Tharun Bhascker Fun Chitchat With Vikranth About Santhana Prapthirasthu Movie

Mana entertainment

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Transcript

00:00Hi, bro.

00:01What's up Vikrant?

00:02It's a late night food, huh?

00:04I'm not an actor.

00:10Can you come again, please?

00:12I am acting.

00:14But majorly, my sight is on direction.

00:17So, I can eat as much as I can.

00:20I'm not an actor.

00:22So, bro.

00:23What's happening?

00:24What's cooking with ENE2?

00:25ENE2 has a lot of pressure.

00:30It's a meme, right?

00:34He loved me, but I loved him.

00:39I was so proud of him.

00:40I'm so proud of him.

00:42He's so proud of me.

00:45He's so proud of me.

00:47He's so proud of me.

00:49But honestly,

00:50it's a whole story.

00:52It's easy to do with the WGS.

00:55The advance would have come in easy for ENE2.

00:59But I didn't want to succumb to money.

01:02It's a double-off.

01:03It's a double-off.

01:04It's a double-off.

01:05It won't work.

01:07It won't work.

01:08Now, it's a good idea.

01:10Will it work?

01:11Will it not work?

01:12It won't work.

01:13But at least, it's something that's close to my heart.

01:16And I genuinely feel that this is a story to tell.

01:19That's why time is on the table.

01:22And money is also on the table.

01:24So, I'm a happy man.

01:25Happy man.

01:26Happy man.

01:27That's nice to hear.

01:28So, bro.

01:30What is the hero ever?

01:32What is the hero ever?

01:33The hero is the audience.

01:37I don't have to worry about that.

01:38I'm not talking about this.

01:39I'm not talking about the politicians.

01:41I'm not saying anything about this.

01:43What is the release?

01:44The re-release.

01:45When they came to the theatre.

01:47I think there was a problem with the projection

01:57I think there was a problem with the projection

01:59I started playing it there

02:03The entire audience was telling the dialogues

02:05People said you should always feel happy

02:11Because I know that now they own the film

02:16Yeah, I expected it to be sky high

02:18Actually, I didn't have to be surprised

02:20But if I had been in the theatre, I would have been in the dialogue

02:23I didn't have any pleasure

02:25Because when we were doing the breakdown

02:29My ADs were telling me, it's not dialogue

02:32I was like, it's no longer my film

02:35It's everybody's film

02:36I am very grateful

02:38But I am a little nervous

02:40So, bro, April 15, 2012

02:42Do you remember that date?

02:44Yes

02:45Okay

02:46That was the short film

02:52Yeah

02:53So, I was still in India at that time

02:56I was preparing to go to the US

02:58And then your short film dropped

03:00Where?

03:01And then I saw it

03:02And I'm like

03:03I didn't have a short film

03:06I don't know which camera you are using

03:09But I was enquiring what kind of camera I can

03:12I can buy to make a movie like this

03:14And then I went to my dad

03:15And my dad had a short film

03:17He had a short film in India

03:19He had a master's in India

03:21Yeah

03:22Yeah

03:23How did you get to the room?

03:24He was very good

03:25He was very good

03:26Very good

03:27He was very good

03:28He was very worried

03:29I was worried about it

03:31Because I know what we are facing now

03:34You are promoting your film

03:35You are talking about the ups and downs

03:37Sometimes

03:38Sometimes

03:39When we inspire people

03:40Too much also

03:41When we inspire people

03:42Too much also

03:43The responsibility is too

03:45You have to feel

03:46You have to feel

03:47You have to feel the guilt

03:48You are going to go right

03:49You are going to inspire people

03:50You are going to enjoy all the time

03:51You are going to feel successful

03:52You are going to be a whole generation

03:54I don't know how many generations are going to be talking about it.

04:00July 29th, 2016, that is another significant date in my life.

04:05Yes, for me too.

04:10Pellichubu released during that time.

04:12I remember I was in Philadelphia.

04:14I was in the office saying,

04:16Mom, it's a great movie.

