In an exclusive interview with senior most journalist Bharathi S Pradhan for Lehren Retro, multitalented movie producer Mukesh Bhatt opens up on the 40 years glorious journey of his production house, Vishesh Films. Bhatt Sahab first time ever comments on his split with brother & filmmaker Mahesh Bhatt in turn revealing the real reason behind the same! Mukesh also shares his disappointment to the times when his niece & actress Alia Bhatt didn't invite him at her Wedding Ceremony with Ranbir Kapoor. The Vishesh Films' boss openly talks about his differences with director Vikram Bhatt who was once a close aide of the Bhatt Camp. The 72 year old Hindi Film Industry veteran also elaborates upon some unheard & exciting stories about Emraan Hashmi and Mohit Suri in turn giving some fresh updates on Awarapan 2 & addressing the Aashiqui 3 Controversy. Watch this tell all explosive interview of Mukesh Bhatt only on your favourite online digital destination, Lehren... #mukeshbhatt #aliabhatt #maheshbhatt #ranbirkapoor #visheshfilms #vikrambhatt #awarapan2 #aashiqui3 #emraanhashmi #mohitsuri #jannat
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00:00I've come here to make you guys and Ameer.
00:03This is Wendy Bight.
00:04You can't eat with a water bottle, but you don't have to eat with a vending machine.
00:09Titans, I broke up.
00:11With an assy, toxic girlfriend,
00:13there's some kind of time in everyone's life.
00:14That's 300 coffee.
00:16I've found someone better.
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00:19I've got the cup that says Hot Girl Latte.
00:21I'm a hot girl without a girl.
00:24I think I'll give you 5 lakh rupees with them.
00:27We'll give you 10 lakh rupees.
00:30Idea Baaz is such a place,
00:32where the idea is so great.
00:35Idea Baaz, Hashemi Rao, Rabi Rao, Shamsaadech,
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00:49Did you feel bad that you were not called to Aliyah Bhatt's wedding?
00:52Aliyah, you're a niece, right?
00:54Yes, I'll be honest.
00:55I'll be a hypocrite.
00:57If I said I didn't feel bad,
00:59of course I felt bad because
01:00I love Aliyah very much.
01:03So Aliyah's wedding is definitely my daughter's wedding.
01:06So I was very much wanting to be there.
01:10When I was a child,
01:11I wanted to see her children.
01:14He said that you have exploited Mahesh all your life.
01:18That's what Mahesh told her.
01:19He said that.
01:21But he said that Vikram Bhatt.
01:22See, Mahesh has not been my elder brother.
01:24He's a father of economy.
01:26So if someone came to me and said that Vikram Bhatt has done this,
01:29he said that he did this,
01:30then I will not have to hurt my mind.
01:34I'm not a hypocrite.
01:35In Sadak, you had a very nice song.
01:38But you said you were part of it.
01:42You said you were part of it.
01:43I don't want to go to Sadak Chook.
01:45Did you watch the film?
01:46Yes, when it was released.
01:47I watched it.
01:48I didn't get to see it before.
01:50I was not allowed to see the film.
01:52You made a film called Savi.
01:54T-Series.
01:55That is almost the same subject.
01:57Jigra.
01:58Look.
01:59Divya Khutla has said what he did for publicity.
02:01I don't know.
02:02I don't know.
02:03I think that Aliyah Bhatt is so bankrupt
02:06that he has to do something with me.
02:08But Aliyah is too big for this.
02:10He doesn't need to do this.
02:13What is happening to Ashikitri?
02:27What is happening to Ashikitri?
02:37Mukesh.
02:38First of all, Badhai is going to be 40 years in 2026.
02:45The Vishish film started in 1986.
02:49How many times have passed?
02:5140 years.
02:52I don't know how this time has passed.
02:5540 years.
02:57Wow.
02:58Because what is happening?
02:59When it started,
03:01we started,
03:02we started,
03:03we started,
03:04we started,
03:05we started,
03:06but I didn't know that
03:08we will come so far.
03:12In 40 years,
03:14we have to produce 74 films.
03:18Exactly.
03:19There is no problem.
03:21No.
03:22No.
03:23I don't say I am 74 films old.
03:26I am 74 films young.
03:28Young.
03:29Absolutely.
03:30Because my father,
03:31in his life span,
03:33made 127 films in his life.
03:35Wow.
03:36So,
03:37I will be very late.
03:38That's right.
03:39Yeah.
03:40That's right.
03:41That's right.
03:42That's right.
03:43Yeah.
03:44That's right.
03:45That's right.
03:46That's right.
03:47That's right.
03:48That's right.
03:49That's right.
03:50That's right.
03:51That's right.
03:52God willing.
03:53That's right.
03:54God willing.
03:55So,
03:56how much,
03:57uh,
03:58uh,
03:59uh,
04:00would you,
04:01contribution,
04:02uh,
04:03uh,
04:04uh,
04:05uh,
04:06and,
04:07uh,
04:08uh,
04:09uh,
04:11like,
04:12cup and saucer.
04:13Hmm.
04:14Uh,
04:15If Mahesh,
04:16but when I was a cup,
04:17then I was a saucer.
04:18Hmm.
04:19If you have to remove the saucer from the cup,
04:21then when will it fall?
04:23Hmm.
04:24The two equally important.
04:27Right.
04:28I have,
04:29the filmmaking of the film making,
04:32the creativity of the enterprise,
04:35that made it clear.
04:37And Mahesh was a creative force.
04:40Hmm.
04:41But to keep it in a good way, to make a good budget, it was my job.
04:50So if you look at the graph of Vishesh and Shilur,
04:54there is a lot of good film, there is an average hit, there is no one.
05:00But there is no economic disaster.
05:04I always say that you can never plan a hit, but you can minimize your losses.
05:13Controlled budget.
05:16We are running in an economic direction.
05:20And that is our biggest point.
05:24So now, there is no cup here.
