Blood And Black Lace -Hd -1964

Name: Blood And Black Lace -Hd -1964
Uploaded: 2025-11-12T09:38:28+00:00
Duration: 1 h 28 min 40 s
Channel: ReelRealm
Description: Blood And Black Lace -Hd -1964

ReelRealm

9 hours ago

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🎥

Short film

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00:00:00The End

00:02:30What's got into you?

00:02:43Why did you phone?

00:02:44Isabella might see us.

00:02:46Did you bring some?

00:02:47No.

00:02:49I can't stand it anymore.

00:02:52I can't stand it anymore.

00:02:55Be patient.

00:02:56When I'm through, we'll get some.

00:02:57How about Isabella?

00:03:00We had a quarrel.

00:03:03Dammit.

00:03:04She even took what I had.

00:03:05Try to hold out.

00:03:08We'll find some for sure.

00:03:10Please hold out.

00:03:12Please.

00:03:13Go now.

00:03:15Okay.

00:03:16Later.

00:03:17Okay.

00:03:18Goodbye.

00:03:19Bye.

00:03:49Isabella, your scarf.

00:04:00Thanks.

00:04:01Goodbye.

00:04:19Goodbye.

00:04:49Goodbye.

00:05:19Goodbye.

00:05:49No, no, no, no.

00:06:19Goodbye.

00:06:49The sign seems to have come off again.

00:07:00Want me to fix it?

00:07:02No.

00:07:04No, not today.

00:07:05You can do it tomorrow.

00:07:19You can do it tomorrow.

00:07:49Listen, Isabella hasn't turned up again.

00:07:51I don't know what to do with that girl.

00:07:53This is the third time.

00:07:55All I suggest is a penalty.

00:07:57Make her pay a fine.

00:07:59It's all very well.

00:08:00The next time she does it, I'm going to fire her.

00:08:17Good night, madame.

00:08:18Good night.

00:08:19Nicole, look at this dress.

00:08:25I wish you'd take care of the things you wear tomorrow's the show.

00:08:27Now look at this.

00:08:29Yes, madame, I'm sorry.

00:08:30Yes, you are sorry, especially when it's time to leave.

00:08:33You have absolutely no mind for anything else.

00:08:37What does she expect?

00:08:38I'm not in mourning like her.

00:08:39Poor thing.

00:08:40She hasn't been the same since her husband died.

00:08:41No.

00:08:42That's the truth.

00:08:42No.

00:08:43I'm not in mourning.

00:08:44No.

00:08:45No.

00:08:49No.

00:08:51No.

00:08:53No.

00:08:54No.

00:08:55No.

00:08:56No.

00:08:57No.

00:08:59How long were the lights out?

00:09:26About ten minutes.

00:09:26How long has the girl worked for you?

00:09:31About two years.

00:09:33Well.

00:09:34What was she like?

00:09:38She was rather lively.

00:09:41Perhaps lacking discipline.

00:09:43Nothing seriously wrong with her.

00:09:45Did she have many friends?

00:09:49Oh, Inspector, I'm afraid I can't be of much help to you.

00:09:52I suggest you ask the two girls who lived with her.

00:09:56I said to her, Inspector Silvester, Countess Cristina Comor.

00:10:26The owner of our salon?

00:10:28Good morning.

00:10:29Good morning.

00:10:31But we've already met, haven't we?

00:10:36Oh.

00:10:37Oh, yes.

00:10:38Yes, I think so.

00:10:39After my husband's death.

00:10:42I remember.

00:10:44The car accident.

00:10:47You certainly can help me.

00:10:49You surely know everything about these girls.

00:10:52Inspector, I don't run a boarding school.

00:10:55When the girls finish here, they're free to go and do as they please.

00:11:00Well, um, I'll be in the studio.

00:11:03If you'll excuse me.

00:11:05Please.

00:11:24You say you went outside to repair the metal sign.

00:11:32At what time was it?

00:11:34About seven.

00:11:35Madam Christina complained that the noise got on the nerves.

00:11:38So I went out and I put up the sign again.

00:11:41But I came back inside at once.

00:11:42Mr. Marlin.

00:11:44I demand an explanation.

00:11:45I hardly put my foot inside the gate.

00:11:49When these two grabbed a hold of me.

00:11:50Ask Inspector.

00:11:51Inspector?

00:11:52Calm down and tell me why you're here.

00:11:54Allow me.

00:11:55Marquis Richard Morrell of Castle Fred.

00:11:57All right, all right.

00:11:58Now answer my question.

00:11:59He's here to see me.

00:12:01He's my fiancé.

00:12:04Why are you laughing?

00:12:06Because I live with him.