04:18It's a great movie, it's a great movie, it's a great movie.

04:20I asked him a message.

04:21He sent a big email from the Outlook group.

04:27I was in the office uniform, I went to the theatre and watched the movie.

04:33It was a very good movie, but I was still kind of digesting the whole thing.

04:41I didn't know how many times I was at 11 o'clock.

04:44I was in the 2.30 and 3.00 and that day was my birthday.

04:48July 30th.

04:50And then I felt like, what am I doing there in the U.S.

04:55Like, I don't want to do anything.

04:56So, 15 days, one month, I was really planning my exit.

05:01Then, once again, life pulled me back a little bit.

05:04You have to go back.

05:06You have your responsibilities.

05:07You have to control yourself.

05:09But, once again, you have to go back.

05:11And, Covid happened.

05:13Right.

05:14Sitting at home for a month and that's it.

05:16What am I doing with my life?

05:18That's it.

05:20One day, I packed my bags and I landed here.

05:22So, directly or indirectly,

05:24Me coming back to India.

05:26Holy shit.

05:27That's it.

05:28It's on you.

05:29It's on you.

05:30So, there's no option.

05:33Kind of like, you know, you share the responsibility.

05:35Yeah, yeah.

05:36Crazy.

05:37I'm glad it's a full circle.

05:39I'm glad it's a full circle.

05:41Very frankly,

05:42I kept telling you a long time back.

05:47Madhra Sridhar, sir.

05:49Then, definitely, around that time,

05:51I was looking for something to kind of pay the bills and all of that also.

05:55So, I wanted to do something substantial.

05:59But,

06:00Madhra Sridhar, sir, said to me first,

06:04When I met you and we were speaking about it,

06:17I was critical about things on set.

06:19I was thinking, what is it?

06:20Correct?

06:21What?

06:22As an actor, you'll have 101 things.

06:24Director, you'll have it.

06:25Yeah.

06:26So, I was expressing the same thing to you also.

06:28Yeah.

06:29You told me one thing.

06:30I watched the film.

06:33And I felt, like, massive relief.

06:36I can proudly say, it's a decent film.

06:44I felt it was breezy, very nice.

06:47I felt happy.

06:50One of those Ayushman Kurana kind of cinema.

06:53That we all see in the theatre and we have a good time.

06:56And all the performances are great.

06:58Everything is working out well.

07:00I was like,

07:01Except for a few things that I was telling you that we were laughing about later.

07:08It's impactful.

07:11It is talking about a relevant subject.

07:14Overall, how is it possible?

07:19I mean, what are there?

07:20There's a huge question of what another generation is coming up.

07:24How are there and how the kids are coming up.

07:26There are any questions at home.

07:27I don't know, I don't know.

07:28I don't know what else you are here.

07:29I don't know if anyone is coming up.

07:30I don't know.

07:31All these compulsions are coming up and very hilariously, okay, entertainment format low,

07:36Marid, you know, dramatic Gellakunda,

07:40Popcorn film Jada Manadi.

07:42It seems simple, but it's actually a complex process.

07:45And you guys have pulled it off well and unpitched.

07:48Subram, Nico, what was the aftertaste like?

07:51What was going on in your mind after you finished the movie, like the last scene?

07:55After I finished the movie, I felt like, I felt light.

08:00I felt light.

08:01In India, I had a hand-crafted sushi at a Japanese restaurant in a Japanese restaurant.

08:09That's a feel.

08:10I had a masala biryani diet coke, that's a feel.

08:14I had a proper nostalgic feeling for Telugu meals.

08:21But we just had a glass of water and it's still healthy.

08:26We just walked, we feel light.

08:27I had a home-cooked meal.

08:28Yeah.

08:29That's how it felt.

08:30That's how exactly felt.

08:31Right?

08:32So, foreign cinema, Indian cinema, you feel that sushi kind of thing.

08:36Like a mass commercial cinema.

08:38This has got that feel of lightness.

08:42It doesn't linger heavy.

