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Short filmTranscript
00:00:01I've always described the world in words.
00:00:05People, moments, places.
00:00:08But in that moment, I forgot them all.
00:00:12Be careful. We're talking about the king of Ashford.
00:00:15He's cool.
00:00:16I don't find bullies attractive.
00:00:18Good morning!
00:00:19He's lonely and kind of pathetic.
00:00:21Breathe the room before opening your mouth.
00:00:24American.
00:00:26She said you'd be moving in today.
00:00:28There's been some kind of misunderstanding.
00:00:31I'm not staying here.
00:00:32You must stay.
00:00:35I heard you stay to the whole thing for attention.
00:00:39Charles, we need to talk.
00:00:41If you don't do anything about it,
00:00:43it's only going to get worse.
00:00:46You're lying to everyone, including her.
00:00:50You didn't have to come.
00:00:52Don't tell me what I have to do.
00:00:58I've always described the world in words.
00:01:06People, moments, places.
00:01:09All through metaphors and margins.
00:01:12You okay?
00:01:13Like my mom.
00:01:15Self-made, stubborn, and never wrong.
00:01:18Almost there.
00:01:20You excited for your first day?
00:01:21If somebody calls this a fresh start,
00:01:23I call it terrifying.
00:01:31You've got this.
00:01:32Just for yourself.
00:01:34That's kind of the problem.
00:01:36I'm stuck in space.
00:01:37Got a daydream running through my brain every day.
00:01:51Heaven in my dead, I'm...
00:01:55You're not staying.
00:01:56You're okay?
00:01:57You're okay?
00:01:58You're okay.
00:01:59I wanna shake it down.
00:02:03Okay.
00:02:06Morning, class.
00:02:09And you're not seated because...
00:02:11I...
00:02:13Don't have a seat.
00:02:14Ah!
00:02:15A new transfer.
00:02:16Alice Keaton, right?
00:02:18Let's see.
00:02:21No.
00:02:22There's a spot.
00:02:23Next to Charles.
00:02:24Charles hates charity.
00:02:26Seriously?
00:02:27A charity case sitting next to Charles?
00:02:29God.
00:02:30Why is she?
00:02:31Quiet.
00:02:32Charles.
00:02:37I've always had words for everything.
00:02:39But...
00:02:40In that moment...
00:02:43I forgot them all.
00:02:54Charles.
00:02:55Move your things.
00:02:57I'd rather not.
00:02:58She'll be a distraction.
00:02:59From...
00:03:00From what?
00:03:01Sleeping.
00:03:02From everything.
00:03:03If anything, Charles, Miss Keaton will be a positive influence on you.
00:03:07She was top of her class at her previous school.
00:03:10With all due respect, sir.
00:03:12Her previous school was American.
00:03:15I highly doubt that.
00:03:18That's enough.
00:03:19Enough.
00:03:20She can sit here.
00:03:21It's fine.
00:03:25Back to Goldie.
00:03:27You got it.
00:03:28I'm Sherry Vaughn.
00:03:29Alice Keaton.
00:03:30It's very important that we look at the audience and tell you what he's talking about their experience of the time.
00:03:40Wait.
00:03:41You sat next to Charles?
00:03:42She didn't.
00:03:43You totally shut her down.
00:03:44Oh, knew it.
00:03:45Don't take it past me.
00:03:46He's impossible.
00:03:48Can everyone stop acting like the goal was getting into his pants?
00:03:51What?
00:03:52He's hot.
00:03:53Everyone kind of is.
00:03:56I...
00:03:57I've seen Connor.
00:03:58He's not my type.
00:03:59You're joking.
00:04:00I don't find bullies attractive.
00:04:02Hey!
00:04:03Be careful.
00:04:04You're talking about the king of Ashford.
00:04:07The what?
00:04:08His family basically own the school.
00:04:10And the town.
00:04:11Maybe even the country.
00:04:12Yeah.
00:04:13Everyone's tried to get close.
00:04:14No one can get past his ego.
00:04:16You're not the first to get iced.
00:04:18Okay, first of all, I wasn't iced.
00:04:20It's more like a mutual decision.
00:04:23And second, I think he's arrogant, cold, thinks he's untouchable.
00:04:28But if you really look at Charles, he just seems isolated.
00:04:32Like he's faking it all.
00:04:33Honestly, I just think he's lonely and kind of pathetic.
00:04:40What?
00:04:41No, go on.
00:04:42You were saying I'm lonely and pathetic.
00:04:56Next time, read the room before opening your mouth, American.
00:05:02We're not in Kansas anymore, Alice.
00:05:22Hey, how was your first day?
00:05:24Uh, good.
00:05:25Anything exciting happen?
00:05:26Not really.
00:05:27Super uneventful.
00:05:29Really?
00:05:31How's your new job?
00:05:32Yeah, all right.
00:05:33Get this?
00:05:34They said we can stay in the servant's wing.
00:05:36Seriously?
00:05:37Hmm.
00:05:38Apparently the young master won't mind the company.
00:05:40The young master.
00:05:42This is your boss's house.
00:05:46Yeah?
00:05:47Isn't that incredible?
00:05:48I mean, I wouldn't call it a house.
00:05:50It's a museum with better landscaping.
00:05:59Wait here.
00:06:00I'll talk to the butler.
00:06:01Wow.
00:06:07Rich people.
00:06:08You've topped yourselves again.
00:06:14Stephen King.
00:06:16First edition.
00:06:26Breaking and entering now.
00:06:29How American of you.
00:06:30I...
00:06:31You've been paying rent here in my head.
00:06:32Trying to fight it hard.
00:06:53You can get up now.
00:06:54I...
00:06:55I'm trying.
00:06:56Wait!
00:06:58Are you serious?
00:07:00Well, you said you were trying.
00:07:03What is wrong with you?
00:07:05Funny.
00:07:06I was about to ask you the same thing.
00:07:08What are you doing in my house?
00:07:11You...
00:07:12Wait.
00:07:13Your house.
00:07:15My house.
