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  • 2 days ago
Do Me My Sexy Male Stripper

#hotdrama#
Transcript
00:00:00Oh
00:00:19Hey, baby, tell me who do you love me of a lesson? Oh
00:00:25Yeah, as is she isn't I since you got those horrible scars
00:00:36Are you on the other
00:00:55Please don't stop on my account. I've never filmed a porno, especially not one starring my own boyfriend and sister
00:01:15All right, give me the camera come on now delete that shit why you always said you wanted fame this will make you go super viral
00:01:23Oh
00:01:25Vanessa name's the company's top model. If this gets out we're all finished
00:01:31Dad's never gonna forgive you now. Give me that damn camera
00:01:37Fine
00:01:41Wise because you know what?
00:01:44Shooting sexually explicit content of your boyfriend and your sister
00:01:49That's probably gonna damage your career a lot more than it will
00:01:53Yes
00:02:03Well, Blaine you got what you wanted it's over
00:02:07Look up you were the one who turned Blaine from nothing to a top model and now he's messing about with Abby
00:02:24I don't get how he could do that to you doesn't matter. We've already separated
00:02:28It's because you've not been with enough guys
00:02:30It's because you've not been with enough guys
00:02:34I've got the perfect stripper lined up for you
00:02:36He's a real wizard in the bedroom
00:02:40This
00:02:42Adam
00:02:46Adam
00:02:48Just hang tight
00:02:50He'll be your suit
00:02:52Speaking of
00:02:54Dad looks like the guy I booked
00:02:56So just wait for Adam
00:02:58He'll be wearing a suit and tie
00:03:00He's gonna blow your mind
00:03:02Cassidy I work with the most beautiful people in the world
00:03:04It takes a true stunner to impress me
00:03:06You can keep him
00:03:08Mr. Todd
00:03:10Still no updates on the woman with the scar on her arm
00:03:12We're running out to please
00:03:14Look just expand the search radius
00:03:16Okay, I need to find her now
00:03:20You're late
00:03:22That's not it
00:03:24You're late
00:03:26That's not it
00:03:28You're late
00:03:30That's not it
00:03:32You're late
00:03:34You're late
00:03:36You're late
00:03:38You're late
00:03:40You're late
00:03:42You're late
00:03:43You're late
00:03:44That's not very professional
00:03:45Yeah, excuse me
00:03:46I'm in a rush
00:03:47You shouldn't be so rude to your customers
00:03:48Look, I'm losing my pace
00:03:54It's you
00:03:56Yes
00:03:57It's me
00:04:00So
00:04:01Are we fucking here
00:04:02Or do you want to go to Adam
00:04:08Finally
00:04:09I found you
00:04:12I'm the Awka
00:04:31What's your name?
00:04:33It doesn't matter
00:04:36Fine
00:04:38Indie sab é‚£ like
00:05:09Oh my god, are you okay?
00:05:34Can you get up?
00:05:35Come on, stay with me.
00:05:39Come on, come on.
00:05:45Come on.
00:05:48Come on.
00:05:52I'll get you out of here.
00:05:56From now on, I'll look out for you.
00:06:04Morning.
00:06:06Morning.
00:06:11Does it bother you?
00:06:13No, not at all.
00:06:15It's a symbol of your bravery.
00:06:18Well, you certainly know how to charm a woman.
00:06:21And please her.
00:06:31Last night was dumb.
00:06:33It was really good.
00:06:35Here's a little something for you.
00:06:43I don't want your money.
00:06:44Why are you-
00:06:45No.
00:06:46Keep it.
00:06:47You earned it.
00:06:50Wait a minute.
00:06:53You don't remember me?
00:06:54You don't remember me?
00:06:58You don't remember me?
00:07:01I'm the one-
00:07:02Sorry.
00:07:03One second.
00:07:06Yeah?
00:07:07What's up?
00:07:08Vanessa, bad news.
00:07:09Blaine's throwing a tantrum about the shoot.
00:07:11What should I do?
00:07:12Um.
00:07:13Okay.
00:07:14Calm down.
00:07:15I'm on my way.
00:07:17Shit.
00:07:18This is for the Todd group.
00:07:19Shoot.
00:07:20If this goes sideways,
00:07:21that nightmare Mr. Todd is gonna be on my case again.
00:07:24Me?
00:07:25A nightmare?
00:07:26Right.
00:07:29Thank you for last night.
00:07:30I will see you, I guess.
00:07:42Hey.
00:07:45Yeah.
00:07:46Alright.
00:07:47Find out which studio Vanessa's at.
00:07:49Okay?
00:07:59Vanessa.
00:08:00Thank goodness.
00:08:01Blaine is flipping out.
00:08:02He's saying his arm is broken.
00:08:05I'm sure you know how to handle that spoiled brat.
00:08:07Yeah.
00:08:08I'll handle it.
00:08:10Blaine, are you seriously gonna throw away this deal?
00:08:11It's not like I want to.
00:08:15You broke my arm.
00:08:17And you tell me how I'm meant to shoot if I can't even strike the pose.
00:08:23If you said I broke your brain, I'd believe you.
00:08:26What's that gotta do with your arm though?
00:08:28Give it a rest, will you love?
00:08:31How's this?
00:08:32If you publicly apologize to me?
00:08:38Not happening.
00:08:39What's happening?
00:08:40It's on you, remember?
00:08:41Today's the last day for shooting.
00:08:42If you can't pull this off, can you really deal with the top group's wrath?
00:08:46Vanessa, if we lose the top group as a client, our company's in serious trouble.
00:08:47There must be some other models available.
00:08:48I reached out.
00:08:49All the top models are booked today.
00:08:50Christ, fine.
00:08:51I'll apologize.
00:08:52Blaine, I'm so sorry.
00:08:53Can you come back through the shoot?
00:08:54Oh, you know, I would really like to, but there is one little stipulation.
00:08:57Abby here has got to be behind the camera.
00:08:58Abbie is an amateur photographer.
00:09:01She's not ready for the Todd group.
00:09:14one little stipulation.
00:09:17Abby here.
00:09:18It's got to be behind the camera.
00:09:21Abby is an amateur photographer.
00:09:23She's not ready for the Todd group.
00:09:25Lane and I ran over all the details last night.
00:09:28The Todd group are going to love it.
00:09:32So you two are just here to cause trouble?
00:09:35As if you haven't messed me about enough already?
00:09:44Since this shoot is a bust, I might as well take the heat.
00:09:51So your arm's broken?
00:09:53Yeah.
00:09:54You can't move it?
00:09:55No.
00:09:56Oh, looks like it's working perfectly fine.
00:10:06It's you.
00:10:10You know what?
00:10:12I'm not doing the shoot period.
00:10:13Do you know why?
00:10:15Because I want to see how you clean up this little mess.
00:10:22If you won't shoot, Blaine, I'll find someone who will.
00:10:29If you won't shoot, Blaine, I'll find someone who will.
00:10:34Or are you going to find a new model in, like, two seconds?
00:10:43Guess what?
00:10:47Here's my new model.
00:10:49Wait, what, me?
00:10:53I'll pay double the standard rate.
00:10:55Just help me out, I'm desperate.
00:11:00Yeah, okay, all right.
00:11:01Awesome.
00:11:02You're going to be great.
00:11:03You two can scram now.
00:11:05You really think you can just snatch someone off the street to replace Blaine?
00:11:09Modeling isn't just about looking pretty.
00:11:12He might freeze up and make a fool of himself in front of the camera.
00:11:15Vanessa, he might have the looks, but he's got no experience.
00:11:19If this flops, we might lose the Todd group as a client.
00:11:23I wouldn't be where I am now if I didn't take a few risks.
00:11:34Let's start with this.
00:11:35Keep his makeup natural.
00:11:37Highlight his features and contours.
00:11:40Let's make him glow.
00:11:42Got it?
00:11:42Sticking forever.
00:11:48Where's any out yet?
00:11:49He's probably pissing his pants.
00:11:51He's not a star.
00:11:52Unlike Blaine.
00:11:54That's right, I'm a star.
00:11:57And I'm very, very sexy.
00:11:59And I just don't believe it's some random nobody off the street to be close tonight.
00:12:05Okay?
00:12:06Yeah, of course.
00:12:12Damn.
00:12:40Damn.
00:12:41He's gorgeous.
00:12:43It's not just his face, his whole vibe screams top model.
00:12:46He could steal anyone's spotlight.
00:12:48Oh, for fuck's sake.
00:12:50Anyone can look good with a bit of makeup and a blazer with no shirt.
00:12:55Come on, I wanna see, I want to see how he crashes and burns when the lights start flashing.
00:13:02That's what I want to see.
00:13:07Better than I expected.
00:13:10It's okay to be a little nervous before your first shoot, but I'm here.
00:13:16Just trust me.
00:13:17You're gonna be great.
