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  • 19 hours ago
India’s favourite crime thriller show is back! Abhijeet, Daya and other CiD officers, led by ACP Pradyuman, join forces with forensic expert Dr Salunkhe to track down the perpetrators who have committed heinous crimes, using every small clue they can find.

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😹
Fun
Transcript
09:02Bye.
09:05No, I don't.
09:29Oh my god!
09:32If I do this, I can't do this.
09:34What is this?
09:36This is definitely a joke.
09:41This is a joke.
09:42Aishiyah, this is a joke.
09:44Is this a joke?
09:45Is this a joke?
09:46Is this a joke?
09:47Is this a joke?
09:49Is this a joke?
09:50Is this a joke?
09:51Is this a joke?
09:54This is a joke, sir.
09:57But...
09:59...there is never something happened...
10:02...that no one will take his love.
10:11Where is Pankaj's video?
10:20Yes, Pankaj, tell me.
10:22Oh, sir.
10:23Is that Aishiyah?
10:25Yes.
10:26Yes.
10:27What happened?
10:28Oh, sir.
10:29It's a joke.
10:31It's a joke.
10:32One minute.
10:34Aishiyah, will you please come here?
10:36Yes, sir.
10:41Yes, Pankaj.
10:42Tell me.
10:43Aishiyah.
10:44Aishiyah.
10:45I was in your green room.
10:46I was in your green room.
10:47So...
10:48This is your bag.
10:49It was a gift.
10:50It was a gift.
10:51It fell down.
10:52It fell down.
10:53It was a gift.
10:54It was a gift.
10:55It fell out of me.
10:56That's why I called you...
10:57...for this video.
11:01But...
11:02...this gift box is not mine.
11:04I've seen it today.
11:06But this is your bag.
11:08It was a gift.
11:10I have no idea.
11:11I don't know who's in my bag.
11:13In fact,
11:14when I went to Mediabite,
11:17it wasn't in my bag.
11:20Do you know?
11:21Do you know?
11:22Do you want to keep it?
11:24Or...
11:26Pankaj,
11:27see what's inside the box.
11:28What's inside the box?
11:42Pankaj,
11:43what's inside the box?
11:46Sir, this is a necklace.
11:49And...
11:50...this necklace...
11:51...was made from the yellow hair.
11:53This necklace...
11:54...is Aisha's photo.
11:55...is Aisha's photo.
11:56It's a wig.
11:57It's a wig.
11:58It's a wig.
11:59It's a wig.
12:00It's a wig.
12:01It's a wig.
12:02It's a wig.
12:03It's actually...
12:04...I used it in the last shoot.
12:06And...
12:07...they live in vanity.
12:11Whatever it is, sir...
12:12...is Aisha's wallet has access to Aisha's wallet.
12:14It's a shame.
12:15It's a wig.
12:16It's a wig.
12:17It's a wig.
12:18And one thing, sir.
12:19There's a message on the cover.
12:22My dear Aisha...
12:24I'll forget you.
12:25It won't happen.
12:26It won't happen.
12:29Who can it?
12:30Do you know this handwriting?
12:31No, sir.
12:33This letter?
12:36You know this letter?
12:37Who wrote this letter?
12:39Who wrote it?
12:40You wrote it?
12:41No, sir.
12:42Then who wrote it?
12:43Sir, there's one...
12:44...who will write this letter.
12:45Who are you talking about?
12:47There's one, sir.
12:48She's an obsessed fan of Aisha.
12:50She's an obsessed fan of Aisha.
12:51She's crazy, sir.
12:52And the day, sir,
12:53...they send letters and letters to the production house.
12:56Yes, ma'am.
12:57Look at this.
12:58The recording from the 8 o'clock,
13:00...the recording of the 8 o'clock,
13:01...the recording of the 8 o'clock,
13:02...the recording of the 8 o'clock.
13:03Not at 8 o'clock.
13:04If Aisha was out of the green room,
13:05...to play.
13:06Yes, ma'am.
13:07Yes, ma'am.
13:08Yes, ma'am.
13:09Yes, ma'am.
13:10Yes, ma'am.
13:11Yes, ma'am.
13:12It was 10 minutes,
13:13...and 5 minutes,
13:14...they were there.
13:15Click.
13:16Yes, ma'am.
13:17Yes, ma'am.
13:18Sir, a few months ago,
13:20...Aisha's movie was released.
13:21And the time of production house,
13:22...the fans' letters and gifts were left,
13:24...which was normal.
13:25But, sir, Aisha's fan of a fan,
13:28...who is fully obsessed,
13:29...the crazy type of fan.
