- 8 hours ago
Full Episode of In Other Words, I Love You
Category
🎥
Short filmTranscript
00:00:01I've always described the world in words.
00:00:05People, moments, places.
00:00:08But in that moment, I forgot them all.
00:00:12Be careful. You're talking about the king of Ashford.
00:00:15He's hot.
00:00:16I don't find bullies attractive.
00:00:18Good morning!
00:00:19He's lonely and kind of pathetic.
00:00:21Breathe the room before opening your mouth.
00:00:24American.
00:00:26She said you'd be moving in today.
00:00:28There's been some kind of misunderstanding.
00:00:31I'm not staying here.
00:00:32You must stay.
00:00:35I heard you stay to the whole thing for attention.
00:00:39Charles, we need to talk.
00:00:41If you don't do anything about it,
00:00:43it's only going to get worse.
00:00:46You're lying to everyone, including her.
00:00:49You didn't have to come.
00:00:51Don't tell me what I have to do.
00:00:58I've always described the world in words.
00:01:06People, moments, places.
00:01:09All through metaphors and margins.
00:01:12You okay?
00:01:13Like my mom.
00:01:15Self-made, stubborn and never wrong.
00:01:18Almost there.
00:01:20You excited for your first day?
00:01:21She calls this a fresh start.
00:01:23I call it terrifying.
00:01:31You've got this.
00:01:32Just be yourself.
00:01:33That's kind of the problem.
00:01:35I'm stuck in space.
00:01:45Start a daydream, run into my brain everyday.
00:01:52Heaven in my dead.
00:01:54Oh, you're going to study it already.
00:01:56Really?
00:02:02Okay.
00:02:05Morning, class.
00:02:08And you're not seated because...
00:02:11I don't have a seat.
00:02:14Ah, a new transfer.
00:02:16Alice Keaton, right?
00:02:18Let's see.
00:02:19Oh, there's a spot next to Charles.
00:02:24Charles' case, Sherry.
00:02:26Seriously?
00:02:27A charity case sitting next to Charles?
00:02:29God, why is she?
00:02:31Quiet, Charles.
00:02:36I've always had words for everything.
00:02:39But in that moment,
00:02:41I forgot them all.
00:02:49Charles, move your things.
00:02:56I'd rather not.
00:02:58She'll be a distraction.
00:02:59From what?
00:03:01Sleeping.
00:03:02From everything.
00:03:03If anything, Charles,
00:03:04Miss Keaton will be a positive influence on you.
00:03:07She was top of her class at her previous school.
00:03:10With all due respect, sir,
00:03:12her previous school was American.
00:03:15I highly doubt that.
00:03:16That's enough.
00:03:20She can sit here.
00:03:21It's fine.
00:03:24Back to Goldie.
00:03:27You got it.
00:03:27I'm Sherry Vaughn.
00:03:29Alice Keaton.
00:03:29It's very important that we look at the...
00:03:32What do you think about their experience of the time?
00:03:39Wait.
00:03:40You sat next to Charles?
00:03:42She didn't.
00:03:42You totally shut her down.
00:03:44Oh, knew it.
00:03:45Don't take it personally.
00:03:46He's impossible.
00:03:48Can everyone stop acting like the goal is getting into his pants?
00:03:51What?
00:03:52He's hot.
00:03:53Everyone kind of is.
00:03:56I...
00:03:56I've seen...
00:03:57Connor.
00:03:58He's not my type.
00:03:59You're joking.
00:04:00I don't find bullies attractive.
00:04:02Hey!
00:04:03Be careful.
00:04:04You're talking about the king of Ashford.
00:04:06The what?
00:04:07His family basically own the school.
00:04:10And the town.
00:04:11Maybe even the country.
00:04:12Yeah.
00:04:12Everyone's tried to get close.
00:04:14No one can get past his ego.
00:04:16You're not the first to get iced.
00:04:18Okay.
00:04:18First of all, I wasn't iced.
00:04:20It's more like a mutual decision.
00:04:23And second, I think he's arrogant.
00:04:26Cold.
00:04:26Thinks he's untouchable.
00:04:28But if you really look at Charles, he just seems isolated.
00:04:32Like he's faking out.
00:04:33Honestly, I just think he's lonely and kind of pathetic.
00:04:36What?
00:04:41No, go on.
00:04:48You were saying I'm lonely and pathetic.
00:04:55Next time, read the room before opening your mouth, American.
00:05:01We're not in Kansas anymore, Alice.
00:05:21Hey, how was your first day?
00:05:23Uh, good.
00:05:25Anything exciting, Captain?
00:05:26Not really.
00:05:27Super uneventful.
00:05:28Really?
00:05:31How's your new job?
00:05:32Yeah, all right.
00:05:34Get this?
00:05:34They said we can stay in the servant's wing.
00:05:36Seriously?
00:05:37Hmm.
00:05:38Apparently, the young master won't mind the company.
00:05:41The young master.
00:05:44This is your boss's house.
00:05:46Yeah?
00:05:47Isn't that incredible?
00:05:48I mean, I wouldn't call it a house.
00:05:51It's a museum with better landscaping.
00:05:55Wait here.
00:06:00I'll talk to the butler.
00:06:06Wow.
00:06:07Rich people.
00:06:09You've topped yourselves again.
00:06:13Stephen King.
00:06:16First edition.
00:06:17Breaking and entering now.
00:06:28How American of you.
00:06:30I...
00:06:31You've been paying rent here in my head.
00:06:44Trying to fight it off.
00:06:50You can get up now.
00:06:54I...
00:06:54I'm trying.
00:06:56Wait!
00:06:56Are you serious?
00:07:00Well, you said you were trying.
00:07:03What is wrong with you?
00:07:05Funny.
00:07:05I was about to ask you the same thing.
00:07:08What are you doing in my house?
00:07:11You...
00:07:11Wait.
00:07:13Your house?
00:07:15My house.
00:07:16My library.
00:07:17And now, apparently,
00:07:19my unwanted guest.
00:07:20Ah, Master Charles.
00:07:24You must be Miss Alice,
00:07:25Anne's daughter.
00:07:26She said you'd be moving in today.
00:07:28She what?
00:07:28There...
00:07:29There's been some kind of misunderstanding.
00:07:31You see,
00:07:32I'm not actually moving in.
00:07:34Is that so?
00:07:35Yeah.
00:07:36I'm not staying here.
00:07:37Like, at all.
00:07:38That's a shame.
00:07:39Your mother seemed quite pleased
00:07:40with the arrangement.
