- 7 hours ago
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00:00The End
00:30The End
01:00The End
01:29They don't want to meet with you. They say that the situation is already clear.
01:34Why? What's clear?
01:34You've got some significant debts yet to settle. We can't keep exposing the bank further.
01:40And how do I start fixing all that?
01:44Bring your husband back to his senses. Try to convince him to sell. The magazine's financial situation right now. It can't be saved. I'm telling you this as a friend, more so than as a manager of this bank. And you're at risk of losing your house, too, because he put a lien on it. I can help if you'll take advice. I can find buyers who will be willing to pay quite well for it. And then your life goes on.
02:06Nothing. They wouldn't even let me come in and talk. They only said we'd better sell it.
02:23Don't let it upset you. Sarah will come up with something soon and give us instructions. And in the meantime, we'll prepare the new issue.
02:29Seems to me you don't come up with many great ideas on your own.
02:32We've managed to cut a few new ideas, actually.
02:34Mm-hmm.
02:35The Marquis Aneska Satistampa? Her husband just murdered her.
02:40She wanted to leave him for her lover, so her husband shot them both. Then he killed himself.
02:46Yes, I know. It's all anybody's talking about.
02:48Then you also know that the Marquis made her take naked photos in some rather, let's say, strange poses, I guess. And to have sex with whoever he chose.
02:55So we can get the Marquis's racy photos out of there somehow. There's nothing stopping us from publishing the next...
03:00Please tell me you don't actually let the sales managers decide what to publish here.
03:03Bianchi has a contact inside the family who'll bring them to us. Obviously, he wants a lot of money. But in this case, let's pay his price.
03:09I just don't want us to speculate about a murder. Our magazine has to be above all that.
03:16Mrs. Balsamo, if you don't let us publish, there won't be any kind of magazine at all anymore.
03:22All right then, miss. How many centimeters was it? Can you quantify it, please?
03:27Why are you asking something like that?
03:29Please don't raise your voice.
03:30I'm just trying to report a sexual assault, and you're here asking me what I wore and why I walked home alone? Really?
03:35I asked you by how many centimeters did the defendant's penis enter you.
03:39That's pretty crass.
03:42Hey, I have to ask. If it was below a certain depth of penetration, it isn't considered to be a sexual assault.
03:48Then it's merely considered a crime of lust. That's what the law says. I'm just following the law.
03:52Fine, but some compassion wouldn't hurt.
03:53But she's the one who told me she'd even posed for that pornographic magazine.
03:56That's not at all what I said. They stole them. They're private photos. Do you get it, or are you just stupid?
04:01Careful, or I'll write you down for harassing a public official, huh?
04:04No, you're only going to write down exactly what the lady says. Nothing more.
04:07And just take her word for it?
04:10They couldn't care less anyway. Let's take off.
04:12Should I just delete the whole record?
04:13No, stop there.
04:14Miss, listen.
04:16This report is still valid.
04:18If you please finish it.
04:19Tell me you're a legend.
04:34Please leave me if you want to decide.
04:37Tell me what you want to do.
04:40Tell me you're an expert.
04:42Give me your word.
04:46There's a legend.
04:47auch.
04:48Hey, Elsa, how are you?
04:59Just what is he doing here?
05:01Settle down, please, Elsa.
05:02They know that you filed a report.
05:03They have a proposal now.
05:05Sit down here.
05:07Listen to what your father has to say.
05:14Explain it all to her, sir.
05:16Yes, technically speaking,
05:17it's what's termed a matrimonial reparation clause.
05:20So in cases where a man, so to speak,
05:22loses his mind,
05:23then the law allows him a means of reparation
05:26by agreeing to marry the woman in question.
05:30So marry him, right?
05:31Yes, the man marries the woman,
05:33and then he provides for her,
05:35as a husband does.
05:37And that way you restore your honor,
05:39and as for him,
05:40he would then be absolved of any crime.
05:43Elsa, I really love you so much...
05:50Stop it right now!
05:51Leave me alone, Kay.
05:52Every last one of you's demented!
05:54Ma'am, here are the invoices you asked for.
06:09Listen, Lella,
06:10can I ask you a quick question?
06:11Go ahead.
06:12Well, no women work here in our office,
06:14apart from the models and from me.
06:16What's your opinion of playmen?
06:24My own?
06:25Yes.