00:12:07Did you know Isabella?

00:12:11Isabella?

00:12:13You introduced me to her.

00:12:14Didn't you?

00:12:16Yes, I can say I knew her.

00:12:18Only slightly, though.

00:12:20Only slightly.

00:12:31Well, you seem to be the only one who cares.

00:12:34They were close friends.

00:12:36The three of you lived together?

00:12:38Yes.

00:12:39And T.O. Lee.

00:12:39What was she like?

00:12:41Tell me who your friend went out with.

00:12:42I don't know.

00:12:43I don't know.

00:12:44Leave her alone.

00:12:45Everybody knows who Isabella's lover was.

00:12:49Who are you?

00:12:50Cecil Azar.

00:12:51I'm a dress designer.

00:12:52What about the other name?

00:12:54Which?

00:12:54The name of this lover.

00:12:56Ascalo.

00:12:57Frank Ascalo.

00:12:57The antique dealer.

00:13:04Police.

00:13:04Tell me, where's Inspector?

00:13:05In there.

00:13:14Would you excuse me for a moment?

00:13:20They confirm.

00:13:23Drugs?

00:13:25I see.

00:13:26Yes, sir.

00:13:36So.

00:13:38What kind of a relationship was there with Isabella and you?

00:13:43We were just friends.

00:13:45Or lovers.

00:13:46Well, I hope it doesn't become scandalized if I tell you.

00:13:52I don't believe in permanent, exclusive relationships.

00:13:57I see.

00:13:58I see.

00:14:03Ever seen it before?

00:14:07No.

00:14:08I don't know.

00:14:09What is it?

00:14:11Cocaine.

00:14:12Cocaine.

00:14:14It was found in your friend Isabella's house.

00:14:19Isabella?

00:14:20You knew nothing about it?

00:14:23No.

00:14:25Never mind.

00:14:28However, I must ask you to remain at my disposal.

00:14:31I'll see you later.

00:14:33I'll see you later.

00:14:48Turn around.

00:14:50All right.

00:14:51You can go.

00:14:52Hurry.

00:14:52Well, Cesar, what is it?

00:14:59This should have been worn by poor Isabella.

00:15:02Yes, of course.

00:15:03Who shall I give it to?

00:15:04Well, let me see.

00:15:05Oh, Peggy, look.

00:15:06Here.

00:15:06Please, no, not me.

00:15:07No, no, please.

00:15:07I saw that person.

00:15:08Oh, for heaven's sake, stop that.

00:15:09You're going to ruin your makeup.

00:15:11Greta, you model it.

00:15:13Oh, no.

00:15:13I don't think I should wear it.

00:15:15Look, don't be so silly.

00:15:16It carries bad luck, I'm sure.

00:15:17But, girl, someone's got to model it.

00:15:19I'll wear the dress.

00:15:20All right, now, come on.

00:15:21What a cynic.

00:15:22She doesn't believe in anything.

00:15:26That's all right.

00:15:26You can go.

00:15:52Turn around.

00:16:06Walk.

00:16:08All right.

00:16:09Wait.

00:16:14There's something missing.

00:16:16The brooch.

00:16:17The brooch goes there.

00:16:19We'll soon put it right.

00:16:20Where is it?

00:16:21Well, it was Isabella's own.

00:16:23Wait a minute.

00:16:23She kept it in one of the boxes.

00:16:25Let's look for it.

00:16:25Here it is.

00:16:38Here it is.

00:16:43Hey.

00:16:44Look at this.

00:16:46Isabella kept a diary.

00:16:48This is a goldmine.

00:16:57Listen.

00:16:58He is a man that awakens such deep feelings in me that afterwards I feel limp.

00:17:04Empty.

00:17:04Let me see.

00:17:05I don't think we should.

00:17:08Come on, you crazy.

00:17:10This is hardly at the moment.

00:17:12Be off with you.

00:17:12Go on.

00:17:13Go on and change.

00:17:14This, you know, should be handed to the police.

00:17:21I found it, if you don't mind.

00:17:23I would like to give it to the police tomorrow.

00:17:29As you wish.

00:18:14I don't think we should.

00:18:44Hello? Hello, Frank. Why haven't you come?

00:19:02I'm just leaving, but I don't feel well.

00:19:05I understand. Come out here. I've got some...

00:19:10Listen, Frank, I have found a diary.

00:19:14Isabella's diary.

00:19:16A diary? Who else knows?

00:19:19Everyone was looking. I didn't realize that there might be something about you in it.

00:19:24By the way, I said that I would give it to the police tomorrow.

00:19:28Good. That gives us time to look through it. I'll be right over.

00:19:34But you are terribly ill, Frank. Frank, can you hear me?

