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EastEnders 6th November 2025

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00:00Interview with Mr. Ravjot Galati, present are D.I. Buckley, D.C. Simmons and solicitor for
00:22Mr. Galati, Elliot Powell. Mr. Galati, you are being interviewed in connection with drug dealing
00:29taking place at 89C George Street, Walford, and two counts of individuals being held against
00:35their will. No comment. Were you part of the organized crime gang operating from this location?
00:47No comment. A simple yes or no would do. No comment. Are my clients fingerprints on any
00:54of the drugs you've retrieved from Mr. Asari's flat, D.I. Buckley?
00:59As Mr. Asari himself named my client as being part of the outfit, you allege have been holding
01:06him against his will. A simple yes or no would do. So if you've nothing to charge my client
01:15with, there's nothing keeping us here. What's that?
01:26The transcript of an interview with Mr. Harrison Mitchell, who also lives at 89C George Street.
01:36Mr. Mitchell names Mr. Galati as one of the two ringleaders of this crime gang, and one
01:41of the men principally responsible for the false imprisonment of himself and Mr. Asari.
01:47Look at RM.
01:51Hey Zach, listen. I've got a backup question here, all right? Who's son was kidnapped on Lake Tahoe,
01:57and held to ransom...
01:59Frank Sinatra.
02:00How did you know that?
02:01Too easy, mate. Everyone's gonna know that.
02:04Listen, take a note, Elliot.
02:05I think she...
02:06I think she probably needs a bit of space.
02:09Yeah.
02:10But all these things she says keeps happening,
02:12what if it's some sort of reaction?
02:15What do you mean to the shooting?
02:16No, before that. I know how thick as I've been there.
02:19I didn't give her away. She was always there,
02:21but it felt like it.
02:22I thought I was okay.
02:24Then the drinking and the grief
02:27I caused everyone.
02:28I thought it was just because I was a kid.
02:30But maybe it wasn't.
02:32Maybe she's the same.
02:33Well, that's a big maybe, isn't it?
02:35Maybe.
02:37She needs therapy, yeah?
02:39Just unlock a few things.
02:40Well, good luck with that, then, yeah?
02:41It helped with Jean and Stacey.
02:43Yeah, but Kat, they were ill, darling.
02:45How do you know she ain't?
02:52Still nothing.
02:53What's that?
02:54From whoever's got Minnie Moe?
02:55Well, how do you know someone's got her?
02:56You just don't want to hear anything I've got to say, do you?
02:58Zoe, listen.
03:00Anything you've got to say, say it, yeah?
03:02Don't keep it bottled up.
03:04Right, let's start now.
03:05What?
03:06You and me, coffee, Kath, my treat.
03:08What's brought this on?
03:09You can't say you don't want to hear what I've got to say
03:12and you don't want to talk.
03:13Okay, yeah, yeah.
03:14I'll just go and get me a phone, okay?
03:15Right.
03:20What are you doing?
03:21I told you, she needs to talk to somebody.
03:24Yeah, but she didn't actually say that.
03:26Hello, mate.
03:27It's unusual.
03:28Come on, buddy.
03:30Cheers, y'all.
03:35This isn't a formal statement.
03:37No.
03:39That's going to have to wait till Mr. Mitchell
03:40has recovered a little more from his injuries.
03:44Injuries.
03:46Makes a change from no comment.
03:49Mr. Mitchell was induced into taking heroin
03:52during his own period of false imprisonment.
03:55When he attempted to escape,
03:57he suffered a serious attack,
03:59resulting in an abdominal wall hematoma.
04:02He was finally freed,
04:03just as he was being taken to a different location
04:05where we believe an attempt would have been made on his life.
04:08So, as well as the exploitation
04:12of a vulnerable individual in Mr. Asari,
04:16the running of an organized drugs ring
04:18from the property of that same individual,
04:21and as well as certain financial irregularities
04:24we've uncovered as well,
04:26we're also looking at charges of grievous bodily harm
04:29and a potential charge of attempted murder.
04:33Mum, I just don't understand any of this.
04:40It's just a mix-up.
04:41This is all to do with Harry.
04:42It has to be.
04:43Well, then why are the police still holding Dad?
04:45It's the same old story around here, isn't it?
04:47Something happens and they look for the guy with form.
04:50Hang on.
04:53What's going on with Ravi?
04:54Oh, it's out of my hands.
04:55Oh, come on, you're a copper and he's in your nick.