06:28Hey, sorry.
06:29Uh, Lella, it's the typographer on the phone.
06:31It's urgent.
06:31I'm sorry, there's just a lot to sort out these days.
06:34I better get going.
06:36Okay.
06:39What do you mean, you have to get married?
06:41No, I'll be dead before I agree.
06:42Come on.
06:43Then let's just leave.
06:45We'll move to London, both of us, okay?
06:47Leave this piss pot of a town behind us.
06:51But how'll we get to London with money for one ticket between the two of us?
06:56Then you can go first.
06:58Don't worry, I'll come there soon, too.
07:00No, I'd never just leave you.
07:04So what then?
07:05What do you do?
07:13Ma'am, hello.
07:16Look what I just got.
07:17A special delivery sent over by Sarti.
07:19If you take a look, you'll see they're broken.
07:22Bianchi, are you fixing cameras for photographers now?
07:24I wish that was the case, ma'am.
07:26No.
07:26It would be a very helpful skill because we can't afford new ones.
07:30Like we can't afford to pay the editors, the graphic designers, or Lella.
07:33They haven't been paid for two months.
07:35I really do pity the woman.
07:37This is no place for someone with blinders on.
07:40I know, but you were also being a bit harsh before.
07:42Excuse me.
07:45She suddenly found herself left with no money and her husband gone?
07:49Here.
07:57We all play the roles we've been given.
08:00It's better for everybody to face that.
08:01Sure, I copy that.
08:14Sweetie, tell Marie that she can leave you on your own now.
08:17It's okay.
08:18You're there with your sister.
08:20There's pasta in the fridge.
08:22Yes, honey, listen.
08:23Tell Marie that it's just not possible for us to keep her employed.
08:27Yeah, I won't be long.
08:29I hope so.
08:30See you.
08:31Hello, good evening.
08:37I wanted to arrange a quick sale of my cars.
08:40One's a Lamborghini Miura.
08:42And one's a Mercedes 1968, a convertible.
08:49Excuse me, but that lady from the Mondrioni is here and wants to talk to you.
08:53Want her gone?
08:53No.
08:54I'm going to call you right back.
08:57What happened to you?
09:09Guess what happened after my photos got spread by you.
09:12Let's go into my office.
09:14What for?
09:14Worried that everyone will hear, huh?
09:16Well, I'm not afraid to say it here.
09:19It's all your fault what happened, got it?
09:20They want the rabies tonight to marry each other now.
09:28No way.
09:28I need money so that I can get out.
09:34Well, right at this exact moment, it's difficult now.
09:38But maybe I can write you a check.
09:41Has she gone crazy?
09:42No, she can't.
09:43Uh, sorry.
09:44Can...
09:44Please, just inside, ma'am.
09:46You keep quiet, huh?
09:46Stay here.
09:48You can't give her any money, ma'am.
09:50If you do, it'll never end.
09:51She's just going to go on asking you for more.
09:53Not to mention the legal problems.
09:54This will doubtless cause the magazine and yourself, too.
09:57What kind of legal problem?
09:58If she reports to the authorities that you wrote her a check for this,
10:01it's going to seem like it's an admission of guilt on our part for whatever occurred.
10:05Assuming anything really happened to her, of course.
10:07What the fuck are you saying?
10:08Hey, don't push my buttons, young lady.
10:10Bianchi.
10:11Don't give a penny to this crazy woman, all right?
10:13You're a piece of shit.
10:14This is all such complete bullshit.
10:16Right, whatever.
10:16Fuck you guys.
10:46Hey.
10:53You want to be the housekeeper here?
10:54I think I may lose my house.
11:00The magazine's going bankrupt.
11:02And a girl I didn't listen to was sexually assaulted.
11:05And I can't help her now, either.
11:09That's where I'm at.
11:11So perhaps a job will be just what I need.
11:14Nothing I try to do is ever enough.
11:16Maybe I just let myself down again.
11:19There are some days I feel I let myself down.
11:26There's a young lady in there.
11:29She's newly married.
11:31And she came to me in embarrassment.
11:34It seems she's got issues with her husband.
11:35She locks herself up at night.
11:37He can't get anywhere near her.
11:38I don't understand what you want from me.
11:42What am I going to do?
11:44No.
11:46Rocco, please.
11:47No way.
11:47Give me a break here.