05:29There is only a saucer.
05:31When are you feeling the cup?
05:34I feel the cup 100% of it.
05:37Because it is the same thing.
05:40The other one will not come.
05:42But the other one will not come.
05:44The other one will not come.
05:49My son is Vishesh.
05:52He is a creative force.
05:54He is taking an active part.
05:57Creative.
05:58Creative.
05:59Creatively.
06:00So,
06:01the car is running.
06:03No.
06:04No.
06:05No.
06:06No.
06:07No.
06:08No.
06:09No.
06:10No.
06:11No.
06:12No.
06:13No.
06:14No.
06:15No.
06:16No.
06:17No.
06:18No.
06:19No.
06:20No.
06:21We should go.
06:23No one stops.
06:25No one stops.
06:27Correct.
06:29But would I be correct in saying that
06:31you weren't a planned partnership
06:33when you started?
06:35No. We weren't partners.
06:37We were creative.
06:39They weren't interested in the production.
06:43So they said,
06:45I want to give them my fees.
06:47I want to give them free.
06:49Don't talk about business.
06:51Accounts to account.
06:53They were very straight and random.
06:55Okay.
06:57They were unpaid.
06:59They said, I don't want to give them.
07:01It was my temperament.
07:03I also saw that
07:05many producers who came to sign.
07:09They gave them how much money.
07:11And I always try
07:13that whenever
07:15there was a producer
07:17and they gave them
07:19$10.
07:21You gave them a little bit more.
07:23So I realized
07:25that I gave them
07:27more than the market.
07:29They didn't ask them.
07:31They didn't ask them.
07:33They didn't ask them.
07:35This was their biggest
07:37thing.
07:39It was my first
07:41that I would also
07:43reciprocate them.
07:45That's why
07:47when we were together,
07:49it was great.
07:51It was one of the most beautiful
07:53relationships
07:55of my life
07:57with my brother.
07:59It's a love story.
08:01It was one of the
08:03Van Gogh Brothers.
08:05Literally, we were like
08:07I had one of the interviews
08:09that I was telling
08:11who was in the magazine.
08:13People said,
08:15if I have to choose
08:17between my wife
08:19and my brother,
08:21whom will I choose?
08:23I said,
08:25of course,
08:26Maharaj Bhatt.
08:27Neeloo
08:29has seen
08:30my wife
08:31in the interview.
08:32I said,
08:33you're a big man.
08:34In the media
08:35they say,
08:36you would leave me
08:37for your brother.
08:38I said,
08:39I'm saying,
08:40I'm saying,
08:41I'm saying,
08:42I'm saying,
08:43I'm saying,
08:44I can't be different.
08:46But you're different.
08:47What?
08:48You're different.
08:49You're different.
08:50Was it because
08:52children grow up?
08:53No,
08:54no,
08:55there's nothing to grow up.
08:56I thought,
08:57there's a lot of people
08:58here.
08:59There's a lot of people
09:00there.
09:01Pooja and Aliyah.
09:02I didn't get to know
09:03about that.
09:04No,
09:05anything about their children.
09:06We're different.
09:07We're different.
09:08We're different.
09:09We're different.
09:10We're different.
09:11We're different.
09:12We're different.
09:13There's a place
09:14out there.
09:16They both bring
09:31together,
09:32and we're different.
09:34You know,
09:35someone outside,
09:36someone outside.
09:37We're different.
09:38They're different.
09:39They're different.
09:40They're different.
09:42Correct. Correct.
09:49So, when the relationship is so beautiful,
09:55when we think that we have a relationship,
10:01if we progress in progress,
10:04then we have to get our own.
10:06It's not a good feeling.
10:08It's a good feeling.
10:10It's a good feeling.
10:12It's good for both of us.
10:14But your separation has not been so beautiful.
10:17No.
10:18No.
10:19No.
10:20But there is a lot of bitterness.
10:23There is a lot of bitterness.
10:25No.
10:26I don't know.
10:27I don't know.
10:28I don't know.
10:29Because you have been an exploiter.
10:32I mean, you have raised his leg for life.
10:35Hello.
10:36Well, how does this work?
10:37I don't know.
10:39You have to have a great question.
10:41I don't know.
10:42I don't know.
10:43It's a good question.
10:44If you're a good question,
10:45I'll go to the question.
10:46I'll tell you.
10:47I'll tell you.
10:48I'll tell you.
10:49I don't know.
10:50I'll tell you.
10:51But you're all about the question.
10:53I'll tell you.
10:54I'll tell you.
10:55I will ask you to ask yourself, to look at yourself, to look at yourself, to look at yourself, to look at yourself, to look at yourself, to look at yourself.
11:03That is the right thing.
11:05The answer will be given.
11:07I will not come to this point.
11:10I will say that, for me, my God is my God, my great brother.
11:18I am very happy to tell you that I want to thank you because you asked about this very intimate moment of life and I have said it through my heart and I have said it through my heart and I have said it through my heart.
11:47And I want to see that when I have seen this interview, I want to know that this is not my fault. I am saying it through my heart.
12:00And I only ask for them for love, love and love that they are happy because they are very good.
12:12We all want to know that this is not my fault.
12:19It is very easy to go.
12:21It is very easy to go.
12:23It is very easy to go.
12:25It is very easy to go.
12:27It is very easy to go.
12:29It is very easy to go.
12:31It is very easy to go.
12:33Okay.
12:35Three questions.
12:37One thing I wanted to ask you is that
12:39all the famous films
12:41you have put a name on your son.
12:43So, it was born.
12:45It was born.
12:47So, it is very easy to go.
12:49It means that company is yours.
12:51It means that you and Vishesh.
12:53You and your company are married.
12:55Vishesh is not married yet.
12:57The company is only married.
12:59His name is Vishesh films.
13:01Vishesh is his son's name.
13:03The company is only married.
13:05And no one is married.
13:07But you were making such a year with Vishesh.