00:19:40Nicole, I can hardly breathe. If you've got some, I'll feel better. Goodbye.

00:19:48Goodbye.

00:19:48Hurry up, girls. Greta, you're next.

00:19:57Everything all right, Marco?

00:19:58Yes, madam.

00:19:59Good.

00:20:05Well, Cesar, where have you been?

00:20:07Right here.

00:20:08Well, then send them in. Do I have to do everything myself?

00:20:10Nicole, you're wanted on the phone.

00:20:20Me?

00:20:20Yes, you.

00:20:26Hello?

00:20:27Hello? Is that you, Nicole?

00:20:29Yes. Who's speaking?

00:20:31Frank, I can't make it. I feel too bad. You come here, please. I feel like I'm suffocating.

00:20:39How can I come now? Well, I will do my best. I will come right away.

00:20:50All right. Hurry up. Hurry up.

00:20:54Frank feels bad. He needs me. I'll have to go over. I can't wait anymore. Please, lend me your car.

00:20:59Sure. How are you going to get away? We're right in the middle of a show.

00:21:01Who cares? Please give me your keys, but don't let anyone see you.

00:21:15Peggy, what are you doing?

00:21:18Nothing. I was looking for a handkerchief.

00:21:26Be careful. Bert will allow me to sit in the glove compartment right at the back.

00:21:28Sure.

00:21:30Cover me.

00:21:31THE END

00:22:01Frank?

00:22:31THE END

00:23:01Frank?

00:23:14Frank?

00:23:16Frank?

00:23:37Frank?

00:23:41Frank?

00:23:47Frank?

00:23:48Frank?

00:23:49Frank?

00:23:50Frank?

00:23:51Frank?

00:23:52Frank?

00:23:53Frank?

00:23:54Frank?

00:23:55Frank?

00:23:56Frank?

00:23:57Frank?

00:23:58Frank?

00:23:59Frank?

00:24:00Frank?

00:24:01Frank?

00:24:02Frank?

00:24:03Frank?

00:24:04Frank?

00:24:09Frank?

00:24:14Frank?

00:24:15Oh, my God.

00:24:45Oh, my God.

00:25:15Oh, my God.

00:25:45Oh, my God.

00:26:15Oh, my God.

00:26:45Oh, my God.

00:27:15Oh, my God.

00:27:45Oh, my God.

00:28:15Have a good time, but don't come home too late, please.

00:28:18Good night.

00:28:19Oh, my God.

00:28:27Marco, why did you get out?

00:28:29I wanted to keep you company till Nicole gets in.

00:28:35Aren't you afraid in there alone?

00:28:37Well, to tell the truth, I'm going to go to sleep right away, but don't you have to wait till Nicole brings the car back, anyway?

00:28:46I'm going to go to sleep right away, please, I couldn't have gone off with an easy mind, knowing you were alone in this house.

00:28:59Oh, please.

00:29:00Oh, please, you're still here.

00:29:12Oh, Clarice, you're still here.

00:29:24Good evening, miss.

00:29:26Yes, I've just finished.

00:29:30Miss Nicole hasn't come home.

00:29:33No, she's gone to a party. She'll be home later.

00:29:35She's always mothering us.

00:29:37Well, I'll be running along.

00:29:38Oh, I left the dinner heating on the stove.

00:29:43Oh, if Miss Nicole wants that mess of hers, she only has to warm it up.

00:29:47Thank you, Clarice. Good night. See you tomorrow.

00:29:59Peggy, you just don't seem to understand.

00:30:04Of course I...

00:30:05Peggy, I'm tired of trying to make you understand.

00:30:09Now, I've told you a thousand times.

00:30:13I've fallen in love with you.

00:30:16I don't care what happens, but...

00:30:20Calm down. Sit here.

00:30:21You see?

00:30:35I'm not well.

00:30:37I know I look like a fool.

00:30:40That's what makes me mad.

00:30:44I'm ill.

00:30:45And unlucky.

00:30:46Don't be like that. I understand you.

00:30:47I'm your friend.

00:30:48Come on. Cheer up.

00:30:57I'll get yours.

00:30:59Don't touch it.

00:31:00Don't touch it.

00:31:01What's wrong?

00:31:01I just wanted cigarettes.

00:31:03What's wrong?

00:31:06I'll get the cigarettes.

00:31:08You'll just untidy my bag.

00:31:09Hello?

00:31:26Hello?

00:31:27Good evening, Miss Peggy.

00:31:28This is Inspector Sylvester.

00:31:30I have to ask you something about your car.

00:31:33Your car has been found abandoned.

00:31:35I want to know if it has been stolen.

