Mumbai: In an exclusive interview with Actor Hiten Tejwani and director Yogesh Pagare, where they discussed his film 'Mano Ya Na Mano', an Indian remake of the cult classic "The Man from Earth," where he played a 14,000-year-old man. He shared his excitement about the unique concept and the challenge of portraying an immortal character. Hiten credited his fitness and positive attitude to staying happy and disciplined. He also talked about the importance of good storytelling and how today's audience prefers fast-paced narratives. In the end, he conveyed a message to his fans.
00:16Of course, this film is already been made before.
00:21The Man From Earth is a cult classic film.
00:25So, it's a remake, an official remake.
00:30So, it's such an interesting subject that the man is living in 14,000 years.
00:36How? What? What will happen?
00:39So, it's a challenge.
00:41It's fun.
00:42Let's do it 100%.
00:44Everything is normal and regular.
00:47Let's do it.
00:49Sir, how do you think about the concept of the man from the earth?
00:53And how do you think about the idea of it?
00:55And how do you think about it?
00:57Yes, as itin ji has said, this film is made by the man from the earth.
01:05So, when I heard this concept, I thought it's very exciting.
01:11Because it's a concept of Chiranjeevi.
01:13It's a human being lived in 14,000 years.
01:17It's a human being.
01:18It's a human being.
01:19So, this story felt very exciting.
01:22We got the rights from the makers.
01:24We got the rights from them.
01:27We got the rights from them.
01:28We got the rights from them.
01:29And we got the script written on that Indian audience.
01:30We developed it.
01:32We tweaked it.
01:33We changed it.
01:34And we changed it.
01:35And we changed it for the original film.
01:37If it was the movie,
01:39then we got a new movie.
01:41So, it's the main germ that we took.
01:44but with the Hindi audience, we have made this film and then we have contacted Hitanji
01:50because Chiranjiri's character, a man who doesn't age, he can do better with Hitanji
01:56because he is 25 years old, so we thought why not cast him and luckily, he thought that's how the journey started
02:04and today we are in front of you
02:06what are the reasons for fitness?
02:13you are happy, you are happy, you are happy
02:15and the thing is that when you are happy, you are all in your body
02:22if you are upset or depressed, then all the things will come to the body
02:32if you are eating a nutrition or something, it will come to the body
02:37and it will come to the body and it will come to the body
02:40and then all the negative, negative, negative
02:42you are happy, you are happy, you are happy, you are happy, you are happy
02:46this is the most important thing
02:48and of course, definitely, the control of eating is very important
02:52work-out also is very important
02:54he said there are a lot of issues of eating
03:04in he said that at the cinema the industry is very important
03:06when shooting is very important, I would say that I also would shoot 12-13 hours
03:10so 15-15 hours will come to the body
03:15so when shooting is very difficult to get out of time and work out
03:20but at that time you can only control what you eat on it
03:25so I have a very controlled diet that I have been following for 25 years
03:30and I don't have anything about it I don't eat meat
03:34I don't eat meat, I don't eat meat, I don't eat meat
03:37so these are all things that you need to keep your attention
03:41but the rest is all
03:43Sir, you just need to say that usually five-trackers
03:48the Indian audience is not engaging in the audience
03:52or the people in the audience
03:54do you think people are engaging in the audience?
04:00there is recently a film called Loka
04:03South's film which has been dubbed in Hindi and has a lot of people
04:08that is also science fiction and in fact the maker himself has confessed
04:12and he said on camera that he got inspired by the man from the earth
04:17inspired by the man from the earth and inspired by Loka film
04:21so if he can create a film from the character that he inspired by the man from the earth
04:26then we took the original film and there is a unique thing that people like it
04:33so the film is going to be in the audience
04:36nobody can predict what hit will happen and what flop will happen
04:39we had to say a good story from our own
04:42we had to try the whole cast and crew
04:45now the rest of the audience is on their own
04:48but I am sure and I hope that this will definitely be liked
04:51Sir, the industrial pick on the photograph
04:54Mr. Anupam Ji, what do you think about it?
04:58Look, our friends and family
05:00who are our seniors
05:02who are our seniors
05:04who are our seniors
05:06who are our seniors
05:07who are our seniors
05:09he is also a mentor
05:10he is like a godfather
05:11he is like a friend, philosopher, guide
05:12so I will say anything
05:14but he is always there to stand by me
05:16he is always there to motivate me
05:17he is always there to motivate me
05:18so he is always there to help my message
05:19so Anupam Ji and He is always a blessing and support
05:21and He is a very nice human and wonderful
05:24and Heiteen Ji also supported me
05:28I mean, from day one, when he came to this film, he was always standing there.
05:34He said, yes, let's do it.
05:37So he's always been very supportive, very kind.
05:39So yeah, he's all good support.
05:42So let's hope for the best.
05:43Yes.
05:44What do you think of this character that you think is one of the most interesting characters?
05:55See, just as I mentioned before, I also said that,
05:59it's a good thing for a actor.
06:00That he has been working for a different style.
06:03This is a different style that I have not yet.
06:07Now, this is a different style.
06:11Because what is it that he is living in the 14,000 years.
06:16So in today's life,
06:18do we have such a great loss for that?
06:22Yeah, I think it's all made it and it's all made it look like it.
06:25So, luckily, the script was very good, it was planned, it was everything I got.
06:32So, I thought that I should do it and I should do it in my own way.
06:40So, I gave it a color, a color, a color, a color, a color.
06:47It's an example that a human being, so it's like you can come across a normal human being.
06:57It's an example of a common person, but something is different.
07:01What do you believe in today's video and the reality of this one?