00:07:16My library.
00:07:17And now, apparently, my unwanted guest.
00:07:20Ah, Master Charles.
00:07:21You must be Miss Alice, Anne's daughter.
00:07:22She said you'd be moving in today.
00:07:23She what?
00:07:24There...
00:07:25There's been some kind of misunderstanding.
00:07:26You see, I'm not actually moving in.
00:07:27Is that so?
00:07:28Yeah.
00:07:29I'm not staying here, like, at all.
00:07:30That's a shame.
00:07:31Your mother seemed quite pleased with the arrangement.
00:07:32Well, I just don't think it's appropriate.
00:07:33Well, if you're sure, then absolutely not.
00:07:34Come on, Alice.
00:07:35You must stay.
00:07:36It'll be fun.
00:07:37My dear classmate.
00:07:38I'm dead.
00:07:39Like mentally, socially and actually dead.
00:07:45If you're sure, then absolutely not.
00:07:48Come on, Alice.
00:07:50You must stay.
00:07:53It'll be fun, my dear classmate.
00:08:00I'm dead.
00:08:02Like mentally, socially, and actually dead.
00:08:05Just trying to figure out how exactly my life went off the rails.
00:08:17Get it together, Alice Keaton.
00:08:19You've been through hell.
00:08:23Actually, no.
00:08:26This is hell.
00:08:30Good morning.
00:08:35Wow.
00:08:46Sir, is that Miss Keaton?
00:08:49Well, f***ing doesn't know.
00:08:50That's often closed for months.
00:08:52She's going to be late.
00:08:59Hey, how long is this thing going to take?
00:09:02Maybe I'll just walk?
00:09:03Five miles to school.
00:09:07Okay, if I sprint, maybe I'll make it before first period.
00:09:12Or die of exhaustion on the way.
00:09:17Or die of exhaustion on the way.
00:09:20What are you doing here?
00:09:22Didn't you already leave?
00:09:26Wait.
00:09:27Did you come back for me?
00:09:29Relax.
00:09:32I forgot my textbook.
00:09:34Don't flatter yourself.
00:09:36Wait.
00:09:39Since you're already here,
00:09:41maybe you could be a decent person and give me a ride?
00:09:47No.
00:09:49Seriously?
00:09:49Your car is huge.
00:09:52Yeah.
00:09:53And I'm not a fan of sharing.
00:09:55Says the guy who forced me to live in his house?
00:10:03Unbelievable!
00:10:13Ashford Institute, please.
00:10:16Clooney is that entitled brat anyway.
00:10:22Sir, you called the cab.
00:10:24Why not just give Miss Keaton a lift?
00:10:31Why not just give Miss Keaton a lift?
00:10:33And have the whole school go crazy.
00:10:35She's new.
00:10:37Everybody's already talking.
00:10:39So you're worried about her?
00:10:40You're overthinking.
00:10:42I just don't like drama.
00:10:43I just don't like drama.
00:10:50Asshole.
00:10:51Hey.
00:10:53Morning, Klaus.
00:10:55Back to Golding.
00:10:57Remind me what he's saying through Lord of the Flies.
00:11:04Mr. Kenwood.
00:11:06Care to share what you found so amusing?
00:11:08Not particularly.
00:11:09Oh, I insist.
00:11:11You seem very entertained by Golding.
00:11:14I'm not entertained by Golding, sir.
00:11:17On the contrary.
00:11:18I think his ending is...
00:11:21weak.
00:11:23Wait, wait.
00:11:24You wish you read it?
00:11:25Quiet.
00:11:27That's an interesting take.
00:11:29Explain.
00:11:29He had the set-up for something brutal.
00:11:35Something honest.
00:11:36In the end, he backed out.
00:11:38He could have left the boys on the island.
00:11:40Forced them to confront collapsible morality.
00:11:43Let them choose survival.
00:11:44Or death.
00:11:46But instead, he gave them a rescue boat.
00:11:49Slapped a happily ever after on a book about savagery.
00:11:55It's a waste.
00:11:57Don't you think?
00:11:57I'm delightfully surprised, Charles.
00:12:00Didn't think you had such strong literary opinions.
00:12:03I'm always a model student, sir.
00:12:05Let's not get ahead of ourselves.
00:12:08So, a critique of Golding's mercy.
00:12:12Anyone disagree?
00:12:13I'm always a model student, sir.
00:12:17Let's not get ahead of ourselves.
00:12:19So, a critique of Golding's mercy.
00:12:24Anyone disagree?
00:12:25I think Golding knew exactly what he was doing by ending the book that way.
00:12:32It's not mercy.
00:12:33It's irony.
00:12:35How so?
00:12:38The rescue isn't a happy ending.
00:12:41You don't just walk back into society and forget you're a monster.
00:12:44Golding didn't save them.
00:12:45He left us with the discomfort of pretending they could be saved.
00:12:48That's an interesting take, Miss Keaton.
00:12:50You still think it's a harsh critique?
00:12:53In some ways, but not harsh enough.
00:12:57Yes, it's a critique of toxic masculinity, but still, Golding sympathized with them.
00:13:02And the civilized world?
00:13:04Toxic, violent.
00:13:05He didn't call that out nearly as much.
00:13:07So, yeah, I don't think Golding pushed far enough, but I think it's unfair to call it a happy ending.
00:13:16Thank you, Miss Keaton.
00:13:17Well said.
00:13:19Anyone else?
00:13:22Both opinions are valid.
00:13:24Okay, that's kind of epic.
00:13:25And let's not forget, Golding faced major backlash when he first published the book.
00:13:29Good literature will always divide opinion.
00:13:35What's happening to me?
00:13:42Okay, what is going on?
00:13:44Why is everyone staring at me?
00:13:46Well, you're new.
00:13:48And apparently had a thing with Charles.
00:13:50A what now?
00:13:51You two are in the middle of the most epic feud at your scene in years.
00:13:55We're not even fighting.
00:13:56Well, according to everyone, you confessed your love on day one, got rejected, begged to sit next to him, got rejected again.