00:07:41Well,
00:07:41I just don't think
00:07:42it's appropriate.
00:07:44Well,
00:07:44if you're sure,
00:07:45then absolutely not.
00:07:48Come on, Alice.
00:07:50You must stay.
00:07:54It'll be fun,
00:07:56my dear classmate.
00:08:00I'm dead.
00:08:02Like, mentally,
00:08:03socially,
00:08:04and actually dead.
00:08:11Just trying to figure out
00:08:13how exactly my life
00:08:15went off the rails.
00:08:17Get it together,
00:08:18Alice Keaton.
00:08:19You've been through hell.
00:08:20Never find someone
00:08:21to make my head spin around.
00:08:24Actually, no.
00:08:25This is hell.
00:08:28Baby,
00:08:29you saved me.
00:08:30Uh,
00:08:30good morning.
00:08:31Good morning.
00:08:31Wow.
00:08:39Wow.
00:08:46Sir,
00:08:46is that Miss Keaton?
00:08:49Well,
00:08:49the f***ing doesn't know
00:08:50that's often closed
00:08:51for months.
00:08:52She's going to be late.
00:08:59Okay,
00:08:59how long is this thing
00:09:00gonna take?
00:09:02Maybe I'll just walk?
00:09:03Five miles
00:09:05to school.
00:09:07Okay,
00:09:08if I sprint,
00:09:09maybe I'll make it
00:09:09before first period.
00:09:10Or die of exhaustion
00:09:13on the way.
00:09:17Or die of exhaustion
00:09:18on the way.
00:09:20What,
00:09:21what are you doing here?
00:09:22Didn't you already leave?
00:09:26Wait,
00:09:27did you come back
00:09:28for me?
00:09:30Relax.
00:09:31I forgot my textbook.
00:09:34Don't flatter yourself.
00:09:36Wait.
00:09:39Since you're already here,
00:09:41maybe you could be
00:09:42a decent person
00:09:43and give me a ride?
00:09:47No.
00:09:49Seriously?
00:09:49Your car is huge.
00:09:52Yeah.
00:09:53And I'm not a fan
00:09:54of sharing.
00:09:56Says the guy
00:09:57who forced me
00:09:58to live in his house.
00:09:59was if it's all of mine.
00:10:01Now he won't
00:10:02and these are needs
00:10:03to be
00:10:04every walking
00:10:06sunlight down.
00:10:13Ashford Institute,
00:10:14please.
00:10:19Who needs
00:10:20an entitled brat anyway?
00:10:22Sir,
00:10:23you called the cab.
00:10:24Why not just give
00:10:25Miss Keaton a lift?
00:10:29Why not just give
00:10:32Miss Keaton a lift?
00:10:33And have the whole
00:10:34school go crazy.
00:10:36She's new.
00:10:37Everybody's already
00:10:38talking.
00:10:39So you're worried
00:10:39about her?
00:10:40You're overthinking.
00:10:42I just don't like drama.
00:10:50Asshole.
00:10:51Who?
00:10:51Morning,
00:10:53Closs.
00:10:55Back to Golding.
00:10:57Remind me what
00:10:58he's saying
00:10:58through Lord of the Flies.
00:11:04Mr. Kenwood,
00:11:06care to share
00:11:06what you found
00:11:07so amusing?
00:11:08Not particularly.
00:11:10Oh,
00:11:10I insist.
00:11:11You seem very
00:11:12entertained by Golding.
00:11:14I'm not entertained
00:11:15by Golding, sir.
00:11:17On the contrary,
00:11:18I think
00:11:19his ending is
00:11:20weak.
00:11:23Wait, wait.
00:11:24You wish you
00:11:24read it?
00:11:25Quiet.
00:11:27That's an interesting
00:11:28take.
00:11:29Explain.
00:11:32He had the setup
00:11:33for something brutal.
00:11:35Something honest.
00:11:36But in the end,
00:11:37he backed out.
00:11:38He could have left
00:11:39the boys on the island,
00:11:40forced them to confront
00:11:41the collapsible morality,
00:11:43let them choose survival
00:11:44or death.
00:11:46But instead,
00:11:47he gave them
00:11:48a rescue boat,
00:11:49slapped a happily ever
00:11:50after on a book
00:11:51about savagery.
00:11:55It's a waste.
00:11:57Don't you think?
00:11:58I'm delightfully surprised,
00:11:59Charles.
00:12:00Didn't think you had
00:12:00such strong literary opinions.
00:12:03I'm always a model
00:12:04student, sir.
00:12:05Let's not get ahead
00:12:05of ourselves.
00:12:06So,
00:12:10a critique of
00:12:11Golding's mercy.
00:12:12Anyone disagree?
00:12:13I think Golding knew
00:12:29exactly what he was doing
00:12:31by ending the book
00:12:31that way.
00:12:32It's not mercy,
00:12:33it's irony.
00:12:34How so?
00:12:38The rescue
00:12:39isn't a happy ending.
00:12:40You don't just walk
00:12:41back into society
00:12:42and forget you're a monster.
00:12:44Golding didn't save them,
00:12:45he left us
00:12:46with the discomfort
00:12:46of pretending
00:12:47they could be saved.
00:12:48That's an interesting
00:12:49take, Miss Keaton.
00:12:50You still think
00:12:51it's a harsh critique?
00:12:53In some ways,
00:12:54but not harsh enough.
00:12:55Yes,
00:12:57it's a critique
00:12:58of toxic masculinity,
00:12:59but still,
00:13:00Golding sympathized
00:13:01with them.
00:13:02And the civilized world?
00:13:04Toxic,
00:13:05violent,
00:13:05he didn't call that
00:13:06out nearly as much.
00:13:07So, yeah,
00:13:08I don't think
00:13:08Golding pushed far enough,
00:13:10but I think it's unfair
00:13:10to call it a happy ending.
00:13:16Thank you,
00:13:16Miss Keaton.
00:13:17Well said.
00:13:19Anyone else?
00:13:22Both opinions
00:13:23are valid.
00:13:24Okay,
00:13:24that's kind of epic.
00:13:26Golding faced
00:13:27major backlash
00:13:28when he first published
00:13:29the book.
00:13:30Good literature
00:13:31will always divide opinion.
00:13:35What's happening to me?
00:13:42Okay,
00:13:43what is going on?
00:13:44Why is everyone
00:13:44staring at me?
00:13:46Well,
00:13:47you're new
00:13:47and apparently
00:13:48had a thing with Charles.
00:13:50A what now?
00:13:51You two are in the middle
00:13:52of the most epic feud
00:13:53Asher's teen
00:13:54in years.
