- 7 hours ago
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00:00The End
00:30The End
01:00The End
01:29They don't want to meet with you. They say that the situation is already clear.
01:34Why? What's clear?
01:34You've got some significant debts yet to settle. We can't keep exposing the bank further.
01:40And how do I start fixing all that?
01:44Bring your husband back to his senses. Try to convince him to sell. The magazine's financial situation right now. It can't be saved. I'm telling you this as a friend, more so than as a manager of this bank. And you're at risk of losing your house, too, because he put a lien on it. I can help if you'll take advice. I can find buyers who will be willing to pay quite well for it. And then your life goes on.
02:06Nothing. They wouldn't even let me come in and talk. They only said we'd better sell it.
02:23Don't let it upset you. Sarah will come up with something soon and give us instructions. And in the meantime, we'll prepare the new issue.
02:29Seems to me you don't come up with many great ideas on your own.
02:32We've managed to cut a few new ideas, actually.
02:34Mm-hmm.
02:35The Marquis Aneska Satistampa? Her husband just murdered her.
02:40She wanted to leave him for her lover, so her husband shot them both. Then he killed himself.
02:46Yes, I know. It's all anybody's talking about.
02:48Then you also know that the Marquis made her take naked photos in some rather, let's say, strange poses, I guess. And to have sex with whoever he chose.
02:55So we can get the Marquis's racy photos out of there somehow. There's nothing stopping us from publishing the next...
03:00Please tell me you don't actually let the sales managers decide what to publish here.
03:03Bianchi has a contact inside the family who'll bring them to us. Obviously, he wants a lot of money. But in this case, let's pay his price.
03:09I just don't want us to speculate about a murder. Our magazine has to be above all that.
03:16Mrs. Balsamo, if you don't let us publish, there won't be any kind of magazine at all anymore.
03:22All right then, miss. How many centimeters was it? Can you quantify it, please?
03:27Why are you asking something like that?
03:29Please don't raise your voice.
03:30I'm just trying to report a sexual assault, and you're here asking me what I wore and why I walked home alone? Really?
03:35I asked you by how many centimeters did the defendant's penis enter you.
03:39That's pretty crass.
03:42Hey, I have to ask. If it was below a certain depth of penetration, it isn't considered to be a sexual assault.
03:48Then it's merely considered a crime of lust. That's what the law says. I'm just following the law.
03:52Fine, but some compassion wouldn't hurt.
03:53But she's the one who told me she'd even posed for that pornographic magazine.
03:56That's not at all what I said. They stole them. They're private photos. Do you get it, or are you just stupid?
04:01Careful, or I'll write you down for harassing a public official, huh?
04:04No, you're only going to write down exactly what the lady says. Nothing more.
04:07And just take her word for it?
04:10They couldn't care less anyway. Let's take off.
04:12Should I just delete the whole record?
04:13No, stop there.
04:14Miss, listen.
04:16This report is still valid.
04:18If you please finish it.
04:19Tell me, you're not good.
04:39Tell me your name, what do you mean?
04:42Tell me your name.
04:44Tell me.
04:44What?
04:45Tell me, I'm good.
04:47Tell me.
04:47Tell me.
04:48Hey, Elsa, how are you?
04:59Just what is he doing here?
05:01Settle down, please, Elsa.
05:02They know that you filed a report.
05:03They have a proposal now.
05:05Sit down here.
05:07Listen to what your father has to say.
05:14Explain it all to her, sir.
05:16Yes, technically speaking, it's what's termed...
05:18the Matrimonial Reparation Clause.
05:20So in cases where a man, so to speak, loses his mind,
05:23then the law allows him a means of reparation
05:26by agreeing to marry the woman in question.
05:30So marry him, right?
05:31Yes, the man marries the woman,
05:33and then he provides for her, as a husband does.
05:37And that way you restore your honor,
05:39and as for him, he would then be absolved of any crime.
05:43Elsa, I really love you so much...
05:50Stop it right now!
05:51Leave me alone, Kay.
05:52Every last one of you's demented!
05:54Ma'am, here are the invoices you asked for.
06:09Listen, Lella, can I ask you a quick question?
06:11Go ahead.
06:12Well, no women work here in our office,
06:14apart from the models and from me.
06:16What's your opinion of playmen?
06:24My own?
06:25Yes.
06:28Hey, sorry.
06:29Uh, Lella, it's the typographer on the phone.
06:31It's urgent.
