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00:00How long has she been out here?
00:02A couple of days, at least.
00:04But why would you bring her out here?
00:06Who did this to her?
00:08Did either of you speak to the woman who lived there?
00:10We haven't spoken to anyone.
00:12I did see someone there.
00:14Where's Edie? I need to see Edie.
00:16Lana. I just, come on.
00:18Sorry about Mum. Dementia.
00:20I don't understand. What do you mean you found her body?
00:24We think someone killed your mum.
00:26Who?
00:27She kept talking about settling her affairs.
00:29What do you think she meant by that?
00:31That she knew something was coming?
00:33Edie Tullock's bank just sent through her account information.
00:35Where the hell did she get 400 grand from?
00:37God knows.
00:39But that is the kind of money someone would kill for.
00:59Do you deal with it?
01:01What-
01:03Do you deal with it?
01:05I do not.
01:07Why?
01:08Mama?
01:09Mama?
01:25This way, come on.
01:26No!
01:27Come on, it's okay!
01:28It's okay!
01:29Please!
01:30Mama!
01:31My God!
01:32Look, just stay there.
01:34Okay?
01:35That'll be okay.
01:36Look, it's...
01:37Just get me on her husband.
01:39What's this?
01:40What's this?
01:41It's okay.
01:43Come on.
01:45Come on.
01:46Come on.
01:47Oh, no!
01:48No!
01:49No!
01:50No!
01:51No!
01:52No!
01:53No!
01:54No!
01:55No!
01:56No!
01:57No!
01:58No!
01:59No!
02:00No!
02:01No!
02:02No!
02:03No!
02:04No!
02:05No!
02:06No!
02:07No!
02:08No!
02:09No!
02:10No!
02:11No!
02:12No!
02:13No!
02:14No!
02:15No!
02:16No!
02:17No!
02:18No!
02:19No!
02:20No!
02:21No!
02:22No!
02:23No!
02:24No!
02:25No!
02:26No!
02:27No!
02:28No!
02:29No!
02:30No!
02:31No!
02:32No!
02:33No!
02:53Lana Mayer?
02:54I didn't see her.
02:56Only knew something was wrong when I heard the window.
02:59Sorry.
03:00And then you found her outside?
03:02Yeah.
03:02What does she say?
03:04Nothing coherent.
03:05Okay, well, where is she now?
03:07Back home.
03:08Right.
03:20Hi.
03:22Uh...
03:24Where's Mrs Mayer?
03:27She needed to sleep.
03:29And no one saw her go out or heard her say anything?
03:35Would have stopped her.
03:39Mr Jameson?
03:40I want to know what's going on as much as you.
03:42I mean, if she's setting fire to things now...
03:46What?
03:48We live here too, Arthur.
03:50In my house.
03:52Look, has Lana ever done anything like this before?
03:58No.
03:58No.
04:10Mum.
04:11Oh.
04:12Sorry.
04:12Sorry.
04:13We'll have to bring her in.
04:15Ask her a few questions.
04:16Please.
04:19She won't have known what she was doing.
04:22Arthur?
04:24It's all right, lass.
04:26Nothing to worry about.
04:30She's going nowhere without me.
04:32Hi, Mrs Mayer.
04:39I'm a police detective.
04:41D.I. McIntosh.
04:43We need to talk to you about Edie Tulloch's house.
04:49Edie?
04:51There's something wrong with her.
04:53What?
04:55We'll explain everything,
04:57but right now,
04:58it would be really helpful if you could come with us.
05:01This is ridiculous.
05:12They're just coming.
05:31I don't know.
05:40I know.
05:42I know.
05:42It'sνα просто.
05:43I don't know.
05:44We need to be here.
05:46Oh, my God.
06:16Hayley, they've just arrested someone from the house across the way.
06:24Saw the cops bring two old folks out.
06:27And?
06:28This is insane.
06:32What if the police want to speak to us again?
06:35I don't know if you've noticed, Chris, but you're not the centre of a true crime podcast.
06:46Oh, Billy.
06:58Sorry.
07:03Couldn't sleep.
07:05I tried not to wake you.
07:07I had a bad night myself.
07:10Coffee?
07:11Please.
07:16Here you go and round your head.
07:23Aye.
07:46Don't worry.
07:48Just a swab inside your mouth.
07:50It's okay.
07:59Mrs Mayer.
08:03Do you know why you're here?
08:05What it is we want to talk to you about.
08:10You did tell her.
08:14Did something happen to her?
08:15Yeah, that's right. It did.
08:18It's the girl I'd worry about.
08:22I mean, she was a force of nature.
08:24Edie, you mean?
08:25I used to help.
08:26I, I mean, I'd, I'd cook the tea for the lads and, and that.
08:33Lana, you know Edie died?
08:38Mmm.
08:39Well.
08:42You reap what you sow.
08:43Hm.
08:50What do you mean by that, Lana?
08:51Well, she was always nosing into other people's business, you know.
08:55I mean, it was probably her job, but...