00:13:20Okay, lights, let's shoot.
00:13:25Yeah.
00:13:26Okay.
00:13:28Okay.
00:13:29That's so good.
00:13:31Really.
00:13:34Open up your shirt a little bit.
00:13:36Yeah.
00:13:37Yeah.
00:13:38Wow.
00:13:39Can you pick up the magazine and have a look through there?
00:13:41Yeah.
00:13:42You look like a cotton model.
00:13:43You're so good.
00:13:45Okay.
00:13:46That's it.
00:13:47Joyce, let's get his next look ready.
00:13:49This is the L.A. premium brand shoot, Blaine.
00:14:01This would've taken you to the next level.
00:14:03It's too bad.
00:14:04You're such a whiny little bitch.
00:14:06You both messed up.
00:14:07Big time.
00:14:08I can't believe that this shoot has just landed on this random gobshine slap.
00:14:12Could you do something about it?
00:14:13Chill.
00:14:14I'm working on it.
00:14:15No way he's new.
00:14:16Look at him go.
00:14:17His outfit is practically perfect.
00:14:18It's like made for him.
00:14:19It's going to sell out in no time.
00:14:20It's going to sell out in no time.
00:14:21I'm working on it.
00:14:22No way he's new.
00:14:23Look at him go.
00:14:24His outfit is practically perfect.
00:14:25It's like made for him.
00:14:26It's going to sell out in no time.
00:14:27It's going to sell out in no time.
00:14:28No way he's new.
00:14:29Look at him go.
00:14:30Exactly.
00:14:31He was the company's top guy, but now he's got out shown by a newbie.
00:14:33Wow, babe.
00:14:34You've crushed it.
00:14:35I can't believe that this shoot has just landed on this random gobshine slap.
00:14:37Would you do something about it?
00:14:38Chill.
00:14:39I'm working on it.
00:14:40No way he's new.
00:14:41Look at him go.
00:14:42His outfit is practically perfect.
00:14:44It's like made for him.
00:14:45It's going to sell out in no time.
00:14:47I used to put Blaine on Pedal's store, but he's nowhere near it now.
00:14:50Exactly.
00:14:51He was the company's top guy, but now he's got out shown by a newbie.
00:14:55Wow, babe.
00:14:57You've crushed it.
00:14:59These shots are turning out better than anyone would have expected.
00:15:04Sure you're not thinking of ditching your job, Mom?
00:15:07Hey, look, I'm just glad I didn't screw it up.
00:15:10I was actually wondering, are you free tonight?
00:15:13I was thinking we could go on like an actual...
00:15:15Ah, is this yours?
00:15:17Your phone's been going off.
00:15:18Oh, thanks.
00:15:20Six-pack strippers.
00:15:21Guess we know how he pays his bills.
00:15:22Dude's a stripper.
00:15:23A cheap one too.
00:15:25He's got that serious look, but he's in that line of work.
00:15:30Vanessa's pretty cosy with that male stripper.
00:15:31Could she be his regular?
00:15:32Who knew she would be living that kind of life behind the scenes?
00:15:37You have no shame.
00:15:38And I thought you were a professional bringing a stripper to work.
00:15:42Nothing short of fucking embarrassing love.
00:15:45Don't show me about professionalism, Lin.
00:15:55you have no shame and I thought you were a professional bringing a stripper to work
00:16:05nothing short of fucking embarrassing love don't show me about professionalism
00:16:15oh it concerns him now when the dog group finds out you've used a stripper
00:16:21for their campaign think they'll be cool with that
00:16:24is the chute still not wrapped why are you guys dragging your feet
00:16:30mr. Dale the chute's done the photographer insisted on using a stripper as their model
00:16:35this could really hurt the talker's image what a stripper who's the photographer
00:16:45where's this guy bring him here that's them look it has nothing to do with him
00:16:53it's all on me
00:16:55no one messes with the Todd group and walks away with it let's see what the stripper thinks
00:17:01mr. Todd
00:17:05mr. Todd
00:17:09you didn't tell me you were coming in tonight
00:17:12the hell why did he just call you mr. Todd no no no you've misheard him uh she mentioned
00:17:20hating mr. Todd before if she figures out who I really am she won't come near me at all
00:17:24what he meant to say was mr. Todd doesn't judge people on their occupations right exactly
00:17:32this guy's got it all uh he perfectly embodies the brand's uh executive fire i'm sure mr. Todd would be delighted with his work here
00:17:47mr. Todd
00:17:51Lawrence you have an eye for talent i'll show you the shots he absolutely nails his outfit
00:17:56how could he not the brand is perfectly made for the uh
00:18:00mr. Lawrence um by the way i was the original model and if this shoot hadn't been done with me if i was given a chance i would have been a lot fucking better
00:18:12exactly
00:18:16blaine's a pro he's like he's ahead of these amateurs
00:18:21aren't you the ones who turned it down
00:18:24let me get back right now
00:18:27but if you guys can't show some respect
00:18:31what's the point being a pro
00:18:33you're messing up the shoot what both of you get out
00:18:37it's Lawrence i'm Abby Plot
00:18:40get them out
00:18:40just listen
00:18:42you're a man's high slipper
00:18:52mr. dale you should take a look at these photos
00:18:54no need i was just stopping by to take a quick look
00:18:58i'll let you get back to it
00:19:02why are the todd group reps being so nice all of sudden
00:19:06are they usually that bad
00:19:08you have no idea how picky mr todd is
00:19:12he is a total perfectionist moody just
00:19:16asshole
00:19:18okay there was one time everything was arranged on set but he nitpicked every single tiny detail
00:19:24he had me pulling all letters and one time he fired someone just randomly out of the blue because
00:19:30he was in a bad mood so yeah i don't like him at all he's a jerk
00:19:35i swear to god if i ever meet him i'm gonna give him a piece of my mind
00:19:40maybe it was a misunderstanding
00:19:44you've never met this guy and you're seeing these things
00:19:48yeah don't bring him up again
00:19:50she's got the wrong impression here i need to fix this
00:19:54these shots are amazing have you
00:19:56you ever thought about ditching your job from modeling ditching my job well yeah you can't
00:20:02be a stripper forever right what no no vanessa i am not a stripper look come on you've got the
00:20:09look you've got the charm you kill it in front of the camera i'll sign you up whatever deal you want
00:20:16really whatever deal i want
00:20:29so this is it are you sure you're cool with staying here
00:20:33um yeah not really feeling it you got any other options nope master bedroom's off limits obviously
00:20:45this place isn't a mansion i don't know why i insist on staying here
00:20:49well i switched jobs for you i don't have anywhere to go come on i'll have my back here
00:20:53all right look if i'm being honest i'd uh rather stay with you stop i'm your boss now
00:21:08you gave me a roof all right i'll pay it back
00:21:12yeah well you're not a stripper anymore so you can't stop with that life
00:21:16all right just get some rest okay we have somewhere to be tomorrow
00:21:20where are we going we'll find out when we get there
00:21:33mr todd is clark sent over the la's final promo shots want to take a look i have to admit you've
00:21:39got a knack for this modeling thing sir photos turned out amazing no no no listen just just just
00:21:45get someone else to redo the shoot okay what about miss clark i don't know tell her that the brand
00:21:50just postpone the campaign or something but look these photos cannot leak okay if they do
00:21:56people might figure out who i really am figure out what
00:22:04um my my secret side job yeah
00:22:09um i'm worried that it might cause you some problems
00:22:12uh why did jean come back
00:22:17made your mind want to stay another night with me
00:22:22sweet dreams
00:22:23all right what's going on why are we here clothes duh you're my new model i need you to look sharp
00:22:40welcome hi these two okay we need these asap
00:22:44wait wait wait wait hold on
00:22:55i want to buy those outfits mr white what brings you here
00:23:02i'm afraid we'll have to prioritize mr white's order yours will have to wait
00:23:07but we order first isn't it first come first serve
00:23:12in this world please
00:23:14plane's at the top
00:23:17so yeah he comes first
00:23:19so you're waiting or not is this how you treat your customers
00:23:32yeah i'd like to talk to your manager manager's tied up
00:23:34if you insist on causing trouble i'll have security to show you out
00:23:54what seems to be the problem it's them they're trying to mess up mr white's order
00:23:58mr yeah start talking now of course
00:24:11you're done fired now get out
00:24:22i am so sorry about all this we'll get your order processed right away and throw in
00:24:28and a hundred percent discount for your trouble how does that sound
00:24:39what a load of
00:24:43that's mad he's a no name no fame and you're treating them like this how we run this place
00:24:48is not your concern from now on the two of you are blacklisted
00:24:53it's not your concern
00:24:56don't expect any future collaborations with us
00:25:04thanks
00:25:06what a day huh
00:25:17yeah
00:25:17abby and blay were practically glowing with envy
00:25:20i mean you got my back but are you not worried about pissing off a brand no no no not at all no
00:25:26there's plenty of other luxury brands out there
00:25:41what are you looking at i'm just looking at you
00:25:52as
00:26:07um
00:26:09it's late
00:26:14Good morning.
