- 7 hours ago
Full Episode of In Other Words, I Love You Full Movie
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Short filmTranscript
00:00:01I've always described the world in words.
00:00:05People, moments, places.
00:00:08But in that moment, I forgot them all.
00:00:12Be careful. You're talking about the king of Ashford.
00:00:15He's hot.
00:00:16I don't find bullies attractive.
00:00:18Good morning!
00:00:19He's lonely and kind of pathetic.
00:00:21Breathe the room before opening your mouth.
00:00:24American.
00:00:26She said you'd be moving in today.
00:00:28There's been some kind of misunderstanding.
00:00:31I'm not staying here.
00:00:32You must stay.
00:00:35I heard you stay to the whole thing for attention.
00:00:39Charles, we need to talk.
00:00:41If you don't do anything about it,
00:00:43it's only going to get worse.
00:00:46You're lying to everyone, including her.
00:00:49You didn't have to come.
00:00:51Don't tell me what I have to do.
00:00:58I've always described the world in words.
00:01:06People, moments, places.
00:01:09All through metaphors and margins.
00:01:12You okay?
00:01:13Like my mom.
00:01:15Self-made, stubborn and never wrong.
00:01:18Almost there.
00:01:20You excited for your first day?
00:01:21She calls this a fresh start.
00:01:23I call it terrifying.
00:01:31You've got this.
00:01:32Just be yourself.
00:01:33That's kind of the problem.
00:01:35Kind of the problem.
00:01:40Oh.
00:01:41I'm stuck in space.
00:01:45Start a daydream.
00:01:47Run into my brain everyday.
00:01:48Heaven in my den.
00:01:53I won't take forever!
00:01:54I'm stuck in space.
00:01:55Start a daydream running through my brain everyday.
00:01:57Okay.
00:02:03Okay.
00:02:05Morning, class.
00:02:09And you're not seated because...
00:02:11I...
00:02:13don't have a seat.
00:02:15Ah, a new transfer.
00:02:17Alice Keaton, right?
00:02:19Let's see.
00:02:21Ah, there's a spot.
00:02:23Next to Charles.
00:02:25Charles' case, Sherry.
00:02:27Seriously? A charity case sitting next to Charles?
00:02:29God, what is she?
00:02:31Quiet.
00:02:33Charles.
00:02:37I've always had words for everything.
00:02:39But in that moment...
00:02:43I forgot them all.
00:02:45Charles, move your things.
00:02:55I'd rather not.
00:02:57She'll be a distraction.
00:02:59From what?
00:03:01Sleeping.
00:03:03From everything.
00:03:05If anything, Charles, Miss Keaton will be a positive influence on you.
00:03:07She was top of her class at her previous school.
00:03:09With all due respect, sir, her previous school was American.
00:03:15I highly doubt that.
00:03:17That's enough.
00:03:19She can sit here.
00:03:21It's fine.
00:03:23Back to Goldie.
00:03:27You got it.
00:03:29Alice Keaton.
00:03:30It's very important that we look at the other team.
00:03:33What he's talking about.
00:03:35Their experience of the time.
00:03:37Alice Keaton.
00:03:39Wait.
00:03:40You sat next to Charles?
00:03:42She didn't.
00:03:43You totally shut her down.
00:03:44Oh, knew it.
00:03:45Don't take it past me.
00:03:46He's impossible.
00:03:47Can everyone stop acting like the goal was getting into his pants?
00:03:51What?
00:03:52He's hot.
00:03:53Everyone kind of is.
00:03:55I've seen Connor.
00:03:58He's not my type.
00:03:59You're joking.
00:04:00I don't find bullies attractive.
00:04:02Hey.
00:04:03Be careful.
00:04:04You're talking about the king of Ashford.
00:04:06The what?
00:04:07His family basically own the school.
00:04:10And the town.
00:04:11Maybe even the country.
00:04:12Yeah.
00:04:13Everyone's tried to get close.
00:04:14No one can get past his ego.
00:04:16You're not the first to get iced.
00:04:18Okay, first of all, I wasn't iced.
00:04:20It's more like a mutual decision.
00:04:23And second, I think he's arrogant, cold, thinks he's untouchable.
00:04:28But if you really look at Charles, he just seems isolated, like he's faking it all.
00:04:33Honestly, I just think he's lonely and kind of pathetic.
00:04:40What?
00:04:41No, go on.
00:04:42You were saying I'm lonely and pathetic.
00:04:55Next time, read the room before opening your mouth, American.
00:05:01We're not in Kansas anymore, Alice.
00:05:05Hey, how was your first day?
00:05:20Uh, good.
00:05:21Nothing exciting happened?
00:05:22Not really, super uneventful.
00:05:24Really?
00:05:25Good.
00:05:26Anything exciting, Captain?
00:05:27Not really.
00:05:28Super uneventful.
00:05:29Really?
00:05:30How's your new job?
00:05:32Yeah, all right.
00:05:33Get this?
00:05:34They said we can stay in the servant's wing.
00:05:36Seriously?
00:05:37Hmm.
00:05:38Apparently the young master won't mind the company.
00:05:41The young master.
00:05:44This is your boss's house.
00:05:46Yeah?
00:05:47Isn't that incredible?
00:05:49I mean, I wouldn't call it a house.
00:05:51It's a museum with better landscaping.
00:05:59Wait here.
00:06:00I'll talk to the butler.
00:06:07Wow.
00:06:08Rich people.
00:06:09You've topped yourselves again.
00:06:14Stephen King.
00:06:16First edition!
00:06:21I'm breaking and entering now.
00:06:28How American of you.
00:06:30I...
00:06:40You've been paying rent here in my head.
00:06:44Trying to fight it off.
00:06:46You can get up now.
00:06:54I...
00:06:55I'm trying.
00:06:56Wait!
00:06:58Are you serious?
00:07:00Well, you said you were trying.
00:07:03What is wrong with you?
00:07:05Funny.
00:07:06I was about to ask you the same thing.
00:07:08What are you doing in my house?
00:07:11You...
00:07:12Wait.
00:07:13Your house?
00:07:15My house.
00:07:16My library.
