00:00this is actually an object that she had in her own bedroom on top of her bed so this is very much a
00:25self-portrait not just of herself but also of her day-to-day and of how she presented the idea
00:33of not just living but also dying sleeping and being awake this duality of life
00:55this was a particular personal and difficult time for Freda this is 1940 she had recently divorced
01:10and then later remarried Diego Rivera this was also a time when she was emerging as an artist
01:17very much establishing herself during what would be known as her most accomplished decade the 1940s
01:23it's a very personal deeply psychological picture where she's fusing Mexican cultural folkloric
01:31motifs with European surrealism so this is really the beginning of what she would later be known for
01:38which is one of the greatest surrealists from Latin America a term that she didn't really agree with
01:43but nonetheless you know given this beautiful iconography it makes complete sense to incorporate
01:49her within the movement Freda being in bed for so many years due to her illnesses and multiple
01:58surgeries she had obviously a very difficult relationship with her body and she knew that
02:05she wasn't a healthy woman so this must have been very pressing thoughts in her mind as well her
02:11relationship with death was one of her most intimate sources also of exploration through her art
02:26by rendering what is a very banal ordinary object in something that is so intrinsically valuable Catalan is
02:34probing that very question he is kind of turning a mirror to society and making us question and reflect on
02:43how we value how we assign price there were only two ever made the other version of this was in the Guggenheim for
02:50where for over a year over a hundred thousand people queued up in the line to use it later
02:56three years later it was in Catalan solo show at the at Blenheim Palace where it was famously stolen and never recovered
03:02this is the only other existing edition
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