00:26:25Thought you might want to start your day right.
00:26:39Get a grip, Vanessa.
00:26:41He's your model now.
00:26:42Now it's some wild fling.
00:26:44Good morning.
00:26:49So, you made all this?
00:26:53Thought you might be hungry.
00:26:56Try it.
00:27:06Hmm.
00:27:07Yeah?
00:27:08Yeah, it's better than I expected.
00:27:12Wow, confident.
00:27:13Yeah, I don't get used to it.
00:27:18You try it.
00:27:22Really?
00:27:24Is that what it's going to be like having you in my house?
00:27:28Well, thank you.
00:27:29Good morning, everyone.
00:27:38Good morning, Vanessa.
00:27:40Wait a second.
00:27:41Isn't that the same guy you brought in a few days ago?
00:27:45Yeah.
00:27:45He's my new model.
00:27:46Hey, guys.
00:27:47I'm Jason.
00:27:48I look forward to working with you all.
00:27:49I thought you said your name was Errol.
00:27:54I said you.
00:27:56So, you two arrived together.
00:27:59Well, are you living together now?
00:28:01Oh, Joyce, seriously.
00:28:02Let's just get this done.
00:28:04Okay, are the cameras ready?
00:28:05She really signed that cool boy into the company.
00:28:09Just wait.
00:28:10This is going to be fun to watch.
00:28:17Vanessa, over here now.
00:28:19All right, everyone.
00:28:23Take five.
00:28:29It's one thing messing around in your personal life,
00:28:32but bringing a stripper into the company.
00:28:38You ready to deal with the fallout if this backfires?
00:28:40Dad, I didn't pull this out of thin air.
00:28:43Jason is talented.
00:28:44He's playing you with smooth talk.
00:28:50I've let you run things your way,
00:28:52but hiring him,
00:28:54that's where I draw the line.
00:28:56Let's fire him now.
00:28:58I'm not going to fire him.
00:29:02I promise he's really talented.
00:29:05Just look at him.
00:29:07You're really going to take sides against your father?
00:29:10Sis, Dad's only trying to protect the company's reputation.
00:29:13Just do what's right.
00:29:16And let him go.
00:29:18Abby, stay out of this.
00:29:19It's none of your business.
00:29:23Dad, can you please just trust me for once?
00:29:26I've been pulling in projects first for you.
00:29:28Dad, when another client, Vertex Group,
00:29:30finds out you've let her use a stripper for the shoot,
00:29:33they're going to flip.
00:29:34Abby's got a point.
00:29:36Either he goes,
00:29:38or Abby and Blaine take over.
00:29:40Your choice.
00:29:41Either he goes,
00:29:47or Abby and Blaine take over.
00:29:49Your choice.
00:29:50I appreciate it, Dad.
00:29:51I've always led the Vertex Group's shoots.
00:29:54And you're just going to let Abby take it,
00:29:56just like that?
00:29:58You took it for granted, Vanessa.
00:30:00Don't blame Abby.
00:30:02Abby, if you think you can steal this shoot from me,
00:30:04you better know how to handle it.
00:30:06You know what, actually?
00:30:09Let's make this interesting.
00:30:13Let's split into teams.
00:30:14Let the Vertex manager choose the winner.
00:30:16You want a competition?
00:30:18Fine by me.
00:30:19Just don't cry if you lose.
00:30:21What would I be losing?
00:30:22Him, when I was an amateur.
00:30:26And he's going to run circles around him.
00:30:28We'll see.
00:30:30Hey, you good?
00:30:32Yeah, I'm fine.
00:30:33All right, listen.
00:30:36The Vertex shoots in three days.
00:30:38You got a plan yet?
00:30:40No, not yet.
00:30:42All right, well,
00:30:44Vertex is all about the bold jewelry design, right?
00:30:47So, why don't we work with that?
00:30:51Like this.
00:30:56Oh, yeah, that's it.
00:30:58What is the idea around the Eternal Night Rose?
00:31:01You know, dark, edgy.
00:31:05Allison can pull off some really killer outfits.
00:31:07Eternal Night Rose?
00:31:10It sounds cool, but will I look right in that?
00:31:13Are you kidding?
00:31:15Black is your vibe.
00:31:17Look, this is going to be great.
00:31:18Can you just please trust me?
00:31:22Dark theme, huh?
00:31:24Nice move, Vanessa.
00:31:25But I'm still going to outshine you.
00:31:36Still forcing that stripper to be a model, huh?
00:31:40This is getting embarrassing.
00:31:42Maybe you'll worry about yourself for months.
00:31:45I can't wait to see you crash and burn today.
00:31:58Hi.
00:31:59I'm Abby Clark, the lead photographer for this project.
00:32:03Vanessa Clark.
00:32:04Good to see everyone.
00:32:05At Vertex, we only care about results.
00:32:07And I trust both of you will deliver.
00:32:19My shoot is the Spybyte Vertex's latest feature, Eternal Night Rose.
00:32:26Centered around the themes of darkness and the duality of man.
00:32:30This worked for me.
00:32:38Definitely fits the brand.
00:32:44This is stunning.
00:32:47I'm already seeing the partnership potential.
00:32:49My little faces.
00:33:02Did we both guys do the same thing?
00:33:12Well, what do you know?
00:33:13We both also went for the Eternal Night Rose theme.
00:33:18Luke, are you serious?
00:33:20You copied me.
00:33:22But I decided to take it a step further.
00:33:26I've gone for a more gothic theme.
00:33:28Creating a real sensual beauty.
00:33:31Darker, more sensual.
00:33:32I know our customers are going to love this.
00:33:42These are absolutely incredible.
00:33:46The detail, the mood, it's...
00:33:49It's all perfect.
00:33:54The model nails it.
00:33:56It brings the right kind of balance.
00:33:58The right energy.
00:33:59With him, you can actually see the jewellery.
00:34:01Not just the model.
00:34:03This set fits our brand to a T.
00:34:06It's both.
00:34:08The other, previous one,
00:34:11just doesn't have the same emblem.
00:34:16This is going to be up.
00:34:18Looks like you might have to know your kid since.
00:34:22All right.
00:34:24Well, after our discussion,
00:34:25we're all in agreement.
00:34:29We'll go with the second set.
00:34:31Miss Vanessa Clark.
00:34:35Looking forward to collaborating with you.
00:34:37Amazing.
00:34:38Thank you so much.
00:34:39Love you, mom.
00:34:41God.
00:34:42You know, you really can't steal what someone just has, naturally.
00:34:55True creativity comes from within, sis.
00:34:59Better luck next time.
00:35:03Right.
00:35:04I'm off.
00:35:05To celebrate.
00:35:07Have a good day.
00:35:10Look at you.
00:35:16Come on.
00:35:17I knew you had it.
00:35:18You're my lucky charm.
00:35:21So, what are we, uh, celebrating?
00:35:23I was thinking I'd take you out.
00:35:25I know the best sushi restaurant.
00:35:27What, just sushi?
00:35:28What else were you expecting?
00:35:30I don't know.
00:35:31Something a little more, uh,
00:35:33silent.
00:35:33Take it early, then.
00:35:38All right, fine.
00:35:38Take it early.
00:35:39All right, fine.
00:35:39Take it early.
00:35:48Cassie!
00:35:49Oh, my God!
00:35:50I missed you so much!
00:35:52Oh, this is Cassie, my bestie.
00:35:55Nice to meet you.
00:35:55Hi, nice to meet you, too.
00:35:57It's so nice.
00:35:59I wonder you were so mysterious about that.
00:36:01Well, I got you.
00:36:03Looks like you've upgraded.
00:36:05So, come on, Spill.
00:36:06How did you two meet?
00:36:07How long has this been going on?
00:36:11That stripperoo.
00:36:13The other night, that, that wasn't him.
00:36:15No way.
00:36:26The guy that I hired just called me
00:36:28and said he couldn't find you.
00:36:30I assumed you'd bailed or something.
00:36:33Look, to be fair,
00:36:35you were the one, you know,
00:36:36coming on to me that night, but...
00:36:39Yeah, you mixed me up with someone else.
00:36:42But you were the one
00:36:44who was asking me to do the whole thing.
00:36:47That's enough.
00:36:48That's enough of that.
00:36:50Um, maybe it's a sign, Vanessa.
00:36:55I mean, he's not bad.
00:36:57Why don't you give him a shot?
00:36:59Yeah, it's not like that.
00:37:02He's just my model.
00:37:03Oh, looks like everyone's gone to lunch,
00:37:12so we can just go.
00:37:13Hey.
00:37:14Hey.
00:37:15Jason, what are you doing?
00:37:17Vanessa, what are we?
