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00:00:00And you don't stop, and you don't quit.
00:00:25Now I'm the man with the plan, and the b-boy stance, and all the ladies in the jam know who I am, with the power to make it move, when I write a groove, I don't snooze, I kick it off nice and smooth, and when the beat goes down, feet hit the ground, the breakers start spinning all round and round, and everybody don't stop, cause we don't stop, we just rock, you feel it, we don't need those drops.
00:00:55Oh no!
00:01:00I'm the man!
00:01:02You're alone!
00:01:05Sorry I didn't turn alone!
00:01:08No, no, leave her alone, sorry I didn't leave her alone.
00:01:14Look at her, otra vez, this is your fault.
00:01:18Hey, don't talk to her.
00:01:20Otra vez, your fault.
00:01:22I'm gonna kill you, stop.
00:01:25No, Lisa, stop, stop.
00:01:28Stop.
00:01:29He's hurting your mommy.
00:01:30No, call the cops.
00:01:31No.
00:01:32Lisa, I won't do that to your father.
00:01:38No!
00:01:59Man, I hate moving.
00:02:00Daddy's gonna be pissed that we gone.
00:02:02Hey, grab those boxes and put them in the living room.
00:02:04We gotta get the truck back in an hour, so hurry up.
00:02:08Take those damn headphones off.
00:02:09Didn't you learn your lesson about having those things on?
00:02:11You're not my father, you weren't even there.
00:02:13Why do you think we're moving now?
00:02:14And I was working.
00:02:15Yeah, you're always working, Eladio.
00:02:17Because I got to.
00:02:18Maybe I wouldn't have to if our pops was worth a damn, huh?
00:02:20Who's gonna take care of this family if not me?
00:02:22You?
00:02:25I do what I got to to help mommy.
00:02:27And the best way you can help is to stop daydreaming
00:02:29and think about how you can pitch in around here.
00:02:31I'm not gonna have mommy working three jobs
00:02:33while you're in La La Land.
00:02:35Hey.
00:02:37Hi, man.
00:02:38I'm just gonna have the opportunity.
00:02:39You're all I have to do to make them.
00:02:40I have to do the job.
00:02:41I'm always working.
00:02:42Are you throwing the money up?
00:02:43You just don't have the money up, honey.
00:02:44Come on, boy.
00:02:45Take care of me.
00:02:46I'm just gonna have to stop now.
00:02:47Take care of me.
00:02:48Take care of me.
00:02:49Take care of me.
00:02:50Take care of me if I am going in the door.
00:02:51Take care of me if I am going in the house.
00:02:52Take care of me if I am going in the house.
00:02:53Hey, baby.
00:02:54What are you doing?
00:02:55What are you doing?
00:02:56I don't want nothing at all.
00:03:26Nothing at all, nothing at all.
00:03:29Show me now that you really mean it.
00:03:33Are you playing for games?
00:03:36Ooh, Mickey-Bunky tree.
00:03:45Have a good one.
00:03:49Sorry.
00:03:50I'm here now.
00:03:51They need some air conditioning back here.
00:03:58How many of these are we gonna dress?
00:04:06Damn!
00:04:07I need a favor.
00:04:08No.
00:04:09Please, Lisa.
00:04:10Mm-mm.
00:04:11Last time I got into trouble because of you.
00:04:13Please, I know a place where we can make double what we were making before.
00:04:17I need the money.
00:04:19I know you do, too.
00:04:25One hour.
00:04:26But that's it, okay?
00:04:28Okay, okay.
00:04:29Oh, we're getting drunk.
00:04:30I can't stop.
00:04:31Feet on the ground.
00:04:33Heads to the sky.
00:04:37Oh, do you wanna dance with me tonight?
00:04:42The DJ is playing that song.
00:04:45The mood is right.
00:04:46Oh, do you wanna dance with me tonight?
00:04:50Follow me onto the floor under flashing lights.
00:04:55Thank you, thank you.
00:04:56We'll be here all night.
00:04:57Damn.
00:04:58I gotta go.
00:04:59My brother told me to pick up stuff for dinner, and he's gonna kill me.
00:05:02Okay.
00:05:03All right.
00:05:04Oh, my gosh.
00:05:05Use you.
00:05:06Look, I'm gonna cook a chicken with a habit.
00:05:07Do you think you eat?
00:05:08No.
00:05:09No.
00:05:10No.
00:05:11No.
00:05:12No.
00:05:13No.
00:05:14No.
00:05:15No.
00:05:16No.
00:05:17No.
00:05:18No.
00:05:19No.
00:05:20No.
00:05:21No.
00:05:22No.
00:05:23No.
00:05:24No.
00:05:25No.
00:05:26No.
00:05:27No.
00:05:28No.
00:05:29No.
00:05:30No.
00:05:31No.
00:05:56Thank you, Mommy.
00:05:59You don't worry about this, you hear me?
00:06:13We came here to start fresh, okay?
00:06:20One day I'll be so rich, Mommy.
00:06:22I'm gonna take care of you.
00:06:23I'm gonna buy you a new car.
00:06:26Mamita, the only thing I want you to do is to take care of yourself.
00:06:32Don't ever count on anybody taking care of you, okay?
00:06:37Yeah.
00:06:39But if you just so happen to be rich...
00:06:41What?
00:06:42I want to come first.
00:06:43Beat that.
00:06:45I gotta go.
00:06:47You come straight home after work, okay?
00:06:50I love you, Mommy.
00:06:51I love you.
00:06:56I love you.
00:06:56I love you.
00:06:57I love you.
00:06:57I love you.
00:06:57I love you.
00:07:01I hear your boys are Jelly Bean.
00:07:03Yeah, we go way back.
00:07:05Who's Jelly Bean?
00:07:07It's the main DJ at the boombox basement.
00:07:09Where it has it, you just got Madonna.
00:07:11Whoa.
00:07:12Where this one?
00:07:13Can you introduce me?
00:07:14The Jelly?
00:07:15No, Deron Reagan.
00:07:16Yeah.
00:07:17It's her thing, but you know in this city, nothing's free.
00:07:20Especially when it comes to Jelly Bean.
00:07:22What do you want?
00:07:30Hell no.
00:07:31Jelly Bean's always got a funny talent.
00:07:33Besides, Guy won't go unless he comes with us.
00:07:35I don't even like him like that.
00:07:36Girl, who said you're gonna be into him?
00:07:38Just pretend it's an extra long trip in the stock room.
00:07:41Is your brother even gonna let you go?
00:07:42Of course he will.
00:07:43Why wouldn't he?
00:07:44Girl, I run the show at home.
00:07:47Hell no.
00:07:48Why?
00:07:48No, you know how many pervs and weirdos go to places like that to pick up on young girls?
00:07:55You're gonna be with me.
00:07:57It's a bar.
00:07:58You're 15.
00:07:59It's seen that there won't be an alcohol.
00:08:01Eladio, stop and listen to me.
00:08:05I ain't gonna live and die in this neighborhood and never be nothing.
00:08:09I want to take care of Mommy one day.
00:08:12What's that got to do with this club?
00:08:13There are gonna be people there who can help me.
00:08:15Give me a shot at singing.
00:08:17There you go.
00:08:18Head in the sky again.
00:08:20I'll take out the trash for a month.
00:08:25We can make it, we can make it work.
00:08:31We're all in there.
00:08:36Coming from a far land where they never stay.
00:08:38They don't have a contest, but they're too afraid.
00:08:40But I'm rocking the road so we'll be blessed to my.
00:08:42While the DJ's crushing like an insect fight.
00:08:44From the west, the east, the north to the south.
00:08:46When I step into the body, people stand on the couch.
00:08:48Just wanna have a good time.
00:08:49I'll be doing just fine.
00:08:50All I need is 30 seconds.
00:08:51I'm gonna rock around.
00:08:52Yeah, I'm wrestling down.
00:08:53Is that him?
00:08:55Can you introduce me?
00:08:57I don't know him like that.
00:08:58I thought you said he wasn't home.
00:09:02I know who he is.
00:09:04After the sex.
00:09:05Try to get us into the green room.
00:09:07He's gone.
00:09:10I'll figure out myself.
00:09:12I'm going home.
00:09:13I got homework to do.
00:09:19Damn, my bad.
00:09:20I'm going home.
00:09:39I'm going home.
00:09:40Y'all on defense, false, and you pretend I'm gettin' equal and rockin'
00:09:44Beat the boys in the place gettin' down to the break and another group space, get rockin'
00:09:48One time a song, going from the late night to the early morning, get rockin'
00:09:52No time for the chat, I'm doin' my dance all across the map, get rockin'
00:09:56I'm gonna see K-I-N-G and I suggest you don't mess with me
00:10:02You're gonna sneak backstage, take the tray.
00:10:04What?
00:10:05Take the tray.
00:10:12Don't mention it.
00:10:17How much?
00:10:18Duh.
00:10:19Duh.
00:10:20Those are the prices.
00:10:22Inflation, my man.
00:10:24You got better options, I suggest you get to it.
00:10:26I got business goin' on here.