07:08It's a strength.
07:10It's not that many things, but it's a strength, of course, because it connects to a lot of audience with a lot of audience.
07:17I mean, the audience, as much complicated and as much as you can see it, there are definitely some sections that you like.
07:26You can see it, you can see it, you should watch it, you should watch it.
07:30But as simple as you can reach the maximum number of people in a very simple and nice film.
07:37Especially when in the industry, you can see it, you can see it, you can see it, you can see it.
07:55Look, it depends on the content of the film.
08:00If the film is good, people will definitely watch it.
08:03If the film is bad, then you will watch it or I will watch it.
08:06It's all depends on the content.
08:09I think there are good stories of the audience to watch it.
08:15If the story is good, I think people will definitely watch it.
08:18If the film is good, you can see it, you can see it, you can see it, you can see it, you can see it.
08:30But if you can see it, you will see it, it will be a part of it.
08:33Because it will be a part of the film, it is a part of it.
08:36So, I don't know if it is a part of it, but I can see it.
08:39But if we can see it, if we can see it, it will be a part of it.
08:42If it is a part of it, it will definitely make us,
08:47who will be production and we will tell it,
08:49we will do it.
08:51foreign
09:02special
09:03Q
09:04I
09:06I
09:07I
09:08I
09:09I
09:10I
09:11I
09:12I
09:13I
09:14I
09:15I
09:16I
09:17I
09:18I
09:19I
09:20I
09:21I
09:22I
09:44I
09:45I
09:46I
09:48So what is the other thing?
09:51We can't tell you.
09:53We need to see you.
09:55Isn't it a good thing?
09:57Do you have any work done with the director?
10:00Do you have any work done with the director?
10:04No, no, no, no.
10:06We had full planning,
10:08we had planned, we had told,
10:10the script worked out properly,
10:12the whole team was ready.
10:14All actors have done great work done.
10:17They were ready,
10:18they were ready.
10:19This is why the film is good,
10:22and it's time.
10:24What happens?
10:25Many times,
10:26two days,
10:27three days,
10:28extra,
10:29extra shit,
10:30nothing.
10:31The plan was done.
10:32It was done.
10:33It was done.
10:34It was done.
10:35It was done.
10:36It was done.
10:37It was done.
10:38It was done.
10:39It was done.
10:40It was done.
10:41It was done.
10:42It was done.
10:43It was done.
10:44It was done.
10:45It was done.
10:46It was done.
10:47It was done.
10:48It was done.
10:49It was done.
10:50It was done.
10:51It was done.
10:52It was done.
10:53It was done.
10:54It was done.
10:55It was done.
10:56It was done.
10:57It was done.
10:58It was done.
10:59It was done.
11:01You see it all.
11:02It was done.
11:03Something different.
11:04People have nothing.
11:05Nothing different is.
11:06They are different.
11:07Some different ideas.
11:08There's people have Co- turns.
11:10Can make a car new escalation?
11:12It's done.
11:14All the way?
11:15Because?
11:16Also,
11:18I wonder how it comes up.
11:19I think…
11:20I like many tweets…
11:21Did G.
11:23...
11:24foreign
11:36foreign
11:38foreign
11:42foreign
11:48foreign
11:52for example, just taking wise, you can see that the first thing is not, it's fast,
12:04normal, simple, proper drama, fast, fast, fast, fast, pacey, so people like it.
12:10If they slow, they will do it, they will do it, they will do it.
12:15They will do it, they will do it, they will do it, they will do it, they will do it.
12:22So, subject wise, people will be more interested in fast pace.
12:24Sir, when we first saw TV actors, we saw TV actors, and in the show, we saw TV actors,
12:31and in the show, we saw TV actors, it's not over-caring, male actors, especially.
12:37Sir, what do you think?
12:46No, acting wise, I am, who am I, who am I, who am I, who am I, who am I, who am I, who am I,
12:51I do not think that acting would be a problem.
12:54But this could be a good actor, bad actor when I am I, who am I.
13:16I don't know, I haven't seen it. But this is the reason I can do it.
13:19It's not that if I'm a good actor or a bad actor, I'll judge me and I'll judge me and I'll judge me.
13:24Sir, Uriji, as you said, you said that you were so long-working hours, you were so long-working hours, you were so long-working hours, you were so long-working hours?
13:35It was before, it was before, I didn't think I was so long-working hours, but I was working for 24 hours for 24 hours.
13:44But now, it's 12 hours, it's been 12 hours, it's been 12 hours, but the next day it's the same, because everyone has to come, so usually 13 hours, 14 hours, it's usually packed up.
13:55It wasn't before. So, it's time, it's time is getting packed up.
14:01And the thing is, the thing is, that the maximum we saw was 2 cameras set up.
14:10It was a big production house, so we had 2 cameras set up.
14:14But now, 3-3-4 cameras set up, so the work was fast, easy, and easy.
14:22I think you said that this film is a story that I was excited about, and that's why we made a decision for the film.
14:28So I think the story is the USP.
14:32I think that the story of this story is the story of this film, which was excited for us, and that's why we made the decision to make this film.
14:42So I think the story is the USP.
14:44And as I said before, people like a good story.
14:48We have tried to complete it.
14:50The rest is up to the audience, but I would be happy if the audience likes it.
14:54The rest is in your hands.
14:56The story of this film is the story of this film.
15:03If you tell a person who lives in 14,000 years ago, living in a church,
15:08this film is the story of this film.
15:11So you have interested in this film.
15:12The story of this film is the story of this film.
15:17The story of this film is the story of the film.
Be the first to comment