04:58It's been handed over to specialist officers.
05:00Specialist officers?
05:01Well, there are people that are brought in
05:02when there's evidence of a major drugs network.
05:05Whatever happened in there,
05:07it ain't got nothing to do with him.
05:08Well, go home, then.
05:09Put the kettle on.
05:10He'll be back before you know it.
05:12That shooting?
05:14The Slater girl?
05:15Ravi did you a favour there.
05:21What's he been saying?
05:22Enough for me to know there's stuff
05:23you really don't want going out.
05:26Well, that applies to us both.
05:28Yeah, difference is,
05:29he's banged up and you're walking around
05:31footloose and fancy free.
05:32So unless you want to join him...
05:33Look,
05:34even if,
05:35if
05:35what you're saying is right,
05:38because believe me,
05:38you do not know the full SP,
05:40do you seriously think
05:41they're going to let him go
05:43or might say so?
05:45You can at least find out what's happening
05:47and then we know what we're dealing with.
05:49So yeah, basically it's just a culinary course,
05:59but I look great on my uni application.
06:00Well, best not miss that then.
06:02Only thing is,
06:03it's residential.
06:06Which course, yeah?
06:08Yeah.
06:09Go on then, how much?
06:10Jeez,
06:16where are they holding this course?
06:17The Ritz?
06:18Wow.
06:20But, um,
06:21Kim's right.
06:22It'll be a game changer.
06:23Yeah?
06:24Yeah, book that, no problem.
06:25Appreciate that, darling.
06:27Look at you,
06:28you little miracle maker, you.
06:30Making dreams come true, innit?
06:32Stop it.
06:36Phone, phone, phone.
06:38Hello?
06:40Yeah, just a moment.
06:42Um, Anthony?
06:44Sorry, can I take a message?
06:48Sorry, who?
06:52What about my clothes?
06:53Do all back out the flat.
06:55Leave the rest of my mind.
06:57Your clothes aren't going to fit me.
06:59I'm only in my toothbrush.
07:00Everything will be fine.
07:01Yeah, if you promise.
07:03Hodge?
07:08If you haven't got help, mate,
07:10I don't know what would have happened.
07:11Some mate you turned out to be.
07:12He is my mate!
07:14Let's go, coach.
07:16It's all right.
07:16I'm sorry.
07:27You okay?
07:28You lie to me?
07:30That's okay.
07:31You ghost me.
07:32That's fine.
07:33But Kojo...
07:34You knew what was happening to him.
07:38You knew what those people were doing to him.
07:42And you just let them.
07:43It's me.
07:55What's happening?
07:56What is all this?
07:59I can't go into it right now.
08:01I bet the jungle drums have really beaten back on the square, yeah?
08:06Forget about them.
08:07You're the important one here.
08:09The one banged up for something he didn't do.
08:12We're gonna get you out of there.
08:13Do you hear me?
08:14I ain't losing you.
08:15I ain't losing you.
08:16I can't.
08:19I love you.
08:22I love you too.
08:25You hang on to that.
08:26And whatever you have to do, you do it.
08:32I've already started.
08:36What's up, Min?
08:37This is for us.
08:40Okay?
08:41This is for me.
08:43And you.
08:45And our kids.
08:49We don't work without you.
08:51Yeah?
08:53None of us do.
08:56Speak soon, yeah?
08:57I've just tried them again.
09:05Just leave that for a bit, yeah?
09:06I just can't stop thinking about her.
09:08Locked up somewhere.
09:10Just feel like going off your head.
09:15Badger.
09:16What?
09:16Let Anthony sit down.
09:18It's packed in here, isn't it?
09:20You all right?
09:27It's okay.
09:31I hope this is okay, me turning up like this.
09:36Oh, if it's not convenient, you could have said when I texted.
09:38No, no.
09:39It makes no problem at all.
09:41If this is about the references, we have got one from Lily Slater.
09:44Yeah, yeah, yeah.
09:45And we're still trying with my mom.
09:47I think I told you that we don't really see eye to eye.
09:50And there's other people I can't call.
09:51Actually, your mother already has.
09:52It's got to be someone local, someone who knows the layout of the place.
10:01I know I keep going on about this, but...
10:03It hurts.
10:04I get it, yeah?
10:05When you lose something or someone, it's all you can think about.
10:08It's like a void you can't fill.
10:10We're just trying to get to the bottom.
10:11It's really going on here.
10:13What do you mean?
10:15Maybe this ain't about Minnie Mo at all.