00:10:40I hear you help singers.
00:10:41She's on the headphone.
00:10:42Singers?
00:10:43Nah.
00:10:44I help artists.
00:10:46If they're worth it.
00:10:47Well, I'm worth it.
00:10:48The best damn pipes, you're here all night.
00:10:50Okay, shawty.
00:10:51Heh.
00:10:52Let's say you blow.
00:10:53I got sunshine light in my way.
00:10:54You're tryin' to be the clown but just float away.
00:10:56Don't matter about the sticks and the stones you say.
00:11:00Cause your world's about to flood and you're in my way.
00:11:01Cause I'm rollin', rollin'.
00:11:02That's not true.
00:11:03Try to stop us, we just keep goin'.
00:11:04Ooh-ooh-ooh-ooh-ooh.
00:11:05You're here.
00:11:06You're so sweet.
00:11:07All right.
00:11:08Fresh.
00:11:11I see you.
00:11:20Okay, shawty.
00:11:21All right.
00:11:22Fresh.
00:11:24I see you.
00:11:31All right.
00:11:32Fresh.
00:11:33Fresh I see ya
00:11:36What's your name Lisa Lisa velez all right Lisa Lisa velez
00:11:42How old are you?
00:11:4418
00:11:46He's bugging
00:11:4915
00:11:55All right Lisa
00:11:58Leave me a digits
00:12:03Come on, man. I just need a couple of intros. That's all I
00:12:16Told you momita
00:12:18Ain't no one looking for a singer with your
00:12:22Look what you mean. What's wrong with my look look? I love you the way you are
00:12:28But these record executives they start bugging about silly things like look
00:12:33Bucks and image, but you know I could sing my answer. I
00:12:37Know it
00:12:38But they don't
00:12:40And you don't get past a record label without them thinking about your image or this
00:12:46and besides
00:12:48These record labels they're full of whack-ass scam artists. Just waiting to take advantage of a young buck like you
00:12:54I ain't exactly no younger
00:12:56You still working with your pops?
00:12:59Sampling the product
00:13:01It's homie
00:13:03Jalen only leads down one path. So help me get another path
00:13:07I think we got a kiss
00:13:09I think we got a kiss
00:13:10I think we got a kiss
00:13:12I think we got a kiss
00:13:14I think we got a kiss
00:13:15I think we got a kiss
00:13:18Yo shorty
00:13:19I heard you singing over there
00:13:21It was fresh
00:13:22You from around here?
00:13:23You from around here?
00:13:24We're on the way. Tell us kitchen
00:13:25Word
00:13:26Well look, I got this joint that I've been working on for a minute
00:13:28I think that you're coming up
00:13:29Matt
00:13:30Don't be pushing up
00:13:31Whoa
00:13:32I'm trying to talk to her
00:13:33You know what I'm saying?
00:13:34You ain't even trying to holler
00:13:35Look bro
00:13:36Homie
00:13:37I got a band
00:13:38And we need a lead singer
00:13:39Jelly Bean told me that she was looking
00:13:42Got a few producers that are interested as you know if you want to audition
00:13:45My name's Mike Hughes
00:13:46Here's my number and address to the recording studio
00:13:49Play drums
00:13:51Maybe we can make some music together
00:13:53Or just music man
00:13:55Time to go
00:13:58You ain't going to know I listened to that guy
00:14:00No, of course not
00:14:01I know that
00:14:03I know that
00:14:09Robert, come over here
00:14:10Tell me he's just really dope
00:14:12I got this guitarist
00:14:13He's really amazing
00:14:14I got this girl
00:14:15She's walking
00:14:16She's going to be amazing too
00:14:17Hold up
00:14:18This is her
00:14:20Hey
00:14:21There's someone I want you to meet
00:14:22Come over here
00:14:24This is Rocco
00:14:25He's the manager
00:14:26Hi
00:14:27Rocco
00:14:28We just need five minutes
00:14:31You got three Mike
00:14:33Hey
00:14:34Okay, Lisa, come on
00:14:35Ask the one I want you to meet
00:14:36This is Spanador
00:14:37Nice to meet you, Spanador
00:14:38Hey
00:14:39I heard you can sing
00:14:40I heard you can play
00:14:41Yeah, yeah, let's go
00:14:42Um, did you practice a song?
00:14:43Mike wrote it
00:14:44Yeah, I worked in her last night
00:14:45You ready?
00:14:46Let's go
00:14:47So
00:14:48When you think you're going to record the song?
00:14:53No booth
00:14:54One mic
00:14:55Let's see what you got
00:14:57The booth
00:14:58Come on, man
00:15:01Guys
00:15:02Hey
00:15:03Let's listen to him
00:15:04Come on
00:15:05Thanks
00:15:06We'll let you know
00:15:07Alright
00:15:08Come on, man
00:15:09Come on, man
00:15:10Let's get a look at my time, man
00:15:11We gotta go
00:15:12We got other stuff to do
00:15:13Hey
00:15:14Hey
00:15:15Why don't you play a song you know?
00:15:16Something you're comfortable with?
00:15:17Hey guys
00:15:18Back her up
00:15:19Whatever she wants
00:15:20Yeah of course
00:15:21Yeah
00:15:22So what you wanna sing?
00:15:23Hey guys
00:15:24Hey guys
00:15:25Let's get another shot
00:15:26Let's get another shot
00:15:27Something she knows
00:15:28Hey
00:15:29Let's get another shot
00:15:30Something she knows
00:15:31Huh
00:15:32Oh
00:15:33Oh
00:15:34Oh
00:15:35Oh
00:15:36Oh
00:15:37Oh
00:15:38Oh
00:15:39Oh
00:15:41Oh
00:15:42Oh
00:15:43Oh
00:15:44Hey, guys, back her up, whatever she wants.
00:15:48Yeah, of course.
00:15:50So what you want to see?
00:15:52Hey, guys, look.
00:15:53Let's give her another shot.
00:15:54Something she knows.
00:16:15Uptown, downtown, the funk is on the move.
00:16:23Cartier and Louis V is sure to set the mood.
00:16:31When we're alone in your mind, only a fool would ever try to hide.
00:16:39Let your hold a struggle again.
00:16:41Leave me in the air feeling high.
00:16:51Yeah.
00:16:52What about Hell's Kitchen's trio?
00:16:54Wow.
00:16:55No, that sounds like my abuelo's band or something like that.
00:16:57I didn't think you could get any worse than your last suggestion, but what?
00:17:01It's got to be slick.
00:17:02It's got to be something that screams we're all about culture, hip-hop, and music.
00:17:07And that we can jam.
00:17:08Yeah.
00:17:11Coat jam?
00:17:12That's fly.
00:17:13Mm-hmm.
00:17:14I got it.
00:17:16Lisa and coat jam.
00:17:18Okay.
00:17:19I'm feeling it.
00:17:20All right, but it needs that extra flavor, you know?
00:17:23Because Lisa ain't your everyday girl.
00:17:25That's what I'm saying.
00:17:26Mm-hmm.
00:17:27Oh.
00:17:28She's not.
00:17:30Oh.
00:17:31No, Lisa ain't your everyday girl.
00:17:33She's uniquely blessed.
00:17:35How about Lisa, Lisa, and coat jam.
00:17:42Yo.
00:17:43That's fresh.
00:17:44Right?
00:17:45Don't you think, Lisa?
00:17:47Yeah, that's a joint.
00:17:48I'm down.
00:17:49I'm down.
00:17:50We got a name.
00:17:51Lisa, Lisa, and coat jam!
00:17:54I wonder if I take you home.
00:17:56Would you still be your home, baby?
00:17:59Because I need you tonight.
00:18:01I like the bass and that progression.
00:18:03If I take you home.
00:18:04You're welcome.
00:18:05Would you still be your home, baby?
00:18:06Would you still be your home, baby?
00:18:07Because I need you tonight.
00:18:08Oh, oh, oh, oh.
00:18:15Brothers are some of the best producers in town.
00:18:18This is Grant Berry.
00:18:19Thank you so much.
00:18:20Yes.
00:18:22Lisa!
00:18:23Sweetheart!
00:18:25You're incredible.
00:18:26That sound is amazing.
00:18:29The men, the men are going to go gaga for you.
00:18:34Told you.
00:18:35Yeah, you did.
00:18:36So what's next?
00:18:37Tour?
00:18:38Let's not get ahead of ourselves.
00:18:41Typically, we test the song.
00:18:43See how it lands in different markets before we actually sign an artist.
00:18:49How do you do that?
00:18:50We send the record to a few friendly DJs in the UK.
00:18:54And we'll be right back with Radio FM UK.
00:18:59The label better not have sent me rubbish like the last time.
00:19:06That was pure yank nonsense.
00:19:10I mean, if it hits, we start talking contracts.
00:19:13If not, you know the music world is littered with one hit wonders.
00:19:18Who is this again, mate?
00:19:23A lot of them crash and burn.
00:19:25Don't worry.
00:19:26Rocco here is going to make sure everything runs smoothly.
