Thats My Baby 1944 -Sd

Name: Thats My Baby 1944 -Sd
Uploaded: 2025-11-07T23:55:52+00:00
Duration: 1 h 7 min 23 s
Channel: ReelRealm
Description: Thats My Baby 1944 -Sd

ReelRealm

7 hours ago

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00:00:00The End

00:00:30The End

00:01:00The End

00:01:30The End

00:01:40Hiya Tim

00:01:40Tim we're getting something great something with a real switcheroo

00:01:43Yeah we got a real bubble on it

00:01:45Alright make me bubble

00:01:46Make him bubble

00:01:48Well you know the story

00:01:50Yeah I know the story

00:01:51We'll pick it up for the black wasp has grabbed the girl

00:01:54She's a pretty smart kiddo she knows what's coming and she struggles

00:02:00Wait a minute Joe

00:02:01What's the matter

00:02:02Before she struggles the wasp gives her the business

00:02:05Yeah

00:02:05About the plans remember

00:02:07Yeah

00:02:08He asked her for the plans of Twilight's new rocket ship and she turns him down

00:02:10That's right

00:02:11He's about to give her the sting of his breath

00:02:14Sting of death

00:02:15Sting of death

00:02:15Ah Captain Twilight comes to the rescue

00:02:21Ah but Captain Twilight was caught off guard

00:02:29Captain Twilight realized he's in the tightest spot of his career

00:02:32Does that stop him?

00:02:34No

00:02:34He wathomely gives him everything in his gut

00:02:37He throws himself out of his stuff

00:02:39Why are you

00:02:40Ah he'll almost come back Captain Twilight almost comes

00:02:45Twilight he comes back again

00:02:47Ah

00:02:47Why are you

00:02:50He almost comes back Captain Twilight comes and he comes and he comes

00:02:56The wasp has almost come back

00:02:57Ah

00:02:58Ah the wasp is about to give Captain Twilight the sting of his breath

00:03:03Sting of death

00:03:04Sting of death

00:03:05Why are you

00:03:05Tim what do you say

00:03:17Is that a great twist or not

00:03:18Oh it's great fellas I'll buy it

00:03:21And you can have it

00:03:23Am I crazy

00:03:30Certainly

00:03:31What

00:03:31Well wait a minute

00:03:32You gotta be crazy in this business to make any money

00:03:34Then Mr Moody's crazy

00:03:36Well certainly he's crazy

00:03:37Everybody's crazy

00:03:39We're all crazy

00:03:39So what else have you got?

00:03:45Only your character for next month's magazine

00:03:47I couldn't sleep a wink thinking about it

00:03:50The next time you can't sleep try counting sheep

00:03:53I will

00:03:53My suggestion is to throw this in the wastebasket

00:03:59In that case we'll take the basket up to Moody

00:04:02He might fool you and like it

00:04:04Just a minute Jones

00:04:05I'm still general manager of the plant

00:04:07Hilton Payne remember

00:04:08Oh brother how could I ever forget it

00:04:10And Mr Moody can't approve something he doesn't see

00:04:13No

00:04:14And furthermore I don't approve of anyone who steps on my toes

00:04:18You wouldn't

00:04:19It's like a spot for a pinch hitter

00:04:20What's the score?

00:04:20Hello Betty

00:04:21It's tied

00:04:22He says no I say yes

00:04:23What you boys need is a referee

00:04:25Now honey don't you bother your pretty little head about the tails

00:04:29Jones and I will settle this between us

00:04:32Maybe I could decide

00:04:33I think I know father's likes and dislikes as well as you do

00:04:39And I've decided it's tops

00:04:40Thanks

00:04:41Well Betty I guess your decision just about covers everything

00:04:49You know it's funny what jealousy can do to a guy's judgment isn't it

00:04:53I can understand that

00:04:55Father thinks I'm going to marry him

00:04:58You know you have the most beautiful eyes

00:05:01Tim

00:05:03Father isn't a well man

00:05:05And the most beautiful hair

00:05:07He

00:05:08He depends on me

00:05:09And the most beautiful man

00:05:11Tim stop I'm serious

00:05:13Yes I know

00:05:14And well I think that we should do something about it

00:05:18Yes yes we will but you still have the most beautiful hair

00:05:21And the most beautiful

00:05:22And I've decided to

00:05:23And the most beautiful

00:05:24I've decided that I'm going to get a doctor

00:05:26Yes

00:05:27Okay okay

00:05:29Miss Wilson where's Mr. Austin

00:05:43Good morning Mr. Moody

00:05:44Yes yes where's Mr. Watson

00:05:46He should be here any moment Mr. Moody

00:05:48Stand him in the minute he comes

00:05:49Yes Mr. Moody

00:05:51Good morning Miss Wilson

00:05:55Go right in Mr. Austin Mr. Moody's waiting for you

00:05:57Good

00:05:58Good morning Annie

00:06:04Good morning RP

00:06:05Good morning RP

00:06:06Good morning RP

00:06:07Glad to see you

00:06:08Hi Tilly

00:06:10Start toiling here's the morning news right on the dot

00:06:12What happened to Pickle Pussy the guy that jam he was in yesterday

00:06:16Yeah he made it all right just the cops were closed

00:06:18Hold it don't tell me I want to read it later

00:06:20Say how come his nibs is so scared of the comments

00:06:24If I could make a million bucks with him like he did I'd die laughing

00:06:27Why don't you send one in and see what happens

00:06:30A very funny idea

00:06:32The girl that worked before me forgot just once the comics went inside and boom she was outside

00:06:37Yeah well that makes a difference

00:06:42That's why I like you Henry you're honest

00:06:45Don't try to impress me like everyone else Hilton for instance

00:06:48He's just waiting for me to retire

00:06:51Oh I thought you approved of him that he was going to marry Betty

00:06:54He's the man Betty thinks she wants to marry I'm not going to interfere

00:06:58I made a mistake of my own marriage

00:07:01Who am I to tell her what to do

00:07:03I like Betty I hope she'll be happy and never want for anything

00:07:07She won't at least financially

00:07:09Oh then you're going to give Hilton the business

00:07:11Yes but not the way he expects

00:07:14He's a lucky young man I hope he appreciates it

00:07:18Henry the art of appreciation is lost in this world of dog eat dog

00:07:22Everybody is out for something

00:07:25I know

00:07:26A bunch of cut throats

00:07:33Good morning Marjorie

00:07:34Good morning

00:07:35I'll take this in

00:07:39Good morning Miss Moody

00:07:40Good morning Henry how's dad?