08:43It doesn't linger heavy.

08:45It's hard.

08:46It's a home-cooked meal.

08:48It's a home-cooked meal.

08:49Your favourite Indian breakfast, it's a home-cooked meal.

08:52Yes.

08:53I feel cool bro.

08:54I'm glad.

08:55Right.

08:56Jokes are landing well on the pitch.

09:00Performances are also rock solid.

09:02Right.

09:03So, Avidanga, I think we're good there.

09:05But bro, like, you were on the set for a few days.

09:10Like, I think we had scenes where you, me, Abhinav, and I think Benelokishar, bro, we all worked.

09:16Do you have a particular memory of Santana Prapta?

09:21Like, you know, anything that you can think of?

09:22I have a memory where you and Abhinav were kneeling down.

09:25And I was ragging Abhinav left-right center.

09:27Mancha, Mokar is in a row.

09:29That's how it was.

09:31That's how it was.

09:33So, you and Abhinav were ragging each other.

09:43Yeah.

09:44That was funny.

09:45I remember.

09:46That was funny.

09:47There was a gang scene.

09:48All the people there.

09:50That was really funny.

09:52Impromptu, we came up with some really funny lines.

09:55Exactly.

09:56I think that worked well in the film also.

09:58Definitely.

09:59And that guy, his name is Atul.

10:00That was so funny.

10:02Andhra, I don't want to.

10:03Yeah.

10:04A couple of things came out well.

10:06It's been, what, nine years since Belli Shukulu.

10:10Yes.

10:11And you have done, what?

10:12Barely three films as a director.

10:14Yeah.

10:15Why the gap?

10:16I am not a person who is in the race.

10:21I know that, even in the industry, there is a norm.

10:25I am not a man.

10:26I am not a man.

10:27I didn't see them.

10:28But I wore a one.

10:30I was a man.

10:31I was a fan.

10:32I was a man who got a man.

10:33I got a man.

10:35I was a man.

10:36And I think that's what it is. Not that I'm demeaning anyone. Everybody has their own goals.

10:46I like to take things easy. If there's a gap, you don't have a story without a gap.

10:53You're right. If there's a gap without a story, it's inhuman, not human, to not have a gap

11:03And still come up with some interesting stories. Now I like that.

11:06At the same time, I get bored very easily. So I wanted to try different things.

11:14TV host, acting, whatever. Although some of them didn't do well, I don't mind because I love the process.

11:23I love the people I met in the process, in the journey. So no regrets.

11:29Even if I'm doing it, my priority is still. I came to a nice little decision.

11:36Maybe things will be faster, maybe things will be slower. But I will enjoy my pace and go.

11:41You're not pushing. I won't push it.

11:43Acting is something that you just don't want to pursue. Only direction is something that you want to stick to.

11:50I'm going to lie if I say acting is not going to do.

11:54Because we're going to miss you. Like, you know, you are as good an actor as a director.

11:59I'm too critical, I'm too critical.

12:02I'm going to use cringe and piss.

12:05Oh, no.

12:06If you're not a good actor, you're not a good actor.

12:10You're not a good actor.

12:12You're not a good actor.

12:13But, if you're not a good actor in a bit of a comfort zone, we explore different things.

12:18100%.

12:19100%.

12:20See, anytime you do something new, it's always going to be cringe.

12:22Correct.

12:23And I think, all the good things are on the other side of that cringe line.

12:29Yes.

12:31And even if I don't, I would have watched it more time than you watched it.

12:44So I watched your movies more times than you watched it.

12:46More times, yeah, for sure.

12:48Okay.

12:49I feel guilty about it.

12:51I feel guilty about it.

12:53I feel guilty about acting.

12:57Because you asked me to, I watched it.

12:59I watched it.

13:00I skipped my parts.

13:02And now that you have watched it,

13:04you had a very quirky role in Falaknamadas.

13:08You had a famous dialogue like Batanay Rabadko.

13:11So how would you compare that role to Jack Reddy in Santana Prattharastu?