00:07:17And now, apparently...
00:07:19My unwanted guest.
00:07:22Ah, Master Charles.
00:07:24You must be Miss Alice, Anne's daughter.
00:07:26She said you'd be moving in today.
00:07:28She what?
00:07:29There...
00:07:30There's been some kind of misunderstanding.
00:07:31You see, I'm not actually moving in.
00:07:34Is that so?
00:07:36Yeah, I'm not staying here.
00:07:37Like, at all.
00:07:38That's a shame.
00:07:39Your mother seemed quite pleased with the arrangement.
00:07:41Well, I just don't think it's appropriate.
00:07:44Well, if you're sure, then absolutely not.
00:07:49Come on, Alice.
00:07:51You must stay.
00:07:54It'll be fun.
00:07:57My dear classmate.
00:07:59I'm dead.
00:08:00Like mentally, socially, and actually dead.
00:08:05Just trying to figure out how exactly my life went off the rails.
00:08:12Get it together, Alice Keaton.
00:08:13You've been through hell.
00:08:14I was sure I'd never find someone to make my head spin around.
00:08:15No one's ever gonna be the thing I need.
00:08:16They all just let me die.
00:08:17This is hell.
00:08:18Uh, good morning.
00:08:19Wow.
00:08:20So, is that Miss Keaton?
00:08:22Well, f***ing doesn't know.
00:08:23That's often closed for months.
00:08:24No one's ever gonna be the thing I need.
00:08:25They all just let me die.
00:08:26No one's ever gonna be the thing I need.
00:08:27They all just let me die.
00:08:28But baby, you saved me.
00:08:31Uh, good morning.
00:08:39Wow.
00:08:46So, is that Miss Keaton?
00:08:49Well, f***ing doesn't know.
00:08:50That's often closed for months.
00:08:52She's going to be late.
00:08:59Okay.
00:09:00How long is this thing gonna take?
00:09:02Maybe I'll just walk?
00:09:04Five miles to school.
00:09:07Okay.
00:09:08If I sprint, maybe I'll make it before first period.
00:09:12Or die of exhaustion on the way.
00:09:18Or die of exhaustion on the way.
00:09:19Wh-what are you doing here?
00:09:22Didn't you already leave?
00:09:26Wait.
00:09:27Did you come back for me?
00:09:30Relax.
00:09:32I forgot my textbook.
00:09:34Don't flatter yourself.
00:09:36Wait!
00:09:39Since you're already here,
00:09:41maybe you could be a decent person and give me a ride?
00:09:47No.
00:09:49Seriously?
00:09:50Your car is huge!
00:09:52Yeah.
00:09:54And I'm not a fan of sharing.
00:09:56Says the guy who forced me to live in his house!
00:10:03Unbelievable!
00:10:04Asher Institute, please.
00:10:06Who needs an entitled brat anyway?
00:10:07Sir, you called the cab.
00:10:08Why not just give Miss Keaton a lift?
00:10:09Why not just give Miss Keaton a lift?
00:10:11Why not just give Miss Keaton a lift?
00:10:16Why not just give Miss Keaton a lift?
00:10:17Why not just give Miss Keaton a lift?
00:10:18Who needs an entitled brat anyway?
00:10:22Sir, you called the cab. Why not just give Miss Keaton a lift?
00:10:31Why not just give Miss Keaton a lift?
00:10:33And have the whole school go crazy.
00:10:35She's new. Everybody's already talking.
00:10:38So you're worried about her?
00:10:40You're overthinking. I just don't like drama.
00:10:48Asshole.
00:10:51Who?
00:10:53Morning, Klaus.
00:10:55Back to Golding.
00:10:57Remind me what he's saying through Lord of the Flies.
00:11:04Mr Kenwood, care to share what you found so amusing?
00:11:08Not particularly.
00:11:10Oh, I insist. You seem very entertained by Golding.
00:11:14I'm not entertained by Golding, sir.
00:11:17On the contrary. I think his ending is...
00:11:21Weak.
00:11:23Wait, wait. You actually read it?
00:11:25Quiet.
00:11:28That's an interesting take. Explain.
00:11:32He had the setup for something brutal.
00:11:34Something honest.
00:11:36But in the end, he backed out.
00:11:38He could have left the boys on the island.
00:11:40Forced them to confront the collapsible morality.
00:11:42Let them choose survival.
00:11:44Or death.
00:11:46But instead, he gave them a rescue boat.
00:11:48Slapped a happily ever after on a book about savagery.
00:11:55It's a waste.
00:11:56Don't you think?
00:11:57I'm delightfully surprised, Charles.
00:11:59Didn't think you had such strong literary opinions.
00:12:02I'm always a model student, sir.
00:12:04Let's not get ahead of ourselves.
00:12:06So, a critique of Golding's mercy.
00:12:10Anyone disagree?
00:12:12I think Golding knew exactly what he was doing by ending the book that way.
00:12:32It's not mercy, it's irony.
00:12:34How so?
00:12:38The rescue isn't a happy ending.
00:12:40You don't just walk back into society and forget you're a monster.
00:12:43Golding didn't save them.
00:12:44He left us with the discomfort of pretending they could be saved.
00:12:47That's an interesting take, Miss Keaton.
00:12:49You still think it's a harsh critique?
00:12:52In some ways, but not harsh enough.
00:12:55Yes, it's a critique of toxic masculinity, but still, Golding sympathized with them.
00:13:02And the civilized world?
00:13:04Toxic, violent.
00:13:05He didn't call that out nearly as much.
00:13:07So, yeah, I don't think Golding pushed far enough, but I think it's unfair to call it a happy ending.
00:13:16Thank you, Miss Keaton.
00:13:18Well said.
00:13:19Anyone else?
00:13:22Both opinions are valid.
00:13:24Okay, that's kind of epic.
00:13:25And let's not forget, Golding faced major backlash when he first published the book.
00:13:30Good literature will always divide opinion.
00:13:36What's happening to me?
00:13:43Okay, what is going on?
00:13:44Why is everyone staring at me?
00:13:46Well, you're new.
00:13:48And apparently had a thing with Charles.