10:17What is it, then?
10:18You've got all this going on with your boy, haven't you?
10:20And you can't get to him?
10:22And you've latched on to the cat.
10:24Instead, latched on.
10:26Sammy, you're obsessed.
10:27You have been ever since you say she went missing.
10:30I say she went missing?
10:31What, you think I've made all this up?
10:33Story about a missing cat because I miss my son?
10:37Oh, that's why he's here.
10:39You think I need some sort of help.
10:42Maybe you do.
10:43Cat.
10:44That's it.
10:44I've heard enough.
10:45Hold on, I just want to talk to you.
10:46You say you care.
10:47You say you're on my side.
10:48I am.
10:49You just think I'm mentally ill.
10:52My daughter and motherhood are words that should never be in the same sentence.
11:02Eve, you just don't...
11:03Her lifestyle directly contributed to the death of her sister.
11:06Well, do you know, I'm not listening to that.
11:07And I would hate to see another life put at risk.
11:09Eve, your mother doesn't know you.
11:12She has never known you.
11:13She will never know you.
11:15All right, look.
11:17She looks at you and all she sees are her own faults, her own mistakes, and she wants
11:21to blame you for them.
11:23Yeah, you're not writing the reference, are you?
11:26And you're not reading it either.
11:29This is done for us, isn't it?
11:30Just because someone doesn't get on with their mother doesn't mean they can't be good mothers
11:35themselves.
11:37I'm not here to talk about Lily's reference, which is glowing, by the way.
11:42All your mothers.
11:44All that's for much further down the line.
11:47I'm not even here for another brownie.
11:50I'm here to tell you that your application to be taken on by the agency has been approved.
11:55And I'll be here to support you every step of the way.
11:59All right.
12:00All right.
12:01All right.
12:07Here we go.
12:08One, two, testing.
12:09One, two.
12:10Right, that's it.
12:10Come and sit down, young man.
12:11Lovely.
12:11Good evening, everybody.
12:14Good evening.
12:15And welcome to the second charity quiz night here in the Queen Vic.
12:19Yay!
12:20Okay, a couple of things.
12:22Number one, let's remember why we're doing this, yeah?
12:24Yeah, so one of us gets to be landlord of the Vic for the bank, right?
12:27No, Harvey, so we can raise more money for some Lucy's charity.
12:31Yeah, but do we still get a chance to run the Vic, right?
12:33No, Paddy, that was just a joke, all right, Joe?
12:34What?
12:35That was just a joke.
12:36There is a 50 quid prize, though.
12:38Oh, marvellous.
12:39Okay, anyway, so, like I said, so, nice concentration.
12:42Please turn your phones off.
12:44And here we go with question number one.
12:48Name the play where hell is described as other people.
12:53Oh, my goodness.
12:55Didn't you ask that last week?
12:57I bet you any money someone's been googling ever since.
13:00Well, I'll hold your horse there, will you just hold it a second?
13:02I think Vicky's right.
13:04I think I've already asked that question.
13:05So, give me a sec, because we're just going to find another one, all right?
13:08Are you talking about this?
13:10I'm not going to make this.
13:11I know.
13:11I'm not going to make this.
13:12No, shut up.
13:12It might be...
13:13It's Mo.
13:13Mo, hello, darling.
13:14We're just in the middle of a quiz at the moment.
13:16You okay?
13:17Fine.
13:17I'll try to have a new face.
13:18Hold on.
13:19Uh, Mo.
13:21Yep.
13:21All right, darling.
13:23I will do.
13:23All right.
13:23Take care.
13:24Bye-bye.
13:25That's Mo.
13:26She said Lynn's got to have her on her leg, and Mo's going to have to take care of her
13:29for a while.
13:30How long for?
13:31I have no idea, sweetheart.
13:32No idea.
13:32Okay.
13:33Sorry about that.
13:34So, like I said, phone's off.
13:36Okay.
13:37So, we're going to start again.
13:38So, question number one.
13:40Who's that?
14:06Someone there?
14:06Someone there?
14:07Who's that?
14:19Any Mo?
14:24Was that you?
14:26What?
14:26Was it you doing all this?
14:34Is that a book?
14:36No.
14:37What's the name of the troubled kid with a difficult past?
14:40Mum?
14:41What's that?
14:41It's Zoe.
14:42Oh, now what she's done.
14:44I heard her.
14:46I heard Minnie Mo.
14:48Only, it weren't her.
