In Other Words, I Love You Full Movie

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Transcript

00:00:01I've always described the world in words.

00:00:05People, moments, places.

00:00:08But in that moment, I forgot them all.

00:00:12Be careful. We're talking about the king of Ashford.

00:00:15He's cool.

00:00:16I don't find bullies attractive.

00:00:18Good morning!

00:00:19He's lonely and kind of pathetic.

00:00:21Breathe the room before opening your mouth.

00:00:24American.

00:00:26She said you'd be moving in today.

00:00:28There's been some kind of misunderstanding.

00:00:31I'm not staying here.

00:00:32You must stay.

00:00:35I heard you stay to the whole thing for attention.

00:00:39Charles, we need to talk.

00:00:41If you don't do anything about it,

00:00:43it's only going to get worse.

00:00:46You're lying to everyone, including her.

00:00:50You didn't have to come.

00:00:52Don't tell me what I have to do.

00:00:58I've always described the world in words.

00:01:06People, moments, places.

00:01:09All through metaphors and margins.

00:01:12You okay?

00:01:13Like my mom.

00:01:15Self-made, stubborn, and never wrong.

00:01:18Almost there.

00:01:20You excited for your first day?

00:01:21If somebody calls this a fresh start,

00:01:23I call it terrifying.

00:01:31You've got this.

00:01:32Just for yourself.

00:01:34That's kind of the problem.

00:01:36I'm stuck in space.

00:01:37Got a daydream running through my brain every day.

00:01:51Heaven in my dead, I'm...

00:01:55You're not staying.

00:01:56You're okay?

00:01:57You're okay?

00:01:58You're okay.

00:01:59I wanna shake it down.

00:02:03Okay.

00:02:06Morning, class.

00:02:09And you're not seated because...

00:02:11I...

00:02:13Don't have a seat.

00:02:14Ah!

00:02:15A new transfer.

00:02:16Alice Keaton, right?

00:02:18Let's see.

00:02:21No.

00:02:22There's a spot.

00:02:23Next to Charles.

00:02:24Charles hates charity.

00:02:26Seriously?

00:02:27A charity case sitting next to Charles?

00:02:29God.

00:02:30Why is she?

00:02:31Quiet.

00:02:32Charles.

00:02:37I've always had words for everything.

00:02:39But...

00:02:40In that moment...

00:02:43I forgot them all.

00:02:54Charles.

00:02:55Move your things.

00:02:57I'd rather not.

00:02:58She'll be a distraction.

00:02:59From...

00:03:00From what?

00:03:01Sleeping.

00:03:02From everything.

00:03:03If anything, Charles, Miss Keaton will be a positive influence on you.

00:03:07She was top of her class at her previous school.

00:03:10With all due respect, sir.

00:03:12Her previous school was American.

00:03:15I highly doubt that.

00:03:18That's enough.

00:03:19Enough.

00:03:20She can sit here.

00:03:21It's fine.

00:03:25Back to Goldie.

00:03:27You got it.

00:03:28I'm Sherry Vaughn.

00:03:29Alice Keaton.

00:03:30It's very important that we look at the audience and tell you what he's talking about their experience of the time.

00:03:40Wait.

00:03:41You sat next to Charles?

00:03:42She didn't.

00:03:43You totally shut her down.

00:03:44Oh, knew it.

00:03:45Don't take it past me.

00:03:46He's impossible.

00:03:48Can everyone stop acting like the goal was getting into his pants?

00:03:51What?

00:03:52He's hot.

00:03:53Everyone kind of is.

00:03:56I...

00:03:57I've seen Connor.

00:03:58He's not my type.

00:03:59You're joking.

00:04:00I don't find bullies attractive.

00:04:02Hey!

00:04:03Be careful.

00:04:04You're talking about the king of Ashford.

00:04:07The what?

00:04:08His family basically own the school.

00:04:10And the town.

00:04:11Maybe even the country.

00:04:12Yeah.

00:04:13Everyone's tried to get close.

00:04:14No one can get past his ego.

00:04:16You're not the first to get iced.

00:04:18Okay, first of all, I wasn't iced.

00:04:20It's more like a mutual decision.

00:04:23And second, I think he's arrogant, cold, thinks he's untouchable.

00:04:28But if you really look at Charles, he just seems isolated.

00:04:32Like he's faking it all.

00:04:33Honestly, I just think he's lonely and kind of pathetic.

00:04:40What?

00:04:41No, go on.

00:04:42You were saying I'm lonely and pathetic.

00:04:56Next time, read the room before opening your mouth, American.

00:05:02We're not in Kansas anymore, Alice.

00:05:22Hey, how was your first day?

00:05:24Uh, good.

00:05:25Anything exciting happen?

00:05:26Not really.

00:05:27Super uneventful.

00:05:29Really?

00:05:31How's your new job?

00:05:32Yeah, all right.

00:05:33Get this?

00:05:34They said we can stay in the servant's wing.

00:05:36Seriously?

00:05:37Hmm.

00:05:38Apparently the young master won't mind the company.

00:05:40The young master.

00:05:42This is your boss's house.

00:05:46Yeah?

00:05:47Isn't that incredible?

00:05:48I mean, I wouldn't call it a house.

00:05:50It's a museum with better landscaping.

00:05:59Wait here.

00:06:00I'll talk to the butler.

00:06:01Wow.

00:06:07Rich people.

00:06:08You've topped yourselves again.

00:06:14Stephen King.

00:06:16First edition.

00:06:26Breaking and entering now.

00:06:29How American of you.

00:06:30I...

00:06:31You've been paying rent here in my head.

00:06:32Trying to fight it hard.

00:06:53You can get up now.

00:06:54I...

00:06:55I'm trying.

00:06:56Wait!

00:06:58Are you serious?

00:07:00Well, you said you were trying.

00:07:03What is wrong with you?

00:07:05Funny.

00:07:06I was about to ask you the same thing.

00:07:08What are you doing in my house?

00:07:11You...

00:07:12Wait.

00:07:13Your house.

00:07:15My house.

00:07:16My library.

00:07:17And now, apparently, my unwanted guest.

00:07:20Ah, Master Charles.

00:07:21You must be Miss Alice, Anne's daughter.

