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00:00:00This is a Hollywood party.
00:00:03I can't believe I'm so close to Freddie Jones.
00:00:30I can't believe I'm so close to Freddie Jones.
00:00:46Charlotte!
00:00:47Why are you just standing here when there's people without hors d'oeuvres?
00:00:50Sorry sir, the caterers were in on so I had to get more.
00:00:53Finally, more hors d'oeuvres.
00:00:55I was just talking to the head of the studio.
00:00:57We share a ski cabin.
00:00:59She's having a great time, Uncle Seth.
00:01:01At least I have one intern who knows how to host a party.
00:01:04Charlotte, you could take a few notes here from Ava.
00:01:07This isn't your backwoods Applebee's.
00:01:10This is a Hollywood party.
00:01:12Hey, Mark Paul Gossler!
00:01:14He's right. You're too uptight and sweaty.
00:01:18It's not helping your whole Walmart aesthetic.
00:01:21It's not helping that I've been working this entire party by myself.
00:01:24It doesn't matter how hard you work.
00:01:26People have to like you.
00:01:28Nobody likes a martyr who dresses like she works at the DMV.
00:01:31Give up.
00:01:32And go home.
00:01:33Thanks Ava, but I don't need advice on how to charm a room from a nepho baby.
00:01:38I've been working for Tip since I was 15.
00:01:40Mr. Jones?
00:01:53Call me Freddy.
00:01:55Right.
00:01:57Um, I'm so sorry.
00:01:59You don't need to be sorry.
00:02:00This party needed a little excitement.
00:02:01This one was trash and everybody knows it.
00:02:02Yeah.
00:02:03I mean, I prefer your earlier work, but you were still excellent.
00:02:04Thanks for telling me the truth.
00:02:05Nobody tells me the truth anymore.
00:02:06Well, it was nice bumping into you.
00:02:07Hey, Mr. Jones.
00:02:08Hey, you should be the one entertaining our star client.
00:02:09Not her.
00:02:10I can only hire one of you.
00:02:11Right now, she's winning.
00:02:12Right now, she's winning.
00:02:13Do better.
00:02:14So.
00:02:15Hey,火種, one.
00:02:16More involved.
00:02:17No, before working on him anything around him.
00:02:18Can you hear my hair?
00:02:19Hey, men are all these things down there.
00:02:20I don't always enjoy the trouble, but if I couldn't believe it's bad, there's a matter
00:02:21of your spirit, tombs.
00:02:22And this one's suffering from the lost, thenesota city.
00:02:23In the past, you found the venue, telling you a bit of practical strife.
00:02:24Hey, Mr. Jones!
00:02:26Hey! You should be the one entertaining our star client, not her!
00:02:30I can only hire one of you, and right now, she's winning!
00:02:33Do better!
00:02:54I'm gonna watch him along right here!
00:03:10Hey, how's it up?
00:03:11You're on a good time.
00:03:12One, two minutes.
00:03:13Hey, Greg!
00:03:21Where am I?
00:03:23Good morning!
00:03:29Good morning!
00:03:49Yo, what's up?
00:03:50Did you forget that today is the first day of your master plan?
00:03:52Come on, man. Get down here.
00:03:54Yeah, alright.
00:04:07Hey, what a premiere, Mr. Jones!
00:04:09I don't know whether you're more radiant on screen or off.
00:04:12Hey, what can I get you?
00:04:13You want a coffee, water?
00:04:15No, I'm fine, thanks.
00:04:16How about, I'll just, I'll get both, just in case!
00:04:22Close the door.
00:04:28O negative, your favorite.
00:04:30Figure after last night, you would be pretty hungry.
00:04:33I didn't even like that, eh?
00:04:36Just needed help, and I needed an exit.
00:04:38Come on, Freddy.
00:04:40I've been your best friend and your enabler for the last 200 years.
00:04:44And during that time, I've known you to be very picky, very cautious, and a very, very demanding vampire.
00:04:52So come on, give me something.
00:04:55How'd she taste?
00:04:59I don't know, man.
00:05:00I think she was an intern.
00:05:01I didn't even get her name.
00:05:03But nothing happened.
00:05:05Good.
00:05:06Cause I got enough to worry about while you're going away undercover.
00:05:09You sure about this plan?
00:05:11I mean, come on.
00:05:12Why can't you just go to the Maldives like every other actor?
00:05:15I just need to get away from everything.
00:05:17The business, my parents, this whole movie star lifestyle, it's just...
00:05:23But why do you want to go undercover as an intern?
00:05:25Is this about that intern girl?
00:05:27Yeah, I may have come on a bit strong.
00:05:29I don't know, there's just something about her.
00:05:31But how do you know dressing up like an intern is going to help you get to know her?
00:05:34And how do you know that when you get close to her, you're not just going to blow your cover?
00:05:38I don't know, I'll play it cool.
00:05:39I'll work hard.
00:05:40Hopefully our paths will cross.
00:05:42I can feel it though.
00:05:43Fine.
00:05:44I'll do what I can.
00:05:46But please, promise me you're not going to let this intern thing distract you from your actual job.
00:05:51Thanks, Coleman.
00:05:52This is going to be the role of a lifetime.
00:05:58Better.
00:06:00But you can't help but look like a movie star.
00:06:03I think I might need help from a glamour, so...
00:06:06So, I didn't know if you wanted all the...
00:06:10Where's Mr. Jones?
00:06:12He had an engagement.
00:06:15Who's this?
00:06:16This is Edward, our new intern.
00:06:19Oh, great.
00:06:21Another one.
00:06:22Well, let's get you started.
00:06:29Jesus, this might actually work.
00:06:31When can I expect money from you?
00:06:42I'm bartending nights and weekends.
00:06:44If you don't make some more money soon, you won't have a home to return to.
00:06:48Do you know the debt we're in?
00:06:50We're going to lose the bar if you don't start helping.
00:06:53The internship is going great.
00:06:55I'm going to have a new job before we know it.
00:06:59Okay?
00:07:00Mom, I have to go.
00:07:02Bye.
00:07:06After you humiliated yourself in front of the entire industry, I'm surprised you even came in today.
