- 2 days ago
Ek Jhooti Kahani Mega - Episode 15
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🎥
Short filmTranscript
00:00Oh
00:14Look, one thing I have to remember
00:16Whenever you go to the grocery store,
00:18you don't always go to the clothes.
00:21There's no grocery store in the plastic store.
00:23What's the difference between the samosa?
00:25It's a very big difference, brother.
00:28If you put some vegetables in plastic,
00:30if you put some vegetables,
00:32then the vegetables will go out.
00:34What are they called?
00:36Carbon Mono Oxide.
00:38They will be able to eat the samosa.
00:40We have to eat some of them.
00:42Okay, then...
00:44Now, this is an aleu.
00:46One kilo of aleu.
00:48The aleu needs to buy the aleu
00:50that the aleu needs to be warm.
00:52And you see the aleu's eyes?
00:54The aleu's eyes?
00:56Yes, the aleu's eyes are
00:59where new vegetables are.
01:01If you look at the aleu's eyes,
01:04this aleu is the same.
01:08It's the same as the aleu.
01:10It's the same as the cold storage store.
01:12It's so much for the samosa.
01:14Yes, my dear.
01:16Look, if you are a very big chef,
01:18then the chef who will be able to eat it
01:20will be able to learn you.
01:24Now, let's take one kilo of aleu.
01:27Okay?
01:28And we have to take the aleu
01:29which has dried salt.
01:31It's gone.
01:32Let's go.
01:33Let's go.
01:34Come on.
01:35Here.
01:36One kilo of aleu.
01:37Wow!
01:38How many of you are!
01:40And what?
01:41Let's put it.
01:42Let's go.
01:43Yes, yes, yes.
01:45Oh!
01:47Oh!
01:48Oh!
01:49Oh!
01:50Oh!
01:51Oh!
01:52Oh!
01:53Oh!
01:54Oh!
01:55Oh!
01:56Oh!
01:57Oh!
01:58Oh!
01:59Oh!
02:00Oh!
02:01Oh!
02:02Oh!
02:03Oh!
02:04Oh!
02:05Oh!
02:06Oh!
02:07Oh!
02:08Oh!
02:09Oh!
02:10Oh!
02:11Oh!
02:12Oh!
02:13Oh!
02:14Oh!
02:15Oh!
02:16Oh!
02:17Oh!
02:18Oh!
02:19Oh!
02:20Oh!
02:21Oh!
02:22Oh!
02:23Oh!
02:24Oh!
02:25Manmuthiya, us gali na ja.
02:27Jidhae ko, haa?
02:31Bhoot masai ki okti hai.
02:39Kya hoogaya aapko?
02:40Aap thikta hai? Pani?
02:42Aap thikta hai?
02:43Aap thikta hai?
02:43Pani?
02:47Mirit cha hai, mirit cha hai.
02:48Mirit cha hai.
02:48Lai naa chaldi.
02:50Lai, lai, lai, lai.
02:55Lai, lai, lai, lai.
02:56Kya hoogaya?
02:57Aap thikta hai?
02:58Ghaad chaldi hai.
02:59Ani, ani.
03:00Orpili, orpili, orpili, orpili.
03:05Nazer niya, chashma ka.
03:07Ye rai, ye rai.
03:10Do bora.
03:11Se matur khalu.
03:14Yee hazaar rupay ka to ek ticket aega.
03:16Aera, meera ticket?
03:18Beta, apna ticket na, khud kamao.
03:20Mena leker lih de raha.
03:23Kasm se abo baut khudgarz ho, Sherry bhaai.
03:25Aera, aegar ye paint ki bucket match ra ki nahi liha hota na,
03:27Thaap koye paise ni miltay.
03:29Thik hai, maan liya.
03:31Lekin, kamaayi toh, meinne na, tu kamaa ke dikhha.
03:38Yee kama karo ge?
03:39Kya?
03:40Ya, iskuper late za.
03:41Mena hazaar rupay kamaa ke dikhata ho.
03:44Kya se?
03:46Aap lehet e to, arhili ka mat.
03:48Aray, kamaayi ka kiasse?
03:49Aray, kamaa lunga, aap lehet e.
03:51Chil, khee ke, yeh le.
03:52Hee kya ho gya?