08:58Are you saying that Edie did something?
09:01To someone else?
09:02Or to you?
09:04No.
09:05We were friends.
09:07Lana, her house was set on fire.
09:13Mmm.
09:15Do you remember that?
09:20I want to see Arthur.
09:21Yeah, well, Arthur will be here soon.
09:23Kirsty's here to look after you.
09:25You're safe, Lana.
09:33Where are my clothes?
09:35Lana, you said that Edie did something.
09:38Did Edie hurt someone?
09:40No, that's all behind us now.
09:42Aye, it is, but we still need to know.
09:45No, some things are best just left to lie.
09:48Was it connected to the fire?
09:51Lana, can you help us?
09:52Tell us what happened.
09:54Lana, you're doing really well.
09:55We just need to chat about the fire and then you can go.
09:58I don't know, but I...
09:59Arthur, Arthur!
10:00Arthur!
10:01I don't want to...
10:02Lana, Mrs Mayor.
10:03Arthur!
10:05Arthur!
10:10Lana?
10:11Arthur!
10:12Lana?
10:13Mrs Mayor?
10:14Please, Lana, calm down.
10:15No, just, Lana, we need to...
10:16No!
10:17I think we need to stop this.
10:18I know, I know.
10:20Oh, Tris, get Arthur in here!
10:22Lana!
10:23Open the door!
10:24Let me in!
10:25I'm so sorry.
10:26Just go, go, go!
10:28It's okay.
10:29Hey.
10:30I'm so sorry.
10:31I'll be coming, I'll be coming.
10:32I'll be coming.
10:33I'll be getting here.
10:34It's okay.
10:35It's all right.
10:37Oh!
10:38Oh!
10:39Oh!
10:40What's been going on here?
10:41First the fire at our murder site, then an interview with a vulnerable adult descends into bedlam.
10:56Matt, we had an appropriate adult.
10:58We were gentle, respectful.
11:00So gentle, she's been seen by a doctor.
11:02Matt, no one in our family could explain why she started that fire.
11:06We had to at least try and talk to her.
11:09Right, well then you've got a problem.
11:11Because now you can't talk to her.
11:12Well, I know.
11:13Not until she's been checked over, obviously.
11:15And she's calm.
11:16No, absolutely not.
11:17Not if she's going to get distressed like that again.
11:20And let's brace ourselves for a formal complaint.
11:29Maybe we did push her too hard.
11:31Well, I don't know about that.
11:35You reap what you sow.
11:37But we don't know what it means.
11:39Maybe she meant E.D. had it coming to her.
11:42Or that she had something coming.
11:45Or maybe she was just babbling.
11:47Well, either way, I think we need to consider the possibility that maybe E.D. had some enemies.
11:53Including Lana.
11:56Yeah.
11:57Yeah, okay, maybe you're right.
11:59Well, I'll have a word with David Powell.
12:01See if E.D. mentioned having any issues with anyone.
12:04Ruth.
12:06Eight Tollock's out front.
12:07Oh, okay.
12:09Thanks.
12:10Hey.
12:15I can talk to him as well.
12:18Were you expecting him?
12:19Yeah.
12:20He...
12:21Well, he...
12:22He wanted someone to go with him to E.D. the body.
12:24You know, a bit of more support.
12:27Well, and he...
12:29He asked you.
12:31Uh-huh.
12:32Oh, and Billy rang too.
12:33Asked if you could go and see him at their house this afternoon.
12:35Morag has some information.
12:36Oh, sure.
12:37Oh, hey.
12:38Did you get anywhere with the money in E.D.'s account?
12:39Talking to the bank today.
12:40Yeah.
12:41Yeah.
12:42Okay.
12:43Okay.
12:44So, is that it then?
12:45You're releasing me, right?
12:46You're still the last person to see E.D. alive, David.
12:47So you will need to stay on the aisles, do you understand?
12:48Yeah, okay.
12:49So, is that it then?
12:50You're releasing me, right?
12:51You're still the last person to see E.D. alive, David.
12:53So you will need to stay on the aisles, do you understand?
13:10Yeah, okay.
13:12Also, I have a question.
13:14When you chatted with E.D., did she ever mention Lana Mayer?
13:20Yeah.
13:21They both used to help organise the Lana's Week Gala.
13:27Did you get any sense that they'd fallen out?
13:31That E.D. had done anything to upset Lana?
13:34No.
13:35Did E.D. talk about anything that was worrying her?
13:38No.
13:39What about that last time when she mentioned settling her affairs?
13:43She was cleaning up her tea when I got there.
13:46Mostly just talked about her son.
13:48She always did.
13:50Ed?
13:51No.
13:52The one that died.
13:54Craig.
13:55Never really mentioned Ed.
13:57Yeah, that's fine.
13:58Yeah, that's fine.
14:02Yeah.
14:03I'm sorry.
14:04I'm sorry it's been so long.
14:19I'm sorry it's been so long.
14:49I could deal with something stronger really.
15:01Thanks for being in there with me.