00:07:11What happened to me last night?
00:07:13I know I only have one drink.
00:07:15Were you taking bets on who you ended up with?
00:07:17My money's in the pay from the mailroom.
00:07:20Leave me alone.
00:07:21Oh, if it isn't Miss Life of the Party.
00:07:33You know, it's one thing to entertain the clients, but it's another to walk around acting like a drunken floozy.
00:07:39I'm sorry, I don't-
00:07:40Oh, really? You're sorry about that?
00:07:41Well, there's pennants you can show around the new intern.
00:07:45We have a new intern?
00:07:46Yeah, yeah, that guy.
00:07:48Hey, come on over here.
00:07:49Hawk Hogan, yeah, you.
00:07:50Jesus, stop doing workouts and talk to her.
00:07:55Hi, I'm Edward.
00:08:03Hi, I'm Edward.
00:08:07Are you okay?
00:08:09Yeah, I'm Charlotte.
00:08:11Let me show you around.
00:08:17Hey, cutie.
00:08:18Oh, hello.
00:08:19Hello.
00:08:20Are you running for junior exec?
00:08:22No, I'm not looking for anything permanent.
00:08:24Oh, good.
00:08:25We should get along fine then.
00:08:27So, where are you from?
00:08:29Look, I'm supposed to help Charlotte with something, so...
00:08:32Between us?
00:08:34Charlotte's character isn't going to get her very far in this industry.
00:08:37This was her last night.
00:08:38Hey!
00:08:39Okay.
00:08:40Where are you going?
00:08:41To go help Charlotte.
00:08:42Like you should have done last night.
00:08:43So, Freddy just went on vacation.
00:08:44When he gets back, he's going to want something very different for his next project.
00:08:50We're looking for something that's very character driven.
00:08:51But at the same time, something that only he could play.
00:08:52So, ideas?
00:08:53What about a period piece?
00:08:54You know, Freddy has this classic quality to him.
00:08:58Like, he could almost be from a different time.
00:08:59Um, I could see him in a western, or a doing awesome movie.
00:09:00Oh, that's really perceptive.
00:09:01Excuse me, interns?
00:09:02But the grownups are talking.
00:09:03Do you know who you're talking to?
00:09:09You know who you're talking to?
00:09:10You know who you're talking to.
00:09:14quality to him. Like, he could almost be from a different time. Um, I could see him in a
00:09:18Western or a Dean Austin movie. Oh, that's really perceptive. Excuse me, interns, but
00:09:24the grown-ups are talking. Do you know who you're talking to? Do you know who you're
00:09:31talking to? I mean, it's Fred Edwards' first day. Sorry.
00:09:44Oh, I totally forgot. I've actually got to run, but I'm greatly looking forward to hearing all of
00:09:53your ideas. When you're big shots, you can open your mouth every time a dumb idea pops into your
00:10:01head. But until then, you're nobody. I'll remember that. Good. Charlotte, you can stay and clean up
00:10:08after the party. I'll tell the cleaning services to skip this weekend. Tonight? But I have another
00:10:13job. Oh, great. But you should have thought about that before you embarrassed our department.
00:10:19Ava, happy hour. I'm buying.
00:10:24You know you don't have to stay and clean up with me, right? I don't mind. Can I ask you
00:10:34something? Are Ava and Seth real pieces of shit? Ew. I shouldn't laugh. No, you should. You have a
00:10:45really beautiful smile. No, but seriously, why are they always like that? I don't know. It's just kind
00:10:52of the way they are. Ava's in the running for the same job as me and Seth's her uncle, so. Anyway,
00:10:59what's your story? Why are you here? I mean, you can call it a court of life crisis. I don't know,
00:11:09I guess I've just been sheltered my whole life, so I just wanted to try something new. You wanted
00:11:13to try picking up trash with me? I mean, there's worse ways to spend your day. Plus, I thought you
00:11:20can, you know, teach me a few things, and I can learn the ins and outs. Deal. Shoot, I'm
00:11:31going to be late for work. But this isn't work? Not for me. You know we don't get paid, right?
00:11:38What? I'll see you on Monday.
00:11:40Hey, Coleman. Yeah, give me the personal file on Charlotte Sin. Yeah, I need to know
00:11:51everything about her. Also, dude, we've got to start paying these interns. All right.
00:11:56Why would you want to meet here? You hate places like this. Yeah, you do.
00:12:14What can I get good to? Mr. Hart? Edward, do you guys know each other?
00:12:21Us? No, no, no, no. That's okay. I'm sorry. Look, he's a friend of my father's. I just
00:12:29didn't want anyone to think I was another Nepo baby. That's why you're so sheltered. Don't
00:12:34worry, your secret's safe with me. Do you know what you'd like? Yeah, we'll take two Bloody
00:12:41Marys. Extra Bloody. What? Small world. Small world.
00:12:51Oh, look. Right there is where it tells you where she works in her personnel file.
00:12:56Yeah. Would you look at that? I think you already did.
00:12:59She's amazing, though. Top of her class. Full-ride scholarship. She could be anything.
00:13:06I don't know why she'd want to settle at the bottom in Hollywood.
00:13:08Sounds like somebody else that we know. Even the drinking.
00:13:12Okay. You know, Ava had a lot to do with that. You could smell it on her a mile away.
00:13:17All right. If you have some time this weekend and you feel like getting your hands dirty.
00:13:23Yeah, sure. I'll be right back with those drinks.
00:13:29Oh, brother. You are in love.
00:13:34Can you make mine a double, please? Thank you.
00:13:36Hey. So how do you know if a script is worth pitching?
00:13:49A good script grabs you on the first page and doesn't let go. You can't stop thinking about it.
00:13:54Edward, save yourself some time. If a script isn't on the blacklist, it's a pass.
00:13:59It's that easy. Like this one.
00:14:10Once you find a script you love, it makes all the drudgery worth it. At least for me.
00:14:14Hey, stop gabbing and get me your weekend script reports.
00:14:18I need something that screams Freddie Jones to bring to Coleman. So what do we got?
00:14:23I read a lot of great scripts.