00:14:04And today in class, you broke down crying about not believing in happy endings and stormed out in tears.
00:14:12You were there, Sherry.
00:14:13That is not what happened.
00:14:16Doesn't matter.
00:14:17People believe what they want to believe.
00:14:19And they want Charles to be flawless, untouchable.
00:14:23Wow.
00:14:23Is misogyny like a rich kid thing or just a British specialty?
00:14:27Honestly, both.
00:14:30But seriously, Alice, some people already see you as a threat.
00:14:41Okay.
00:14:42Loaded.
00:14:44Looks like the new girl's in for a rough first semester.
00:14:47Hello?
00:15:04Hello?
00:15:06Is somebody out there?
00:15:08Oh, come on!
00:15:10Fine.
00:15:23Fine.
00:15:38Seriously?
00:15:38Seriously?
00:15:40Oh, shit.
00:15:47What the hell?
00:15:49Anne.
00:15:50I thought you were having dinner with Alice.
00:15:52She hasn't come home.
00:15:53Her phone is off.
00:15:54Maybe you've seen her this evening?
00:15:59Yikes.
00:16:00Looks like the new girl's in for a rough first semester.
00:16:08Shit.
00:16:08Alice!
00:16:15Alice!
00:16:16Mr. Pelton, Charles Kenwood here.
00:16:18I was wondering if I could get the timetable for Alice Keaton.
00:16:21She hasn't come home.
00:16:22I'll have her send her away.
00:16:24Check the common room in the library.
00:16:26I'll take the rest.
00:16:30Alice!
00:16:30Alice!
00:16:30Come on, Alice.
00:16:44Close your eyes and jump.
00:16:48It's fine.
00:16:50You're fine.
00:16:51You're fine.
00:16:51Alice!
00:17:13Hey, Mr. Nonchalant.
00:17:16Are you happy with how we end?
00:17:24What are you doing here?
00:17:28Can you get off me first?
00:17:40You're welcome.
00:17:42I didn't say thank you.
00:17:44I figured saving your life might turn me basic manners.
00:17:46Someone just dumped swamp water on me.
00:17:49Excuse me if I'm not feeling very polite.
00:17:51You smell like a biology experiment.
00:17:54Wow.
00:17:55You should try falling out of a window into someone's arms and getting insulted for it.
00:17:59I wouldn't recommend it.
00:18:00You're heavier than you look.
00:18:03I hope you pull your shoulder.
00:18:09Are you okay?
00:18:12No, but I will be.
00:18:14Someone did this on purpose.
00:18:17What do you think, golden boy?
00:18:20Don't worry, I can handle it.
00:18:21You shouldn't have to.
00:18:25I'm sorry.
00:18:34Sorry.
00:18:34Did you just apologize to me?
00:18:42Don't get used to it.
00:18:43I wouldn't dream of it.
00:18:46Alice?
00:18:48Over here.
00:18:49Oh my God.
00:18:52You okay?
00:18:55Why are you drenched?
00:18:56Yeah, I just took a weird shower.
00:18:59A tap exploded.
00:19:02Come on.
00:19:03Let's go.
00:19:03Let's go.
00:19:14Alice Keaton, right?
00:19:15I heard she staged the whole thing for attention.
00:19:19I know how this place works.
00:19:45If you don't do anything about it, it's only going to get worse.
00:19:49I'll look into it.
00:19:52Charles?
00:19:54Good on you.
00:19:56How many here would speak up?
00:19:57I can't believe someone actually locked you in.
00:20:04That's insane.
00:20:05Where the hell was the school when this was happening?
00:20:07They're busy protecting their golden boys and trust funds.
00:20:10Well, for what it's worth,
00:20:12I heard Charles looked pretty freaked out when he ran out last night.
00:20:16Please, he just didn't want a lawsuit.
00:20:18Being a scholarship student has its perks,
00:20:38like saving a fortune on tuition
00:20:41and getting into schools that normally wouldn't even let you pass the gates.
00:20:44Hey, we miss you in Paris.
00:20:49Though there are enough Americans to remind us of you.
00:20:51But sometimes, being here and me standing behind
00:20:55and watching Ashford Elites go on a two-week enrichment program
00:20:58you can never afford.
00:21:02Have fun.
00:21:03Bring me something overpriced and unnecessary.
00:21:08The trip cost 20 grand in pounds,
00:21:13which translates to mom's salary for half a year.
00:21:16So, yeah, I didn't go.
00:21:18What are you doing here?
00:21:41Do you not believe in shirts?
00:21:43Do you not believe in dignity?
00:21:45It's comfortable.
00:21:46You look like a rejected Ewok.
00:21:48This, this is not even your kitchen.
00:21:50And this is not even your house.
00:21:52And yet, you're here, dressed like this.
00:21:55Just don't, look, go away.
00:21:57Part not to, when you're walking around dressed like that.
00:22:00What do you guys call it?
00:22:02Um, buzzkill?
00:22:05Cockblock.
00:22:06You're insufferable.
00:22:07You're the one cosplaying at breakfast.
00:22:09You know what?
00:22:10I don't get it.
00:22:11Why didn't you go on that tour?
00:22:12I thought rich people live for that kind of thing.
00:22:14Why do you think?
00:22:18Why would I go?
00:22:22I could practically recite the itinerary in my sleep.
00:22:27Florence.
00:22:28Walk in the great footsteps of Dante, Michelangelo, da Vinci and Titian.
00:22:32Or Tiziano, if you want to sound extra pretentious.
00:22:36Then Venice, because everybody loves a good canal and getting lost in the most confusing
00:22:41city on earth.
00:22:42Next stop, Napoli.
00:22:44Marvel at Pompeii.
00:22:46Pretend you're shocked.
00:22:47Ancient people have plumbing.
00:22:48The final stop, Paris.
00:22:51The ultimate city of romance.
00:22:54And, naturally, Woody Allen's favourite city outside of New York.
00:23:01That's word for word.
00:23:04I told you.