13:15What does it mean?

13:17It's more rooted to the realism in the police station.

13:21Yeah.

13:22In the past, Jack Reddy is basically,

13:24I think it's comedy.

13:27It's a bit of comedy.

13:29They're big people, tough people,

13:32but they have a core center,

13:33and they're soft.

13:35Yeah.

13:36They're soft.

13:37Yeah.

13:38They don't even live in the cinema.

13:39They're completely soft.

13:41I liked it for it.

13:43Yeah.

13:44They're not a software employee.

13:46But I think Jeevan looks like a tough guy.

13:49It's called Alpenly Bay Chocolate.

13:51Soft and creamy inside.

13:53Soft and creamy inside.

13:54So Jack is like that.

13:55He's a good man.

13:56And Jeevan's first time on Vig?

13:59No.

14:00Oh, you've seen it?

14:01I've seen it.

14:02I've seen it.

14:03I've seen it.

14:04I've seen it.

14:05I've seen it.

14:06I've seen it.

14:07I've seen it.

14:08I've seen it.

14:09I've seen it.

14:11But...

14:15Why do you think?

14:16Even I've gone through a lot of phases of hair.

14:19Yeah.

14:20But Jeevan's first time,

14:22when he wears it,

14:24it's entirely funny.

14:26Because Jeevan is like...

14:28Rock Dwayne Johnson.

14:31Yeah.

14:32It's a real life.

14:33It's a real life.

14:34So suddenly,

14:35I was watching it in Vig.

14:37I was laughing loud.

14:40It's a visual comedy.

14:42But...

14:43I was watching Vig.

14:45I was watching Vig.

14:46I was watching it in Vig.

14:47In Santana Prabdhast.

14:48It's a real life.

14:49Who?

14:50It's a real life.

14:52Oh yeah.

14:53Okay.

14:54I remember now.

14:55So...

14:56I was watching it.

14:57I was like,

14:58at least this Vig.

15:00That is one thing

15:01that I was telling you also.

15:02Yeah.

15:03Second half is lame,

15:04bro.

15:05Sir is Vig.

15:06I don't want to use a youthful Vig.

15:08But I don't want to use a youthful Vig.

15:09Bro, the audience do see.

15:10That's it.

15:11Second half,

15:12the first half is Vig.

15:13I don't want to use Vig.

15:14Yes.

15:15That's it.

15:16That's it.

15:17That's it.

15:18The cinema is really, really decent.

15:20I'm genuinely telling you.

15:21It's a very honest attempt.

15:23I don't want to use a youthful Vig.

15:25I don't want to use a youthful Vig.

15:27I don't want to use a youthful Vig.

15:28I don't want to use a youthful Vig.

15:29I don't want to use a youthful Vig.

15:30But that's an easter egg.

15:34That's an easter egg.

15:35Yeah.

15:36So, audience, you remember.

15:37I remember.

15:38Second half,

15:39the first half is Vig.

15:40Where did you go?

15:41Maybe tag him and quote him on Instagram.

15:42Yeah.

15:43Or tag me and quote me on Instagram.

15:44Yeah.

15:45So, what do you feel?

15:47Are you nervous?

15:48Oh, I am pretty nervous, basically.

15:50And this movie, it was like my redemption.

15:54After your first movie.

15:56I got so much criticism.

15:58The audience, like, you know.

16:00I'll be pretty open, okay?

16:01Pretty frank.

16:02Right.

16:03There were some fingers towards my acting.

16:05Yeah.

16:06So, I was pretty sad feeling, right?

16:09But I knew my mistakes.

16:10And I owned up to them.

16:11I don't know.

16:12Okay.

16:13It's not okay.

16:14I had to fix myself.

16:15Right.

16:16So, instead of going through a depression phase,

16:18what I felt is,

16:20what I felt is,

16:21you fix yourself.

16:22One, two years later,

16:23you make a good movie.

16:24Right.

16:25And you make the same people say that

16:26you have acted well this time.