00:14:25This top one is a modern take on Sunset Boulevard.
00:14:27Isn't that like black and white?
00:14:30That's one of the greatest movies of all time.
00:14:32You sound just like Freddie Jones. He always says that that's the movie that inspired him to act.
00:14:37Look at you two. Sounding like nerds and losers living in the 50s.
00:14:41A contact just sent me an action romance. That's perfect.
00:14:45Ava, you are the best. I bet Freddie's going to love that.
00:14:54Yeah, I bet Freddie will love that.
00:14:57Yeah.
00:15:03This script has a lot of heat. And it's a great part for Freddie.
00:15:07Yeah, if we don't jump on this now tomorrow, I promise we're going to read in the trades that Leo's doing it.
00:15:11It's really good.
00:15:12But it's completely wrong with Freddie.
00:15:22But it's got everything. Action, sex. He even has his shirt off for over an hour.
00:15:27Yeah, but there's plenty more where that came from.
00:15:31Good.
00:15:33Because Freddie's looking for a wide spectrum.
00:15:36So I'm going to want to hear pitches from all of the interns.
00:15:40And whoever can pitch a film that Freddie actually wants to buy gets the junior executive position.
00:15:46You okay, honey?
00:15:58That beer has more head than a truck stop men's room.
00:16:02Yeah, sorry.
00:16:03It's just work stuff.
00:16:04Work stuff or romance stuff.
00:16:08Don't look so shocked.
00:16:10Spending 20 years in a bar, I get really good at reading people, okay?
00:16:14I don't even know if it's mutual.
00:16:16It is.
00:16:18How do you know that?
00:16:19Because I got a sense about this stuff.
00:16:22Plus, he's sitting over at that table and he just asked about you.
00:16:25Yeah.
00:16:25What are you doing here?
00:16:35Well, I got those scripts that said toss them trashed and I thought you'd want to talk about them.
00:16:43Okay.
00:16:47Thanks for coming out tonight.
00:16:49You know, even if nothing happens, I love talking about movies with you.
00:16:53I love talking about movies with you, too.
00:16:56Honestly, four hours does not seem like enough time.
00:17:00Shit.
00:17:05Smell that?
00:17:06O negative.
00:17:09My favorite.
00:17:12That's interesting.
00:17:23Let's take them both.
00:17:31I'm hungry.
00:17:33Sniff again.
00:17:36He's one of us.
00:17:38No way.
00:17:41Is that?
00:17:48I gotta go.
00:17:53You'll never guess who just came in.
00:17:57You're his biggest fan.
00:18:14Can you imagine being so famous you have to lie about being on vacation?
00:18:17Don't you have work you should be doing?
00:18:20My contact just sent me another hot script, so no.
00:18:29Hey, Charlotte.
00:18:32Can I get your help?
00:18:33I jammed the printer again.
00:18:35Again?
00:18:36Yeah.
00:18:38Seriously?
00:18:38Yeah.
00:18:39Hey, what do you have for me?
00:18:45I just forwarded you a new script everyone is talking about.
00:18:49That's all you have?
00:18:51That script just sold, and it's not even what he's looking for.
00:18:54Aren't you even listening?
00:18:56How am I supposed to find something small and pretentious?
00:18:59It's boring.
00:19:00Figure it out.
00:19:02I got you to third base.
00:19:03You can score your own home run.
00:19:05If that farm girl brings in a script that Freddie wants to buy, I can't stop Coleman from hiring her.
00:19:11Get on it.
00:19:13Now!
00:19:15Jesus fucking Christ.
00:19:17Jesus fucking Christ.
00:19:23Jesus fucking Christ.
00:19:35Okay, maybe I did want to talk to you.
00:19:43Yeah, well, you better do it fast, because I might have to run away suddenly with no explanation.
00:19:47Okay, you try to look about the other night.
00:19:49It's fine.
00:19:51You don't have to explain.
00:19:53We worked together.
00:19:54You did the smart thing.
00:19:55We should keep it professional.
00:19:58Right?
00:19:58Right?
00:19:58Yeah, I mean, if that's what you want.
00:20:05Don't do it like that.
00:20:06You're going to rip it.
00:20:07Is this my proposal?
00:20:13Yeah, it's bringing out extra copies for you.
00:20:16So nice.
00:20:19Well, it should work now.
00:20:21Okay.
00:20:23Thanks.
00:20:24Why is the door locked?
00:20:36I didn't lock it.
00:20:37It must have been Ava.
00:20:38Hey, are you okay?
00:20:45It's...
00:20:45I'm claustrophobic, and I can find spaces that make me panic.
00:20:50Okay, hey, hey, hey, hey.
00:20:52It's going to be okay.
00:20:53All right, you're going to be okay.
00:20:54Trust me for a second, okay?
00:20:56Okay?
00:20:56Better?
00:21:13How did you do that?
00:21:15Just a little trick I learned.
00:21:20Yeah, you're right.
00:21:22We should probably keep it professional.
00:21:26Wait.
00:21:35Okay.
00:21:51What's going on here?
00:21:53Why is the door locked?
00:21:56All right, let's get you out of here.
00:22:00Come on.
00:22:08Man, being an intern is hard work.
00:22:12By the way, have you seen Charlie's proposal?
00:22:15It's pretty good.
00:22:16Freddy, it's time to go back.
00:22:18I've got paparazzi circling the kill, just looking for a scoop, and guess what?
00:22:25You know who's been calling me?
00:22:27Diana.
00:22:28And she's been asking me questions.
00:22:30Okay.
00:22:31So what, Diana?
00:22:32Is paparazzi working for her now?
00:22:34Vampire paparazzi.
00:22:35When is that woman ever going to realize it is not going to work out between us?
00:22:40I don't care what she wants, or what my parents want, or what the paparazzi wants.
00:22:44It's not going to work.
00:22:46Yeah.
00:22:46Well, it's easy to be patient when you're an immortal bitch.
00:22:50Sure.
00:22:50I know you and Charlotte have a bond, but it's time to call a rap on Eddie, and time
00:22:58to get back to work.