00:07:42Wonderful he brightens up my whole day

00:07:46Dr. Calloway it's good to see you

00:07:48It's a pleasure Miss Moody this is Dr. Swatsky of Prague

00:07:51The Swatsky with the V Calloway

00:07:53Oh sorry with a we

00:07:54How do you do?

00:07:55How do you do?

00:07:56If you gentlemen will wait here a minute I'll go in and prepare dad

00:07:59That glint in your eyes can mean only one thing

00:08:15You've got an idea

00:08:16I have and it's a good one

00:08:18I was afraid of that

00:08:19Well what is it?

00:08:20Do you take your medicine?

00:08:21No

00:08:22Why not?

00:08:23Because my medicine does you more good than it does me

00:08:25Now open

00:08:41Now do you feel better?

00:08:43Very much better

00:08:45Hello Dr. Calloway

00:08:47I hope you have better luck this time

00:08:49Well I'm sure we will

00:08:50I'm fortunate in having Dr. Swatsky with me on the case

00:08:52Dr. Swatsky?

00:08:54Swatsky yes

00:08:55Swatsky

00:08:56This is very very interesting

00:08:59Calloway my dear colleague

00:09:00I haven't seen one like this recently

00:09:02Wait a minute there's nothing wrong with me

00:09:04Mr. Moody's a man you want

00:09:06Moody yes Mr. Moody

00:09:08This is a very intriguing example of the paranoid type

00:09:12Yes

00:09:13Consolidated up four points

00:09:15Associated up five

00:09:17Go ahead and order that mink coat

00:09:19But Hilton told me to sell both of them yesterday

00:09:24Hilton

00:09:25Hilton

00:09:26Hilton

00:09:27Were you calling me R.P.

00:09:28No I'm not calling you

00:09:30I'd like to forget you

00:09:37Now daddy don't get upset

00:09:39What would Dr. Calloway think if he saw you this way?

00:09:41Dr. Calloway

00:09:42Yes and we're very lucky

00:09:44He's brought a famous specialist from Prague

00:09:46Specialist medicines what good do they do?

00:09:49Betty I know you're trying to help me but it just won't work

00:09:51All your doctors specialist medicines

00:09:53None of them do any good

00:09:54Please dad

00:09:56Try it just once more

00:09:58This time we'll win

00:09:59I'll bet on it

00:10:01All right but if you lose

00:10:03This will be the last time

00:10:05It's a bet

00:10:06Dr. Calloway father will see you now

00:10:14Dr. Spotsky

00:10:16Yeah

00:10:17No

00:10:18Oh thank you very much

00:10:19Thank you

00:10:20Oh thank you thank you very much

00:10:23Hello Calloway

00:10:27Dr. Spotsky

00:10:29Mr. R.P. Moody

00:10:30R.P. Moody

00:10:31How do you do?

00:10:32How do you do Mr. Moody?

00:10:34Melancholia maribundus Dr. Calloway

00:10:36The pleasure is all mine

00:10:38You're welcome to it

00:10:40Hmm

00:10:41In going over your case with Dr. Calloway

00:10:44We have found that sanity runs in your family

00:10:48Right now I doubt it

00:10:50Now I also found out that you're a successful businessman

00:10:54Don't you feel sometimes that you're all alone?

00:10:59No no no please please don't interrupt me

00:11:01Uh quiet please

00:11:02Shh

00:11:03Now at times you have the feeling

00:11:05As though you are in total darkness

00:11:08Answer me please

00:11:09Yes many times

00:11:10Good good

00:11:11Like going somewhere

00:11:12Now tell me please

00:11:14When

00:11:15When those things do occur?

00:11:17When I turn out the light and go to bed

00:11:19When you turn out the lights and go

00:11:20No no no no no

00:11:21No no no

00:11:22Now when you laugh

00:11:25When you laugh

00:11:26Is it a high-pitched laughter like

00:11:27Ha, ha, ha, ha, ha, ha, ha, ha, ha?

00:11:29Or is it perhaps a hysterical one like

00:11:32It has a slow start and then builds up

00:11:35Or is it a full, full, whole-hearted laughter deep like

00:11:40I never laugh

00:11:42You never laugh?

00:11:43That, that you don't mean

00:11:45That I do mean

00:11:46I haven't smiled

00:11:47Let alone laughed in twenty years

00:11:49Dr. Calloway

00:11:50That I cannot believe.

00:11:52An acute case of melancholia.

00:11:54Hmm. No, no, no.

00:11:56The diagnosis we have left behind, my dear colleague.

00:11:58The reasons for it.

00:12:00The etiology, the prognosis of it.

00:12:02That's what, what I cannot understand.

00:12:05The facial muscles?

00:12:07The facial, the facial muscles.

00:12:09That is correct.

00:12:10That is correct.

00:12:11Will you please lean back?

00:12:12Mm-hmm.

00:12:13Like this.

00:12:14The facial muscles.

00:12:16Hmm.

00:12:17That's strange.

00:12:18Strange.

00:12:19Very strange.

00:12:20Very, very strange.

00:12:22No.

00:12:23No, that's correct.

00:12:24Now, let's see the facial muscles and the reactions.

00:12:28Let's see another.

00:12:29Ah.

00:12:30Observe, Dr. Colby.

00:12:32Absolute and normal reaction.

00:12:34Now, let's see this.

00:12:36Ah, sit back, please.

00:12:37Sit back.

00:12:38Hmm.

00:12:39Hmm.

00:12:40Hmm.

00:12:41Now, everything's absolute, you know.

00:12:43Better no better.

00:12:44He's going too far.

00:12:45No, no, no.

00:12:46Now, Mr. Moodie.

00:12:48Mr. Moodie.

00:12:49Mr. Moodie.

00:12:50Now, please.

00:12:51Please.

00:12:52Try to think, if you can.

00:12:54Twenty years ago.

00:12:56Twenty years ago.

00:12:58Remember?

00:12:59Your daughter was just a little baby.

00:13:02What happens to you then?

00:13:04What happened twenty years ago is no concern of yours.

00:13:06And I've had about all I can stand for today.

00:13:08Uh, Dr. Calloway.

00:13:09Unless I have a full cooperation while getting no place fast.

00:13:14This is only an idea, a clue, perhaps a parallel to jump from.

00:13:20What is it, Dr. Svadsky?

00:13:22My dear young lady.

00:13:25In 1783, Philip of Spain was suffering from melancholia so moribund that it threatened his life.

00:13:33After a search, a singer was found, whose voice had a therapeutic effect.

00:13:40Now, the singer provided tectonic.

00:13:43And the king imagined.

00:13:45The king was healed.

00:13:46Oh, brilliant.

00:13:47A massively analysis.

