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Watch all the episode of " BIRYANI "➡️ https://www.youtube.com/playlist?list=PLb2aaNHUy_gFwALlLbunilaCMsCYxkRQ9
Biryani revolves around Meer Meran played by Khushhal Khan and Nisa Majeed, played by Ramsha Khan along with Sarwat Gilani, Yousuf Bashir Qureshi, Laila Wasti amid others.
Writer : Zafar Mairaj
Director : Badar Mehmood
Cast :
Khushhal Khan
Ramsha Khan
Sarwat Gilani
Laila Wasti
Javed Rizvi
Yousaf Bashir Qureshi
Mahnoor Pervaiz & others.
Watch Biryani Monday & Tuesday at 8:00 PM Only On ARY Digital
#biryani #khushhalkhan #ramshakhan #sarwatgilani #arydgital
Watch the latest Pakistani drama now, and make sure to subscribe for all the updates!"
➡️ https://bit.ly/arydigitalyt.
➡️ https://bit.ly/arydigitalyt.
Watch all the episode of " BIRYANI "➡️ https://www.youtube.com/playlist?list=PLb2aaNHUy_gFwALlLbunilaCMsCYxkRQ9
Biryani revolves around Meer Meran played by Khushhal Khan and Nisa Majeed, played by Ramsha Khan along with Sarwat Gilani, Yousuf Bashir Qureshi, Laila Wasti amid others.
Writer : Zafar Mairaj
Director : Badar Mehmood
Cast :
Khushhal Khan
Ramsha Khan
Sarwat Gilani
Laila Wasti
Javed Rizvi
Yousaf Bashir Qureshi
Mahnoor Pervaiz & others.
Watch Biryani Monday & Tuesday at 8:00 PM Only On ARY Digital
#biryani #khushhalkhan #ramshakhan #sarwatgilani #arydgital
Watch the latest Pakistani drama now, and make sure to subscribe for all the updates!"
➡️ https://bit.ly/arydigitalyt.
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FunTranscript
00:00You are a baby, you are a baby, if they are disconnected from you, then why would you say to you?
00:13Why would you eat a biryani in front of you? And why would you say Rashid's mangedar?
00:19Why would you do this to be jealous?
00:22You are theories, stop with your theories. Stop it.
00:27Stop smiling. No. It's true.
00:35You know, you need to pray for me.
00:40Pray for me. Pray for me that the two days will go away from the sky.
00:46I'm sorry.
00:48Okay, let's pray for you.
00:52Okay, yeah. Really funny, no? Funny.
00:55Yeah. You know who your humor resembles too? That guy from the office. That's the level of humor that you're on right now.
01:02It's not humorous. No, that is humorous.
01:04Ya Allah. Why?
01:05No.
01:11Okay, no. Amen.
01:14Amen.
01:15I don't know anything about the teachers, but they don't know anything like that.
01:44He is sitting in a room and he is sitting in a room.
01:56If someone goes and goes and goes and goes and goes and goes and goes and goes and goes.
02:02You tell yourself.
02:04Now there is a person who has fallen,
02:07he has left and left and left.
02:09Where did he find him from?
05:10I'll talk to you.
05:12I'll talk to you.
05:14I'll talk to you.
05:16I'll talk to you.
05:20I'll talk to you.
05:22This story was the story.
05:24You'll meet, please.
05:26You'll meet.
05:30Inshallah.
05:32Sorry, I said something.
05:34But it's a story that it's a story.
05:47Then what was it?
05:48Then 20 people gave me to me alone.
05:51And after that,
05:53there was a joke that
05:56you said,
05:58I was like,
06:00I'm like,
06:09Brother,
06:10you're coming.
06:13Then what happened?
06:14Then what happened?
06:15Then what happened?
06:16I was sleeping in the morning,
06:17I was sleeping in the morning.
06:19You were sleeping?
06:20Yes, I was sleeping.
06:21Thank you so much.
06:22Sorry,
06:23Baloch,
06:24the traffic was a little late.
06:26Let's go.
06:28What happened?
06:29How did it go, brother?
06:35When are you waiting for?
06:43Something sweet?
06:45We do work for you.
06:47Let's go.
06:48Let's go.
06:55Hey Ma!
06:56Hey! Mom! We are coming now.
07:10Nawaz-sabh, people have to say that your mrs.