00:31:38No, I lent it to my friend Nicole.

00:31:41Yes.

00:31:42Yes.

00:31:44She was in a hurry.

00:31:44A friend of hers called to say he felt ill.

00:31:47But has something happened?

00:31:49We'd better talk about this in person.

00:31:51I'll come over and see you right away.

00:31:54Very well.

00:31:55I'll be waiting.

00:31:56What's that?

00:31:58They found my car, but without Nicole.

00:32:00My God, what could have happened?

00:32:02Is he coming here?

00:32:03Yes.

00:32:03He wants to talk to me.

00:32:06Then I'd better leave.

00:32:09I don't want the police to find me here.

00:32:11Yes, it's best.

00:32:11No one knows you've been here.

00:32:14Yes.

00:32:15For me.

00:32:17And especially for you.

00:32:18I suppose so.

00:32:20I'll see you tomorrow.

00:32:21Tomorrow.

00:32:22Tomorrow.

00:32:27Tomorrow.

00:32:28Tomorrow.

00:32:29Tomorrow.

00:32:30Tomorrow.

00:32:31Tomorrow.

00:32:32Tomorrow.

00:32:33Tomorrow.

00:32:34Tomorrow.

00:32:35Tomorrow.

00:32:36Tomorrow.

00:32:37Tomorrow.

00:32:38Tomorrow.

00:32:39Tomorrow.

00:32:40Tomorrow.

00:32:41Tomorrow.

00:32:42Tomorrow.

00:32:43Tomorrow.

00:32:44Tomorrow.

00:32:45Tomorrow.

00:32:46Tomorrow.

00:32:47Tomorrow.

00:32:48Tomorrow.

00:32:49Tomorrow.

00:32:50Tomorrow.

00:32:51Tomorrow.

00:32:52Tomorrow.

00:32:53Tomorrow.

00:32:54Tomorrow.

00:32:55Tomorrow.

00:32:56Tomorrow.

00:32:57October 16, I caught Peggy trying to steal $1,000 from my purse.

00:33:07She began to cry and explained how much she needed it.

00:33:10She was pregnant and not able to face the scandal.

00:33:12I felt sorry, and I loaned her the money.

00:33:15It means that tomorrow I will ask him for $2,000.

00:33:27THE END

00:33:57THE END

00:34:27THE END

00:34:57I burned it, burned it.

00:35:24I burned it, burned it.

00:35:27I burned it.

00:35:57I burned it.

00:35:59I burned it.

00:36:01I burned it.

00:36:02Oh, my God.

00:36:32Oh, my God.

00:37:02Miss Peggy.

00:37:13Oh, my God.

00:37:43Oh, my God.

00:38:13Oh, my God.

00:38:43Please, make yourself comfortable.

00:38:46Why did you come here?

00:38:49Charles, you may go, please.

00:38:51Well, then?

00:39:03A little while ago, I found Nicole lying in my shop.

00:39:08She's been murdered.

00:39:09Oh, my God.

00:39:10I'd gone to the salon to pick up Nicole.

00:39:14Remember?

00:39:18I met you there at the time.

00:39:21I looked for her everywhere, but I couldn't find her.

00:39:24Then I went back to my shop.

00:39:27And believe me, I...

00:39:28I've never seen such a mess.

00:39:31You'll pardon me, but why have you come here instead of calling the police?

00:39:37Nicole was my girlfriend.

00:39:38And she was murdered in my shop.

00:39:43The police will be accusing me of it.

00:39:45That ain't an alibi.

00:39:48And you've got to help me.

00:39:49Me?

00:39:50What have I got to do with it?

00:39:52Me?

00:39:53You're just as much to blame for it as I am.

00:39:55We've got to tell the police that we're always together at the salon.

00:40:00Right to the end.

00:40:02I'll back you up.

00:40:04You do the same for me.

00:40:06It's best for both of us.

00:40:08But you're mad.

00:40:09The police have no reason to accuse me of anything.

00:40:12You're the one who's in trouble.

00:40:14You really could have killed her.

00:40:16No, no.

00:40:17Call the police at once.

00:40:19Or I'll have to.

00:40:21All right, go right ahead.

00:40:22But don't forget to tell them about your bad debt.

00:40:24What debts?

00:40:26You signed IOUs to Isabella for a loan of several thousand dollars.

00:40:30And couldn't pay the money back.

00:40:33Is it true?

00:40:34Richard, you never told me.

00:40:36Is it true?

00:40:38My God.

00:40:39My God.

00:40:40You, my dear Marquis, don't have a single dollar to your name.

00:40:43You're absolutely flat.

00:40:45And afraid of a scandal.