03:54Aap buchhi chodke chali gai.
03:56Hee!
03:57Hee!
03:58Heee!
03:59Heee!
04:00Heee!
04:01Heee!
04:03Heee!
04:04Heee!
04:05Heee!
04:06Heee!
04:07I left my hand and left me.
04:11I'm alone in this world.
04:15Sherry, my Sherry.
04:25I'm alone in this world.
04:29What happened, brother?
04:30That's not it.
04:32And what are you doing with Golden Man?
04:37This is my boss.
04:39You both are bodybuilders.
04:41You stood up to see the body.
04:43Then he fell and fell.
04:45And died.
04:47Hey, hey, hey, hey.
04:49You're very sad.
04:51You're using bodybuilders and injections.
04:53You're all because of that.
04:56You're very sad.
04:58You're so beautiful, young man.
05:00You're very sad.
05:05Give me money to help with the ambulance.
05:07I'll tell you what I am going to do to help you.
05:16Good job, brother.
05:17God will keep everyone in our own.
05:28Look, I've been sent to you.
05:30You've got money.
05:32And which one?
05:41Just do it, Mirabh.
05:43You both have to keep your work together.
05:46Sabra babra.
05:49You will become a third of your daughter, Nasrabi.
05:52There is no such a big thing that you have to be angry.
05:56You will know when your data will be clear.
06:01What do you mean?
06:03If you want to listen to it, then listen to it.
06:05This is Nasrabi, which you have become a deputy.
06:08This was talking to Farid Bhai when Bashir Bhai came.
06:12Okay, so?
06:13So, what? Did you feel bad?
06:17No, why would you feel bad?
06:20Do you feel that you like Farid Bhai?
06:24Yes, I mean they do too.
06:26No!
06:27They don't do it.
06:29They like Nasrabi and make them become a victim.
06:35My name is my friend.
06:36It's so easy to make a victim.
06:39I and Farid are making Nasrabi.
06:42Come here.
06:43Yes, sit here.
06:46What do you feel like Farid Nassrabi?
06:49Right?
06:50Yes.
06:51I didn't tell him to talk about Nasrabi.
06:53I don't know who he is.
06:54Don't wait for me.
06:55Don't wait for me.
06:56Don't wait for me.
06:57Don't wait for me.
06:58Oh, that's the thing.
07:00Yes.
07:01Don't wait for me.
07:02Don't wait for me.
07:03Don't wait for me.
07:04Don't wait for Nasrabi.
07:05Don't wait for us to get the daughter of Bhai.
07:08Until they don't forgive me,
07:10this fight will be going.
07:11If you want to make Eastern work,
07:13then Kashmir, Armenia and Saudi Iran will end the fight.
07:19Then we will be alive.
07:22I'm alone for the daughter of Bhai and her family.
07:24I'm alone for the daughter of Bhai.
07:25But the Nasrabi has done this.
07:28It will be a sacrifice.
07:30And it will be very soon.
07:35Hmm.
07:36Farid Nassrabi has not said anything.
07:37Why?
07:38I will say it.
07:44I was going to go to the doctor but I have convinced him.
07:47I was going to go to the doctor?
07:48Yeah.
07:49Yes, let's go.
07:50Let me go.
07:51I'll kill you, man.
07:52I'm living in my age.
07:53You're good at that.
07:54You're always looking for the daughter of Bhai.
07:55Yes, you're coming for the daughter of Bhai.
07:57Yes, I'm a big baby.
08:00My wife is the last woman.
08:01I have to call her.
08:02I will call her boss.
08:03I'll call her husband.
08:04Who are you?
08:05Who are you?
08:07Me?
08:08My daughter.
08:09She's a baby.
08:10She's a baby.
08:11He's a baby.
08:12She's a baby.
08:13She's a baby.
08:14She's a very nice.
08:16.
08:18.
08:20.
08:21.
08:23.
08:24.
08:26.
08:27.
08:28.
08:32.
08:34.
08:36.
08:38.
08:42In our time, I'm going to mine too.
08:44Don't tell me about it.
08:46It's my last time to meet you.
08:48We won't do anything else.
08:51Where did you come from?
08:53They're giving us a gift to Sabra and Babra.
08:57Hey!