00:23:05I've done this tour so many times I could run it.
00:23:07Okay, but still, it's Europe.
00:23:09Most people would kill for that chance.
00:23:11Most people haven't had their phones stolen in Paris.
00:23:14Twice.
00:23:15Also, I hate the accommodations.
00:23:18Aren't they all five-star hotels?
00:23:20Standard rooms in five-star hotels.
00:23:23No, thank you.
00:23:25Wow.
00:23:26Some were born in Rome, huh?
00:23:27That's unfortunate.
00:23:28It's a very chaotic city.
00:23:30One word of advice?
00:23:31Shut up.
00:23:32That's two words.
00:23:35You're weird.
00:23:36You're loud.
00:23:37You're annoying.
00:23:37You're in my kitchen.
00:23:38You have three other kitchens.
00:23:40And I prefer this one.
00:23:42Just for today.
00:23:43Come back when you've got a shirt on.
00:23:44Come back with normal clothes on.
00:23:46You don't have to come.
00:23:47Don't tell me what I have to do.
00:23:58Master Charles, roads are flooded.
00:24:00Staff won't make it tonight.
00:24:01Will you be alright sorting dinner?
00:24:06I've got it sorted.
00:24:14Jesus, what are you doing?
00:24:20Relax.
00:24:23I'm here to make a deal.
00:24:25What deal?
00:24:26You nearly gave me a heart attack.
00:24:31You'll survive.
00:24:33I'm not selling my body.
00:24:35I'm not selling my body.
00:24:45Wow.
00:24:46I am deeply offended.
00:24:49That thought disgusts me.
00:24:51Then what are you doing?
00:24:52The staff's off tonight.
00:24:54I'm buying dinner.
00:24:55Did you seriously think I'd spend a hundred pounds on...
00:25:00No, I'm...
00:25:01Jesus.
00:25:03Wait.
00:25:04You think I'm not worth one hundred pounds?
00:25:08I'm not spending one hundred pounds to snort Chewbacca.
00:25:11You know what?
00:25:12Dinner's cancelled.
00:25:16Are you sure about that?
00:25:17I present to you...
00:25:21Meatball spaghetti, stir-fried veggies, and french fries.
00:25:24You're welcome.
00:25:25Interesting combo.
00:25:27Well, I know we're not in Italy or France, but this'll do.
00:25:31It's...
00:25:32Good.
00:25:39Was that a compliment?
00:25:41Although...
00:25:42I am obliged to inform you.
00:25:44Meatball spaghetti isn't Italian.
00:25:46It's American.
00:25:47And french fries, likely born in South America.
00:25:50You should read more.
00:25:53Put it down.
00:25:55I paid for it.
00:25:56You really just have to win every argument, don't you?
00:25:58To be fair, you make it very easy.
00:26:02It's only easy because it costs you a hundred pounds.
00:26:06You know, if you'd ask for more, I probably would have given it to you.
00:26:08I'll make sure you want it.
00:26:09I don't know.
00:26:09Hey, Alice, it's fine.
00:26:26You're fine.
00:26:279-1-1, what's with your emergency?
00:26:409-1-1, what's with your emergency?
00:26:42It's my dad.
00:26:43He needs help.
00:26:44He just had a stroke.
00:26:45Okay, miss, the hurricane's causing traffic to shut down.
00:26:48We'll get to you as soon as we can, right?
00:26:49Please, you're not well.
00:26:51I understand.
00:26:52Can you confirm your address?
00:26:55Daddy, yes, I'm right here.
00:26:57Hi.
00:26:59My daughter.
00:27:01Please stay with me, Dad.
00:27:02Please.
00:27:07No.
00:27:07Please, wake up.
00:27:14Dad, please.
00:27:16Please don't leave me.
00:27:35Dad.
00:27:37You, what are you doing here?
00:27:55You were crying.
00:27:58Loudly.
00:28:00Kind of hard to ignore.
00:28:02Right.
00:28:03Sorry for the noise.
00:28:05Wait, you know Snarky come back?
00:28:08Not tonight.
00:28:09I'm too tired.
00:28:10If you're here to argue, knock yourself out.
00:28:14You were calling for your dad, right?
00:28:18Hurricane hit New York.
00:28:20Power went down.
00:28:21Traffic froze.
00:28:23Dad had a stroke.
00:28:25But he couldn't get help in time.
00:28:27I sat there with a candle while he laid there, peaceful, like he was asleep.
00:28:40But he wasn't.
00:28:42So that's why you and your mum moved here.
00:28:48This used to be our hometown.
00:28:51After Dad left, we had nowhere else to go.
00:29:00What are you doing?
00:29:05Come on.
00:29:06Wait, I thought the peril was out.
00:29:25It is.
00:29:26We have our own generator.
00:29:27Wow.
00:29:28Rich people houses her.
00:29:30Just for tonight, I'll allow it.
00:29:35Allow what?
00:29:36You can call this place your house.
00:29:38So enjoy it.
00:29:39Stephen King's first edition.
00:29:41Alan Gisberg's handwritten letters.
00:29:43Jane Austen's notes.
00:29:45All yours.
00:29:49This is your home.
00:29:53Alice Keaton.
00:29:54Careful.
00:30:00Almost sounded sweet.
00:30:03Don't push it.
00:30:03Okay then.
00:30:07I have one request.
00:30:13What is it?
00:30:21Are you ever going to make a move?
00:30:23Wait.
00:30:23Give me a second.
00:30:24I'm thinking.
00:30:26You had one wish.
00:30:28Anything in the world.
00:30:30And in the middle of a thunderstorm,
00:30:31inside a literal mansion,
00:30:34you chose chess.
00:30:36Yeah.
00:30:36Got a problem?
00:30:38It's just so cool,
00:30:39like spies or genius villains in movies.
00:30:42It's literally a board game.
00:30:44Says the guy who owns a custom set.
00:30:47Wait.
00:30:47Does the knight go diagonally?
00:30:50For the tenth time,
00:30:51it moves in an L shape.
