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00:00You don't go to get loose.
00:03How?
00:04I don't know.
00:06I don't know.
00:08I don't know.
00:10I don't know.
00:12I don't know.
00:14I don't know.
00:16So, we want to make you the face of our Christmas cat.
00:18OMG!
00:20You have to annul the marriage immediately.
00:22What's going to happen?
00:24Unless I need a prenup.
00:26I don't know.
00:28Lulama is the love of my life.
00:31I don't know.
00:33I don't know.
00:35I don't know.
00:37I don't know.
00:39I don't know.
00:41I don't know.
00:43I don't know.
00:45Dali's dead because of Itamalak.
00:49You know that as well as I do.
00:52I want Jack to pay.
00:56But I can't do that without you.
01:26I don't know.
01:27No.
01:28I don't know.
01:29No!
01:30No!
01:31I don't know...
01:32I don't know.
01:33Thank you!
01:34now I guess congratulations are in order thank you
01:48like that would have made a difference
02:04well that wasn't my intention
02:17but it happened okay okay again the standard was an improve point I know how
02:24stifling it can be to be part of your family but they are better ways to do
02:28it okay wait a key
02:31we aren't really married okay now I'm really scared and confused it's a prank my mom was being
02:56really mean to Lula and I hinta her she's not good enough on a part of a meal so
03:02God decide a hurry to move the mula that was unexpected and a little scary but
03:11after that seeing her squirm ah that part was fun hey what's over course I got a
03:19low in gun they deserve it okay but by morocca by talk already they better than
03:24anyone else so get a hook up go possible yeah
03:31yeah fine again cool you know what you're moving a going five-year in a fucking
03:38can you do prank Oh Peter in any kind
03:44so how long do you have to keep your leg elevated like that no true I'm just following Swazi's orders oh no she must have magical powers for a
03:56no no she's been living in a shack with no electricity until you upgraded her
04:14oh mama that's not a straight we'll never leave you
04:17and act all innocent if everyone around you is doing it then you are the
04:30problem not them
04:31look a morata and I'm not going to apologize for marrying her oh I'm not
04:36gonna apologize for wanting something better for you
04:38oh Louie is the best wife ever oh yes
04:41so that's what I was a washing or what they apparently
04:47wait wait I'm getting a time for her name
04:51time for honey okay Ricky keep awesome and it's uncle the healing and I'm so
04:55close to quitting what no one quits from this family especially how face it
05:00a muka our there's no point working for a boss who doesn't see my value then
05:04make him see it now the last morocca for the ladies in a company some reason
05:09gonna bomb roca gonna go yeah
05:15mommy mommy I'll get in trouble if I don't um sorry sorry baby okay go finish
05:27getting ready and mommy will sign this for you okay
05:31I know and I'm trying so hard not to force him to choose you know the way you know the way I had to
06:00him if I meet and most among if that do I'm gonna oh
06:06oh hang it is that summer oh
06:10oh
06:12Julie oh maybe to a lumpy on a little below into baboka cooking isn't that when
06:18says on well my title seven just hockey it's I mean I'm sure in the moment it
06:26would feel good but it wouldn't change anything it would keep me in the past and
06:32I just I want to focus on the future you know even though the future has a
06:37daughter-in-law you know for a heck mobile
06:41hey so we'll money yeah I'm buhile oh it's my son Melonkyo bambi tegis yeah no
06:57you say me I was a lanko pano a mihasa on a call langa ekao really cringe and
07:02Oh, it's fine, man.
07:14He took test, like, for the kitchen, I mean, Elisha, Elisha.
07:20He's a kid.
07:21He's a kid.
07:22He's a kid.
07:23He's a kid.
07:24He's a kid.
07:25He's a kid.
07:26He's a kid.
07:27.
07:34.
07:48Jack.
07:50I'm going to go home.
07:54What is this?
07:56Can I meet you?
07:58No.
08:00I can't commit to anything.
08:02What's up?
08:04How do you get out of here?
08:06I'm not going to go home.
08:08How are you?
08:10How are you doing?
08:12I can't commit to anything.
08:14What else?
08:16Why are you going home?
08:18I can't commit to anything.
08:24This is how I'm going to go home.
08:26I'm not going home.
08:28We're going home.
08:30I'm going home.
08:32We're going home.
08:34We're going home.
08:36We're going home.
08:38We're going home.
08:40We're going home.
08:42Come on, come on.
08:43Come on.
08:44Come on.