15:03Look, it's fine.
15:06Listen, Mum's house.
15:09This fire last night, what the hell happened?
15:12I'm sorry about that.
15:14We are still trying to get to the bottom of it, but...
15:18Was it an accident or something?
15:21Do you know Lana Mare?
15:24You're not saying Lana caused the fire.
15:27Why would she do that? Mum and Lana were close.
15:30We all were.
15:32Kim but not blood, Dad would say.
15:34What does that look like?
15:36You know, us kids played together.
15:38I mean, their boy Ali and her Craig were best mates.
15:40Mum and Lana ran the village organizing stuff.
15:44Dad and Arthur went fishing.
15:47And then my brother died.
15:50Yes, I heard.
15:53I'm sorry about that.
15:54It was a long time ago, but that shared loss tied them even closer.
15:59What do you mean shared?
16:01Well, Ali and Craig, they were in the storm together.
16:04Wait.
16:05What?
16:06Both families lost a son.
16:09Eh?
16:10Yeah, that's what started the rift between me and Mum really.
16:15Could never live up to Craig.
16:17I might head back to the pub and get something stronger after all.
16:27Were you there last Saturday working at the pub?
16:31Uh, Saturday, yeah.
16:32Yeah, I would have been there until pretty late. Why?
16:34It was the last time anyone saw your Mum alive.
16:40I just need to know everyone's movements.
16:43Sure.
16:44So, Billy says you wanted to talk about Edie's work.
16:51Hi.
16:52It's to do with Amy Shannon.
16:54Okay.
16:55Who's Amy Shannon?
16:57An old case of Edie's.
16:59She recommended that Amy and her sister be removed from their birth mum.
17:03She's suing social services.
17:05Why?
17:06It happens, Tosh, you know.
17:09Kids grow up.
17:10They look back.
17:12They want someone to blame.
17:15She's angry.
17:17But, the way she's been pressing her case, it's been very stressful.
17:21Has she been contacting you directly? Or Edie?
17:24She turned up at our offices once.
17:27Shouting.
17:28Accusing us of delaying the legal process.
17:30She threatened you?
17:31Not really.
17:32She calmed down and she left.
17:35It's just that, after Edie, I...
17:39Not that I think that Amy would...
17:41I thought you should know.
17:44Well, yeah.
17:46So, Amy's in Shetland?
17:48Aye, she was adopted here.
17:49She's a teacher.
17:50She's got a flat in Lowerwick with a partner and a kid.
17:53And her sister?
17:54Stevie.
17:56She ended up in the mainland.
17:59Look, I'm sure Amy's got nothing to do with this.
18:01It's just...
18:03Edie had a long career.
18:05And the kind of work she was doing, well, it...
18:10Made her unpopular.
18:16So, I'll need copies of the letters Amy Shannon's solicitor sent.
18:19And I'll look at her case file.
18:20I'll get Morag to send them over.
18:22Well, here.
18:23There was something I was going to ask you.
18:24I was talking to Gina Powell last night.
18:26I was pulling her up for hindering the case.
18:29And she said something strange.
18:31She said the last time she helped us, she nearly lost her family.
18:37Us as in the police?
18:38Yeah.
18:39I think she meant Shetland police.
18:41You said her husband was arrested.
18:43Ray Powell.
18:44Was there anything unusual about the case?
18:47Not really.
18:48Robert was the one who charged him.
18:50I didn't have anything to do with it.
18:52But I do know that he confessed.
18:54Hmm.
18:57All right.
18:58Well, you take care.
18:59Yeah.
19:00Okay?
19:01So, er, what'd you make of yesterday's poetry now?
19:13Well, er, I can't say I've been to many.
19:18Quite like your poem though.
19:19Hmm?
19:20About the wind.
19:21Yeah.
19:22It's an old one.
19:23From back when I wrote properly.
19:26Well, I had a collection published years back.
19:28Hmm?
19:29Won a few awards.
19:30Oh.
19:32Was it successful?
19:33Oh.
19:34I've definitely seen it in the odd charity shop.
19:41You, er, seen James recently?
19:44Er...
19:46No.
19:47No.
19:48Erm...
19:49Well, not since Carl's funeral.
19:50I mean, I...
19:51I wanted to, but, er...
19:53I just, you know...
19:55I reckon he'd appreciate it.
19:57Yeah.
20:01Sorry.
20:02Gotta go.
20:03Sure.
20:07Loudon!
20:17I trust you to choose a dead end.
20:19I've been looking for you since your disappearing act yesterday.
20:24I told you that I could not be there when you started making arrests.
20:26You said we didn't make any, did we?
20:29Yeah, I heard about that.
20:31Oh, I heard, did you?
20:32What did you hear?
20:33After?
20:34Or did you set us up?
20:35What?
20:36No, why would I set you up?
20:38Oh, I don't know, you tell me.
20:39Look, I thought the stuff was on that boat, right?
20:43That's why I've been laying low since.
20:44Why?
20:45Because if it's not on the boat then they're gonna know someone talked.