00:30:54One,
00:30:55two,
00:30:56and turn.
00:30:58There.
00:30:59Happy?
00:31:00Ecstatic.
00:31:01God, you know.
00:31:04That's suicide.
00:31:05Or a brilliant long-term sacrifice.
00:31:07You are playing checkers at a chessboard.
00:31:09Still beating you in sarcasm.
00:31:11You literally haven't won any past arguments.
00:31:13Golding disagrees.
00:31:14It's going to be a long night.
00:31:16Oh, my God.
00:31:17No.
00:31:18Why?
00:31:18What's going to do that?
00:31:19You can't do that.
00:31:20Can I do that?
00:31:20Can I not do that?
00:31:22No.
00:31:22Oh, my God.
00:31:23You had to shop a trip when I bought it all wrong.
00:31:26Tied to pull you in close as we're locked on your phone.
00:31:29All yourself up,
00:31:31because I'm moving on.
00:31:33Oh, you're showing up at my door.
00:31:38Holding your heart there inside your hands.
00:31:42Maybe he's not so awful after all.
00:31:45Um, who are you?
00:31:59What are you doing here?
00:32:01Well, your parents said you were still at home.
00:32:03Thank God you skipped that boring grand tour.
00:32:05Who needs Italy and France again, right?
00:32:08When did you get back?
00:32:09Last night.
00:32:10From Zurich.
00:32:11You didn't answer my messages.
00:32:15I missed you.
00:32:16Anyway, thought I'd come surprise you.
00:32:18Apparently, I'm transferring to Ashford.
00:32:21Your parents were so thrilled.
00:32:23They didn't tell me about this.
00:32:24I wanted to deliver the happy news myself.
00:32:27They said it'd be lovely for us to reconnect.
00:32:30You know, considering the engagement and all.
00:32:34Engagement?
00:32:34Oh, did no one tell you?
00:32:38He's promised.
00:32:40Old money stuff.
00:32:41Very retro.
00:32:42I didn't agree to that.
00:32:43You didn't have to.
00:32:44It's never up to us.
00:32:47Where did you find this little toy?
00:32:50Serena?
00:32:50I can hear you, you know.
00:32:52Oh, an American.
00:32:54How refreshing.
00:33:00Goodbye.
00:33:01Wait.
00:33:18Where are you going?
00:33:19You still owe me breakfast.
00:33:21You only paid for dinner.
00:33:23I have homework.
00:33:25Goodbye.
00:33:25Your little toy has quite the temper.
00:33:30Serena, can you please just stop?
00:33:32What?
00:33:33Teasing the help.
00:33:40That's her.
00:33:41That's the one from Kenwood's house.
00:33:44Was she, like, the maid or something?
00:33:45Oh, my God.
00:34:02What's wrong with people?
00:34:04They're saying you live with Charles.
00:34:06Oh, and Serena.
00:34:07What about her?
00:34:08Well, apparently she told everyone you were caught sneaking into his room.
00:34:12Of course she did.
00:34:13Careful, Alice.
00:34:27You're starting to look desperate.
00:34:28Come to the music room.
00:34:46Urgent.
00:34:47I just remembered I need to check something.
00:34:49You guys go ahead.
00:34:50Yeah, okay.
00:34:51Look, Alice, is someone there?
00:34:59Seriously.
00:35:01This is getting old.
00:35:13Wait.
00:35:15Music room?
00:35:16What?
00:35:19James?
00:35:20Is anybody in here earlier?
00:35:21Just Miss Serena.
00:35:22Said she was waiting for you.
00:35:25Sir?
00:35:27Sir, it's raining.
00:35:28Come on, Alice.
00:35:40You're fine.
00:35:43You're not that girl again.
00:35:51Wait.
00:35:51Can you remind me one more time?
00:35:54Okay.
00:35:55Rooks move in straight lines.
00:35:57Yeah.
00:35:58Bishops move diagonally.
00:36:00And knights...
00:36:00The knights the weird one.
00:36:07Rooks.
00:36:09Straight lines.
00:36:11Bishops.
00:36:13Diagonally.
00:36:14Hello?
00:36:15Hello?
00:36:15Hello?
00:36:15Hello?
00:36:15Hello?
00:36:15Hello?
00:36:15Hello?
00:36:15Hello?
00:36:15Hello?
00:36:15Hello?
00:36:15Hello?
00:36:15Hello?
00:36:15Hello?
00:36:16Hello?
00:36:16Hello?
00:36:17Hello?
00:36:17Hello?
00:36:17Hello?
00:36:21The text.
00:36:36Are you okay?
00:36:38Are you hurt?
00:36:39I...
00:36:39I'm okay.
00:36:40I...
00:36:41I saw the text and I thought...
00:36:43I...
00:36:43I didn't see the message.
00:36:45Serena took my phone.
00:36:46I...
00:36:46I didn't know.
00:36:47I'm sorry.
00:36:48I'm...
00:36:49Okay.
00:36:49You're gonna catch a cold.
00:36:52You're freezing.
00:36:53You didn't have to come.
00:36:56Don't tell me what I have to do.
00:36:59Give me hope that feels like hope...
00:37:05That wasn't a mistake, if that's what you're about to say.
00:37:27I...
00:37:27Wasn't going to.
00:37:29I see the smiles.
00:37:31Bye, are you.
00:37:39Bye, are you?
00:37:40We'll see you.
00:37:41Really bad at this, you know.
00:37:45We're kissing.
00:37:47I didn't feel like that...
00:37:47You're...
00:37:50Giving...
00:37:52I...
00:37:56You're...
00:37:57Dump those Ewok pyjamas.
00:38:10Oh, you wish.
00:38:13Seriously, it's a cock block.
00:38:15You kissed me.
00:38:19That's basically consent to everything.
00:38:27Dangerous words, Keaton. I might hold you to that.
00:38:40You'll be working in pairs on your comparative essays.
00:38:43The list is on the board.
00:38:46One, two, three, four...
00:38:52Are you okay?