00:13:55We're not even fighting.
00:13:56Well,
00:13:57according to everyone,
00:13:58you confessed your love
00:13:59on day one,
00:13:59got rejected,
00:14:01begged to sit next to him,
00:14:03got rejected again.
00:14:04And today in class,
00:14:06you broke down crying
00:14:07about not believing
00:14:07in happy endings
00:14:08and stormed out
00:14:09and stormed out in tears.
00:14:12You were there,
00:14:13Sherry,
00:14:13that is not what happened.
00:14:16Doesn't matter.
00:14:17People believe
00:14:18what they want to believe
00:14:19and they want Charles
00:14:20to be flawless,
00:14:21untouchable.
00:14:23Wow.
00:14:24Is massage
00:14:25only like a rich kid thing
00:14:26or just a British specialty?
00:14:27Honestly,
00:14:28both.
00:14:30But seriously,
00:14:31Alice,
00:14:31some people already
00:14:32see you as a threat.
00:14:41Okay.
00:14:42Loaded.
00:14:44Looks like the new girl's
00:14:45in for a rough
00:14:46first semester.
00:14:46Hello?
00:15:04Hello?
00:15:06Is somebody out there?
00:15:08Oh, come on!
00:15:16Fine.
00:15:37Seriously?
00:15:40Oh, shit.
00:15:46What the hell?
00:15:49Anne,
00:15:50I thought you were
00:15:51having dinner with Alice?
00:15:52She hasn't come home.
00:15:53Her phone is off.
00:15:54Maybe you've seen her
00:15:55this evening?
00:15:58Yikes.
00:16:00Looks like the new girl's
00:16:01in for a rough
00:16:01first semester.
00:16:08Shit.
00:16:13Alice!
00:16:15Alice!
00:16:16Mr. Pelton!
00:16:16Charles Kenwood here.
00:16:18I was wondering
00:16:18if I could get the
00:16:19timetable for Alice Keaton.
00:16:21She hasn't come home.
00:16:22I'll have it sent over.
00:16:24Check the common room
00:16:25in the library.
00:16:26I'll take the rest.
00:16:28Alice!
00:16:29Alice!
00:16:43Come on, Alice.
00:16:44Close your eyes
00:16:47and jump.
00:16:48It's fine.
00:16:49You're fine.
00:16:50You're fine.
00:16:51Hey, Mr. Nonchalant.
00:17:00Hey, Mr. Nonchalant.
00:17:02Hey, Mr. Nonchalant.
00:17:16Are you happy with how we end?
00:17:24What are you doing here?
00:17:28Can you get off me first?
00:17:30You're welcome.
00:17:43I didn't say thank you.
00:17:43I figured saving your life might earn me basic manners.
00:17:46Someone just dumped swamp water on me.
00:17:49Excuse me if I'm not feeling very polite.
00:17:51You smell like a biology experiment.
00:17:54Wow.
00:17:55You should try falling out of a window into someone's arms and getting insulted for it.
00:17:59Wouldn't recommend it.
00:18:00You're heavier than you look.
00:18:01I hope you pull your shoulder.
00:18:10Are you okay?
00:18:12No.
00:18:13But I will be.
00:18:15Someone did this on purpose.
00:18:17What do you think, golden boy?
00:18:20Don't worry.
00:18:21I can handle it.
00:18:21You shouldn't have to.
00:18:25I'm sorry.
00:18:34Sorry.
00:18:39Did you just apologize to me?
00:18:42Don't get used to it.
00:18:43I wouldn't dream of it.
00:18:46Alice?
00:18:48Over here.
00:18:49Oh, my God.
00:18:51Are you okay?
00:18:55Why are you drenched?
00:18:56Yeah, I just took a weird shower.
00:18:59Top exploded.
00:19:02Come on.
00:19:03Let's get you home.
00:19:14Alice Keaton, right?
00:19:17I heard you staged the whole thing for attention.
00:19:21I know how this place works.
00:19:45If you don't do anything about it,
00:19:47it's only going to get worse.
00:19:49I'll look into it.
00:19:52Charles?
00:19:54Good on you.
00:19:56How many here would speak up?
00:19:57I can't believe someone actually locked you in.
00:20:03That's insane.
00:20:05Where the hell was the school when this was happening?
00:20:07Busy protecting their golden boys and trust funds.
00:20:10Well, for what it's worth,
00:20:12I heard Charles looked pretty freaked out
00:20:14when he ran out last night.
00:20:16Please.
00:20:17He just didn't want a lawsuit.
00:20:18Being a scholarship student has its perks,
00:20:39like saving a fortune on tuition
00:20:40and getting into schools
00:20:42that normally wouldn't even let you pass the gates.
00:20:44Hey, we miss you in Paris.
00:20:49Though there are enough Americans to remind us of you.
00:20:51But sometimes,
00:20:53being here means staying behind.
00:20:55And watching Ashford Elites
00:20:57go on a two-week enrichment program
00:20:58you can never afford.
00:21:01Have fun.
00:21:03Bring me something overpriced
00:21:06and unnecessary.
00:21:08The trip cost 20 grand in pounds,
00:21:13which translates to
00:21:14mom's salary for half a year.
00:21:16So, yeah,
00:21:17I didn't go.
00:21:18I didn't go.
00:21:18What are you doing here?
00:21:41Do you not believe in shirts?
00:21:43Do you not believe in dignity?
00:21:45It's comfortable.
00:21:46You look like a rejected Ewok.
00:21:48This...
00:21:49This is not even your kitchen.
00:21:50And this is not even your house.
00:21:52And yet,
00:21:52you're here,
00:21:53dressed like this.
00:21:55Just don't...
00:21:56Look,
00:21:56go away.
00:21:57Hard not to,
00:21:58when you're walking around
00:21:59dressed like that.
00:22:00What do you guys call it?
00:22:02Um,
00:22:03buzzkill?
00:22:05Cockblock.
00:22:06You're insufferable.
00:22:07You're the one cosplaying at breakfast.
00:22:09You know what?
00:22:10I don't get it.
00:22:11Why didn't you go on that tour?
00:22:12I thought rich people
00:22:13lived for that kind of thing.
00:22:14Why do you think?
00:22:18How would I go?
00:22:22I could practically recite the itinerary
00:22:25in my sleep.
00:22:27Florence,
00:22:28walk in the great footsteps
00:22:29of Dante,
00:22:30Michelangelo,
00:22:31da Vinci,
00:22:31and Titian,
00:22:32or Tiziana,
00:22:34if you want to sound
00:22:34extra pretentious.