20:47Look, they're gonna know about me.
20:49Oh, I think you'll be fine, Will.
20:51You're hardly super grass material, are you?
20:56So that means they still need to land the gator, right?
20:59Yeah, I think so.
21:00You think so?
21:01Right.
21:02Well if you hear of anything, you get in touch.
21:07Anything at all.
21:09Right?
21:10Yes.
21:11Yes!
21:12Yes!
21:13Good.
21:14You wee shite.
21:18I'll get directions to this beach.
21:23What's this now?
21:27It's not the same house as earlier but they were there yesterday.
21:31Oh.
21:35Dropping someone back.
21:36For God's sake, Chris.
22:02Hey.
22:03Hey.
22:04Hey.
22:05I'm at the mortuary.
22:06Cora rang.
22:07She's got something for us.
22:08Oh, okay.
22:09Great.
22:10Well, I'll be with you as soon as I can.
22:11How's it going?
22:12Well, I had an unexpected interlude with Will Loudon.
22:15Loudon?
22:16Where did you find him?
22:17Just walking along the street.
22:19Says he had no idea that boat was clean.
22:21What are you up to?
22:22I think you might be right about Edie having made some enemies.
22:25Well, who have you got in mind?
22:27Hmm.
22:28Maura gave me a heads up on an Amy Shannon, an old social work client.
22:32She has issues with the way Edie handled her case.
22:34Right, have you spoken to her yet?
22:36Just about to.
22:37Okay.
22:38I'll see you here when you're done.
22:54Hi.
22:55Sorry, are you Amy Shannon?
22:57No, I'm her sister, Stevie.
22:59Who is it?
23:02Can I help?
23:07Is this about her case against children's services?
23:10Indirectly.
23:11It is about Edie Tulloch.
23:13Our social worker?
23:14Yeah.
23:15Look, I've got some difficult news.
23:19She's been found dead.
23:24What?
23:27Yeah, I heard on the radio there was a body.
23:33That was her.
23:34She was killed.
23:38I'm afraid so.
23:41Your complaint is that she made a mistake in your care, is that right?
23:46She did.
23:48A few months after we were removed, our mum died.
23:52And then they split us up.
23:55You mean when you went to the mainland?
23:58Yeah, disposed of in Aberdeen.
24:02On Edie Tulloch, say so.
24:04Stevie's been through four different foster families.
24:08Two children's homes.
24:10Did you ever talk to Edie directly about the case?
24:14No, of course not.
24:15Everything went to the solicitor.
24:18But you did go to the social services offices once?
24:23Once.
24:25But Edie wasn't there.
24:26She was longer tired.
24:27What about you, Stevie?
24:29Had you seen Edie?
24:31No.
24:32No, not since I was a kid.
24:36Sorry, why exactly are you here?
24:39We're just looking into Edie's connections.
24:41And since your case is a live issue...
24:44You think we might have killed her?
24:45Yeah!
24:47Mummy!
24:49Oh, sorry.
24:53What's going on?
24:54Nothing.
24:56I think you were...
24:57I think we were finished.
25:00OK, well, look, thanks for your time.
25:02Stay where you can see us, Chloe.
25:15It's rocky down there.
25:16I will, Dad.
25:18Pretty spectacular.
25:20No?
25:22For God's sake.
25:25What?
25:27You're the one who brought us here, Hale.
25:32We dropped everything because you suddenly needed a break.
25:36And here we are, babe, on a beach having a break.
25:39Yeah, but you haven't been here since we've arrived.
25:42You look sneaking off.
25:44Checking your emails, is it?
25:46Do you think the questions from the staff, the supplier,
25:47do you think they just stop coming?
25:49Yeah, they do.
25:51If you don't log on.
25:52I run two restaurants.
25:53It's not like taking the odd front of house shift.
25:56Then let me help you.
25:58Chris, you're amazing with customers, but...
26:01you're hardly...
26:03What?
26:04A top entrepreneur?
26:05A girl boss?
26:06Oh, piss off.
26:13I thought things had got a lot better this year.
26:16You seemed less stressed.
26:19Why Shetland?
26:21Lunisvik.
26:22I mean, it's the end of the world.
26:23I'm sorry.
26:24You were the one that didn't want to leave this morning
26:25because you were getting off on some local tragedy.
26:28No?
26:32You keep an eye on Chloe for once.
26:34I'm going for a walk.
26:38I wanted to go to Mallorca.
26:43Whiskey?
26:48You could smell it as soon as I opened the stomach.
26:51And we're not just talking a wee dram here?
26:54Toxicology will give us an idea of how much she actually consumed.
26:58But we're talking a skinful.
27:00So, hang on.
27:01Are you saying she was actually drunk at the time she was killed?
27:05More than likely, yes.
27:07That would account for the lack of self-defence wounds.
27:09She didn't fight back because she was in no fit state.
27:13Any food?
27:15Intestinal contents suggest ongoing digestion.
27:19But that's from a meal consumed well before death.