07:14I mean that your ex-wife,
07:17when you have lost her,
07:19your job is done.
07:23Can you tell why your lost?
07:26Baby, there is a difference between your husband and father.
07:37There is a difference between your husband and father.
07:39Yes.
07:40So, that's why he wanted to love his husband and father.
07:44He wanted to love his father as his father,
07:47and keep his husband on his face,
07:49and keep his husband on his face.
07:51I couldn't keep him.
07:52He wanted to make him food,
07:55or wear clothes,
07:56or any other work,
07:57or any other work.
08:02I asked if he wanted to kill him,
08:03and he said he wanted to kill him.
08:04I gave him the kill.
08:06He just made the kill.
08:07What's the matter?
08:08What's this?
08:09What's the matter?
08:10He said he was telling me.
08:12He said he was telling me.
08:14He said he was telling us,
08:15he said it.
08:16Don't tell us.
08:17Don't tell us about yourself,
08:26and he spoke of 아니면.
08:27I will come and tell you.
08:29Yes, what is it?
08:31Let's go!
08:33Chacha, you can see the girl.
08:35There is no one voice.
08:37Sit with us.
08:39Let's go.
08:41Let's go.
08:43I will tell you now.
08:45Let's go.
08:47I will not leave you.
08:49I will tell you now.
08:51I will tell you now.
08:53I will tell you now.
08:55I will tell you now.
08:57I will tell you now.
08:59You can have more money.
09:01A lot of money is going to be home.
09:03It would have more money.
09:05It would have been more money.
09:07The businessmen all have been sold.
09:09The dollar they took over.
09:11They had little money.
09:13My money then?
09:15Nothing.
09:17One brother, another brother,
09:19the other brother went to the difference.
09:21The children used to fake money on the wall.
09:23I am going to go to the back of my head.
09:28Who is this?
09:30What are you doing?
09:32Do you want me to go?
09:33No.
09:34Come here.
09:36Come back.
09:38Come back.
09:40Come back.
09:48So I am your Nisa, okay?
09:50Okay, this is Nisa and I am standing.
09:52And this is the rocket's interaction.
09:53Right?
09:54Here, everything goes smack.
09:56And then he just turns and he is like,
09:58Baba Ji, let's go.
10:01With that embarrassing voice in front of everybody that was silly.
10:05And after that, wait.
10:07So this is all over here.
10:09The system is closed.
10:10Okay?
10:11Okay.
10:12Moving on with our mission.
10:14Okay.
10:15We have to go.
10:16We have to go.
10:17We have to go.
10:19We have to go.
10:20We have to go.
10:21With a big head.
10:22In the back of the rocket's arms.
10:24Oh.
10:27This time, this is the second time.
10:28Now we are like.
10:29Now we are like.
10:30Right.
10:31Now what do we do?
10:32Yeah.
10:33What does he do?
10:34What does he do?
10:35What does he do?
10:36What does he do?
10:37Rocket and his company.
10:39His co-punter.
10:40They didn't take any notice.
10:42Right.
10:43Just kept his head straight.
10:44And he is sitting at us.
10:46And we are just looking at this guy.
10:48Because when it happened.
10:49You know.
10:50But this time he is like.
10:51Oh.
10:52So he is really.
10:53So just the whole moment.
10:55I don't know.
10:56I am understanding.
10:57But it was funny when it was happening.
10:58No.
10:59It is funny.
11:00It is funny.
11:01Because one time.
11:02You get it.
11:03I get it.
11:04The whole situation is really funny.
11:05But the important question is.
11:07When Nissa hit you.
11:09And how did that feel?
11:21You know.
11:22It's.
11:31It.
11:32It felt like everything came.
11:34Rushing back.
11:35Like.
11:38There is something about a touch.
11:39You know.
11:40There is.
11:42Something so raw about the touch that.
11:43Did you know you were here?
11:44Did you know that you were already gone?
11:51It was a really, very dangerous place.
11:54At least you were taken with me.
12:05Are you going to say something?
12:07I will say something.
12:09Please forgive me.
12:12I am so sorry.
12:13Mirsa please.
12:14I am so sorry.
12:15I know, I know, I know.
12:16Next time be careful.
12:17I will be.
12:19I am so sorry.
12:26This is the rocket of our house.