00:22:36Then Venice,
00:22:37because everybody loves a good canal
00:22:39and getting lost
00:22:40in the most confusing city
00:22:41on earth.
00:22:42Next stop,
00:22:43Napoli,
00:22:44marvel at Pompeii,
00:22:45pretend you're shocked
00:22:47ancient people had plumbing.
00:22:48The final stop,
00:22:50Paris,
00:22:51the ultimate city of romance.
00:22:54And,
00:22:55naturally,
00:22:56Woody Allen's
00:22:57favourite city
00:22:58outside of New York.
00:23:01That's
00:23:02word for word.
00:23:04I told you,
00:23:05I've done this tour
00:23:05so many times
00:23:06I could run it.
00:23:07Okay,
00:23:08but still,
00:23:08it's Europe.
00:23:09Most people would kill
00:23:10for that chance.
00:23:11Most people haven't had
00:23:12their phones stolen in Paris.
00:23:13Twice.
00:23:16Also,
00:23:16I hate the accommodations.
00:23:18Aren't they all
00:23:19five-star hotels?
00:23:20Standard rooms
00:23:21in five-star hotels.
00:23:23No thank you.
00:23:25Wow.
00:23:26Some were born in Rome, huh?
00:23:27That's unfortunate.
00:23:28It's a very chaotic city.
00:23:30One word of advice?
00:23:31Shut up.
00:23:32That's two words.
00:23:35You're weird.
00:23:36You're loud.
00:23:37You're annoying.
00:23:37You're in my kitchen.
00:23:38You have three other kitchens.
00:23:40And I prefer this one.
00:23:42Just for today.
00:23:43Come back
00:23:44when you've got a shirt on.
00:23:45Come back
00:23:45when normal clothes on.
00:23:46You don't have to come.
00:23:47Don't tell me
00:23:48what I have to do.
00:23:58Master Charles,
00:23:59roads are flooded.
00:24:00Staff won't make it tonight.
00:24:01Will you be alright
00:24:01sorting dinner?
00:24:06I've got it sorted.
00:24:06Jesus, what are you doing?
00:24:20Relax.
00:24:23I'm here to make a deal.
00:24:25What deal?
00:24:25You nearly gave me a heart attack.
00:24:27You'll survive.
00:24:33I'm not selling my body.
00:24:39I'm not selling my body.
00:24:45Wow.
00:24:46I am deeply offended.
00:24:49That thought disgusts me.
00:24:51Then what are you doing?
00:24:52The staff's off tonight.
00:24:54I'm buying dinner.
00:24:58Did you seriously think
00:24:59I'd spend £100 on...
00:25:00No, I...
00:25:01Jesus.
00:25:03Wait.
00:25:04You think I'm not worth
00:25:06£100?
00:25:08I'm not spending £100
00:25:10to snort Chewbacca.
00:25:11You know what?
00:25:12Dinner's cancelled.
00:25:13Are you sure about that?
00:25:19I present to you
00:25:20meatball spaghetti,
00:25:22stir-fried veggies,
00:25:23and french fries.
00:25:24You're welcome.
00:25:25Interesting combo.
00:25:27Well, I know we're not
00:25:27in Italy or France,
00:25:29but this will do.
00:25:31It's...
00:25:32good.
00:25:39Was that a compliment?
00:25:41Although...
00:25:41I am obliged to inform you
00:25:44meatball spaghetti
00:25:45isn't Italian.
00:25:46It's American.
00:25:47And french fries,
00:25:48likely born in South America.
00:25:50You should read more.
00:25:53Put it down.
00:25:55I paid for it.
00:25:56You really just have to
00:25:57win every argument,
00:25:58don't you?
00:25:58To be fair,
00:25:59you make it very easy.
00:26:02It's only easy
00:26:03because it costs £200.
00:26:06You know,
00:26:06if you'd ask for more,
00:26:07I probably would have
00:26:07given it to you.
00:26:08I'll make sure I'm not.
00:26:11Hey, Alice,
00:26:24it's fine.
00:26:26You're fine.
00:26:279-1-1,
00:26:34what's with your emergency?
00:26:409-1-1,
00:26:41what's with your emergency?
00:26:42It's my dad.
00:26:43He needs help.
00:26:44He just had a stroke.
00:26:45Okay, miss.
00:26:46Hurricane's constant traffic
00:26:47shut down.
00:26:48We'll get to you
00:26:48as soon as we can.
00:26:49He's not well.
00:26:51I understand.
00:26:52Can you confirm
00:26:53your address?
00:26:55Daddy, yes,
00:26:56I'm right here.
00:26:57All right.
00:26:59My daughter.
00:27:00Please stay with me,
00:27:02Dad, please.
00:27:07No.
00:27:09Please wake up.
00:27:14Dad, please.
00:27:16Please don't leave me.
00:27:17Please don't leave me.
00:27:17Please don't leave me.
00:27:47You...
00:27:49What are you doing here?
00:27:55You were crying.
00:27:57Loudly.
00:28:00Kind of hard to ignore.
00:28:02Right.
00:28:03Sorry for the noise.
00:28:05Wait.
00:28:06No snarky comeback?
00:28:08Not tonight.
00:28:09I'm too tired.
00:28:10If you're here to argue,
00:28:11knock yourself out.
00:28:12You were calling for your dad,
00:28:16right?
00:28:18Hurricane hit New York.
00:28:20Power went down,
00:28:21traffic froze.
00:28:23Dad had a stroke.
00:28:25But he couldn't get help in time.
00:28:27I sat there
00:28:30with a candle
00:28:32while he laid there.
00:28:36Peaceful.
00:28:38Like he was asleep.
00:28:40But he wasn't.
00:28:45So that's why
00:28:46you and your mum moved here?
00:28:48This used to be our hometown.
00:28:49After dad left,
00:28:53we had nowhere else to go.
00:29:00What are you doing?
00:29:05Come on.
00:29:06Wait.
00:29:22I thought the peril was out.
00:29:25It is.
00:29:26We have our own generator.
00:29:28Wow.
00:29:29Rich people houses her.
00:29:30Just for tonight,
00:29:32I'll allow it.
00:29:35Allow what?
00:29:35You can call this place
00:29:37your house.
00:29:38So enjoy it.
00:29:39Stephen King's first edition.
00:29:41Alan Gisberg's handwritten letters.
00:29:43Jane Austen's notes.
00:29:45All yours.
00:29:49This
00:29:50is your home.
00:29:53Alice Keaton.
00:29:59Careful.
00:30:00Almost sounded sweet.