13:11Mahesh had Pooja.
13:13He had Pooja.
13:15He had so many.
13:17Vishesh is a banner.
13:18He was a banner.
13:19He was a successful banner.
13:20Why did he not use it?
13:21He was a banner.
13:23He was a banner.
13:24He also used it.
13:26Because he became a banner.
13:28Right.
13:29So, it was much more than that.
13:31You did not give attention to him.
13:33No, no.
13:34He gave attention to him.
13:35He gave attention to him.
13:36He gave attention to him.
13:37He said,
13:38I don't know that.
13:40What do you think of Vishesh?
13:42What do you think of Vishesh?
13:44What do you think of Vishesh?
13:45What do you think of Vishesh films?
13:46What do you think of Vishesh films?
13:47What do you think of Vishesh films?
13:48Special.
13:49So, this is the idea of my husband.
13:51Okay.
13:52I see.
13:53Okay.
13:54So, it was that.
13:55It was nothing.
13:56Okay.
13:57It wasn't like my son.
13:58Yes.
13:59Okay.
14:00I was standing.
14:01I was standing.
14:02When I was a star for his whole production,
14:03I was working on a company called Pooja Visions.
14:07Okay.
14:08It was a famous movie.
14:09But I was a new movie, I was inspired by Pooja Visions.
14:10It wasn't the script, I didn't make a movie.
14:11But it didn't really tell me.
14:12But it was a good movie.
14:13Even though, I would have found Pooja Visions.
14:14I was named.
14:15So, we believed in Pooja Visions.
14:16It was a good movie, then it was a good movie.
14:17So, this is the idea.
14:19I changed my name.
14:21So it's not that you have to think about it.
14:25No, no.
14:27This company is my company.
14:29After 40 years, it will be my company.
14:31I don't think so.
14:33And all titles are APK, right?
14:35If you are the company owner,
14:39whatever the titles are, there are so many titles.
14:41I am.
14:43I don't have copy rights.
14:45Murder, Raaz, how many?
14:47It's your copy rights.
14:49It's your company.
14:51It's your company.
14:53So how did Sadak become Sadak 2?
14:55Sadak 2 did you make?
14:57I didn't make it.
14:59Sadak, yes.
15:01Was Sadak the breaking point?
15:03Yes, we are different from Sadak 2.
15:05We are different from Sadak 2.
15:07After Sadak 2?
15:09I think in his time.
15:11I think in his time.
15:13No?
15:15I don't want to go into that.
15:17Okay.
15:19Because that is unnecessary.
15:21Unpleasant about something.
15:23Leave it.
15:25Leave it.
15:27Leave it.
15:29Leave it.
15:31Leave it.
15:33Leave it.
15:35Leave it.
15:37Leave it.
15:39Okay.
15:40I can understand that.
15:41And respect it also.
15:43Yeah.
15:44Why did Mahesh Bhatt,
15:46He said that I'm leaving the direction.
15:48He said that I'm leaving the direction.
15:50He was sitting in the office.
15:52He said that I will never come back as a director.
15:54So Sadak 2 was made with you.
15:58Why did he come back?
16:00He was cajoled by his daughters.
16:02Pooja and Aaliyah.
16:04Aaliyah.
16:05Aaliyah wanted to say that,
16:07Papa, this is unfair.
16:08That you have been directed with Pooja.
16:12And when I became an actor,
16:16I would have made an interaction.
16:18I want to say that in my portfolio,
16:22a Mahesh Bhatt directed film should also be made.
16:26So both of the daughters of the emotional demand
16:32will be taken away from them.
16:36I have never called them.
16:38When they have taken the decision,
16:40I'm leaving them in my eyes.
16:42What is your decision?
16:44You have the right to take that call.
16:48I want to say that,
16:50when Mahesh Bhatt left the direction,
16:54and in 2000,
16:56he became a creative head for the company.
17:00His contributions
17:02have been increased
17:04for 10 years.
17:06Because he was still
17:08in the steering room.
17:10He was guiding the young directors.
17:12Aadharag Basu,
17:14Vikram Bhatt,
17:16Mohit Suri,
17:18Kunal Deshmukhu.
17:20He was more productive
17:22in that role.
17:24As a mentor.
17:26Correct.
17:28Which was fantastic.
17:30Do you think that
17:32his decision is correct
17:34to do the direction?
17:36Even if it was only for one person?
17:38No.
17:40You should leave it.
17:42You should leave it.
17:43Why?
17:44You should also leave the story
17:46of the story.
17:48And that's history,
17:49legends,
17:50that
17:52Kunntas Ji,
17:54that were left on the peak
17:56and then a film of Aandhiyam.
17:58What happened in the film?
18:00Mahathuri
18:02As a matter of time,
18:04But Vinod Khanna came and you did what film did you do?
18:14I did what film did you do?
18:16I did what film did you do?
18:18I did what film did you do?
18:20I did what film did you do?
18:22Because when I was frustrated, I was very frustrated.
18:24And I thank Vinod Khanna.
18:26Because if he doesn't do that, then I wouldn't be ashamed.
18:32With the new commerce.
18:34I was so frustrated during shooting, I was so frustrated.
18:40That I was born in my life that I made a non-star cast film.
18:46And I told myself that they did something like that.
18:50And then I was killed by Gurshan Kumar.
18:53Gurshan Kumar made a video film.
18:56It was like a lal dupatta.
18:58So I said, why would you make a video film?
19:02You would make a feature film.
19:04So Gurshan Kumar said,
19:05I don't have to make a film.
19:08How would I make a film?
19:10So I would make a film.
19:12I would make money.
19:14We would make a partnership.
19:16I would make a film.
19:18Okay.
19:20So that was when I was born.
19:21Then I was like...
19:22Okay.
19:23And...
19:24And the issues with the rishish films, the relationship is with the songs.
19:29That also started there.
19:31No.