11:48Well, it's got to be better than a man's advice, right?
11:50If Mama finds out, you're in trouble.
12:01If Mom hadn't just fired Maria, I'd be going here alone.
12:04Hi.
12:05Hi.
12:14Here, hand them all out.
12:15And we'll need you guys protesting at the university, too.
12:18Are you and that girl dating?
12:20If only.
12:22Oh, good.
12:23You're finally here, Lorenzo.
12:25And you brought your little sister.
12:27She'd be alone at the house, so...
12:29I wasn't poking fun at you.
12:30It's pretty sweet you care.
12:32And besides, we need the help, right?
12:34We're going to occupy, man.
12:35You'll occupy what?
12:36No, what did I say?
12:37No talking here.
12:39One minute.
12:43We decided to tax ourselves to finance the occupation.
12:46We want to invite some guest speakers, too.
12:48Okay.
12:50Everyone according to his pocketbook, huh?
12:57Don't you think?
12:58It's not appropriate to discuss such things.
13:11It's just not done.
13:12Clotilde, don't worry, okay?
13:15Talk like you would to a priest.
13:16I don't know whether or not I'm actually any good.
13:21Whether I can make sure he's been...
13:25Well, fully satisfied.
13:28But he's not the only one.
13:30You're there, too.
13:31You can ask him for the things you'd like, too.
13:34In what way, Zari?
13:36For example, if you like being kissed in the neck or belly, then just tell him.
13:39No.
13:40Tell him all that.
13:41So he knows how to bring you pleasure.
13:43No, no.
13:43I couldn't talk about that.
13:47Does he ever touch you?
13:50You're a pervert, aren't you?
13:52Shame on you.
13:53That's disgusting.
13:54Do you?
14:16I don't know.
14:17I'm going to take you to school today instead of the driver.
14:46That way we can spend time, just us.
14:48Hm?
14:49Morning, Camila.
14:50Good morning.
14:51Mrs. Balsamo.
14:52Oh, hello.
14:53Your husband, has he returned?
14:54I asked because I saw him the other morning leaving with a briefcase and he seemed to be
14:58in a hurry.
14:59Well, yes, he left a couple of days ago.
15:01What about your driver?
15:02Has he left too?
15:03No.
15:04He passed on.
15:05Oh, poor man.
15:06What did it?
15:07His curiosity did.
15:12Mama, it's a bus.
15:13Oh, sorry.
15:14We can't miss it.
15:16You don't need nobody else.
15:19Like a wolf in the wild.
15:22Come on, girls.
15:23Girls, come on.
15:24We gotta do it inside.
15:25We gotta do it inside.
15:27All right, brother.
15:29This could be on the front page.
15:35Mrs. Balsamo.
15:36Good morning.
15:37Good morning.
15:38Good morning.
15:39He got the photos out.
15:40Bianchi's contact with the Casatis.
15:41He was their butler.
15:42He's upstairs with Lella right now.
15:44Just let me know what you wanna do.
15:46All right.
15:47All right.
16:10And this is everything, right?
16:12Where did you try hawking a few elsewhere?
16:15That's all the ones in the house.
16:17They're all exclusively for you.
16:19And that's not all.
16:23This is her diary.
16:25With all their perversions.
16:29Let's work out a price that gets you both of them.
16:32Well, find another buyer in no time if you have second thoughts.
16:53This is far too little, ma'am.
16:55It's all the cash I have.
16:56And no one will offer you any more.
16:59You madwoman?
17:00Yeah.
17:02I am, yes.
17:03You need someone who's mad to publish these photos.
17:07No one else is gonna buy them.
17:15All right then, the photos are yours.
17:24We'll make it big with these photos.
17:25Seems she also liked them big, didn't she?
17:27Anyhow, for the front cover, I say we use the second photo where you see her from behind.
17:34That way we're playing on the idea of what they'll find once they open the magazine.
17:38Playing, playing games. What kind of games exactly, huh?
17:40They were sensual, ironic.
17:42Let's use forbidden in there.
17:43We could call this issue forbidden games. How's that?
17:45Hmm.
17:46What about the diaries, though?
17:48Nobody's interested in their diary entries.
17:50Stop it there, please. Enough.
17:51No, no, no. Go on, listen. You decided you would buy all these. Nobody forced you.
17:55Yes, I know. But now that I've seen them, it's obvious that these photos are private, and the woman's dead.