12:28He is doing the right thing.
12:30If your father saw it,
12:32you will take your uncle's face.
12:35Don't be boring.
12:36Don't be boring.
12:37Just enjoy the funny story.
12:39Can you imagine?
12:41I remember what he was doing at the beginning.
12:43I told you that the university thing.
12:46I am so sorry.
12:47I am so sorry.
12:48May you
13:07You will deal with us!
13:08There was no need for the rocket.
13:10Who came there?
13:12To show the pistol again.
13:14It's a dangerous area.
13:16Who would have to eat someone?
13:18I would live here in the village.
13:22Meera would have to eat someone.
13:25Why are you thinking of him?
13:27He would have to give you.
13:30Okay.
13:31It means that I will sit in his bed.
13:33He will cover the story of Nahal Qureshi.
13:37Do you want this?
13:39Okay.
13:40Give me a little time.
13:41I will do something.
13:43Where are you going to find me?
13:44I don't know anything.
13:45I don't know.
13:46I don't know.
14:05See.
14:06You are not a bad person.
14:08I am not a bad person.
14:09I am not a bad person.
14:10I am not a bad person.
14:11Let me see.
14:18Let's go.
14:19How are you?
14:20How are you?
14:21When are you waiting for me?
14:23I'm waiting for me.
14:24Oh, my God.
14:54Oh, my God.
15:24I'm not taking a serious thing.
15:25You're taking a serious thing.
15:26Yes, I'm thinking that I need to help you.
15:31I have a story.
15:36Dramatic, intense, easily approached.
15:40I don't want to write a drama.
15:42Husband and wife's story.
15:47They're business partners.
15:50They get married.
15:52They get married.
15:53They get married.
15:55They get married.
15:56They get married.
15:57They get married.
15:58But they get separated.
16:01And then everything is done.
16:03Does anyone get married or does anyone get married?
16:07No.
16:08No.
16:09There's nothing like that.
16:11Then?
16:12Then you need to know the story of the future, right?
16:15Every time?
16:19No.
16:20No.
16:21No.
16:22No.
16:23No.
16:24No.
16:25No.
16:26No.
16:27No.
16:28No.
16:29No.
16:30No.
16:32And that's what I've told you.
16:33Everybody was given me.
16:34No.
16:35I've never given you anything.
16:36So, what do you want? I want to ask you Siddiqui.
16:50I'm giving you courage.
16:52So, understand that what's wrong with him.
16:59I'm sorry. I've thought about my story.
17:03Why don't you give me seriously?
17:09I'll think about it later. Give me a buzz.
17:13I don't have your number.
17:26There are such stories that I can tell you.
17:31I'll tell you.
17:32I'll tell you too.
17:33I'll tell you too.
17:34I'll tell you too.
17:41You've heard my story.
17:43Why don't you work on that?
17:45I'll do it.
17:47Why?
17:48Why?
17:49Why?
17:50Because that husband and wife is my father.
17:54That husband and wife is my father.
17:56Hello?
17:57Mahira?
17:58Easy.
17:59Take a deep breath.
18:00Take a deep breath.
18:01Haan.
18:02Go lower.
18:03Mm-hmm.
18:04Mm-hmm.
18:05Mm-hmm.
18:06Mm-hmm.
18:07Mm-hmm.
18:08Okay.
18:09Let me check.
18:10Okay.
18:11Okay.
18:12Let me check.
18:13Okay.
18:14What the hell is being tried?
18:15What the hell is being tried?
18:16That's the time.
18:17What the hell is being tried?
18:18Excuse me.
18:19What does it mean?
18:20What is being tried?
18:25Okay, let me check
18:34This is what the hell is going to be
18:39Vahid, yes, welcome
18:45Sucklain Group's consignment
18:48You have delivered the consignment
18:49So why did you not have received?
18:54Who?
18:55I'll send you for a moment.
18:59No, I'm not a man.
19:19Hello, Assalamualaikum.
19:22Do you want to talk with him?
19:25Yes, I'm Shihnaz Vadkarim.
19:27I'm MSKR's Marketing Manager.
19:30How are you, sir?
19:33Yes, Alhamdulillah. I'm fine too.
19:36Sir, I had to inform you
19:38that your consignment was in the Kaurangi warehouse.
19:43Kindly check.