19:32It didn't start it.
19:33It was the first of a year.
19:34It was from a year.
19:35Interesting.
19:36And then, Vinod Khanna has been very tired.
19:38If no one may have been bored, the moment is the immortal song,
19:40That is my favourite song.
19:42It was more for the songs than for the film.
19:49Yeah.
19:50What is that?
19:51If someone doesn't play in the film, he can't play in the film.
19:56But my music is always there.
19:59Because I am gifted with a good ear.
20:02You know?
20:03Yes.
20:04I am gifted with a good ear.
20:06You know?
20:07Yes.
20:08There is a soul that is understood.
20:11The ear for music.
20:13Yes.
20:14That is the gift of people.
20:16So, you are saying that such a big, fantastic repertoire of songs, you take the credit for it?
20:29That means you chose the songs?
20:32I chose them.
20:33Yes.
20:34I don't want to deprive anything.
20:35Anybody.
20:36Yes.
20:37I want to give a lot of credit for Mahiripad.
20:42They knew that my passion is good.
20:45And my heart is good.
20:47So, they didn't feel insecure.
20:49They were creative.
20:51So, I will do it.
20:53You are the producer.
20:55You should put money.
20:57That was not a small part.
20:59That was a small part.
21:00That was a big part.
21:01I thought, my brother is good.
21:02My brother is good.
21:03So, do it.
21:04I am going to tell you how to do it.
21:05So I remember, when I tell you, I have to tell you, the situation is going, I think that the situation is going.
21:14And the situation was going, the situation was going.
21:17The situation was going.
21:18And the situation was going.
21:19What was the situation that was going, what was the situation that was going.
21:21So how do you go?
21:22It was not a thing.
21:23It was a time for me.
21:24And it was a time for me to stop the, and stop it.
21:26And that's why we have given him a time to stop it.
21:28Because you may have said, we have said that the film would go or not.
21:31We were going to be a moment.
21:32We have to be a moment.
21:33But the film is big.
21:34And even Imran Hashmi, I mean, he is starting to do the most...
21:41If you look at the film industry, if you look at the history of the film, the film is coming out.
21:51Because the repeat audience of the public is coming out.
21:57So, if you get hit songs, you will be sure that the picture will be going to go back.
22:05Or you will run into your...
22:07Everything, everything, everything.
22:09I mean...
22:10Gholam...
22:11Gholam...
22:12Gholam...
22:13Gholam...
22:14Gholam...
22:15Gholam...
22:16Gholam...
22:17And I mean...
22:18Vicious films are also very vicious for one thing.
22:22How many new talents have you given the chance?
22:26Direction maybe or acting maybe?
22:28I have a logo.
22:30People make films.
22:32We make people.
22:34I believe in making destinies of people.
22:37Right.
22:38I am not only in the business of making movies.
22:41I am in the business of making destinies of people.
22:44And I think that I am...
22:46Who is our most famous director?
22:47Who is the director?
22:48Writer?
22:49Singer?
22:50Composer?
22:51Actor?
22:52If I am a musician...
22:53If I am a musician...
22:55The person is also a director, writer, singer, composer, actor.
23:02If I have given a platform to show my skills,
23:08and excel from that platform,
23:13then the happiness that I have is unparalleled.
23:19That's true.
23:22In Sadak, you had a very nice song.
23:25That one.
23:29But you said you were part of it.
23:35I didn't know Sadak too.
23:38You saw a film?
23:40Yes, I saw a film.
23:43I didn't get to watch it before.
23:46I was not allowed to see the film.
23:49We didn't get to watch it before.
23:52Okay.
23:53Because you said I only made it.
23:56Vishesh didn't make it.
23:57That's why I asked.
23:58No.
23:59But that's why I told you.
24:01That's why I told you.
24:02It was a Banner film, but it wasn't a Vishesh film.
24:05Okay.
24:06Okay.
24:07Let's leave it at that.
24:08We'll leave it at that.
24:09Okay.
24:10When, now that Mahesh and you are working differently.
24:16You have a different office.
24:18They are different.
24:20They make it with your children.
24:22You make it with Vishesh and Sakshi.
24:24And I wish him all the best.
24:26Naturally.
24:27And all the luck and all the best and all the happiness and all the health, everything.
24:32Yeah.
24:33Because he deserves that.
24:34They made so many good films.
24:36They made Darlings, which were very good.
24:39They made Poacher, that web series.
24:42They were very good.
24:44So, they also did a great job.
24:46He is a very talented man.
24:48He is one of the most talented people the industry has seen.
24:56Of course.
24:57Of course.
24:58And self-made.
24:59Yeah, yeah, yeah.
25:00Absolutely.
25:01Completely self-made.
25:02I have to know him more than once.
25:06So, he is a fantastic brain, actually.
25:09Yeah, yeah, yeah.
25:10That is true.
25:11Okay.
25:12So, we won't go to Sadak Tu Kip.
25:14But,
25:15and now we have to know him.
25:16You can tell him.
25:17He has been a grunt.
25:18And he has started to grow the grunt in our life.
25:22Okay.
25:23Okay.
25:24Nice.
25:25You can tell him.
25:26There are thousands of eclipses.
25:27Okay.
25:28Okay.
25:29So, now Vikram Bhatt has said something that you didn't answer the question.
25:35I don't know.
25:36I don't know.
25:37I don't know.
25:38What did he say.
25:40I don't know.
25:41Because I am in social media.
25:43He said that you have exploited Mahesh all your life.
25:49That's what Mahesh told him.
25:50Very good.
25:51If he wants to believe that.
25:52That means,
25:53If he wants to believe that.
25:54If he wants to believe that.
25:56And if he is happy about believing that.
25:59I wish him all the best.
26:00All the best.
26:01So, actually, my question was that.
26:06I will not defend myself.
26:10Because, I don't want to do a little conversation.
26:16I don't want to say that.
26:17This is a little statement.