00:19:30Isn't that right, Rocco?
00:19:31Yep.
00:19:32So it's my job to book your gigs, find the producers, and work on promotions.
00:19:36Hey, mommy.
00:19:37Did you find it all right?
00:19:38Yeah.
00:19:39Hello, ma'am.
00:19:40Hello, mom.
00:19:41Pleasure to meet you.
00:19:42Me too.
00:19:43Barry Connor.
00:19:44I just have a few papers that need your signature.
00:19:46Let's step out for a second.
00:19:47Okay.
00:19:48I'll catch right up to you.
00:19:49Okay.
00:19:50Turn it back on, bro.
00:19:51Maybe, uh...
00:19:52You know that we can't proceed unless she signs, right?
00:19:53I mean, it's just too much risk with an underage artist, so...
00:19:56Walk her through it.
00:19:57Okay.
00:19:58Oh, yeah.
00:19:59Do we need a lawyer or anything?
00:20:00No.
00:20:01The contract's our standard.
00:20:02New artist usually sign as is.
00:20:03Oh.
00:20:04Cool.
00:20:05Let's run this.
00:20:07I'll let it be.
00:20:08That's a good one.
00:20:09All right, okay.
00:20:10I'll just try it up to you.
00:20:11I'll be back on, bro.
00:20:12Maybe, uh...
00:20:13You know that we can't proceed unless she signs, right?
00:20:15I mean, it's just too much risk with an underage artist, so...
00:20:17Walk her through it.
00:20:18Okay?
00:20:19Oh, yeah.
00:20:20Do we need a lawyer or anything?
00:20:21No.
00:20:22The contracts are standard.
00:20:23New artist usually signed as is.
00:20:24Oh, cool.
00:20:25I don't know what it is.
00:20:55I mean, I'm a singer. I need to be singing.
00:21:00I can move us to a better neighborhood.
00:21:03And you won't even have to work anymore.
00:21:05Lisa, that's not your job.
00:21:08You once told me to never count on someone to take care of me.
00:21:13You said to do it yourself.
00:21:18So this is me doing it myself.
00:21:25All right, we need to get you guys back in the studio right away.
00:21:47Contracts are signed.
00:21:51You go home, celebrate, tomorrow we get to work.
00:21:56Come on, go, motherfucker.
00:21:57Listen, hotness, kid. That's what I'm talking about.
00:22:01Hey, sweetheart. Sweetheart.
00:22:03Lisa, can I talk to you a second?
00:22:05Yeah.
00:22:06There's a lot of work, time, and money that goes into making you a star.
00:22:09I need to make sure I'm not wasting any of that, so you're not pregnant or nothing, right?
00:22:16Pregnant? I'm 15.
00:22:19Like I said, there's a lot that goes into young stars.
00:22:23I need to make sure I'm not wasting it.
00:22:25I don't need a pregnant teenager on the road.
00:22:27You don't have to worry about me, Mr. Khanna.
00:22:30I'm locked in.
00:22:31Good answer.
00:22:32And call me Barry.
00:22:37Yes, sir.
00:22:40Barry.
00:22:42I gotta go.
00:22:43My mom's waiting for me.
00:22:45Okay.
00:22:50Yo, Lisa, you ready?
00:22:52We gotta go.
00:22:57Yo, Lisa, we gotta go.
00:22:59Yeah, yeah, I'll be right there.
00:23:00Uh-huh, man.
00:23:03Hey!
00:23:04Hurry up!
00:23:05We gotta get going!
00:23:06Let's get it now!
00:23:08I know.
00:23:13Huh?
00:23:14Oh, that's what was taking you so long, huh?
00:23:18Wow.
00:23:19Yo, Lisa, in a month, every girl is gonna be covering her eye,
00:23:24trying to look just like you.
00:23:25Baby, I know you're wondering
00:23:30Why I won't go over to your place
00:23:34In California, Governor Jerry Brown won the Democratic nomination
00:23:38on the 160th day of 1982, in case you're coming.
00:23:41It's time that some people were reminded that actors are people.
00:23:45So what does this mean for AIDS patients in this country?
00:23:49Pittsburgh beat the New York Mets.
00:23:50Hello, Pittsburgh.
00:23:51It's 6-2.
00:23:53And the Los Angeles Lakers won their second national basketball championship.
00:23:58Three in six years.
00:23:59L.A. comes to Boston and wins the world title.
00:24:02Wow.
00:24:02What's up, baby?
00:24:31What's your name?
00:24:31What's up?
00:24:32You're looking mad good.
00:24:34My name's Javi.
00:24:35Take my number.
00:24:44Huh?
00:24:47Yeah.
00:24:52We got a problem with it?
00:24:54What?
00:24:56Put lines wrapped around the block.
00:24:58Lisa, Lisa, in a cold jam, a catapult and freestyle.
00:25:01From New York's underground clubs into mainstream fame.
00:25:05And they are about to go national, baby, on Top American Countdown, a show that has taken
00:25:10some of the hottest stars of today and catapulted them into the stratosphere.
00:25:14And today is Lisa Lisa's turn.
00:25:16This is that lover.
00:25:17You already know what it is.
00:25:19Back to you.
00:25:19Come on, make some noise out there.
00:25:21Come on.
00:25:22Come on.
00:25:23Come on.
00:25:23Let's go.
00:25:23Come on.
00:25:24Let's go.
00:25:25Every home in America watches the bands on this show.
00:25:28And Chuck Ryder is a titan of the industry here.
00:25:31If you don't screw up tonight, America will love you by tomorrow.
00:25:37Hey, where's Crafty at?
00:25:41All right, starlings.
00:25:43It's showtime.
00:25:48It feels like someone died in here.
00:25:51Just nerves, that's all.
00:25:54Are you ready?
00:25:58Yeah, we're ready.
00:25:59Oh, okay, I meant just you.
00:26:05Chuck likes a little personal touch, a little pre-show interview.
00:26:09I'm sorry, fellas, but don't worry.
00:26:12You can watch her right here on the live feed.
00:26:15No, but we're a band.
00:26:17And you'll play as one.
00:26:18Just a quick chat before with you.
00:26:22Let's go.
00:26:23Ladies and gentlemen, from Lisa, Lisa, and Cult Jam, please welcome Lisa, Lisa.
00:26:34Welcome to the show.
00:26:48So, how are you doing today, Lisa?
00:26:50Well, I'm great.
00:26:50Very excited to be here.
00:26:52And how does it feel to be in this position?
00:26:54Well, it's a dream come true.
00:26:56Tony, I thought you weren't dealing.
00:27:10Look, I'm not, man.
00:27:11I'm networking.
00:27:12You never know where the next gig's gonna come from.
00:27:14Besides, I think this dude right here, you know, some record execs.
00:27:17Right.
00:27:18Sure.
00:27:22Got a line on a gig.
00:27:24Word.
00:27:25An audition.
00:27:26New band looking for backup singers.
00:27:29You mean I'm not backup?
00:27:30Tony, no.
00:27:32But look where you are.
00:27:34It's gotta be this game.
00:27:37Hey.
00:27:38You wanna spend your whole life looking over your shoulder?
00:27:40Just because it didn't work out last time doesn't mean you quit.
00:27:44Doesn't mean you stop trusting people.
00:27:46It's show business.
00:27:49It's the music game.
00:27:50And the music game takes time.
00:27:56Think about it?
00:27:57Think about it.
00:27:59All right.
00:28:01Peace.
00:28:02Peace.
00:28:07You ain't back.
00:28:08I ain't back.
00:28:09Not for long.
00:28:13Mike, listen, I got this.
00:28:15Figure it out.
00:28:16All right.
00:28:17Spot it off.
00:28:18We're just gonna go with number two.
00:28:19No, number two is not gonna work, bro.
00:28:20We need another audition.
00:28:22She looks the best.
00:28:23It doesn't matter if she looks the best, but we need another audition.
00:28:25We don't have time for another audition.
00:28:27Well, I don't know what you want me to say, but not one of them blend with our sound.
00:28:30Word.
00:28:31What do you want me to do, Alex?
00:28:32We're going tour in a month.
00:28:33Well, we keep searching.
00:28:34We already behind on schedule.
00:28:36We either pick a team today or we push.
00:28:39The label not waiting on us.
00:28:42We got bands lined up right now that's ready to go.
00:28:46All right, Rocco.
00:28:46Just give me another hour.
00:28:47I can find some ladies.
00:28:48I'll go around to fit that, Baptist.
00:28:50I'll find you a whole lot of girls who can sing best music.
00:28:52Make an executive decision.
00:28:53We're going with number two.
00:28:54No, we're not going.
00:28:55No, we're not going.
00:28:55Are we going with number two?
00:28:56It's all good.
00:28:57Are we going with number two?
00:28:58Staring out the window, hoping to catch you walking by, staring out the window, while
00:29:06these tears broke down my eyes, staring out the window, just can't believe it's done
00:29:14and gone, staring out the window.
00:29:24Hey, pack your bags, folks, because we're going on tour.
00:29:37Cigarettes don't affect your voice?