00:37:20Like, are you seriously telling me
00:37:23there's nothing between us?
00:37:26What are you talking about?
00:37:27You know exactly what I'm talking about.
00:37:30Vanessa, we've got a problem.
00:37:42The Vertex group announced
00:37:43their collaboration with the Clark group.
00:37:45Yeah, I know.
00:37:46They picked my pitch earlier.
00:37:48I didn't think they'd move this fast, though.
00:37:50They did use your photos,
00:37:52but Abby's the official photographer.
00:37:55What?
00:37:57Hey.
00:37:57Hey.
00:38:00You better knock this Vertex deal
00:38:06out of the park.
00:38:08Don't let your old man down.
00:38:10I won't, Dad.
00:38:12I've got this.
00:38:16Ever thought of knocking, Vanessa?
00:38:18What's this, hon?
00:38:20You couldn't come up with your own ideas.
00:38:21It had to steal mine.
00:38:22Is that what we're doing now, Abby?
00:38:25That's enough.
00:38:26I don't know what you're talking about.
00:38:27This wasn't her doing.
00:38:30It was mine.
00:38:32What are you saying?
00:38:34Abby's fresh.
00:38:36She needs this high-profile project
00:38:37to boost her career.
00:38:39I made the call,
00:38:41and she's getting it.
00:38:42Are you serious?
00:38:44That was my idea.
00:38:45Why should she take all the credit?
00:38:47It's all staying in the family, Vanessa.
00:38:50Whether it's Abby or you,
00:38:52the company benefits.
00:38:53We're family.
00:38:56Don't be so selfish.
00:38:59Selfish?
00:39:02Do you know how many hours
00:39:04my team spent working on this project?
00:39:06As chairman of this company,
00:39:08my word is final.
00:39:11If you have a problem with that,
00:39:14we'll have to leave.
00:39:19Fine.
00:39:19I don't want to work here anymore.
00:39:21Anywhere.
00:39:29Podesta, are you really leaving?
00:39:31It's your company.
00:39:33Yeah, but there's more out there for me.
00:39:36Don't worry.
00:39:36It won't affect you guys.
00:39:38Oh, I'm coming with you.
00:39:39I've literally had it with this place.
00:39:41Way too much drama.
00:39:44Count me in.
00:39:45I only sign off because of you, Vanessa.
00:39:47I'm not staying here without you.
00:39:49I've been itching to start out on my own.
00:39:52Let's start a studio.
00:39:53We're with you, Vanessa.
00:39:54And with you, Zell.
00:39:55Yeah.
00:39:56You guys!
00:39:57Hey, what about me?
00:40:00I switched jobs for you, remember?
00:40:02You owe me one.
00:40:04All right.
00:40:05I will get you going.
00:40:07Let's start a studio together.
00:40:11Yay!
00:40:13Woo!
00:40:15All right, let's get out of here.
00:40:19Dad, those people who are purits were really letting Vanessa take them.
00:40:31They're loyal to Vanessa.
00:40:33If they want to go, there's not much I can do to stop them.
00:40:39So she's just going to go off and compete against us now?
00:40:42Don't worry.
00:40:43I'll make sure people know.
00:40:45If they work with her, they're crossing us.
00:40:48She'll learn quickly.
00:40:50Without us, she won't get far.
00:40:52Since we've launched the Phoenix Studios, we haven't landed a single deal.
00:41:03Every brand we've reached out to either thinks we're amateurs or flat out ignores us.
00:41:09How do we fix this?
00:41:12Just, just trust me.
00:41:14I'll figure something out.
00:41:16That's it for today.
00:41:18Meeting dismissed.
00:41:27You all right?
00:41:29My father's told every big brand not to work for me.
00:41:35If we don't learn something soon, Phoenix will die before it's even taken off.
00:41:40Hey, come on.
00:41:42It's going to get better.
00:41:45But it's late.
00:41:46You should go home and get some rest.
00:41:50No.
00:41:51No, I can't give up that easy.
00:41:55You go ahead, though.
00:41:57I'll make some more calls.
00:42:00Yeah, all right.
00:42:01So, can I see Mr. Scott?
00:42:17No.
00:42:18Just five minutes of his time.
00:42:19He has already made it clear he's not interested in your own studio.
00:42:23Please don't come back.
00:42:24Sis, without the family behind you, you've really hit rock bottom, huh?
00:42:28It's none of your business, Abby.
00:42:33Look at this.
00:42:35An invite to the Todd Group Banquet.
00:42:39They're announcing their collaboration with the Clark Group there.
00:42:42Too bad you're not invited.
00:42:45The Todd Group Banquet?
00:42:46Why didn't I think of that?
00:42:50Don't get too excited.
00:42:52The Todd Group is picky with their photographers.
00:42:54I'm not sure you're up to it.
00:42:55What's going on here?
00:43:08Oh, I'm...
00:43:09I'm making invites to the Todd Group Banquet.
00:43:13Well, pretty convincing, right?
00:43:15I'm just hoping they don't notice it's...
00:43:18fake.
00:43:19Wait, why?
00:43:21Why?
00:43:22Yeah, why?
00:43:23Because it's the Todd Group?
00:43:26There's going to be major players from all over the place.
00:43:29I could land some killer collaborations from this.
00:43:32Yeah, but you know that's risky, right?
00:43:36Yeah.
00:43:37Of course I know.
00:43:40But...
00:43:41I'm all out of options.
00:43:44It's this or nothing.
00:43:48So, are you coming with me?
00:43:51With me?
00:43:52To the Todd Group Banquet?
00:43:55Yeah?
00:43:57Yeah.
00:43:58I...
00:43:58I...
00:43:59No, I actually...
00:44:01I have something I need to handle that day.
00:44:04But to answer your question, yeah, that does look...
00:44:09real.
00:44:11I'm just...
00:44:12I gotta...
00:44:13Yeah.
00:44:14Yeah.
00:44:14Yeah.
00:44:14Yeah.
00:44:14Yeah.
00:44:14Yeah.
00:44:14Yeah.
00:44:14Yeah.
00:44:14Yeah.
00:44:14Yeah.
00:44:14Yeah.
00:44:14Yeah.
00:44:14Yeah.
00:44:14Yeah.
00:44:15Yeah.
00:44:16Yeah.
00:44:16Yeah.
00:44:16Yeah.
00:44:16Yeah.
00:44:17Yeah.
00:44:18Yeah.
00:44:18Yeah.
00:44:18Yeah.
00:44:22This is my shot.
00:44:23If this doesn't work, my studio's done.
00:44:32Invitation, please.
00:44:36Invitation, please.
00:44:37Go ahead.
00:44:51Mr. Todd?
00:44:52She's going inside.
00:44:55That was way too easy.
00:44:57Did I just pull this off?
00:44:59Guess the Todd Group's security isn't as tight as their reputation.
00:45:01Vanessa?
00:45:02Why the hell are you here?
00:45:03What?
00:45:04You get to Watson and I don't?
00:45:05How did she get an invite?
00:45:06You didn't sneak in, did you?
00:45:07I'm too busy for this, Abby.
00:45:08Court right-handed, huh?
00:45:09You really think you can crash the Todd Group's banquet without an invitation?
00:45:22It's fake.
00:45:23I'll try, though.
00:45:24Vanessa, did you really sneak in with a fake invite?
00:45:27A fake invite?
00:45:28She must really be desperate.
00:45:29Can you believe that?
00:45:30No one will want to work with her after this.
00:45:31Yes.
00:45:32No one will want to work with her after this.
00:45:34Let's try, though.
00:45:39Vanessa, did you really sneak in with a fake invite?
00:45:44A fake invite?
00:45:46She must really be desperate.
00:45:48Can you believe that?
00:45:49No one will want to work with her after this.
00:45:53What makes you so sure it's fake?
00:45:55Well, because the real ones.
00:45:57It's got a code right here in the corner.
00:46:01Yours?
00:46:02It's missing.
00:46:04Care to explain?
00:46:07Mrs. Simpson!
00:46:10Just the man I need.
00:46:12How can I help?
00:46:13Someone crashed the party.
00:46:15Can you help her find the door?
00:46:18Let me see.
00:46:24I'm afraid if you don't have a legitimate invitation,
00:46:28you'll have to be.
00:46:33Miss Clark!
00:46:36Just wait a second.
00:46:39Danny Rogers, Mr. Todd's personal assistant.
00:46:45I've been sent here to collection.
00:46:47Are you sure you didn't mix things up, Mr. Rogers?
00:46:50She wasn't invited.
00:46:52She snuck in with a fake invite.
00:46:54Look, there's no number.
00:46:59Miss Clark here is one of Mr. Todd's honoured guests.
00:47:04The reason why it doesn't have a code on there
00:47:06is because I personally sent her the invitation.
00:47:08She's Mr. Todd's honoured guest.