06:31I'm sorry, there's just a lot to sort out these days.
06:34I better get going.
06:36Okay.
06:37What do you mean you have to get married?
06:41No, I'll be dead before I agree.
06:42Come on.
06:43Then let's just leave.
06:45We'll move to London, both of us, okay?
06:47Leave this piss-pot of a town behind us.
06:51But how'll we get to London with money for one ticket between the two of us?
06:56Then you can go first.
06:58Don't worry, I'll come there soon, too.
07:00No, I'd never just leave you.
07:04So what, then?
07:05What'll you do?
07:07Ma'am, hello.
07:16Look what I just got.
07:17A special delivery sent over by Sarti.
07:19If you take a look, you'll see they're broken.
07:22Bianchi, are you fixing cameras for photographers now?
07:24I wish that was the case, ma'am.
07:26No.
07:26It would be a very helpful skill because we can't afford new ones.
07:30Like we can't afford to pay the editors, the graphic designers, or Lella.
07:33They haven't been paid for two months.
07:35I really do pity the woman.
07:37This is no place for someone with blinders on.
07:40I know, but you were also being a bit harsh before.
07:42Excuse me.
07:43She suddenly found herself left with no money and her husband gone?
07:49Here.
07:49We all play the roles we've been given.
07:59It's better for everybody to face that.
08:04Sure, copy that.
08:05Sweetie, tell Marie that she can leave you on your own now.
08:17It's okay.
08:18You're there with your sister.
08:20There's pasta in the fridge.
08:22Yes, honey, listen.
08:23Tell Marie that it's just not possible for us to keep her employed.
08:25Yeah, I won't be long.
08:29I hope so.
08:30See you.
08:35Hello, good evening.
08:37I wanted to arrange a quick sale of my cars.
08:40One's a Lamborghini Miura.
08:42And one's a Mercedes 1968, a convertible.
08:45Excuse me, but that lady from the Mondrioni is here and wants to talk to you.
08:53Want her gone?
08:53No.
08:54I'm gonna call you right back.
09:08What happened to you?
09:09Guess what happened after my photos got spread by you.
09:13Let's go into my office.
09:14What for?
09:15Worry that everyone will hear, huh?
09:16Well, I'm not afraid to say it here.
09:19It's all your fault what happened, got it?
09:25They want the rabies tonight to marry each other now.
09:28No way.
09:30I need money so that I can get out.
09:34Well, right at this exact moment, it's...
09:36It's difficult now.
09:40But maybe I can write you a check.
09:42Has she got crazy?
09:42No, she can't.
09:43Uh, sorry, can...
09:44Please, just inside, ma'am.
09:46You keep quiet, huh?
09:46Stay here.
09:48You can't give her any money, ma'am.
09:50If you do, it'll never end.
09:51She's just gonna go on asking you for more.
09:53Not to mention the legal problems.
09:54This will doubtless cause the magazine and yourself, too.
09:57What kind of legal problem?
09:58If she reports to the authorities that you wrote her a check for this, it's going to seem like it's an admission of guilt on our part for whatever occurred.
10:05Assuming anything really happened to her, of course.
10:07What the fuck are you saying?
10:08Hey, don't push my buttons, young lady.
10:10Bianchi.
10:11Don't give a penny to this crazy woman, all right?
10:13You're a piece of shit.
10:14This is all such complete bullshit.
10:16Right, whatever.
10:17Fuck you guys.
10:17You're a piece of shit.
10:47Hey.
10:53You want to be the housekeeper here?
10:57I think I may lose my house.
11:00The magazine's going bankrupt.
11:02And a girl I didn't listen to was sexually assaulted.
11:05And I can't help her now, either.
11:08That's where I'm at.
11:11So perhaps a job will be just what I need.
11:14Nothing I try to do is ever enough.
11:16Maybe I just let myself down again.
11:20There are...
11:22Some days I feel I let myself down.
11:26There's a young lady in there.
11:29She's newly married.
11:31And she came to me in embarrassment.
11:34It seems she's got issues with her husband.
11:35She locks herself up at night.
11:37He can't get anywhere near her.
11:38I don't understand what you want from me.
11:42What am I going to do?
11:44No.
11:46Rocco, please.
11:47No way.
11:47Give me a break here.
11:48Well, it's got to be better than a man's advice, right?
11:50If Mama finds out, you're in trouble.
12:01If Mom hadn't just fired Maria, I'd be going here alone.
