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New York: Sotheby's is set to make art history this season with a striking juxtaposition of cultural icons -- Frida Kahlo’s deeply personal painting El sueño (La cama) and Maurizio Cattelan’s gleaming, solid gold toilet America. Both works headline the auction house’s autumn marquee sales at its new Manhattan headquarters.Kahlo's El sueño (La cama), estimated between $40 million and $60 million, could set a new record for a female artist at auction.  Anna Di Stasi, Head of Latin American Art at Sotheby’s, described the work as "an intimate self-portrait not only of the artist but of her day-to-day life and her reflection on the duality of existence -- living, dying, sleeping, and awakening."Di Stasi noted that Kahlo created the piece in 1940, during a turbulent period following her divorce and later remarriage to Diego Rivera. "It was a challenging yet pivotal time for Frida," she said. "The 1940s would ultimately become her most accomplished decade as an artist."Adding to the spectacle, the auction will also feature America, Cattelan’s infamous solid gold toilet, a work that redefines the relationship between art, excess, and value. The 101.2-kilogram sculpture, valued at around $10 million based on gold prices, is described by Sotheby’s as "an incisive commentary on the collision of artistic creation and commodity culture."David Galperin, Head of Contemporary Art at Sotheby's New York, called Cattelan "the consummate art world provocateur," recalling his previous headline-making works such as Comedian, the banana duct-taped to a wall that sold for $6.2 million, and Him, a sculpture of a kneeling Adolf Hitler that fetched $17.2 million in 2016. Created in 2016, two versions of America exist. One has been owned by a private collector since 2017, while the other gained global notoriety after its installation in a bathroom at the Guggenheim Museum, where over 100,000 visitors queued to use it. That version was later loaned to England’s Blenheim Palace, where it was stolen in a 2019 heist and has never been recovered.Cattelan has said the sculpture satirises the absurdities of luxury and wealth, famously remarking, "Whatever you eat—a $200 lunch or a $2 hot dog—the results are the same, toilet-wise."Sotheby's November 18 auction promises to be a defining moment in contemporary art, uniting two vastly different yet equally provocative visions of human experience—Kahlo's emotional introspection and Cattelan’s gleaming satire of modern opulence.

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00:00this is actually an object that she had in her own bedroom on top of her bed so this is very much a
00:25self-portrait not just of herself but also of her day-to-day and of how she presented the idea
00:33of not just living but also dying sleeping and being awake this duality of life
00:55this was a particular personal and difficult time for Freda this is 1940 she had recently divorced
01:10and then later remarried Diego Rivera this was also a time when she was emerging as an artist
01:17very much establishing herself during what would be known as her most accomplished decade the 1940s
01:23it's a very personal deeply psychological picture where she's fusing Mexican cultural folkloric
01:31motifs with European surrealism so this is really the beginning of what she would later be known for
01:38which is one of the greatest surrealists from Latin America a term that she didn't really agree with
01:43but nonetheless you know given this beautiful iconography it makes complete sense to incorporate
01:49her within the movement Freda being in bed for so many years due to her illnesses and multiple
01:58surgeries she had obviously a very difficult relationship with her body and she knew that
02:05she wasn't a healthy woman so this must have been very pressing thoughts in her mind as well her
02:11relationship with death was one of her most intimate sources also of exploration through her art
02:26by rendering what is a very banal ordinary object in something that is so intrinsically valuable Catalan is
02:34probing that very question he is kind of turning a mirror to society and making us question and reflect on
02:43how we value how we assign price there were only two ever made the other version of this was in the Guggenheim for
02:50where for over a year over a hundred thousand people queued up in the line to use it later
02:56three years later it was in Catalan solo show at the at Blenheim Palace where it was famously stolen and never recovered
03:02this is the only other existing edition
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