00:38:57That's where I'll see your face
00:39:01And have you with me
00:39:04It may seem dark
00:39:10But you always light my spark
00:39:15In my heart
00:39:20You're welcome.
00:39:26They're either enemies we secretly married.
00:39:30Honestly, brave.
00:39:32I was sure I'd never find someone
00:39:36To make my head spin around
00:39:38No one's ever gonna be the thing I need
00:39:40They all just let me down
00:39:42But baby, you saved me
00:39:45Till I'm brand new
00:39:48Everything's so different now
00:39:51So, the night goes in an L shape, right?
00:39:56Why is that the only one you remember?
00:39:58Because it's weird
00:39:59Because it's weird
00:40:00And I like weird
00:40:10Check
00:40:16You're cheating
00:40:17I'm winning
00:40:18There's a difference
00:40:19You are very distracting
00:40:21And you like it
00:40:23I would be there for a young baby
00:40:26I'd be there in your darkened skies
00:40:31I'll hold you in my arms
00:40:33Charles!
00:40:35We need to talk
00:40:44I expected poor judgement
00:40:46But this in my house
00:40:48It isn't what it looks like
00:40:49No?
00:40:50No. Kissing a servant's daughter in the family library. Enlighten me then, Charles.
00:40:56We came back tonight after speaking with Serena. Imagine our surprise walking in on this.
00:41:03She isn't just... You have no right to barge in.
00:41:06On my property.
00:41:10I care about her. I'm not ashamed of that.
00:41:13That's enough.
00:41:17Why do you care?
00:41:18We're protecting our son's future. And our name.
00:41:23You think this protects me?
00:41:25We think she does not belong in your world.
00:41:31Then maybe I don't either.
00:41:35You're ready to give up everything for a girl you barely know?
00:41:41Yes.
00:41:42Then, are you sure she's ready?
00:41:48I'm asking you. Do you think she's ready to lose everything, regardless of how little that is, just to be with you?
00:42:00What are you talking about?
00:42:01You left us no choice, son. You shouldn't disobey your father.
00:42:05Helton, it's Frederick Kenwood.
00:42:11Ah, Mr. Kenwood. How can I help?
00:42:14If a scholarship student were to violate our behavioral code in a public setting with photographic evidence, would that warrant a review?
00:42:23Yes, sir.
00:42:27So, answer me again.
00:42:29Do you think she's ready to lose everything just to be with you?
00:42:34Charles, what happened? Did your parents say something? Are they mad? Is everything okay?
00:42:50Pack your things.
00:42:52You can't stay here anymore.
00:42:54What?
00:42:55My parents fired your mother.
00:42:58She's leaving.
00:42:59So are you.
00:43:00Wait, why?
00:43:01Is it because of us?
00:43:03We can fix this.
00:43:04I'll get a job, anything.
00:43:05Stop, stop it.
00:43:06You don't get it.
00:43:07If I don't walk away from this, they'll cut me off.
00:43:11Okay?
00:43:12No card.
00:43:13No trust.
00:43:14No support.
00:43:15Nothing.
00:43:16Then...
00:43:17Then we'll figure it out.
00:43:20We don't need all that.
00:43:22We can...
00:43:23Do you really think I'm going to live like that?
00:43:28So that's what this was?
00:43:30Just fun until it got inconvenient.
00:43:34What did they promise you?
00:43:38Nothing.
00:43:41They just reminded me of what's real.
00:43:46Charles, I'm not stupid.
00:43:49You don't just turn into a cold stranger because of one conversation.
00:43:53What did they threaten you with?
00:44:01What did they threaten you with?
00:44:02This is the difference between me and you.
00:44:04What?
00:44:05You think you know me.
00:44:07Or what I have.
00:44:09You don't, Alice.
00:44:11You're still lying.
00:44:12I'm not, Alice.
00:44:14Look around you.
00:44:15This mansion you thought was a museum.
00:44:17It's my house.
00:44:19My world.
00:44:21I was bored into this.
00:44:23I am not choosing between this and something I picked up for a moment of fun.
00:44:33Don't do this, Charles.
00:44:35You don't mean it.
00:44:36Look, it was fun.
00:44:37But with you?
00:44:40You don't compare to what I own.
00:44:43I'll survive the loss.
00:44:46Right.
00:44:47I should have known.
00:44:52Guys like you don't end up with girls like me.
00:44:56You play with them, then you throw them away.
00:45:00Go to sleep, Alice.
00:45:02Go to sleep, Alice.
00:45:04Go to sleep, Alice.
00:45:06This fall is a little more than I expected
00:45:19In so deep I can barely see myself
00:45:25Yeah, around me feels so heavy but depleted
00:45:31But I find this the place to test myself
00:45:38Oops
00:46:01Oh sorry, didn't see that
00:46:07Then again, nobody does
00:46:08Move please
00:46:10Try begging
00:46:13You know what, keep it
00:46:20Poor thing, so dramatic
00:46:27Don't
00:46:29Excuse me
00:46:31I warned you
00:46:32Walk away, Serena
00:46:34Last week's group assignments were mostly forgettable
00:46:58But one pair surprised me, in a good way
00:47:02Charles Kenwood and Alice Keaton
00:47:04Would you mind giving us a short summary?
00:47:08She loves the sound of her own voice, better have it
00:47:11Our essay explored what happens when two fundamentally different voices meet
00:47:23Like logic and chaos, or silence and noise
00:47:27Different worlds, different rules
00:47:30At first glance, they clash
00:47:34But what makes the story interesting is what happens next
00:47:38Confusion
00:47:39Curiosity
00:47:40But in the end, some stories aren't about staying
00:47:43And yes, there is no such thing as a happy ending
00:47:47And yes, there is no such thing as a happy ending
00:47:59Is she still talking about the essay?
00:48:06Miss Keaton
00:48:06Dramatic as always
00:48:09Alright, thank you Alice
00:48:11That was
00:48:13Later
00:48:14Are you okay?