00:07:22She said you'd be moving in today.

00:07:23She what?

00:07:24There...

00:07:25There's been some kind of misunderstanding.

00:07:26You see, I'm not actually moving in.

00:07:27Is that so?

00:07:28Yeah.

00:07:29I'm not staying here, like, at all.

00:07:30That's a shame.

00:07:31Your mother seemed quite pleased with the arrangement.

00:07:32Well, I just don't think it's appropriate.

00:07:33Well, if you're sure, then absolutely not.

00:07:34Come on, Alice.

00:07:35You must stay.

00:07:36It'll be fun.

00:07:37My dear classmate.

00:07:38I'm dead, like mentally, socially, and actually dead.

00:08:01I'm dead. Like mentally, socially, and actually dead.

00:08:12Just trying to figure out how exactly my life went off the rails.

00:08:17Get it together, Alice Keaton.

00:08:19You've been through hell.

00:08:24Actually, no.

00:08:26This is hell.

00:08:27But, baby, you saved me.

00:08:30Good morning.

00:08:39Wow.

00:08:46Sir, is that Miss Keaton?

00:08:49Well, f***ing doesn't know.

00:08:50That's often closed for months.

00:08:52She's going to be late.

00:08:57Hey, how long is this thing going to take?

00:09:02Maybe I'll just walk?

00:09:03Five miles to school.

00:09:07Okay, if I sprint, maybe I'll make it before first period.

00:09:12Or die of exhaustion on the way.

00:09:17Or die of exhaustion on the way.

00:09:19What are you doing here?

00:09:22Didn't you already leave?

00:09:26Wait.

00:09:27Did you come back for me?

00:09:30Relax.

00:09:32I forgot my textbook.

00:09:34Don't flatter yourself.

00:09:36Wait.

00:09:39Since you're already here,

00:09:41maybe you could be a decent person and give me a ride?

00:09:44No.

00:09:49Seriously?

00:09:49Your car is huge.

00:09:52Yeah.

00:09:53And I'm not a fan of sharing.

00:09:56Says the guy who forced me to live in his house.

00:10:03Unbelievable.

00:10:04Ashford Institute, please.

00:10:20Clooney is that entitled brat anyway.

00:10:22Sir, you called the cab.

00:10:24Why not just give Miss Keaton a lift?

00:10:31Why not just give Miss Keaton a lift?

00:10:33And have the whole school go crazy.

00:10:35She's new.

00:10:37Everybody's already talking.

00:10:39So you're worried about her?

00:10:40You're overthinking.

00:10:42I just don't like drama.

00:10:49Asshole.

00:10:51Who?

00:10:53Morning, Klaus.

00:10:55Back to Golding.

00:10:57Remind me what he's saying through Lord of the Flies.

00:11:03Mr. Kenwood.

00:11:06Care to share what you found so amusing?

00:11:08Not particularly.

00:11:10Oh, I insist.

00:11:11You seem very entertained by Golding.

00:11:14I'm not entertained by Golding, sir.

00:11:17On the contrary.

00:11:18I think his ending is...

00:11:21weak.

00:11:23Wait, wait.

00:11:24You actually read it?

00:11:25Quiet.

00:11:25That's an interesting take.

00:11:29Explain.

00:11:32He had the set up for something brutal.

00:11:35Something honest.

00:11:36In the end, he backed out.

00:11:38He could have left the boys on the island.

00:11:40Forced them to confront collapsible morality.

00:11:43Let them choose survival.

00:11:44Or death.

00:11:45But instead, he gave them a rescue boat.

00:11:49Slapped a happily ever after on a book about savagery.

00:11:55It's a waste.

00:11:57Don't you think?

00:11:58I'm delightfully surprised, Charles.

00:12:00Didn't think you had such strong literary opinions.

00:12:03I'm always a model student, sir.

00:12:05Let's not get ahead of ourselves.

00:12:06So, a critique of Golding's mercy.

00:12:12Anyone disagree?

00:12:24I think Golding knew exactly what he was doing by ending the book that way.

00:12:32It's not mercy, it's irony.

00:12:35How so?

00:12:35The rescue isn't a happy ending.

00:12:41You don't just walk back into society and forget you're a monster.

00:12:44Golding didn't save them.

00:12:45He left us with the discomfort of pretending they could be saved.

00:12:48That's an interesting take, Miss Keaton.

00:12:50You still think it's a harsh critique?

00:12:53In some ways, but not harsh enough.

00:12:57Yes, it's a critique of toxic masculinity, but still, Golding sympathized with them.

00:13:02And the civilized world?

00:13:04Toxic, violent.

00:13:05He didn't call that out nearly as much.

00:13:07So, yeah, I don't think Golding pushed far enough, but I think it's unfair to call it a happy ending.

00:13:11Thank you, Miss Keaton.

00:13:17Well said.

00:13:19Anyone else?

00:13:20Both opinions are valid.

00:13:24Okay, that was kind of epic.

00:13:25And let's not forget, Golding faced major backlash when he first published the book.

00:13:30Good literature will always divide opinion.

00:13:35What's happening to me?

00:13:36Okay, what is going on?

00:13:44Why is everyone staring at me?

00:13:46Well, you're new.

00:13:48And apparently had a thing with Charles.

00:13:50A what now?

00:13:51You two are in the middle of this epic feud, Astrid's scene in years.

00:13:55We're not even fighting.

00:13:56Well, according to everyone, you confessed your love on day one, got rejected.

00:14:01Begged to sit next to him, got rejected again.

00:14:04And today in class, you broke down crying about not believing in happy endings and stormed out in tears.

00:14:12You were there, Sherry.

00:14:13That is not what happened.

00:14:16Doesn't matter.

00:14:17People believe what they want to believe.

00:14:19And they want Charles to be flawless, untouchable.

00:14:23Wow.

00:14:24Is misogyny like a rich kid thing or just a British specialty?

00:14:27Honestly, both.

00:14:30But seriously, Alice, some people already see you as a threat.

00:14:41Okay.

00:14:42Loaded.

00:14:44Looks like the new girl's in for a rough first semester.

00:14:52Hello?

00:15:02Hello?

00:15:04Hello?

00:15:06Is somebody out there?

00:15:08Oh, come on!