00:13:48Well, thank you.

00:13:49Thank you very much.

00:13:50Now, the cure, it is simple.

00:13:52All we have to do is make Mr. Moodie laugh.

00:13:55I could have told you that without a fee.

00:13:57The whole world needs laughter.

00:13:58Laughter is a medicine.

00:13:59And you can't take an overdose of it.

00:14:01It's good for what ails you.

00:14:02Falling hair, falling arches, bunions.

00:14:04Why, the whole world's crying for it.

00:14:06Say, why don't we bottle it and go into business?

00:14:09It is a very refreshing point of view.

00:14:12Well, there must be somebody who can make him laugh.

00:14:14I doubt it.

00:14:16Tim, I've got the beginning of an idea.

00:14:19And I've got the end of it.

00:14:27If the king of Spain was cured by one singer, then we'll hire the best talent that money can buy.

00:14:32They should be able to do something for Dad.

00:14:39The King of Spain.

00:14:44French man.

00:14:45George MacKay.

00:14:46Bill.

00:14:47Darby.

00:14:48This is the fingers.

00:14:50Darby and Darnell.

00:14:53Isaba Lieta.

00:14:54The one of our boys.

00:14:55Chewie Reyes and his trucker.

00:14:57And his musical maniacs.

00:15:00Bob Roberts.

00:15:01And Mervyn.

00:15:02Alphonse Berger and Doris DeWayne Al Mardo and his pal.

00:15:27Where's Hoskins Hoskins took the day off to get married sir I'm his brother.

00:15:31Who brought that beast in here I did sir he's not a beast he's my dog.

00:15:37Well I'm allergic to dogs and I think I'm going to be allergic to you get him out of here.

00:15:41Say listen if you want any help you better take what's available and with me it's love me love my dog.

00:15:46Besides he's a fine dog I'm crazy about him the greatest strict dog that ever lived but he won't do easy tricks.

00:15:55Only big tricks and the bigger the tricks the better he'll do them.

00:16:00Did you get that build up I gave you I told me you won't do easy tricks only big tricks.

00:16:05Come on let's show some class ready.

00:16:07Stand up boy.

00:16:08Up.

00:16:09Come on boy.

00:16:10Stand up.

00:16:11Up.

00:16:12Come on boy stand up.

00:16:13Up.

00:16:14Too easy.

00:16:15Lay down.

00:16:17Dead dog.

00:16:18When I say dead dog you lay down.

00:16:21Well he don't have to lay down he's dead standing up.

00:16:24Look over here I'll show you look right here.

00:16:26Right here look.

00:16:27Over here come on boy.

00:16:28Come on.

00:16:29Head up boy.

00:16:30Right here.

00:16:31Look did you see that trick.

00:16:33He moved.

00:16:34I hope he didn't strain his shoulder that's all.

00:16:37Take it easy working a little too fast.

00:16:39Slow up a little take your time.

00:16:41Go ahead lay down with it.

00:16:42Lay down with it.

00:16:43Up.

00:16:44Up.

00:16:45I think the suit is too big for you.

00:16:46Look at that.

00:16:47Look.

00:16:48Maybe he's expecting mumps.

00:16:49Why don't you stop suffering and lay down.

00:16:52Collapse.

00:16:53Hold up.

00:16:54Lay down.

00:16:55You won't believe it when I first got that dog he couldn't do nothing you know.

00:16:59Look.

00:17:00Go on and bark.

00:17:01Come on bark.

00:17:03Whoa whoa.

00:17:05That was me.

00:17:08Would you like to see him do one more trick.

00:17:10This is the last trick of course.

00:17:12Come here Flash.

00:17:13Flash.

00:17:14Flash.

00:17:15Come here Flash.

00:17:16Come on boy.

00:17:18Look at that speed he's burning up today.

00:17:23He couldn't go any further.

00:17:24It's a little uphill over here.

00:17:26Now the dog is going to jump.

00:17:28He's raring to go.

00:17:29Look.

00:17:30Can you make it.

00:17:31One.

00:17:32Two.

00:17:33Three.

00:17:34Go.

00:17:35There he goes.

00:17:36There he goes.

00:17:37He's a little out of wind now.

00:17:38Take your time.

00:17:39Why don't I give him a little rub down so he can do it again.

00:17:41Try it again.

00:17:42This time sneak up on it and fall on the other side.

00:17:44Go ahead.

00:17:45Go.

00:17:46There he goes.

00:17:47There he goes.

00:17:48Boom.

00:17:49Well anyway.

00:17:50This is the way he looks after he jumps.

00:17:52Like that.

00:17:53There it is.

00:17:54Oh he's a great pet I'm telling you.

00:17:56There's no limit to his tricks.

00:17:58Look at him running around here.

00:17:59Look at that.

00:18:00There he goes.

00:18:01Go flunk.

00:18:02Boom.

00:18:03And besides the dog is a great music lover.

00:18:06Oh he loves high class music.

00:18:08But let me tell you.

00:18:09Of all the music he's ever heard.

00:18:11He likes my music the best.

00:18:13He'd rather hear me play one song on this harmonica than eat forty or fifty stakes.

00:18:17And this is his favorite song.

00:18:19Played by his master.

00:18:31Callaway my dear.

00:18:32This is the moment when we should observe our patient at the closer range.

00:18:36Yes.

00:18:37At the closer range.

00:18:39Mm-hmm.

00:18:40Much closer.

00:18:50Doctor.

00:18:51Doctor.

00:18:52What happened?

00:18:53Contradictory symptoms.

00:18:54Callaway.

00:18:55Most contradictory.

00:18:56Please.

00:18:57What is his next move?

00:18:58Oh.

00:18:59Breakfast.

00:19:00Breakfast.

00:19:01That is very good.

00:19:02Very good.

00:19:11Where's Hilda?

00:19:12She took the day off to Mary Hutton sir.

00:19:14Oh.

00:19:15What are you doing here?

00:19:16Well I'm waiting for Vaudeville to come back.

00:19:19Here are your three minute eight sir.

00:19:26Now.

00:19:27You like him that young or.

00:19:30Or would you prefer him on the older side.

00:19:33Betty.

00:19:34Betty.

00:19:35Betty.

00:19:36Betty.

00:19:37Betty.

00:19:38That gag always went good in Kansas City.

00:19:43Betty.

00:19:44Who's this man trying to take my job.

00:19:46Oh it's just for today pick me.

00:19:48Oh he's only here for the day.

00:19:50All right.

00:19:51For the day.

00:19:52What is he going to do here today.

00:19:53He's here to entertain father.

00:19:54Oh entertain your father.