08:45We are having a lot of time.
08:46We are going to work in a lot of difficult manners and science.
08:47But I think I am positive, and I know that I am really not a kid.
08:48I am that hard.
08:49We are.
08:50We have to work in a lot more people, too.
08:51I have stayed in the morning and k Ishwa, before I have done my marriage.
08:52I am going to work in a lot more complicated things to do.
08:53But I am.
08:56So I'm going to be quite ready to learn what I've been doing right now.
08:58We have to make that kind of work in English.
09:00Shreem, shreem, shreem, shreem.
09:01To you, I've got to work with my wife.
09:03My mother will be my mother.
09:04And we are going to get her home.
09:06I have to agree with you, Sam.
09:24You're 100% right.
09:25Listen, I'm married to an Italian man.
09:27And yeah, we get into disagreements and it's hard to get my point across.
09:31You get what I'm saying?
09:36In your own language.
09:44Hey.
09:44Ulelele, Sam.
09:47I'm recording it.
09:49Jogga, the lady rocks.
09:51And some tant, and some tant.
09:54Hi.
09:55I'm a woman, Sam.
09:57We're a child.
09:57We're a kid.
09:58We're a kid.
09:59We're a kid.
09:59We're a kid.
10:00We're a kid.
10:00We're a kid.
10:00We're a kid.
10:00We're a kid.
10:01We're a kid.
10:02Yes, at these days, a lot of youngsters, I call them with a weird accent.
10:06Oh, hello, nice.
10:07Yeah, how are you, lot?
10:10In the middle of language, it's our identity and tradition.
10:13It's important.
10:15No, it's a woman.
10:16It shouldn't be a sin for them to not want to follow culture or tradition.
10:21No, you say?
10:21It's who we are.
10:23It's our identity.
10:24It's the 21st flipping century, V.
10:27That definitely oppresses black women.
10:33You should know this.
10:36Of course, but your ikiye had owned我跟你 Chalter for a lot of girls, Move We Rumps
10:42You're forced to go to a society.
10:44Oh, you're forced to go to a bye...
10:45I'm yet to meet God.
10:47You have to be in with one girl.
10:48We current all our place.
10:49Are you friends?
10:49There's a girl behind our backs.
10:51What?
10:53You could have worn us.
10:54That's the least you could have done.
10:57How are you?
10:58Yes.
10:59For home affairs.
11:00How should I be?
11:02Where are you?
11:03I know why he would put a ring on it.
11:13She doesn't fit.
11:21Good thing that is a Molo.
11:27I'm off again.
11:42Excuse me, Rangwani.
11:44We wanted to surprise the family.
11:46And since you are all here now,
11:48you can discuss the formalities, you know?
11:50You talk about Lobola and stuff.
11:52Why do I have a friend?
11:58You don't want to come.
12:01I have no idea.
12:04I can't stand alone.
12:08You're not so proud of me.
12:11I've been so proud of you.
12:13You've been so proud of me.
12:15I'm so proud of you.
12:17There you go.
12:47There's no pain.
13:17No, no, you won't have the money for your money,
13:21but I don't have to pay for your money.
13:23You should have to pay for your money.
13:25I'll pay for you to get your money.
13:27I'll pay for you.
13:31Hiya.
13:32I want you to make sure you make money like you want it.
13:36Then I sealed the deal.
13:38I'm not going to make that money.
13:41I'm not going to do that.
13:44I'm so glad you're doing that.
13:45I'm good at my job.
13:47I don't know what to do, but I don't know what to do.