12:04Hi.
12:05Hi.
12:05Here, hand them all out.
12:15And we'll need you guys protesting at the university, too.
12:17Are you and that girl dating?
12:21If only.
12:22Oh, good.
12:23You're finally here, Lorenzo.
12:25And you brought your little sister.
12:27She'd be alone at the house, so...
12:29I wasn't poking fun at you.
12:30It's pretty sweet you care.
12:32And besides, we need the help, right?
12:34We're going to occupy, man.
12:35You'll occupy what?
12:37No, what did I say?
12:37No talking here.
12:39One minute.
12:43We decided to tax ourselves to finance the occupation.
12:46We want to invite some guest speakers, too.
12:48Okay.
12:55Everyone according to his pocketbook, huh?
12:57Don't you think?
12:59It's not appropriate to discuss such things.
13:11It's just not done.
13:12Clotilde, don't worry, okay?
13:15Talk like you would to a priest.
13:18I don't know whether or not I'm actually any good.
13:21Whether I can make sure he's been...
13:24Well, fully satisfied.
13:26But he's not the only one.
13:30You're there, too.
13:31You can ask him for the things you'd like, too.
13:34In what way, sorry?
13:36For example, if you like being kissed in the neck or belly,
13:38then just tell him.
13:39No.
13:40Tell him all that.
13:41So he knows how to bring you pleasure.
13:43No, I couldn't talk about that.
13:47Does he ever touch you?
13:48You're a pervert, aren't you?
13:52Shame on you.
13:53That's disgusting.
13:54That's disgusting.
13:54I took care of him.
14:16I'm going to take you to school today.
14:46Instead of the driver.
14:47That way we can spend time, just us.
14:49Morning, Camila.
14:50Good morning.
14:51Mrs. Balsamo.
14:53Oh, hello.
14:53Your husband, has he returned?
14:55I asked because I saw him the other morning leaving with a briefcase and he seemed to be in a hurry.
14:59Well, yes, he left a couple of days ago.
15:01What about your driver? Has he left too?
15:03No, he passed on.
15:05Oh, poor man. What did it?
15:07His curiosity did.
15:12Mama, it's a bus.
15:13Oh, sorry, we can't miss it.
15:16Come on, girls.
15:24Girls, come on.
15:25We're going to put it in his line.
15:26We're going to put it in his line.
15:29All right, brother.
15:30This could be on the front page.
15:31We're going to put it in his line.
15:36Mrs. Balsamo.
15:38Good morning.
15:38Good morning.
15:39He got the photos out, Bianchi's contact with the Casatis.
15:42He was their butler.
15:44He's upstairs with Lella right now.
15:46Just let me know what you want to do.
15:47All right.
15:48All right.
15:48All right.
15:48And this is everything, right?
16:12Where did you try hawking a few elsewhere?
16:16That's all the ones in the house.
16:17They're all exclusively for you.
16:19And that's not all.
16:24This is her diary.
16:26With all their perversions.
16:30Let's work out a price that gets you both of them.
16:32Okay.
16:32I'll find another buyer in no time if you have second thoughts.
16:54This is far too little, ma'am.
16:56It's all the cash I have.
16:57And no one will offer you any more.
17:00You madwoman?
17:01Yeah.
17:03I am, yes.
17:04You need someone who's mad to publish these photos.
17:08No one else is going to buy them.
17:15All right, then.
17:16The photos are yours.
17:24We'll make it big with these photos.
17:26Seems she also liked them big, didn't she?
17:31Anyhow, for the front cover,
17:32I say we use the second photo where you see her from behind.
17:35That way we're playing on the idea of what they'll find once they open the magazine.
17:39Playing, playing games.
17:40What kind of games exactly, huh?
17:41They were sensual, ironic.
17:43Let's use forbidden in there.
17:44We could call this issue forbidden games.
17:46How's that?
17:47Hmm.
17:48What about the diaries, though?
17:49Nobody's interested in their diary entries.
17:52Stop it there, please.
17:52Enough.
17:53No, no, no.
17:54Go on.
17:54Listen, you decided you would buy all these.
17:56Nobody forced you.
17:57Yes, I know.
17:58But now that I've seen them, it's obvious that these photos are private and the woman's dead.
18:03Then can I assume you have another way for us to get all our debts paid?
18:07We can explore other directions.
18:08For example, you did some great work interviewing Pasolini in the issue about Madrione.