00:19:56Well I think if you give me a chance to drop my hair.

00:19:58I can entertain your father.

00:20:00And I'm dropping my hair right now.

00:20:03Betty.

00:20:04Betty.

00:20:05Betty.

00:20:06Betty.

00:20:07Betty.

00:20:08Betty.

00:20:09Betty.

00:20:10Betty.

00:20:11Betty.

00:20:12Betty.

00:20:13Betty.

00:20:14Betty.

00:20:15Betty.

00:20:16Betty.

00:20:17Betty.

00:20:18Betty.

00:20:19Betty.

00:20:20Betty.

00:20:21Betty.

00:20:22Betty.

00:20:23Oh.

00:20:24Hey do.

00:20:25I think it might be a very good idea.

00:20:26You think so.

00:20:27I think it might be a very good idea do you think so?

00:20:39What's the meaning of this?

00:20:54I don't like surprises what are you doing here Mr. Jones is just helping you're helping out well help me out tell me who you're helping you aren't we Tim yeah select the entertainment for the entertainment for the employees anniversary party when did you get that idea well recently quite recently yeah that's fine it's not a bad idea well let's start selecting I've got a place of business to go to

00:21:24Yeah Mr. Moody Mr. Moody one more question you ask me later please I have something to look at

00:21:31Crying

00:21:37Every night I'm alone

00:21:41I keep crying

00:21:43For I seem to be lost

00:21:47In a crazy dream

00:21:49And I'm hopeless

00:21:51And I'm hopelessly drifting along

00:21:56Crying

00:22:01Every night by the fall

00:22:05I keep crying

00:22:07I'm just groping around

00:22:09I'm just groping around

00:22:12In a hazy dream

00:22:14For there's no use

00:22:17In dreaming alone

00:22:21Oh

00:22:25The harder I try

00:22:28To forget all our moments

00:22:31The more the tears come

00:22:34To my eyes

00:22:38Foolish I know

00:22:40But I can't help but feeling

00:22:44That the whole silly thing

00:22:46That the whole silly thing

00:22:47Wasn't why

00:22:49I'm lonely

00:22:51Every morning I wake

00:22:56And I'm lonely

00:22:59As the days pass me by

00:23:03I go drifting along

00:23:06Just like a ship

00:23:08That drips along

00:23:10At sea

00:23:14Hey Robert

00:23:15Hey Robert

00:23:16Robert I was standing out there

00:23:17And I heard you sing the song

00:23:18I was singing

00:23:19Crying

00:23:20You said you were crying

00:23:21That's right

00:23:22Well Robert I was crying

00:23:23I got fooled last night

00:23:24Ha ha ha

00:23:25I was crying last night too Robert

00:23:26I was gonna cry

00:23:27Ha ha ha ha ha ha ha

00:23:29Robert look at me cry

00:23:31I cried because you

00:23:32I was

00:23:33Oh shit

00:23:34I cried

00:23:35Ha ha ha ha ha ha

00:23:36Robert

00:23:37Robert

00:23:38You said

00:23:39You said

00:23:40You said

00:23:41I cried

00:23:42A bubble bath!

00:23:44Ha ha ha ha ha ha ha ha!

00:23:46Robin!

00:23:48What are you doing?

00:23:50Now you can take a bath, Mike!

00:23:52What kind of a bath?

00:23:54A bubble bath!

00:23:56There we go! A bubble bath!

00:23:58Robin, isn't this a terrible way to make a living?

00:24:00Robin, I cried every night!

00:24:02I cried!

00:24:04See, I don't want to set the world

00:24:06on fire! Don't worry,

00:24:08you won't with that Bane!

00:24:10Ha ha ha!

00:24:25Boy! Am I put out!

00:24:40The End

00:25:10The doctor is making a lion into a sheep

00:25:18The lamb, doctor

00:25:20The lamb, the sheep, the mutton

00:25:21What's the difference?

00:25:22It is so beautifully symptomatic of father fixation

00:25:24Now I ask you

00:25:26Where is the mutton?

00:25:27Alright, don't answer

00:25:28I'm going to ask Mr. Moody myself

00:25:30I've asked him already once

00:25:31And I'm going to ask him again

00:25:32Watch me

00:25:33Very good, very good entertainment

00:25:36Will please my employees

00:25:37Yes, yes, yes

00:25:38Mr. Moody

00:25:39There's one more thing

00:25:40Dr. Oblatsky

00:25:41Please, I'm occupied

00:25:42Mr. Moody

00:25:44My name is Dr. Vzvatsky

00:25:46With the V

00:25:46Well

00:26:02I'll attend to that, sir

00:26:05Doris

00:26:06You can't wear a bathing suit

00:26:08I'll have to put some more clothes on you

00:26:10The V

00:26:21I'll have to put some more money on you

00:26:22How do you like this?

00:26:52Beautiful.

00:26:53The dress.

00:27:22And this for an afternoon dress, no pins.

00:27:33No pins.

00:27:34No pins.

00:27:40No pins.

00:27:41No pins.

00:27:42No pins.

00:27:43No pins.

00:27:46No pins.

00:27:50No pins.

00:27:56No pins.

00:28:01The Bride.

00:28:31The Bride.

00:29:01The Bride.

00:29:31The Bride.

00:30:01The Bride.

00:30:31The Bride.

00:31:01The Bride.

00:31:31The Bride.

00:32:01The Bride.

00:32:31The Bride.

00:33:01The Bride.

00:33:31I was thinking about something a doctor said.

00:33:33What?

00:33:34He was digging in the past.

00:33:35And the old man didn't like it, huh?

00:33:38Well, there must be souvenirs or keepsakes or something around the house.

00:33:42Not in the house.

00:33:44Wait a minute.

00:33:45Wait a minute.

00:33:45There's a confidential file in the office.

00:33:48No one ever touches it.

00:33:49I've got it.

00:33:51We'll rob the joint.

00:33:53In broad daylight?

00:33:55No, tonight.

00:33:56There you are rafferous.

00:34:06Start raffling.

00:34:07Hardly worthy of my talents.

00:34:08Now, this is going to be very easy.

00:34:10I broke my knife.

00:34:11I broke my knife.

00:34:17Maybe I should have brought a tool kit.

00:34:18You should find what you want in here.

00:34:21Fire.

00:34:22Fire.

00:34:23Fire.

00:34:24Fire.

00:34:25Fire.

00:34:26Fire.

00:34:26Power.

00:34:27Let's blast.

00:34:28Blast this time of the night.

00:34:30You might wake up the watchman.

00:34:31Don't worry about that.

00:34:33This building would have to fall down before we can wake up Ansel.

00:34:36Ansel?