00:48:16A reminder
00:48:17That good literature
00:48:19Always stirs something
00:48:21Hello?
00:48:25Hi, this is Alice Keaton
00:48:26This is We're More Prince
00:48:27We've been following your work
00:48:28We'd like to offer you a long-term publishing contract
00:48:30Name your price
00:48:31We'll, we'll make it work
00:48:33Sorry, what?
00:48:44That's kind of insane
00:48:46Who's behind this?
00:48:48Your sponsor wishes to remain anonymous
00:48:50Can, can I meet them?
00:48:54I want to
00:48:55Please
00:48:57Or at least tell me a name
00:48:59Sorry, they wish to stay in office
00:49:05So they're only interested in words, not the person
00:49:07I'd really like to meet them
00:49:08I'm sorry, just keep them
00:49:09They were very good
00:49:10I think the most generous work we've ever given in this year
00:49:13I see
00:49:15Congratulations again
00:49:16You got the interview?
00:49:22It's just an interview
00:49:23I haven't gotten it yet
00:49:24Still, Alice Keaton at Oxford
00:49:26That's iconic
00:49:28You okay?
00:49:38Yeah
00:49:39I'm so excited
00:49:41It's done, Mr. Kenwood
00:49:55Miss Keaton signed the contract
00:49:56Good
00:49:58It's a generous deal
00:50:00You sure you don't want her to know?
00:50:03No
00:50:03No, it's better if I stay out of her life
00:50:07I will be for you, babe
00:50:11I'll be there in your darkened skies
00:50:16Congratulations, Alice Keaton
00:50:19Go live the life you were always meant to
00:50:22Your engagement and announcement should align perfectly with the Foundation Gala
00:50:32And the Browns already offered to host the London reception
00:50:36It's all coming together beautifully
00:50:41I've lost my appetite
00:50:44I'll go check on him
00:50:49What's your problem, Charles?
00:51:00Disengagement
00:51:00It's not happening
00:51:02It's not up to you
00:51:03You know that
00:51:04Serena, we're not doing this
00:51:06You've changed
00:51:08Or maybe I finally just stopped pretending
00:51:14What's your problem, Charles?
00:51:42You're the sponsor
00:51:44You've been funding Alice Keaton this whole time
00:51:47So?
00:51:51You lied to everyone
00:51:52Including her
00:51:53I protected her
00:51:56You loved her
00:51:59Still do
00:52:00Let it go, Serena
00:52:04There's no point
00:52:06I need a favour
00:52:16Find out when the Oxford interview is
00:52:18And make sure Alice Keaton won't show up
00:52:23Anything?
00:52:28No?
00:52:30She's not answering
00:52:31The interview's almost over
00:52:32Well, shouldn't just not show up
00:52:34Something's wrong
00:52:35Where's Alice?
00:52:39When was the last time you heard from her?
00:52:41Last night
00:52:41She said she was prepping all evening
00:52:43James, track someone for me
00:52:49Wait, where are you going?
00:53:00Chill, okay
00:53:01It won't hurt you
00:53:02Yeah, we're just supposed to keep you away from the interview
00:53:06That's it
00:53:06Shit
00:53:15Come back
00:53:16I remember how a man
00:53:46Didn't need a second guess
00:53:50Hey, hey, hey, Alice
00:53:56Alice
00:53:56Alice, hey, hey, hey
00:53:58Stay with me
00:53:58Stay with me
00:53:59Stay with me, Alice
00:54:00Alice
00:54:00You're awake
00:54:08Where, where am I?
00:54:11Local clinic
00:54:12Passerby brought you in
00:54:13Passerby
00:54:15He found you on the side of the road
00:54:18He had to leave
00:54:19He didn't leave a name
00:54:19Oh
00:54:22The interview
00:54:25What time is it?
00:54:26Easy
00:54:26It's okay
00:54:27Someone already contacted the university
00:54:29And sent in your writing samples
00:54:32They've rescheduled your interview for tomorrow
00:54:34Wait, what?
00:54:34Who?
00:54:35No idea
00:54:36But it's all taken care of
00:54:37What did you say?
00:54:42Nothing
00:54:43I just
00:54:44Had a dream
00:54:47I got him!
00:54:59Oh, I knew it
00:55:04Too bad Charles isn't here to watch you crush it
00:55:07He's not here
00:55:09Oh, you didn't know
00:55:12Know what?
00:55:14He left
00:55:14A few days ago
00:55:16Yeah, everyone doesn't really know where he went
00:55:18Honestly, Astra's been quieter without him
00:55:21It's probably for the best
00:55:22Come on
00:55:22The summer I met Charles Kenwood was loud
00:55:35Chaotic
00:55:37Unexpected
00:55:39And with his absence
00:55:43Come on
00:55:43It ended quietly
00:55:46Like summers always do
00:55:51And joining us today
00:56:05The decade's most unexpected literary phenomenon
00:56:09Alice Keaton
00:56:10Thank you for having me
00:56:11No, your words moved millions
00:56:14They say your stories feel real
00:56:17Especially the ones about love
00:56:19Thank you
00:56:19Which brings us to the most obvious question
00:56:22How's your dating life like these days?
00:56:24No comment
00:56:25A little bird told me that the past four years
00:56:28Has been just writing and working
00:56:31Not even a single date
00:56:32Let me guess a bird named Sherry
00:56:34She caught me
00:56:35Still no comment
00:56:36Alright, alright
00:56:37No matter what you say
00:56:39You write love like someone who's lived it
00:56:43If you're so real
00:56:44Because once I did
00:56:46With someone who felt like chaos and clarity
00:56:48And no one ever quite matched the light after that
00:56:53And let's give it up for Alice Keaton one more time
00:56:56Congratulations Alice
00:57:08The numbers just came in
00:57:09You broke your own record
00:57:11That's incredible
00:57:14We're thinking celebration
00:57:15Press
00:57:16Photos
00:57:17Maybe tonight
00:57:18Actually
00:57:19There's something I'd rather do
00:57:21I'd like to meet with the person who believed in me first
00:57:26My sponsor
00:57:27You're sure?