16:27Right.

16:28That is my redemption.

16:29Right.

16:30That is where I have won.

16:31So, one year,

16:32one month, two months,

16:33into a lock-up,

16:34into a lock-up,

16:35I felt I should just work on myself.

16:37I have joined a couple of acting workshops.

16:40Right.

16:41And then a couple of theatre groups.

16:42Pondichirila Adhishekthi group,

16:43I have worked with them.

16:44And I have worked with a couple of other theatre groups in Pune.

16:47So,

16:48I started to work with the face,

16:50how many expressions were made in the ABC's,

16:53and I started to work on myself,

16:56and how many words were made in the stage.

17:00Stage act is very difficult

17:02compared to actually working on a movie.

17:04Because there's no retakes,

17:06there are no edits.

17:07So,

17:08you really have to stick to the core.

17:10You have to be in that character the whole time.

17:12So, after I did a couple of stage shows,

17:14couple of acts and all,

17:15and some of the contents.

17:17Then I came back, I started exploring, I started searching for movies.

17:21But this time, I didn't want to do the same mistake again.

17:23I didn't want to do another template movie, like you know, with the fights and songs.

17:26Correct.

17:27It's a social impact, it's a good movie.

17:30It's a flawed character.

17:31Yeah, because that's more relatable and acceptable.

17:34Exactly.

17:35I've looked for so many stories.

17:37The first time I saw something, it felt so refreshing.

17:41So, it's a perfect set.

17:45Because from your first film, even I was very critical about your acting.

17:50Yes, I remember our first conversation.

17:52Yeah, during our first conversation.

17:54But I'm pleasantly surprised in a lot of moments in this film,

17:59where you can explore these scenes emotionally,

18:03you can talk about corporate employees,

18:06it came from a place of honesty.

18:10Because of course, you felt it.

18:13You are also in the corporate side.

18:17Yes.

18:18You are a self-made man.

18:19Yes.

18:20Because of zero, you've seen pics.

18:24But without any passion, you came to the cinema.

18:28Obviously, there is a tag.

18:30I don't want to double this, he's doing it.

18:34But I know your story.

18:35And I think you should put it out there.

18:37And very inspiring.

18:40To see that you are persistently putting yourself there through this entire ground.

18:44In this cinema, you are playing that relatable character.

18:51Yes.

18:52The cleanness, your authenticity, your honesty is reflecting in that character.

18:59And you are presenting a very relatable social issue.

19:01You are doing it for the story.

19:06Yes.

19:07And with that honesty, I think people will see through it.

19:11And that's what I felt when I was watching the film.

19:15That means a lot coming from my idol.

19:17Idol.

19:18Yeah.

19:19Someone who inspired me to run away from the US.

19:21That's all too much.

19:22Yeah.

19:23So, I think I have to put this out.

19:26Like I think maybe in my Insta story or something.

19:28You know, who is the root cause of Vikrant running away from his career.

19:33Now it's shared responsibility, bro.

19:41Oh, shit.

19:42Oh, shit.

19:43Oh, shit.

19:44What do you think?

19:45Has this film worked in your favor?

19:48Or what?

19:49It definitely did.

19:50Definitely.

19:51Because, you know, like you said, a relatable character is not a relatable character.

19:54If it's not convincing, we will leave it up to the audience.

19:56But at least up to my conviction, I think I have definitely played the film.

20:00The last cinema content is miles different.

20:02100%.

20:03100%.

20:04So, I know I have improved.

20:05Right.

20:06How much I have improved, I will let the audience be the judge.

20:08Yeah.

20:09But I have definitely known that I have improved.

20:10Correct.

20:11So, and that gives me the confidence.

20:13Confidence too.

20:14Confidence.

20:15What about Sanjeev?

20:16What do you think of him?

20:17Oh.

20:18Really.

20:19I want to fix you.

20:24I think he is that person for me in that movie career.

20:26Basically.

20:27I know I have done theatre workshops.

20:28I have done all those things.