18:02Then can I assume you have another way for us to get all our debts paid?
18:05We can explore other directions. For example, you did some great work interviewing Pasolini in the issue about Madrione.
18:10We don't have the time to debate this anymore. That woman knew exactly what she was doing, right?
18:15And so what?
18:16Well, she probably should have been less indiscreet then.
18:20She didn't deserve to die like that, no matter how she posed.
18:25You can pay all of last month's salaries with this.
18:28They might not know much about how to run a magazine, but I know how to manage finances.
18:32If you'll excuse me, I still have a lot to do.
18:40I wasn't sure this was the right place to find you.
19:05Well, what do you want? No one will protect you way out here.
19:09Well, I come here in peace.
19:12And I'm sorry for what happened to you.
19:17I'd really like to help, however I can, if you'll let me.
19:20Help me now, huh?
19:21I could use some help at the office.
19:24And they all agree with you?
19:26You'll have legal problems if you pay me, right?
19:28It's the boss's choice, and I say yes.
19:31Just to be clear, the pay isn't going to be very high.
19:34But it should at least let you pay rent somewhere else so that you can leave this place.
19:38So what? Then I'm supposed to pretend we're good?
19:42Just think about it.
19:43This way you don't have to get married to him.
19:47There are fates plenty worse.
19:48In the end, being married is like any other.
19:50I don't think any other.
19:51I don't think any other.
19:52I don't think any other.
19:54I don't think any other, but God.
19:55Yuffie's not like this!
21:28So please don't treat me that way.
21:31I don't deserve it.
21:34Luigi, this is for you.
21:36It's on the house.
21:37Ah, thank you.
21:39Well, is it true you work for Playmen?
21:41Well, yeah.
21:45I'm a photographer.
21:47Maybe one day soon, we'll take some photos.
21:53You'll see that I'm really photogenic.
21:56You want to speak with me?
22:13That new bride reported me for obscenity or what?
22:16Well, actually, she came here to thank you.
22:19Oh, yeah?
22:19I don't know what you said, but it seems the word got out.
22:22Come on.
22:33This morning, we will once again pit two people with starkly opposing views against each other to spark one of our...
22:40Chortreau in yet?
22:41I need to talk to him.
22:41Today, we have Mr. Mario Chortreau, the creative director of the magazine Playmen.
22:46Hi, good morning.
22:47And then Mrs. Maria Masi, representing the feminist collective called Donne Libre.
22:52Hi, everyone.
22:53Mrs. Masi thinks that your magazine is degrading and depicts women as things.
22:57Well, because what they do is completely archaic and misogynistic.
23:00It's men comitifying the bodies of women.
23:02That's right.
23:03Actually, ours is an erotic magazine that also focuses on culture.
23:06You make pornography, and what's even worse, you're also fascist.
23:10Look, I assure you that our staff is comprised of people of all political viewpoints.
23:14Are you denying having been part of the Dejima Mas?
23:16No.
23:20I don't deny it.
23:21I was part of the Dejima Mas.
23:23I know how fascists operate, so you can take my word for it.
23:25They have much more in common with you than me.
23:28Please, everyone stop.
23:31Stop it, please.
23:33It seems we Italians have some problems anytime sex is involved.
23:36Instead of relaxing us, it pisses us off.
23:38I had bigger breasts because I was already pregnant when I was your age.
23:51Come here.
23:54How's that?
23:56Make it a bit smaller through the front, and...
23:58You'll look beautiful.
24:06Listen, they've been generous to make us this kind of offer.
24:09You can keep on living here without any scandal, with your heads high.
24:13You're my one and only priority here, Elsa.
24:16Let people talk, I don't care.
24:19And you're not the first woman who's had to endure.
24:22It's women's lot, in a world full of men.
24:25Mm-hmm.
24:55If I had a feminist nutjob, Masi, I never would have gone.
24:58She's so obtuse and arrogant and totally ignorant.
25:01But she's a pretty sharpshooter.
25:03And you came to pick on me then?
25:05That too.
25:06Also to say that I've got an idea for the next print to run by you.
25:09So we won't need the Quesadit photos.
25:11Well, have a seat then, ma'am.
25:14Oh, thank you.
25:14It's about speaking to the female readers, but not about the types of things that other gossip columns or fashion rags do.