13:31Aisha's fan is fully obsessed,
13:33...the crazy type.
13:35And, sir,
13:36...this type of special gifts,
13:38...and letters are sent in the production house.
13:40How did you see?
13:42Why didn't you tell me all this first?
13:44Aisha,
13:45I already told Tani and Vivek this story.
13:47I didn't tell you that,
13:48...because I didn't want you to stress.
13:51...and this story came out publicly,
13:53...and it will have some effect on our film.
13:55How are you doing?
13:57You should have to come to the public.
13:59You should have to come to the public.
14:01It will be the publicity of the film.
14:02Sir, for the film star,
14:03...the obsession of a fan.
14:05There's a man in the industry.
14:06Where else are the letters?
14:07Sir, in the resort,
14:08...in my bag.
14:09The rest of the letters are in my bag?
14:11Why?
14:12Sir, I had to keep my bag in my bag,
14:14...and I thought,
14:16...that after the promotion,
14:18...I would have put them in place.
14:21We will have to check all the letters.
14:29...and make a card.
14:34Do you want to come in?
14:35Sir, you are a greener girl with the girl.
14:36Sir, I'm going in the green room.
14:41Yellow,
14:42...p foarte
14:48...
14:49...
14:50Aisha.
14:57It's all my fault.
15:01I should not let Nihana go alone.
15:06It's my film.
15:08The fact is my film.
15:10And my interest is on Neha.
15:13Look, the film has also not been erased.
15:16If you don't have a fan, you don't have a fan.
15:19If you don't have anything, you don't have to understand anything.
15:22And if you don't remember anything,
15:26then tell us about it.
15:29It's okay.
15:30Okay?
15:33Yes sir.
15:35Mr.
15:47What happened?
15:49It's a long time.
15:51I'm in the resort.
15:52Let's go to the house.
15:53Go to the house.
15:54Go to the house.
15:55Yes sir.
15:56Go to the house.
15:59Madam, let's go to the house.
16:01There's a lot of danger.
16:02Let's go.
16:03I'm going to check the footage.
16:05Madam, I don't know where it came from,
16:07why it came from,
16:08who it came from.
16:09Madam, at this moment,
16:10it's not safe here.
16:11Please, let's go to the house.
16:12Let's go to the house later.
16:13Then let's go.
16:14Please, please.
16:15I need to go.
16:16Please, please.
16:18I need to go.
16:19Sign up.
16:20Why are you simply asking them?
16:21Sign up?
16:22Sign up!
16:24Sign up!
16:37Sign up!
16:42Why are you sign up?
16:43Everybody out!
16:45Let's go!
17:13Oh, my God!
17:15Oh, my God!
17:16Oh, my God!
17:17Oh, my God!
17:19Seherly Had Because I'm Not a-
17:20Thick Smoke Detector Lake
17:25In a job of discovering how to arts to save the money
17:26And to help these artists and to help them
17:30And to help them in a way,
17:31And it will help them in a way,
17:32So they will help them in a way.
17:33Oh, and I will help them in a way,
17:35So they will help them in their ways.
17:36So they will help them in their ways.
17:41There's an alarm on them.
17:42There's a lot going on here.
17:49Say, Rakesh, what's going on in your resort?
17:52Your own staff is on your own?
17:54No, sir. Why do we do something like this with our resort?
17:58Why do we do this? You will tell us.
18:00Yes, we must know that it's your staff.
18:03Who knows about the store room and smoke detector.
18:07Who will go there?
18:12Let's play the footage quickly.
18:17Madam.
18:22How can this happen?
18:29Rakesh, if the manager of Rakesh is the manager of the resort,
18:35then who can put it in here? Who can put it in here?
18:40Sir, it's written in his face that he's missing.
18:43Sir, just two minutes with this.
18:45How much will it look like this?
18:47Let's go.
18:49Now...
18:54Yes, Purvi.
18:55Sir, who has deleted all the footage in the morning?
18:57What?
18:58What?
18:59Purvi.
19:00The cult who has the light in the evening,
19:01check the footage from the home.
19:03If you have deleted the footage from the morning,
19:05he must activate all the footage.
19:08This is our part of the resort's floor.
19:10No Sir.
19:11There is no footage from the resort's floor.
19:13The light has only put on it.
19:15The light has only made us for the last part.
19:18This light has already put on the ground for our attention.
19:22The earth is not at the resort's floor.
19:29I'm not going to talk to them.
19:31No, I'm not going to speak.
19:33I'm not going to speak.
19:35I'm not going to talk to them.
19:37Sir,
19:39listen.
19:41Let's go out.