18:12We don't have the time to debate this anymore.
18:14That woman knew exactly what she was doing, right?
18:16And so what?
18:16Well, she probably should have been less indiscreet, then.
18:21She didn't deserve to die like that, no matter how she posed.
18:26You can pay all of last month's salaries with this.
18:29They might not know much about how to run a magazine, but I know how to manage finances.
18:33If you'll excuse me, I still have a lot to do.
18:46I wasn't sure this was the right place to find you.
19:06Well, what do you want?
19:08No one will protect you way out here.
19:10Well, I come here in peace.
19:13And I'm sorry for what happened to you.
19:16I'd really like to help, however I can, if you'll let me.
19:21Help me now, huh?
19:22I could use some help at the office.
19:25And they all agree with you?
19:27You'll have legal problems if you pay me, right?
19:29It's the boss's choice, and I say yes.
19:32Just to be clear, the pay isn't going to be very high.
19:35But it should at least let you pay rent somewhere else so that you can leave this place.
19:40So what? Then I'm supposed to pretend we're good?
19:42Just think about it.
19:44This way you don't have to get married to him.
19:47There are fates plenty worse.
19:49In the end, being married is like any other.
19:51There are fates plenty more.
19:57Oh, my God.
20:00There are fates plenty.
20:02Oh, my God.
20:08Oh, my God.
20:12Oh, my God.
20:13Oh, my God.
20:15Oh, my God.
20:16I'm running in my own, thinking we are alone.
20:19But I need you, I'm gonna feed my soul.
20:23I can't feel all the deep and scratch, but I need you, I'll give you the light in the moon.
20:31I wanna tell you, I wanna tell you what's up.
20:39Jim and Tonic.
20:42You're not why I'm here.
20:44I came here to see somebody.
20:47It's alright, I won't, I won't embarrass the boss, so...
20:52Sorry, but it's just better to be straight about it.
21:02You know when I made the decision to try photography?
21:05Five years ago.
21:07Right after reading your article on Hopper.
21:11It was about how your light gets used and the composition of all the images, too.
21:15Had too many drinks, seems like.
21:22I really mean it.
21:29So please don't treat me that way.
21:31I don't deserve it.
21:32Luigi, this is for you.
21:36It's on the house.
21:37Ah, thank you.
21:39Well, is it true you work for Playmen?
21:43Well, yeah.
21:45I'm a photographer.
21:47Maybe one day soon...
21:49We'll take some photos.
21:51You'll see that I'm really photogenic.
21:58You want to speak with me?
22:13That new bride reported me for obscenity or what?
22:16Well, actually, she came here to thank you.
22:19Oh, yeah?
22:19I don't know what you said, but it seems the word got out.
22:22This morning, we will once again pit two people with starkly opposing views against each other to spark one of our...
22:40Chartreau in yet?
22:41I need to talk to him.
22:41Today, we have Mr. Mario Chartreau, the creative director of the magazine Playmen.
22:46Hi, good morning.
22:46And then Mrs. Maria Masi, representing the feminist collective called Donne Libre.
22:52Hi, everyone.
22:53Mrs. Masi thinks that your magazine is degrading and depicts women as things.
22:57Well, because what they do is completely archaic and misogynistic.
23:00It's men comitifying the bodies of women.
23:02That's right.
23:03Actually, ours is an erotic magazine that also focuses on culture.
23:06You make pornography, and what's even worse, you're also fascist.
23:10Look, I assure you that our staff is comprised of people of all political viewpoints.
23:13Are you denying having been part of the Dejima Mas?
23:16No.
23:20I don't deny it.
23:21I was part of the Dejima Mas.
23:23I know how fascists operate, so you can take my word for it.
23:25They have much more in common with you than me.
23:28Please, everyone stop.
23:31Stop it, please.
23:33It seems we Italians have some problems anytime sex is involved.
23:36Instead of relaxing us, it pisses us off.
23:38I had bigger breasts because I was already pregnant when I was your age.
23:51Come here.
23:54How's that?
23:56Make it a bit smaller through the front, and...
23:59You'll look beautiful.
24:06Listen, they've been generous to make us this kind of offer.
24:09You can keep on living here without any scandal, with your heads high.
24:13You're my one and only priority here, Elsa.
24:16Let people talk.
24:17I don't care.
24:17And you're not the first woman who's had to endure.
24:22It's women's lot.
24:24In a world full of men.
24:28Etoure made a mistake.