14:49It was him.
14:50Playing games.
14:51I wasn't.
14:51I was just messing about with Ernie.
14:53I don't know what she's talking about.
14:55She shouted at me.
14:56I thought she was going to hit me.
14:57I didn't do that.
14:59Look, if I got it wrong, I'm sorry.
15:00But I heard her.
15:01I know I did.
15:02And then I saw you and I just thought...
15:06What, you thought you'd terrify my kid, yeah?
15:08No.
15:08What do you mean, no arm?
15:09Come on.
15:10Look, I said I'm sorry, didn't I?
15:15Mum?
15:15You're going out?
15:29There's just something I need to sort.
15:32How you doing?
15:33There ain't something wrong, is there?
15:34No.
15:36Look, come here.
15:37What for?
15:39Can't I give you a hug every once in a while?
15:42No, there was trouble, wasn't there?
15:43No, please, just come here.
15:55I love you.
15:58I love you, and I love Barney, and I just don't say enough.
16:04I love you, too.
16:09Ravi Gulati?
16:10Yeah, yeah, I've had a few run-ins with him ourselves.
16:16I was hoping this one was going to be a bit more terminal.
16:19Actually, he's just asked to see us.
16:23About?
16:24Hang around.
16:26You can find out the same time we do.
16:27The duty sergeant said you wanted a word?
16:49Are we waiting for your brief?
16:51This is for your ears only.
16:57And I don't want this recorded, neither.
17:04Go on.
17:07What was going down in that...
17:09What was going down in that flat, I was involved.
17:21At the start, anyway.
17:23I know you know that, and I know you can make it stick.
17:26Is this a confession, Mr. Gulati?
17:29No, I had no choice.
17:31The people behind this can be very persuasive,
17:33particularly when you've got a family.
17:47I still know where all that runs are.
17:51Who do you have got in their pockets?
17:53Where all the bodies are buried.
17:55I can give you the names of the people who really matter,
17:59not just in Walford, but all over London.
18:05And in exchange?
18:09I walk.
18:25So, what happened?
18:26Where did Annie find her?
18:28Curled up under Zoe's bed, in the carrier.
18:31Maybe someone took her and brought her back up.
18:33Well, she's hiding herself and spinning us a line.
18:39Sorry, my lady.
18:40You didn't like this much.
18:42Apart from an incident with Zoe.
18:44Yeah, but Kim did say you missed her call.
18:46Mm, from the surgery.
18:47Yeah, man, they tried calling you mobile,
18:50but you just wasn't picking it up.
18:51I put it on silence in the caf.
18:53Under here, under here, okay?
19:07How's it going, Jo?
19:10Look, I'm sorry, okay?
19:12We all are.
19:15But he's all Larry's talked about since we got him home.
19:18They really are the best of mates, George,
19:20and I'd hate for this to wreck all that.
19:24I know Harry tried to do the right thing in the end.
19:29But that doesn't undo what he did at the start.
19:31This all started because your brother flushed those drugs.
19:34No.
19:35This started because Harry didn't do what he should have done
19:38when he found them.
19:39Just call the police.
19:40Well, what's done is done, all right?
19:42It's over.
19:43And we've all got to live on this square.
19:45Right, Harry and Kojo and...
19:47Me and you.
19:50I mean, we can't just pretend that never happened.
19:55I can.
19:56So, I'm a thief, I'm a liar, I've done people wrong,
20:13but why would I do something like this?
20:15I did the same with you, all right?
20:18I couldn't have what I wanted, I couldn't have you.
20:21Not the way I wanted, anyway.
20:23I ended up doing all sorts to fill the gap, I suppose.
20:26So you do think that's what I've been doing?
20:27This cat has become everything to you.
20:30It's not the same, I know, but...
20:31Because you can't have what you really want,
20:33why would I hide her away all the time?
20:34It doesn't make any sense.
20:36There ain't none.
20:39Sometimes, nothing makes sense, does it?
20:42Don't matter what I say or do, does it?
20:44You're always just going to see me as some stupid kid
20:46who got in too deep and who can't get out.
20:52All right, we've got two minutes left on the picture, Anne,
20:54and then it's sports.
20:58Yeah?
21:01Hey, aunt in here.
21:03What's wrong?
21:04Nothing's wrong.
21:06Why the surgery wanted to talk to you then?
21:10Is there bad news?
21:11It's just something I didn't want to tell you,
21:13not until I knew.
21:15Knew what?