19:43Let's have a job.
19:45Yes, sir.
19:47I have to go.
19:49I have to go.
19:51I have to go.
19:53I have to go.
19:55I have to go.
19:57See, Kuni is in the resort.
19:59Before we leave, tell us.
20:01You can't leave, boss.
20:03I have completed my work.
20:05The same thing I had left out of it.
20:09I got this.
20:11Is it a fish?
20:15The fish.
20:17The fish.
20:19The fish.
20:21The fish.
20:23The fish.
20:25The fish.
20:27The fish.
20:29The fish.
20:31The fish.
20:33The fish.
20:35I took a sample of DNA.
20:37One DNA is obviously.
20:39And the other one?
20:41The other one is 30 years old.
20:43The other one is 30 years old.
20:45The fish.
20:47The fish.
20:49The fish.
20:51The fish.
20:53The fish.
20:55The fish.
20:57The fish.
20:59The fish.
21:01The fish.
21:03My dear.
21:05The fish.
21:06The fish.
21:07The fish.
21:08All right.
21:09The fish.
21:11The fish.
21:12Anyway.
21:15It's a perfect match, sir.
21:29Look, who had this gift box in Haishaa's back,
21:33this is the one of Haishaa's obsessed friend.
21:37Mano Abhijit, he's obsessed friend.
21:39He wanted Haishaa a lot, and maybe he gave this gift with his love.
21:43But it doesn't mean that he didn't give this gift.
21:46That's it. That's it.
21:50I believe Haishaa is a fan of Haishaa.
21:53But Haishaa is a fan of Haishaa.
21:55Why does Haishaa kill her?
22:13It's a fan.
22:23Before the fire alarm comes, it didn't have a fire alarm alarm.
22:25I don't know.
22:55I don't know.
23:25I don't know.
23:55Sir.
24:27I don't know.
24:29I don't know.
24:31I don't know.
24:33I don't know.
24:35I don't know.
24:37Sir.
24:39I don't know.
24:41Sir.
24:42I don't know.
24:43Sir.
24:44I don't know.
24:46I don't know.
24:48I don't know.
24:50Sir.
24:51I don't know.
24:52I don't know.
24:53Sir.
24:54I don't know.
24:55I don't know.
24:56Sir.
24:57I don't know.
24:58I don't know.
24:59Sir.
25:00I don't know.
25:01I don't know.
25:02Sir.
25:03I don't know.
25:04I don't know.
25:05I don't know.
25:06Sir.
25:07No.
25:08I don't know.
25:09Sir.
25:10I don't know.
25:11Sir.
25:12I don't know.
25:13I don't know.
25:14Sir.
25:21What?
25:22Is it Devesh here?
25:23I don't know.
25:27You're Devesh?
25:29Where is Devesh?
25:31Yes sir.
25:32I'm talking about the phone.
25:40Devesh?
25:41Hey, hey, hey, hey, hey, hey, where's he going?
25:44Hey, listen, hey, stop it.
26:07Hey, where's he going?
26:08Hey.
26:09Hey, what happened?
26:11What happened?
26:12What happened?
26:13I didn't come.
26:14I didn't come.
26:15Please, save me, sir.
26:16It's your fault.
26:18Come here.
26:19Sir, tell me the truth.
26:21I told you I didn't do anything.
26:23I didn't do anything, sir.
26:24I didn't do anything.
26:25When I came to the resort,
26:26I already had someone's murder.
26:28Hey.
26:29Who has murdered and who hasn't,
26:31we will know.
26:32Just tell me,
26:34the staff wrote that your duty is in the morning,
26:36duty in the event area?
26:38Yes, sir.
26:39Then why did our officer say that your kitchen duty is?
26:43It was all, sir.
26:44How was it?
26:45It was difficult to tell the story.
26:47My girlfriend's daughter,
26:48she lives with her family.
26:50I didn't cut the cake at 12 o'clock.
26:53That's why he told me
26:55that it's morning,
26:56if I didn't cut the cake,
26:57he will break up with me.
26:58Now, you can tell me, sir.
27:00Who cuts the cake at last time?
27:02Okay.
27:03In the morning,
27:04I had a cake for him,
27:05in the butter squad.
27:06We cut the cake.
27:07A little bit about it.
27:08I reached the resort at 10 o'clock.
27:10I had already told the staff,
27:12that I was late.
27:14That's my absence.
27:15But,
27:16I didn't know
27:17that there's a special duty
27:18in the event area.
27:20That's why I told you.
27:22I came to the event area from the kitchen.
27:24Yes, sir.
27:25Who was the extra player
27:27who was at your place?