00:29:39No.
00:29:40I mean, they actually give it a little raspy bass.
00:29:42I don't mind having it.
00:29:43Those things will kill you, you know?
00:29:44Well, whenever the government comes out with a study saying these are bad for you, I'll stop.
00:29:50I'm Lisa.
00:29:52Tony.
00:29:52How long have you been singing it for?
00:29:56I grew up singing on street corners.
00:29:58Yeah, me too.
00:30:00Listen, you know it's not going to be what you think it is, right?
00:30:05What's that?
00:30:06In this music industry.
00:30:08You know, it's just like the streets.
00:30:10Use it or it'll use you.
00:30:12So you've got to watch yourself.
00:30:13Everybody's going to try to take a piece of you and you can't let them.
00:30:15Hey, where are you going?
00:30:18Look, I mean, most of these dudes want a backup singer that's something to look at.
00:30:23And I'm not that.
00:30:25Then why'd you come?
00:30:27Because I promised a friend.
00:30:29But I know the game.
00:30:30Don't smoke these menthols on the road.
00:30:36They'll mess up with your voice.
00:30:37And I can't have that.
00:30:41Whatever.
00:30:42I was trying to quote anything.
00:30:45Hey.
00:30:46Go home.
00:30:47Pack a bag.
00:30:48Because it's going to be a ride.
00:30:49Come on, baby.
00:30:58We're done soon.
00:31:00Yeah, baby.
00:31:00A little longer, okay?
00:31:01You got to go.
00:31:03Come on.
00:31:06I mean, what's this about?
00:31:08Come on, you know.
00:31:09Baby, no, no, no.
00:31:11They're going to have to, you know, check my makeup again.
00:31:14Stop.
00:31:15I thought we had dinner plans tonight.
00:31:17Yo, this city's so crazy.
00:31:19Sometimes I almost had to scrap with a bunch of teenagers.
00:31:22Excuse me.
00:31:23Okay.
00:31:23Signatures.
00:31:25Okay.
00:31:25More promotional tours means more papers to sign.
00:31:30Again?
00:31:31Hey, that's the life of a big star.
00:31:33Jesus Christ.
00:31:34Wow, a commercial?
00:31:36Yeah.
00:31:38We rearranged a few things so, you know, you could sneak it in.
00:31:43Well, I was supposed to go home after this set.
00:31:47I haven't seen my family in a year.
00:31:50This is a national commercial.
00:31:52It's a lot of money.
00:31:54I just, it's been concert after concert.
00:31:58You said you wanted to be a star, right?
00:32:00This is the pace you have to work at.
00:32:02So, give her creative control.
00:32:05Yeah, that's not the way we do things around here, but thanks.
00:32:08Do it anyway.
00:32:08Yeah, I want creative control.
00:32:13Lisa.
00:32:14I want to start putting my stamp on this.
00:32:16I want to get involved in the creative.
00:32:19I want to help with the set design and the choreography and to pick up the dancers, right?
00:32:24Yeah, she does it anyway.
00:32:25Of course, you'll be involved.
00:32:37Let's go!
00:32:38Let's get to work!
00:32:39Yo, sweetheart, are you ready or what?
00:32:40In a minute, baby.
00:32:41Lisa, the record label needs you, all right?
00:32:43This is not the other way around.
00:32:44I want you.
00:32:45All right, perfect.
00:32:45You know what?
00:32:46I want to go.
00:32:47Hurry up.
00:32:48Hold on, man.
00:32:49Lisa, come on.
00:32:49Put your hand right here.
00:32:51Tyra, you ready?
00:32:51Come on.
00:32:52Let's go.
00:32:52Look at the camera.
00:32:53Three, two, one.
00:32:58Perfect.
00:32:58Hold on.
00:32:59Lisa, Lisa, Lisa.
00:32:59All right, hold on.
00:33:00Hold on.
00:33:01Can I get an idea, please?
00:33:02No.
00:33:03My idea is something?
00:33:04Tell us kitchen tree, little girl.
00:33:06Are you for her?
00:33:06No.
00:33:07All right, bro.
00:33:08You know she's not part of this group, right?
00:33:10What do you mean?
00:33:11Yo, I'm right here.
00:33:12You could say it to my face.
00:33:13I'm talking to Lisa.
00:33:14What's your problem?
00:33:15The problem is we don't need any more voices offering their opinions on music, fashion, and photo
00:33:20shoots.
00:33:20Fellas, let's take a little break.
00:33:23What do you mean, break?
00:33:24Yeah, I had some fly spandex I wanted to flash, man.
00:33:27Nobody want to see you with no spandex.
00:33:30You know, we're just going to focus on a few shots of Lisa alone.
00:33:33Why don't you guys go to craft service, grab a coffee?
00:33:39Hey, yo.
00:33:40This was your band, Mike.
00:33:42You got two little girls telling you what to do.
00:33:44One is just the background, same thing.
00:33:46I'm going to talk to you for a second.
00:33:55One second, one second, one second.
00:33:57Hey, you're good, you're good.
00:34:08Yo Rick, I'm gonna talk to you for a second.
00:34:12Of course.
00:34:15I just want to make sure you know that we're a band.
00:34:17I know Lisa gonna get all the attention
00:34:19since she's the lead singer,
00:34:21but anything that we should be doing,
00:34:22we should be doing together.
00:34:25Interviews, photo shoots, everything.
00:34:31All right.
00:34:34Is that all?
00:34:40Yeah, good to hear.
00:34:43Catch up with you on tour.
00:34:45Keep up the great work, fellas.
00:34:47Fantastic shoot today.
00:34:50Fantastic!
00:34:52Hit the beat now.
00:34:57That's dope.
00:34:58Why does she have to redo it?
00:34:59Yeah, I mean, it still needs a final mix,
00:35:01but we're close, Tony.
00:35:02We're close.
00:35:03We got it, we got it.
00:35:09Sounding good, sounding good.
00:35:11Hey, what's going on?
00:35:13Hey, Lisa!
00:35:14You're crushing that track!
00:35:16Ha-ha, thank you!
00:35:18Come join us!
00:35:19Okay!
00:35:22Guys,
00:35:23the label's happy.
00:35:25So I'm happy.
00:35:26That's good!
00:35:27I know I don't have to tell you things are different now.
00:35:29We're playing in bigger venues.
00:35:30You guys gonna be on the road longer?
00:35:31That means more money.
00:35:33More money!
00:35:34Hey!
00:35:35So you have to stay focused.
00:35:37You're not stars yet.
00:35:38Speak for yourself.
00:35:39I'm a star!
00:35:40I don't speak a star!
00:35:41All right, guys.
00:35:42Hey, great job today.
00:35:43Get out of here.
00:35:44See you tomorrow.
00:35:45Wait.
00:35:46Hey, I'm gonna go to the camera.
00:35:47I'll be there.
00:35:48All right.
00:35:49Hey, Lisa, do you have a moment?
00:35:51Yeah, sure.
00:35:52It's business.
00:36:02Baby, I'll see you in a car in a second, yeah?
00:36:06I got the car.
00:36:10Don't be long.
00:36:11Baby.
00:36:14So Rocco, I think...
00:36:16I picked up some papers.
00:36:17I just need you to go over some of it.
00:36:20If you need help.
00:36:22I can go over with you.
00:36:23Yeah, I can, um, take a look at it later.
00:36:26Should probably get over.
00:36:27Hey.
00:36:30I don't want someone to ask you.
00:36:32Wait, it's Rocco.
00:36:34Stop.
00:36:35That's looking good.
00:36:36Come here.
00:36:37Hey, what the hell are you doing, Rocco?
00:36:39Stop.
00:36:40No, stop, Rocco.
00:36:41You're playing too much.
00:36:43Why don't you kiss me?
00:36:44Hey, Rocco!
00:36:45Wait, stop!
00:36:47What are you doing?
00:36:48What's that all about?
00:36:49Stop playing.
00:36:50Can you stop playing?
00:36:52Can you stop playing?
00:36:53Rocco, stop.
00:36:54I've been thinking about you all day.
00:36:56Stop!
00:36:57Rocco!
00:36:58You played too much.
00:37:00See you later.
00:37:02See you later.
00:37:18You good?
00:37:19Yeah.
00:37:20You sure?
00:37:21I said I'm good.
00:37:23Just leave me alone, okay?
00:37:24All right, all right.
00:37:25Whatever.
00:37:26Jeez.
00:37:40Hold on.
00:37:41You ready to go spend some money?
00:37:42Hell yeah!
00:37:43Yeah!
00:37:45Woo!
00:37:46Okay.
00:37:47That's gorgeous.
00:37:48Wow!
00:37:49No, this is it.
00:37:51Right?
00:37:52Oh, I love this car.
00:37:54What?
00:37:55Mm-mm-mm.
00:37:57I know.
00:37:58Do you take cash or check?
00:38:00Yeah, which one is it?
00:38:04Doesn't matter.
00:38:05I love this.
00:38:07I love this.
00:38:07Woo!
00:38:08Oh, yeah!