20:29But still, finding a director who extracts that performance out of you.

20:32Yeah.

20:33It's very hard.

20:34And I'm seriously impressed.

20:36And he is genuinely such a gentle person.

20:38He is a good person.

20:39He is a good person.

20:40He never loses his calm.

20:41Never loses his calm.

20:42Never loses his calm.

20:43Never loses his calm.

20:44Not even a single time I have seen him yelling or anything like that.

20:46The first thing he said to me.

20:48Vikranti.

20:49That's all.

20:50That's all.

20:51That's all.

20:52That's all.

20:53That's all.

20:54I was shocked.

20:55A little bit worried.

20:56Sir.

20:57Are you tired?

20:58Are you tired?

20:59Are you tired?

21:00Are you tired?

21:01Are you tired?

21:02I was like.

21:03I asked him.

21:04Why?

21:05Just come back when you have gained weight.

21:06I went back home.

21:07One day.

21:08I ate a meal.

21:09I ate a meal.

21:10I gained about five and a half.

21:11Six kilos.

21:12That's all.

21:13I was tired.

21:14Yes.

21:15Yes.

21:16So.

21:17And I was like.

21:18I have gained weight now.

21:19I will be in Japan next time.

21:20I am still seeing Vikranti.

21:22I want to see Chaitanya.

21:23He asked.

21:24He made me put glasses on.

21:26And he changed my hairstyle.

21:28The way I dressed.

21:29Everything.

21:30A couple of look tests were done.

21:31And then.

21:32He was not happy the first time.

21:35And this was all done in such a nice.

21:37Because he was smooth.

21:38Nowhere was his turn or anything.

21:40But I believed in the director.

21:42I just went with him.

21:43I will do a workshop.

21:44I will do a workshop.

21:45I will do a workshop.

21:46So.

21:47So.

21:48Final day.

21:49One day hitter.

21:50Okay Vikranti.

21:51They were going on the set.

21:52Right.

21:53In the first row.

21:54I have put on the costume.

21:55The change of thing.

21:56With my.

21:57Little bit lightly chubby face.

21:58And all.

21:59I looked myself in the mirror.

22:00There was no Vikranti there.

22:01Very nice.

22:02There was Chaitanya.

22:03So.

22:04I felt so happy about it.

22:05That gives you that.

22:06That kick.

22:07That punch.

22:08No.

22:09No.

22:10You will.

22:11Relatable.

22:12Relatable.

22:13And.

22:14Because you see a lot of.

22:15Similar.

22:16People.

22:17Yes.

22:18They are going through life and.

22:21All its problems.

22:22Yes.

22:23It seemed like that.

22:24Genuinely.

22:25Thank god.

22:26It is.

22:27It is.

22:28I don't know.

22:29Maybe in the future.

22:31I hope you will fit into that.

22:34Role of a commercial hero.

22:36Hero.

22:37But.

22:38You.

22:39You fit in proper.

22:40And.

22:41Unpitched in.

22:42That's what I feel.

22:43Yeah.

22:44Commercial hero is a long way.

22:45I mean.

22:46For now.

22:47I am just trying to find myself.

22:48Find yourself.

22:49Yeah.

22:50That's true.

22:51To.

22:52So.

22:53And.

22:54I think this is definitely the first stepping stone for that.

22:55Yeah.

22:56And.

22:57And.

22:58From a movie perspective.

22:59Madhra Shridhargarh.

23:00I.

23:01Sanjeev.

23:02There is not a single day.

23:03We go.

23:04Without.

23:05Thanking you for.

23:06Portraying Jack Reddy.

23:07And.

23:08Our role.

23:09It's for Madhra Shridhar sir.

23:10It better work.

23:11Madhra Shridhar sir.

23:13The.

23:14Character.

23:15The.

23:16The.

23:17The.

23:18The.

23:19Shridhar sir.

23:20Are you listening?

23:22But.

23:23I think it will be good.

23:24I love the character.

23:25It's so quirky.

23:26It's so well written.