00:30:02Don't push it.
00:30:03Okay then.
00:30:05I have
00:30:08one request.
00:30:13What is it?
00:30:21Are you ever going to make a move?
00:30:22Wait.
00:30:23Give me a second.
00:30:24I'm thinking.
00:30:26You had one wish.
00:30:28Anything in the world.
00:30:29And in the middle of a thunderstorm,
00:30:31inside a literal mansion,
00:30:34you chose chess.
00:30:36Yeah.
00:30:36Got a problem?
00:30:38It's just so cool.
00:30:39Like spies or genius villains in movies.
00:30:42It's literally a board game.
00:30:44Says the guy who owns a custom set.
00:30:47Wait.
00:30:47Does the knight go diagonally?
00:30:50For the tenth time,
00:30:51it moves in an L shape.
00:30:54One,
00:30:55two,
00:30:56then turn.
00:30:58There.
00:30:59Happy?
00:31:00Excited.
00:31:01I don't know.
00:31:04That's suicide.
00:31:05Or a brilliant long-term sacrifice.
00:31:07You are playing checkers at a chessboard.
00:31:09Still beating you in sarcasm.
00:31:11You literally haven't won any past arguments.
00:31:13Golding disagrees.
00:31:14It's going to take a long night.
00:31:16Oh, my God.
00:31:17No.
00:31:18Why?
00:31:18What's going on?
00:31:18You can't do that.
00:31:20No, no.
00:31:21Oh, my God.
00:31:21You had to shop a trip when about it all wrong.
00:31:26I had to pull you in close as we're locked on your phone.
00:31:29All yourself up because I'm moving on.
00:31:33Oh, you're showing up at my door.
00:31:38Holding your heart there inside your hands.
00:31:42Maybe he's not so awful after all.
00:31:44Um, who are you?
00:31:59What are you doing here?
00:32:01Well, your parents said you were still at home.
00:32:03Thank God you skipped that boring grand tour.
00:32:05Who needs Italy and France again, right?
00:32:08When did you get back?
00:32:09Last night.
00:32:10From Zurich.
00:32:11You didn't answer my messages.
00:32:14I missed you.
00:32:16Anyway, thought I'd come surprise you.
00:32:18Apparently, I'm transferring to Ashford.
00:32:21Your parents were so thrilled.
00:32:23They didn't tell me about this.
00:32:24I wanted to deliver the happy news myself.
00:32:27They said it'd be lovely for us to reconnect.
00:32:29You know, considering the engagement and all.
00:32:33Engagement.
00:32:36Oh, did no one tell you?
00:32:38He's promised.
00:32:40Old money stuff.
00:32:41Very retro.
00:32:42I didn't agree to that.
00:32:43You didn't have to.
00:32:44It's never up to us.
00:32:47Where did you find this little toy?
00:32:50Serena.
00:32:50I didn't hear you, you know.
00:32:52Oh, an American.
00:32:54How refreshing.
00:33:00Goodbye.
00:33:01Wait.
00:33:01Where are you going?
00:33:19You still owe me breakfast.
00:33:21You only paid for dinner.
00:33:23I had homework.
00:33:25Goodbye.
00:33:25Goodbye.
00:33:25Your little toy has quite the temper.
00:33:30Serena, can you please just stop?
00:33:32What?
00:33:33Teasing the help?
00:33:40That's her.
00:33:41That's the one from Kenwood's house.
00:33:44Was she, like, the maid or something?
00:33:45Oh, my God.
00:34:02What's wrong with people?
00:34:04They're saying you live with Charles.
00:34:06Oh, and Serena.
00:34:07What about her?
00:34:08Well, apparently she told everyone you were caught sneaking into his room.
00:34:12Of course she did.
00:34:13Okay.
00:34:15Careful, Alice.
00:34:27You're starting to look desperate.
00:34:43Come to the music room.
00:34:45Urgent.
00:34:46Uh, I just remembered I need to check something.
00:34:49You guys go ahead.
00:34:50Yeah, okay.
00:34:57Hello?
00:34:58Is someone there?
00:34:59Seriously?
00:35:01This is getting old.
00:35:02Wait.
00:35:14Music room?
00:35:16What?
00:35:19James?
00:35:20Was anybody in here earlier?
00:35:21Just Miss Serena.
00:35:22Said she was waiting for you.
00:35:25Sir?
00:35:27Sir, it's raining.
00:35:28Come on, Alice.
00:35:40Alice, you're fine.
00:35:43You're not that girl again.
00:35:44Wait, can you remind me one more time?
00:35:54Okay.
00:35:55Rooks move in straight lines.
00:35:57Yeah.
00:35:58Bishops move diagonally.
00:36:00And knights...
00:36:00The knight's a weird one.
00:36:07Rooks.
00:36:07Straight lines.
00:36:10Straight lines.
00:36:11Bishops.
00:36:13Diagonally.
00:36:14Hello?
00:36:15The text.
00:36:36Are you okay?
00:36:38Are you hurt?
00:36:39I...
00:36:39I'm okay.
00:36:40I saw the text and I thought...
00:36:43I didn't see the message.
00:36:45Serena took my phone.
00:36:46I didn't know.
00:36:47I'm sorry.
00:36:48I'm okay.
00:36:51You're gonna catch a cold.
00:36:52You're freezing.
00:36:53You didn't have to come.
00:36:56Don't tell me what I have to do.
00:36:59Give me hope that feels like hope...
00:37:05That wasn't a mistake.
00:37:24If that's what you're about to say.
00:37:27I...
00:37:27Wasn't going to.
00:37:28I see the smiles.
00:37:30I'm really bad at this, you know.
00:37:43What?
00:37:44Kissing?
00:37:45Hiding feelings.
00:37:46What?
00:37:46I...
00:37:47I...
00:37:47I...
00:37:51I...
00:37:52I...
00:37:53I...
00:37:54I...
00:37:55I...
00:37:59Dump those Ewok pyjamas.
00:38:10Oh, you wish.
00:38:13Seriously.
00:38:14It's a cock block.
00:38:16You kissed me.
00:38:19That's basically consent to everything.
00:38:22Dangerous words, Keaton.
00:38:28I might hold you to that.
00:38:40You'll be working in pairs on your comparative essays.
00:38:43The list is on the board.
00:38:44One, two, three, four.
00:38:48Paper planes.
00:38:51Are you okay?
00:38:53Fly me to outer space.
00:38:57That's where I'll see your face.
00:39:02And have you with me.
00:39:07It may seem dark.
00:39:10But you always lie to my spark in my heart since the start.