00:13:50A what now?
00:13:51You two are in the middle of this epic feud as you've seen in years.
00:13:55We're not even fighting.
00:13:56Well, according to everyone, you confessed your love on day one, got rejected, begged to sit next to him, got rejected again.
00:14:04And today in class, you broke down crying about not believing in happy endings and stormed out in tears.
00:14:10You were there, Sherry.
00:14:11You were there, Sherry.
00:14:12That is not what happened.
00:14:13Doesn't matter.
00:14:14People believe what they want to believe.
00:14:15And they want Charles to be flawless, untouchable.
00:14:16Wow.
00:14:17Is misogyny like a rich kid thing or just a British specialty?
00:14:18Honestly, both.
00:14:19But seriously, Alice, some people already see you as a threat.
00:14:21Okay, loaded.
00:14:22Looks like the new girl's in for a rough first semester.
00:14:28Looks like the new girl's in for a rough first semester.
00:14:49Hello?
00:14:50Hello?
00:14:51Hello?
00:14:52Is somebody out there?
00:14:55Oh, come on!
00:15:10I'm not here.
00:15:17Fine.
00:15:23Fine.
00:15:38Seriously?
00:15:40Oh, shit.
00:15:47What the hell?
00:15:49Anne, I thought you were having dinner with Alice?
00:15:52She hasn't come home. Her phone is off.
00:15:54Maybe you've seen her this evening?
00:15:58Yikes. Looks like the new girl's in for a rough first semester.
00:16:08Shit.
00:16:10Alice!
00:16:15Alice!
00:16:16Mr Pelton, Charles Kenwood here.
00:16:18I was wondering if I could get the timetable for Alice Keaton.
00:16:21She hasn't come home.
00:16:22I'll have it sent over.
00:16:24Check the common room in the library. I'll take the rest.
00:16:30Alice!
00:16:31Come on, Alice. Close your eyes and jump. It's fine. You're fine.
00:16:48It's fine. You're fine.
00:16:50You're fine.
00:16:51You're fine.
00:16:52You're fine.
00:16:53No, you're fine.
00:16:54You're fine.
00:16:55You're fine.
00:16:57No.
00:16:58What are you doing here?
00:17:28Can you get off me first?
00:17:40You're welcome.
00:17:42I didn't say thank you.
00:17:44I figured saving your life might earn me basic manners.
00:17:46Someone just dumped swamp water on me.
00:17:49Excuse me if I'm not feeling very polite.
00:17:51You smell like a biology experiment.
00:17:54Wow.
00:17:54Well, you should try falling out of a window into someone's arms and getting insulted for it.
00:17:59Wouldn't recommend it.
00:18:00You're heavier than you look.
00:18:03I hope you pull your shoulder.
00:18:10Are you okay?
00:18:12No, but I will be.
00:18:15Someone did this on purpose.
00:18:17What do you think, golden boy?
00:18:20Don't worry, I can handle it.
00:18:21You shouldn't have to.
00:18:24I'm sorry.
00:18:34Sorry.
00:18:39Did you just apologize to me?
00:18:42Don't get used to it.
00:18:43I wouldn't dream of it.
00:18:46Alice?
00:18:48Over here.
00:18:49Oh, my God.
00:18:52You okay?
00:18:52Why are you drenched?
00:18:56Yeah, I just took a weird shower.
00:18:59Tap exploded.
00:19:02Come on.
00:19:03Let's get you home.
00:19:14Alice Keaton, right?
00:19:15I heard you staged the whole thing for attention.
00:19:19I know how this place works.
00:19:45If you don't do anything about it, it's only going to get worse.
00:19:49I'll look into it.
00:19:52Charles?
00:19:54Good on you.
00:19:56How many here would speak up?
00:19:57I can't believe someone actually locked you in.
00:20:03That's insane.
00:20:05Where the hell was the school when this was happening?
00:20:07Busy protecting their golden boys and trust funds.
00:20:10Well, for what it's worth, I heard Charles looked pretty freaked out when he ran out last night.
00:20:16Please, he just didn't want a lawsuit.
00:20:18Being a scholarship student has its perks, like saving a fortune on tuition and getting into schools that normally wouldn't even let you pass the gates.
00:20:44Hey, we miss you in Paris.
00:20:49Though there are enough Americans to remind us of you.
00:20:51But sometimes, being here means staying behind.
00:20:55And watching Ashford Elites go on a two-week enrichment program you can never afford.
00:21:00Have fun.
00:21:03Bring me something overpriced and unnecessary.
00:21:10The trip cost 20 grand in pounds, which translates to mom's salary for half a year.
00:21:16So yeah, I didn't go.
00:21:18What are you doing here?
00:21:41Do you not believe in shirts?
00:21:43Do you not believe in dignity?
00:21:45It's comfortable.
00:21:46You look like a rejected Ewok.
00:21:48This, this is not even your kitchen.
00:21:50And this is not even your house.
00:21:52And yet, you're here, dressed like this.
00:21:55Just don't, look, go away.
00:21:57Hard not to, when you're walking around dressed like that.
00:22:00What do you guys call it?
00:22:02Um, buzzkill?
00:22:04Cockblock.
00:22:06You're insufferable.
00:22:07You're the one cosplaying at breakfast.
00:22:09You know what?
00:22:10I don't get it.
00:22:11Why didn't you go on that tour?
00:22:12I thought rich people live for that kind of thing.
00:22:14Why do you think?
00:22:18How would I go?
00:22:23I could practically recite the itinerary in my sleep.
00:22:27Florence.
00:22:28Walk in the great footsteps of Dante, Michelangelo, da Vinci and Titian.
00:22:32Or Tiziana, if you want to sound extra pretentious.
00:22:36Then Venice, because everybody loves a good canal and getting lost in the most confusing
00:22:41city on earth.
00:22:42Next stop, Napoli.
00:22:44Marvel at Pompeii.
00:22:46Pretend you're shocked.
00:22:47Ancient people had plumbing.
00:22:48The final stop, Paris.
00:22:50Woody, the ultimate city of romance.
00:22:54And, naturally, Woody Allen's favourite city outside of New York.