24:29But he does truly love you.
24:32He wants to give you a good life, and to make you happy.
24:34Humans live long lives.
24:40Some things you can still hold on to.
24:43And you can have children.
24:52The broadcast was splendid.
24:54If I'd been told it was that feminist nutjob Masi, I never would have gone.
24:58She's so obtuse and arrogant and totally ignorant.
25:01But she's a pretty sharpshooter.
25:03And you came to pick on me, then?
25:05That too.
25:06Also to say that I've got an idea for the next print to run by you.
25:09So we won't need the Quesadis photos.
25:11Well, have a seat then, ma'am.
25:13Oh, thank you.
25:14It's about speaking to the female readers,
25:16but not about the types of things that other gossip columns or fashion rags do.
25:20We'll talk sexuality.
25:21And eroticism.
25:22And couples.
25:23But we'll admit nothing.
25:24A raw and real slant.
25:25Do another feminist digest?
25:27No, because those already exist, right?
25:29We should approach a segment of the public that no one is satisfied.
25:32Namely women who want to have some fun,
25:34and who want their lives to feel amazing.
25:36But without any taboos, without hypocrisy,
25:38and without coming up against any politics, either.
25:41How do we actually reach this section of the public, then?
25:44By writing about the issue of virginity on a woman's first time.
25:47And we can call it the erotic bride.
25:49With all due respect, huh?
25:50This is playmen.
25:51Mm-hmm.
25:52We sell it to men, and they want to see tits and asses.
25:54That's all.
25:55You could write the article about virginity then,
25:57and it'll be like the one you wrote about Quesad and the loss of innocence.
26:01What do you think?
26:03I don't know, but I'll bring my research on this to you guys.
26:06Maybe I can start from Milton's Paradise Lost and just go from there.
26:09Milton, nice.
26:10Then I can play with shades of red and white for the art and graphics.
26:13But Mrs. Balsamo, with the Quesadis, it's much safer.
26:15We'd make a lot of money, which is not only good for the magazine,
26:19but for you as well, for your children, so you can keep your house.
26:22Do you want to show your husband that you're capable of being a director?
26:25Then this here is your chance.
26:27Don't put the farm in this idea of yours.
26:29Listen, you're right.
26:30The erotic bride is taking a leap of faith.
26:32But remember that I'm way over having to prove that I'm worthy to anyone, including Sorrow.
26:37As you wish, then, ma'am.
26:39But you only have 12 hours before the deadline.
26:42Or it'll be too late to print.
26:45The moment we've all been waiting for has finally arrived.
26:51It's time for us to occupy.
26:53Let's occupy the floor.
26:55And all of you high school students standing together.
26:58Come on, clap along.
27:00Yeah, sure.
27:00Clap for us, come on.
27:02Let's occupy the floor.
27:04We'll occupy the floor.
27:05We'll occupy the floor.
27:07We'll occupy the floor.
27:09We'll occupy the floor.
27:10We'll occupy the floor.
27:11Wait, is this me?
27:21Stay right where you are!
27:29Please, quick.
27:30Get out of here!
27:42Clear it up!
27:47Are you all right?
27:48Do you think I'm really this pretty?
28:02I just draw how I see things.
28:08Then you can see up close.
28:10Open up!
28:25Police, open up or we'll break it down.
28:35Is my son able to go now?
28:37Good.
28:38This is just what I needed.
28:41Come on, let's go.
28:42Just wait a minute.
28:44I can call you later tonight, okay?
28:46Did they hurt you at all?
28:48No, Mom, no.
28:50So you tell me how you justify the presence of minors
28:53who have no record without a single attorney to represent them.
28:55I don't know, but you can talk with the deputy commissioner.
28:58Come on, let's get going.
28:59No, you can't yet.
29:00We'd better file a counter complaint about their treatment.
29:02Our children have the right to express their ideas freely and safely.
29:06I've got way too much going on now.
29:07Oh, I know who you are now.
29:10It's Balsamo.
29:11Your husband runs Playman magazine.
29:13I talk about you a lot on the radio.
29:15Inappropriately.
29:16Mom, stop.
29:16We're leaving.
29:17So was occupation the only option?
29:25Well, it's up to us to protect our rights, remember?
29:27You said, but you're only 16.
29:28And no matter what, I don't want you stuck in jail.
29:31Now let's go.
29:32Where do I have to sign?
29:38Camila, hello.
29:39Thank you for looking after her.