25:20We'll talk sexuality and eroticism and couples.
25:23But we'll omit nothing, a raw and real slant.
25:25Do another feminist digest?
25:27No, because those already exist, right?
25:29We should approach a segment of the public that no one is satisfied.
25:32Namely women who want to have some fun and who want their lives to feel amazing.
25:36But without any taboos, without hypocrisy, and without coming up against any politics either.
25:41How do we actually reach this section of the public then?
25:44By writing about the issue of virginity on a woman's first time.
25:47And we can call it the erotic bride.
25:49With all due respect, huh?
25:50This is playmen.
25:52We sell it to men and they want to see tits and asses, that's all.
25:55You could write the article about virginity then,
25:57and it'll be like the one you wrote about Desaad and the loss of innocence.
26:01What do you think?
26:02I don't know, but I'll bring my research on this to you guys.
26:06Maybe I can start from Milton's Paradise Lost and just go from there.
26:09Milton, nice.
26:10Then I can play with shades of red and white for the art and graphics.
26:13But Mrs. Balsamo, with the Cassattis, it's much safer.
26:16We'd make a lot of money, which is not only good for the magazine,
26:19but for you as well, for your children, so you can keep your house.
26:22Do you want to show your husband that you're capable of being a director?
26:25Then this here is your chance.
26:27Don't put the farm in this idea of yours.
26:29Listen, you're right.
26:30The erotic bride is taking a leap of faith,
26:32but remember that I'm way over having to prove that I'm worthy to anyone, including Saru.
26:37As you wish, then, ma'am.
26:38But you only have 12 hours before the deadline.
26:42Or it'll be too late to print.
26:47The moment we've all been waiting for has finally arrived!
26:51It's time for us to occupy!
26:53Let's fight for more!
26:55And all of you high school students standing together!
26:58Come on, clap along!
27:00Yeah, sure.
27:00Clap for us, come on!
27:02Let's occupy!
27:03Colt you five, we want to fight!
27:07Colt you five, we want to fight!
27:16Wait, is this me?
27:24Stay right where you are!
27:27Keep right where you are!
27:29Hey, quick!
27:41Get out of here! Clear it up!
27:47Are you all right?
27:57Do you think I'm really this pretty?
28:01I just draw how I see things.
28:07Then you can see up close.
28:23Open up!
28:25Police! Open up or we'll break it down!
28:35Is my son able to go now?
28:37Good.
28:39This is just what I needed.
28:41Come on, let's go.
28:43Just wait a minute.
28:45I can call you later tonight, okay?
28:47Did they hurt you at all?
28:49No, Mom, no.
28:51So, you tell me how you justify the presence of minors
28:53on a real record without a single attorney to represent them.
28:55I don't know, but you can talk with a deputy commissioner.
28:57Come on, let's get going.
28:59No, you can't yet. We'd better file a counter complaint
29:01about their treatment.
29:03Our children have the right to express their ideas freely and safely.
29:05I've got way too much going on now.
29:07Oh, I know who you are now.
29:09It's Balsamo.
29:11Your husband runs Playmen magazine.
29:13I talk about you a lot on the radio.
29:15I don't know who you are.
29:16I don't know who you are.
29:17No, stop. Just...
29:18We're leaving.
29:23So, was occupation the only option?
29:25Well, it's up to us to protect our rights, remember?
29:27You said, but you're only 16.
29:29And no matter what, I don't want you stuck in jail.
29:31Now, let's go.
29:33Where do I have to sign?
29:35Camila, hello.
29:39Thank you for looking after her.
29:40Don't mention it. She was an angel.
29:42Go see her out.
29:44Lorenzo, stop there.
29:46You're grounded for a week, mister.
29:48That's stupid. I didn't do anything.
29:49How about you, then?
29:50Anna's mom decided to stand by her.
29:52Hey, I will always stand by your side.
29:54But this whole occupation thing is just wrong.
29:56If your father...
29:57But he's not here. He's long gone.
29:59But he'll be back. He'll be back soon.
30:01No, he won't. No, he won't. He's gone.
30:03He just left all of us.
30:04Because he doesn't care at all.
30:06He puts his needs first.
30:10Lorenzo.
30:13Tell me what is up with you.
30:15You still just keep thinking about dad.
30:17You're hoping he walks in instead of feeling relieved.
30:19Relieved over what exactly?