00:40:47Which is a good enough reason for...

00:40:49for killing Isabella.

00:40:51At the same time,

00:40:52eliminating the possibilities of her diary being read by the police.

00:40:56Who knows?

00:40:58Perhaps, uh...

00:40:59the diary had the dates on which the payments were due.

00:41:01Which diary?

00:41:02I know nothing of it.

00:41:04Don't lie, Richard.

00:41:05I told you, Nicole had found Isabella's diary.

00:41:08As you see,

00:41:09we sink or swim together, Mr. Morales.

00:41:11And, uh,

00:41:13if you don't want the police meddling around in your private affairs,

00:41:15I suggest you take my advice.

00:41:20Go him back to my shop now and call the inspector.

00:41:24I'll tell him that we were always together.

00:41:27All right?

00:41:29Good evening.

00:41:59You've got to believe me.

00:42:27I burned it.

00:42:28I tell you, I burned it.

00:42:30There was something in it about my private life

00:42:32that I made to know about.

00:42:33You've got to believe me.

00:42:34I burned it.

00:42:43Please believe me.

00:42:45I burned it.

00:42:45You've got to believe me.

00:42:46I burned it.

00:42:48I burned it.

00:42:49I burned it.

00:42:51No!

00:42:59No!

00:43:04No!

00:43:05No!

00:43:07No!

00:43:09No!

00:43:09How do you think this girl got in here?

00:43:37She had a key.

00:43:40How come?

00:43:42I'd given it to her.

00:43:44She used to come and see me now and then.

00:43:46Her too.

00:43:48Inspector, please don't think that I...

00:43:50Nicole was the reason why I left Isabella.

00:43:54And how many other people had a key to your door?

00:43:57No one else, except myself, naturally.

00:44:00Naturally.

00:44:07Did you take drugs with her too?

00:44:12Why, what do you mean, Inspector?

00:44:13Come, come, come, Scarlo.

00:44:16Don't try to fool me.

00:44:17Hey, you've got the habit.

00:44:21It's written all over your face.

00:44:24If you like, I'll even tell you where you get this stuff.

00:44:27And, uh...

00:44:29As for the girls who...

00:44:31Who, shall we say, keep you company...

00:44:34They either try to get you to drop the habit like Isabella...

00:44:37Or join you in it like this one, for example.

00:44:40All right.

00:44:43Perhaps.

00:44:45But that doesn't make me a murderer.

00:44:48Besides, I...

00:44:49I've got an alibi.

00:44:50I was with...

00:44:51I haven't asked you.

00:44:52For the time being.

00:44:54We'll go on with it later.

00:44:57When?

00:44:58In my office.

00:45:00Come along.

00:45:10Come along.

00:45:40Is this the one?

00:45:43Yes.

00:45:44Are you sure?

00:45:45Oh, yes.

00:45:46Wait a minute.

00:45:47I wrote down the first number.

00:45:49Uh, 453.

00:45:51You can see.

00:45:54Did you see a man or a woman?

00:45:57A man, I am sure.

00:45:58He's dressed in black.

00:45:59But he seemed to not have a face.

00:46:03Perhaps he was wearing a mask.

00:46:05Perhaps.

00:46:06I don't know.

00:46:06I was distracted by the horn.

00:46:08Which horn?

00:46:09The horn of this car, Inspector.

00:46:11I know it.

00:46:12I've serviced it.

00:46:13It blew for a time.

00:46:15And then it stopped.

00:46:20Has this car got a burglar alarm, Sergeant?

00:46:31Yes.

00:46:32It's here.

00:46:33In the glove compartment.

00:46:35How long did it blow?

00:46:36I don't know.

00:46:37I told you.

00:46:39It wasn't for long.

00:46:40This long?

00:46:43Stop.

00:46:44Not longer than that.

00:46:45If you don't know where it is,

00:46:47it would take quite a while to find it.

00:46:50We've wasted enough time on this.

00:46:53Let's go to the office.

00:47:09Come in, please.

00:47:25Come in, please.

00:47:29Look at them carefully.

00:47:40Have you ever seen any of them in Miss Peggy's car?

00:47:44Good morning, Mr. Morland.

00:47:46Morning, Clarice.

00:47:47Have you seen him in the car?

00:47:48Certainly she's seen me before, in the car, on more than one occasion.

00:47:53What's so strange about that?

00:47:54And who said there was?

00:47:58Let's continue.

00:48:00Him.

00:48:00I've seen him in the car.

00:48:01Of course she's seen me.

00:48:03What does it prove?

00:48:05This is all so ridiculous.

00:48:06Be quiet.

00:48:09You didn't see only me, did you?

00:48:11Open your eyes, you idiot.