00:23:00It's back to my lonely, gilded cage?
00:23:03You signed up for this.
00:23:05She didn't.
00:23:06How's your project proposal going?
00:23:14Why do you care?
00:23:15I want it to be good, if I'm going to hand it in.
00:23:18What are you talking about?
00:23:19My contact fell through, and I can't hand in nothing, so unless you help me, I'll have
00:23:25to hand in this.
00:23:28The fuck, Angela?
00:23:31How'd you get pages from my journal?
00:23:33Careful how you talk to me.
00:23:34You're one phone call away from being a stupid slut that tanked Freddy's career.
00:23:38There's no scandal if we didn't even sleep together.
00:23:42I don't understand why you would do this, Ava.
00:23:45If you work for Freddy, you're going to ruin his career.
00:23:47I won't.
00:23:48Unless you force me to.
00:23:50So what will it be?
00:24:02Let's get set up.
00:24:04They love the proposal so much, they want me to present it to the board.
00:24:08I hope you're happy with yourself.
00:24:09You're looking at the new junior executive.
00:24:12Don't worry.
00:24:13I requested you stay on as my personal intern.
00:24:16Intern.
00:24:20I got it.
00:24:21Time.
00:24:28Hey!
00:24:29Where are you going with that?
00:24:31Have you seen Eddie?
00:24:37Looks like your little boyfriend left without saying goodbye.
00:24:40Let's focus, everyone.
00:24:41We've got a lot to discuss.
00:24:42I guess he wasn't as into you as he thought.
00:24:45I don't think we'll need you for this meeting.
00:24:47I'm pretty sure there's some cleaning to do around the office.
00:24:49Fine with me.
00:24:53Mr. Jones?
00:24:54Where are you going?
00:24:55Please stay.
00:24:59I think everybody puts me in.
00:25:02Sure.
00:25:03You can take notes.
00:25:06There he is.
00:25:07End of the hour.
00:25:08Hey, welcome back, Freddie.
00:25:09Looking tan and refreshed.
00:25:11Better than ever.
00:25:11Thank you, Seth.
00:25:13Appreciate that.
00:25:19I would really like to know if this movie is at its core.
00:25:22Ava, this is your baby.
00:25:24I would love to hear from you.
00:25:26Well, at its core, it's a Freddie Jones movie.
00:25:29That's what people are paying to see.
00:25:31So what's your vision?
00:25:33Do you see this more as a classic Hollywood homage?
00:25:35A mystery?
00:25:36A romance?
00:25:37I think it has it all.
00:25:41What's your favorite part?
00:25:42The ending.
00:25:43What happens in the end?
00:25:46Your character, uh, wins?
00:25:50You know, it's funny.
00:25:52You wrote such an elegant summary,
00:25:54but you can't recall any major plot points or how it ends.
00:25:58I'm just curious.
00:25:58Did you actually read the script,
00:26:00or did you just have AI spit out a report for you?
00:26:02Of course I wrote this.
00:26:05It's just been a few weeks, and I...
00:26:07What do you think?
00:26:12At its heart, it's a romance.
00:26:16A mystery with a satirical edge,
00:26:19but ultimately a love story,
00:26:21with a poignant and tragic ending.
00:26:25Sounds like a good movie.
00:26:27Why do you think it'd be beneficial for my career?
00:26:30Because.
00:26:31People might not know it yet,
00:26:32but you can do more than look good with your shirt off.
00:26:34Opening weekend,
00:26:36they're gonna go to see Freddie Jones, the movie star.
00:26:39But come Monday,
00:26:39they're gonna tell their friends to go see Freddie Jones, the actor.
00:26:46I love that.
00:26:49You sold me.
00:26:51Ava,
00:26:51I would like you to take notes for Charlotte from now on.
00:26:56Huh?
00:26:57Huh?
00:26:57What the hell was that?
00:27:04Ow, you're hurting me.
00:27:06I just answered his question.
00:27:08You set me up.
00:27:09You humiliated me.
00:27:10You should have prepared me better.
00:27:12I just know I had to prepare you.
00:27:13Didn't you read what you handed in?
00:27:15Oh, it was insanely long,
00:27:16and I have better things to do.
00:27:18That was the whole point of using your proposal.
00:27:20You made me look like an idiot.
00:27:21No, Ava, actually,
00:27:23you did that all on your own.
00:27:24You made me look so bad.
00:27:26I need an explanation.
00:27:28She set me up.
00:27:29Your assistant executed a master plan
00:27:31to embarrass you and take control of a meeting?
00:27:33If that's true,
00:27:34then we should probably have her on the executive payroll.
00:27:36She planned this.
00:27:37With Freddie.
00:27:39I have proof.
00:27:40Just to humiliate me.
00:27:41They slept together.
00:27:43That's enough.
00:27:45Buzz, I'm sorry.
00:27:46Where is it?
00:27:47Where is it?
00:27:48Where?
00:27:48Here it is.
00:27:52Can we get security, please?
00:27:55No.
00:27:57It was her.
00:27:58They slept together.
00:27:58Why don't you believe me?
00:28:00Let go of me.
00:28:01Do you know how much this dress costs?
00:28:07I'll see you again soon.
00:28:17Hey.
00:28:18So, how'd it go today?
00:28:22Where were you?
00:28:24Ray Jones!
00:28:26Look at me!
00:28:27Get out of here.
00:28:28No, I told you guys.
00:28:28No, no pictures.
00:28:29Go!
00:28:30Get out of here.
00:28:31Go!
00:28:32What the hell is going on?
00:28:34Why did they call you Freddie?
00:28:38Look, Charlotte.
00:28:39I...
00:28:40I never meant to trick you.
00:28:42Okay.
00:28:51Please.
00:28:54I don't...
00:28:55I don't know what to think.
00:28:56I don't know who you are.
00:28:59Charlotte.
00:28:59Charlotte.
00:28:59Oh, you bitch!
00:29:17Oh, you'll pay for that.
00:29:19We just wanted a story.
00:29:26But I guess we'll settle for something else.
00:29:29Get the fuck away from me!
00:29:33Charlotte, are you okay?
