00:00Monica's husband. Is that the peacoat? That's the peacoat. That's the peacoat. Dr. Black, she had been trying to reach you since her operation. She was great. I remember her telling her, she, I'm sorry. Your skin looks flawless. Oh, come on now. Thank you so much. She had complications. Shout out to beef tallow. Oh, oh my gosh. Wait, I have to ask. I need a whole thing on this. I've been using it in like eight months. I'm up for an 18 year old because of beef tallow. Wait, it's, okay, we'll get into this after your thing. How do you not know any of this? God, I love that peacoat. Thank you very much. You should ask production for it.
00:29Ms. Kat Abasco did a great job dressing me. Oh, is she pregnant? Or is she hurt? Or both? She thinks.
00:42Hello? Monica, where are you? What's going on? Is the baby okay? What's happening? I can't let Adonis know the baby is still alive. She thinks we can get rid of it. Hello? Adonis.
00:53See, meanwhile, he's falling in love with her. And she doesn't know. She typed that quick.
01:00That's not his name.
01:04Oh, no.
01:06No.
01:08Oh.
01:09Come on, Monica, peacoat.
01:11Adonis.
01:12I love it, isn't it?
01:12Yeah, me too. It's like, great.
01:16So, this gentleman is a A-listing actor in the store.
01:19Oh, he is. Okay. Was that fun for you?
01:21So much fun.
01:22That's, that's kind of great.
01:23And it was beautiful because, see, we started out with making him, like, really rough around
01:28the edges.
01:30Monica?
01:31He cares too much about his career.
01:32Adonis, rest assured, our baby's gone.
01:34I love that you guys are, like, right next to you.
01:35What? What's going on?
01:38Our baby's gone and we're done. Just the way you want it. Please leave me alone.
01:43No, Monica. I don't know what you're talking about. What do you mean? I...
01:47Oh.
01:50No!
01:54The number you have dialed...
01:55Oh, she blocked your ass.
01:58Get her now.
01:59Yeah, go get her now.
02:01Excuse me, sir. Uh, I'm looking for Monica White.
02:03Are you a relative of Monica's? She's already been discharged.
02:08I'm sorry, discharged? Did she say where she was going?
02:10Sir, we don't know. But she's still at high risk. You'd better find her as soon as possible.
02:18Right there.
02:24Tina.
02:25Adonis?
02:25Where's Monica? I can't get a hold of her.
02:27She quit.
02:28If you have any work-related questions, feel free to ask me.
02:31She quit? I heard she was in the hospital.
02:34I'll get you another talent manager.
02:36Tina, I got one another talent manager.
02:37Oh, she was your talent manager?
02:38Okay, I'm trying to find Monica. I'm worried about her.
02:43What?
02:45You're worried?
02:47Now?
02:48Oh.
02:49What were you before?
02:50See?
02:51I'll tell you why after this.
02:53I just...
02:54Adonis, I know you two were married.
02:57Oh.
02:57She sacrificed her needs and her feelings for years.
03:00He didn't take the relationship public, which ultimately really hurt her.
03:04Oh, because she was like, do I not matter?
03:05He didn't want to harm his career.
03:09And at this point in the film, he's fallen head over heels and he's ready to...
03:12For the wife?
03:13Yes.
03:14Okay.
03:14But it just happens to come right when...
03:18And Stella convinced her that I don't want to be with her or the child, which is not true.
03:23Oh, yeah. Of course, Stella.
03:24He's always Stella.
03:25You played a Stella.
03:26I'm always Stella.
03:26You're always Stella.
03:28Always.
03:29You do such a dang good job at it.
03:31But in real life, you're not like that.
03:36Oh, gosh.
03:39Divorce.
03:40Oh.
03:40I think it was one of the crying scenes.
03:42Adonis, I've loved you for seven years, but I'm tired.
03:59It's time to end everything.
04:01Here's the ten million dollars you gave my mother.
04:04I'm returning it to you.
04:06Untouched.
04:06Not the ten milli.
04:07Ten milli.
04:07I never wanted your money or fame.
04:10Casual.
04:10I loved you from the bottom of my heart from the start.
04:13Maybe I was wrong, hoping that you would love me back, even just a little.
04:19Just a little.
04:20Now, our baby's gone, and you can finally live the life you want.
04:25I won't bother you anymore.
04:28Goodbye, Adonis.
04:29Oh, Adonis.
04:33That's a lot of tears.
04:35A lot.
04:35A lot.
04:40Oh, my God.
04:45Oh, shit.
04:46I'm so sorry.
04:49Mr. Holland, we have an important interview in ten minutes, and the executive producer,
04:54Mr. Pearson, is coming to talk to you about your next film.
04:57We need to hurry.
04:58Bad timing.
04:59Yeah.
04:59Damn it, Bob.
05:01Wait.
05:04Oh, there's the one.
05:06There's me.
05:07That was the dream come true.
05:08Wait.
05:08Oh, my gosh.
05:08It's so good at the brownstone and everything.
05:10Yeah.
05:11I've dreamt of that since I was a little squirt.
05:14I've always just doing that.
05:14Also, I love that they're using taxis instead of Ubers.
05:17Right.
05:17You know?
05:18Classic.
05:19Yeah, that was a dream come true.
05:20Receive your name, number, and a brief message, and I'll return your call as soon as possible.
05:24Thanks.
05:25She never answers the phone, that one.
05:29Well, at this point, she's given up, and she's moving on.
05:32She's trying to disappear.
05:33Yeah.
05:33Sorry.
05:43Miss?
05:44Are we waiting for someone?
05:47Oh.
05:48No.
05:50Let's go.
05:53Oh.
05:54Sprinting.
05:55I didn't know what that show looked like until now.
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