27:22How long before?
27:2410 to 14 hours, maybe.
27:26Sushi took to the whiskey after.
27:28And then some.
27:29So, turns out our 76-year-old victim was paralytic at the time of our murder.
27:39Yeah, except I don't remember there being any booze in the house.
27:42Well, maybe we missed it.
27:44Sandy, can you ask Socko to send over the inventory from the Tulloch house?
27:49Sure. What are we looking for?
27:50Specifically, whiskey bottles.
27:53But see if you can find anything else that would indicate that Edie Tulloch was a drinker.
27:57I'll get on to them.
27:59Yeah, and speak to Colin. Wait.
28:00Find out if he ever added a bottle of scotch to one of our food parcels.
28:04Oh, sorry Sandy. Could you also phone Aberdeen Children's Services?
28:09I need some background on a Stevie Shannon.
28:12Got it.
28:14I thought it was Amy Shannon you were talking to.
28:16Who's Stevie Shannon?
28:17Her sister.
28:19Brought up in Aberdeen, but it turns out she's staying with Amy at the moment.
28:23It's kind of got a weird vibe from her.
28:26Why did Morag put you onto them?
28:28So, Edie handled their case, and now Amy's suing social services.
28:33Any grounds?
28:34I mean, it seems pretty clear from their file that they were being neglected.
28:38And the mum had a string of boyfriends, a recurring drug habit,
28:41but they're angry at Edie's decision.
28:45Angry enough to hurt her.
28:48Well, it could be a motive if they felt that Edie had ruined their childhood.
28:53Question is, is there anyone else out there with a grudge against her?
28:57Did you get anything from Ed Tulloch?
29:00I don't think Ed knew anything about what was going on with his mum.
29:04He did say that Lana and Edie were close though.
29:07So, why set fire to her house?
29:10Well, unless Matt lets us have another crack at her, we'll never know.
29:15Hmm.
29:17I've had an idea about that.
29:19No.
29:21After this morning, we should have been sent home hours ago.
29:25Mr Mayor, what Lana did was very, very serious.
29:30Why don't you help us to get her home?
29:35You'd need to let Lana talk on her own terms.
29:39You couldn't speak for her, but you would help her to feel safe.
29:42I feel safe.
29:55Lana, we need to speak to you again about the fire that you started.
30:01The one at Edie's house.
30:02We were such good friends.
30:06Yeah, we know that you were close.
30:09That's why we don't understand last night.
30:14I know what happened.
30:18What do you mean, Lana?
30:20Edie Tulloch.
30:21You know what happened to Edie?
30:27It was terrible what it did.
30:33What, who did Lana?
30:35Him.
30:39Arthur.
30:40It's confusing having me here.
30:46We need to stop now.
30:48Lana.
30:49What did Arthur do?
30:50I said we need to stop.
30:53Are you cross?
30:55Lana.
30:57Lana.
30:59Could you tell us what it was that Arthur did?
31:02No. Stop.
31:04It's so cruel.
31:05So damn cruel.
31:07You've got a temper on you, Arthur Mayor.
31:11What was she talking about, Arthur?
31:13I told you. It's nonsense.
31:15She doesn't know what she is saying.
31:18I'm not sure that's entirely true.
31:20You're not answering any more of your damn questions.
31:37How are you doing?
31:38It's like she's got away with it.
31:40Who?
31:42Edie.
31:43I mean, everything that she did and we're the ones they're looking into.
31:46I know.
31:48Look, maybe it's a sign to take stock as well.
31:52What Edie did was wrong.
31:53I know Stevie had it tough, but she was only supposed to stay a few days.
31:57Stevie's my sister.
31:59Who I didn't see for years because Edie Tulloch sent her to fucking Aberdeen.
32:03She apparently has no life to go back to.
32:13Stevie, I'm sorry.
32:34Okay, so tonight, where and when do you want to meet?
32:50Look, I just need to work out how I'm going to get away. It's not going to be easy.
32:53It's not going to be easy.
33:11Chloe?
33:13Chloe!
33:17Chloe!
33:18Chloe!
33:19Chloe!
33:20Chloe!
33:21Chloe!
33:22Oh my God!
33:23Just stay there, stay there.
33:24Don't move.
33:25I was just looking for shells.
33:27There you go.
33:28Go, go, go.
33:29Chloe!
33:30Chloe!
33:32Oh God.
33:33Oh, you're okay.
33:34Chloe.
33:35Chloe, what happened?
33:36Okay, she's fine, she's okay.
33:37She's fine.
33:38Hey.
33:39You're okay.
33:40It's okay.
33:41I'm fine, Dad.
33:42You're okay.
33:43You're supposed to be watching her.
33:48Okay, sweetheart.
33:50Silly mum giving her a friend.
33:59Anything?
34:00Still saying nothing.
34:02We could arrest him.
34:04For what?
34:05Not talking to us?
34:06Colin Wirt was offended when I asked him if he ever brought Edie whiskey.
34:10He says Edie didn't drink.