26:19I will not defend myself.
26:20So.
26:21Why do I do a little statement?
26:23My question is, when Vikram Bhatt has gone with Mahesh to make films.
26:29You know, he's gone with Mahesh to make films.
26:32So, the directors and actors who have vicious films, you both have to break them.
26:42So, do you have to choose now that I am with them?
26:46No, no, no.
26:47No, no.
26:48No, no.
26:49No, no.
26:50No, no.
26:51No, no.
26:52No, no.
26:53No, no.
26:54No, no.
26:55No, no.
26:56No, no.
26:57No, no.
26:58No, no.
26:59No, no.
27:00No, no.
27:01No, no.
27:02No, no.
27:03Because he is busy.
27:04It's not that I am going to get a joke.
27:06Okay.
27:07No.
27:08No.
27:09Did you see it right?
27:11I was calling him a trial.
27:13Okay.
27:14I saw him a trial after he was super hit.
27:17He was going to be a super hit.
27:19Super hit.
27:20So, this is not the case.
27:22I was doing dinner for 15 minutes.
27:24I was doing dinner for a while ago.
27:25Okay.
27:26So, he is a very good friend.
27:27So, he is a good friend.
27:28What did you see in Mohd Suri that you gave him the break?
27:32As a director, you will talk about him.
27:35Just tell me.
27:36He was a assistant.
27:37He was a college.
27:39After that, he was gone.
27:41He was a young girl who was a future girl.
27:47He was a assistant.
27:53He was an assistant.
27:55He had his picture.
27:57He was a Raaz.
27:59He was a guy.
28:01He was a guy.
28:03He was an assistant.
28:07Imii was also an assistant.
28:09He was also an assistant.
28:11He was also an assistant.
28:13In the last shooting scene,
28:15I also saw that this guy is Imii.
28:17He didn't have a shock in the direction.
28:19Then we said,
28:21we changed his gear.
28:23He was in the next picture,
28:25in the football picture.
28:27He continued.
28:294-5 pictures,
28:31he saw that
28:33he can do the work.
28:35He was ready.
28:37But what happened?
28:39At the time of swimming,
28:41there was a lot of water.
28:43I said,
28:45I killed him.
28:47I told him,
28:49I killed him.
28:51What will happen?
28:53We will take him to take him.
28:55We will take him to take him to take him.
28:57I said,
28:59I pushed him and made it.
29:01Then there was confidence.
29:03Then there was confidence.
29:05You had a great song.
29:07You have songs in every film.
29:09What is it?
29:11But Mohit is also very good.
29:13In the music.
29:15In the music.
29:17Because Mohit is also very good.
29:19He has also been a great contribution.
29:21He has also been a great contribution.
29:23He has also been a great contribution.
29:25So it has been a very good combination.
29:29Yeah.
29:31What about Imi, Imran, Hashmi?
29:33I mean,
29:35in your family,
29:37because of the separation,
29:39this film was not a film.
29:41This is a problem.
29:43Yes.
29:44Imran is doing it.
29:45Imran is doing it.
29:47Imran is doing it.
29:48Imran is doing it.
29:49Imran is acting.
29:51So what is it?
29:52So Imran is doing it?
29:53So, Imran has chosen this camp and not that camp?
29:56No, look, this camp is for the people. We have no camp here.
30:00Okay. So, this is not in the family?
30:03When this picture started, which it started,
30:07I was told that Bhatt Sahib had a message. Congratulations.
30:13And I wish you all the very best from the bottom of my heart.
30:18Wow, okay.
30:20I was very touched to see that.
30:23I was happy.
30:25But that is Mahesh.
30:26See, that's it. I was happy that he blessed Vishesh.
30:31Right.
30:32See, Mahesh has not been my elder brother.
30:35He is a father figure to me.
30:37Correct.
30:38I always looked into him, looked up to him as a father figure.
30:44So, anything coming from him,
30:48Sarakho par.
30:50So, if someone came to me and said,
30:53that Bhikar Bhatt has done this,
30:55that he has done this,
30:56that he has done this,
30:57then I would say,
30:58listen to these people's stories,
30:59I wouldn't do my mind.
31:00I am not a child.
31:02Okay.
31:03Okay.
31:04Okay.
31:05This is the difference.
31:06Okay.
31:07This is the difference.
31:08I am not a child.
31:09I am not a child.
31:10Okay.
31:11I am not a child.
31:12I am not a child.
31:13Okay.
31:14I am not a child.
31:15Okay.
31:16Okay.
31:17I know what the good things are.
31:19I am not a child.
31:22It is not the same.
31:24It is not the same.
31:26It is not the same.
31:28If you don't have to be afraid of me,
31:30I will be afraid of you.
31:32And they will be afraid of me.
31:34And they will be afraid of me.
31:36And you will go to them too?
31:38I will write with the devil.
31:40In the blood.
31:42In the blood.
31:44In the blood.
31:46If someone goes and says,
31:48if the devil came to me,
31:50there is a lot of pain.
31:52And the same will be.
31:54You will go.
31:56There is also a pain.
31:58There is also a pain.
32:00It is.
32:02We will do it.
32:04It is.
32:06People have done it.
32:08People have done it.
32:10People give their pain.
32:12People give their pain.
32:14They give their pain.
32:16How are these two happy people?
32:20Two brothers.
32:22They are very much happy.
32:24They are very long.
32:26How do they get hurt?
32:28They are enjoying them.
32:30But who are those people?
32:32I don't want to give them a name.
32:34But you know them?
32:36You know them?
32:38I don't want to give them a name.
32:40But what is it?
32:42I don't want to give them a name.
32:44I don't.
32:46But I don't like them.
32:48I think that they want to give them a name and say.
32:50Tell them to take the twelve and a half.
32:52But there's no matter what they like.
32:54There's no matter how to do this.
32:56There are no matter what they like.
32:58I am a person of a different category.
33:00One question.