00:15:22Fine.

00:15:38Seriously?

00:15:41Oh, shit.

00:15:47What the hell?

00:15:49Anne, I thought you were having dinner with Alice.

00:15:52She hasn't come home.

00:15:53Her phone is off.

00:15:54Maybe you've seen her this evening?

00:15:59Yikes.

00:15:59Looks like the new girl's in for a rough first semester.

00:16:08Shit.

00:16:14Alice!

00:16:15Alice!

00:16:16Mr. Pelton, Charles Kenwood here.

00:16:18I was wondering if I could get the timetable for Alice Keaton.

00:16:21She hasn't come home.

00:16:22I'll have a send to her, will you?

00:16:24Check the common room in the library.

00:16:26I'll take the rest.

00:16:28Alice!

00:16:29Alice!

00:16:30Alice!

00:16:43Come on, Alice.

00:16:46Close your eyes and jump.

00:16:47Alice.

00:16:48Alice!

00:16:49You're fine.

00:17:14Hey, Mr. Nonchalant.

00:17:17Are you happy with how we end?

00:17:24What are you doing here?

00:17:29Can you get off me first?

00:17:40You're welcome.

00:17:42I didn't say thank you.

00:17:44I figured saving your life might only be basic manners.

00:17:46Someone just dumped swamp water on me.

00:17:49Excuse me if I'm not feeling very polite.

00:17:51You smell like a biology experiment.

00:17:54Wow.

00:17:55You should try falling out of a window into someone's arms and getting insulted for it.

00:17:59Wouldn't recommend it.

00:18:00You're heavier than you look.

00:18:03I hope you pull your shoulder.

00:18:05Are you okay?

00:18:11Are you okay?

00:18:12No.

00:18:13But I will be.

00:18:15Someone did this on purpose.

00:18:17What do you think, golden boy?

00:18:20Don't worry.

00:18:21I can handle it.

00:18:21You shouldn't have to.

00:18:25I'm sorry.

00:18:34Sorry.

00:18:34Did you just apologize to me?

00:18:42Don't get used to it.

00:18:43I wouldn't dream of it.

00:18:46Alice?

00:18:48Over here.

00:18:49Oh, my God.

00:18:50You okay?

00:18:55Why are you drenched?

00:18:56Yeah.

00:18:57I just took a weird shower.

00:18:59Top exploded.

00:19:02Come on.

00:19:03Let's go.

00:19:03Alice Keaton, right?

00:19:17I heard she staged the whole thing for attention.

00:19:19I know how this place works.

00:19:45If you don't do anything about it, it's only going to get worse.

00:19:49I'll look into it.

00:19:52Charles?

00:19:54Good on you.

00:19:56How many here would speak up?

00:20:01I can't believe someone actually locked you in.

00:20:04That's insane.

00:20:05Where the hell was the school when this was happening?

00:20:07They're busy protecting their golden boys and trust funds.

00:20:10Well, for what it's worth, I heard Charles looked pretty freaked out when he ran out last night.

00:20:16Please, he just didn't want a lawsuit.

00:20:19Being a scholarship student has its perks, like saving a fortune on tuition and getting

00:20:42in a school that normally wouldn't even let you pass the gates.

00:20:46Hey, we miss you in Paris.

00:20:49Though there are enough Americans to remind us of you.

00:20:51But sometimes, being here means standing behind and watching Ashford Elites go on a two-week

00:20:57enrichment program you can never afford.

00:21:02Have fun.

00:21:03Bring me something overpriced and unnecessary.

00:21:08The trip cost 20 grand in pounds, which translates to mom's salary for half a year.

00:21:16So, yeah, I didn't go.

00:21:18What are you doing here?

00:21:41Do you not believe in shirts?

00:21:42Do you not believe in dignity?

00:21:45It's comfortable.

00:21:46You look like a rejected Ewok.

00:21:48This is not even your kitchen.

00:21:50And this is not even your house.

00:21:52And yet, you're here, dressed like this.

00:21:55Just don't look.

00:21:56Go away.

00:21:57Hard not to.

00:21:58When you're walking around dressed like that.

00:22:00What do you guys call it?

00:22:03Buzz kill?

00:22:04Cock block.

00:22:06You're insufferable.

00:22:06You're the one cosplaying at breakfast.

00:22:09You know what?

00:22:10I don't get it.

00:22:11Why didn't you go on that tour?

00:22:12I thought rich people live for that kind of thing.

00:22:14Why do you think?

00:22:21Where would I go?

00:22:23I could practically recite the itinerary in my sleep.

00:22:27Florence, walk in the great footsteps of Dante, Michelangelo, Da Vinci, and Titian.

00:22:32Or Tiziano, if you want to sound extra pretentious.

00:22:36Then Venice, because everybody loves a good canal, and getting lost in the most confusing

00:22:41city on earth.

00:22:42Next stop, Napoli.

00:22:44Marvel at Pompeii.

00:22:46Pretend you're shocked.

00:22:47Ancient people have plumbing.

00:22:48The final stop, Paris.

00:22:51The ultimate city of romance.

00:22:54And, naturally, Woody Allen's favourite city outside of New York.

00:23:02That's word for word.

00:23:03I told you.

00:23:05I've done this tour so many times, I could run it.

00:23:07Okay, but still, it's Europe.

00:23:09Most people would kill for that chance.

00:23:11Most people haven't had their phones stolen in Paris.

00:23:14Twice.

00:23:16Also, I hate the accommodations.

00:23:18Aren't they all five-star hotels?

00:23:20Standard rooms in five-star hotels.

00:23:23No thank you.

00:23:24Wow.

00:23:26Some were born in Rome, huh?

00:23:27Well, that's unfortunate.

00:23:28It's a very chaotic city.

00:23:30One word of advice?

00:23:31Shut up.

00:23:32That's two words.

00:23:35You're weird.

00:23:36You're loud.

00:23:37You're annoying.

00:23:37You're in my kitchen.

00:23:38You have three other kitchens.

00:23:40And I prefer this one.

00:23:42Just for today.

00:23:43Come back when you've got a shirt on.

00:23:45Come back with normal clothes on.

00:23:46You didn't have to come.

00:23:47Don't tell me what I have to do.