00:23:01That's word for word.
00:23:04I told you, I've done this tour so many times I could run it.
00:23:07Okay, but still, it's Europe.
00:23:09Most people would kill for that chance.
00:23:11Most people haven't had their phones stolen in Paris.
00:23:14Twice.
00:23:16Also, I hate the accommodations.
00:23:18Aren't they all five-star hotels?
00:23:20Standard rooms in five-star hotels.
00:23:23No, thank you.
00:23:25Wow.
00:23:26Some were born in Rome, huh?
00:23:27That's unfortunate.
00:23:28It's a very chaotic city.
00:23:30One word of advice?
00:23:31Shut up.
00:23:32That's two words.
00:23:35You're weird.
00:23:36You're loud.
00:23:37You're annoying.
00:23:37You're in my kitchen.
00:23:38You have three other kitchens.
00:23:40And I prefer this one.
00:23:42Just for today.
00:23:43Come back when you've got a shirt on.
00:23:44Come back with normal clothes on.
00:23:46You don't have to come.
00:23:47Don't tell me what I have to do.
00:23:57Master Charles, roads are flooded.
00:24:00Staff won't make it tonight.
00:24:01Will you be alright sorting dinner?
00:24:06I've got it sorted.
00:24:06Jesus, what are you doing?
00:24:20Relax.
00:24:23I'm here to make a deal.
00:24:25What deal?
00:24:25You nearly gave me a heart attack.
00:24:31You'll survive.
00:24:32I'm not selling my body.
00:24:39I'm not selling my body.
00:24:45Wow.
00:24:45I am deeply offended.
00:24:49That thought disgusts me.
00:24:51Then what are you doing?
00:24:52The staff's off tonight.
00:24:54I'm buying dinner.
00:24:58Did you seriously think I'd spend 100 pounds on...
00:25:00No, I...
00:25:01Jesus.
00:25:03Wait.
00:25:04You think I'm not worth 100 pounds?
00:25:08I'm not spending 100 pounds to snort you back up.
00:25:11You know what?
00:25:12Dinner's cancelled.
00:25:16Are you sure about that?
00:25:19I present to you.
00:25:21Meatball spaghetti, stir-fried veggies, and french fries.
00:25:24You're welcome.
00:25:25Interesting combo.
00:25:27Well, I know we're not in Italy or France, but this will do.
00:25:31It's...
00:25:32Good.
00:25:39Was that a compliment?
00:25:40Although...
00:25:41I am obliged to inform you.
00:25:44Meatball spaghetti isn't Italian.
00:25:46It's American.
00:25:47And french fries, likely born in South America.
00:25:50You should read more.
00:25:53Put it down.
00:25:55I paid for it.
00:25:56You really just have to win every argument, don't you?
00:25:58To be fair, you make it very easy.
00:26:02It's only easy because it costs 200 pounds.
00:26:06You know, if you'd ask for more, I probably would have given it to you.
00:26:08I'll make sure I'm not.
00:26:10Hey, Alice, it's fine.
00:26:26You're fine.
00:26:279-1-1, what's with your emergency?
00:26:409-1-1, what's with your emergency?
00:26:42It's my dad.
00:26:43He needs help.
00:26:44He just had a stroke.
00:26:45Okay, miss.
00:26:46Hurricane's constant traffic.
00:26:47Shut down.
00:26:48We'll get to you as soon as we can.
00:26:49He's not well.
00:26:50I understand.
00:26:51And can you confirm your address?
00:26:55Dad, yes, I'm right here.
00:26:57All right.
00:26:59My daughter.
00:27:00Please stay with me, Dad.
00:27:02Please.
00:27:07No.
00:27:09Please wake up.
00:27:14Dad, please.
00:27:15Please don't leave me.
00:27:17I don't know.
00:27:47You, what are you doing here?
00:27:55You were crying.
00:27:57Loudly.
00:28:00Kind of hard to ignore.
00:28:02Right.
00:28:03Sorry for the noise.
00:28:05Wait, you know Snarky come back?
00:28:08Not tonight, I'm too tired.
00:28:10If you're here to argue, knock yourself out.
00:28:14You were calling for your dad, right?
00:28:18Hurricane hit New York.
00:28:20Power went down, traffic froze.
00:28:23Dad had a stroke.
00:28:25But he couldn't get help in time.
00:28:29I sat there with a candle while he laid there.
00:28:36Peaceful.
00:28:38Like he was asleep.
00:28:39But he wasn't.
00:28:45So that's why you and your mum moved here?
00:28:48This used to be our hometown.
00:28:51After dad left,
00:28:53we had nowhere else to go.
00:28:55What are you doing?
00:29:05Come on.
00:29:06Come on.
00:29:06Wait, I thought the peril was out.
00:29:25It is.
00:29:26We have our own generator.
00:29:28Wow.
00:29:29Rich people houses her.
00:29:30Just for tonight,
00:29:32I'll allow it.
00:29:35Allow what?
00:29:36You can call this place your house.
00:29:38So enjoy it.
00:29:39Stephen King's first edition,
00:29:41Alan Gisberg's handwritten letters,
00:29:43Jane Austen's notes,
00:29:45all yours.
00:29:46This is your home,
00:29:53Alice Keaton.
00:29:59Careful.
00:30:00Almost sounded sweet.
00:30:03Don't push it.
00:30:03Okay, then.
00:30:06I have one request.
00:30:10What is it?
00:30:21Are you ever going to make a move?
00:30:22Wait.
00:30:23Give me a second.
00:30:24I'm thinking.
00:30:26You had one wish.
00:30:28Anything in the world.
00:30:30And in the middle of a thunderstorm,
00:30:31inside a literal mansion,
00:30:34you chose chess.
00:30:36Yeah.
00:30:36Got a problem?
00:30:38It's just so cool.
00:30:39Like spies or genius villains in movies.
00:30:42It's literally a board game.
00:30:44Says the guy who owns a custom set.
00:30:47Wait.
00:30:47Does the night go diagonally?
00:30:50For the tenth time,
00:30:51it moves in an L shape.
00:30:54One.
00:30:55Two.