33:02Did you feel bad that you were not called to Aliyabhar's wedding?
33:06Aliyabhar is your niece.
33:08Yes, I will be honest, I will be a hypocrite.
33:10If I tell you that I didn't feel bad.
33:12Of course I felt bad because I love Aaliyah very much.
33:19Aaliyah was very attached to Aaliyah's wife and sonny.
33:25So when Aaliyah's marriage was definitely a child's marriage, I was very much wanting to be there.
33:34And when Aaliyah got news that she was pregnant, and when she was a child,
33:41I thought that she could see the child's eyes.
33:44As I said, I was very happy with her.
33:47She was a child.
33:48If she was a poor child, she would take care of her.
33:51I love children.
33:52You've also become a mother?
33:54Yes, my mother and dad are both.
33:56They are twins.
33:58I think she is a child's wife.
34:00She is a child.
34:02She feels like the child's check is overdue.
34:05Right.
34:06You are very fond of children, is it?
34:09I am crazy about children.
34:11I am a child.
34:13I am a child.
34:15I have three or four children in the house.
34:17I have a whole day with them.
34:20Really?
34:21No problem.
34:22So you do a brother's duty and a brother's duty?
34:24No, I do.
34:25I do.
34:26I am very fond of the family.
34:28Yes.
34:29I am very fond of the family.
34:30Yes.
34:31The other little nanny, they leave the family back.
34:32Okay.
34:33So when Alia and Raha was born, did you get it?
34:36You did not have an opportunity or did you have a message?
34:39No.
34:40I did not have a message.
34:41I did not have a position of discomfort for Alia.
34:42I did not have to give Alia a position of discomfort.
34:47Okay.
34:48I did not have to give her a position.
34:49If we will have a grandma, then I have to give my grandma to my grandma.
34:53If my father will come, then how will my father feel?
34:59So why don't I give any discomfort to my children?
35:09So when they married and their children, did you not give a message?
35:14Or to them or to them or to them?
35:20That's why I gave a message from my heart and gave a message from my heart.
35:27But that's enough.
35:29That is more than enough, yes.
35:31Have you seen all these darling's poetry?
35:33No.
35:34We have not seen those.
35:36It was good.
35:38My life is limited.
35:43I'm happy with that.
35:45I've heard that your titles,
35:48there are many titles.
35:50Ra's, murder, and how many are there?
35:52So I believe that you are making all these sequels?
35:57No, not all.
35:58Almost everything.
35:59Because I saw that you are murder, ra's and ashikhi.
36:03Murder is a sequel.
36:04Murder is a sequel.
36:05Murder is a sequel.
36:06Murder is a sequel.
36:07Murder is a sequel.
36:08Murder is a sequel.
36:09The one in the world.
36:10That's right.
36:11One in the world.
36:12One and two were the.
36:13So the sequel is a sequel.
36:14You are making a sequel.
36:15What is the sequel?
36:16Yes.
36:17For the sequel, it's a sequel.
36:18Right.
36:19But you are making it?
36:20You are making it?
36:21I mean you are thinking that you are making it?
36:22Yes.
36:23Actually, you are making it?
36:24It means that people are saying that the sequel is a lot of attraction to the audience.
36:30You had started this sequel, Chris?
36:33I don't know, I have given it.
36:35Ashiki, no, Ashiki two came later. But Raaz, Murder, all of them you had started?
36:40No, I have done it. I am the original culprit.
36:43You are the culprit who started all the sequel, Chris.
36:47Yes, Ashiki.
36:51What is happening to Ashiki three? Because one had wonderful music.
36:56Can I tell you?
36:58I asked Ashiki to discuss it.
37:01I thought that there is only one that I can't talk about. I didn't know Ashiki.
37:06Ashiki, I cannot talk all the time because it is a quote.
37:11It is a joke.
37:13Oh.
37:14You know the whole world that I don't have a quote.
37:18But I still thought I could get a good quote from you.
37:22Okay.
37:23Because we are looking forward to the music.
37:25I mean, even your second one.
37:28Whatever it is, the music touch would be better.
37:31When you are making two songs, the music will be better.
37:34What will happen?
37:35It will be as good as the first one?
37:37I will write the music that our one will be better.
37:42Wow.
37:43Our one will be better.
37:44It was very good.
37:45Yes.
37:46It is better music.
37:47And do you lip sync?
37:48Because today someone doesn't know what you are doing.
37:50That is Vishesh's name.
37:51Yes, that is Vishesh's name.
37:52Baby.
37:53That is Vishesh's name.
37:54Baby.
37:55I will be crossing my jurisdiction by talking about it.
38:09We will not even go there.
38:10We will not even go there.
38:12So which are the sequels that you are planning?
38:16Ashik is caught up in court.
38:18You can't talk about it.
38:19We can't talk about it.
38:20We can't talk about it.
38:21We sent him to Siberia.
38:23So the other people have gone.
38:25The other people have gone.
38:26What is this?
38:27The sequel will be made.
38:28There is a story.
38:30It is a story.
38:31Yes.
38:32This story is a murder.
38:36It is a story.
38:38It is a murder.
38:39It is a murder and no one has taken a story.
38:41It is not.
38:42Then you are not doing it.
38:44Yes.
38:45It is a story.
38:46It is a story.
38:47It is a thriller.
38:48It is a murder.
38:49This is a murder.
38:50It is a title.
38:51It is a title.
38:52It is a title.
38:53It is a title.
38:54It is a title.
38:55Then it is in the sequel.
38:56Correct.
38:57Yes, that is right.
38:58Okay.
38:59It is good to give up to her good work.
39:01So you have done a good work today?
39:06Raaz.
39:07Murder.
39:08Philal.
39:09Jannath.
39:10Jannath.
39:11Ashiki.
39:12Yes.
39:13So I have to maintain that trend because people are hoping that this trend is going to be a trend.
39:23I am listening to Aashi's two songs.