00:39:22You're welcome.
00:39:26They're either enemies we secretly marry.
00:39:30Honestly?
00:39:31Right?
00:39:32I was sure I'd never find someone to make my head spin around.
00:39:38No one's ever gonna be the thing I need.
00:39:40They all just let me down.
00:39:42But baby, you saved me.
00:39:46Time pen new.
00:39:48Everything's so different now.
00:39:52So, the night goes in an L shape, right?
00:39:56Why is that the only one you remember?
00:39:57Because it's weird, and I like weird.
00:40:09Check.
00:40:15You're cheating.
00:40:17I'm winning.
00:40:18There's a difference.
00:40:19You are very distracting.
00:40:21And you like it.
00:40:23I will be there for you, babe.
00:40:27I'll be there for the darkest days.
00:40:31I'll hold you in my arms.
00:40:33Charles!
00:40:34We need to talk.
00:40:44I expected poor judgment.
00:40:46But this, in my house?
00:40:48It isn't what it looks like.
00:40:49No?
00:40:50Kissing a servant's daughter in the family library.
00:40:55Enlighten me then, Charles.
00:40:56We came back tonight after speaking with Serena.
00:40:59Imagine our surprise walking in on this.
00:41:03She isn't just...
00:41:04You have no right to barge in.
00:41:06On my property.
00:41:11I care about her.
00:41:12I'm not ashamed of her.
00:41:13That's enough.
00:41:17Why do you care?
00:41:18We're protecting our son's future.
00:41:21And our name.
00:41:23You think this protects me?
00:41:25We think she does not belong in your world.
00:41:31Then maybe I don't either.
00:41:35You're ready to give up everything.
00:41:37For a girl you barely know.
00:41:41Yes.
00:41:42Then, are you sure she's ready?
00:41:52I'm asking you.
00:41:54Do you think she's ready?
00:41:55To lose everything, regardless of how little that is, just to be with you?
00:42:00What are you talking about?
00:42:02You left us no choice, son.
00:42:03You shouldn't disobey your father.
00:42:05Sir?
00:42:08Pelton.
00:42:09It's Frederick Kenwood.
00:42:11Ah, Mr. Kenwood.
00:42:12How can I help?
00:42:13If a scholarship student were to violate our behavioural code in a public setting with photographic evidence,
00:42:21would that warrant a review?
00:42:23Yes, sir.
00:42:24So, answer me again.
00:42:30Do you think she's ready to lose everything just to be with you?
00:42:34Charles, what happened?
00:42:47Did your parents say something?
00:42:48Are they mad?
00:42:48Is everything okay?
00:42:50Pack your things.
00:42:53You can't stay here anymore.
00:42:55What?
00:42:57My parents fired your mother.
00:42:59She's leaving.
00:43:00So are you.
00:43:01Wait, what?
00:43:02Why?
00:43:02Is it because of us?
00:43:04We can fix this.
00:43:05I'll get a job, anything.
00:43:06Stop, stop it.
00:43:06You don't get it.
00:43:08If I don't walk away from this, they'll cut me off.
00:43:12Okay?
00:43:13No card.
00:43:14No trust.
00:43:15No support.
00:43:16Nothing.
00:43:17Then, then we'll figure it out.
00:43:20We don't need all that.
00:43:21We can...
00:43:22Do you really think I'm going to live like that?
00:43:28So that's what this was.
00:43:30Just fun until it got inconvenient.
00:43:32What did they promise you?
00:43:38Nothing.
00:43:41They just reminded me of what's real.
00:43:47Charles, I'm not stupid.
00:43:50You don't just turn into a cold stranger because of one conversation.
00:43:53What did they threaten you with?
00:43:54What did they threaten you with?
00:44:02This is the difference between me and you.
00:44:04What?
00:44:05You think you know me.
00:44:07Or what I have.
00:44:09You don't, Alice.
00:44:11You're still lying.
00:44:12I'm not, Alice.
00:44:14Look around you.
00:44:15This mansion you thought was a museum.
00:44:17It's my house.
00:44:20My world.
00:44:22I was bored into this.
00:44:24I am not choosing between this...
00:44:28...and something I picked up for a moment of fun.
00:44:31Don't do this, Charles.
00:44:35You don't mean it.
00:44:37It was fine.
00:44:39But you...
00:44:41You don't compare to what I own.
00:44:44I'll survive the loss.
00:44:48Right.
00:44:49I should have known.
00:44:54Guys like you don't end up with girls like me.
00:44:59You play with them, then you throw them away.
00:45:03Go to sleep, Alice.
00:45:04This fall is a little more than I expected.
00:45:21In so deep I can barely see myself.
00:45:28Yeah, around me feels so heavy but depleted.
00:45:31But I find that's the place to test myself.
00:45:46Oops.
00:46:01Oh, sorry.
00:46:05Didn't see that.
00:46:07Then again, nobody does.
00:46:09Move, please.
00:46:11Hmm.
00:46:12Try begging.
00:46:18You know what?
00:46:19Keep it.
00:46:24Poor thing.
00:46:26So dramatic.
00:46:28Dance.
00:46:30Excuse me?
00:46:31I warned you.
00:46:33Walk away, Serena.
00:46:34Come.
00:46:35Come.
00:46:40Last week's group assignments were mostly forgettable.
00:46:58But one pair surprised me, in a good way.
00:47:02Charles Kenwood and Alice Keaton.
00:47:05Would you mind giving us a short summary?
00:47:07She loves the sound of her voice?
00:47:08She loves the sound of her own voice.
00:47:09Better have it.
00:47:11I couldn't stay.
00:47:12I couldn't wait.
00:47:14I thought that you should know that I would have.
00:47:18Our essay explored what happens when two fundamentally different voices meet.
00:47:23Like logic and chaos, like logic and chaos, or silence and noise.
00:47:28Different worlds, different rules.
00:47:30At first glance, they clash, but what makes the story interesting is what happens next.
00:47:38Confusion.
00:47:40Curiosity.
00:47:40Curiosity.
00:47:41But in the end, some stories aren't about staying.
00:47:43And yes, there is no such thing as a happy ending.
00:47:47And yes, there is no such thing as a happy ending.
00:48:01Is she still talking about the essay?
00:48:05Miss Keaton.
00:48:08Dramatic as always.
00:48:09All right.
00:48:11Thank you, Alice.
00:48:12That was later.
00:48:16Are you okay?
00:48:16A reminder that good literature always stirs something.
00:48:24Hello?
00:48:24Hi, this is Alice Keaton.