34:12Oh, wait till he sees the path report.
34:14But Socko did come up with this.
34:18Where did they find that?
34:19Buried in Edie's wheelie bin.
34:21Were there any fingerprints on it?
34:23Any DNA traces?
34:24Contaminated, apparently.
34:25But that's a special release.
34:27Means it's pretty rare.
34:28Check the distillery website.
34:30You have to order this one direct from them.
34:33All right.
34:34Well, give them a call.
34:35See if anyone in Shetland ordered one.
34:36Will do.
34:41So how did it go with Lana Mayer?
34:43Well, we're no closer to finding out why she set fire to Edie's house.
34:48She did accuse her husband, though.
34:50Accuse him of what?
34:51Well, we don't exactly know.
34:53Arthur shut the interview down.
34:55He's scared of something.
34:57So maybe Lana's accusing him of killing Edie.
35:00That's why she started the fire.
35:02Covering Arthur's tracks.
35:03Destroying the evidence.
35:04Wanna maybe take a wee breath here?
35:06Because we don't actually have any evidence that would support that.
35:09Yeah, everyone we've spoken to says the Mayers and the Tullochs
35:12were close friends for over 40 years.
35:15Come on, there must have been some issues.
35:17Can't have all been sweetness and light.
35:19So who really knows them?
35:36So why haven't you released her?
35:38Erm, because we...
35:40We don't quite have the answers that we're looking for yet.
35:44And you really think you will?
35:46Some days, Mum barely recognises me.
35:52Could I, er...
35:57So, what we're trying to do is establish when your Dad last saw Edie.
36:03Do you remember?
36:05Did he call in on her sometimes?
36:07Edie was more and more shut off.
36:09And...
36:10And...
36:11Dad's main concern is Mum.
36:15Did they ever fall out with each other?
36:18What, Dad and Edie?
36:19Any arguments?
36:21Or...
36:22animosity?
36:24Our families went through a lot.
36:26Your brother Ali, you mean?
36:28And Craig Tulloch?
36:30Yeah.
36:32Losing Ali nearly broke Mum and Dad apart in the way they supported Robert and Edie.
36:39If you're suggesting that my Dad would ever hurt her...
36:44This is mad.
36:48Isabel, can I ask you a question?
36:51Sure.
36:54Who does that whisky belong to?
37:01Arthur took that bottle to Edie's.
37:03Which puts him in her house.
37:04Aye, which means he's lying to us.
37:08I want him in the interview room.
37:09I'll call Sandy.
37:24Sorry.
37:29Been looking for you.
37:31Eventually thought of Mum's grave.
37:35Austin, Luke's just being a dick.
37:38Hey, Will.
37:40He's got a point.
37:45Amy, I don't have a life to get back to in Aberdeen.
37:50So, I'm sorry for staying so long and getting in the way.
37:53Stevie, you're not.
37:55You've been great.
37:58And...
37:59Aidan loves you.
38:02From our family.
38:03We've missed so many years together.
38:09We'll make new memories.
38:13Good ones.
38:19Come on.
38:21Let's go.
38:22Yeah.
38:28Bye.
38:35Bye.
38:37Bye.
38:41Bye.
38:44Bye.
38:46Bye.
38:48Bye.
38:49We found out that Edie had been drinking just before she died.
39:05Do you recognise this?
39:08We found it at Edie's.
39:11It's yours, isn't it, Arthur?
39:13From your collection.
39:16Why would we have found this in Edie's bin?
39:19Lana said you did something terrible.
39:22She also said that you have a temper.
39:25That doesn't mean...
39:29But what if Lana found out that you had?
39:33And she was trying to help you cover your tracks?
39:36The fire?
39:38That's not why she started it.
39:41So then why did she?
39:43Arthur, Edie's dead.
39:46If you didn't hurt her, talk to us.
39:49Explain why you were in her house.
39:52Isabelle said that you'd stuck by the Tullochs through the years.
39:59She said that your marriage had struggled after you'd lost your son.
40:04That was when it started, wasn't it?
40:18What do you mean?
40:19What started?
40:21Your affair?
40:23With Edie Tulloch?
40:24You don't know what you're talking about!
40:26Did Lana freeze you out?
40:28Is that what happened?
40:29Because that can happen sometimes.
40:31With grief.
40:32It can close people off.
40:37But it can also push them together.
40:40Was it still going on?
40:42Even when you were caring for Lana?
40:45No!
40:46So when did it finish?
40:58I ended it for good when Lana was diagnosed five years back.
41:13You should have told us this.
41:17It's private.
41:19It's nothing to do with Edie's death.
41:24When did you last see her?
41:30Saturday.
41:31I brought a bit of dinner and the whiskey.
41:34And what happened?
41:36Nothing.
41:37We ate.
41:38We chatted.
41:39Had a dram after.
41:41Just the one?
41:42Yes.
41:43And Edie was fine when you left?
41:47She was fine.
41:49And what did you do for the rest of the evening then, Arthur?