00:38:09Yeah!
00:38:10Yeah!
00:38:11Hi!
00:38:12Hi!
00:38:13But you had something in mind for us.
00:38:17Woo!
00:38:18When I look into your eyes, I can't stop the rhythm.
00:38:23Should've known it only was a daydream.
00:38:28What did I expect?
00:38:31Giving you my heart.
00:38:33I just play it up.
00:38:35Baby!
00:38:36Hey!
00:38:37Hey!
00:38:38Lisa, let's get out of here.
00:38:39Let's go.
00:38:40Come on.
00:38:41Yo, this is flop.
00:38:42Right?
00:38:43What?
00:38:44Nikki, can you find me this and a medium, please?
00:38:47You look amazing.
00:38:49Oh, my God.
00:38:51Where's the guy?
00:38:52How's it going to be?
00:38:53We gotta go.
00:38:54Oh, I'm sorry.
00:38:55I love you.
00:38:56Love you, too.
00:38:57I'm sorry.
00:38:58Get back, get back.
00:38:59Yo, chill, chill, chill.
00:39:00Watch out.
00:39:01Come on, come on.
00:39:02Sorry, guys.
00:39:03Hey, you're back, you're back.
00:39:07Oh, wow.
00:39:10Please, I love you.
00:39:11It's the first time mommy will come see me.
00:39:13No, just get on the train and come on.
00:39:17Shh.
00:39:19Let me hear the sound.
00:39:20Mommy!
00:39:22Mommy!
00:39:23Hi, mom.
00:39:24Oh, I'm so glad you're here.
00:39:26You're beautiful.
00:39:27Oh, my God.
00:39:28You lost weight.
00:39:29I've got a surprise for you.
00:39:30Oh, okay.
00:39:31Yeah, I'll show you after the show.
00:39:33Come on.
00:39:34Okay.
00:39:39This is for you.
00:39:41What do you mean?
00:39:43It's yours.
00:39:45No, I can't believe this.
00:39:49Did you see what Lisa bought me?
00:39:51Oh, my God.
00:39:52Why did you do this?
00:39:54You know we were all saving up the bitch in and buy her car.
00:39:56I know.
00:39:57I know.
00:39:58I just wanted to do this for her.
00:39:59No, no, that's not the point.
00:40:00Why can't you just be proud of me?
00:40:02For once in your life, didn't you just say,
00:40:03I'm proud of you, Lisa?
00:40:05Why can't you do that?
00:40:07It kills you to think that I can leave and do something more
00:40:09and you're just stuck here.
00:40:10You don't know what you're talking about.
00:40:11Oh, my God.
00:40:14Look at her.
00:40:15Just let her have this.
00:40:19Mommy, look at this.
00:40:21The power's here.
00:40:23Oh, and check the glove company.
00:40:25Yeah.
00:40:33What is that?
00:40:34Well, what is that?
00:40:35This, this, this isn't.
00:40:38What is it?
00:40:39Well, thank you, God.
00:40:42Thank you, God.
00:40:45Glory to God.
00:40:49I bought the house.
00:40:50It's yours, Mommy.
00:40:53Oh, my God.
00:40:54Forever.
00:40:56No one can take it away from you.
00:40:58You don't gotta worry about anything ever again.
00:41:01Oh, my God.
00:41:03Oh, my God.
00:41:04My mommy.
00:41:05Well, everything's just perfect now, isn't it?
00:41:08Ah.
00:41:09Eladio.
00:41:11Eladio!
00:41:14I love you, but I can't be sitting around waiting for you.
00:41:18You heard?
00:41:19Okay.
00:41:20You know how my job is.
00:41:21And I told you, you can come on the road with me.
00:41:24You know, I'm not gonna follow you around like a little pet,
00:41:26okay?
00:41:27I'm a man.
00:41:28I know.
00:41:29I know you are.
00:41:30And I need to work, okay?
00:41:31And I've been trying to be supportive.
00:41:33Let me tell you something.
00:41:36When you're gone, I feel like my only job is to wait on the phone.
00:41:40Mommy.
00:41:41And I mean what?
00:41:42That's the only thing I've been doing these past few months.
00:41:45I'm surprised you remembered it was my damn birthday.
00:41:49Yeah.
00:41:50I told you.
00:41:51I'm working.
00:41:52I don't know how many times we have to have the same argument over and over again.
00:41:56Does working include letting a bunch of guys all up in your grill?
00:41:59What the hell are you talking about?
00:42:02Let them touch you?
00:42:03Feel all over you?
00:42:04Hmm?
00:42:05Is that what you like?
00:42:06Okay, I don't know where this is coming from, but you bugging me.
00:42:08Oh, yeah?
00:42:09I'm bugging?
00:42:11Stop.
00:42:12Javi, wait.
00:42:13Wait.
00:42:14What?
00:42:15What do you want?
00:42:16What do you want?
00:42:17What do you want from me?
00:42:18You want to be with me?
00:42:19Of course.
00:42:22Marry me.
00:42:25I love you.
00:42:26Okay?
00:42:27I do.
00:42:29I don't want to sit here wondering if you're mine.
00:42:36Baby, I'm yours.
00:42:38Yeah.
00:42:39Then marry me.
00:42:40Marry me or I'll go home, pack my things and leave.
00:42:43Because as is, this isn't going to work.
00:42:46It's your choice.
00:42:51It's your choice.
00:42:54Okay.
00:42:57Okay.
00:42:59Really?
00:43:01Let's get married.
00:43:03It's okay!
00:43:04Stop it!
00:43:05What?
00:43:06We're getting married?
00:43:07Are you out of your mind?
00:43:08What is your problem?
00:43:09Lisa, you guys are 20 years old.
00:43:12How do either of you know what a commitment is?
00:43:15You guys are just two kids playing house.
00:43:18Don't do this.
00:43:19Wait until you're older and out of this game.
00:43:22You don't understand, Eladio.
00:43:23Only time is the same thing.
00:43:24No, no, no.
00:43:25I understand plenty.
00:43:26You trust people when you shouldn't.
00:43:28Mommy, say something, por favor.
00:43:30Mamita, please.
00:43:32Why?
00:43:33Why do you want to get married so young?
00:43:35I love him, Mommy.
00:43:38Oh, you know it's love.
00:43:41Nana, you will find someone who will love you.
00:43:47You will.
00:43:49I saw it in my dreams.
00:43:52A man who will love you, who you will have children with.
00:43:56But it's not a hobby.
00:44:05Congratulations!
00:44:10Where do you want to go?
00:44:16I love you.
00:44:19Come on.
00:44:19Let's go.
00:44:22Say something.
00:44:23I love you.
00:44:24Lisa, Lisa of Lisa, Lisa and the Colt Jam began simply as Lisa, a young Puerto Rican
00:44:50girl who dreamed of being a singing sensation. That dream started to come true in 1985 when
00:44:56the music producer group went looking for a female lead and stumbled across the 16-year-old
00:45:01singer. In that same year, they renamed the band Lisa, Lisa and Colt Jam, producing three
00:45:07top-selling hits which brought the band to platinum status. Both Lisa and the band attribute
00:45:15their success to their streetwise sound. Lisa, Lisa has been compared with other top-selling
00:45:22artists such as Debbie Gibson, Paula Abdul, and even Madonna. Their most recently released
00:45:29album is purposefully called Straight to the Top, a place where Lisa, Lisa and Colt Jam
00:45:34hope to be for a very long time.
00:45:36Man, I'm glad I ain't got no sisters. Wake up. There they are.
00:45:48Okay, listen. Shaving is like farming. You gotta start with little strokes and go up each side.
00:46:00Like that. Can't believe you never did this before. Don't you have sisters?
00:46:07No. You got me now. Hello? Oh, hey, babe. Of course, I'm in my hotel room. Where else would I be?
00:46:21Oh. All right.
00:46:31Well, I'll be home in two weeks.
00:46:35Okay. I love you.
00:46:47He's going out with his boys again, huh? Yeah.
00:46:50It's the third time this week. I mean, I think it's funny how he always wants to know where you're at,
00:46:57but you never ask him where he's going. No need. I trust him.
00:47:01Javi! I'm home!
00:47:05Javi!
00:47:17Javi!
00:47:18Javi!
00:47:22You know, if Barry finds out,
00:47:38I know.
00:47:56Are you sure it was positive? Like, does your mom know?
00:47:59What'd she say?
00:48:08She said not to have his child.
00:48:14She said that he reminded her of my dad and...
00:48:18And reminded me what a mistake it was to marry him.
00:48:22I don't know.
00:48:22Maybe I loved him because I wanted a man to love me.
00:48:31My father didn't do it.
00:48:33Why don't you ever talk about your family?
00:48:47Ain't nothing to talk about.
00:48:48What do you do when you go back home? Where do you go?
00:48:54I got places.
00:48:58Look, I mean, most kids...
00:49:02Most kids have memories of being a kid.
00:49:05Like, happy memories of love and their parents and family, and...
00:49:11I just don't got that.
00:49:13And I'm okay with it.