00:23:48Master Charles, roads are flooded.

00:24:00Staff won't make it tonight.

00:24:01Will you be alright sorting dinner?

00:24:06I've got it sorted.

00:24:06Jesus, what are you doing?

00:24:20Relax.

00:24:23I'm here to make a deal.

00:24:25What deal?

00:24:26You nearly gave me a heart attack.

00:24:31You'll survive.

00:24:33I'm not selling my body.

00:24:36I'm not selling my body.

00:24:45Wow.

00:24:46I am deeply offended.

00:24:49That thought disgusts me.

00:24:51Then what are you doing?

00:24:52The staff's off tonight.

00:24:54I'm buying dinner.

00:24:58Did you seriously think I'd spend 100 pounds on...

00:25:00No, I...

00:25:01Jesus.

00:25:03Wait.

00:25:04You think I'm not worth 100 pounds?

00:25:08I'm not spending 100 pounds to snort you back up.

00:25:11You know what?

00:25:12Dinner's cancelled.

00:25:16Are you sure about that?

00:25:19I present to you.

00:25:21Meatball spaghetti, stir-fried veggies, and french fries.

00:25:24You're welcome.

00:25:25Interesting combo.

00:25:26Well, I know we're not in Italy or France, but this'll do.

00:25:31It's...

00:25:31Good.

00:25:39Was that a compliment?

00:25:41Although...

00:25:41I am obliged to inform you...

00:25:44Meatball spaghetti isn't Italian.

00:25:46It's American.

00:25:47And french fries, likely born in South America.

00:25:50You should read more.

00:25:53Put it down.

00:25:55I paid for it.

00:25:56You really just have to win every argument, don't you?

00:25:58To be fair, you make it very easy.

00:26:02It's only easy because it costs 200 pounds.

00:26:06You know, if you'd ask for more, I probably would have given it to you.

00:26:08I'll make sure you want it.

00:26:09Hey, Alice, it's fine.

00:26:26You're fine.

00:26:34911, what's for your emergency?

00:26:39911, what's for your emergency?

00:26:42It's my dad.

00:26:43He needs help.

00:26:44He just had a stroke.

00:26:45Okay, miss.

00:26:46Hurricane constant traffic shut down.

00:26:48We'll get to you as soon as we can.

00:26:49Please, he's not well.

00:26:51I understand.

00:26:52Can you confirm your address?

00:26:55Dad, yes, I'm right here.

00:26:57Hi.

00:26:59My daughter.

00:27:01Please stay with me, Dad.

00:27:02Please.

00:27:07No.

00:27:07Please, wake up.

00:27:14Dad, please.

00:27:16Please don't leave me.

00:27:17I can't wait.

00:27:18Don't leave me.

00:27:27I can't wait.

00:27:39you what are you doing here

00:27:51you were crying loudly kind of hard to ignore right sorry for the night wait

00:28:06no snarky come back not tonight i'm too tired if you're here to argue knock yourself out

00:28:13you were calling for your dad right hurricane hit new york power went down traffic froze

00:28:23dad had a stroke but he couldn't get help in time

00:28:29i sat there with a candle while he laid there

00:28:35peaceful like he was asleep but he wasn't

00:28:42so that's why you and your mum moved here

00:28:47this used to be our hometown after dad left we had nowhere else to go

00:28:55what are you doing

00:29:02come on

00:29:06come on

00:29:13wait i thought the power was out it is we have our own generator wow rich people houses

00:29:30her just for tonight i'll allow it

00:29:35allow what you can call this place your house so enjoy it

00:29:39stephen king's first edition alan gisberg's handwritten letters jane austen's notes all

00:29:45all yours

00:29:46this is your home

00:29:52alice keaton

00:29:54careful almost sounded sweet

00:30:00don't push it

00:30:02okay then

00:30:03i have

00:30:07one request

00:30:09what is it

00:30:13what is it

00:30:20are you ever going to make a move

00:30:23wait

00:30:24give me a second i'm thinking

00:30:26you had one wish

00:30:28anything in the world

00:30:30and in the middle of a thunderstorm inside a literal mansion you chose chess