00:34:36Uh, the watchman.

00:34:39Dear old Ansel.

00:34:41There's only one trouble with this thing.

00:34:43It won't open.

00:34:44Oh, why didn't you say so in the first place?

00:34:48Marvelous, darling, marvelous.

00:34:52What's that?

00:34:53Just Ansel, remember?

00:34:54Oh, yeah, Ansel.

00:34:56When may we expect it?

00:34:57Oh, just three more doors.

00:35:02Two more.

00:35:05Perhaps you better go through this.

00:35:07After all, it's your past.

00:35:08Not afraid of old skeletons, are you?

00:35:10Skeletons, don't worry me.

00:35:16Mother and daddy, when they were first married.

00:35:19Mother's kind of pretty, isn't she?

00:35:20You know, put a modern dress on her, and it could be you.

00:35:24Am I crazy?

00:35:25Oh, your father's laughing.

00:35:29Yeah.

00:35:30It's too bad he can't laugh like that now.

00:35:33I'll be happy.

00:35:38Oh.

00:35:39Good evening, Ansel.

00:35:57Who are you?

00:35:58Oh, I was expecting Ansel.

00:36:00I wasn't expecting anybody.

00:36:02What's your name?

00:36:03Uh, Betty Moody.

00:36:06Betty Moody.

00:36:07Oh, yes, uh, your name is on my list, Miss Moody.

00:36:15Yes, well, I'm glad my name's on your list.

00:36:19Well, good night.

00:36:22Good night, Miss Moody.

00:36:23All the time I thought you knew, Ansel.

00:36:40Tim, isn't it terrible the way people have violent tempers when they're young?

00:36:44Oh, that's all right, darling, I'll forgive you.

00:36:46Mother refers to it as artistic temperament.

00:36:49Father calls it blank, blank, blank stubbornness.

00:36:54And three years later, they're of the same opinion.

00:36:58Apparently they haven't changed a bit.

00:37:02Tim, that could never happen to us, could it?

00:37:05Not in a million years, darling.

00:37:12I'm afraid we're going to have colors again, back in your cave.

00:37:20Why, Betty?

00:37:23I saw a light in the office as I was driving by, and I thought I'd come up and investigate.

00:37:28And now that you've investigated, I am perfectly satisfied with what I've found.

00:37:34What have you found?

00:37:35You.

00:37:37Just when I was getting the silly idea that I'd lost you.

00:37:40You have.

00:37:41Betty, be sensible.

00:37:43You're not going to let a ridiculous infatuation for a fellow like Jones upset your whole future.

00:37:48Just a minute, bub, you're going too far.

00:37:50Where did you come from?

00:37:51In there.

00:37:52What are you doing here?

00:37:54Looking after Miss Moody's future, starting now.

00:37:56And I'd say you've got a great start going through Mr. Moody's private papers.

00:38:00Hilton, I think you'd better leave.

00:38:01I'm going to.

00:38:02When I go, I'll walk out, not sneak out.

00:38:04Sneak out?

00:38:05Isn't that clear?

00:38:06Perfectly clear.

00:38:09I'm not forgetting this, Jones.

00:38:10We'll settle this later.

00:38:17Good morning, R.P.

00:38:19Where'd you get that, Hilton?

00:38:20Well, it was this way.

00:38:22I know, you ran into a door.

00:38:23Yes.

00:38:24Uh, no, I was driving by the office last night, and I saw a light through the window.

00:38:29I came up to investigate, and I found one of your employees going through your private papers.

00:38:33Going through my papers?

00:38:34Yes.

00:38:35Uh, naturally, I took exception, and that's how I got the black eye.

00:38:39Who was it?

00:38:40Timothy Jones.

00:38:41Jones?

00:38:42Why, that good for nothing?

00:38:44How do you do, Mr. Moody?

00:38:44Not now, Swatsky.

00:38:46Good morning, Dr. Swatsky.

00:38:47Oh, the paranoid type.

00:38:49Now, look, Dr. Swatsky, I know, but the last time I saw you, I told you that Mr. Moody was a gentleman that you should have talked to.

00:38:56I know, but I'm awfully busy.

00:38:58You should be getting excited.

00:38:58You see, in criminal times, it's a lot of interesting things.

00:39:00I know, but I'm not the one you know.

00:39:02I'm not the one that you know.

00:39:05Strange character, isn't he?

00:39:07Monk will run through it a couple times before he tried on Tim.

00:39:10Ah, the story begins the way out west.

00:39:14What am I going to be?

00:39:16You're going to be Monk the killer.

00:39:20I'm not afraid of you.

00:39:21Besides, you've got a little rattle on Bill Phillips, the two-boy rangers, trapped in the cabin.

00:39:25Monk, you move out.

00:39:26I'll be ready to make a run to the door.

00:39:30I'll get the chalk.

00:39:31I'll get the mail, sir.

00:39:34This is the cabin.

00:39:35Uh-huh.

00:39:36What's that?

00:39:37Little cabin.

00:39:39Oh, remember now, we are the two-boy rangers.

00:39:41And youth pre-sodified.

00:39:51The most powerful youth in all the land.

00:39:53Yeah.

00:39:59Ah, it's a matter of minutes before the killer bashes down the door.

00:40:02Yes, send Phil to seize the mill, sir.

00:40:03Ah-ha.

00:40:10Okay, Monk.

00:40:14Right to me.

00:40:14Oh.

00:40:15Now, on the floor.

00:40:16On the floor.

00:40:17Roll.

00:40:18We've got the killer.

00:40:19Quick, the soap.

00:40:20You mean the rope.

00:40:21The rope.

00:40:22The rope.

00:40:23The rope.

00:40:24I got him.

00:40:24There's the rope.

00:40:25Oh, there we are.

00:40:26Swag.

00:40:27I got him.

00:40:27I'm tearing fast, Phyllis.

00:40:29But we'll win, Bruce.

00:40:30We'll win, Bruce.

00:40:31We'll win, Bruce.

00:40:32We'll win, Bruce.

00:40:33We'll win, Bruce.

00:40:34We'll win, Bruce.

00:40:35Hey, what's more?

00:40:36The boy rangers come through with victory, right?

00:40:39They'll keep coming.

00:40:40They'll come through the end of time.

00:40:41They'll always come.

00:40:42Ah!

00:40:42The boy rangers will always come.

00:40:44What are you?

00:40:45Ah-ha!

00:40:46Hey, how can you be standing there and in the sack, too?

00:40:49Well, it ain't me.

00:40:50Well, who's in the sack?

00:40:51Yeah, who's in the sack?

00:40:53I don't know.

00:40:54You scoundrel!