19:46Sir, I had to request you.
19:49Please,
19:50you will ask your manager
19:52that before our boss
19:54confirm your assistant.
19:58Yes.
20:00Thank you so much.
20:02Yes.
20:03I'll send you a receipt.
20:05Okay.
20:06Allahfiz.
20:10shataka.
20:12Shataka.
20:13You will be waiting for more.
20:14I will send you a receipt.
20:18Shataka.
20:19Shataka.
20:20Shataka.
20:22Shataka.
20:24Shataka.
20:27Assalamu alaikum.
20:28Wa alaikum asalam.
20:29Come here.
20:30Come here.
20:31Come here.
20:32You're waiting.
20:51Okay.
21:04Maheen.
21:05You remember a lot.
21:07And I also felt good to meet you.
21:12Do you know where to say ten minutes?
21:17But I'm sure
21:18you're not going to come before one hour.
21:20You're not going to come before one hour.
21:21You're not going to come before one hour.
21:22Yeah.
21:23You know her.
21:24I was going to come before one hour.
21:25I was going to come before one hour.
21:26I was going to come before one hour.
21:27And I was going to come before two hours.
21:28Even though I said that you're going to come before one hour.
21:31And I'm not going to come before one hour.
21:33And I'm going to come before one hour.
21:34No, Auntie.
21:35Today we will go to your house.
21:37Okay.
21:38Do you have so much time for us?
21:44Are you not close to the final semester?
21:50Actually, we are here in the finals.
21:56But I don't know anything about marketing.
22:11We can talk about this subject.
22:18But we are listening to your story.
22:32A story?
22:34What story?
22:37I don't know how to tell your mother.
22:47No.
22:48My mother told me anything.
22:54Okay.
22:55Let's go for one minute.
23:17What do you do?
23:18What do you do?
23:19Let's go for one minute.
23:20What do you do?
23:21What do you do?
23:22I'm sorry, I'm sorry, I'm sorry.
23:52What are you doing?
24:02Arvaz, where are you going?
24:04You have to fight for your life.
24:06Don't go, you're very aggressive.
24:09Aggressive?
24:10I'll tell you.
24:22By the way,
24:25what's the matter?
24:26What's your opinion?
24:32These, they come.
24:34They come, I've made myself.
24:37Mahin doesn't come to us for you.
24:40You'll take the cake for this cake.
24:44Oh my God,
24:47you won't tell others.
24:49What did you tell us?
24:53What did you tell us?
25:09This file you gave me,
25:11sign it to you.
25:13You have read all the documents.
25:15Yes, you have told the requirements.
25:17You have to check all the details.
25:19After that, you will...
25:33Good afternoon.
25:35Look at this, I have made it for you.
25:39Good afternoon.
25:41Good afternoon.
25:43Good afternoon.
25:45Good afternoon.
25:47Good afternoon.
25:49If you take it from the toilet,
25:51keep it clean.
25:53When it is cold,
25:55keep it in the fridge.
25:57Good afternoon.
25:59Good afternoon.
26:01Good afternoon.
26:03I'm feeling married.
26:05I'm feeling married.
26:07You are so happy.
26:09Good afternoon.
26:11You are so happy.
26:13You are getting to eat new dishes.
26:15You are getting to eat new dishes.
26:19This feels like a long time after a year.
26:23Someone asked me
26:25what I feel like.
26:27Very strange,
26:29very strange,
26:31very strange.
26:33I feel like I have been with you,
26:47not any of you.
26:49If it was a bad thing, then it was not a bad thing.
26:55You would also have a hard time for your father.
27:02For two years, they gave you to me from far away.
27:09And I sat alone in the camera.
27:13And now, you have sent me to my son so far in the city and I have been waiting for him to wait for him.
27:28Noor, not my father was a stone's heart,
27:37and not I was a stone's heart.
27:43He wanted to kill your husband,
27:48and I wanted to kill your daughter.
27:51Don't leave these small paths,
27:57or if there will be a very long distance.
28:03If you call them,
28:06you will call them from their stories,
28:08and you will call them.
28:10After that,
28:13you give a lot of pain
28:16to the gul-mahed-mahed.
28:20They have a lot of trouble with you. Do you know what it is?
28:34Hello?
28:35The shop is full, you know?
28:38Why? What happened?