00:48:13Look at them.

00:48:14Haven't you ever seen them?

00:48:15Inspector, do you only want to know if I saw them in the car?

00:48:20Why?

00:48:23Because this gentleman came into the flat with Miss Peggy last night.

00:48:28We're beginning to see the light now.

00:48:32You swine.

00:48:33What are you getting at?

00:48:34You want to ruin me?

00:48:35I'll kill you.

00:48:36I'll kill you.

00:48:38Why don't you confess?

00:48:40Confess.

00:48:42Confess.

00:48:42You're the murderer.

00:48:43Inspector, look at his face.

00:48:46He hates women.

00:48:47Look at him.

00:48:48He's the killer, I tell you.

00:48:49He's the killer.

00:48:50He killed them all because he couldn't go with any of them.

00:48:53Why don't you tell the inspector that your wife left you for that very reason?

00:48:58My pills.

00:49:00My pills.

00:49:07Try to hold him still.

00:49:09He could hurt himself.

00:49:10Take him to the hospital.

00:49:13Didn't any of you know he was an epileptic?

00:49:22No, I didn't.

00:49:25You can go home now.

00:49:30Goodbye, Clarice.

00:49:31I'm sorry, but I'm afraid I'll have to ask you to stay here, Mr. Morland.

00:49:39You too, Mr. Lazar.

00:49:40What do you mean, stay here?

00:49:42I mean I shall have warrants made out for your arrest.

00:49:46Pardon me, Inspector.

00:49:47What exactly is the reason behind this?

00:49:49Miss Nicole's murderer had used Peggy's car on other occasions.

00:49:58That's why he knew exactly where the burglar alarm was hidden.

00:50:03Can I go now?

00:50:04And me?

00:50:04No.

00:50:06You both stay too.

00:50:08But that's ridiculous.

00:50:10I've got an alibi.

00:50:10The Marquis has confirmed it.

00:50:13It's true.

00:50:14We were together.

00:50:16Oh, don't worry.

00:50:17I haven't forgotten it.

00:50:19You both were at his house till 11 o'clock, while Miss Nicole was murdered at 10.

00:50:24So what do you want with us?

00:50:25Well, when I called Miss Peggy to say that I had found her car, it was about 11.30.

00:50:34About 15 minutes later, I was at her apartment.

00:50:37She wasn't there.

00:50:39And her apartment had been ransacked.

00:50:41Someone could have killed her and hidden her body in the meantime.

00:50:45And as far as that goes, gentlemen, your alibi isn't really worth much.

00:50:50Nine o'clock.

00:51:09Nine o'clock.

00:51:20Why must we sit in the dark?

00:51:28As if we weren't scared enough already.

00:51:32Do what you want, but please try to keep calm.

00:51:35How are we supposed to keep calm?

00:51:37Doesn't what's happening bother you?

00:51:39I'm frightened, too.

00:51:41Don't think I'm not.

00:51:44But getting hysterical doesn't help.

00:51:46If only the men would come back.

00:51:50We're all women left alone.

00:51:58Hello?

00:52:00Oh, Mr. Molan at last.

00:52:03What happened?

00:52:07What?

00:52:11But how can they?

00:52:15I mean, I mean, I want grounds.

00:52:25I see.

00:52:28All right.

00:52:31All right.

00:52:34Of course.

00:52:36All right, don't worry.

00:52:39Goodbye.

00:52:45Good night.

00:53:12Good night, madame.

00:53:13How I envy them.

00:53:18They live together.

00:53:19At least they keep each other company.

00:53:22I must go, madam.

00:53:24All right.

00:53:29Wait.

00:53:30Listen.

00:53:31Why don't you come home and sleep with me?

00:53:33What?

00:53:34I live a few yards from here.

00:53:36And you want me to come out into the countryside?

00:53:38Then I could come and stay at your place.

00:53:41No, I'm sorry.

00:53:42But I'd rather be alone.

00:53:44Anyway, you'd be even more afraid at my house.

00:53:48But aren't you afraid?

00:53:49Isabella and Peggy lived with you.

00:53:52Isabella's been killed.

00:53:53And Peggy...

00:53:54Yes, I know.

00:53:55But I don't think anything would happen tonight.

00:54:01All the men are under arrest.

00:54:03And I'm sure the murderer is one of them.

00:54:10Goodbye, madame.

00:54:12Good night.

00:54:13Madame.

00:54:14I'm not going home.

00:54:16I'll sleep here.

00:54:17No, you won't, dear.

00:54:19You're going home just like the others.

00:54:20Good night.

00:54:21I'm all alone.

00:54:22I live out in the country, not here in town.