00:40:58Oh, Mr. Moody!

00:40:59You scoundrel!

00:41:00You're through.

00:41:01You're finished.

00:41:02Yeah, yeah.

00:41:03Get out and stay out.

00:41:04Yeah, I know.

00:41:05I'm throwing them out.

00:41:06Send my mail to the club, will you, boys?

00:41:07Bye.

00:41:08Bye.

00:41:09Get out of here, both of you!

00:41:11A boy ranger ever fails!

00:41:13He always goes through!

00:41:21Dad!

00:41:22Dad, what happened?

00:41:23Everything.

00:41:24Everything bad.

00:41:25Mainly Jones.

00:41:26Now, wait a minute, Dad.

00:41:27Nobody's going to sneak behind my back and pry through my private office.

00:41:29I kicked him out.

00:41:30Tim was with me last night.

00:41:31We both poked through your office.

00:41:33Betty!

00:41:34Dad, we were only trying to help you.

00:41:36That's another thing I will not stand for.

00:41:37I will not allow anybody to pry into my private life.

00:41:39Well, this time you're going to stand for it.

00:41:41It's my life, too, and up until now you've run it.

00:41:43Run it?

00:41:44I've been an indulgent father.

00:41:45Right.

00:41:46You've indulged yourself for 20 years.

00:41:48Made me miserable and sorry for you.

00:41:50Now I know why Mother...

00:41:51Your mother has nothing to do with this.

00:41:53Leave her out of it.

00:41:54I'm not going to leave her out of it.

00:41:55She's my mother, and I'm glad I found out she's a person instead of a rumor.

00:41:59And...

00:42:00And another thing.

00:42:02Whether you like Tim or not, I love him.

00:42:05You're a creature.

00:42:07You are an old animal, an army.

00:42:08And you're a killing man.

00:42:09And you're a demon that's out of it.

00:42:10You are a villain.

00:42:11By the way you're a villain.

00:42:12Am I your father.

00:42:14And you're with me.

00:42:15You are a clown.

00:42:16Up and down.

00:42:17You're a coward.

00:42:18You are a villain.

00:42:19And you're a villain.

00:42:21Take me.

00:42:22Give me a way.

00:42:23I have some練ons.

00:42:25And you're with an enemy.

00:42:26You are a villain.

00:42:27You are a villain.

00:42:28PYM JBZ

00:42:58PYM JBZ

00:43:28Give me another, will you, Murph?

00:43:56Okay. Make it two.

00:43:59All right, beautiful.

00:44:02You look almost happy.

00:44:03I am, since you came in at the joint.

00:44:06I'm sorry about what happened, Tim.

00:44:08I came as soon as I left Dad.

00:44:09How'd you leave?

00:44:11Alone.

00:44:12I wish we were alone.

00:44:15What would you do?

00:44:16This.

00:44:21Don't you worry, baby, we'll get along.

00:44:23After all, I've still got that comic strip running.

00:44:26You know, as far as your dad's concerned, he's through with me.

00:44:29But I'm not through with him.

00:44:31Neither am I.

00:44:33And we've got unfinished business.

00:44:36We could only find Mother.

00:44:39You know, Tim, Henry might be able to help.

00:44:43Henry?

00:44:44Yeah.

00:44:45Yeah.

00:44:46He's been shaving, Dad, for the last 30 years.

00:44:48He knows him better than anyone.

00:44:50Hey, Murph.

00:44:52Give me a phone, will you?

00:44:53Got the number?

00:44:57Yeah.

00:44:58Yeah.

00:45:02Um.

00:45:03Rescue.

00:45:09Hello, Henry.

00:45:10Oh, hello.

00:45:11Hello, Henry.

00:45:12Say, they didn't have saloons like this when I was your age.

00:45:15Clop, Henry.

00:45:16Oh, so that's what they call them now.

00:45:18What do they have?

00:45:19Lemonade.

00:45:20Lemonade.

00:45:21I get what you mean, but what's in it?

00:45:25Lemons, sugar, and water.

00:45:27Lemons, sugar, water.

00:45:30Henry, I thought you might be able to tell us something about Mother.

00:45:34Where can we find her?

00:45:35Well, she spends her winters in California, the summer season in Connecticut, and the play season here.

00:45:41Then she should be here now.

00:45:44Well, if she is, she's at the Tower Hotel.

00:45:46Tower Hotel?

00:45:47She's a writer, you know, under the name of Lacey Thornton.

00:45:57Get excited, darling.

00:45:58Oh, I'm not excited.

00:46:00I just realized what this means.

00:46:02You see, I've never seen my mother.

00:46:05Now that you're going to see her, you wonder what she's like.

00:46:08Yeah.

00:46:09Whether she like you and me and...

00:46:13Well, there's only one way to find out.

00:46:25Do come right in.

00:46:30Oh, it's such a relief to be with young people.

00:46:33You know, usually I'm interviewed by these horribly business-like people who insist upon pinning you down to places and dates and...

00:46:39Oh, I'm sorry, mister...

00:46:41Jones, he's...

00:46:43He's going to be your son.

00:46:45That is, I'm going to marry him and I'm your daughter.

00:46:48Why, how delightful.

00:46:49Oh, I love romance.

00:46:51In fact...

00:46:52A daughter?

00:46:53Betty?

00:46:54Oh.

00:46:55Oh, it just doesn't seem possible.

00:47:00Little Betty, grown into such a beautiful young lady.

00:47:03And about to marry such a beautiful young man.

00:47:07Oh, it's...

00:47:08Beautiful, period.

00:47:09Oh, oh, oh, oh, do sit down.

00:47:19I wrote your story once.

00:47:21Let me see.

00:47:22It was the book before the last.

00:47:24No, the one next to that.

00:47:26Mother, Dad has been...

00:47:29Well, he hasn't been well and I thought maybe that we could help him.

00:47:33Oh, poor Phineas.

00:47:35He was always hard to understand.

00:47:38But he has done well in business, hasn't he?

00:47:41Haven't you heard?

00:47:42Oh, I've been away for months and months.

00:47:45Oh, ever so long.

00:47:47I used to do all my work in Europe and...

00:47:49Oh, it's so stimulating.

00:47:52Mother...

00:47:53Dad...

00:47:54Dad is quite ill.

00:47:56No, is he?

00:47:58What are you doing here?

00:48:03You're just the guy I'm looking for.

00:48:05I'm here to do you a favor.

00:48:07Here, grab a chair and hang...

00:48:09And hang on.

00:48:10You know what I'm gonna do?

00:48:11I'm gonna double your production and triple your income.

00:48:14You know, you know the way things are now.