00:30:56Then turn.
00:30:58There.
00:30:59Happy.
00:31:00Ecstatic.
00:31:03Oh, no.
00:31:04That's suicide.
00:31:05Or a brilliant long-term sacrifice.
00:31:07You are playing checkers at a chessboard.
00:31:09Still beating you in sarcasm.
00:31:11You literally haven't won any past arguments.
00:31:13Golding disagrees.
00:31:14It's going to take a long night.
00:31:16Oh, my...
00:31:17No.
00:31:18Why?
00:31:18What's going on?
00:31:18You can't do that.
00:31:20We're not going to do that as well.
00:31:21Oh, my God.
00:31:21You're not going to do that as well.
00:31:22You had to shop a trip when about it all wrong.
00:31:26Tied to pull you in close as we're locked on your phone.
00:31:29Oh, you're sour because I'm moving on.
00:31:33Oh, you're showing up at my door.
00:31:38Holding your heart there inside your hands.
00:31:41Maybe he's not so awful after all.
00:31:52Um, who are you?
00:31:59What are you doing here?
00:32:00Well, your parents said you were still at home.
00:32:03Thank God you skipped that boring grand tour.
00:32:05Who needs Italy and France again, right?
00:32:08When did you get back?
00:32:09Last night.
00:32:10From Zurich.
00:32:11You didn't answer my messages.
00:32:14I missed you.
00:32:16Anyway, thought I'd come surprise you.
00:32:18Apparently, I'm transferring to Ashford.
00:32:21Your parents were so thrilled.
00:32:23They didn't tell me about this.
00:32:24I wanted to deliver the happy news myself.
00:32:27They said it'd be lovely for us to reconnect.
00:32:30You know, considering the engagement and all.
00:32:34Engagement.
00:32:36Oh, did no one tell you?
00:32:38He's promised.
00:32:40Old money stuff.
00:32:41Very retro.
00:32:42I didn't agree to that.
00:32:43You didn't have to.
00:32:44It's never up to us.
00:32:47Where did you find this little toy?
00:32:50Serena.
00:32:50I can hear you, you know.
00:32:52Oh, an American.
00:32:54How refreshing.
00:32:59Goodbye.
00:33:01Wait.
00:33:18Where are you going?
00:33:19You still owe me breakfast.
00:33:21You only paid for dinner.
00:33:23I had homework.
00:33:25Goodbye.
00:33:28Your little toy has quite the temper.
00:33:30Serena, can you please just stop?
00:33:32What?
00:33:33Teasing the help.
00:33:40That's her.
00:33:41That's the one from Kenwood's house.
00:33:43Was she, like, the maid or something?
00:33:45Oh, my God.
00:33:49What's wrong with people?
00:34:03They're saying you live with Charles.
00:34:05Oh, and Serena.
00:34:07What about her?
00:34:08Well, apparently she told everyone you were caught sneaking into his room.
00:34:12Of course she did.
00:34:26Careful, Alice.
00:34:27You're starting to look desperate.
00:34:28You're starting to look desperate.
00:34:28Come to the music room urgent I just remembered I need to check something you guys go ahead
00:34:50Is someone there? Seriously, this is getting old
00:35:13Wait, music room what?
00:35:18James, is anybody in here earlier? Just Miss Serena said she was waiting for you
00:35:25Sir? Sir, it's raining
00:35:39Come on Alice, you're fine
00:35:42You're not that girl again
00:35:48Wait, can you remind me one more time?
00:35:55Rooks move in straight lines
00:35:57Bishops move diagonally
00:35:59And knights
00:36:01Hello?
00:36:14Hello?
00:36:15The text
00:36:23The text
00:36:35Are you okay? Are you hurt?
00:36:38I'm okay, I saw the text and I thought
00:36:43I didn't see the message
00:36:45Serena took my phone, I didn't know
00:36:47I'm sorry
00:36:48I'm okay
00:36:50You're gonna catch a cold
00:36:52You're freezing
00:36:53You didn't have to come
00:36:54Don't tell me what I have to do
00:36:59Give me hope that feels like hope
00:37:05That wasn't a mistake, if that's what you're about to say
00:37:13That wasn't a mistake, if that's what you're about to say.
00:37:26I wasn't going to.
00:37:40I'm really bad at this, you know.
00:37:43What, kissing?
00:37:45Hiding feelings.
00:37:46Oh, I don't know.
00:38:08Dump those Ewok pyjamas.
00:38:10Oh, you wish.
00:38:13Seriously, it's a cock block.
00:38:16You kissed me.
00:38:19That's basically consent to everything.
00:38:26Dangerous words, Keaton.
00:38:28I might hold you to that.
00:38:40You'll be working in pairs on your comparative essays.
00:38:43The list is on the board.
00:38:44One, two, three, four.
00:38:48Are you okay?
00:38:52Fly me to outer space.
00:38:57That's where I'll see your face.
00:39:02And have you with me.
00:39:07It may seem dark.
00:39:11But you always like my spark.
00:39:15You're welcome.
00:39:22They're either enemies we secretly marry.
00:39:29You're welcome.
00:39:29Honestly.
00:39:31Right.
00:39:32I was sure I'd never find someone to make my head spin around.
00:39:38No one's ever gonna be the thing I need.
00:39:40They all just let me down.
00:39:42But baby, you saved me.
00:39:45So, the night goes in an L shape, right?
00:39:56Why is that the only one you remember?
00:39:58Because it's weird.
00:40:00And I like weird.
00:40:09Check.
00:40:10You're cheating.
00:40:17I'm winning.
00:40:18There's a difference.
00:40:19You are very distracting.
00:40:22And you like it.
00:40:23I will be there for you, babe.
00:40:27I'll be there for the darkest days.
00:40:31I'll hold you in my arms.
00:40:33Charles.
00:40:35We need to talk.
00:40:40I expected poor judgment.
00:40:46But this in my house?
00:40:48It isn't what it looks like.
00:40:49No.
00:40:51Kissing a servant's daughter in the family library.
00:40:55Enlighten me then, Charles.
00:40:56We came back tonight after speaking with Serena.