00:54:24Now, Greta, listen to me.

00:54:26Tomorrow we have a very hard day ahead of us.

00:54:28The show must go on, you know.

00:54:30Now, look.

00:54:32Isabella and Nicole were mixed up in some ugly business

00:54:35that has nothing to do with the rest of us.

00:54:37So we have nothing to be afraid of.

00:54:39Do you understand?

00:54:41Go now.

00:54:42Don't worry.

00:54:45Good night, madame.

00:54:45Good night.

00:55:14Be careful.

00:55:16Be careful.

00:55:46Be careful.

00:56:16Be careful.

00:56:46Be careful.

00:57:16Be careful.

00:57:46Be careful.

00:58:16Be careful.

00:58:46Be careful.

00:59:16Be careful.

00:59:46Be careful.

01:00:16Come in.

01:00:34It's all right, Charles.

01:00:55I'll take care of the rest.

01:00:57Yes, ma'am.

01:01:25I'll take care of the rest.

01:01:55I'll take care of the rest.

01:01:59I'll take care of the rest.

01:02:29I'll take care of the rest.

01:02:34I'll take care of the rest.

01:02:39I'll take care of the rest.

01:02:44I'll take care of the rest.

01:03:14I'll take care of the rest.

01:03:44I'll take care of the rest.

01:03:45I'll take care of the rest.

01:03:49I'll take care of the rest.

01:04:19I'll take care of the rest.

01:04:20I'll take care of the rest.

01:04:25I'll take care of the rest.

01:04:26I'll take care of the rest.

01:04:30I'll take care of the rest.

01:04:31I'll take care of the rest.

01:04:32I'll take care of the rest.

01:04:36I'll take care of the rest.

01:04:37I'll take care of the rest.

01:04:38I'll take care of the rest.

01:04:39I'll take care of the rest.

01:04:46Let's look at those footprints.

01:04:49The killer drove up to here.

01:04:51The footprints show that he started here, got out and walked up the embankment to the farm.

01:04:56They match the footprints we found in Morland's villa.

01:04:59Are you sure?

01:05:00Absolutely.

01:05:01We have the proof in the plaster cast.

01:05:09I could have sworn that the murderer was one of the five suspects we have.

01:05:18Do we have to let them go?

01:05:20Of course.

01:05:21This time, they've got a really foolproof alibi.

01:05:25I gave it to them.

01:05:28Moral, Richard.

01:05:30That's me.

01:05:31You want to check it?

01:05:32Of course, I'll check it.

01:05:39Max Morland.

01:05:40Max Morland.

01:06:09I'm in prison inorias Sparrow.

01:06:10I've been dés limbless.

01:06:11You want to check it out?

01:06:12Well, I'm out of the chat.

01:06:13I don't know.

01:06:14This part ofader стал pulls me down to the left.

01:06:16I need to take care of it.

01:06:19I guess it is.

01:06:21We're going to stop there.

01:06:26I think it was.

01:06:27Yeah, many of those people, you're mixing up in the cannon.

01:06:31You're enough to help let them.

01:06:34This morning I crazy...

01:06:37THE END

01:07:07Come in.

01:07:09Mr. Morland, I would like to speak to you for a moment.

01:07:13Yes, darling, come in.

01:07:21Mr. Morland, I'm a calm person. I'm not nervous.

01:07:25But the thought that a sex maniac is prowling around your fashion house,

01:07:29well, I don't like it.

01:07:32I'd like to take a short holiday.

01:07:34I have already booked a flight to Paris for tomorrow.

01:07:39To Paris?

01:07:40Very well, Tilda.

01:07:42By the way, you still live with the Countess?

01:07:46Yes, why?

01:07:48Oh, nothing.

01:07:49Except a short while ago while the Count was alive.

01:07:52I visited there frequently.

01:07:54Lovely place.

01:07:56You know, from the terrace you can see all of Rome.

01:07:59Yes.

01:08:00I'd rather see the roofs of Paris at the moment.

01:08:02I understand. Have a nice time. Bye-bye.

01:08:04Goodbye.

01:08:05Goodbye.

01:08:06Goodbye.

01:08:07Goodbye.

01:08:08Goodbye.

01:08:09Goodbye.

01:08:10Goodbye.

01:08:11Goodbye.

01:08:12Goodbye.

01:08:13Goodbye.

01:08:14Goodbye.

01:08:15Goodbye.

01:08:16Goodbye.

01:08:17Goodbye.

01:08:18Goodbye.

01:08:19Goodbye.

01:08:20Goodbye.

01:08:21Goodbye.

01:08:22Goodbye.

01:08:23Goodbye.

01:08:24Goodbye.