00:49:14That's why I enjoy moments like this.
00:49:19Making new memories.
00:49:21Time with you.
00:49:22One of my best friends.
00:49:26One of your best friends?
00:49:27I better be at the top of that very short list.
00:49:31Miss Tony.
00:49:32That's why I should have never said nothing.
00:49:35Aw, you call me your best friend.
00:49:37You're so cheesy.
00:49:38That's why I don't open up to people, okay?
00:49:40Seriously, though.
00:49:44What are you gonna do?
00:49:48I can't have a baby.
00:49:51They'll lose everything, Tony.
00:49:53I'm gonna help you.
00:49:55Don't I mind me?
00:50:04Can you just...
00:50:05Can you just leave me all of it for a minute?
00:50:19Just a minute.
00:50:20Bye, Press.
00:50:21Time to get back to me, gotta go, yes I know it.
00:50:51I know she wasn't feeling well.
00:50:53She's good.
00:50:54You sure?
00:50:55Yeah, she's tired, that's all.
00:50:56So I think Javi's on the outs.
00:50:58Thank God.
00:50:59Hated that dude.
00:51:00Yo, what can I get for you?
00:51:02Bartender, let me get, um...
00:51:04Let me get a whiskey.
00:51:05Double.
00:51:06Oh, damn.
00:51:08You drink like a dude.
00:51:21You flirt like one, too.
00:51:27Excuse me, fellas.
00:51:29I've got some business to take care of.
00:51:38Oh no, come on, come on.
00:51:41Damn!
00:51:42Oh, Mike.
00:51:44Mike, man, she's stealing your girl.
00:51:46Again.
00:51:48I gotta use bathroom.
00:51:50Oh, Mary, snap out of it.
00:51:53Why am I paying a tab on time?
00:51:55I got it, I guess.
00:52:05Under the pale moon rising
00:52:08A minute to midnight
00:52:11Yeah, we know time is running out
00:52:15Never mind, keep on smiling
00:52:20Now, Lisa, it's important that you listen to what I have to say.
00:52:25Okay?
00:52:26Okay.
00:52:27We just got your results back.
00:52:29And, uh, it says that you have ductal carcinoma breast cancer.
00:52:36You'll need to start treatment right away.
00:52:39I have work.
00:52:41I have to travel for a few concert dates.
00:52:44I'm afraid that's not possible.
00:52:46If you don't treat it now, the chances of it spreading rapidly increase, limiting the chances of survival.
00:52:52Survival?
00:52:55Survival?
00:52:56Mm-hmm.
00:53:00I can't stop touring.
00:53:04I lose everything.
00:53:05Is there someone we can call?
00:53:07No.
00:53:08No one.
00:53:09No, no, I don't want anyone to know about this.
00:53:12Doctor, can we prepare a travel kit for her to do treatments?
00:53:18Yeah.
00:53:21I can coordinate with the hospitals in the city that she's traveling to and we can monitor her that way.
00:53:25That works.
00:53:29We can start your treatment tomorrow.
00:53:33A word with you, please.
00:53:34That is my face. Do you understand?
00:53:46I understand.
00:53:47All right.
00:53:48Hey, Mamita.
00:54:02I know.
00:54:04If I stop touring, it all stops.
00:54:08The music, the sponsorships.
00:54:13Then I just paid off my mom's car.
00:54:15Her house.
00:54:18No, I took advancements to...
00:54:23I took advancements to make that happen.
00:54:26And I can't, I can't stop.
00:54:30My mommy, my mommy's just gonna...
00:54:33She was so happy.
00:54:35She was so happy.
00:54:38I can't stop.
00:54:40You understand?
00:54:41I can't stop.
00:54:42We're gonna fix it.
00:54:43We're gonna fix it so that you don't have to stop, okay?
00:54:47You're gonna be okay.
00:54:50You're gonna be okay.
00:54:52We're gonna pray for you.
00:54:54Here, mama.
00:54:56Here, here, take this.
00:54:57Oh, yes.
00:55:03You're gonna be okay.
00:55:04By the way, my daughter, she loves your music.
00:55:15She does.
00:55:17She looks up to you so much.
00:55:19A lot of little Latinas look up to you.
00:55:22I...
00:55:24Listen, mama.
00:55:25You got this, okay?
00:55:28You're gonna be okay.
00:55:30You hear me?
00:55:32You hear me?
00:55:54Hey, come here.
00:55:56We need to have a meeting.
00:55:58I've been looking over the contracts and something seems off.
00:56:01You notice your pay?
00:56:03Uh, yeah, yeah.
00:56:04It's been a little life.
00:56:05I haven't thought about it.
00:56:06I'm exhausted.
00:56:07Can we talk about it later?
00:56:09Tony said that we should...
00:56:10Tony's not a part of this band.
00:56:14We need to have a conversation between us.
00:56:16And just us, Lisa.
00:56:17I gotta go, Mike.
00:56:19We need to do it soon!
00:56:23Look, I'm sick and tired of this, Alex.
00:56:26Tony.
00:56:28What is this?
00:56:29It's your paycheck.
00:56:31Thought I'd hand delivery.
00:56:32Why?
00:56:33What do you want?
00:56:35You're not one to beat around the bush.
00:56:37Maybe you are.
00:56:39I wanted to ask about friendship with Lisa.
00:56:42What am I friendship?
00:56:44The reporter was prying the other day, assuming she's a lesbian.
00:56:47You know, I corrected her, of course, but...
00:56:50Having those kinds of questions, it doesn't benefit anyone.
00:56:54It doesn't.
00:56:57Back off, Lisa.
00:56:59You down?
00:57:02Yeah.
00:57:03Yeah, I think so.
00:57:04Thanks.
00:57:13Hey, you got a lighter on you?
00:57:23Yeah.
00:57:25Let's make time for a chat over the break.
00:57:29I don't want to see everything slip away over one person.
00:57:33We'll have lunch.
00:57:35Okay.
00:57:43Here for your check.
00:57:59I'm gonna need an advance when those jobs rob were arranged.
00:58:02Sure.
00:58:03Got a few bills that popped up.
00:58:05Um...
00:58:07What upcoming jobs?
00:58:08I... I don't see anything.
00:58:09No.
00:58:10The commercial.
00:58:11I signed the paperwork a while back.
00:58:18Ah.
00:58:19Here it is.
00:58:21It seems like that deal fell through.
00:58:24What?
00:58:25Yeah.
00:58:26Did they say why?
00:58:28Client pulled out.
00:58:30No.
00:58:31No, that can be.
00:58:32I just spoke to them.
00:58:33I had a whole creative conversation about the commercial and what I wanted to do with it.
00:58:39They were excited about us.
00:58:43Look.
00:58:45I heard Barry said he didn't agree with the creative.
00:58:47And that was a deal breaker for them.
00:58:49So he turned down the commercial.
00:58:51Hmm.
00:58:54I'm so sick of this.
00:58:55I've had enough.
00:58:56Whoa, whoa, whoa.
00:58:57Get your hands off of me.
00:58:58Mr. Barry.
00:59:00How dare you?
00:59:01Excuse me?
00:59:04We are the band.
00:59:06You don't turn down a job without letting all of us decide.
00:59:10Okay.
00:59:12This is how the industry works.
00:59:15You signed the contract.
00:59:17You belong to us.
00:59:20We decide what's best or we find another band who will accommodate us as we need them to do.
00:59:32Go home.
00:59:34Get some rest.
00:59:35You look like hell.
00:59:38Yeah.
00:59:39Hold on.
00:59:40Lisa!
00:59:42Remember, there's plenty of girls waiting in line to take your place.
00:59:49Hey.
00:59:51Hey, yeah, no.
00:59:52No, I just had to give someone a little attitude adjustment.
00:59:54Uh-huh.
00:59:56Do you have a phone I can use?
00:59:58Sure, baby.
01:00:04This room right here.
01:00:06Lucas.
01:00:08We gotta talk.
01:00:10I stopped by accounting.
01:00:12I pulled up all contracts.
01:00:13And?
01:00:14Barry and Rocco turned down that commercial.
01:00:17Man, what the hell are we gonna do?
01:00:19I think we should bring in Toni.
01:00:21She's done this before.
01:00:22She's a backup singer.
01:00:23Period.
01:00:24Okay, do you have a problem with a female schooling you?
01:00:26That's your problem.
01:00:27Knock it off.
01:00:28Both of you.
01:00:29We need to figure out how to get out of these contracts before we tear each other apart.
01:00:33They the bad guys, not us, man.
01:00:35Yeah.
01:00:37Right.
01:00:38I know a guy who's done this before.
01:00:40I'm gonna give him a call.
01:00:41Oh, so we can call Toni, but we can call a stranger we barely know.
01:00:45Great.
01:00:46Lovely.
01:00:47Lisa, please.
01:00:48We need to figure out what we're gonna do first before we'll let him know.
01:00:50Yeah?
01:00:51What?
01:00:53There's a few execs at the label that are concerned with your friendship with Toni.
01:00:56Who cares if I'm friends with Toni?