00:47:15How the heck is that even possible?
00:47:18Who is she?
00:47:20Why does she get to be one of Mr. Todd's VIPs?
00:47:22Even Mr. Rogers is giving her respect.
00:47:24That bitch always steals my spotlight.
00:47:39After careful consideration,
00:47:50we've chosen our partner for the upcoming season.
00:47:53Let's get to the moment we've all been waiting for.
00:47:57Mr. Simpson,
00:47:58there better not be any slip-ups.
00:48:02Remember our little deal?
00:48:04Chill out, Miss Clark.
00:48:05Everything's locked in.
00:48:09I do the business deals around here.
00:48:12No one can change my mind
00:48:13unless it's Mr. Todd.
00:48:16And he doesn't usually get involved in this.
00:48:19Good to know.
00:48:21Vanessa,
00:48:21no matter how hard you crash this banquet,
00:48:24you'll always be in my shadow.
00:48:26Once I nail this partnership with the Todd group,
00:48:28let's see how you deal with the fallout.
00:48:31The partner for the Todd group is...
00:48:33Thank you, Todd group,
00:48:37for selecting...
00:48:38Phoenix Studios.
00:48:42What?
00:48:45How is this happening?
00:48:52How is this happening?
00:48:56What makes your thing shape me part of the Todd group?
00:48:59The Queen didn't disappoint you.
00:49:00I've got a project that may get your eyes.
00:49:07Wow.
00:49:08Yeah.
00:49:11Didn't you say everything was set?
00:49:14Are you playing me?
00:49:15No!
00:49:17No one...
00:49:18Danny,
00:49:21what the hell happened?
00:49:23There's no mistake.
00:49:25The Todd group chose Vanessa's studio
00:49:27to be our partner.
00:49:31You're corrupt, Colin.
00:49:33So you're out.
00:49:43Danny, come on.
00:49:45I messed up.
00:49:47But I won't do it again.
00:49:49After all I've done for you,
00:49:50can you not cut me some slack?
00:49:52Mr. Todd is cutting you some slack
00:49:54by not calling the police.
00:49:58So,
00:49:59are you leaving on your own
00:50:00or do I need to call security?
00:50:07Ms. Clark,
00:50:08if you'd like to follow me,
00:50:09our contracts are ready.
00:50:11Let's make this official.
00:50:19Mr. Clark,
00:50:19there's the contract.
00:50:21Have a look through.
00:50:22If everything's in order,
00:50:24then feel free to sign.
00:50:26So,
00:50:27what made the Todd group sign
00:50:29with the Phoenix Studios?
00:50:31Temple.
00:50:33It's your talent.
00:50:34It speaks for itself.
00:50:36Well,
00:50:37you won't be disappointed.
00:50:38Excuse me.
00:50:39Excuse me.
00:50:48May I ask who that is?
00:50:51Oh,
00:50:51that is,
00:50:52uh,
00:50:53Mrs. Todd.
00:50:54Um,
00:50:55Mr. Todd's mother.
00:50:56She's the chairwoman.
00:50:57After Mr. Todd's father passed,
00:50:59she took over
00:51:00just to keep the
00:51:01business thriving.
00:51:03That's really impressive.
00:51:06How come he looks
00:51:13just like Jason?
00:51:22So,
00:51:23any more questions
00:51:24about the contract?
00:51:29Nope.
00:51:31All set.
00:51:31I look forward to working
00:51:32with the Todd group again.
00:51:34Great.
00:51:39I don't know how you
00:51:40could throw away
00:51:40such a major deal.
00:51:43She's only after your money
00:51:44and the Todd name.
00:51:45Yeah,
00:51:45that's fine.
00:51:47Jason,
00:51:48what's he doing here?
00:51:50And who's that woman?
00:51:51He doesn't even know
00:51:52who I would be here.
00:51:54No way.
00:51:56Isn't that the chairwoman
00:51:57of the Todd group?
00:51:58I can't believe
00:52:02you'd throw away
00:52:02such a major deal.
00:52:04All for some woman.
00:52:06She saved my life,
00:52:07Mom.
00:52:09She's not just
00:52:09some woman.
00:52:10Some woman.
00:52:12You could have just
00:52:12written her a check
00:52:13and called it a day.
00:52:14Yeah,
00:52:14I have my reasons.
00:52:16So stay out of it.
00:52:17What's she done
00:52:18to make you so obsessed?
00:52:20She's only after your money
00:52:22and the Todd name.
00:52:24That's all it was.
00:52:25It'd be easier.
00:52:25What?
00:52:26Nothing, Mom.
00:52:27Look, just
00:52:27what you were afraid of
00:52:29won't happen.
00:52:30Okay,
00:52:31she doesn't even know
00:52:32who I really am.
00:52:33You say her,
00:52:35you see her.
00:52:36I won't say anything.
00:52:38Okay?
00:52:39Yeah?
00:52:43Only you could
00:52:44fool something
00:52:44this obvious.
00:52:46Yeah,
00:52:46alright,
00:52:46and don't you have a meeting?
00:52:47Come on,
00:52:47go, go, go.
00:52:55Oh, hey,
00:52:57are you, uh,
00:52:58are you done with work?
00:53:01The chairwoman
00:53:03of the Todd group.
00:53:05How do you know her?
00:53:07Don't.
00:53:09You were laughing with her?
00:53:15What are you talking about?
00:53:16No, no.
00:53:17I, I just,
00:53:19I ran into her
00:53:19and I thought
00:53:20maybe I'd
00:53:21help you secure
00:53:22the Todd deal.
00:53:25Oh, I'm sorry.
00:53:27So I was real.
00:53:28Yeah.
00:53:30But,
00:53:30I have good news.
00:53:32I secured
00:53:33the Todd group deal.
00:53:34No way!
00:53:35That's huge!
00:53:36I honestly
00:53:36didn't even think
00:53:37my studio
00:53:37would be in the running
00:53:38for it.
00:53:39Yeah, well,
00:53:40you deserve it.
00:53:41Come on.
00:53:42So, uh,
00:53:44where do you want to go?
00:53:45Studio?
00:53:46Yep.
00:53:47Where do you want to go
00:53:48for some fee?
00:53:55To us
00:53:56and to our company
00:53:57for nailing
00:53:58that Todd group collaboration.
00:53:59You know what?
00:54:00Cheers, everyone.
00:54:01Woo!
00:54:01Woo!
00:54:02Cheers!
00:54:03Vanessa, you're a genius.
00:54:05You really made it happen
00:54:07with the Todd group.
00:54:08And,
00:54:08that's not all.
00:54:10We had calls
00:54:10from big brands
00:54:11that want to work
00:54:12with us, too.
00:54:13Well, tomorrow's
00:54:14a big shoot.
00:54:14So let's crush it.
00:54:15More deals
00:54:16are just around
00:54:17the corner.
00:54:18Woo!
00:54:19Okay, drinking
00:54:20is fun and all,
00:54:21but let's
00:54:21switch it up.
00:54:23Truth or death?
00:54:33Alright, truth.
00:54:35Do you have
00:54:36a girlfriend?
00:54:37not yet.
00:54:42Ah,
00:54:43not yet.
00:54:44Does that mean
00:54:45there's one on the horizon?
00:54:47That's your next question.
00:54:54Looks like you're not
00:54:55off the hook.
00:54:56So,
00:54:57is there anyone
00:54:58you have your eye on?
00:55:00Yeah.
00:55:05Yeah, I do.
00:55:11Alright, alright.
00:55:12Quit tearing at me.
00:55:13Just please
00:55:14spin the bottle again.
00:55:21Oh, what?
00:55:21So,
00:55:22this is the master bedroom?
00:55:23Okay.
00:55:24Alright.
00:55:25I thought this was
00:55:26off limits.
00:55:26Not anymore?
00:55:27No?
00:55:28No.
00:55:40Look at what I want to do.
00:55:41No.
00:55:42Oh, God.
00:55:42No.
00:55:43No.
00:55:43No.
00:55:44No.
00:55:46No.
00:55:46No.
00:55:47He's passionate, and he knows how to make a girl feel special.
00:56:17Why aren't we prepping yet?
00:56:23It's almost time to shoot.
00:56:25We've been waiting for over an hour.
00:56:27What's the hold up inside?
00:56:30Are you Vanessa?
00:56:31Yes, that's me.
00:56:32Hi Mr. Bailey.
00:56:36Can we get started?
00:56:38Just keep waiting.
00:56:39Can you see?
00:56:41I'm not ready.
00:56:42But we said we'd start at nine, and it's past that, so...
00:56:46What are we waiting for?
00:56:48If you can't be patient, you really think you're ready for a partnership with the Todd Group.
00:56:52I don't understand why Mr. Todd partners with all these small studios.
00:56:56The famous studios might be small, but we can handle ourselves against the big companies.
00:57:03You think we can compare with the big boys?