14:17my honey life did you in a daughter did you in a model did you in andrew in a
14:22career I fuck body a body white m&a younger every day until one day I realize
14:30but no man who's many pastors on here oh hey there's always something new with
14:36you yeah I think there's one of the numbers they come back now in the way
14:42and he's over and Django bonang namdi attended all these high-end events
14:55because you say hey we are too low hurt yeah game does a couple of many faster
15:02no good manifest a big yeah boy again namza bendin is malice bonang yeah and as no
15:09about our appealing module they would want to dress you mm-hmm that's it
15:12no other band was a baby it's a manga and now is open okay I says a woman yeah
15:18yeah that's a man called susie man is boxing no I'll say it to me no I hope you
15:24man I saw the phone on pot I see the upper is on bone as on bone and yellow in
15:29plansy my guy I asked about we here he's the cause of the all of this man's
15:32look I uh I haven't heard from you yeah yeah I know exactly the kind of you can be proud of is it
15:56he is also my father so it's okay with these criminal shenanigans led to your daughter being
16:02shot he pulled a gun on me damn it and on the zamazam then when utali chased him downstairs he used
16:10your daughter as a human shield don't you don't you dare spare please man
16:16are you not hearing me he's the reason why your daughter got shot he's the reason why utali killed
16:23himself he should have sought help the only problem a malinga had was fighting for justice
16:29that's all that's all that's all it's not fair so will you help me his pair will you help me put the
16:41check out what's all it is not only our identity but our tradition too big nothing I took
17:05so it's an actual thing yep
17:35so what is the ceremony about John there's no yes but the and the cartel and the anti-su yensa
17:48and what do you think in the color of banglaba mashup I really got a lecture for my cool
17:53good news and we mean a bit since it a singer's in tanga for the
17:59it can't hurt flower me okay
18:12cutter and doesn't money funny in the funny someone hearing what do you flew at everyone
18:19it's really nice to meet you properly Nani's spoken about you a lot
18:46sit
18:48the papers are full of stories about you and my granddaughter
19:00yeah I didn't mean to put her or your family through any of that
19:05apologies do not work here in Africa son unless you do it the right way
19:12the cultural way yeah I was ready to play
19:17damn it till I finish it's very rude to interrupt an elder
19:24I'm sorry when speaking to an old woman like me you listen till they are done
19:31what no you have to pay damages but that's not all
19:39you know losing a baby doesn't only affect your body it's a spiritual thing
19:50your baby's soul has to be directed to its ancestors
19:58you know right now your baby doesn't know who it belongs to
20:04it has to be introduced to his family and laid to rest
20:09how do we do that if there is nothing to bury the healer will show you and we have to convince
20:18not to do it and that will help you and your baby
20:22convince not play she doesn't want to do it
20:27not to spend much time in boarding schools with you white people so speak to her
20:34tell her it's important
20:36not be a little bit more
20:41whether or not
20:41or not
20:42but
20:44it's all
20:48oh
20:49you're okay
20:51what
20:52this religious
20:53is that
20:56I don't have to know
20:58I'm
20:59I'm
20:59nice
21:00if
21:01it's
21:02I'm
21:03this
21:04I'm
21:05Did you buy more stuff?
21:11I mean, not that I'm minding.
21:14What's that?
21:16This is ridiculous.
21:18Just come back home.
21:21Home as in Alex?
21:23No, as in our flat.
21:24You mean Detective Malinga's flat?
21:26Illegal, it's my new husband.
21:28I don't know how to do it.
21:29I don't know how to do it.
21:31Baby, I don't know how to do it.
21:33I don't know how to do it.
21:34Oh, thanks.
21:36Baby, I don't know how to do it.
21:38I don't know how to do it.
21:40I don't know how to do it.
21:41I don't know how to do it.
21:43I don't know how to do it.
21:47Have a sweet, mellow Christmas.
21:51That's amazing, baby.
21:53Congratulations.
21:54Thank you, baby.
21:55I don't know how to do it.
21:56I don't know how to do it.
21:58Come on, Salosam.
21:59That's ridiculous, okay?
22:01I miss you.
22:02Baby, I don't know how to do it.
22:05Uh-uh.
22:05I don't know how to do it.
22:07You're going to help Detective Malinga.
22:09You're going to help you.
22:10And we're going to help you.
22:12Is that the camera?
22:13Uh-uh.
22:14Baby, I don't know how to do it.
22:15Baby, good.
22:17I don't know how to do it.
22:19I don't know how to do it.
22:20You can't have both.
22:26Ah, this looks cozy.
22:35Hey, Spang. Want a mad cup?
22:37That is one of many.
22:44Is this?
22:46Hooked up to machines and he's crying because he's alone.
22:52She's so affected.
22:56Get well, God.
23:00Get up. He says, I mean, the man is not my favorite person in the world.
23:04But also, I'm cool, like, the only one she has.
23:09He's doing better now, isn't he?
23:11Yeah, you see, that's the thing.
23:15I'm going to lose.
23:17I'm going to lose.
23:18I'm going to lose.
23:20I'm going to lose.
23:21I'm going to lose.
23:22I'm going to lose.
23:22I'm going to lose.
23:23To be honest, I am a little worried about the man.
23:31They're quite good.
23:33So, we're going to move back in with him, just for a little while.
23:42I'm going to lose.
24:08I don't know.
24:38I don't know.
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