00:40:59Imagine our surprise walking in on this.
00:41:03She isn't just...
00:41:04You have no right to barge in.
00:41:06On my property.
00:41:10I care about her.
00:41:12I'm not ashamed of that.
00:41:13That's enough.
00:41:17Why do you care?
00:41:18We're protecting our son's future.
00:41:21And our name.
00:41:23You think this protects me?
00:41:25We think she does not belong in your world.
00:41:31Then maybe I don't either.
00:41:33You're ready to give up everything for a girl you barely know?
00:41:41Yes.
00:41:42Then are you sure she's ready?
00:41:46I'm asking you.
00:41:53Do you think she's ready to lose everything, regardless of how little that is, just to be with you?
00:42:00What are you talking about?
00:42:02You left us no choice, son.
00:42:03You shouldn't disobey your father.
00:42:05Helton, it's Frederick Kenwood.
00:42:11Ah, Mr. Kenwood.
00:42:12How can I help?
00:42:13If a scholarship student were to violate our behavioural code in a public setting with photographic evidence, would that warrant a review?
00:42:23Yes, sir.
00:42:24So, answer me again.
00:42:30Do you think she's ready to lose everything, just to be with you?
00:42:45Charles, what happened?
00:42:47Did your parents say something?
00:42:48Are they mad?
00:42:48Is everything okay?
00:42:50Pack your things.
00:42:51Chris, you can't stay here anymore.
00:42:55What?
00:42:57My parents fired your mother.
00:42:59She's leaving.
00:43:00So are you.
00:43:01Wait, why?
00:43:02Is it because of us?
00:43:04We can fix this.
00:43:05I'll get a job, anything.
00:43:06Stop, stop it.
00:43:06You don't get it.
00:43:08If I don't walk away from this, they'll cut me off.
00:43:12Okay?
00:43:13No card, no trust, no support.
00:43:16Nothing.
00:43:17Then, then we'll figure it out.
00:43:20We don't need all that.
00:43:21We can...
00:43:22Do you really think I'm going to live like that?
00:43:28So that's what this was?
00:43:30Just fun until it got inconvenient.
00:43:34What did they promise you?
00:43:38Nothing.
00:43:39They just reminded me of what's real.
00:43:47Charles, I'm not stupid.
00:43:50You don't just turn into a cold stranger because of one conversation.
00:43:53What did they threaten you with?
00:44:00What did they threaten you with?
00:44:02This is the difference between me and you.
00:44:04What?
00:44:05You think you know me or what I have.
00:44:09You don't, Alice.
00:44:11You're still lying.
00:44:12I'm not, Alice.
00:44:14Look around you.
00:44:15This mansion you thought was a museum.
00:44:18It's my house.
00:44:20My world.
00:44:21I was bored into this.
00:44:23I am not choosing between this
00:44:26and something I picked up for a moment of fun.
00:44:34Don't do this, Charles.
00:44:35You don't mean it.
00:44:37It was fun.
00:44:39But you?
00:44:41You don't compare to what I own.
00:44:44I'll survive the loss.
00:44:46I should have known.
00:44:54Guys like you don't end up with girls like me.
00:44:59You play with them, then you throw them away.
00:45:03Go to sleep, Alice.
00:45:04This fall is a little more than I expected.
00:45:21In so deep I can barely see myself.
00:45:28Yeah, around me feels so heavy but depleted.
00:45:31But I find that's the place to test myself.
00:45:46Oops.
00:46:01Oh, sorry.
00:46:05Didn't see that.
00:46:07Then again, nobody does.
00:46:09Move, please.
00:46:11Hmm.
00:46:12Try begging.
00:46:18You know what?
00:46:19Keep it.
00:46:25Poor thing.
00:46:26So dramatic.
00:46:28Dance.
00:46:30Excuse me?
00:46:31I warned you.
00:46:33Walk away, Serena.
00:46:34Walk away, Serena.
00:46:34Walk away, Serena.
00:46:54Last week's group assignments were mostly forgettable.
00:46:58But one pair surprised me, in a good way.
00:47:02Charles Kenwood and Alice Keaton.
00:47:05Would you mind giving us a short summary?
00:47:08She loves the sound of her own voice.
00:47:10Better have it.
00:47:11Our essay explored what happens when two fundamentally different forces meet, like logic and chaos, or silence and noise.
00:47:28Different worlds, different rules.
00:47:30At first glance, they clash, but what makes the story interesting is what happens next, confusion, curiosity.
00:47:41But in the end, some stories aren't about staying.
00:47:43And yes, there is no such thing as a happy ending.
00:47:55And yes, there is no such thing as a happy ending.
00:47:59Is she still talking about the essay?
00:48:03Is she still talking about the essay?
00:48:06Miss Keaton?
00:48:08Dramatic as always.
00:48:09All right.
00:48:11Thank you, Alice.
00:48:12That was...
00:48:13Blated.
00:48:16Are you okay?
00:48:16A reminder that good literature always stirs something.
00:48:23Hello?
00:48:24Hi, this is Alice Keaton.
00:48:26This is Whitmore Press.
00:48:27We've been following your work.
00:48:28We'd like to offer you a long-term publishing contract.
00:48:31Name your price.
00:48:32We'll make it work.
00:48:33Sorry, what?
00:48:34What?
00:48:34What?
00:48:35What?
00:48:36What?
00:48:39That's kind of insane.
00:48:47Who's behind this?
00:48:48Your sponsor wishes to remain anonymous.
00:48:50Can...
00:48:51Can I meet them?
00:48:54I want to.
00:48:56Please.
00:48:57Or at least tell me a name.
00:49:03Sorry, they wish to stay anonymous.
00:49:05So they're only interested in words, not the person.
00:49:07I'd really like to meet them.
00:49:08Oh, sorry, but you can.
00:49:09They were very soon.
00:49:10I think the most generous offer we've ever given is a zero-term.
00:49:14I see.
00:49:15Congratulations again.
00:49:20You got the interview.
00:49:22It's just an interview.
00:49:23I haven't gotten it yet.
00:49:24Still, Alice Keaton at Oxford.
00:49:27That's iconic.