00:57:06What do you have?
00:57:07Pretty face?
00:57:08What did you...
00:57:09You slept your way into this job.
00:57:13Huh.
00:57:14Shocking.
00:57:15A big company like the Todd Group can't get timing right.
00:57:19Or show basic respect to its partners.
00:57:20If that's how it's gonna be, we're out.
00:57:21Oh, you're leaving so soon.
00:57:22I've hit the nail on the head, and you're feeling guilty.
00:57:26See, you can't take the heat.
00:57:29If you want the shoot to keep going, I suggest that you beg me for it, and nicely.
00:57:34Your mouth is fucking foul.
00:57:35Consider that free mouthwash.
00:57:36No need to beg.
00:57:37You bitch!
00:57:38Just you wait!
00:57:39I'll...
00:57:40Move!
00:57:41Move!
00:57:42Move!
00:57:43Move!
00:57:44Move!
00:57:45Move!
00:57:46Move!
00:57:47Move!
00:57:48Move!
00:57:49Move!
00:57:50Move!
00:57:51Move!
00:57:52Move!
00:57:53Move!
00:57:54Move!
00:57:55Move!
00:57:56Move!
00:57:57Move!
00:57:58Move!
00:57:59Move!
00:58:00Move!
00:58:01Move!
00:58:02Move!
00:58:03Move!
00:58:04Move!
00:58:05Move!
00:58:06Oh, Mr. Todd!
00:58:07Long time to see!
00:58:07Uh, do you want a tour of the studio?
00:58:11Where's everybody from Vanessa's studio?
00:58:13Wasn't they meant to shoot today?
00:58:15It was a total disaster.
00:58:17She had to wait a little bit longer, and then she splashed water on her phone left.
00:58:21What?
00:58:22You drove her away?
00:58:24Mr, I...
00:58:25I didn't...
00:58:26I didn't...
00:58:27This is truly outrageous.
00:58:33What's our next move, Missa?
00:58:35Let's just head back for now.
00:58:40Miss Clark, I'm so sorry for the trouble.
00:58:43It's on us at the Todd Group for dropping the ball with our team.
00:58:47Edwin's been let go.
00:58:48We'd be so grateful if you'd reconsider and come back for the shoot.
00:58:57Great, okay, thank you. You're all done.
00:59:03Well, I think we've had it.
00:59:05Stunning.
00:59:06Amazing.
00:59:07We'll see you later.
00:59:08Bye, guys.
00:59:09Miss Clark!
00:59:10Hi.
00:59:12I just wanted to come by personally and apologize for what happened earlier on.
00:59:18I hope that doesn't change your view on the Todd Group.
00:59:21No way. I'm really appreciative to the Todd Group for this opportunity.
00:59:25Good, good.
00:59:27And Mr. Todd is very impressed with your skills.
00:59:33We'd afford to see what you do next.
00:59:35I really appreciate your help today.
00:59:38The shoot turned out way better than I expected.
00:59:40Good. I'm glad.
00:59:42And if you need any help in the future, just let me know.
00:59:49Danny's been stepping up for me, helping out more than I expected.
00:59:57So, uh, how was today?
01:00:00Smooth sailing?
01:00:02Hey.
01:00:04Oh, I'm sorry. What did you say?
01:00:06I asked how today was. You seem kind of out of it.
01:00:10It's nothing.
01:00:10I'm probably just overthinking, but, um...
01:00:15I think Danny might have a crush on you.
01:00:19Wait, what?
01:00:24I think Danny might have a crush on you.
01:00:28Wait, what?
01:00:28Yeah, he's always coming in, like, last minute to save me.
01:00:34I mean, why else would he be so attentive?
01:00:36Look, I swear, if you start swooning over other guys, I'm gonna turn green.
01:00:40Swooning?
01:00:41Yeah.
01:00:41I don't like Danny at all.
01:00:45Well, then, who do you like?
01:00:49I like...
01:00:52You're trying to trap me into saying something.
01:00:55Well, yeah, I've been very obvious about how I feel about you, Vanessa.
01:01:00Like, I want to be with you.
01:01:02Like, forever.
01:01:05You not see that?
01:01:06Yeah.
01:01:11But, come on, I know you feel something for me, too.
01:01:26I guess...
01:01:27I am kind of into you.
01:01:30I want to take the longest trip with you.
01:01:36The one that starts right when we say out.
01:01:41I do.
01:01:44From many hearts.
01:01:51Guess what?
01:01:52The Todd Group loved our promo shot.
01:01:57Our studio is making waves.
01:02:00We've got brands lining up to collaborate with us.
01:02:03You guys are killing it at the moment.
01:02:05So, I say we head to the shooting gallery.
01:02:07You're the best.
01:02:08Oh, my God!
01:02:09The shooting stuff is way harder than it looks.
01:02:10If I'd have known, I would have chosen something less intense.
01:02:23Don't worry. I'll show you the ropes.
01:02:25Look who's trying to be a sharp shooter.
01:02:26Well, if you think you can do better, why don't you give it a shot?
01:02:27Seriously, you think you can stack up against Blaine?
01:02:28He's got the second best aim in the city, right after Mr. Todd.
01:02:42Mr. Todd?
01:02:43Mr. Todd?
01:02:44Yeah.
01:02:45This place is owned by Mr. Todd.
01:02:46He's got the top score.
01:02:47But watch out.
01:02:48Blaine's gunning for that record.
01:02:49You didn't know that, no Vanessa?
01:02:50And what?
01:02:51You just thought you'd stroll in here and embarrass yourself?
01:02:57You think you can beat the record?
01:02:59Aye.
01:03:00You can't even beat me.
01:03:01Ha.
01:03:02Oh.
01:03:03Oh.
01:03:04Very confident.
01:03:05All right, then.
01:03:06How's about we make ourselves a little deal?
01:03:07You lose, you run over your portion of the Todd Greaves partnership to me.
01:03:08Yeah.
01:03:09Yeah.
01:03:10Yeah.
01:03:11Yeah.
01:03:12Yeah.
01:03:13Yeah.
01:03:14Yeah.
01:03:15Yeah.
01:03:16Yeah.
01:03:17Yeah.
01:03:18Yeah.
01:03:19Yeah.
01:03:20Yeah.
01:03:21Yeah.
01:03:22Yeah.
01:03:23Yeah.
01:03:24Yeah.
01:03:25Yeah.
01:03:26Yeah.
01:03:27Yeah.
01:03:28Yeah.
01:03:29Yeah.
01:03:30Yeah.
01:03:31Yeah.
01:03:32Yeah.
01:03:33Yeah.
01:03:34Yeah.
01:03:35Yeah.
01:03:36Yeah.
01:03:37Yeah.
01:03:38Yeah.
01:03:39Yeah.
01:03:40Yeah.
01:03:41Yeah.
01:03:42Yeah.
01:03:43Come on, let's go.
01:03:44No, no, no, no, no.
01:03:45I can take you on.
01:03:46But if you lose, what's your game plan?
01:03:50Lose.
01:03:51Haha.
01:03:52Lose me.
01:03:53You think you can just walk in here and break a record like it's a walk in the park?
01:04:00We'll see.
01:04:01Oh.
01:04:02Oh, right.
01:04:03Very confident.
01:04:04My goodness.
01:04:06I have never seen somebody so eager to get embarrassed.
01:04:10You can't even swing that thing, man.
01:04:13I'm not buying either.
01:04:15But how about this?
01:04:16If you beat Blaine, Vanessa can take any project.
01:04:20I'm not only sure about this.
01:04:23You don't have to do it just to prove it for me.
01:04:25Lose.
01:04:26Lose.
01:04:27Your boyfriend's got this.
01:04:37Baby, you're on fire.
01:04:41Ah, yes.
01:04:42Even better than last time.
01:04:44Indeed.
01:04:45You know something?
01:04:46I think you should just throw in the towel to save yourself a bit of embarrassment.
01:04:52Not a chance.
01:04:53I believe in Jason.
01:04:55Oh.
01:04:56Oh, my God.
01:04:57Do me.
01:04:58I don't care.
01:04:59No.
01:05:00No.
01:05:01No.
01:05:02No.
01:05:04No.
01:05:06No.
01:05:07No.
01:05:08No.
01:05:09No.
01:05:10Did I just see that?
01:05:28Ten shots, ten hits.
01:05:30We just broke the record.
01:05:32Someone just beat Mr. Todd's record.
01:05:35Beat Mr. Todd's record?
01:05:36How's that even possible?
01:05:38How's that possible?
01:05:39Who are you?
01:05:41Breaking Mr. Todd's record and sharing his last name?
01:05:45Could he be?
01:05:48How are you so good you just shattered Mr. Todd's record?
01:05:52It's nothing.
01:05:53I just picked it up in college.
01:05:55I was shooting champ every year.
01:05:58Okay, I'm definitely overthinking this.