01:00:59You just listen to her way too much.
01:01:01You don't like the fact that I'm close to her?
01:01:03Or that she's gay?
01:01:04What?
01:01:05That's ridiculous.
01:01:06You know how many gay musicians are out there?
01:01:08A lot.
01:01:09You have a lot on your plate.
01:01:11We just don't need another voice in your head giving you advice.
01:01:15Yeah.
01:01:16Come on, Lisa.
01:01:17This is our band.
01:01:18We started this together.
01:01:20Lisa.
01:01:21Hey.
01:01:22I like Toni.
01:01:23Okay?
01:01:24And I don't care what she does for her free time, you know, but...
01:01:29This...
01:01:31This could hurt us.
01:01:33No, it won't.
01:01:34Lisa.
01:01:35She's like a sister.
01:01:36She's my best friend.
01:01:38Come here.
01:01:39Time is money.
01:01:40Somebody do it.
01:01:41Just do it.
01:01:42He can be away.
01:01:43Listen.
01:01:44Stop worrying about Toni.
01:01:46And start looking into the contracts and how we keep losing money because of these guys.
01:01:59I told you.
01:02:00We don't need her.
01:02:01She's wet.
01:02:02Don't stab at me like that.
01:02:03How to get out of these contracts before we tear each other apart.
01:02:07We decide our band's best or we find another band who'll accommodate us as we need them to do.
01:02:13I'm a little pet.
01:02:14Okay?
01:02:15I'm a man.
01:02:16There are plenty of girls waiting in line.
01:02:17We started this together.
01:02:18There's a few execs that can learn better.
01:02:20It's not what you appreciate.
01:02:21I see how they move.
01:02:25The band's here to take you to the mall.
01:02:27Lisa, come on.
01:02:28Hey.
01:02:29I'll be right there.
01:02:30Lisa.
01:02:31What are you doing?
01:02:32Rocco says the place is packed.
01:02:34Thank you, Mio.
01:02:35I'm here.
01:02:36Nobody.
01:02:37Yes, please.
01:02:38I told you you're ready.
01:02:39Yeah, I said I'll be right there.
01:02:41I'm quieting too.
01:02:42I'm so much longer.
01:02:49This is a great turnout.
01:02:57I can't do this anymore.
01:02:58What?
01:02:59I need a break.
01:03:00All right.
01:03:01You'll get a break soon.
01:03:02I promise.
01:03:03No, now!
01:03:04Girl, you better calm down.
01:03:05I said you will get a break.
01:03:07All right?
01:03:08The sooner you start, the sooner you will finish.
01:03:11Get back to work.
01:03:17Hey, I'm sorry about that.
01:03:19That should never happen, but, you know.
01:03:20That's right.
01:03:21Hi.
01:03:22Thank you so much for your patience.
01:03:24Oh, this is such a good picture.
01:03:25Come on, Lisa.
01:03:26I've been waiting all day.
01:03:27Hey, can I please get a kiss?
01:03:28I'm sorry.
01:03:29No, it's an autograph, okay?
01:03:30I'm sorry.
01:03:31No, it's an autograph, okay?
01:03:32I'm sorry.
01:03:33Just an autograph, okay?
01:03:34Sorry.
01:03:35Just an autograph.
01:03:36No, man.
01:03:37Oh, we good?
01:03:38We good?
01:03:39Oh, sorry.
01:03:40What the hell is this?
01:03:41I'm sorry.
01:03:42I'm sorry.
01:03:43I'm sorry.
01:03:44I'm sorry.
01:03:45No, man.
01:03:46Oh, we good?
01:03:47We good?
01:03:48What the hell are you doing, Tony?
01:03:50What?
01:03:51You can't be letting dudes get all grabby like that.
01:03:52These are fans.
01:03:53They're the reason why we're here.
01:03:55We can't be handling things like this.
01:03:56What the hell is that supposed to mean?
01:03:57It means how we gotta be more thoughtful,
01:03:59how you handle situations, Tony.
01:04:01Not everything is a confrontation.
01:04:03What the hell is the matter with you?
01:04:05You've never had an issue before, all right?
01:04:07You look tired and, I mean...
01:04:09Okay, you don't want to talk.
01:04:11You know what?
01:04:12I don't need this, all right?
01:04:14Because all I was doing was making sure you were all right
01:04:16like I always do.
01:04:17Oh, you don't.
01:04:18Don't check on me for once.
01:04:20I already have a brother.
01:04:22I don't need another one hovering over me.
01:04:24You good?
01:04:25Yeah.
01:04:26I'm good.
01:04:27Just tired.
01:04:29I know.
01:04:30What's going on?
01:04:31What's going on?
01:04:32Yeah, I'm good.
01:04:34I'm just tired.
01:04:35I know.
01:04:36What's going on?
01:04:37you good yeah I'm good just tired I know what's going on
01:04:57oh running style nice this manos what is lame-ass Tony riding with us to the show for I don't know man
01:05:16ask Lisa what you asking me for mind reader
01:05:27why aren't you listening to Rocco the label doesn't want her around and she's messing with
01:05:33our money I invited her Mike yeah and that's the problem you keep making all these decisions
01:05:37without consulting the group and we're sick and tired of it right Alex guys listen look I'm a
01:05:42lover not a fighter all right can we just talk about it later right now we just need no we can't
01:05:47talk about it later I was gonna keep this between just us but I had a lawyer look over everything
01:05:53and those contracts that we signed for Rocco in charge of everything he screwed us
01:05:59nah you screwed yourself I already told you the music game you either hustle or you get hustled
01:06:06and you got hustled yeah just like your daddy be hustling you right who the hell you talking to
01:06:13I'm talking to you I'm saying this is the biggest night of our careers and you guys are wilding in a
01:06:28damn car
01:06:40man what are we gonna do about these contracts nothing what do you mean nothing those contracts
01:06:44are signed we signed them I just bought my mama house my brother our car I'm paying for my sister's
01:06:51college that can all go away tomorrow like that let's just ride this wave until we can renegotiate
01:06:58because I ain't going back to folding sweaters in the stockroom you hear me
01:07:28you can't fight everybody Tony you're lucky Barry wasn't there me I don't care about Barry
01:07:39all right he's the one that started stop stop I can't handle this handle what the truth I've been
01:07:45saying the same thing over and over and over now what's happening now it's a problem what is up with
01:07:51you you've been acting different from once now you never acted like this I always kept it real with
01:07:56you he in fact has been talking to me crazy and I'm not gonna keep around with it you don't know what
01:08:01the hell you're talking about Tony okay maybe I can stick up for myself do it the rise of hip-hop
01:08:12and electronic dance music is forcing the freestyle genre to fade
01:08:16I'll be back in a minute to check on you
01:08:36it's Lisa Lisa
01:08:41hi
01:08:43she's killing it right
01:09:05I'm gonna see what you got
01:09:06yeah that's it
01:09:11nah keep going
01:09:12what's up I stopped about to get my chick
01:09:19ain't no way to rehearsing
01:09:20who's that she's cute
01:09:23Tony
01:09:25do you have a minute
01:09:28come on me in a bit
01:09:29you
01:09:31you
01:09:36you
01:09:38you
01:09:41you
01:09:44you
01:09:56I don't know what's going on.
01:10:05I don't know what the cat is doing.
01:10:09I don't know what the cat is doing.
01:10:13I don't know what the cat is doing.
01:10:16It's really good.
01:10:18Look where the cat is doing again.
01:10:20I need a job, man.
01:10:31Is that all you need?
01:10:37Hey!
01:10:40I told you.
01:10:43You'll be back.
01:10:50This love we have could be real, let me show you how I feel, oh boy, we can make it, we
01:11:03can make it work.
01:11:05Hey, that was good.
01:11:06I want to do it one more time, okay?
01:11:07Great job.
01:11:08Hey, look who's back.
01:11:10It's so good to see you, Lisa.
01:11:12You look terrible.
01:11:16You're not pregnant, right?
01:11:17Shut up, son of a while.
01:11:19Who's that?
01:11:20Um, don't change anything.
01:11:22That is, um...
01:11:24Spanador?
01:11:27Mike.
01:11:28Mike!
01:11:30Lisa, hear me out.
01:11:32Where's Stoney?
01:11:34Where's Stoney?
01:11:38Lisa!
01:11:42I told you.
01:11:48Barry!
01:11:49I'm gonna have to call you back.
01:11:52What happened to Stoney?
01:11:54I was gonna explain it to you.
01:11:56Who the hell said to let her go?
01:11:57It was a group decision.
01:11:58I'm a part of this group.
01:12:01Stoney's toxic, okay?
01:12:03She's violent.
01:12:04We do not need an individual like that on the road.
01:12:07She's a liability.
01:12:07I need her.
01:12:08I need her on the road.
01:12:10I-I want her back.
01:12:11No.
01:12:12What?
01:12:13It was a management decision.
01:12:15I'll just go bring her back here.
01:12:16You know, if you go after her, I have to believe that you are not serious about your career.
01:12:22You could lose everything you have worked for.
01:12:26And for what?