27:29What a lot of people didn't know?
27:31Yes.
27:32Why did the whole family work start doing it?
27:34You want to take the job?
27:35I don't know.
27:36You're the same man,
27:37there's no money.
27:38You're doing it.
27:39It's only that man.
27:40You're the same man,
27:42sir.
27:43You're the same man.
27:44You're the same man.
27:45I have to put you up here.
27:46I'm running away from the bathroom.
27:47It's nothing by saying that.
27:48What's happening here?
27:49I'm not gonna get for you.
27:50Now.
27:51Why are you eating the bathroom?
27:52I'm eating the bathroom?
27:54The bathroom?
27:55I'm my khiped.
27:56I'm eating so many people.
27:58快am or no they can't eat
27:59No, then what?
28:01You were in the morning in the cement,
28:03so why didn't you tell us?
28:05You told us.
28:06You told us to tell a CID officer
28:08to tell a CID officer,
28:09do you know me?
28:10You know me?
28:11I'll eat this.
28:12I'll explain it.
28:13Where are you going?
28:15Sit down, sit down.
28:17Don't kill me.
28:18Don't kill me.
28:19I'll tell you.
28:20I'll tell you.
28:21Tell me what you're doing here.
28:23Sir, the manager told me
28:25to help people in the event.
28:27I'm just helping Divesh.
28:29So she can meet her girlfriend.
28:31So you told us?
28:33No, he's not Divesh.
28:35I'm saving one friend.
28:37If I tell you,
28:39I was in the event area.
28:41Who's your friend?
28:43I didn't see her.
28:44There was a housekeeper.
28:46The heroine is coming.
28:48She was coming out.
28:49So I told her to save her.
28:51Did you see her?
28:53No, sir.
28:55Who knows?
28:56No, sir.
28:57How was your friend?
28:59I mean, sir,
29:00we kept the housekeeper.
29:02And we all work under each other.
29:05So it's like a friend.
29:06If he had a friend,
29:09then you'll go to jail for him.
29:11No, sir.
29:12Sir.
29:13Sir.
29:14Sir.
29:15Sir.
29:16This Mohan has found a lot of money.
29:18Sir,
29:19the police officer asked them again.
29:20Sir.
29:21No, sir.
29:22No, sir.
29:23No, sir.
29:24No, sir.
29:25No, sir.
29:26No, sir.
29:27No, sir.
29:28No, sir.
29:29No, sir.
29:30No.
29:31He talked about the security guard in the main gate.
29:33He knew that without our permission,
29:35he didn't go out without any permission.
29:37What age was this?
29:39Sir, 32 years?
29:41Dr. Salimke has also said that
29:44the age of 32 is going to be 32.
29:47In the resort, the uniform of house keeping staff is blue.
29:51In the post-mortem,
29:53we had a blue-colored tree
29:55which is the green tree.
29:57Sir, this is Mohan staff.
29:59So, you know,
30:01where is the smoke detector?
30:03There is a perfect match,
30:05you don't get to meet the fire.
30:06It's true.
30:07If you work here,
30:08you know,
30:09where can you find it?
30:11This is the resort.
30:13Sir.
30:14Sir.
30:15Abhijit Sir.
30:16You don't have to look away with a new idea.
30:18Yes, Dr. Salimke.
30:19Look at this!
30:21And take a look at that.
30:23This was my idea.
30:24I can't find a new idea.
30:25You're presumably a new idea.
30:26You're looking for theintokers.
30:27Mr. Salimke.
30:28As long as I'm looking forward to the terrace, I had an idea for the terrace.
30:32Once I got here, I got here, then I'll get back.
30:37I'll talk about the ECB, then I'll get back to the promotion.
34:51You know, sir.
34:54So,
34:56Aisha was going to meet the fan of Aisha.
34:58Do it.
35:01And Aisha was the best fan of her.
35:05And pay attention to Aisha.
35:07Aisha was a surprise.
35:11Ladies and gentlemen.
35:13Our film hero, Rahul Paddaar.
35:21But you all have to sit with your heart, friends,
35:25because what you were waiting for all of you,
35:29that car has come.
35:31Queen of your hearts, the one and only Ayesha.
35:51Queen of your heart, the one and only Ayesha.
35:55Let's go.
35:57Let's go.
36:00Please join me.
36:02Let's go.
36:04Please join me.
36:08Please join me.
36:12Please join me.
36:15Don't forget to join me.
36:18Oh, my God.
36:48Oh, my God.
37:18Oh, my God.
37:48Oh, my God.
37:49Oh, my God.
37:50Oh, my God.
37:51Oh, my God.