41:52I was at home like every night.
41:54Ask Isabel and Jess.
41:56I helped bathe Lana.
41:58Helped put her to bed.
42:00And we fell asleep together.
42:07There's our reason for the fire.
42:10If he's telling the truth.
42:12You think he's lying?
42:13He did lie.
42:15Concealed this affair.
42:17Didn't tell us about being at Edie's on the day she died.
42:20His story checks out, timings wise.
42:23He brings over some dinner, leaves Edie fitting well.
42:27David Powell comes over after.
42:29David even remembers Edie tidying up dinner when he arrived.
42:33And Isabel confirms Arthur being at home that night too.
42:36Oh come on.
42:38A family member.
42:39Sure.
42:40But I don't see a motive.
42:43He was having an affair with Edie.
42:45Which ended years ago.
42:47Maybe Edie was threatening to tell.
42:49But why broadcast it now?
42:52With all the potential damage to her reputation.
42:55And even if Edie was threatening it, why would Arthur kill her like that?
43:00No, I don't think the affair is a motive.
43:05I think it's a defence.
43:07We need to release them.
43:10Okay, where does that leave us?
43:13Another?
43:14Oh, no, I should get it back.
43:28Luke's been texted and I've probably ignored him enough to make my point.
43:42Sure.
43:46But you leave him to me, okay?
43:49And all this what you do.
43:52You know that doesn't change what we do.
43:54We still sue the hell out of them.
43:56Press harder even.
43:58If things had moved faster, maybe Edie felt like I would have faced some consequences.
44:02Maybe she did if she was killed.
44:04Something's caught up with her.
44:06I guess.
44:13And they're still the other one.
44:15The other what?
44:17Social worker.
44:19McCabe.
44:20Morag McCabe.
44:24Edie Tulloch's wee sidekick.
44:27She's just as much to blame.
44:36Arthur.
44:37That last time you saw Edie, was she worried about anything?
44:54No.
44:57Why?
44:59Someone saw her after you.
45:02Said she seemed strange.
45:04Talked about settling her affairs.
45:08Ah, well.
45:10We're all weighing that up at our age.
45:19Is that all for Lana then?
45:23About the fire?
45:25No decision's been made.
45:34Do you want a cup of tea?
45:48Yes, please.
46:04Please.
46:05Please.
46:06Please.
46:07Please.
46:08Please.
46:09Please.
46:10Please.
46:11Please.
46:12Please.
46:13Please.
46:14Please.
46:15Please.
46:16Please.
46:17Please.
46:18Please.
46:19Please.
46:20Please.
46:21Please.
46:22Please.
46:23Please.
46:24Please.
46:25Please.
46:26Please.
46:27Please.
46:28Please.
46:29Please.
46:30Please.
46:31Please.
46:32What the hell?
46:47Come on, this is nonsense.
46:52What's going on?
46:53Amy.
46:54Sorry, mister, are you?
46:56Amy Shannon.
46:58I live here.
46:59There's been a report of a domestic disturbance at this address.
47:02Putting a child in danger.
47:04What?
47:05We had a wee argument hours back, but no big disturbance.
47:09Well, are we okay to come in and check?
47:13Yeah, go on.
47:15We've nothing to hide.
47:30Do you mind if I...
47:31No, I'll go.
47:44I'll go.
47:49She's my sister.
47:50She's been sane with us.
47:52Sorry.
47:54Apologies.
47:55We're obliged to check these things out, you know.
47:57Yeah, I know.
47:59Listen, sometimes wires get crossed.
48:01Huh?
48:02You know, people play jokes even.
48:03Yeah.
48:04We'll leave you guys to enjoy your evenings, okay?
48:06Okay.
48:25you're looking for this
48:40it explains your distraction anyway
48:45so who is it
48:47what
48:48you're seeing someone else
48:49meeting them tonight
48:51no Chris no
48:52bollocks explain this
48:53your stress
48:57I thought it was the restaurants
49:00it's the restaurants
49:01no wait Chris wait wait
49:03I'm in deep shit
49:06okay that's why I brought us here
49:07you're not making any sense Hayley
49:08the restaurants got into debt
49:13and I did something stupid
49:14and now I have to do exactly as I'm told
49:17or we're in danger
49:18all of us Chris
49:19what who
49:20what were they telling you to do
49:23what're you doing
49:25good
49:27you're a good
49:28huh
49:31and
49:32we're
49:33and
49:33we're
49:33and
49:34we're
49:35not
49:36we're
49:36we're
49:36in
49:37What have you done?
50:07I've got to hand it to the dealer tonight.
50:13How could you do this to us?
50:25Hi. Hi.
50:28You didn't have to drive them home personally, you know.
50:34At least we're learning a bit more about ED.
50:36You mean the affair with Arthur?
50:39Hmm.
50:40But also, you know,
50:42the son who didn't speak to her.
50:45Strange friendship with David Powell.
50:48Potentially questionable work decisions.
50:52You heard anything from the angry sisters?