00:48:16The American working man's got to have something besides an automobile,

00:48:19and a house and a lot.

00:48:21He's gotta be made happy and he's gotta be kept happy.

00:48:24Give him music to make him happy.

00:48:26The American working man loves music.

00:48:28You can tell that by the way he jumps when the whistle blows.

00:48:31Why, sure.

00:48:32Just give him that music and just make his day a big, long, beautiful song.

00:48:37The sky's the limit.

00:48:39Give him that old razzmatazz.

00:48:41Okay, boys.

00:48:42Let him have it.

00:48:56The white lazzmatazz.

00:48:58Oh, give me that razzmatazz.

00:48:59I'm gettin' tired of jazz.

00:49:00I'm plenty slick feller from North Dakota.

00:49:02I've even seen a little bit of Minnesota.

00:49:04Oh, give me that t-yuck-a-two.

00:49:07And let me holler wah-hoo.

00:49:09I'm gettin' tired of jazz

00:49:12I'm plenty slick feller from North Dakota

00:49:15I've even seen a little bit of Minnesota

00:49:18Oh, give me that teakotoo

00:49:20And let me holler wahoo

00:49:23Now people think I'm in a rut

00:49:25But that's because they're off their night

00:49:27Oh, give me that razz of my tan

00:49:39Oh, give me that a pundit

00:49:55Oh, give me that razz of my tan

00:50:00I'm plentyopedia

00:50:05Oh!

00:50:35I don't think we're going to make it.

00:50:40Shake!

00:50:40Oh!

00:50:41Give me that ransomware, ransomware, ransomware!

00:50:44Give me that ransomware, chance!

00:50:48Hey, how'd you like it?

00:50:49Get that hardware and those spare parts out of here.

00:50:52Absolutely no soul.

00:50:55Miss Wilson?

00:50:56Yes, sir?

00:50:57Miss Wilson, get me a ticket on the train to California.

00:50:59Make it the chief.

00:51:00Go get it on the super chief.

00:51:01And how long I can stand at this, I'm getting out of here.

00:51:05So, poor Neus, if only he hadn't gone completely sour on cartoons.

00:51:14Cartoons?

00:51:15What about cartoons?

00:51:17Why, he was laughing at one the last time we were together.

00:51:20Or next to the last time.

00:51:23We had gone to a cafe, or a modest little place, to celebrate the night before his 35th birthday.

00:51:30That was the night he had the baby.

00:51:33He had the baby.

00:51:34He had the baby.

00:51:36You mean me?

00:51:37No, darling.

00:51:38A brain child.

00:51:39He drew it on the wall of the cafe.

00:51:42Poor Phineas.

00:51:43His one ambition was to be an artist.

00:51:46But being artistic myself, I realized he could never be a great artist.

00:51:51And there's nothing worse than a poor artist, is there?

00:51:54No, nothing could be worse.

00:51:56That's just what I told Phineas.

00:51:58It was dreadful.

00:52:00He created quite a scene.

00:52:02Poor Phineas.

00:52:03I never realized what that cartoon meant to him.

00:52:07I can.

00:52:08Maybe that cartoon was an ideal and you shattered it.

00:52:11You took everything away.

00:52:12Oh, well, no, I didn't.

00:52:13It was on the wall of the cafe.

00:52:15Maybe it might revive something, give him a new life.

00:52:19Tim, wouldn't it be wonderful if it would?

00:52:23Oh, but that was 20 years ago.

00:52:25It surely wouldn't be there now.

00:52:27Could you remember where the cafe was?

00:52:29Well, I don't know.

00:52:31But it would be fun to try, wouldn't it?

00:52:33That's the chance we'll have to take.

00:52:35I love to go places.

00:52:37I remember once in London with the Earl of Catherstone.

00:52:42Mother, is this your idea of a nice, cozy little place?

00:52:45I'm positive this is where it was.

00:52:48Or is it?

00:52:50Good evening, sir.

00:52:52A table for three, please.

00:52:54Just a moment, sir.

00:53:05See you on the tone.

00:53:16Can you please work with whatever subdivision you need to do ...

00:53:20Or is it still done with no wagon?

00:53:24No, America.

00:53:26There needs to be birds with one, yeah.

00:53:30Now, you're gonna have to tire, okay?

00:53:32Can we do типа?

00:56:04This way, please.

00:56:05I think, I think our table was right over there.

00:56:08Right where those people are.

00:56:10As I remember it, Phineas was sitting there.

00:56:18You see, we wanted to be secluded.

00:56:21That's exactly what I was hoping for when we came in here.

00:56:25Pardon, madame.

00:56:26Your table is over there.

00:56:28Oh, but we don't want to be over there.

00:56:31We want to be over here.

00:56:33Perhaps we could sit over there.

00:56:35The air.

00:56:36The air, don't go yet.

00:56:47If you could remember approximately where it was.

00:56:50Yes, I remember.

00:56:51I remember.

00:56:52I remember it was, that wall.

00:56:53Fine.

00:56:54Was it near the corner?

00:56:55Yes, it did.

00:56:56Yes, it was in that corner.

00:56:58Now we're getting somewhere.

00:56:59Uh, Gaston.

00:57:00Oui, madame.

00:57:01Qu'est-ce que vous voulez?

00:57:02Je veux un peu.

00:57:03Un peu frais.

00:57:04Un peu frais.

00:57:05Je vous plaît.

00:57:06Au revoir des frais, madame.

00:57:07Et comment?

00:57:08Je veux un peu frais.

00:57:29What are you doing there, young man?

00:57:30Oh, excuse me, Curly.

00:57:31Monsieur, if you insist on annoying our guests, I'll have to ask you to leave.

00:57:35Pardon me, Junior.

00:57:37Junior, huh?

00:57:43Darling, didn't I teach you not to flirt with strange ladies?

00:57:46Oh, but you can meet some lovely people that way.

00:57:48Mother, would you say the picture would be about here?

00:57:52Yes, it would be right there.

00:57:54Only over there.

00:58:01You can't.

00:58:02How do you like that?

00:58:03No picture.

00:58:04No picture.

00:58:05No picture.

00:58:06No picture.

00:58:07No picture.

00:58:08Sorry, Gus.

00:58:12Yeah.

00:58:13Eddie, you're all wrong.

00:58:14I looked the little man wasn't there.

00:58:15Madame, Madame.

00:58:16But why an egg?

00:58:17I ordered roast beef medium.

00:58:18Madame, F is an egg, F is beef.

00:58:23You ordered F and not beef.

00:58:24Why didn't you say that in the first place?

00:58:26Madame.

00:58:27Madame.