00:30:36yeah got a problem

00:30:38it's just so cool like spies or genius villains in movies

00:30:42it's literally a board game

00:30:44says the guy who owns a custom set

00:30:47wait does the knight go diagonally

00:30:50for the tenth time

00:30:51it moves in an l shape

00:30:53one

00:30:55two

00:30:56then turn

00:30:57there

00:30:58happy

00:31:00ecstatic

00:31:01you know

00:31:04that's suicide

00:31:05or a brilliant long term sacrifice

00:31:07you are playing checkers at a chess board

00:31:09still beating you in sarcasm

00:31:10you literally haven't won any past arguments

00:31:12golding disagrees

00:31:14it's going to be a long night

00:31:16oh my

00:31:17no

00:31:18you can't do that

00:31:20can i do that as well

00:31:21can i not do that

00:31:42maybe

00:31:43he's not so awful after all

00:31:48what are you doing here

00:32:00well your parents said you were still at home

00:32:03thank god you skipped that boring grand tour

00:32:05who needs italy and france again right

00:32:07when did you get back

00:32:09last night

00:32:10from zurich

00:32:11you didn't answer my messages

00:32:13i missed you

00:32:15anyway

00:32:16thought i'd come surprise you

00:32:18apparently

00:32:19i'm transferring to ashford

00:32:21your parents were so thrilled

00:32:23they didn't tell me about this

00:32:24i wanted to deliver the happy news myself

00:32:26they said it'd be lovely for us to

00:32:28reconnect

00:32:29you know

00:32:30considering the engagement

00:32:32and all

00:32:33engagement

00:32:34oh

00:32:36did no one tell you

00:32:38he's promised

00:32:39old money stuff

00:32:41very retro

00:32:42i didn't agree to that

00:32:43you didn't have to

00:32:44it's never up to us

00:32:47where did you find this little

00:32:49toy

00:32:50serena

00:32:51i can hear you you know

00:32:52oh

00:32:53an american

00:32:54how

00:32:55refreshing

00:33:00goodbye

00:33:01wait

00:33:18where are you going

00:33:19you still owe me breakfast

00:33:20you only paid for dinner

00:33:22i have homework

00:33:24goodbye

00:33:28your little toy has quite the temper

00:33:30serena

00:33:31can you please just stop

00:33:32what

00:33:33teasing the help

00:33:40that's her

00:33:41that's the one from kenwood's house

00:33:44was she like

00:33:45the maid or something

00:34:00oh

00:34:01oh my god

00:34:02what's wrong with people

00:34:03they're saying you live with charles

00:34:05oh

00:34:06and serena

00:34:07what about her

00:34:08well apparently she told everyone you were caught sneaking into his room

00:34:11of course she did

00:34:13careful alice you're starting to look desperate

00:34:28yeah

00:34:29can you help me write one day i know it's 1066

00:34:43yeah

00:34:44come to the music room

00:34:45urgent

00:34:46urgent

00:34:47i just remembered i need to check something

00:34:49you guys go ahead

00:34:50yeah okay

00:34:58is someone there

00:34:59seriously

00:35:00this is getting old

00:35:02wait

00:35:15music room

00:35:16what

00:35:17james

00:35:19was anybody in here earlier

00:35:21just miss serena

00:35:22said she was waiting for you

00:35:23sir

00:35:24sir

00:35:25sir

00:35:26it's raining

00:35:28come on alice you're fine

00:35:41you're not that girl again

00:35:44wait can you remind me one more time

00:35:52okay

00:35:53rooks move in straight lines

00:35:54yeah

00:35:55bishops move diagonally

00:35:56and knights

00:35:57the knights

00:35:58the knights the weird one

00:35:59rooks

00:36:00straight lines

00:36:01bishops

00:36:02diagonally

00:36:03hello

00:36:04hello

00:36:05oh

00:36:06oh

00:36:07oh

00:36:08oh

00:36:09oh

00:36:10oh

00:36:11oh

00:36:12oh

00:36:13oh

00:36:14oh

00:36:15oh

00:36:16oh

00:36:17oh

00:36:18oh

00:36:19oh

00:36:20oh

00:36:21oh

00:36:22oh

00:36:26oh

00:36:31oh

00:36:32oh

00:36:33oh

00:36:34oh

00:36:35oh

00:36:37Are you okay? Are you hurt?

00:36:39I... I'm okay. I...

00:36:41I saw the text and I thought...

00:36:43I didn't see the message.

00:36:45Serena took my phone. I didn't know.

00:36:47I'm sorry.

00:36:49I'm okay.

00:36:51You're gonna catch a cold.

00:36:53You're freezing. You didn't have to come.

00:36:57Don't tell me what I have to do.

00:37:07That wasn't a mistake, if that's what you're about to say.

00:37:25I...

00:37:27wasn't going to.

00:37:37I'm really bad at this, you know.

00:37:43What? Kissing.

00:37:45Hiding feelings.

00:37:47Like that.

00:38:07Dump those Ewok pajamas.

00:38:09Oh, you wish.

00:38:13Seriously. It's a cock block.

00:38:15You kissed me.

00:38:17That's basically consent to everything.

00:38:27Dangerous words, Keaton. I might hold you to that.

00:38:37You'll be working in pairs on your comparative essays.

00:38:43The list is on the board.

00:38:47One, two, three, four.

00:38:49Paper planes

00:38:51Are you okay?

00:38:53Fly me to outer space

00:38:57That's where I'll see your face

00:39:01And have you with me

00:39:05It may seem dark

00:39:11But you always liked my spark

00:39:15In my heart

00:39:19Since the spark

00:39:21You're welcome

00:39:25They're either enemies we secretly married.

00:39:29Honestly?

00:39:31Right?

00:39:33I was sure I'd never find someone

00:39:35To make my head spin around

00:39:37No one's ever gonna be the thing I need

00:39:39They all just let me down

00:39:41But baby

00:39:43You saved me

00:39:45Until I'm brand new

00:39:47Everything's so different now

00:39:51So...

00:39:53The night goes in an L shape, right?

00:39:55Why is that the only one you remember?

00:39:57Because it's weird

00:39:59And I like weird

00:40:09Check!

00:40:15You're cheating

00:40:17I'm winning

00:40:19You are very distracting

00:40:21And you like it

00:40:23I will be there for you, babe

00:40:25I'll be there for your darkest days

00:40:29I'll hold you in my arms

00:40:33Charles!

00:40:35We need to talk

00:40:37I expected poor judgement

00:40:39But this in my house?

00:40:41It isn't what it looks like

00:40:43No!

00:40:45Kissing a servant's daughter in the family library

00:40:47Enlighten me then, Charles

00:40:49We came back tonight

00:40:51After speaking with Serena

00:40:53Imagine our surprise walking in on this

00:40:55She isn't just...

00:40:57You have no right to barge in

00:40:59On my property

00:41:01I care about her

00:41:03I'm not ashamed of that

00:41:05That's enough!

00:41:07Why do you care?

00:41:09We're protecting our son's future

00:41:11And our name

00:41:13You think this protects me?

00:41:15I'm not ashamed of that

00:41:17Why do you care?

00:41:19We're protecting our son's future

00:41:21And our name

00:41:23You think this protects me?

00:41:25We think

00:41:26She does not belong in your world

00:41:31Then maybe I don't either

00:41:35You're ready to give up everything

00:41:37For a girl you barely know?

00:41:41Yes

00:41:42Then

00:41:43Are you sure

00:41:45She's ready?

00:41:47I'm asking you

00:41:53Do you think she's ready?

00:41:55To lose everything

00:41:56Regardless of how little that is

00:41:58Just to be with you?

00:42:00What are you talking about?

00:42:01You left us no choice son

00:42:03You shouldn't disobey your father

00:42:07Helton

00:42:08It's Frederick Kenwood

00:42:10Ah

00:42:11Mr. Kenwood

00:42:12How can I help?

00:42:13If a scholarship student

00:42:15Were to violate our behavioural code

00:42:17In a public setting

00:42:19With photographic evidence

00:42:20Would that warrant a review?

00:42:23Yes sir

00:42:27So

00:42:28Answer me again

00:42:30Do you think she's ready

00:42:31To lose everything

00:42:32Just to be with you?

00:42:33Just to be with you

00:42:45Charles

00:42:46What happened?