39:27It's lovely songs.
39:30You are too.
39:32So that's all Mohit Suri's year for music?
39:37Of course.
39:38Mohit is a great hand. But Mohit and I both have done it.
39:44You have also worked with many composers. Pritam.
39:49Many.
39:50You have done it for your first time.
39:52You have made it for your heart.
39:55And even Zakkum.
39:57Yes. You have made it in the river.
39:59Exactly.
40:00So you have done it for your first time.
40:04I am a very talented musician.
40:06Of course, because Criminal was a remake.
40:10Yes.
40:11But he was a big star even then in South.
40:14So I think that he was a newcomer.
40:17Yes.
40:18Never.
40:19That's right.
40:20But you got some fantastic music from him.
40:22Yes.
40:23Very nice.
40:24Yes.
40:25So what I wanted to ask you was,
40:27If you are now 40 years old,
40:29What is your best experience?
40:32My son is starting his new innings.
40:37Yes.
40:38You are already a partner and a gospel.
40:39Yes.
40:40A good story.
40:41Yes.
40:42But you have led my family a great contribution.
40:44Yes.
40:45Yes.
40:46They did it.
40:47It was so great.
40:48Yes.
40:49Yes.
40:50And I would like to see them on it.
40:51Now I can see them.
40:52That's a great, great idea.
40:54Yes.
40:55That's kind of a great thing.
40:56Nothing is happening.
40:57Yes.
40:58So I want to be από.
40:59To be able to see them as well as your full Son.
41:03That's a great idea.
41:04It is about my 크�를on.
41:06I would like it to be complete.
41:08I have one question.
41:10You made a film called Savi.
41:14Yes.
41:16T-series, correct?
41:18And that is almost the same subject, Jigra.
41:22I did not see Jigra.
41:26But there was controversy, because Divya Khosra has always said it.
41:32Divya Khosra told me about the publicity.
41:36I did not know that.
41:38But I think that Jigra, if I am not mistaken,
41:42the idea came to him.
41:46Maheshnik would mean that he would go for years to go.
41:50Yes.
41:52Bangkok, Hilton.
41:54From Bangkok, Hilton.
41:56I think that Jigra was inspired by Jigra.
41:58I made the rights of Lionsgate's pictures in the next three days.
42:02Yes.
42:03In the next three days, Russell Crowe was a picture.
42:05Russell Crowe's role, I made a girl.
42:08Correct.
42:09And took Divya.
42:10Correct.
42:11So, they are two different.
42:12Now, see, we have made in 1983,
42:16Earth.
42:17Extramarital affair.
42:19Yes.
42:20Yes.
42:21At that time, Yajji had made Silcela.
42:23Yes.
42:24Extramarital affair.
42:25Yes.
42:26And Vinod Pandya had made this.
42:27Yes.
42:28Yes.
42:29Yes.
42:30Now, you will say,
42:32that,
42:33you will say,
42:34that,
42:35that idea,
42:36that plot is similar.
42:37But,
42:38it's the whole presentation is different.
42:41Maheshnik's presentation is different from Yajjopra Silcela,
42:45and Vinod Pandya was different.
42:48So, that's it.
42:49Now, what is it?
42:50That I said,
42:51that,
42:52to bring this hype,
42:54to bring me hype,
42:55to have some controversy,
42:56create some of this.
42:57No, this Divya has told us.
42:58Yes, that was to say,
42:59that's it, to have my friends.
43:00Yes.
43:01It was seen before my friends.
43:02Well, who would like to talk about it?
43:04It must be seen for me.
43:06That's it.
43:07Also,
43:08I have to talk about it.
43:09The other characteristics of that.
43:11If you talk about it as a big heroine,
43:13you will come back from such giants.
43:14Well,
43:16it's not a great story,
43:17but it is.
43:18You don't think this is more than a coincidence?
43:21I don't think Aliyah Bhatt is so bankrupt that he will steal something from me.
43:28Aliyah Bhatt is too big a person. She doesn't need to do all this.
43:32Okay.
43:34Aliyah Bhatt is a very intelligent, intelligent and good girl.
43:42I can't think of this. I can say this because I love Aliyah.
43:53So you don't think that there is anything?
43:56No. I don't have any sort of story.
43:58No.
43:59I think that the Bhatt Bhatt's picture was inspired by it.
44:07But all these films were inspired by Bangkok Hilton.
44:11All the templates were started.
44:13And the gender changed.
44:15Shuru Shivan made a picture of Seven Samurai.
44:18And you made a picture of Seven Samurai.
44:20And you made a picture of Seven Samurai.
44:22And you made a picture of Seven Samurai.
44:24Correct.
44:25So, if you want to play in history,
44:29I will tell you 101 incidents.
44:32When a classic comes, the tributaries are 50.
44:37That's true.
44:38That's true.
44:39Yes.
44:40So, you would think this is only because it's tributaries.
44:42It's not that anyone has this idea from here.
44:44No, no, no.
44:45That's true.
44:46And Aliyah is too big for this.
44:50That's true.
44:51Only two more questions.
44:53Imran Hashmi's image of serial kisser, etc.
44:55You are responsible for that?
44:56I am responsible for that.
44:57I am responsible for that.
44:58Yes.
44:59I am responsible for that.
45:00Yes.
45:01That's true.
45:02Only two more questions.
45:03Imran Hashmi's image of serial kisser, etc.
45:04Are you responsible for that?
45:05I am responsible for that.
45:06Yes.
45:07There was a subject to which was sensuality.
45:08People liked that sensuality.
45:09So, someone told me, this is serial kisser.
45:10Serial kisser.
45:11Serial kisser.
45:12Serial kisser.
45:13Serial kisser.
45:14And he was also the longest kiss ever marathon kisser.
45:16So, Mahesh Bhatt�?
45:17Yes.
45:18Serial Kisser.
45:19Serial kisser.
45:20Has that kiss super Frank?