30:21Relieved that we're free.
30:23That bastard's long gone now.
30:29Sweetie.
30:31No, no, no.
30:32No, no, no.
30:33No, no.
30:34Sweetie. Sweetie. Don't worry.
30:35Don't worry. Everything's all right.
30:36Don't worry. Everything's all right.
30:51Sorry, I...
30:52I just couldn't stand things at home, so I came here and now...
30:55It's fine.
30:56It's fine.
31:03My mother...
31:04Is trying to survive all this.
31:06But she still loves my asshole of a father.
31:09He just humiliates her more every day.
31:11Then our mother should try becoming friends.
31:14Mine just wants nothing to do with any sort of man.
31:17They'll balance each other out.
31:19Well, this is all kind of my fault.
31:21I never really helped her when he was still at home.
31:24You okay?
31:38Um...
31:39Should I just head out?
31:41Because you're...
31:42About your drawings I saw...
31:56Maybe I'm not what you imagined I'd be.
31:59Much prettier than my drawings, for sure.
32:14You're so sweet.
32:19And different than the others.
32:21Anna, I've never been...
32:42Just follow me.
32:45So have you already...
32:47Hey, quiet down.
32:51You were all right.
33:18Thank you so much.
33:19Adelina, can I help you?
33:22If you were looking for Mario, he's working.
33:24No, actually, it's you I want.
33:26May I have some coffee?
33:28There's some things I've been struggling with.
33:31No, sorry, but I've got guests for dinner.
33:33The ambassador of Belgium to the Holy Sea, so I can't.
33:36I'm sorry.
33:41Serena, you really have to lie better.
33:43It reeks of menthol cigarettes, so I'm sure Costanza is here.
33:49Let's get to bedding.
34:19Not today.
34:26No, she said to him with pleading eyes,
34:28please grant me this mercy.
34:30Today is such a wonderful day.
34:32Don't ruin it for me.
34:33That last time with the lifeguard, I did exactly as you asked,
34:39but today, just leave me in peace.
34:41We'll make it big with these photos.
34:43Seems she also liked them big, didn't she?
34:45If you refuse to make me happy,
34:48then I'll be forced to withhold your allowance for the next month.
34:51And I know you need that money to care for your mother.
34:54The magic words worked once again,
34:56and Anna lay down as he said
34:57and covered her eyes with both her hands
34:59as she let her thighs spread.
35:02My God.
35:03I knew I'd find you here.
35:33May I help you with something?
35:35Bianchi said I had 12 hours to decide what to publish.
35:37Is that right?
35:41So what's your decision?
35:44Tell me, do you like what you write?
35:46Not always.
35:48But we have to do things we'd rather not at times, you know?
35:50It's just part of the job.
35:52Well, this job can really be anything you want.
35:53I suppose.
35:54But maybe understand it first.
35:56Look, Chartreau, I'm not stupid.
35:57I know if we don't publish the pictures
35:58that there's a real risk of bankruptcy, too.
36:01It's just that anything we try to do
36:02will have its consequences.
36:04This is no exception.
36:05So what?
36:06I mean, what's your plan?
36:10Publish the photos of the Cassattis.
36:11And also published a diary.
36:15You heard Bianchi.
36:17That won't interest our readers.
36:18It interests me.
36:21People need to see her for who she was.
36:23Because now, some people think it's her fault,
36:25and it's just that her husband shot her.
36:27But that's wrong.
36:28She was this prisoner there.
36:30And her husband, he murdered her to stop her getting away.
36:33I'll call Selva.
36:36And we'll address female readers
36:38with that new article on virginity.
36:41Who's gonna write it?
36:42Me.
36:44Because I'm not letting the Cassattis photos define us.
36:48Chartreau, what defines you?
36:49Sirius, the start.
37:05Still here, huh?
37:10Yeah.
37:10Although by now, I was supposed to meet up with Aliche.
37:14That girl at the Piper.
37:17She's been forceful, you know.
37:19Wow.
37:20All right.
37:22Listen.
37:25There's this exhibition downtown.
37:29If you're free.
37:33Okay, so Brecht, he, uh, he was inspired by all this,
37:36but Pirandello, he...
37:38He adapted it?
37:40He was the first Italian to attempt it.
37:44But because of Pasolini,
37:46and his films like the Decameron...
37:47I adore Pasolini.