00:42:47Did your parents say something?

00:42:48Are they mad?

00:42:49Is everything okay?

00:42:51Pack your things

00:42:53You can't stay here anymore

00:42:55What?

00:42:57My parents fired your mother

00:42:59She's leaving

00:43:01So are you

00:43:02Why?

00:43:03Is it because of us?

00:43:04We can fix this

00:43:05I'll get a job

00:43:06Anything

00:43:07Stop it

00:43:08You don't get it

00:43:09If I don't walk away from this

00:43:10They'll cut me off

00:43:12Okay?

00:43:13No card

00:43:14No trust

00:43:15No support

00:43:17Nothing

00:43:18Then

00:43:19Then we'll figure it out

00:43:20We don't need all that

00:43:21We can

00:43:23Do you really think

00:43:24I'm going to live like that?

00:43:28So that's what this was?

00:43:30Just

00:43:31Fun

00:43:32Until it got inconvenient

00:43:34What did they promise you?

00:43:38Nothing

00:43:42They just reminded me

00:43:43Of what's real

00:43:47Charles

00:43:48I'm not stupid

00:43:50You don't just turn into

00:43:51A cold stranger

00:43:52Because of one conversation

00:43:53What did they threaten you with?

00:43:54What did they threaten you with?

00:44:01What did they threaten you with?

00:44:02This is the difference between me and you

00:44:04What?

00:44:05You think you know me

00:44:07Or what I have

00:44:09You don't, Alice

00:44:10Alice

00:44:11You're still lying

00:44:12I'm not

00:44:13Alice

00:44:14Look around you

00:44:15This mansion

00:44:16You thought was a museum

00:44:17It's

00:44:18My

00:44:19House

00:44:20My

00:44:21World

00:44:22I was bored

00:44:23I was bored into this

00:44:24I am not choosing

00:44:25Between this

00:44:29And something I picked up

00:44:30For a moment

00:44:31Of fun

00:44:33Don't do this

00:44:34Charles

00:44:35You don't mean it

00:44:36It was fine

00:44:38But it'd be you

00:44:40You don't compare to what I own

00:44:42I'll survive the loss

00:44:45I'll survive the loss

00:44:48Right

00:44:51I should have known

00:44:54Guys like you

00:44:55Don't end up with girls like me

00:44:59You play with them

00:45:00Then you throw them away

00:45:03Go to sleep, Alice

00:45:16This fall is a little more

00:45:18Than I expected

00:45:22In so deep

00:45:23I can barely see myself

00:45:28Yeah, around me feels so heavy

00:45:30But depleted

00:45:34But I find this the place

00:45:36To test myself

00:45:46Oops

00:46:04Oh, sorry

00:46:05Didn't see you there

00:46:06Then again

00:46:07Nobody does

00:46:09Move, please

00:46:12Try begging

00:46:15You know what?

00:46:19Keep it

00:46:25Poor thing

00:46:26So dramatic

00:46:29Don't

00:46:30Excuse me

00:46:31I warned you

00:46:33Walk away, Serena

00:46:45You know what?

00:46:46You know what?

00:46:47You know what?

00:46:48You know what?

00:46:49You know what?

00:46:55Last week's group assignments were

00:46:57Mostly forgettable

00:46:59But one pair surprised me

00:47:01In a good way

00:47:03Charles Kenwood

00:47:04And Alice Keaton

00:47:06Would you mind giving us a short summary?

00:47:08She loves the sound of her own voice

00:47:10Better have it

00:47:11I couldn't stay

00:47:12I couldn't wait

00:47:14I thought that you should know

00:47:16That I would have

00:47:18Can hang around

00:47:19Our essay explored what happens

00:47:21When two fundamentally different voices meet

00:47:24Like logic and chaos

00:47:25Or silence and noise

00:47:28Different worlds

00:47:29Different rules

00:47:32At first glance they clash

00:47:34But what makes the story interesting

00:47:36Is what happens next

00:47:38Confusion

00:47:40Curiosity

00:47:41But in the end

00:47:42Some stories aren't about staying

00:47:44And yes

00:47:45There is no such thing as a happy ending

00:47:57And yes

00:47:58There is no such thing as a happy ending

00:48:00Is she still talking about the essay?

00:48:06Miss Keaton

00:48:08Dramatic as always

00:48:10Alright

00:48:11Thank you Alice

00:48:12That was

00:48:14Later

00:48:16Are you okay?

00:48:17A reminder

00:48:18That good literature

00:48:20Always stirs something

00:48:24Hello?

00:48:25Hi there's Alice Keaton

00:48:26This is We're More Prince

00:48:27We've been following your work

00:48:28We'd like to offer you a long term publishing contract

00:48:31Name your price

00:48:32We'll, we'll make it work

00:48:33Sorry what?

00:48:44That's

00:48:45Kind of

00:48:46Insane

00:48:47Who's behind this?

00:48:48Your sponsor wishes to remain anonymous

00:48:51Can

00:48:52Can I meet them?

00:48:55I want to

00:48:56Please

00:48:58Or at least tell me a name

00:49:03Sorry, they wish to stay in office

00:49:05So they're only interested in words

00:49:06Not the person

00:49:07I'd really like to meet them

00:49:08I'm sorry for to keep them

00:49:09They work very soon

00:49:10I think the most generous work we've ever given an interview right to

00:49:14I see

00:49:15Congratulations again

00:49:16You got the interview

00:49:17It's just an interview

00:49:18I haven't gotten in yet

00:49:19Still

00:49:20Alice Keaton at Oxford

00:49:21That's iconic

00:49:22I think it's just an interview

00:49:23It's just an interview

00:49:24I haven't gotten in yet

00:49:25Still

00:49:26Alice Keaton at Oxford

00:49:27That's iconic

00:49:28For your love

00:49:29I'll be

00:49:30Come around

00:49:31One day

00:49:36You okay?

00:49:37Yeah

00:49:38I'm just done

00:49:40I'm so excited

00:49:41I'm so excited

00:49:54It's done Mr. Kenwood

00:49:55Miss Keaton signed the contract

00:49:58Good

00:49:59It's a generous deal

00:50:00You sure you don't want her to know?