23:27So.

23:28Even now.

23:29Even now.

23:30I was a little skeptical.

23:31The dialogue.

23:32The.

23:33Overboard.

23:34The.

23:35First time.

23:36I was like.

23:37This is so smooth.

23:38Dude.

23:39This is so flawless.

23:40I think.

23:41This will be like.

23:42A step above.

23:43That's character.

23:44In my opinion.

23:45Maybe it's because of my movie.

23:46But still.

23:47I strongly feel like.

23:48As for the audience to judge.

23:49Yeah.

23:50I think.

23:51Jack Reddy.

23:52I feel.

23:53Jack Reddy.

23:54Somebody.

23:55Who.

23:56Can have a complete.

23:57Spin off.

23:58Also.

23:59Oh yeah.

24:00Because it's like.

24:01A funeral.

24:02Madhra Shridhar.

24:03Note this down.

24:04Jack Reddy.

24:05Spin off.

24:06Spin off.

24:07With a new actor.

24:08Now.

24:09Now.

24:10Now.

24:11Now.

24:12Now.

24:13For a long time.

24:14In this movie.

24:15We had a few scenes.

24:16And we had a few scenes.

24:17With Venala Kishwar.

24:18Bro.

24:19Also.

24:20How was your experience.

24:21Like.

24:22In general.

24:23See.

24:24I love.

24:25Venala Kishwar.

24:26Sir.

24:27I keep calling him.

24:28Sir.

24:29He calls me back.

24:30Sir.

24:31But.

24:32That's only because.

24:33I have a lot of respect.

24:34For him.

24:35Venala.

24:36Was one of my favorite films.

24:37Devakattagar.

24:38And.

24:39In general.

24:40Also.

24:41Man.

24:42I laughed out loud.

24:43For that dialogue.

24:44I loved him.

24:45Totally.

24:46In that film.

24:47Man.

24:48I love him.

24:49As a person.

24:50Also.

24:51Actually.

24:52One thing.

24:53I have noted.

24:54I don't know.

24:55If you feel the same.

24:56In front of the camera.

24:57He does all these.

24:58Antics.

24:59But.

25:00He is just.

25:01Very gentle.

25:02Very calm.

25:03Such a nice.

25:04Gentleman.

25:05Not a week.

25:06Goes by.

25:07Without me.

25:08Texting him.

25:09And.

25:10He responds.

25:11Every single time.

25:12In local.

25:13Yeah.

25:14Obviously.

25:15Like.

25:16How I was.

25:17Calling you today.

25:18Like.

25:19For all the audience.

25:20I woke him up.

25:21Full day.

25:22Shoot.

25:23And.

25:24So.

25:25And.

25:26Right now.

25:27I am not stopping.

25:28Eating.

25:29Because.

25:30I have been.

25:31Hungry.

25:32And.

25:33He wrote.

25:34And convinced.

25:35He should.

25:36Anyway.

25:37But.

25:38This is one of the tastiest.

25:39Butter chickens.

25:40I have eaten.

25:41Maybe you should just note.

25:42The name of the Daba.

25:43And come down here.

25:44Amazing man.

25:45From our family.

25:46Santana Praatthirastu.

25:48What was your expectation.

25:51Coming in.

25:52When you.

25:53I know you.

25:54You knew your role.

25:55But you didn't hear the complete story.

25:56Or you had the complete story.

25:57I think.

25:58No.

25:59I had the complete story.

26:00Story. Okay.

26:01After you completed the shooting.

26:02And now.

26:03What are your feelings.

26:04Now.

26:05Now that you have seen the movie.

26:06Ah.

26:07To be honest.

26:08Like.

26:09Like.

26:10Any general audience.

26:11Ah.

26:12I followed.

26:13What you have done.

26:14Your first film.

26:16And.

26:17Ah.

26:18It was a flop.

26:19Ah.

26:20And you have been through.

26:21Ah.

26:22A big flop.

26:23Big flop there.

26:24After that.

26:25You are doing this.