37:49My one hope is that my photography
37:51can do with photos what he does with cinema.
37:57Then you should ask him for advice.
38:00That's cool.
38:02I know him.
38:02I'll introduce you.
38:06Garbalo.
38:08How are you?
38:08Fine, Mario.
38:09Good to see you.
38:10It's been a while, yeah?
38:11Yes.
38:11But you seem happy.
38:13I'd like you to meet a dear friend of mine.
38:14Absolutely.
38:15Pierpaolo.
38:16Luigi Borgi.
38:18He introduced himself and shook by hand.
38:21Pasolini.
38:22Do you get it?
38:24Pasolini.
38:26He invited me to come on set.
38:28I don't even know what to say.
38:29I don't even know what to say.
38:30It's...
38:30It's all thanks to you.
38:43Wait, wait, wait, wait.
38:46I thought you were clear about our roles.
38:48I can't stay away from you.
38:55I can't stay away from you.
39:00It's gonna take a bit of work
39:03What are we women?
39:20Men, we are many things, wives, lovers, mothers.
39:29To some, we are saints.
39:32To others, we're objects to use, to possess, to pay for, or to be thrown away when they're
39:39done with us.
39:43Oftentimes, we're simply lonely women, frightened, like we are on our wedding night.
39:51No one tells you anything, you're suddenly alone with a man, only you, and only him.
39:58And maybe, it's the first time it's happened.
40:02You don't know much about your body, and nothing about his, and you think that if you just
40:08lie there and keep quiet, he'll handle everything, he'll do it, he'll decide for you.
40:14Because it's always men who are in charge, and it's up to us women to satisfy them.
40:21And us?
40:22What do we want?
40:24And what do we like?
40:26Do we mean nothing?
40:28It is our choice to make.
40:33We can be whatever we want to be.
40:36We can choose to stop being lonely women, and be free women.
40:44Have a good one.
40:45Do you have a playman?
40:46Well, you're the third one I've tried.
40:47No, I'm sorry, I've sold out.
40:48Have a good day.
40:49Hey!
40:50Hey!
40:51Come on!
40:52Go!
40:53Go!
40:54Go!
40:55Go!
40:56Go!
40:57Go!
40:58Go!
40:59Go!
41:00Go!
41:01Go!
41:02Go!
41:03Go!
41:04Go!
41:05Go!
41:06Go!
41:07Go!
41:08Go!
41:09Go!
41:10Go!
41:11Go!
41:12Go!
41:13Go!
41:14Go!
41:15Go!
41:16Go!
41:17Go!
41:18Go!
41:19Go!
41:20Go!
41:21Go!
41:22Go!
41:23Go!
41:24Go!
41:25Go!
41:26Go!
41:27Go!
41:28Go!
41:29Go!
41:30Thanks.
41:30A little more to you.
41:31Great.
41:32Cheers, cheers.
41:33Fantastic.
41:34Yes, to us.
41:34Congrats, Mrs. Balsamo.
41:36Oh, wait, Mrs. Balsamo.
41:37Lella, just use my name, please.
41:39It's Adelina.
41:40Look at all the letters we've gotten.
41:41It's not creditors' writing.
41:43They're all letters from women.
41:44Listen to this.
41:45I bought this for my husband,
41:47although I'm becoming a fan of it after the latest issue myself.
41:50And how about this one?
41:52I stumbled across your piece on virginity,
41:54and then I was finally able to explain what sex is to my teenage daughter.
41:58From now on, you have two new readers.
42:00Incredible.
42:05Oh, hello.
42:06Can I help you with anything?
42:08I decided I want to be your new assistant.
42:11And what made you change your mind?
42:14I guess I'm better off here than serving that asshole.
42:30I'm starting my new job on Monday.
42:43Well done.
42:43Bravo.
42:43I told her what she wanted to hear is all.
42:48I told her what she wanted to hear.
42:49I told her what she wanted to hear.
42:49I told her what she wanted to hear.
42:50I told her what she wanted to hear.
42:50I told her what she wanted to hear.
42:50I told her what she wanted to hear.
42:51I told her what she wanted to hear.
42:52I told her what she wanted to hear.
42:53I told her what she wanted to hear.
42:53I told her what she wanted to hear.
42:54I told her what she wanted to hear.
42:55I told her what she wanted to hear.
42:56I told her what she wanted to hear.
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