00:29:49You look hurt. Are you hurt?
00:29:50I'm fine. I'm so sorry. This is all my fault.
00:29:54Why are you apologizing? You just saved my life.
00:29:56Come on.
00:30:03The boss is going to love this.
00:30:15You sure you're okay?
00:30:17I think so.
00:30:26Does that hurt?
00:30:27A little.
00:30:29Are they always following you like that?
00:30:33Is this what it's like to be Freddie Jones?
00:30:36I'm sorry I got you into this.
00:30:39But I hope you don't sneak out this time.
00:30:46Weren't you hurt?
00:30:48I think you might have hit your head a little too hard.
00:30:50Just probably lie back.
00:30:55Look, I live in a world full of powerful people.
00:30:58And not all of them are good.
00:31:00There you are.
00:31:00Look, all I want to do is protect you, Charlotte.
00:31:03I want to do this.
00:31:04I want to do the same.
00:31:13Sheng.
00:31:23Good morning.
00:31:24Good morning.
00:31:25Listen, I have breakfast coming up for you right now.
00:31:27I'm going to step out and make a quick phone call, okay?
00:31:31Just lie back and rest.
00:31:35All right.
00:31:47Coleman.
00:31:48Hey, what do you know about the paparazzi attack last night?
00:31:50That cannot happen again.
00:31:52You got it, boss.
00:31:53You don't have security.
00:31:54Yeah, she better.
00:31:55Shit!
00:31:59How long has it been?
00:32:00I hear you and Freddy have been very busy boys behind my back.
00:32:04Look, I'm sure you're disappointed that he's not going to do another sequel, as am I, but he's already made up his mind.
00:32:10Listen, dipshit.
00:32:12We both know which head he's thinking with, and it's not the one above his shoulders.
00:32:15Well, that's not my business.
00:32:17Actually, fuckhead, it is your business.
00:32:19My guy just sent me these photos.
00:32:25No, I don't know the pay rate yet, mom, but it's, it's entry level.
00:32:40$3,000 a month, how am I supposed to...
00:32:45No, I know it's a...
00:32:48Okay, mom, I have to go.
00:32:53Okay, bye.
00:32:54What was that all about?
00:32:58Nothing.
00:33:00You know, this is all really nice, but I have to go work brunch in an hour.
00:33:05What?
00:33:06Cancel.
00:33:07We can stay in bed all day.
00:33:09I got food brought up to us.
00:33:10Look, you just got a promotion.
00:33:11You don't need to be working back over there.
00:33:13Yeah, well, until I get my first paycheck, I'm not going to change it.
00:33:17Fine.
00:33:18Do what you want.
00:33:19Let me know if you need anything else.
00:33:32Diana?
00:33:38Diana?
00:33:39So, you're the girl that's turned Freddie's career upside down.
00:33:43You're more stunning in person.
00:33:45I don't know about that.
00:33:47Don't sell yourself short.
00:33:48Success in Hollywood is all about branding.
00:33:51So, what's good here?
00:33:53Not much.
00:33:54So, why are you here, Diana?
00:33:56I know you're not here for the bottomless mimosas.
00:33:59You've got talent, and I need a development assistant.
00:34:02I already have a job.
00:34:04I work for Coleman, who works for me.
00:34:06I'm a silent partner in his business, but my family's money keeps the lights on.
00:34:11I didn't know that.
00:34:13I'm actually working on a project with Freddie right now.
00:34:15Who you just started fucking, which is a branding problem.
00:34:20For who?
00:34:22And how did you know that?
00:34:24It's a small town, and I have many sources.
00:34:27I do pay well.
00:34:28Charlotte, darling.
00:34:50Welcome.
00:34:50Come in, come in.
00:34:52You wanted to talk about the new scripts?
00:34:54Oh, no.
00:34:55It's self-care Sunday.
00:34:56I need you to give me a foot massage.
00:34:58I'm sorry, what?
00:34:59You heard me.
00:34:59I've been on my feet all week, and I need to relax.
00:35:02Diana, I'm your assistant.
00:35:04I'm not a masseuse.
00:35:05Let's get one thing straight.
00:35:06If you want to keep this job and have any chance at all of making it in this industry, you'll
00:35:11do as I say.
00:35:27That's a good girl.
00:35:28Oh, no, that is it.
00:35:36Charlotte, she cannot keep treating you like this.
00:35:39You need to tell Freddie, and then teach this witch a lesson.
00:35:42No, Sam, that's exactly what she wants me to do.
00:35:45I need to prove I can make it on my own.
00:35:47Well, how much more can you take?
00:35:48As much as I need to.
00:35:50This is my dream.
00:35:52I'm not giving up on it.
00:35:53Hey, Mom, what's up?
00:36:10Charlotte, honey, I'm afraid I have some bad news.
00:36:13Your father's medication prices have gone up again, and we're struggling to keep up with
00:36:18the debt.
00:36:19I'm sorry, Mom.
00:36:19I wish I could help more, but things are a little...
00:36:22tough right now, um, but I'm not giving up.
00:36:37I can do this.
00:36:40I have to do this.
00:36:50What's all this?
00:36:51I just wanted to celebrate your recent victories, so I thought I'd do something special for
00:36:56you for all your hard work.
00:36:57Are you serious?
00:37:11Yeah.
00:37:12Root beer floats.
00:37:13Your hometown favorite.
00:37:14My parents used to get me one of these after every soccer game, whether we won or lost.
00:37:18Come on, try it.
00:37:20I can.
00:37:20I'm on a special diet.
00:37:22Charlotte, I'm tired of hiding our love from the world.
00:37:28I'm tired of being chased by the paparazzi.
00:37:31I want to go public with our love.
00:37:33Are you sure?
00:37:34That's a big step.
00:37:35Yeah, I've never been more sure about anything in my entire life.
00:37:38We'll support you no matter what.
00:37:39Miss Dunn, welcome.
00:37:57It is an honor to have you in our store.
00:38:00How may I ask this for you today?
00:38:01I need an outfit for the gala tonight.
00:38:03Something that'll make me stand out.
00:38:05Of course.