00:48:26This is Whitmore Press.
00:48:27We've been following your work.
00:48:28We'd like to offer you a long-term publishing contract.
00:48:31Name your price.
00:48:32We'll make it work.
00:48:33Sorry, what?
00:48:39That's kind of insane.
00:48:47Who's behind this?
00:48:48Your sponsor wishes to remain anonymous.
00:48:50Can...
00:48:51Can I meet them?
00:48:54I want to.
00:48:56Please.
00:48:57Or at least tell me a name.
00:49:03Sorry, they wish to stay anonymous.
00:49:05So they're only interested in words, not the person.
00:49:07I'd really like to meet them.
00:49:08Oh, I'm sorry, Miss Keaton.
00:49:09They were very good.
00:49:10I think the most jealous of we've ever given is a new answer.
00:49:14I see.
00:49:15Congratulations again.
00:49:20You got the interview.
00:49:22It's just an interview.
00:49:23I haven't gotten it yet.
00:49:24Still, Alice Keaton at Oxford.
00:49:27That's iconic.
00:49:36You okay?
00:49:38Yeah.
00:49:38I'm so excited.
00:49:53It's done, Mr. Kenwood.
00:49:55Miss Keaton signed the contract.
00:49:58Good.
00:49:59It's a generous deal.
00:50:01You sure you don't want it to know?
00:50:03No.
00:50:03You know, it's better if I stay out of her life.
00:50:08I will be for you, babe.
00:50:12I'll be there in your darkest days.
00:50:16Congratulations, Alice Keaton.
00:50:19Go live the life you were always meant to.
00:50:22Your engagement announcement should align perfectly with the Foundation Gala.
00:50:32And the Browns already offered to host the London reception.
00:50:38It's all coming together beautifully.
00:50:40I've lost my appetite.
00:50:48I'll go check on him.
00:50:54What's your problem, Charles?
00:51:00Disengagement.
00:51:01It's not happening.
00:51:02It's not up to you.
00:51:03You know that.
00:51:04Serena, we're not doing this.
00:51:07You've changed.
00:51:12Or maybe I finally just stopped pretending.
00:51:14It's not happening.
00:51:42Charles!
00:51:42You're the sponsor.
00:51:45You've been funding Alice Keaton this whole time.
00:51:50So?
00:51:51You lied to everyone, including her.
00:51:54I protected her.
00:51:58You loved her.
00:51:59Still do.
00:52:02Let it go, Serena.
00:52:05There's no point.
00:52:12I need a favour.
00:52:16Find out when the Oxford interview is.
00:52:20And make sure Alice Keaton won't show up.
00:52:23Anything?
00:52:28No?
00:52:30She's not answering.
00:52:31The interview's almost over.
00:52:33Well, she won't just not show up.
00:52:35Something's wrong.
00:52:37Where's Alice?
00:52:39When was the last time you heard from her?
00:52:41Last night.
00:52:42She said she was prepping all evening.
00:52:43James, track someone for me.
00:52:51Wait.
00:52:52Where are you going?
00:53:00Chill.
00:53:00Okay.
00:53:01We won't hurt you.
00:53:02Yeah, we're just supposed to keep you awake from the interview.
00:53:06That's it.
00:53:14Shit!
00:53:15Come back!
00:53:16I remember how we met.
00:53:46Didn't need a second guess.
00:53:54Hey, hey, hey, Alice.
00:53:56Alice?
00:53:57Alice, stay with me.
00:53:59Stay with me.
00:53:59Stay with me, Alice.
00:54:00Alice!
00:54:07You're awake.
00:54:09Where...
00:54:09Where am I?
00:54:11A local clinic.
00:54:12Passerby brought you in.
00:54:15Passerby.
00:54:16He found you on the side of the road.
00:54:18He had to leave.
00:54:19He didn't leave a name.
00:54:21Oh.
00:54:24The interview.
00:54:25What time is it?
00:54:26Easy.
00:54:27It's okay.
00:54:28Someone already contacted the university.
00:54:30And sent in your writing samples.
00:54:32They've rescheduled your interview for tomorrow.
00:54:34Wait, what?
00:54:34Who?
00:54:35No idea.
00:54:36But it's all taken care of.
00:54:41What did you say?
00:54:43Nothing.
00:54:44I just...
00:54:45had a dream.
00:54:47I got him!
00:54:59Too bad Charles isn't here to watch you crush it.
00:55:07He's not here.
00:55:09Oh, you didn't know.
00:55:12Know what?
00:55:14He left.
00:55:15A few days ago, yeah.
00:55:16Everyone doesn't really know where he went.
00:55:18Honestly, Ashra's been quieter without him.
00:55:21It's probably for the best.
00:55:22Come on.
00:55:28Alice?
00:55:29The summer I met Charles Kenwood was loud.
00:55:37Chaotic.
00:55:38Unexpected.
00:55:41And with his absence...
00:55:43Come on!
00:55:45It ended quietly.
00:55:48Like summers always do.
00:55:50Did you feel it from across the room?
00:55:57Did you feel a little anxious?
00:55:59And joining us today, the decade's most unexpected literary phenomenon, Alice Keaton.
00:56:10Thank you for having me.
00:56:11Now, your words moved millions.
00:56:14They say your stories feel real, especially the ones about love.
00:56:20Which brings us to the most obvious question.
00:56:22How's your dating life like these days?
00:56:24No comment.
00:56:25A little bird told me that the past four years has been just writing and working, not even a single date.
00:56:32Let me guess, a bird named Sherry.
00:56:34She caught me.
00:56:35Still no comment.
00:56:36All right, all right.
00:56:37No matter what you say, you write love like someone who's lived it.
00:56:43If you're so real...
00:56:44Because once, I did.
00:56:46That's why today we're here sharing the story behind Alice Keaton's hero.
00:56:50And no one ever quite matched the light after that.
00:56:53And let's give it up for Alice Keaton one more time.
00:56:56Congratulations, Alice.
00:57:08The numbers just came in.
00:57:10You broke your own record.
00:57:13That's...
00:57:13Incredible.
00:57:14We're thinking celebration, press, photos, maybe tonight.
00:57:18Actually, there's something I'd rather do.
00:57:21I'd like to meet with the person who believed in me first.
00:57:27My sponsor.
00:57:28You're sure?
00:57:29Yeah.
00:57:30Just once.
00:57:32Tonight, 7pm.
00:57:44Good evening.
00:57:49Good evening.
00:57:51May I sit?
00:57:58Hey, Mr. Nonchalant.
00:58:03Hi.
00:58:04Hi.