37:55Oh, my God.
37:56Oh, my God.
37:57Oh, my God.
37:58Oh, my God.
37:59Oh, my God.
38:00Oh, my God.
38:01Oh, my God.
38:02Oh, my God.
38:03Oh, my God.
38:04Oh, my God.
38:05Oh, my God.
38:07Oh, my God.
38:08Oh, my God.
38:09Oh, my God.
38:10Oh, my God.
38:11Oh, my God.
38:12Oh, my God.
38:18Oh, my God.
38:19Oh, my God.
38:20Oh, my God.
38:21Oh, my God.
38:22Oh, my God.
38:23Oh, my God.
38:24Oh, my God.
38:25Oh, my God.
38:26Oh, my God.
38:27Oh, my God.
38:28Oh, my God.
38:29Oh, my God.
38:30Oh, my God.
38:32Oh, my God.
38:33Oh, my God.
38:34Oh, my God.
38:35Oh, my God.
38:36Oh, my God.
38:37Oh, my God.
38:38Oh, my God.
38:39Oh, my God.
38:40Oh, my God.
38:41Oh, my God.
38:42Oh, my God.
38:43Oh, my God.
38:44Oh, my God.
38:45Oh, my God.
38:46Oh, my God.
38:47Oh, my God.
38:48Oh, my God.
38:49Oh, my God.
38:50Oh, my God.
38:51Oh, my God.
38:52Oh, my God.
38:53Oh, my God.
38:54Oh, my God.
38:55Oh, my God.
38:56Oh, my God.
38:57Oh, my God.
38:58Oh, my God.
38:59Oh, my God.
39:00Oh, my God.
39:01It's not a bad thing to be a fan of someone.
39:03But it's a bad thing to be a fan of someone.
39:07It's a bad thing.
39:13Hey, you were doing all this.
39:15They're talking to me with you.
39:17Okay?
39:19Ash.
39:23Sir, you gave a call?
39:26Which call?
39:27Don't give a call, don't give a call, don't give a call.
39:34Sir?
39:36Who said I'm Aisha's fan?
39:38Sir, I love her and I wanted to notice her.
39:44I don't know how many gifts I've given her.
39:46I don't know how many letters I've given her.
39:49But she didn't give a reply.
39:52After that, I decided that I'll go in front of her
39:55and I'll tell her I'll tell her about her.
39:58There were some programs in that resort.
40:02How did everyone know this?
40:03Sir, I wanted to go in front of her.
40:06And before going in front of her,
40:08I wanted to go in front of her.
40:10That's why I wanted to track her every moment.
40:13One day, my friend says,
40:16Aisha is going to go in front of her and she's a photographer.
40:20Two days ago,
40:22I've been caught her with my car, sir.
40:25Did she die?
40:27No, sir.
40:29She was in the hospital in the situation of the hospital.
40:31And then, you went to her place in that event.
40:34Sir,
40:35the whole team was going to be the first meeting with her.
40:40That's why I wanted to take her place for her.
40:43Sir,
40:50why did you know this to me?
40:51Sir,
40:53I've got a picture.
40:54If a photographer goes to Aisha's house in green room,
40:57so someone will ask to go in front of her.
40:59Someone will ask something.
40:59I'm going to say what I want to say.
41:00You've got to go in front of the house.
41:03But you've got to go in front of the house.
41:05You've got to go in front of the house,
41:07and you've got to go in front of the house,
41:08and you've got to go in front of the house.
41:11You made the whole resort to the house keeping.
41:14Then you went down to the smoke detector.
41:17And when there was a lot of blood in there,
41:18you went to the CCTV room and deleted all the footage from there.
41:22Where did this come from from now?
41:25What was the need for her knowledge?
41:27I didn't want to kill anyone.
41:41I went to Ayesha's green room.
41:44I kept a gift there.
41:47I was leaving outside.
41:50I came in front of the new washroom.
41:53You?
41:54And she recognized me.
41:56She told me to tell everyone about me.
41:59That's why I called her.
42:01I called her.
42:03You did it!
42:05You did it!
42:07You did it!
42:09You did it!
42:14You did it!
42:16You did it!
42:17Sir, I can accuse you of you.
42:19I have done it!
42:20I have done anything that I have done for your love.
42:23I am done for your love.
42:25You have done it for the love.
42:27You have done them for your love.
42:30Do your love and reward her for her.
42:32And whoever the love is from the road,
42:35is you after that.
42:36Do you call her love?
42:38I don't love this, it's a crazy person, it's a crazy person.
42:41You're a crazy person, you're a crazy person, you're a crazy person.
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