01:08:25Goodbye.

01:08:26Goodbye.

01:08:27Goodbye.

01:08:28Goodbye.

01:08:29Goodbye.

01:08:30Goodbye.

01:08:31Goodbye.

01:08:32Goodbye.

01:08:33Goodbye.

01:08:34Oh, my God.

01:09:04Oh, my God.

01:09:34I burnt Peggy's clothes.

01:09:50There's nothing left to show that she was here.

01:09:52Then I had to do something else. I had to get her out of here to give you an alibi.

01:10:00And then I killed Greta.

01:10:03Perfect.

01:10:03Perfectly awful.

01:10:08I don't know how I did it.

01:10:10As if it wasn't bad enough to find Isabella in the wardrobe.

01:10:15Oh, I nearly fainted.

01:10:17I wanted to tell you about it, but I couldn't.

01:10:22By the way, how did you manage to carry Peggy to Morrell's farm?

01:10:28Well, I... I didn't...

01:10:30I...

01:10:32somehow got her into the car.

01:10:35And Greta did the rest.

01:10:37Why did you pick on Greta?

01:10:39Well, uh...

01:10:40She was alone in the house, that's why.

01:10:46Well done.

01:10:47The police think it's the work of a sex maniac.

01:10:51First, second, third, fourth.

01:11:05Stop.

01:11:10Oh, darling, darling, what's the matter?

01:11:15Kiss me.

01:11:17What's the matter, darling?

01:11:31What a mess.

01:11:33All because of that idiot.

01:11:35That witch.

01:11:37Isabella.

01:11:38The blackmail.

01:11:40Money she wanted.

01:11:42Money, money.

01:11:43Too much money.

01:11:44She should have realized when she found out about...

01:11:49That my husband's death wasn't an accident.

01:11:53That it was dangerous and unwise to ask for that money.

01:11:57But no, no, no.

01:12:00The more that we would give her, the more she wanted.

01:12:06She asked for it, she did.

01:12:08She was on top of this.

01:12:10Too hard, my darling.

01:12:12She squeezed too hard.

01:12:13Mmm.

01:12:14And the diary.

01:12:16That damn diary.

01:12:19If it hadn't been for that damn diary.

01:12:26It is done now.

01:12:30And we have nothing to worry about, my darling.

01:12:33Nothing to worry about.

01:12:35No, you're wrong.

01:12:36You're wrong.

01:12:37We'll never have any peace.

01:12:39Until we've given the police their murderer.

01:12:43Peace?

01:12:44Ha, ha, ha.

01:12:46Chris, listen to me.

01:12:49We'll never get away with it.

01:12:51Unless they find the maniac they're looking for.

01:12:53Never.

01:12:55Until they do, they'll keep their eye on us.

01:12:57You must remember, all the victims worked for us.

01:13:01But while they have no evidence against us,

01:13:04the whole thing is blown sky high.

01:13:06The press, the scandal,

01:13:07the salon being closed down.

01:13:10We've got to find a way out.

01:13:14What are we going to do?

01:13:18Ah, I know, darling.

01:13:20We're going to fly to the moon.

01:13:23We've got to act again, one more time.

01:13:30You've got to do it.

01:13:36Oh, no.

01:13:37Yes.

01:13:38I'm still being shadowed.

01:13:40Now, don't worry, darling.

01:13:41We'll find an alibi for you.

01:13:43Now, don't worry.

01:13:45Oh, no, Max, no.

01:13:47You can't ask me to do a thing like that.

01:13:49I can't do it.

01:13:50I can't do it, you know.

01:13:51You've done it before.

01:13:53I've done it before.

01:13:56I've done it before, but that was different, you know.

01:13:59Because you were in danger, I had to do it.

01:14:02Do it because, unless I hadn't done it,

01:14:05everything would have been lost forever.

01:14:09Only my love for you gave me the strength.

01:14:13But it was horrible.

01:14:17Horrible!

01:14:17Oh, my God!

01:14:19Oh!

01:14:20Oh!

01:14:21Oh!

01:14:22Oh!

01:14:23Now, listen to me, you little idiot.

01:14:26Listen.

01:14:28There's more danger now than even before.

01:14:31More!

01:14:33If you don't listen to me, everything, this horrible nightmare, everything, useless.

01:14:41Useless.

01:14:42Useless!

01:14:43No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no

01:15:13Let's go.

01:15:43Let's go.

01:16:13Let's go.

01:16:43Let's go.

01:17:13Let's go.

01:17:43Let's go.

01:18:13Let's go.

01:18:43Let's go.

01:19:13Let's go.

01:19:43Let's go.

01:20:13Let's go.

01:20:43Let's go.