00:58:07You look well.
00:58:11And you look like you just stepped out of a GQ cover.
00:58:14You always did.
00:58:16You were expecting someone else.
00:58:19I was...
00:58:20Hoping.
00:58:23But I guess I always knew.
00:58:25I didn't come here to confuse you.
00:58:28Or to reopen anything.
00:58:31I just wanted to say congratulations.
00:58:33Oh, thank you.
00:58:34I didn't know you were still reading.
00:58:40You were rich enough not to do so.
00:58:44Always.
00:58:45Either way, your sponsorship started my career, so...
00:58:50No.
00:58:50No.
00:58:51No.
00:58:51No, you...
00:58:52You earned everything.
00:58:56Every word.
00:58:57Every page.
00:59:00Every reader.
00:59:02That's what I came to say.
00:59:07It was good to see you again.
00:59:09I hope.
00:59:09Charles.
00:59:10Charles.
00:59:10Can you just...
00:59:13Wait a little longer.
00:59:16I think I knew it was you.
00:59:26There was one email.
00:59:29You said something.
00:59:30It felt familiar.
00:59:31Really?
00:59:32I kind of had that rich asshole with a conscience energy.
00:59:36Very on brand.
00:59:38I should have anonymized my grammar.
00:59:40Too late.
00:59:41Your semicolon usage gave you away.
00:59:43Still the only girl I know who flirts through punctuation.
00:59:46Still the only guy I know who uses wilds unironically.
00:59:49You've changed.
00:59:55But...
00:59:56Not really.
00:59:58You haven't changed.
01:00:01But maybe you've grown into who you really were.
01:00:06Anyway.
01:00:07I wanted to say...
01:00:12And...
01:00:13Thanks for being here tonight.
01:00:15You didn't have to come.
01:00:17Don't tell me what I have to do.
01:00:19You didn't have to come.
01:00:24Don't tell me what I have to do.
01:00:46If you could go back.
01:00:48If you had the chance to do it all again.
01:00:50Would you do anything differently?
01:00:57No.
01:01:03No.
01:01:03I see.
01:01:08I know my answer now.
01:01:13I didn't have the power back then.
01:01:15Not enough to protect you.
01:01:17I couldn't watch you get crushed because of me.
01:01:20Because of my name.
01:01:22My family.
01:01:23I didn't want to be the reason you lost everything.
01:01:27I didn't want to be the reason you lost everything.
01:01:28So you just disappeared.
01:01:30Without a word.
01:01:31If you had the chance to see the world without me weighing you down.
01:01:38If you still chose me after that.
01:01:40You keep saying you wanted to give me a choice.
01:01:47But you made a choice for me.
01:01:51Did it ever cross your mind that maybe...
01:01:54I would have chosen you anyway.
01:02:04I didn't think I was the smart choice.
01:02:06You weren't.
01:02:09But I never claimed to be that smart.
01:02:12This is me.
01:02:22Right.
01:02:30I'm still mad at you, you know.
01:02:34I'm still in love with you, you know.
01:02:42Do you want to come in for a bit?
01:02:47You're asking your ex,
01:02:50who you haven't seen in four years,
01:02:52to come into your hotel
01:02:53at approximately 11pm.
01:02:57You were right.
01:02:59You never were that smart.
01:03:01You don't have to come.
01:03:02Don't tell me what I have to do.
01:03:04It's almost like you say
01:03:08where the stage is going to go
01:03:11stop quoting yourself.
01:03:20I recycle.
01:03:21It saves energy.
01:03:24This feels wildly irresponsible.
01:03:26You sound like a disclaimer.
01:03:27You're the one who wants
01:03:28called romance a distraction.
01:03:30I said that?
01:03:31Yeah, before calling
01:03:32Wuthering Heights overrated.
01:03:34Still is.
01:03:36You're lucky you're a good kisser.
01:03:37That is cute to me.
01:03:43Don't you dare quote poetry.
01:03:45I wasn't going to.
01:03:46I forgot all of it the day you left.
01:03:49Then shut up
01:03:49and prove it.
01:03:51I still can't believe this is happening.
01:04:00I told you
01:04:00they're either worst enemies
01:04:02or secretly married.
01:04:03And I told you
01:04:04they're both.
01:04:04I vow to always tell you the truth.
01:04:34Except for when you ask
01:04:35how your cooking was.
01:04:37Then I lie.
01:04:39Respectfully.
01:04:41I vow to keep choosing you.
01:04:44Loudly.
01:04:46Quietly.
01:04:47Always.
01:04:49Even when you forget
01:04:50to do the laundry.
01:04:53Is he actually good at this?
01:04:55I mean,
01:04:56you did beat her at Sarkis.
01:05:01I vow to argue with you
01:05:02at least twice a week.
01:05:04Especially over Shakespeare.
01:05:06I vow to write you
01:05:07and your every story.
01:05:09Even when I say I didn't.
01:05:11You will always be part of my life.
01:05:14If she quotes Austin
01:05:15in this toast,
01:05:16I'm out.
01:05:17No you're not.
01:05:17You're going to cry harder.
01:05:18For the rest of life
01:05:23For the rest of life
01:05:27I can't believe you picked Paris.
01:05:44It's such a cliche
01:05:45honeymoon destination.
01:05:48Guard your phone.
01:05:50Relax.
01:05:50Just don't dress like
01:05:51a walking inheritance
01:05:52and you'll be fine.
01:05:56You are not wearing that
01:05:57on our honeymoon.
01:05:59Please, Alice,
01:06:00go change.
01:06:02Don't tell me
01:06:02what I have to do.
01:06:07No.
01:06:08No, no, no, no.
01:06:10That is not an invitation.
01:06:11Do not take off
01:06:12these clothes.
01:06:13I'm overruled.
01:06:14You look much better
01:06:15without them.
01:06:19To the ones
01:06:22who loved in silence,
01:06:24in chaos,
01:06:25in chapters,
01:06:26you will find
01:06:28your way home.
01:06:32Sometimes I want
01:06:33to be on my own
01:06:34But I don't want
01:06:36to die alone
01:06:37Go.
01:06:38Go.
01:06:38Go.
01:06:39Go.
01:06:39Go.
01:06:40Go.
01:06:41Go.
01:06:43Go.
01:06:51My king.
01:06:55Okay.
01:06:57Okay.
01:07:02It's up
01:07:03to us
01:07:04to make sure
01:07:05that we can
01:07:06gain what's been
01:07:06passed through
01:07:07these books.
01:07:08Help us develop,
01:07:10learn,
01:07:10and grow
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