31You're okay?
31:33Silly mom giving you a fright.
31:35Anything?
31:36I'm still seeing nothing.
31:43We could arrest him.
31:46For what?
31:47Not talking to us?
31:48Colin Wirt was offended when I asked him if he ever brought Edie whiskey.
31:52He says Edie didn't drink.
31:54Ooh, wait till he sees the path report.
31:56But Soko did come up with this.
32:00Where did they find that?
32:01Buried in Edie's wheelie bin.
32:03Were there any fingerprints on it?
32:04Any DNA traces?
32:06Contaminated, apparently.
32:07But that's a special release.
32:08Means it's pretty rare.
32:10Check the distillery website.
32:11You have to order this one direct from them.
32:14All right, well, give them a call.
32:15See if anyone in Shetland ordered one.
32:16Will do.
32:21So how'd it go with Lana Mare?
32:23Well, we're no closer to finding out why she set fire to Edie's house.
32:28She did accuse her husband, though.
32:30Accused him of what?
32:31Well, don't exactly know.
32:33Yeah, Arthur shut the interview down.
32:35He's scared of something.
32:36So maybe Lana's accusing him of killing Edie.
32:40That's why she started the fire.
32:41Yeah, covering Arthur's tracks, destroying the evidence.
32:44Want to maybe take a wee breath here?
32:45Because we don't actually have any evidence that would support that.
32:48Yeah, everyone we've spoken to says the Mayors and the Tullochs
32:51were close friends for over 40 years.
32:54Come on, there must have been some issues.
32:56Can't have all been sweetness and light.
32:57So who really knows them?
33:11So why haven't you released her?
33:16Um, because we don't quite have the answers that we're looking for yet.
33:21And you really think you will?
33:23Some days, Mum barely recognises me.
33:29Could I, uh...
33:30So, what we're trying to do is establish when your dad last saw Edie.
33:40Do you remember?
33:41Did he call in on her sometimes?
33:43Edie was more and more shut off.
33:46And Dad's main concern is Mum.
33:50Did they ever fall out with each other?
33:53What, Dad and Edie?
33:55Any arguments or animosity?
33:59Our families went through a lot.
34:02Your brother Ali, you mean?
34:04And Craig Tulloch?
34:05Yeah.
34:07Losing Ali nearly broke Mum and Dad's apart
34:10in the way they supported Robert and Edie.
34:14If you're suggesting that my dad would ever hurt her...
34:19This is mad.
34:23Isabel, can I ask you a question?
34:26Sure.
34:28Who does that whiskey belong to?
34:35Arthur took that bottle to Edie's.
34:36Which puts him in her house.
34:38Which means he's lying to us.
34:41I want him in the interview room.
34:43I'll call Sandy.
34:43I'll call Sandy.
34:55Sorry.
35:01Been looking for you.
35:04Eventually thought of Mum's grave.
35:07Arson, Luke's just been a dick.
35:10Yeah, well.
35:12He's got a point.
35:17Amy, I don't have a life to get back to in Aberdeen.
35:19So, I'm sorry for staying so long and getting in the way.
35:25Stevie, you're not.
35:26You've been great.
35:29And...
35:29Aidan loves you.
35:33From our family.
35:36We've missed so many years together.
35:40We'll make new memories.
35:41We'll make new memories.
35:43Good ones.
35:49Come on.
35:51Let's go.
35:52Let's go.
35:52Let's go.
35:52Let's go.
35:52Let's go.
35:53Let's go.
35:53Let's go.
35:53Let's go.
35:54Let's go.
35:54Let's go.
35:54Let's go.
35:55Let's go.
35:55Let's go.
35:56Let's go.
35:56Let's go.
35:57Let's go.
35:57Let's go.
35:58Let's go.
35:58Let's go.
35:59Let's go.
35:59Let's go.
36:00Let's go.
36:00Let's go.
36:01Let's go.
36:01Let's go.
36:02Let's go.
36:02Let's go.
36:03Let's go.
36:03Let's go.
36:04Let's go.