00:49:28It's time for your love.
00:49:29I'll be called out for one day.
00:49:35Oh.
00:49:36You OK?
00:49:38Yeah.
00:49:39I'm just done.
00:49:40I'm so excited.
00:49:41It's done, Mr. Kenwood. Ms. Keaton signed the contract.
00:49:56Good.
00:49:58It's a generous deal. You sure you don't want it to know?
00:50:03No. No, it's better if I stay out of her life.
00:50:07I will be for you, babe. I'll be there in your darkest days.
00:50:16Congratulations, Alice Keaton. Go live the life you were always meant to.
00:50:27Your engagement and advancement should align perfectly with the Foundation Gala.
00:50:33And the Browns already offered to host the London reception.
00:50:38It's all coming together beautifully.
00:50:43I've lost my appetite.
00:50:48I'll go check on him.
00:50:50What's your problem, Charles?
00:51:00Disengagement is not happening.
00:51:02It's not up to you. You know that.
00:51:04Serena, we're not doing this.
00:51:08You've changed.
00:51:09Or maybe I've finally just stopped pretending.
00:51:13Or maybe I've finally just stopped pretending.
00:51:15I could have been this.
00:51:16You need to be heath.
00:51:17I could have started.
00:51:18I could have been this.
00:51:19You're you?
00:51:20I could have been this.
00:51:21I could have been this.
00:51:33You're your example.
00:51:34I could have been this.
00:51:35You're gonna be this.
00:51:36You're the sponsor.
00:51:37What to do?
00:51:38You want me to do.
00:51:40Charles! You're the sponsor! You've been funding Alice Keaton this whole time!
00:51:47So?
00:51:50You lied to everyone, including her!
00:51:53I protected her.
00:51:56You loved her.
00:51:59Still do.
00:52:01Let it go, Serena.
00:52:04There's no point.
00:52:07I need a favour. Find out when the Oxford interview is.
00:52:20And make sure Alice Keaton won't show up.
00:52:27Anything? No?
00:52:30She's not answering. The interview's almost over.
00:52:33Well, she won't just not show up. Something's wrong.
00:52:37Where's Alice?
00:52:39When was the last time you heard from her?
00:52:41Last night. She said she was prepping all evening.
00:52:47James, track someone for me.
00:52:50Wait, where are you going?
00:53:00Chill, okay? Who won't hurt you?
00:53:03Yeah, we're just supposed to keep you awake from the interview. That's it.
00:53:14Shit!
00:53:15Come back!
00:53:33Hey, hey, hey, Alice. Alice?
00:53:46Hey, hey, hey, stay with me. Stay with me, Alice.
00:53:50Alice!
00:53:51Alice!
00:53:52Alice!
00:53:53Alice, hey, hey, hey, stay with me. Stay with me, Alice.
00:53:54Alice!
00:53:55You're awake?
00:53:56Where... where am I?
00:53:57A local clinic.
00:53:58Passer-by brought you in.
00:53:59Passer-by?
00:54:00He found you on the side of the road. He had to leave. He didn't leave a name.
00:54:09Oh.
00:54:10The interview, what time is it? Easy. It's okay. Someone already contacted the university and sent in your writing samples. They've rescheduled your interview for tomorrow.
00:54:17Wait, what? Who?
00:54:19No idea, but it's all taken care of.
00:54:21What did you say? Nothing. I just... had a dream.
00:54:51I got him!
00:54:52Oh, I knew it!
00:54:53Oh, too bad Charles isn't here to watch you crush it. He's not here. Oh, you didn't know? Know what? He left. A few days ago, yeah, everyone doesn't really know where he went. Honestly, Astra's been quieter without him.
00:55:20It's probably for the best. Come on.
00:55:28Alice?
00:55:33The summer I met Charles Kenwood was loud. Chaotic. Unexpected. And with his absence... Come on!
00:55:45It ended quietly. Like summers always do.
00:55:52Did you feel it from across the room? Did you feel a little enchanted?
00:55:59The summer I met Charles Kenwood.
00:56:04And joining us today, the decade's most unexpected literary phenomenon, Alice Keaton.
00:56:10Thank you for having me.
00:56:11Now, your words moved millions. They say your stories feel real, especially the ones about love.
00:56:20Which brings us to the most obvious question. How's your dating life like these days?
00:56:24No comment.
00:56:26A little bird told me that the past four years has been just writing and working, not even a single date.
00:56:32Let me guess, a bird named Sherry.
00:56:34She caught me.
00:56:35Still no comment.
00:56:36All right, all right. No matter what you say, you write love like someone who's lived it. If you're so real.
00:56:44Because once, I did.
00:56:45That's why today we're here sharing the story behind Alice Keaton.
00:56:50And no one ever quite matched the light after that.
00:56:53And let's give it up for Alice Keaton one more time.
00:56:56One more time.
00:57:07Congratulations, Alice. The numbers just came in. You broke your own record.
00:57:12That's incredible.
00:57:14We're thinking celebration, press, photos, maybe tonight.
00:57:18Actually, there's something I'd rather do.
00:57:21I'd like to meet with the person who believed in me first.
00:57:27My sponsor.
00:57:28You're sure?
00:57:29Yeah.
00:57:30Just once.
00:57:32Tonight, 7pm.
00:57:44Good evening.
00:57:45May I sit?
00:57:46Hey, Mr. Nonchalant.
00:58:03Hi.
00:58:05Hi.
00:58:08You look well.
00:58:11And you look like you just stepped out of a GQ cover.
00:58:14You always did.
00:58:16You were expecting someone else.
00:58:19I was...
00:58:21Hoping.
00:58:23But I guess I always knew.
00:58:26I didn't come here to confuse you.
00:58:28Or to reopen anything.
00:58:31I just wanted to say congratulations.
00:58:35Oh.
00:58:39Didn't know you're still reading.
00:58:41You were rich enough not to do so.
00:58:44Always.
00:58:46Either way, your sponsorship started my career, so...
00:58:50No.
00:58:51No, you've...
00:58:52You earned everything.
00:58:56Every word.
00:58:58Every page.
00:59:00Every reader.