00:38:06We have the latest collections from the top designers.
00:38:09I'm sure we'll find something perfect for you.
00:38:14Diana, look at this one.
00:38:16This would look stunning on you.
00:38:18Oh, sweetie.
00:38:20I don't think that dress is quite worthy of someone like Miss Dunn's stature.
00:38:27You're right.
00:38:28My assistant here doesn't quite understand the difference between high fashion and, well, whatever she's wearing.
00:38:39Oh, now this is a dress worthy of your presence, Miss Dunn.
00:38:45It's from our exclusive collection.
00:38:47I'll take it.
00:38:50Class cannot be taught.
00:38:57Oh, Charlotte.
00:38:58I'm just teasing.
00:39:00Here, let me buy you a dress to make it up to you.
00:39:04Go on, try it on.
00:39:06I insist.
00:39:06Well, well, well.
00:39:17Look at you, Charlotte.
00:39:19You clean up nicely.
00:39:20I guess that dress just doesn't work for you.
00:39:29You're better off in your ragged clothes.
00:39:31And you will have to pay damages, of course.
00:39:33I'm sure that dress is worth more than your monthly salary.
00:39:37Ciao, Bianca.
00:39:41Come on, Charlotte.
00:39:42The gala awaits.
00:40:00Freddie.
00:40:01I'm so glad you can make it.
00:40:03Yeah, good evening, Diana.
00:40:14Well, well.
00:40:15If it isn't Little Miss Cinderella wearing a dress made of rags.
00:40:19Actually, this is the same gown from earlier.
00:40:21Just with some alterations.
00:40:23You can't just...
00:40:25This is a black tie event, not a costume party.
00:40:27Well, I believe true style comes from within.
00:40:30Not a designer label.
00:40:32Just remember, Charlotte, you still work for me.
00:40:35You're lucky I don't fire you, Charlotte.
00:40:38I think it's time for you to leave, Diana.
00:40:41But I...
00:40:42Freddie.
00:40:43You look absolutely beautiful.
00:40:56We need an answer before the press conference starts.
00:40:59We're willing to offer a substantial investment.
00:41:03Just say the word.
00:41:04Freddie, say the word.
00:41:05If it isn't the man of the hour, huh?
00:41:09Freddie Jones.
00:41:10It's the best key.
00:41:13I'm the one who's gonna invest in a little soon, pretty boy.
00:41:17Whether you like it or not.
00:41:20And who might this lovely lady be?
00:41:27Harm candy for the night, no doubt.
00:41:31Watch your mouth, is the best key.
00:41:34He's got a temper.
00:41:38What are you gonna do about it, pretty boy?
00:41:40Listen, the best key.
00:41:43You're not gonna invest in my film.
00:41:45Or disrespect my girl again.
00:41:48Do you understand?
00:41:51Freddie, walk away.
00:41:53Quite a scene you caused earlier, Zubasky.
00:42:06What do you want, Diana?
00:42:07I couldn't help but overhear your little altercation with Freddie.
00:42:12Seems like we both have something to gain by taking him down a peck or two.
00:42:17I'm listening.
00:42:18It's simple.
00:42:20You want money and a taste of that pretty little assistant of his.
00:42:23I want Freddie.
00:42:25And I think I know a way where we can both get what we desire.
00:42:29I like the way you think, Diana.
00:42:33What do you have in mind?
00:42:35We hold a press conference.
00:42:36And when Freddie's distracted, I'll announce our new film together, cementing me at his side.
00:42:40I love it.
00:42:43When do we start?
00:42:45Leave it to me, Zubasky.
00:42:47You just play your part when the time comes.
00:42:49Freddie, I think I love it.
00:43:00I saw something here.
00:43:01Your teeth, they weren't normal.
00:43:05And the way you fought, Zubasky.
00:43:07What's going on?
00:43:10I'll tell you, Charlotte.
00:43:13Only because we're bonded by blood.
00:43:14What the hell does that mean?
00:43:16It means I'm a vampire.
00:43:18You know, when I was a little girl, I always dreamed of becoming a vampire.
00:43:31The magic, the mystery of it all.
00:43:35Life became nothing but work and pills.
00:43:39The thing about magic, Charlotte?
00:43:43So you just gotta know where to look.
00:43:48The magic's still there, Charlotte.
00:43:56You just gotta know where to look.
00:43:57And I missed you, baby.
00:43:58And I missed you, baby, by my side.
00:44:02Where are you now, baby?
00:44:09Did you hear me mean to say goodbye?
00:44:12I can't think I'm one good reason why I need you now.
00:44:33Hey, Charlotte.
00:44:33Look, we may need to talk to you about being Diana's assistant.
00:44:39Look, I honestly don't like the way she's been mistreating you, and I don't want you working for her anymore.
00:44:44And I've been thinking, if you need help financially or otherwise, I got you.
00:44:53You can't take that.
00:44:56I don't want to rely on you.
00:44:58But I insist you take it.
00:45:00I would feel a whole lot better.
00:45:02Please.
00:45:03Fine.
00:45:05We're just for emergencies.
00:45:16It's Diana.
00:45:18She's been blowing up my phone all night.
00:45:26Just ignore it.
00:45:33Diana.
00:45:45You know she's not going to stop calling.
00:45:47Just answer it.
00:45:49Diana.
00:45:51What do you want?
00:45:52You're with Freddie, aren't you?
00:45:55It's none of your business.
00:45:56Actually, business is why I'm calling.
00:45:59I have a proposition for the both of you so we can be done with all of this nonsense.
00:46:16We're here to settle things like you said.
00:46:18No more games.
00:46:19I already told her about us, so you can't hang that over my head.
00:46:22Splendid.
00:46:23I hate secrets between friends.
00:46:25On that note, this was going to be a surprise, but...
00:46:30Pam?
00:46:32You goddamn bitch.
00:46:39Oh my god.
00:46:40I can't believe my daughter's dating people's sexiest man alive.
00:46:45Two years ago, but charmed.
00:46:48With how hard Charlotte's been working, I thought this would be a nice treat.
00:46:51It was so nice of you to fly me here.