36:04Let's go.
36:05Let's go.
36:06Let's go.
36:06Let's go.
36:07Let's go.
36:08Let's go.
36:09Let's go.
36:10Let's go.
36:11Let's go.
36:22We found out that Edie had been drinking just before she died.
36:33Do you recognise this?
36:36We found it at Edie's.
36:39It's yours, isn't it, Arthur?
36:41From your collection.
36:44Why would we have found this in Edie's bin?
36:47Lana said you did something terrible.
36:49She also said that you have a temper.
36:52That doesn't mean...
36:56But what if Lana found out that you had?
36:59And she was trying to help you cover your tracks?
37:03The fire?
37:05That's not why she started it.
37:07So then why did she?
37:10Arthur, Edie's dead.
37:12If you didn't hurt her, talk to us.
37:15Explain why you were in her house.
37:17Isabel said that you'd stuck by the Tullochs through the years.
37:24She said that your marriage had struggled after you'd lost your son.
37:34Oh.
37:35That was when it started, wasn't it?
37:43What do you mean? What started?
37:46Your affair.
37:48With Edie Tulloch.
37:49You don't know what you're talking about!
37:50Did Lana freeze you out?
37:52Is that what happened?
37:53Because that can happen sometimes, with grief.
37:55It can close people off.
38:00But it can also push them together.
38:04Was it still going on?
38:06Even when you were caring for Lana?
38:08No!
38:09No!
38:20So when did it finish?
38:21I ended it for good when Lana was diagnosed.
38:34Five years back.
38:37You should have told us this.
38:40It's private.
38:43It's nothing to do with Edie's death.
38:45When did you last see her?
38:50Saturday.
38:53I brought a bit of dinner and the whiskey.
38:55And what happened?
38:57Nothing.
38:59We ate, we chatted.
39:00Had a dram after.
39:02Just the one?
39:03Yes.
39:05And Edie was fine when you left?
39:08Yeah, she was fine.
39:10And what did you do for the rest of the evening then, Arthur?
39:11I was at home, like every night.
39:14Ask Isabel and Jess.
39:16I helped bathe Lana.
39:18I helped put her to bed.
39:20And we...
39:21fell asleep together.
39:27There's our reason for the fire.
39:29If he's telling the truth.
39:31You think he's lying?
39:33He did lie.
39:34Concealed this affair.
39:36Didn't tell us about being at Edie's on the day she died.
39:39But his story checks out, timings-wise.
39:42He brings over some dinner, leaves Edie fitting well.
39:46David Powell comes over after.
39:48David even remembers Edie tidying up dinner when he arrived.
39:52And Isabel confirms Arthur being at home that night, too.
39:55Oh, come on.
39:57A family member.
39:59Sure.
40:00But...
40:02I don't see a motive.
40:03He was having an affair with Edie.
40:04Which ended years ago.
40:05Maybe Edie was threatening to tell.
40:07But why broadcast it now?
40:10With all the potential damage to her reputation.
40:13And even if Edie was threatening it,
40:15why would Arthur kill her like that?
40:18No.
40:19I don't think the affair is a motive.
40:22I think it's a defence.
40:25We need to release them.
40:28Okay, where does that leave us?
40:29Another?
40:30No, I should get it back.
40:31Luke's been texted and I've probably ignored him enough to make a point.
40:44Sure.
40:45But you leave him to me.
40:46Okay?
40:48And I'll list what you do.
40:50You know that doesn't change what we do.
40:52We still sue the hell out of them.
40:53Press harder even.
40:55If things had moved faster,
40:56maybe Edie felt like I would have faced some consequences.
40:58Maybe she did if she was killed.
40:59Something's caught up with her.
41:00I guess.
41:02I guess.
41:04I guess.
41:06I guess.
41:08I guess.
41:10I guess.
41:12I guess.
41:14I guess.
41:16I guess.
41:18I guess.
41:20I guess.
41:22I guess.
41:26And they're still the other one.
41:28The other what?
41:30Social worker.
41:32McCabe.