01:06:01He's just a regular guy.
01:06:03There's no way he could be Mr. Todd.
01:06:05Remember, you owe us a project.
01:06:08Why should I?
01:06:09These projects I've lost in my box are secure.
01:06:12No way.
01:06:13You've obviously cheated.
01:06:15You've obviously done so many things that don't lose a second right than that.
01:06:18Not a chance I would lose.
01:06:20Why is it really that hard to just admit someone's better, Blaine?
01:06:23I'm going to get you two.
01:06:27I'm going to get you two.
01:06:34You're so good!
01:06:36I thought Blaine and Abby were going to explode.
01:06:39Yeah, look, I'm done letting them push you around.
01:06:41Yeah, you're the best.
01:06:43You know, today's been my lucky day.
01:06:45I learned how to shoot and secured projects for free.
01:06:49Well, what if Abby goes back on a deal?
01:06:50Then I'll snatch the projects from her.
01:06:53Lion gets under my skin.
01:06:57What if you find out I've been hiding something?
01:07:01I dare you to try me.
01:07:03If Vanessa discovers I've been keeping my true identity a secret,
01:07:07will she walk away?
01:07:08I need to tell her soon.
01:07:10Vanessa.
01:07:21What's going on?
01:07:22I'm here to apologize.
01:07:26Come back with me.
01:07:28I've saved a spot for you at the Clark Group.
01:07:30You kicked me out.
01:07:32Remember, Dad?
01:07:35I've been much happier since I left, so why would I come back?
01:07:38The Clark Group is struggling.
01:07:40We need your talent.
01:07:42Sounds like you can't handle it, Abby.
01:07:45If Dad's here begging for my help, things must be bad.
01:07:49You.
01:07:53Vanessa.
01:07:56What will it take to bring you back?
01:08:00I'll give you half the company's shares.
01:08:02How does that sound?
01:08:03Dad, are you serious?
01:08:04That's not fair.
01:08:05I'll think about it.
01:08:11Excellent.
01:08:12Give it some serious thought.
01:08:14I'll be waiting for you at the Clark Group.
01:08:18Get out my fucking way.
01:08:19The shares are meant for me, Vanessa.
01:08:21Just wait.
01:08:22I bet you never enjoy them.
01:08:24You know, I like your car.
01:08:34It's a smooth ride, like you.
01:08:40Stop it.
01:08:41Are you sure you can't come to dinner?
01:08:42No, look, I can't.
01:08:46I've got something to do tonight, but call me when you're done, and I'll pick you up.
01:08:51What could you possibly have to do at night?
01:08:54You better not have another client.
01:08:55No way, I'd have to end it, okay?
01:09:05Good.
01:09:06You better keep it that way.
01:09:19I'm sorry.
01:09:21I'm sorry.
01:09:25Oh, my God.
01:09:55This is Vanessa Clark.
01:10:04I'm calling about Jason.
01:10:06He's been in a car accident.
01:10:07You need to come to the hospital immediately.
01:10:12I'm here for Jason.
01:10:13He was in a car accident.
01:10:14Where is he?
01:10:17He's down in the hall to your left.
01:10:19Thanks.
01:10:24Jason.
01:10:25Are you okay?
01:10:27Are you seriously hurt?
01:10:29No, I'm fine.
01:10:30Just a scratch.
01:10:33Nothing major.
01:10:34Thank God.
01:10:36You scared the life out of me.
01:10:38How did this happen?
01:10:40Someone cut the brakes, Vanessa.
01:10:44This was your car.
01:10:46They're aiming for you.
01:10:46It's Abby.
01:10:51It has to be.
01:10:53It's all about the shares.
01:10:54She's trying to take me out.
01:10:57I'm so sorry.
01:10:59It's all my fault you got her.
01:11:02I promise I'll get to the bottom of this.
01:11:04Oh, my God.
01:11:06You all right, dear?
01:11:11You all right, dear?
01:11:13Mrs. Todd, what are you doing here?
01:11:16Oh, you must be here to see Mr. Todd, right?
01:11:25The nurse just told me he's across the hall.
01:11:27Yeah, he's fine.
01:11:30Just a few scratches.
01:11:31Wait, Mr. Todd got in a car accident, too?
01:11:42Yeah, yeah, that's right.
01:11:46So, so you and Mr. Todd in a car accident at the same time?
01:11:53Yeah.
01:11:54Crazy coincidence, huh?
01:11:56Should I go and see him?
01:11:57He's been so good to the studio.
01:11:59Ow!
01:11:59Are you okay?
01:12:01Where does it hurt?
01:12:02Should I call someone?
01:12:03No, no, I just, I need, I need you.
01:12:07You know, a spoonful of sugar and all.
01:12:10Even now, you're talking nonsense.
01:12:12I'm glad you're safe.
01:12:15Okay, if this was you,
01:12:17I don't, I don't know what I'd do.
01:12:22You're so stupid.
01:12:24Look, Kate, it's late.
01:12:26I'll go get to something to you.
01:12:27Just rest, okay?
01:12:29I have a question.
01:12:48Okay.
01:12:49How would you feel if, like, someone close to you told you a lie?
01:12:58Depends on the lie.
01:13:00If they had good reason?
01:13:03Um, I mean, I'd still be upset.
01:13:06A lie is a lie.
01:13:08They just really have to make it up to me.
01:13:09Uh, why are you asking?
01:13:12Are you lying to me?
01:13:13No, no.
01:13:14I'm just, um, just wondering.
01:13:20Wondering if you want to go out sometime.
01:13:23I mean, we've not been on a real date since we got together.
01:13:25That's true.
01:13:27Okay, so, we'll go on one after you've been discharged.
01:13:30All right, deal.
01:13:32I'll, uh, make a plan.
01:13:34All right.
01:13:36Surprise me.
01:13:37Surprise you?
01:13:38Mm-hmm.
01:13:43You're so dumb.
01:13:45It's in your hair.
01:13:46Mm-hmm.
01:13:48Where are we?
01:13:52To induce and why all the suspense?
01:13:56Are you?
01:13:57Yeah.
01:14:06Oh, my God.
01:14:08Easy.
01:14:08You like it?
01:14:09Yeah.
01:14:10Okay.
01:14:19You really know how to treat a woman, don't you?
01:14:22Vanessa, I can't keep hiding this from you.
01:14:27Tonight, I'll tell you everything.
01:14:31And then, I'll propose.
01:14:37Vanessa.
01:14:41I love you.
01:14:44And I want to be with you forever.
01:14:51I love you, too.
01:14:52Just a breath until her next kiss.
01:14:56Actually, there's something that I've been, like, dying to tell you, and...
01:15:02Oh, my gosh.
01:15:03They're so pretty.
01:15:04Oh, my God.
01:15:17Vanessa.
01:15:19I've got a secret, okay?
01:15:20And...
01:15:21Okay.
01:15:23I hope that you won't be upset, but...
01:15:24You're really hiding something?
01:15:27Just say it, Ernie.
01:15:28Actually...
01:15:29Actually...
01:15:30You and me...
01:15:32Falling in love every day, till we're both on in gray, yeah, you and me...
01:15:38I am...
01:15:40Oh, shit.
01:15:46Shit.
01:15:47Jason, Grandpa's very ill.
01:16:00You need to come home now.
01:16:01Um, I've got some, like, personal stuff that I have to handle.
01:16:09Can you head home?
01:16:11So you...
01:16:12You can't stay tonight?
01:16:14What's going on that's so urgent?
01:16:16It's really important, but I'll fill you in when I'm home.
01:16:19All right?
01:16:20Here.
01:16:21Okay.
01:16:22I don't get it.
01:16:24What's the rush?
01:16:34So, this is your urgent matter?
01:16:36Comforting the other woman?
01:16:38What's really between you and Mrs. Todd?
01:16:41Why the closeness?
01:16:42Hey, Vanessa, are you in there?
01:17:11Hey, Allison.
01:17:12Yeah.
01:17:13Hey, have you seen Vanessa?
01:17:14Is she at the office?
01:17:15She wanted me to tell you.
01:17:17You're fired.
01:17:18What?
01:17:19Seriously?
01:17:20Why?
01:17:20Yeah.
01:17:21She seemed really upset.
01:17:23Good luck, okay?
01:17:24Upset?
01:17:25Hey, Allison.
01:17:26Hey.
01:17:38Hey, Vanessa.
01:17:38Hey.
01:17:39Hey, what's going on?
01:17:40Hey, everything was fine yesterday.
01:17:41What happened?
01:17:42You're asking me?
01:17:44You were with some other woman, and you're asking me what's wrong?
01:17:48When was I ever...
01:17:51Mrs. Todd?
01:17:55No, I can explain that.
01:17:56I saw it with my own eyes.
01:17:58I don't need you to explain.
01:18:00Just let go.
01:18:01No, I'm not moving.