26:26And.

26:27Chana Mandiki.

26:28There was an opinion.

26:29There was a market.

26:30There was a skepticism.

26:31There was a skepticism.

26:32There was a skepticism.

26:33I came in with the same thing.

26:34Majorly.

26:35Madrasheedhar sir.

26:36I owe him.

26:37Big time.

26:38He was one of the backbones.

26:40For the film's success.

26:41Yes.

26:42And.

26:43He told me.

26:44You have to do this for me.

26:45And.

26:46I said.

26:47Okay.

26:48Let's check this off the list.

26:49And.

26:50When I came in.

26:51Abhinav was there.

26:52I felt like home.

26:53Chani was there.

26:54And.

26:55I saw you.

26:56I saw you in a very negative light.

26:57Yeah.

26:58Of course.

26:59I know.

27:00I remember that look.

27:01Yeah.

27:02I was looking at you.

27:03And.

27:04I was judging you totally.

27:05And then.

27:06Acting.

27:07You have to test over critical lens.

27:09That's why.

27:10That's why.

27:11That's why.

27:12That's why.

27:13That's why.

27:14That's why.

27:15And I thought.

27:16Okay.

27:17This guy is coming from money.

27:18So.

27:19He's just having a field trip.

27:20And.

27:21That's why.

27:22That's why.

27:23Especially.

27:24That's why.

27:25That's why.

27:26I think.

27:27I have to have some feelings.

27:28But.

27:29I was so wrong.

27:30Because.

27:31After.

27:32I met you.

27:33And I realize.

27:34Your story.

27:35What is your story?

27:36What is your story?

27:37What is your story?

27:38Where is your story?

27:39Where is your story?

27:40What is your story?

27:41What is your story?

27:42What is your story?

27:43What is your story?

27:45I realized that after doing that, there are genuine and sentiment of my efforts.

27:51Not only your acting, you were telling me,

27:55Bro, this is good. What you did is good.

27:57Abhinav would compliment you.

28:00So I realized that you are a very positive reinforcement.

28:03That's your nature in general.

28:06Manchigan pitch.

28:08The environment was great. Sanjeev was spot on.

28:11Any director who tells me what he does not want, very clearly,

28:16I know that it's a grip.

28:19If you want to cut this out, it's easier to cut this out.

28:22If you want to cut this out, it's easier to cut this out.

28:25They are correct.

28:26Yeah, exactly.

28:27That's his punchline. Sanjeev says,

28:29If you want to cut this out, it's easier to cut this out.

28:32So he is clear what he wants.

28:34And for Sanjeev also, to see that innocence in you,

28:39find it relatable to the character.

28:42Take on the challenge.

28:43Even if you got bad criticism for your first film,

28:46it's a big shoulder responsibility as a director.

28:50This is a gutsy move.

28:52But now, I think you've arrived.

28:55In a way, for the Telugu audience,

28:57I think that I think that we have a good character to be taken

29:00and a little piece of the character,

29:02such as a untouchable hero in you,

29:04if you want to make a relatable problem.

29:08So, see,

29:09society is the best that it is in the face of a traumatic situation.

29:12And also,

29:13it's because we tend to see that hilarious character.

29:15You being that innocent character,

29:17and pulling it off for two hours is a fate.

29:19I am very happy.

29:21It feels a lot coming from an idol. Seriously?

29:24No, not at all.

29:25I guess now your dues are paid off because you shared the responsibility, bro.

29:29So, I think your student has basically graduated.

29:32I am not at all like that.

29:33I have seen him in three films.

29:37So, my thing is, guys, watch Santana Prapti Rastu.

29:40There is a genuine effort to do.

29:43There is honesty in the way the film is made and why the film is made.

29:47I know you will relate to it.

29:49Let me know if you have a meme of Muraligar Vigya.

29:56Signing off, guys. Thank you so much.

29:58Let's finish this video.

29:59Let's do it with petrol.

30:01We will finish and we will eat it off.

30:05See you.

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