00:59:01That's what I came to say.
00:59:02It was good to see you again.
00:59:03I hope.
00:59:04Charles.
00:59:05Can you just...
00:59:06Wait a little longer?
00:59:07I think I knew it was you.
00:59:08There was one email.
00:59:09You said something.
00:59:10It felt familiar.
00:59:11Really?
00:59:12Kind of had that rich asshole with a conscience energy.
00:59:13Very on brand.
00:59:14I should have anonymized my grammar.
00:59:15Too late.
00:59:16Your semi-colon usage gave you away.
00:59:17Still the only girl I know who flirts through punctuation.
00:59:18I think I knew it was you.
00:59:19There was one email.
00:59:20You said something.
00:59:21It felt familiar.
00:59:22Really?
00:59:23Kind of had that rich asshole with a conscience energy.
00:59:24Very on brand.
00:59:25I should have anonymized my grammar.
00:59:26Too late.
00:59:27Your semi-colon usage gave you away.
00:59:28Still the only girl I know who flirts through punctuation.
00:59:29Still the only guy I know who uses wiles unironically.
00:59:30You've changed.
00:59:31But...
00:59:32Not really.
00:59:33No.
00:59:34No.
00:59:35No.
00:59:36No.
00:59:37No.
00:59:38No.
00:59:39No.
00:59:40No.
00:59:41No.
00:59:42No.
00:59:43No.
00:59:44No.
00:59:45No.
00:59:46No.
00:59:47No.
00:59:48No.
00:59:49No.
00:59:50No.
00:59:52No.
00:59:53No.
00:59:54No.
00:59:55No.
00:59:56No.
00:59:57No.
00:59:58No.
00:59:59No.
01:00:00No.
01:00:01No.
01:00:02No.
01:00:03No.
01:00:04No.
01:00:05No.
01:00:06No.
01:00:07No.
01:00:08No.
01:00:09No.
01:00:10No.
01:00:11No.
01:00:12No.
01:00:13No.
01:00:14No.
01:00:15No.
01:00:16No.
01:00:17No.
01:00:18No.
01:00:19No.
01:00:20No.
01:00:21No.
01:00:22No.
01:00:23No.
01:00:24No.
01:00:25No.
01:00:26No.
01:00:27No.
01:00:28If you could go back, if you had the chance to do it all again, would you do anything differently?
01:00:57No.
01:00:58I see. I know my answer now.
01:01:13I didn't have the power back then. Not enough to protect you. I couldn't watch you get crushed because of me. Because of my name, my family. I didn't want to be the reason you lost everything.
01:01:27So you just disappeared. Without a word.
01:01:30If you had the chance to see the world without me weighing you down, if you still chose me after that...
01:01:41You keep saying you wanted to give me a choice. But you made a choice for me. Did it ever cross your mind that maybe...
01:01:54I would have chosen you anyway?
01:01:57I didn't think I was the smart choice.
01:02:01I didn't think I was the smart choice.
01:02:06You weren't. But I never claimed to be that smart.
01:02:12This is me.
01:02:21Right.
01:02:25I'm still mad at you, you know
01:02:34I'm still in love with you, you know
01:02:43Do you want to come in for a bit
01:02:47You're asking your ex who you haven't seen in four years
01:02:51To come into your hotel at approximately 11 p.m.
01:02:57You were right
01:02:58You never were that smart
01:03:00You don't have to come
01:03:02Don't tell me what I have to do
01:03:19Stop quoting yourself
01:03:20I recycle, it saves energy
01:03:24This feels wildly irresponsible
01:03:26You sound like a disclaimer
01:03:27You're the one who wants called romance a distraction
01:03:30I said that
01:03:31Yeah, before calling Wuthering Heights overrated
01:03:34Still is
01:03:36You're lucky you're a good kisser
01:03:41That is cute to me
01:03:43Don't you dare quote poetry
01:03:45I wasn't going to
01:03:46I forgot all of it the day you left
01:03:49Then shut up
01:03:51And prove it
01:03:58I still can't believe this is happening
01:03:59I told you they're either worst enemies or secretly married
01:04:02You're secretly married
01:04:03And I told you
01:04:04They're both
01:04:05Don't you dare to do that
01:04:06But it's not a long time
01:04:08I'm sorry
01:04:09I'm sorry
01:04:10You're the one who wants to be
01:04:10You're the one who wants to be
01:04:11I don't know
01:04:13What can I do
01:04:14You're the one who wants to be
01:04:15I vow to always tell you the truth, except for when you ask how your cooking was, then I lie. Respectfully.
01:04:39I vow to keep choosing you. Loudly. Quietly. Always. Even when you forget to do the laundry.
01:04:53Is he actually good at this? I mean, he did beat over at Sarkis.
01:05:01I vow to argue with you at least twice a week, especially over Shakespeare.
01:05:05I vow to write you in your every story, even when I say I didn't. You will always be part of my life.
01:05:14If she quotes Austen in this toast, I'm out.
01:05:17No you're not, you're going to cry harder.
01:05:18For the rest of life, for the rest of your life, for the rest of your life.
01:05:27I can't believe you picked Paris. Such a cliché honeymoon destination.
01:05:48Guard your phone.
01:05:49Relax. Just don't dress like a walking inheritance and you'll be fine.
01:05:53You are not wearing that on our honeymoon.
01:05:59Please, Alice, go change.
01:06:02Don't tell me what I have to do.
01:06:07No. No, no, no, no. That is not an invitation. Do not take off these clothes.
01:06:13Overruled. You look much better without them.
01:06:16To the ones who loved in silence, in chaos, in chapters, you will find your way home.
01:06:28Once you're in love, you might have to do it.
01:06:33I don't want to be alone.
01:06:34This is very sad.
01:06:35But I don't want to die alone.
01:06:37No.
01:06:38I don't want to die alone.
01:06:41If I can't get back, I'll fall in love.
01:06:48Nooo!
01:06:49Oopsies!
01:06:50My key!
01:06:52Okay, okay, okay.
01:06:56It's up to us to make sure that we can gain what's been passed through these books.
01:07:08Help us develop, learn, and grow.
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