21:17I've applied for a job down here.
21:19Um, I had my final interview today,
21:21they're going to call me back.
21:23Let me know.
21:24That's what the message was about.
21:26And?
21:27It's a yes.
21:28Oh, so you will be staying with us full time.
21:31Fantastic.
21:33And Sophie and the children,
21:34you will be seeing them, though, won't you?
21:35Of course.
21:36I told you, it's all very amicable.
21:39I'm going to get back as often as I can.
21:40And they can come here.
21:41We will always make room for them.
21:43Just let us work things out first, yes?
21:45That's great.
21:46Hang on a minute.
21:47I told you, sir, they already had.
21:49I'd better give her a call.
21:51Let her know, too.
21:52All right!
21:57We've got one minute left, all right?
22:00Zoe ain't getting any better, is she?
22:02Eh?
22:04Alfie, she's trouble.
22:05Oh.
22:06Always has been, always will be.
22:09It'd be better for everyone,
22:10probably even better for her,
22:11if she just took the hint and went.
22:12I took the hint?
22:12What are you on about?
22:14Take a look at all these faces, Alangia.
22:15Sarah, how much more of a hint do you need?
22:26I know I messed up with the photos.
22:29I was just so desperate for someone to take me seriously,
22:32and now it's like no one does.
22:34I feel even less part of things.
22:36What does that mean?
22:38Well, being here, being part of the family.
22:40You are part of this family, all right?
22:42You're just in a bit of a mess at the minute.
22:44And that's why I thought, you know,
22:46it would help with Anthony to talk to someone.
22:48Anyone but you, yeah?
22:49No, I didn't mean it like that.
22:51I meant a professional.
22:53I don't need a professional.
22:54I need you.
22:56Okay?
22:57Look at me in the eye and swear
23:00you are telling me the truth.
23:02I swear.
23:09It's me.
23:11Yes, I know I'm not supposed to be calling,
23:13but...
23:14I've told Dad about the job.
23:19No, of course I haven't told him anything else.
23:21So if he calls, don't answer.
23:28That's the least we can do, don't you think?
23:30Protect him from what's really going on.
23:35All right.
23:35So what are we going to do, then?
23:39Because I'll tell you right now,
23:40Kat, she's way beyond having a meeting with a shrink.
23:46Come on, what's wrong with her?
23:48Why is she doing this, eh?
23:50Yeah, that's what she said.
23:51Who?
23:52My mum.
23:53I told her about Harry.
23:55Why are you saying all this?
23:58What's wrong with you?
23:59You're not right in the head or something.
24:00Okay, come on, darling.
24:02You know what happened to you back then
24:02is very different to what's happening to Zoe now.
24:05She was just sitting on the stairs
24:06like I used to back then.
24:09She showed me the text.
24:10She's really scared.
24:11Oh, I was thinking about that.
24:16You know, when, um...
24:18When me and Stace found Zoe at the flat,
24:23she'd have received a text,
24:24and she did, she looked terrified.
24:27Then we found out that she'd sent it to herself.
24:30This is different.
24:31Is it?
24:31She's telling the truth, all right?
24:33Someone is out to hurt my little girl,
24:34and I'm going to find out who.
24:41Well?
24:49I've talked to my DCI,
24:50and we might be able to do a deal.
24:58I'm going to need that in writing.
25:00I ain't going on just your say-so.
25:02But you'll need to do a bit better
25:03than just giving us names.
25:07What's that mean?
25:08Names are useful,
25:09but a man on the inside,
25:12feeding us info on the main man.
25:14Your boss.
25:15Now that's gold.
25:16That's the only deal my DCI's interested in.
25:19Take it or leave it.
25:21Oh, hold on, hold on.
25:23You can't be serious.
25:26Well, you want me...
25:28to be an informant?
25:29What have you been?
25:45You've been gone ages.
25:46I thought we were both sticking close to Harry today.
25:48I ran into George.
25:49And?
25:51Oh, the usual.
25:52Balled me out for not telling him about Kojo.
25:54Well, I can't blame him for that, I suppose.
25:56You didn't tell me, or the rest of us, neither.
25:57And what would you have done, Teddy, eh?
26:00Ridden in like the Lone Ranger?
26:02This is you all over, isn't it?
26:04Terminator Teddy.
26:06You think you can sort everything,
26:08make everything right,
26:09but all you do is make a bigger and bigger mess
26:11and drag everyone else down with you?
26:13Oh, let's go.
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