00:50:03No

00:50:05No, it's better if I stay out of her life

00:50:17Congratulations, Alice Keaton

00:50:20Go live the life you were always meant to

00:50:22Your engagement and announcement should align perfectly with the Foundation Gala

00:50:33And the Browns already offered to host the London reception

00:50:38It's all coming together beautifully

00:50:43I've lost my appetite

00:50:48I'll go check on him

00:50:52What's your problem, Charles?

00:51:00Disengagement

00:51:02Is not happening

00:51:03It's not up to you, you know that

00:51:04Serena, we're not doing this

00:51:08You've changed

00:51:12Or maybe I finally just stopped pretending

00:51:22We still need to know before

00:51:33!

00:51:34It's all out to you

00:51:36.

00:51:38What have we done?

00:51:42Tollc!

00:51:43You're the sponsor!

00:51:44You've been funding Alice Keaton this whole time!

00:51:45You've been funding Alice Keaton this whole time.

00:51:50So?

00:51:51You lied to everyone, including her.

00:51:54I protected her.

00:51:57You loved her.

00:51:59Still do.

00:52:02Let it go, Serena.

00:52:05There's no point.

00:52:15I need a favour.

00:52:17Find out when the Oxford interview is.

00:52:20And make sure Alice Keaton won't show up.

00:52:27Anything?

00:52:28No?

00:52:29She's not answering.

00:52:31The interview's almost over.

00:52:33Well, she won't just not show up.

00:52:35Something's wrong.

00:52:37Where's Alice?

00:52:39When was the last time you heard from her?

00:52:41Last night.

00:52:41She said she was prepping all evening.

00:52:45James, track someone for me.

00:52:51Wait, where are you going?

00:53:00Chill, okay?

00:53:01We won't hurt you.

00:53:03Yeah, we're just supposed to keep you away from the interview.

00:53:06That's it.

00:53:06Shit!

00:53:15Come back!

00:53:16Shit!

00:53:16Come back!

00:53:16Shit!

00:53:17Shit!

00:53:18Shit!

00:53:19Shit!

00:53:20Shit!

00:53:21Shit!

00:53:22Shit!

00:53:23Shit!

00:53:24Shit!

00:53:25Shit!

00:53:26Shit!

00:53:27Shit!

00:53:28Shit!

00:53:29Shit!

00:53:30Shit!

00:53:31Shit!

00:53:32Shit!

00:53:33Shit!

00:53:34Shit!

00:53:35Shit!

00:53:36Shit!

00:53:36I remember how I met, didn't need a second guess.

00:53:54Hey, hey, hey, Alice, Alice.

00:53:57Alice, hey, hey, stay with me, stay with me.

00:53:59Stay with me, Alice.

00:54:00Alice!

00:54:06You're awake.

00:54:08Where, where am I?

00:54:10A local clinic.

00:54:12Passerby brought you in.

00:54:14Passerby?

00:54:15He found you on the side of the road.

00:54:18He had to leave, he didn't leave a name.

00:54:21Oh.

00:54:23The interview, what time is it?

00:54:25Easy.

00:54:26It's okay.

00:54:27Someone already contacted the university,

00:54:29and sent in your writing samples.

00:54:31They've rescheduled your interview for tomorrow.

00:54:33Wait, what, who?

00:54:35No idea, but it's all taken care of.

00:54:40What did you say?

00:54:42Nothing.

00:54:43I just...

00:54:45had a dream.

00:54:47I got him!

00:54:48Oh, I knew it!

00:54:49Too bad Charles isn't here to watch you crush it.

00:54:54He's not here.

00:54:55Oh, you didn't know?

00:54:56Know what?

00:54:57He left.

00:54:58A few days ago, yeah, everyone doesn't really know where he went.

00:55:01Honestly, Ashra's been quieter without him.

00:55:02It's probably for the best.

00:55:03Come on.

00:55:04Alice?

00:55:05I couldn't stay.

00:55:06I couldn't stay.

00:55:07I couldn't wait.

00:55:08I thought that you should know that I would have.

00:55:09I'm hanging around.

00:55:10I'm hanging around.

00:55:11The summer I met Charles Kenwood was loud.

00:55:13Chaotic.

00:55:14Unexpected.

00:55:15And with his absence...

00:55:16Come on.

00:55:17Come on.

00:55:18It ended quietly.

00:55:19I didn't really know where he went.

00:55:20I didn't really know where he went.

00:55:21I didn't really know where he went.

00:55:22Honestly, Ashra's been quieter without him.

00:55:23It's probably for the best.

00:55:24Come on.

00:55:25I couldn't stay.

00:55:26I couldn't wait.

00:55:27I thought that you should know that I would have.

00:55:30I'm hanging around.

00:55:32The summer I met Charles Kenwood was loud.

00:55:35Chaotic.

00:55:36Unexpected.

00:55:38And with his absence...

00:55:42Come on.

00:55:43It ended quietly.

00:55:48Like summers always do.

00:55:52Did you feel it from across the room?

00:55:56Did you feel a little enchanted?

00:56:03And joining us today, the decade's most unexpected literary phenomenon, Alice Keaton.

00:56:09Thank you for having me.

00:56:11Now, your words moved millions.

00:56:14They say your stories feel real.

00:56:17Especially the ones about love.

00:56:19Which brings us to the most obvious question.

00:56:22How's your dating life like these days?

00:56:24No comment.

00:56:25A little bird told me that the past four years has been just writing and working.

00:56:30Not even a single date.

00:56:32Let me guess a bird named Sherry.

00:56:33She caught me.

00:56:34Still no comment.

00:56:35Alright, alright.

00:56:36No matter what you say, you write love like someone who's lived it.

00:56:42It feels so real.

00:56:43Because once, I did.

00:56:45That's why today we're here sharing the story behind Alice Keaton.

00:56:49And no one ever quite matched the light after that.

00:56:52And let's give it up for Alice Keaton one more time.

00:57:07Congratulations Alice. The numbers just came in. You broke your own record.

00:57:11That's incredible.

00:57:13We're thinking celebration, press, photos, maybe tonight.

00:57:18Actually, there's something I'd rather do.

00:57:22I'd like to meet with the person who believed in me first.

00:57:26My sponsor.

00:57:28You're sure?

00:57:29Yeah.