00:46:53Why didn't you tell me your boss is so generous?
00:46:56Diana's very humble, and she doesn't like people talking about her generosity.
00:47:02What are you doing?
00:47:03I just wanted to show you the gold-digging trash you've been in bed with.
00:47:07Watch this.
00:47:10Pam's been telling me a lot about life in the country, and how hard it's been.
00:47:15Yes, that's true.
00:47:17With your dad's back surgery he needs, and the black mold in the house,
00:47:21they might have to sell, and it breaks my heart.
00:47:23That's none of your concern, Diana.
00:47:24But it could be.
00:47:26What if I wrote your mother a check for two million dollars?
00:47:30In exchange for what?
00:47:33You leaving Freddie alone.
00:47:35Forever.
00:47:38Two million dollars?
00:47:41Would that cover it, Mom?
00:47:42We don't want your money, Diana, and I won't be bullied out of ending my relationship, not
00:47:53by you, not by anyone.
00:47:57Well, then there's nothing left to consider.
00:48:00Your happiness is all that matters, sweetheart.
00:48:02I'm sorry, but we don't need your money.
00:48:07Not if it means sacrificing my daughter's heart.
00:48:12You're making a mistake, both of you.
00:48:14But if that's how you want to play it, fine.
00:48:16Just know that I do have a plan B.
00:48:19And trust me, you're not going to like it.
00:48:22You're done here, Diana.
00:48:24As far as your plan B, we'll handle that together.
00:48:27Come on, ladies.
00:48:30Let's go.
00:48:37This isn't over.
00:48:38Not by a long shot.
00:48:45All right, you two.
00:48:46So let's review.
00:48:47Diana, you're going to go out first.
00:48:49People are going to be super excited to see you.
00:48:50And then you're going to introduce Freddie.
00:48:52Freddie, they're going to be equally excited to see you.
00:48:54Then the two of you will talk about the movie.
00:48:56And then you'll take questions from the journalists.
00:48:58Sound good?
00:48:59Sounds great.
00:49:01Fantastic.
00:49:02Oh, they're ready to go.
00:49:03We've got to get out there.
00:49:04Otherwise, we're going to keep them waiting.
00:49:05And we do not want to do that.
00:49:06They look perfect.
00:49:06Great job.
00:49:07Come on, you two.
00:49:08Let's go.
00:49:08No, no, you look perfect.
00:49:09You don't need to check yourself.
00:49:10Let's go.
00:49:23It isn't a pretty little assistant.
00:49:26What are you doing?
00:49:29I'm thinking about your blood, Charlie.
00:49:34About the way it tastes.
00:49:37The way it must feel.
00:49:38It's going down.
00:49:41My throat.
00:49:41Stay away from me.
00:49:42I'm warning you.
00:49:43Or what?
00:49:44You're warning me.
00:49:46What are you going to do, sweetheart?
00:49:48Go for help.
00:49:49And now, without further ado, let's welcome the man of the hour, Freddie Jones.
00:50:01I think your blood will be the sweetest I've tasted in years.
00:50:13And I'm going to savor every last drop of fire.
00:50:19Come on, Freddie.
00:50:25I'll rip out your fucking throat.
00:50:52Charlotte.
00:50:58Are you okay?
00:51:02You came back.
00:51:05I'll always come back for you, Charlotte.
00:51:06I'm sorry, everyone.
00:51:16I'm not sure what's keeping Freddie.
00:51:18Freddie.
00:51:18Oh, thank you, thank you, thank you.
00:51:27You guys are too kind.
00:51:28Sorry I'm late.
00:51:29You all know how I like to make a very dramatic entrance.
00:51:32There are two things I would like to talk about.
00:51:35First one is, I'm really proud of this film that Diane and I have made.
00:51:40Me too, Freddie.
00:51:41I think it is a great project for us to end on and go off on our own.
00:51:46Two, I would really like to introduce you all to something very special to me.
00:51:51She's the one of the bravest, smartest, most beautiful women in this town.
00:51:56My new career advisor and future is Freddie Jones.
00:52:00I'm so sorry I didn't tell you about the announcement.
00:52:16It's okay.
00:52:17Just from now on, no more secrets.
00:52:20We're going to face the challenges together.
00:52:22I love you, Charlotte.
00:52:24I love you too.
00:52:24I do want to ask you one thing, though.
00:52:27Yeah, anything.
00:52:29Could you ask for my father's blessing?
00:52:31It's a tradition in my family.
00:52:32It would mean the world to me.
00:52:35I would be honored to ask your father for his blessing to marry you.
00:52:38But remember, you don't have to tell him everything.
00:52:40Okay.
00:52:53Alexander?
00:52:53Zelda?
00:52:54I need to speak with you now.
00:53:02Alexander?
00:53:03Zelda?
00:53:03I need to speak with you now.
00:53:06Diana?
00:53:07What brings you here in such a state?
00:53:09It's Freddie.
00:53:10Your son has gone too far this time.
00:53:12He's announced his engagement to a human.
00:53:15At a press conference, no less.
00:53:17A human?
00:53:19Are you certain?
00:53:21Yes.
00:53:21Some nobody named Charlotte Sims.
00:53:24He's putting our entire order at risk by telling all of our secrets to her.
00:53:28This cannot be allowed to continue.
00:53:32The secrecy of our kind is of the utmost importance.
00:53:35I couldn't agree more, Zelda.
00:53:37That's why I came to you.
00:53:39I worry about Freddie and I fear that he's not thinking clearly.
00:53:42What do we really know about this Charlotte girl?
00:53:44She could be a threat to our whole way of life.
00:53:48We cannot take any risks.
00:53:50We'll handle this matter personally.
00:53:55You have our work.
00:53:56So we thought we'd come in on Friday and stay the weekend.
00:54:08Oh, we probably need bodyguards.
00:54:10The whole town has gone crazy since you two went public.
00:54:12We felt like celebrities at Walmart today.
00:54:15But I don't know, why would a movie star want to come all the way to Whitewater, Minnesota?
00:54:20Well, I just want to see where Charlotte grew up.
00:54:22And honestly, I want to come and meet you, sir.