28:40No, tell me. What have they done?
28:44What have they told you now?
28:47What did you say to them? Are we going to eat cake?
28:50What?
28:51They are making love. You guys are a guest.
28:53You guys had to keep something right now.
28:56Yes, we had to eat cake and come and we didn't get anything.
28:59Why? Why did you tell us?
29:02You didn't tell us why we came here.
29:08Now, the store was your job.
29:12Don't worry, Maheen.
29:14Are you angry?
29:19Man, look.
29:20We are doing this for 2 hours a day.
29:24Yes, thank you so much for the favour.
29:26I will remember your life all the time.
29:32God bless you with me.
29:38Arvaz?
29:39It's not.
29:40Why?
29:41Yeah.
29:42Maheen said that he was busy with his project, he passed away with him.
30:12Yeah, I'll book the car.
30:16I'll go to the road.
30:20Okay.
30:26Please, you go.
30:28I'll wait.
30:33Why are you struggling with me?
30:35Why are you struggling with me?
30:39I can't leave you until the end of the day.
30:42Oh, yes.
30:44It's your story.
30:55I'll leave you.
31:05You're too, you're too.
31:07I'll leave you.
31:10You're too late.
31:12Oh, yes.
31:14Oh, yes.
31:16Oh, yes.
31:19Oh, yes.
31:24Oh, yes.
31:27Oh, yes.
31:31Oh.
31:33And there is nothing else in the dance
31:43There is only one thing in this place
31:50Here is only one thing in the dance
32:07Here is only one thing in the dance
32:14Do you know why Baba Saini took me out of the house?
32:27He was in someone's face.
32:29Is he a girl?
32:31Yes, in a girl's face.
32:34Who?
32:36He became a father. Why does he blame him in his life?
32:40I'll tell someone to tell someone.
32:44Me.
32:46Let me stay.
32:48Think about her son.
32:50Is that too?
32:54Which girl is such a girl?
32:58Who is the most beautiful girl?
33:01No.
33:03Karachi.
33:05Did you send her to Karachi?
33:10Yes.
33:11How can he do that?
33:13Who will he do that?
33:15Who will he do that?
33:17His father is a love. His grandfather is a love. His grandfather is a love. His grandfather is a love.
33:23His grandfather is a love.
33:29You have sent him to Karachi?
33:32Yes, he will solve your problems.
33:35He will have to work.
33:37Do you know that Gullmehr?
33:39What is he buried at?
33:41He is a kind of witch.
33:43He is a man without me.
33:44If you should avoid her, you send him to him?
33:47He came and stole.
33:52Not your mind.
33:56on the street
33:58at the table
34:00or a poor person
34:02or a poor person
34:04or a poor person
34:06who has been
34:08in the house
34:10in this city
34:12in the city
34:14and the
34:15people
34:16are all
34:18that
34:19the love
34:20is
34:23Love then.
34:43What's your name?
34:45What's this?
34:46The tree. It's a very famous tree.
34:48What do you do with it?
34:49We don't go to a house at any time.
34:53But Mir-sabh, we've already been talking about the two of us.
34:58I'm the New Yorker. Please.
35:23You are you.
35:26You are you.
35:28You are you.
35:29You are you.
35:32You are you.
35:34You are you.
35:36You are you.
35:41I've been trying to lose a lot.
35:44I've been trying to lose my own liberty.
35:49But unfortunately, no matter what I've done, I've stopped me.
35:55You've got to sit with Mahin.
35:57Well, it's true.
35:58You're going to become your father.
35:59I won't do this much.
36:01I mean, Miran.
36:02Okay.
36:03And whatever you want to do, that's fine.
36:05What did I do to you?
36:06You're good.
36:07Okay.
36:08Your ego is hurt.
36:11No, sir.
36:12Your heart hurts.
36:19My reflection.
36:20Your heart is operational.
36:22My dream exists.
36:26One of my dreams has been updated.
36:27I love life has been tested.
36:28I've been able to cry.
36:33But My dream is right.
36:38But my dream exists.
36:40No one is just in the house
36:46There is only one thing in this place
36:53Oh, you, oh, you, oh, you
36:59Oh, you, oh, you, oh, you, oh, you
37:29Boom, come on, come on, come on
37:47Oh, you, oh, you, oh, you
37:52Oh, you, oh, you
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