00:57:30Just once.

00:57:31Tonight.

00:57:327pm.

00:57:44Good evening.

00:57:49Good evening.

00:57:53May I sit?

00:57:54Hey, Mr. Nonchalant.

00:58:03Hi.

00:58:04Hi.

00:58:07You look well.

00:58:11And you look like you just stepped out of a GQ cover.

00:58:14You always did.

00:58:16You were expecting someone else.

00:58:19I was...

00:58:21hoping.

00:58:23But I guess I always knew.

00:58:25I didn't come here to confuse you.

00:58:28Or to reopen anything.

00:58:31I just wanted to say congratulations.

00:58:35Oh.

00:58:39Didn't know you're still reading.

00:58:41You were rich enough not to do so.

00:58:44Always.

00:58:46Either way, your sponsorship started my career, so...

00:58:49So...

00:58:50No.

00:58:51No, you've...

00:58:52You earned everything.

00:58:56Every word.

00:58:57Every page.

00:59:00Every reader.

00:59:02That's what I came to say.

00:59:07It was good to see you again.

00:59:09I hope.

00:59:10Can you just...

00:59:12Can you just...

00:59:14Wait a little longer?

00:59:20I think I knew it was you.

00:59:25There was one email.

00:59:27You said something.

00:59:29It felt familiar.

00:59:31Really?

00:59:32Kind of had that...

00:59:33Rich asshole with a conscience energy.

00:59:36Very on brand.

00:59:38I should have anonymized my grammar.

00:59:40Too late.

00:59:41Your semicolon usage gave you away.

00:59:43Still the only girl I know who flirts through punctuation.

00:59:46Still the only god I know who uses wiles unironically.

00:59:49Maybe.

00:59:52You've changed.

00:59:54But...

00:59:56Not really.

00:59:58You haven't changed.

01:00:00But...

01:00:01Maybe you've grown into who you really were.

01:00:06Anyway...

01:00:08I wanted to say...

01:00:12And...

01:00:13Thanks for being here tonight.

01:00:15You didn't have to come.

01:00:17Don't tell me what I have to do.

01:00:22You didn't have to come.

01:00:24Don't tell me what I have to do.

01:00:46If you could go back, if you had the chance to do it all again, would you do anything differently?

01:00:57No.

01:01:03No.

01:01:07I see.

01:01:12I know my answer now.

01:01:13I didn't have the power back then.

01:01:15Not enough to protect you.

01:01:17I couldn't watch you get crushed because of me.

01:01:20Because of my name, my family.

01:01:25I didn't want to be the reason you lost everything.

01:01:28So you just disappeared, without a word.

01:01:34If you had the chance to see the world, without me weighing you down,

01:01:38if you still chose me after that...

01:01:40You keep saying you wanted to give me a choice.

01:01:47But you made a choice for me.

01:01:51Did it ever cross your mind that maybe...

01:01:55I would have chosen you anyway.

01:02:03I didn't think I was the smart choice.

01:02:06You weren't.

01:02:09But I never claimed to be that smart.

01:02:12I'm still mad at you, you know.

01:02:34I'm still in love with you, you know.

01:02:35Do you want to come in for a bit?

01:02:48You're asking your ex,

01:02:50who you haven't seen in four years,

01:02:52to come into your hotel

01:02:53at approximately 11pm.

01:02:57You were right.

01:02:59You never were that smart.

01:03:00You don't have to come.

01:03:02Don't tell me what I have to do.

01:03:19Stop quoting yourself.

01:03:20I recycle.

01:03:21It saves energy.

01:03:24This feels wildly irresponsible.

01:03:26You sound like a disclaimer.

01:03:27You're the one who once called

01:03:28romance a distraction.

01:03:30I said that.

01:03:31Yeah, before calling

01:03:32Wuthering Heights overrated.

01:03:34Still is.

01:03:36You're lucky you're a good kisser.

01:03:41That is cute to me.

01:03:43Don't you dare quote poetry.

01:03:45I wasn't going to.

01:03:46I forgot all of it the day you left.

01:03:49Then shut up.

01:03:51And prove it.

01:03:57I still can't believe this is happening.

01:04:00I told you they're either worst enemies

01:04:02or secretly married.

01:04:03And I told you they're both.

01:04:05I vow to always tell you the truth.

01:04:34Except for when you ask how your cooking was.

01:04:37Then I lie.

01:04:39Respectfully.

01:04:41I vow to keep choosing you.

01:04:44Loudly.

01:04:46Quietly.

01:04:48Always.

01:04:49Even when you forget to do the laundry.

01:04:53Is he actually good at this?

01:04:55I mean, he did beat her at soccer though.

01:04:58I vow to argue with you at least twice a week.

01:05:04Especially over Shakespeare.

01:05:06I vow to write you in your every story.

01:05:09Even when I say I didn't.

01:05:11You will always be part of my life.

01:05:14If she quotes Austen in this toast, I'm out.

01:05:17No you're not.

01:05:17You're going to cry harder.

01:05:18For the rest of my life.

01:05:24For the rest of my life.

01:05:38I woke up to the smell of roses.

01:05:42I can't believe you picked Paris.

01:05:45Such a cliche honeymoon destination.

01:05:48Guard your phone.

01:05:49Relax.

01:05:50Just don't dress like a walking inheritance and you'll be fine.

01:05:56You are not wearing that on our honeymoon.

01:05:59Please, Alice, go change.

01:06:02Don't tell me what I have to do.

01:06:03No.

01:06:07No.

01:06:09No, no, no, no.

01:06:10That is not an invitation to...

01:06:11Do not take off these clothes.

01:06:13No, I've roared.

01:06:14You look much better without them.

01:06:21To the ones who loved in silence.

01:06:23In chaos.

01:06:25In chapters.

01:06:26You will find your way home.

01:06:33You will find me on my own.

01:06:34It's very nice.

01:06:35But I don't want to die alone.

01:06:37God.

01:06:39God.

01:06:39For your love.

01:06:41I'll be like gone by the morning.

01:06:48Upside.

01:06:51My king.

01:06:55Okay.

01:06:56Okay.

01:06:57It's up to us to make sure that we can gain what's been passed through these books.

01:07:08Help us develop, learn, and grow.

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