01:18:01Let go!
01:18:10Come on, Vanessa.
01:18:11Don't start feeling sorry for a playboy.
01:18:14The Todd Group is hosting a photography competition, Max Bud.
01:18:19Where's we'll get a chance at a long-term strategic partnership?
01:18:23A long-term partnership?
01:18:24If I can nail this competition, my studio's future is set.
01:18:29Vanessa, what brings you to the national photo contest hosted by the Todd Group?
01:18:46Aren't you just a little ashamed to show your face here?
01:18:49Ashamed?
01:18:50Please.
01:18:52Speaking of shame, look in the mirror.
01:18:55This is a national contest, Abby, remember?
01:18:59Better not play any plagiarism stunts.
01:19:02You'll be blacklisted quicker than you can cry about it.
01:19:05You bitch.
01:19:06Go ahead.
01:19:07Say one word, I dare you.
01:19:09Welcome, ladies and gentlemen, to the annual photo contest of the Todd Group.
01:19:13Just wait.
01:19:14When the results are in, I'll make sure you're crushed beneath my feet.
01:19:17Oh, I'll be right here, eagerly waiting for the fallout.
01:19:21Let's kick things off by welcoming our first contestants.
01:19:30Hey, everyone.
01:19:31The photos I'm sharing today are from my incredible travels.
01:19:38This should just breath take.
01:19:41I give it 98 points out of 100.
01:19:44I'm in love with this.
01:19:45It's as far as truly a star on the rise.
01:19:4799 points.
01:19:49Vanessa, get ready to be beneath my feet.
01:19:54I need to report this work.
01:19:56Vanessa, are you seriously doing this out of spite?
01:19:59This photo clearly shows signs of AI generation
01:20:01and stealing the work of the renowned photographer Feliciano Bowe.
01:20:08You're lying.
01:20:09This is a setup.
01:20:12I have the original shot right here.
01:20:15What's your excuse now, Abby?
01:20:16Don't listen to her.
01:20:18She's just out to get me.
01:20:20Two photos don't prove anything.
01:20:24Yeah, I heard they're not exactly the best of buds.
01:20:27And now this is ruining the competition.
01:20:29The judges have thoroughly vetted this work.
01:20:32Miss Vanessa Clark, please do not disrupt the competition.
01:20:35But this is clearly AI generated.
01:20:38I want a judge to review this.
01:20:40Come on, sis.
01:20:41Everyone knows that you're just jealous and trying to make me look bad.
01:20:45Give it a rest.
01:20:48Vanessa, please do not disrupt the competition.
01:20:51You see, I had the Todd Group's tech team run the numbers.
01:20:55Abby's work?
01:20:57Total AI generation.
01:20:58Now that breaks the rules.
01:21:02So, I'm announcing Abby's disqualification
01:21:05and banning her from working with the Todd Group
01:21:07and any of their associates.
01:21:10Jason?
01:21:11What's he doing here?
01:21:12Who do you think you are?
01:21:14You can't just ban me.
01:21:15The Todd Group tech team isn't your personal squad.
01:21:19Get a load of this guy.
01:21:21Some stripper playing Mr. Todd.
01:21:24Imagine that.
01:21:25Mr. Rogers, he's here to cause chaos.
01:21:40Get him out of here fast.
01:21:42Using AI to cheat, hmm?
01:21:44Seems like you're the real troublemaker here.
01:21:46Shit.
01:21:47It looks like Jason's really got Mr. Todd backing him.
01:21:50Even Mr. Rogers is in his corner.
01:21:52Mr. Rogers, that man is a male stripper.
01:21:56It's all for this.
01:21:57Fucking shit.
01:21:59The judges here have been bribed by Abby.
01:22:01I mean, she's ruining the contest and the whole industry.
01:22:04I mean, the Todd Group's not going to touch this.
01:22:11I'm looking for Abby Clark.
01:22:13You're under arrest on the suspicion of attempted murder.
01:22:16Yeah.
01:22:17No, you've mistaken me for someone else.
01:22:19Easy.
01:22:19Let me go.
01:22:21I didn't kill anyone.
01:22:22I'm being framed.
01:22:23It's Vanessa.
01:22:23She's setting me up again.
01:22:25You mess with my car.
01:22:27You put lives at risk.
01:22:28Do I need to show everyone the proof, Abby?
01:22:31I can't believe she'd go this far against her own sister.
01:22:35Sister?
01:22:36They're half-sisters, remember?
01:22:40I'm going to pay for this.
01:22:42I'm going to pay for this.
01:22:42I'm going to pay for this.
01:22:47You're going to pay for this, you bitch.
01:22:49Blaine, help me.
01:22:53Officer, I had nothing to do with this.
01:22:55It was all Abby.
01:22:57Blaine!
01:22:57I'm a grateful jerk.
01:22:59I've done everything for you.
01:23:00How could you betray me like this?
01:23:06Are you okay?
01:23:07Is she hurting you?
01:23:08Don't touch me.
01:23:10Okay, look, Vanessa.
01:23:11There's something I need to say, and it's not...
01:23:13No need for explanations.
01:23:15I already know what's going on.
01:23:16You're cozying up to Mrs. Todd, right?
01:23:20The tech team is all ears when you're around.
01:23:22No, no, no, Vanessa.
01:23:23You got this wrong.
01:23:24Mrs. Todd is my mom.
01:23:26Like my mom.
01:23:28What?
01:23:28So, so Jason Todd, the CEO of the Todd Group.
01:23:36Is it fun to play games with me, Jason?
01:23:39Watching me get played like some sort of idiot?
01:23:42Hey, hey, just listen.
01:23:43Mom, I don't need your explanation.
01:23:46Don't follow me.
01:23:47He knew I can't stand Miles.
01:23:58Yet he's strung me along like a puppet.
01:24:01I can't believe I fell for it.
01:24:06You think you can just walk away, did you?
01:24:10It's a chance.
01:24:12Ah, not a chance.
01:24:14You have fucked up my life.
01:24:25And now, you, my darling, are coming to pay.
01:24:30Ah.
01:24:32Calm down.
01:24:51Where are you going, Melissa?
01:24:53Melissa!
01:24:54Where are you?
01:24:54What the hell?
01:25:10Is Blaine out of his mind?
01:25:11He can't seriously be trying to burn me alive.
01:25:14Help!
01:25:15Is anyone there?
01:25:16I'm trapped!
01:25:19Scared me this way.
01:25:22Vanessa!
01:25:22Jason!
01:25:23Jason!
01:25:24Jason, please come in and help me.
01:25:26I'm trapped.
01:25:28Sorry it took you so long.
01:25:30Are you okay?
01:25:31I thought I lost you.
01:25:32Hey, hey, hey.
01:25:33Hey, hey.
01:25:34Come on, let's get out of here.
01:25:48Hey, hey, you're awake.
01:25:49Hey, hey.
01:25:50Are you okay?
01:25:52You hurt?
01:25:53Yeah, I'm okay.
01:25:56But what were you thinking, rushing into the fire like that?
01:26:00Look, if something happened to you, I would lose my mind.
01:26:04Don't think playing the hero makes me forget that you lied to me.
01:26:10Look, I messed up.
01:26:11I didn't know who I was.
01:26:12I know that.
01:26:16Sorry, could you give us a moment?
01:26:17Yeah, of course.
01:26:18Thanks.
01:26:22Look, you can hate me if you want.
01:26:25But don't walk away from me.
01:26:27You had a million chances to tell me who you really were.
01:26:30But you kept me in the dark.
01:26:33You made me think that you and Mrs. Todd were together.
01:26:37The only person that I love is you.
01:26:40Then why are you hiding your identity?
01:26:42And then stick around?
01:26:45This wasn't just some love at first sight thing.
01:26:47Was it?
01:26:52You still don't remember who I am, do you?
01:26:59You really don't remember who I am, do you?
01:27:09Oh my god.
01:27:11Are you okay?
01:27:13Can you get up?
01:27:15Come on, stay with me.
01:27:16Come on.
01:27:17It was you.
01:27:25You were the one I saved from the fire.
01:27:30I've been looking for you.
01:27:32For years.
01:27:33There was so much smoke and fire that I didn't see anything except your arm.
01:27:43And when I met you at the club, I saw the scar on your arm.
01:27:53And I knew it was you.
01:27:54Jason, you were the one I saved from the fire.
01:27:54You were the one I saved from the fire.
01:27:55Jason, you don't owe me anything.
01:27:59I'm not here because you saved me.
01:28:03I'm here because I love you.
01:28:05Vanessa.
01:28:05Vanessa.
01:28:14I'll marry you.
01:28:14I'll marry you.
01:28:15I'll marry you.
01:28:27I'll marry you.
01:28:29I'll marry you.
01:28:29Juan.
01:28:41Yeah.
01:28:41I'll marry you.
01:28:42But bet...
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