01:12:28Some lesbian?
01:12:28How dare you?
01:12:32What does it matter who she sleeps with or who she is?
01:12:38You don't like Tony because she sees through your lives.
01:12:43Mm-hmm.
01:12:43You don't like her because she teaches me about snakes like you.
01:12:49I'm not gonna go on without her.
01:12:53Period.
01:12:54Whoa, whoa, whoa, whoa.
01:12:55You're from the ghetto.
01:12:57You never graduated from high school.
01:12:59You cannot make it in this business without someone like me.
01:13:11Watch me.
01:13:13Have you seen Tony?
01:13:27Can I get a picture?
01:13:28I'm sorry, girls.
01:13:28I can't find you.
01:13:31Lisa?
01:13:32Why are you looking for Tony?
01:13:34Is she using again?
01:13:36I didn't know she used.
01:13:37You don't want to know she used?
01:13:41Maybe not.
01:13:42Well, Pops, she's using again.
01:13:44She'll be with him.
01:13:44He's a drug addict pimp.
01:13:46Living somewhere in the projects.
01:13:48If you find him, you'll find her.
01:13:51Thanks.
01:13:52Hey, Lisa.
01:13:53You gotta save her.
01:13:55If she stays in the projects,
01:13:56she'll end up just like her father.
01:13:59Music's all she has.
01:14:03Can we just get an autograph?
01:14:04Get out of the way!
01:14:05Hey, Lisa!
01:14:06Be careful.
01:14:08Project's no place for a girl after sunset.
01:14:12Yo, I don't think she's breathing.
01:14:15She'll be all right.
01:14:18I don't know, B.
01:14:19We need to do something.
01:14:21This your daughter, man.
01:14:23It's a grown-ass woman.
01:14:25She ain't did nothing she ain't want to do.
01:14:27Tony!
01:14:28What the hell is that?
01:14:29Tony!
01:14:29Are you here?
01:14:31Hey, get the piece, man.
01:14:32Tony!
01:14:32Hold me down.
01:14:34What the hell are you doing here?
01:14:38You hear me talking to you?
01:14:39Tony.
01:14:40Tony.
01:14:41Tony.
01:14:41Hey!
01:14:42Tony!
01:14:43Tony!
01:14:43Tony!
01:14:44No, no.
01:14:45Get up.
01:14:46Get up.
01:14:47She's barely breathing.
01:14:49She ain't going nowhere.
01:14:54She's gonna die.
01:14:56We all gotta go sometime.
01:14:58But you?
01:14:59You ain't going nowhere, Baudicua.
01:15:01There are off-duty police officers waiting for me outside.
01:15:14If they come over here, and they spot that pile of cocaine you got there,
01:15:20they're gonna pick you up for the multiple warrants you probably have,
01:15:24and you will die in prison.
01:15:26You hear me?
01:15:27You hear me?
01:15:31Don't get outside.
01:15:39Having babies don't make you a father.
01:15:42Caring for them does.
01:15:45You ain't no father.
01:15:48Hey, Baudicua.
01:15:50Don't ever let her come back here.
01:15:52What day is it?
01:16:16Tuesday?
01:16:17You've been out all night.
01:16:24Oh.
01:16:27This?
01:16:30It's the latest in accessories.
01:16:32The chemo pack.
01:16:33I've had her for a while.
01:16:40Doc told me after...
01:16:44Javi and I split up.
01:16:49But why?
01:16:51Why didn't you say anything?
01:16:53I didn't tell anyone, because I was...
01:16:56Scared of losing everything.
01:17:04Scared of losing everything.
01:17:07You know, when I was a kid,
01:17:09I would...
01:17:10stand on a chair in the kitchen
01:17:12and just dream I was on a stage singing.
01:17:15You know, that I was the one
01:17:19coming out of Radio City Music Hall
01:17:20in a limo.
01:17:24That I would take care of mommy
01:17:26and that I would make...
01:17:28Elaglio proud.
01:17:30They'd see me all successful.
01:17:32For a while, it felt like
01:17:38everything we were living
01:17:40was that dream.
01:17:46And the moment
01:17:47anyone said cancer,
01:17:50I would...
01:17:52I would just lose it all.
01:17:57That everything would be gone.
01:17:59You know, the tour, the bands,
01:18:01the money.
01:18:02You?
01:18:08I was terrified of losing you.
01:18:12And I was so angry at you.
01:18:17Why did you do that?
01:18:20I once...
01:18:23I asked the junkie...
01:18:28How did he start getting high?
01:18:30This guy was a track star.
01:18:33He...
01:18:34I don't know.
01:18:35He ended up...
01:18:36strung out in the projects
01:18:38most nights.
01:18:40But he said,
01:18:40when you spend your life...
01:18:44being numb...
01:18:46drugs help you to feel something.
01:18:52And I guess I just...
01:18:53I just wanted to feel something.
01:18:54I mean, selling rock for my pops,
01:18:58it was never about the money.
01:18:59I just wanted him to love me.
01:19:05Tony...
01:19:06I guess I just...
01:19:08I gotta accept the fact
01:19:10that he'll never be able to do that.
01:19:12You can't force anyone
01:19:17to love you the way you want.
01:19:20I know that.
01:19:23Now.
01:19:26Do you?
01:19:27You're my best friend.
01:19:39My sister.
01:19:40My family.
01:19:43I don't ever want to lose you.
01:19:46You won't ever lose me.
01:19:48You got that?
01:19:53Then no more secrets.
01:19:54Because sisters don't keep secrets.
01:20:03Okay?
01:20:08No more secrets.
01:20:10I think there's one more person
01:20:12you need to tell.
01:20:16Lisa!
01:20:17I've never seen her long before!
01:20:21My...
01:20:21My...
01:20:22My...
01:20:22It's been so long
01:20:25since I've seen you, baby.
01:20:28What are you doing here?
01:20:29I'm sorry, Mommy.
01:20:32I've been busy.
01:20:34I have so much to tell you.
01:20:36But what are you doing Saturday night?
01:20:38It's been so long.
01:20:50it's been so long.
01:20:51I think...
01:20:51we did it, Mom.
01:20:55We did it, Mom.
01:21:06Yes, we did.
01:21:25Oh, hey.
01:21:33Hi, Mommy.
01:21:34Baby.
01:21:35I got you seats in the front row.
01:21:37We'll eat after, yeah?
01:21:41Mm-hmm.
01:21:43Yeah.
01:21:46Yeah, baby.
01:21:47You're so beautiful.
01:21:55Yeah?
01:21:57It's time.
01:22:02I'll see you later.
01:22:03Yeah.
01:22:05Hey, I got you something.
01:22:10What?
01:22:13I thought I lost them.
01:22:15It was in some of the boxes from when you moved.
01:22:18I figure you might need it since you never went anywhere
01:22:21without them.
01:22:34Lisa?
01:22:37It's not that I didn't think you could take the D train alone
01:22:40or pay for Mama's bills.
01:22:45Or do all of this.
01:22:49I just...
01:22:51I wanted to be the one to do that for you.
01:22:53I...
01:22:56So you didn't have it as tough as I did.
01:22:59I just...
01:23:01I wanted to be the one to take care of my little sister.
01:23:09I know.
01:23:11And if I never told you this...
01:23:15I've never been more proud of anyone in my entire life.
01:23:18I...
01:23:19I love you, sis.
01:23:23Oh, yeah.
01:23:24So...
01:23:25And...
01:23:27What?
01:23:28I want to see that guy.
01:23:30I don't know.
01:23:35I want to be the one to take care of my little sister.
01:23:37Hello, New York. Are you ready for this?
01:24:07I'm Lisa, Tony.
01:24:37We're going to do this my way. We're not at all.
01:25:07Don't you have sisters? You got me now.
01:25:14Oh, now you know I'm broken, all this life you turn to go.
01:25:28It's best to love. Oh, my life, my life.
01:25:34Aw, you're going here, best friend. You're so cheesy.
01:25:38Can we stay in love, New York?
01:25:40Are you ready for this?
01:25:41Can you feel the beat within my heart?
01:25:43Can you see my love shine through the dark?
01:25:45Can you feel the beat within my heart?
01:25:47Can you see my love shine through the dark?
01:25:49Can you see that you must be a part of that beat in my heart?
01:25:52Tony, Tony, get up, get up!
01:25:55That beat in my heart, that beat...
01:26:00Let's go! Let's go!
01:26:05Yeah!
01:26:06You're my best friend. I don't ever want to lose you.
01:26:19You want to know about my life?
01:26:22Well, here you go.
01:26:25See you soon, you'll be back.
01:26:27You'll be back in another day.
01:26:32Oh, yeah. You'll be back in another day.
01:26:38Oh, yeah. You'll be back in another day.
01:26:42Oh, yeah, yeah
01:26:46You'll be back to death
01:26:49You can back away
01:26:54It will be alright
01:26:59It will be alright
01:27:12When you feel the world is taking over
01:27:33And it seems life is too much
01:27:37When it seems so hard to make tomorrow count
01:27:45You can back away
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