00:57:29Yeah
00:57:29Just once
00:57:31Tonight
00:57:327pm
00:57:33Good evening
00:57:45Good evening
00:57:50May I sit?
00:57:58Hey Mr. Nonchalant
00:58:00Hi
00:58:04Hi
00:58:05You look well
00:58:08And you look like you just stepped out of a GQ cover
00:58:13You always did
00:58:15You were expecting someone else
00:58:18I was
00:58:20Hoping
00:58:22But I guess I always knew
00:58:25I didn't come here to confuse you
00:58:27Or to reopen anything
00:58:29Hope you liked the attention
00:58:32I just wanted to say congratulations
00:58:33Oh
00:58:35Thank you
00:58:37Thanks for keeping
00:58:38I didn't know you're still reading
00:58:40You were rich enough not to do so
00:58:43Always
00:58:45Either way
00:58:47Your sponsorship started my career
00:58:49So
00:58:50No
00:58:50No
00:58:51You earned everything
00:58:53Every word
00:58:57Every page
00:58:58Every reader
00:59:01That's what I came to say
00:59:03It was good to see you again
00:59:09I hope
00:59:09Charles
00:59:10Can you just
00:59:13Wait a little longer
00:59:16I think I knew it was you
00:59:24There was one email
00:59:27You said something
00:59:30It felt familiar
00:59:31Really?
00:59:32Kind of had that
00:59:33Rich asshole with a conscience energy
00:59:35Very on brand
00:59:37I should have anonymized my grammar
00:59:40Too late
00:59:40Your semicolon usage gave you away
00:59:42Still the only girl I know
00:59:45Who flirts through punctuation
00:59:46Still the only guy I know
00:59:48Who uses wiles unironically
00:59:49You've changed
00:59:53But
00:59:55Not really
00:59:57You haven't changed
01:00:00But maybe you've grown into who you really were
01:00:04Anyway
01:00:06I wanted to say
01:00:08Thank you
01:00:10And
01:00:12Thanks for being here tonight
01:00:14You didn't have to come
01:00:16Don't tell me what I have to do
01:00:19You didn't have to come
01:00:23Don't tell me
01:00:25What I have to do
01:00:27If you could go back
01:00:48If you had the chance to do it all again
01:00:50Would you do anything differently?
01:00:51No
01:00:57No
01:01:03I see
01:01:08I know my answer now
01:01:13I didn't have the power back then
01:01:14Not enough to protect you
01:01:17I couldn't watch you get crushed because of me
01:01:19Because of my name
01:01:22My family
01:01:23I didn't want to be the reason you lost everything
01:01:27So you just disappeared
01:01:29Without a word
01:01:31If you had the chance to see the world
01:01:36Without me weighing you down
01:01:37If you still chose me after that
01:01:40You keep saying you wanted to give me a choice
01:01:46But you made a choice for me
01:01:49Did it ever cross your mind that maybe
01:01:54I would have chosen you anyway?
01:02:03I didn't think I was the smart choice
01:02:05You weren't
01:02:07But I never claimed to be that smart
01:02:12This is me
01:02:21Right
01:02:22I'm still mad at you, you know
01:02:31I'm still in love with you, you know
01:02:35Do you want to come in for a bit?
01:02:48You're asking your ex
01:02:49Who you haven't seen in four years
01:02:51To come into your hotel
01:02:53At approximately 11pm
01:02:55You were right
01:02:58You never were that smart
01:03:00You don't have to come
01:03:02Don't tell me what I have to do
01:03:05It's almost like you say
01:03:08Where's things going to go?
01:03:19Stop quoting yourself
01:03:20I recycle
01:03:21It saves energy
01:03:22This feels wildly irresponsible
01:03:26You sound like a disclaimer
01:03:27You're the one who once called romance a distraction
01:03:30I said that
01:03:31Yeah, before calling Wuthering Heights overrated
01:03:33Still is
01:03:35You're lucky you're a good kisser
01:03:37That is cutin'
01:03:42Don't you dare quote poetry
01:03:44I wasn't going to
01:03:45I forgot all of it the day you left
01:03:48Then shut up
01:03:49And prove it
01:03:52I still can't believe this is happening
01:03:59I told you
01:04:00That you're the worst enemies
01:04:02Or secretly married
01:04:03And I told you
01:04:04They're both
01:04:05I vowed to always tell you the truth
01:04:08I vowed to always tell you the truth
01:04:10I vow to always tell you the truth, except for when you ask how your cooking was, then
01:04:37I lie, respectfully. I vow to keep choosing you, loudly, quietly, always, even when you
01:04:50forget to do the laundry. Is he actually good at this? I mean, he did beat her at soccer,
01:04:57though. I vow to argue with you at least twice a week, especially over Shakespeare. I vow
01:05:07to write you in your every story, even when I say I didn't. You will always be a part
01:05:12of my life. If she quotes Austen in this toast, I'm out. No, you're not. You're going to cry
01:05:18harder.
01:05:37I can't believe you picked Paris. Such a cliché honeymoon destination. Guard
01:05:48your phone. Relax. Just don't dress like a walking inheritance and you'll be fine. You are not
01:05:56wearing that on our honeymoon. Please, Alice, go change. Don't tell me what I have to do.
01:06:03No. No, no, no, no, no. That is not an invitation. Do not take off these clothes.
01:06:13I'm overruled. You look much better without them.
01:06:21To the ones who loved in silence, in chaos, in chapters, you will find your way home.
01:06:28To the ones you need.
01:06:31To the ones you need.
01:06:33Oh, God.
01:06:35To the ones you need.
01:06:39That is fine.
01:06:41I don't know what to do.
01:06:44I do think I love.
01:06:47I do think I love you.
01:06:50I love you.
01:06:51God!
01:06:52I love you.
01:06:53I love you!
01:06:54That the one I love you!
01:06:56It's up to us to make sure that we can gain what's been passed through these books.
01:07:08Help us develop, learn, and grow.
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