29:41Don't mention it.
29:42She was an angel.
29:43Go see her out.
29:45Branzo, stop there.
29:47You're grounded for a week, mister.
29:48That's stupid.
29:49I didn't do anything.
29:50How about to then?
29:51Anna's mom decided to stand by her.
29:53Hey, I will always stand by your side.
29:54But this whole occupation thing is just wrong.
29:57If your father had business...
29:58He's not here.
29:59He's long gone.
30:00But he'll be back.
30:01He'll be back soon.
30:02No, he won't.
30:02No, he won't.
30:03He's gone.
30:04He just left all of us.
30:05Because he doesn't care at all.
30:06He puts his needs first.
30:11Lorenzo.
30:13Tell me what is up with you.
30:15You still just keep thinking about Dad.
30:17You're hoping he walks in instead of feeling relieved.
30:20Relieved over what exactly?
30:21Relieved that we're free.
30:23That bastard's long gone now.
30:28Sweetie.
30:31No, no, no.
30:32No, no, no.
30:33No, sweetie.
30:34Sweetie, don't worry.
30:35Don't worry.
30:36Everything's all right.
30:51Sorry.
30:51I just couldn't stand things at home.
30:54So I came here and now...
30:56It's fine.
30:58My mother is trying to survive all this.
31:07But she still loves my asshole of a father.
31:09He just humiliates her more every day.
31:12Then our mother should try becoming friends.
31:15Mine just wants nothing to do with any sort of man.
31:18They'll balance each other out.
31:20Well, this is all kind of my fault.
31:22I never really helped her when he was still at home.
31:37You okay?
31:41Um, should I just head out?
31:43Because you're...
31:45About your drawings I saw.
31:56Maybe I'm not what you imagined I'd be.
31:59Much prettier than my drawings, for sure.
32:01You're so sweet.
32:19And different than the others.
32:21Anna, I've never been...
32:41Just follow me.
32:43So have you already...
32:47Hey, quiet down.
32:48I'm sorry.
32:49What did you call her?
32:50Why're you...
32:51I didn't know what you did.
32:52I didn't know what you thought of.
32:53I don't understand.
32:55I don't know.
32:55I can't see her.
32:57No
32:58You're so sweet.
32:59Because I'm hungry.
33:00I don't know.
33:01I'm hungry.
33:02I don't know.
33:03Oh, you're hungry.
33:05You're hungry.
33:05You're hungry.
33:07You're hungry.
33:09You're hungry.
33:11You're hungry.
33:12I don't know if we don't want you to do anything.
33:14You're hungry.
33:16Adelina, can I help you?
33:22If you were looking for Mario, he's working.
33:24No, actually, it's you I want.
33:26May I have some coffee?
33:28There's some things I've been struggling with.
33:31No, sorry, but I've got guests for dinner.
33:33The ambassador of Belgium to the Holy See, so I can't.
33:36I'm sorry.
33:41Serena, you really have to lie better.
33:43It reeks of menthol cigarettes, so I'm sure Costanza is here.
33:56Let's get to bedding.
34:13Not today.
34:25No, she said to him with pleading eyes,
34:28please grant me this mercy.
34:30Today is such a wonderful day.
34:32Don't ruin it for me.
34:33That last time with the lifeguard, I did exactly as you asked,
34:39but today, just leave me in peace.
34:41We'll make it big with these photos.
34:43Seems she also liked them big, didn't she?
34:46If you refuse to make me happy,
34:48then I'll be forced to withhold your allowance for the next month,
34:51and I know you need that money to care for your mother.
34:54The magic words worked once again,
34:56and Anna laid down as he said
34:57and covered her eyes with both her hands
34:59as she let her thighs spread.
35:02My God.
35:03I knew I'd find you here.
35:33May I help you with something?
35:35Bianchi said I had 12 hours to decide what to publish.
35:37Is that right?
35:41So what's your decision?
35:44Tell me, do you like what you write?
35:46Not always.
35:48But we have to do things we'd rather not at times, you know?
35:50It's just part of the job.
35:52Well, this job can really be anything you want.
35:53I suppose.
35:54But maybe understand it first.
35:56Look, Chartreau, I'm not stupid.
35:57I know if we don't publish the pictures
35:58that there's a real risk of bankruptcy, too.
36:01It's just that anything we try to do
36:02will have its consequences.
36:04This is no exception.
36:05So what?
36:06I mean, what's your plan?