41:33Morag McCabe.
41:37Edie Tulloch's wee sidekick.
41:40She's just as much to blame.
41:51Arthur.
42:01That last time you saw Edie.
42:03Was she worried about anything?
42:05No.
42:08Why?
42:10Someone saw her after you.
42:13Said she seemed strange.
42:16Talked about settling her affairs.
42:19I will.
42:21We're all weighing that up at our age.
42:30Is that all for Lana then?
42:33About the fire?
42:35No decision's been made.
42:48Do you want a cup of tea?
42:50Yes, please.
42:54Do you want a cup of tea?
42:56Yes, please.
42:57Do you want a cup of tea?
42:59Yes, please.
43:27What the hell?
43:53Come on, this is nonsense.
43:57What's going on?
43:59Amy.
44:00Sorry, Mr. Are you?
44:02Amy Shannon.
44:03I live here.
44:04There's been a report of a domestic disturbance at this address.
44:07Putting a child in danger.
44:09What?
44:10We had a wee argument hours back, but no big disturbance.
44:14Well, are we okay to come in and check?
44:17Yeah, go on.
44:19We have nothing to hide.
44:22Do you mind if I...
44:34No.
44:35I'll go.
44:36I'll go.
44:37She's my sister.
44:38She's been staying with us.
44:40Sorry.
44:41Apologies.
44:42We're obliged to check these things out, you know?
44:45Yeah, I know.
44:46Listen, sometimes wires get crossed.
44:48You know, people play jokes even.
44:49Yeah.
44:50We'll leave you guys to enjoy your evenings, okay?
44:52We'll leave you guys to enjoy your evenings, okay?
44:53Oh, my god.
44:54So, Eve, what the other do you mean?
44:55I don't know.
44:56Oh, I'm good.
44:57The weather is even coming in.
44:58What about it?
44:59I'm going to enter my house tonight up here.
45:00I don't know if, we'll just go down the sun, mate.
45:01Oh, it's actually fine.
45:02I love you, Mum.
45:03We're fine, Bridget.
45:04Okay, we'll leave you guys to enjoy your evenings.
45:05It's fine.
45:06What about it?
45:07Yeah, it's fine, with the Ela.
45:08But it's fine.
45:09It was fine.
45:10Let's go.
45:40You're looking for this?
45:44Explains your distraction anyway.
45:46So who is it?
45:48What?
45:49You're seeing someone else.
45:50Meet them tonight.
45:51No, Chris, no.
45:52Bollocks, explain this.
45:56Your stress.
45:58I thought it was the restaurants.
46:00It's the restaurants.
46:02No, wait, Chris, wait, wait.
46:04I'm in deep shit, okay?
46:06That's why I brought us here.
46:07You're not making any sense, Hayley.
46:11The restaurants got into debt and I did something stupid.
46:14And now I have to do exactly as I'm told or we're in danger.
46:17All of us, Chris.
46:18Who?
46:21What are they telling you to do?
46:22What are they talking about?
46:23We'll be doing something stupid.
46:24What are they telling them to do?
46:24What are they telling you to do?
46:26Wait.
46:27What are they telling you to do?
46:28What are they telling you to do?
46:28What are they telling you to do?
46:28I tell you to do it.
46:30There's something that does take care of.
46:30I tell you to do.
46:31What have you done?
47:01I've got to hand it to the dealer tonight.
47:08How could you do this to us?
47:12Hi.
47:22Hi.
47:23You didn't have to drive them home personally, you know.
47:29At least we're learning a bit more about Edie.
47:32You mean the affair with Arthur?
47:34Hmm.
47:35But also, you know, the son who didn't speak to her.
47:41Strange friendship with David Powell.
47:44Potentially questionable work decisions.
47:47You heard anything from the angry sisters?
47:50No, we're still waiting on Aberdeen services but Sandy's checking if we can place either of them in Linerswick.
47:55Good idea.
47:56Cos something happened that made Edie hit the whisky.
47:59Hmm.
48:00Sandy also looked into her money.