00:58:28Oh, he doesn't understand French.

00:58:29Probably born in Brooklyn.

00:58:30Well, I don't know.

00:58:31No picture.

00:58:32No picture.

00:58:33No picture.

00:58:34No picture.

00:58:35No picture.

00:58:36No picture.

00:58:37Sorry, Gus.

00:58:38Yeah.

00:58:39Eddie, you're all wrong.

00:58:40I looked the little man wasn't there.

00:58:41Madame, Madame.

00:58:42But why an egg?

00:58:43I ordered roast beef medium.

00:58:44Madame, F is an egg, F is beef.

00:58:46You ordered F and not beef.

00:58:48Why didn't you say that in the first place?

00:58:50Madame.

00:58:51Oh, he doesn't understand French.

00:58:53They're probably born in Brooklyn.

00:58:55Well, I know it here someplace.

00:58:58Then it's very simple.

00:58:59All we have to do is take all the paper off the wall.

00:59:02Oh, not all the paper.

00:59:04Just, just the part of the picture.

00:59:06See, we couldn't do that.

00:59:08Now, supposing the picture was here.

00:59:16The picture isn't there.

00:59:17All you have to do is put the piece back.

00:59:19The baby.

00:59:21There it is.

00:59:22Right where I said it would be.

00:59:24� Uh, uh.

00:59:39Would you mind bringing our check?

00:59:40Mind?

00:59:41It'll be a pleasure.

00:59:42I don't think Phineas would recognize his own work, but you've got to draw it so that he will.

01:00:02I never pay bills. I just signed my name.

01:00:12I was afraid of something like this. I'll have to see the manager.

01:00:16That's a good idea. I hate to complain, but I think he ought to know how you've annoyed him.

01:00:21Gentlemen, observe that the original cartoon has its lines up, up, and up.

01:00:30That means that the creator of it was in the up mood. In other words, to say, happy.

01:00:35That's good logic. Thank you very much.

01:00:39How's that, Hattie?

01:00:41I really can't say, Timothy, but it does look a little like quack quack, don't you think?

01:00:45Could be.

01:00:46Keep it up, Tim. You're doing swell.

01:00:50That isn't it. Tim, take a look at mine, will you?

01:00:53Yeah.

01:00:55Gentlemen, of course, I'm not an artist, but from the medical point of view,

01:00:59if Mr. Timothy will trade his nose with this gentleman's ears.

01:01:03Oh, no, no. He couldn't do that.

01:01:05But why?

01:01:06Because I like his nose much better.

01:01:08Thank you, Hattie, thank you.

01:01:11Uh, Mr. Timothy.

01:01:12Yes?

01:01:13Uh, remember that laughter that you wanted to put in bottles.

01:01:16Yes?

01:01:17Do you think that has commercial possibility?

01:01:19Oh, definitely, definitely.

01:01:21How's that, Hattie?

01:01:25Timothy.

01:01:26I just know that is not quack quack.

01:01:29No?

01:01:30That's baby.

01:01:31All right, let's go home. Let's put baby to bed.

01:01:34That's it.

01:01:35Congratulations to you, Mr. Timothy.

01:01:37Uh, to the balcony.

01:01:38Okay.

01:01:39Right now, we'll take the time out of here.

01:01:40Bye.

01:01:41See you next time.

01:01:42Bye.

01:01:43Bye.

01:01:44Bye.

01:01:45Bye.

01:01:46Bye.

01:01:53Bye.

01:01:55Bye.

01:01:57Bye.

01:01:58Bye.

01:01:59Bye.

01:02:00Bye.

01:02:02Bye.

01:02:04Bye.

01:02:05And.

01:02:11And.

01:02:16And.

01:02:21And.

01:02:25And.

01:02:28And.

01:02:30And.

01:02:32He we've got to hurry the cabs waiting I don't want you to miss this train. I don't intend to.

01:02:38Ah this is perfect for you California relaxation in the sun. Say by the way Hilton.

01:02:45Betty happens to need anything now you look out for it won't you. Of course R.P. Leave everything to me. You just get out in that sun. Stop harping on that sun business will you. I don't tan I burn.

01:02:56I know that but as I was saying count on me. Forget the fern. I've forgotten it already.

01:03:01R.P. We've got to go. The cab's waiting. If you've forgotten anything I'll send it to you. Hey who's taking this trip you or me.

01:03:08But you know I haven't seen Phineas for years and it gives me a funny feeling. Or am I beginning to be afraid. You don't have to be afraid we're doing all we can. If he growls that to you just growl right back mother.

01:03:21Oh are you taking a trip that was your father's back. Yes he's off to California. If you'll excuse me there's a cab waiting.

01:03:27Oh but he can't do that to us. Not after all the trouble we've gone to.

01:03:33Ah you just explain it to him mother.

01:03:37Oh Phineas.

01:03:39Why Hattie.

01:03:41Phineas dear how wonderful you look after all these years.

01:03:45Why it seems just like yesterday and we were so happy. And you were so foolish.

01:03:48I was not foolish. Now Phineas if you're going to be stubborn I'll have to growl at you. And remember you didn't like it before. So don't be silly and do it all over again.

01:03:58I am not silly. Then why are you taking a trip. You took a trip. A long one. Oh but I like trips. Trips are so nice. But you can't. Not that we've just found each other. Oh Hattie my little flutter brain.

01:04:11If you'll excuse me R.P. we've got to get going. The train won't wait. Hilton can't you see I'm busy. A young man. Just explain to them that he'll be a few moments late.

01:04:22Oh well Phineas I want you to meet two of the nicest young people. Hattie I don't want to meet any more people. I've met enough people today. Forever.

01:04:28That's such a sweet thought Phineas. But we'll be all alone. Or almost. And we'll see the picture together. Picture. Yes it'll be like old times Phineas darling.

01:04:39But I don't want to see any picture. Now or any other time. And that's fine. Father you sit right down. Phineas you'd better do as she says.

01:04:47I guess you're right. Chip off the old block.

01:04:50Now I know that I'm the paranoid type. I know that. And we've been all through that. But my name is not Dr. Moody. Now look. Now look. I'm not the paranoid type.

01:05:20Then we will be all through it. That's probably thedestстрой tree.

01:05:31Okay.

01:05:33Mr. Moody. The Rosemary.

01:05:37I know that.

01:05:39It's just his best way.

01:05:42I can't see all the trolls who know they're accessible.

01:05:45What do you know, Eleanor's back.

01:06:09Who's Eleanor?

01:06:13How am I doing, Ozpene?

01:06:16Great. You're my baby.

01:06:25That's all I wanted to hear.

01:06:32Bye now.