00:54:23Plus, we have some news.
00:54:24I knew it! I knew it!
00:54:27Freddie, you're going to get her the most beautiful, most expensive wedding dress ever, aren't you?
00:54:31Oh, yeah, you bet.
00:54:32No, you're not.
00:54:34Mom, you've been saving your wedding dress for 25 years so I could wear it.
00:54:37Well, it has a tear, remember?
00:54:39I mean, it's going to look like an old sackcloth compared to what Freddie can get you.
00:54:43Well, I'm not getting married in anything else.
00:54:45So if you don't want me wearing my birthday suit at my wedding, you better mend it.
00:54:49All right. All right. Love you. Bye.
00:54:54Okay.
00:55:05Something's wrong.
00:55:07I've been trying to get my parents since yesterday and they haven't answered their phones.
00:55:10Okay. I'm sure everything's fine, Charlotte.
00:55:12It's not like my mom to not answer.
00:55:13Look, your mom is just super excited about us coming to visit.
00:55:17I'm sure she's just caught up on all the preparations.
00:55:20Maybe you're right, but I have a really bad feeling.
00:55:23Okay. All right. Well, I can call a pilot and we can head over there right now and check.
00:55:28Let's go.
00:55:35Mom?
00:55:35Dad, is anyone here?
00:55:43This is where they said to meet them.
00:55:49Freddie, I think something's happened to them.
00:55:51Charlotte, don't worry. We'll find them, okay?
00:55:54I promise.
00:55:55Thank you for joining us on such short notice.
00:56:05Oh, well, we've never been to the West Coast before, so we don't mind the change of plans.
00:56:11And we'd just as soon come out here, then have Freddie business there.
00:56:15My phone can't get service.
00:56:17I was hoping to tell Charlotte where we are.
00:56:19We're in a dead zone.
00:56:21They'll be joining us shortly.
00:56:22In the meantime, we wanted the chance to get to know you.
00:56:28Our son's welfare is of the utmost importance to us.
00:56:31And so we'd like to know what sort of stock he is associating with.
00:56:37We have the same concern about Charlotte.
00:56:40Yeah, we don't know much about these powerful Hollywood types.
00:56:43But what we do know, it's not very wholesome, like sex slaves and...
00:56:48Clones.
00:56:49Yeah, clones.
00:56:51We don't have slaves.
00:56:52Or clones.
00:56:55But there are many reasons why Charlotte and Freddie's union could be complicated.
00:57:01Challenging.
00:57:02Even dangerous.
00:57:05Dangerous?
00:57:06The truth is we brought you here to ask you some very important questions.
00:57:12Please follow us to the parlor.
00:57:14All right.
00:57:24I've got private investigators here and in Minnesota.
00:57:27And I've called in favors with anyone we know in law enforcement.
00:57:31Charlotte.
00:57:31We're going to find them.
00:57:33I promise.
00:57:36Are you okay?
00:57:37I'm hanging in there.
00:57:39Look, I'm going to go.
00:57:40But I'll be back soon.
00:57:41Where are you going?
00:57:43I'm going to go talk to somebody.
00:57:43You might know what the hell is going on.
00:57:48I'll be back.
00:57:49I'll be back.
00:57:49Where are they?
00:58:04I don't know what you're talking about.
00:58:06Charlotte's parents are missing.
00:58:08Oh, heavens.
00:58:09Hopefully they didn't get lost remembering which trailer is theirs.
00:58:12Okay, Diana.
00:58:13Tell me where they are.
00:58:14I'm going to rip you in half.
00:58:15Coleman.
00:58:19Charlotte's parents turned up on a security camera at LAX.
00:58:22They're not with Diana.
00:58:26Okay, well, where are they now?
00:58:27They're with your parents.
00:58:29Why the hell are they with them?
00:58:31You told the human our secrets.
00:58:34They're tying up your loose ends.
00:58:35That's so good.
00:58:53Oh!
00:58:55Hi.
00:58:56You're okay?
00:58:58Okay?
00:58:59We're better than okay.
00:59:00We're having a great time.
00:59:02What took you so long?
00:59:03Mom, Dad, what are they doing here?
00:59:07You let the cat out of the bag.
00:59:09We had to vet Charlotte, make sure she was all right.
00:59:12If we're going to share our darkest secrets with her.
00:59:15Not to mention our only son.
00:59:18Okay.
00:59:19And?
00:59:20Charlotte is a lovely young woman.
00:59:24A good student, a hard worker.
00:59:27You picked a good one.
00:59:29And her parents are fun.
00:59:30Who are they?
00:59:31Who knew thousand-year-old vampires and Midwesterners had a lot in common?
00:59:37Both kind of slow to change.
00:59:39We went to the bar and it was unlocked.
00:59:41No one was there.
00:59:42Ted, did you forget to fix the deadbolt again?
00:59:45Uh, yeah, I meant to.
00:59:47But, you know, with everything going on, I think I must have forgot.
00:59:51Alexander is the same way.
00:59:53Completely useless around the house.
00:59:55But I am good with toasts.
00:59:59Here's to a beautiful journey.
01:00:02No road is long when you have good company.
01:00:04To the happy couple.
01:00:06Here you come.
01:00:07Cheers.
01:00:08Cheers.
01:00:08Cheers.
01:00:08Cheers.
01:00:09Cheers.
01:00:09Cheers.
01:00:13By the power invested in me, I now pronounce you husband and wife.
01:00:26Congratulations.
01:00:43I guess the best woman won.
01:00:45So I don't have to worry about you anymore?
01:00:48No.
01:00:50I've moved on.
01:00:51Are you serious?
01:00:53Yeah.
01:00:54She's crazy.
01:00:55But she knows the business.
01:00:57And she gets me.
01:00:59Good luck with that, brother.
01:01:01I've known you for 200 years.
01:01:02Charlotte, good luck with that.
01:01:06I should have flown.
01:01:07I just have one question.
01:01:14What is it?
01:01:17Is she going to drink milk?
01:01:20No.
01:01:21No, I'm just kidding.
01:01:22Yeah, she is.
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