50:55No, we're still waiting on Aberdeen services,
50:57but Sandy's checking if we can place either of them in Lynneswick.
51:00Good idea.
51:02Because something happened that made ED hit the whiskey.
51:06Hmm.
51:07Sandy also looked into her money.
51:09The digital statements go back ten years
51:11and nothing has been touched that whole time.
51:14He's trying to find paper records so we can go back even further.
51:18Hmm.
51:19Oh, oh.
51:21A Hunting Wind by ED Tulloch.
51:28Just curious.
51:31Thought it might give me a bit of insight into the family, you know.
51:35I, er, I also found out that ED knew Cal.
51:46Cal?
51:47Yeah.
51:48How?
51:49It's a, you know, small place.
51:51James and Cal drank at his bar and...
51:54Ed and Cal played music together.
51:57Wow.
51:59I know.
52:01You don't talk about him much.
52:04Cal?
52:06No.
52:09No.
52:10I suppose I don't.
52:19I don't like people skulking round my place.
52:36James, er, sorry.
52:40It's been a while.
52:42Let me park and we'll get inside.
52:45Okay.
53:07Cheers.
53:08Oh, cheers.
53:15Business still thriving, man.
53:17Ah.
53:18I was always the brains.
53:20He was just the poster boy.
53:22It's good to see you, Ruthie.
53:27You too.
53:29Why'd you leave it so long?
53:32Erm...
53:36Just protecting myself, you know.
53:38Try to move on.
53:40It was Ed, actually, that, er, encouraged me to...
53:49Aye.
53:50He texted.
53:51Said your past had crossed.
53:53Hmm.
53:54Well, that would have given you time to hide your contraband then,
53:56in case I showed up.
53:58That was definitely all my brother.
54:02Do you know him well?
54:03Oh, Ed.
54:04I mean...
54:06No, no, a long time.
54:07Yeah.
54:09And he's been round a lot the last year.
54:14He's a good lad.
54:18He reminds me of Carl.
54:19Hmm.
54:32Oh, come on.
54:34If you're done with that bed, you look wrecked.
54:38Thanks very much.
54:40It's rude to comment on a lady's appearance.
54:42What if you're concerned cos the lady is working insane hours?
54:46I know.
54:47I know.
54:48It's been a crazy few days.
54:50Thanks for picking up this lad.
54:52Aw.
54:53You're not me tosh.
54:55I run a tight shit.
54:59Now bed.
55:00Okay.
55:03Sandy.
55:05Sorry.
55:06Late in the day.
55:07But we just got something back from Aberdeen.
55:10On Stevie Shannon?
55:11Yes.
55:12Not the official files yet.
55:13This is more anecdotal.
55:15What is it?
55:17Seems there were some disturbing reports that came from the children's homes where Stevie was placed.
55:22What kind of reports?
55:24Concerns that she was manipulating other kids.
55:27Turning them against one another.
55:29On occasion.
55:31Encouraging them to run away with her.
55:40Hayley?
55:44Hayley?
55:47I'm coming with you.
55:51Are you sure?
55:52Yeah.
55:55You're not doing this alone.
55:57If it has to happen, we're in it together.
56:01What about Chloe?
56:02Oh, she has to bark out.
56:04She never wakes up.
56:07And we'll be quick.
56:10The dealer said if we hand this over,
56:13then we're free.
56:14That's what they said, right?
56:16That's what they said.
56:19Then let's do it.
56:21Come on.
56:23I love you.
56:25Who do you think called them?
56:31The police.
56:33Next door.
56:35She's had in for us since they'd knocked her flowers over.
56:38They came into her home, Luke.
56:40Uniformed officers.
56:42In case we were a danger to her son.
56:44I know.
56:46You're the one that let them in.
56:48Well then act like you care.
56:50I mean, this should bother you.
56:53What are you talking about, Amy?
56:56It's like you're not even...
56:57Amy, Amy.
56:58I care, for God's sake.
57:00Look at you.
57:01You're small on your phone.
57:03You're literally sitting there scrolling on your phone
57:05and you're just a piece of a pie.
57:06Jesus Christ.
57:09Don't worry about the noise, wee man.
57:11Auntie Stevie's here.
57:13And I'll look after you.
57:15We're a family after all.
57:18You.
57:20Your mum.
57:22And me.
57:26Family.
57:28Just the three of us.
57:29You.
57:37Stylish thriller The Night Manager has a new series coming soon.
57:40Press read now for series one starring Tom Hiddleston and Olivia Colman on iPlayer.
57:45This and everything across the BBC is made possible because we're funded by you.
57:51I'm not a fan of this.
57:52We're not an accident.
57:53We're not�� away in this series.
57:54We're not done.
57:55We don't have to be able to get to the movie.
57:56And we're coming back in the next episode.
57:57We're going to be feeling it.
57:58We're going to be feeling it.
57:59We're gonna live a little more.
58:01We're gonna have to play just that one.
58:03We're not gonna have to be a stars Turtle, or the north.
58:04You
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