48:03The digital statements go back ten years and nothing has been touched that whole time.
48:08He's trying to find paper records so we can go back even further.
48:13Oh, oh.
48:18A Hunting Wind by Ed Tulloch.
48:23Just curious.
48:24Thought it might give me a bit of insight into the family, you know.
48:32I, er, I also found out that Ed knew Cal.
48:38Cal?
48:39Yeah.
48:40How?
48:41It's, you know, a small place.
48:43James and Cal drank at his bar and Ed and Cal played music together.
48:48Wow.
48:49I know.
48:50You don't talk about him much.
48:51Cal?
48:52No.
48:53No.
48:54I suppose I don't.
48:55I don't like people skulking round my place.
48:56I don't like people skulking round my place.
49:23James, er, sorry.
49:29It's been a while.
49:31Let me park and we'll get inside.
49:34Okay.
49:54Cheers.
49:55Oh, cheers.
49:56Business still thriving then?
50:04Ah.
50:05I was always the brains.
50:08He was just the poster boy.
50:10It's good to see you, Ruthie.
50:14You too.
50:15Why'd you leave it so long?
50:16Erm.
50:17Just protecting myself, you know.
50:18Try to move on.
50:19It was Ed, actually, that, er, encouraged me to...
50:34Aye.
50:35He texted.
50:36Said your pass had crossed.
50:37Hmm.
50:38Well, that would have given you time to hide your contraband then, case I showed up.
50:43That was definitely all my brother.
50:46Do you know him well, of Ed, I mean?
50:50Known him a long time.
50:52Yeah.
50:53And he's been round a lot the last year.
50:56He's a good lad.
50:58He remains me a cow.
51:03Hmm.
51:04Oh, come on.
51:05If you're done with that, bed.
51:06You look wrecked.
51:07Oh, thanks very much.
51:09You know, it's rude to comment on a lady's appearance.
51:11What if you're concerned, cos the lady is working insane hours?
51:27I know.
51:28I know.
51:29It's been a crazy few days.
51:32Thanks for picking up this lad.
51:34Oh.
51:35You're not me, Tosh.
51:37I run a tight shit.
51:39No bad.
51:43OK.
51:46Sandy?
51:47Sorry, late in the day.
51:49But we just got something back from Aberdeen.
51:51On Stevie Shannon?
51:53Yes, not the official files yet.
51:55This is more anecdotal.
51:57What is it?
51:58Seems there were some disturbing reports
52:00that came from the children's homes where Stevie was placed.
52:03What kind of reports?
52:05Concerns that she was manipulating other kids,
52:08turning them against one another.
52:10On occasion, encouraging them to run away with her.
52:24Hayley?
52:27I'm coming with you.
52:31Are you sure?
52:32Yeah.
52:34You're not doing this alone.
52:36If it has to happen, we're in it together.
52:41What about Chloe?
52:42Oh, she has to bark out.
52:44She never wakes up.
52:47And we'll be quick.
52:50The dealer said if we hand this over,
52:52then we're free.
52:53That's what they said, right?
52:55That's what they said.
52:58Then let's do it.
53:00Come on.
53:01I love you.
53:02I love you.
53:08Who do you think called them?
53:09The police?
53:11Next door.
53:13She's had in for us since they'd knocked her flowers over.
53:16They came into her home, Luke.
53:18Uniformed officers.
53:20In case we were a danger to her son.
53:22I know.
53:23You're the one that let them in.
53:24Well, then act like you care.
53:27I mean, this should bother you.
53:30What are you talking about, Amy?
53:33It's like you're not even...
53:34Amy, Amy.
53:35I care, for God's sake.
53:37You're scrolling your phone.
53:39You're literally sitting there scrolling on your phone
53:41in just the place of the house.
53:43Jesus Christ.
53:45Don't worry about the noise, wee man.
53:48Auntie Stevie's here.
53:50And I'll look after you.
53:52We're a family, after all.
53:55You, your mum, and me.
54:02Family.
54:04Just the three of us.
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