45:21As someone like us in a car and sheketting one line donting voices women live?
45:23Danlahosos g της Contact us.
45:24No, Mahesh Bhatt.
45:25She famous like me, so he listens to me.
45:26The female is invisible.
45:27Okay.
45:28She introduced me.
45:29A female is lost.
45:30Ramaj Kh Brewster.
45:31Then at first she started before gives me three tables there.
45:32And Tydush Bhatt every morning, and that's what she said to do.
45:33So what I'm not saying to you.
45:34He?
45:35들?
45:36Shudos to how I am your friends.
45:37He used the Imagine Mahesh Bhatt to offer questions.
45:38Who is in my fellow love?
45:39Is this the Mad Shen?
45:40a very intelligent band, he understands the media.
45:44And the media, as you say, is a dog,
45:49how to ride and capitalize on it,
45:53that Mahesh Bhatt is a good talent.
45:56I am zero.
45:58Marketing, marketing, I don't understand.
46:01Mahesh Bhatt is a genius.
46:03He knows that.
46:05It's like a real man behind him,
46:10so we also have to take his hands.
46:13Because Dev said that he had the longest kiss with Isha Gupta
46:18and his first longest kiss with Sohali Khan.
46:22I was doing a time clock.
46:25I was doing a time clock.
46:29And then they called it from a serial kisser to a marathon kisser.
46:33Thank God.
46:35So you had nothing to do with it?
46:37Nothing.
46:38I am far away from it.
46:40Okay.
46:41If you had to pick the five best songs,
46:44this is my last question.
46:45The five best songs from your repertoire,
46:48which songs of your repertoire?
46:50From my repertoire?
46:51Yes, yes, yes.
46:53It's very difficult because your songs are good.
46:56You have put it in your opinion?
46:58Yes.
46:59It's my favorite.
47:00It's my favorite.
47:01I like to sing the song of Jun.
47:04That's my favorite.
47:05That's my favorite.
47:06It will come when there is no other thing.
47:07Yes, when there is no other thing.
47:08When there is no other thing.
47:09Ashi Kyi is coming slowly, slowly,
47:11in my life.
47:12Okay.
47:13Ashi Kyi won.
47:14The title song of the song is,
47:16I don't like my heart.
47:17Superb.
47:18What will be the song of Raas?
47:22In your love.
47:24In your love.
47:25In your love from Raas.
47:26Okay.
47:27And the fifth song will be...
47:29Criminal.
47:30You will get it.
47:31From Maritable.
47:33You will get it.
47:34Criminal.
47:35Right?
47:36That is a...
47:37Yeah.
47:38These are five superb songs.
47:39Mind-blowing.
47:40Mind-blowing.
47:41Yeah, yeah.
47:42I wished it was ten because I would have added Ashi Kyi two also.
47:45What are the songs?
47:46What songs are?
47:47I am so...
47:48I am so...
47:49I am so...
47:50I am so...
47:51I am so...
47:52I am so...
47:53I can give you the top 50.
47:54That is true actually.
47:56So...
47:57How good was the song of the world?
47:58Very good.
47:59Gangster?
48:00Gangster.
48:01Yes.
48:02Correct.
48:03Yes.
48:04You will get it.
48:05Yes.
48:06Yes.
48:07Yes.
48:08Yes.
48:09Yes.
48:10Yes.
48:11Yes.
48:12Yes.
48:13Yes.
48:14Yes.
48:15So, at this stage, where is Mukesh Bhatt?
48:20And how happy is he?
48:22How content is he?
48:24I mean, when you are facing your 40th year of Vishesh films, what is your thoughts?
48:30I am full of humility, tremendous gratitude to the Almighty for giving me all that I have received.
48:45I am blessed with great-grandchildren.
48:48The greatest gift of my life.
48:51My father, my father, my son, has started production.
49:03I couldn't have asked for anything more.
49:08So, I only have to say, thank you, thank you, thank you.
49:16Superb.
49:18Any chance of Mahesh and you coming together again?
49:21Never said, no, never.
49:23Never said no.
49:24Never said no.
49:25Never said no.
49:26Never said.
49:27My life, kiss, more.
49:28I didn't think about how we could be different.
49:30I said, only one thing can separate us and that's death.
49:33Because death, you are one of us, you will not be there.
49:40I never remember the wildest, wildest, wildest dream thought that you would separate.
49:47So it happened, no?
49:49But who took the first step?
49:51I don't know who took, but whatever happened.
49:55It was the eclipse, the solar eclipse.
49:59In the house there were no good things, but bad things.
50:04That's true.
50:05So it had to happen, Covid or something.
50:08It happened during the pandemic.
50:10It happened.
50:11Everything happened in that time.
50:13That's okay.
50:15I don't know.
50:17When the answer comes out.
50:21And some kind of...
50:24See, you have to be open in life.
50:27I say one thing to my children,
50:29that you don't have negativity in life.
50:33Fill your heart with positivity.
50:37Take a good feeling, take a positive feeling.
50:40Positive things will happen.
50:42Negative thoughts will happen.
50:45Take each day as it comes.
50:49And enjoy it.
50:53Thank you very much.
50:55And this is my wish that Vishesh films will have very Vishesh moments.
51:04And it will be very Vishesh moments in 2020.
51:09I need your good wishes.
51:10We are looking forward to it.
51:11Coming from you means a lot to me.
51:13Yes, I have been there much before Vishesh film was born.
51:16I know, I know.
51:17That's why you are very special to me.
51:18You are Vishesh for me.
51:20Thank you so much.
51:23You are my favourite brain!
51:26Thank you very much for watching.
51:31You are now in the day,
51:33Love You Morning lecture.
51:34This is the podcast.
51:37No one interview.
51:38The podcast is a web expert in the world.
51:40We are humiliating and he is extraordinary.
51:41A pretty long time you may see thisεται and he will be the most Barbara appointed by
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