36:10Publish the photos of the Cassattis.
36:13And also publish the diary.
36:15You heard Bianchi.
36:17That won't interest our readers.
36:18It interests me.
36:21People need to see her for who she was.
36:23Because now, some people think it's her fault,
36:25and it's just that her husband shot her.
36:26But that's wrong.
36:28She was this prisoner there.
36:30And her husband, he murdered her to stop her getting away.
36:34I'll call Selva.
36:36And we'll address female readers
36:38with that new article on virginity.
36:41Who's gonna write it?
36:42Me.
36:44Because I'm not letting the Cassattis photos define us.
36:48Chartreau, what defines you?
36:49Serious, start.
37:05Still here, huh?
37:10Yeah.
37:11Although by now, I was supposed to meet up with Aliche.
37:14Ah, that girl at the Piper.
37:17She's been forceful, you know.
37:19Wow.
37:20All right.
37:22Listen.
37:25There's this exhibition downtown.
37:29If you're free...
37:33Okay, so Brecht, he, uh, uh,
37:35he was inspired by all this,
37:36but Pirandello, he...
37:38he adapted it?
37:39He was the first Italian to attempt it.
37:44But because of Pasolini,
37:46and his films like the Decameron...
37:47I adore Pasolini.
37:49My one hope is that my photography
37:51can do with photos what he does with cinema.
37:57Then you should ask him for advice.
38:00Ask who?
38:02I know him.
38:02I'll introduce you.
38:06Gripalo.
38:07How are you?
38:08Fine, Mario.
38:09Good to see you.
38:10It's been a while, yeah?
38:11Yes.
38:11But you seem happy...
38:13I'd like you to meet a dear friend of mine.
38:14Absolutely.
38:15Pierpaolo.
38:16Luigi Borgi.
38:18He introduced himself and shook by hand.
38:21Pasolini.
38:22Do you get it?
38:24Pasolini.
38:26He invited me to come on set.
38:28I don't even know what to say.
38:29It's...
38:30It's all thanks to you.
38:39Wait, wait, wait, wait, wait.
38:46I thought you were clear about our roles.
38:48I can't stay away from you.
38:55I can't stay away from you.
39:01It's gonna take a bit of work
39:03To some people come on set.
39:04I don't even know what to say.
39:05But I think.
39:06I don't know what to say.
39:07I don't know what to say.
39:08I don't know.
39:08I know what to say.
39:09I don't know what to say.
39:09I don't know what to say.
39:10I don't know.
39:11What are we women?
39:12We are many things.
39:13We are many things.
39:14Wives.
39:15Lovers.
39:15what are we women we are many things wives lovers mothers to some we are saints
39:30to others we're objects to use to possess to pay for or to be thrown away when they're done with
39:39us oftentimes we're simply lonely women frightened like we are on our wedding night no one tells you
39:52anything you're suddenly alone with a man only you and only him and maybe it's the first time
39:59it's happened you don't know much about your body and nothing about his and you think that if you
40:07just lie there and keep quiet he'll handle everything he'll do it he'll decide for you
40:13because it's always men who are in charge and it's up to us women to satisfy them and us what do we
40:22want and what do we like do we mean nothing it is our choice to make we can be whatever we want to be
40:34we can choose to stop being lonely women and be free women
40:40have a good one do you have play men well you're the third one i've tried no i'm sorry i've sold out
41:04have a great day hey come on you guys want bubbly over here let's have a toaster come on we've earned it
41:15cheers this is possible at least you can treat yourself to something pretty now right no it's
41:20enough just to avoid going broke thanks director we can afford a few more bottles right yes yes go go
41:26four four four that's it her in particular hurry let's toast everybody here let's toast thanks
41:30cheers cheers this is fantastic yes to us congrats mrs balsamo thank you oh wait mrs balsamo
41:37lela just use my name please the fedelina look at all the letters we've gotten it's not creditors
41:42writing they're all letters from women listen to this i bought this for my husband although i'm becoming a
41:48fan of it after the latest issue myself and how about this one i stumbled across your piece on
41:54virginity and then i was finally able to explain what sex is to my teenage daughter from now on you
41:59have two new readers incredible
42:01oh hello can i help you with anything
42:07i decided i want to be your new assistant
42:10and what made you change your mind
42:12i guess i'm better off here than serving that asshole
42:17i'm starting my new job on monday well done bravo
42:43i told her what she wanted to hear is all
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