08:58Tell me about it.
08:59This city has been sent to me.
09:01I won't stop.
09:03I won't stop.
09:09Hello, where are you?
09:12I won't stop.
09:13Bashir's brother, he's got a milk.
09:15He's got a fight.
09:16Come on.
09:17Come on.
09:18Come on.
09:19Come on.
09:22Don't let me go.
09:23Don't let me go.
09:24Don't let me go.
09:25Don't let me go.
09:26Don't let me go.
09:29You know, Habib.
09:30You didn't have to explain it.
09:32They explained it.
09:34But this victim came from above.
09:38From above?
09:39Yes.
09:40You don't have to go.
09:41You know what?
09:42The victim's duty is duty.
09:44You're a good one.
09:46The victim's duty is duty.
09:47You're a good one.
09:48You're a good one.
09:49You're a good one.
09:50You're a good one.
09:51You're a good one.
09:53Now, what are your rules?
09:57My rule is that they're going to leave here.
10:01They're going to leave one day?
10:04That's right.
10:06They will give you.
10:08Then think about them.
10:10Don't let them leave.
10:12Think about it.
10:13They're going to leave me and talk to my camera.
10:16We'll come tomorrow.
10:21I know you're normal.
10:25We'll come tomorrow.
10:27Shukrabhu,
10:29they're going to say something else.
10:32They're going to ask me.
10:34They're going to ask me.
10:35They're going to ask me.
10:36They're going to ask me.
10:38They're going to ask me.
10:40They're going to ask me.
10:48What's going on, Bashir?
10:50You're coming.
10:52You're coming.
10:53You're coming.
10:54Otherwise, I'm going to die.
10:56I'm alive.
10:58I'm dead.
10:59I'm dead.
11:00What happened?
11:01You and Farid came to the store.
11:04When they came back to the store.
11:05I was learning to buy groceries.
11:07Then, I was going to buy groceries.
11:09Then, I was going to buy groceries.
11:11Then, I was going to buy groceries.
11:12I was going to buy groceries.
11:14I was going to buy groceries.
11:16I was going to buy groceries as well.
11:17I am going to buy groceries.
11:19I don't know.
11:20I'm going to buy groceries.
11:21I don't know who is in front of them.
11:23I'm coming in.
11:24I'm not going to buy groceries.
11:25Oh, oh, oh, oh, oh.
11:26Don't you let them take them to Doctor?
11:28No.
11:29They're going to go to the guest room.
11:30You're going to go to the guest room.
11:31That's awesome.
11:32Yes, Bashir.
11:34I'm going to go to the guest room.
11:35I'm going to get my house.
11:36I'm not going to go.
11:37Bad Bashir,
11:38I'll take the room.
11:39Don't do that.
11:40Okay, let's go.
11:42Let's go.
11:43Let's go.
11:44Take my smile.
11:45Take my smile too.
11:46Take my smile.
11:47Let's go.
11:48It's like a smile.
11:49I'm going to take a smile.
11:51I'm going to take a smile.
11:53I'm going to take a smile.
11:55When will you stay in this house?
11:57It's going to be more than one year.
11:59Or until you'll be more than one year.
12:03I knew it.
12:04I knew it.
12:05I knew it.
12:06I can stay in my house.
12:09And what are you doing?
12:11And this venture,
12:13samosa,
12:14venture,
12:15new開養
12:16and you?
12:17Bushra Bhābhi all day.
12:18So what are we?
12:19Where are we?
12:20You are in your own home.
12:25You won't make up and be a duke.
12:32Okay.
12:34So we are a man in the house.
12:37Just keep your ive together.
12:39Just keep on who you have to keep on it, then we will also think about anything about it.
12:45Why?
13:01This is going to be going on.
13:03The guest room is going on.
13:09Oh
13:11Oh
13:17Oh
13:22Oh
13:24Oh
13:26Oh
13:28Oh
13:30Oh
13:32Who said you?
13:34Who said you?
13:36Oh
13:56Oh
13:57If we make 4 money, then what will happen?
14:00And your question is that it will become a problem?
14:02Yes.
14:03The problem is that it will become a problem with my family.
14:08Sorry, sorry, sorry.
14:09I had to keep the clothes.
14:10I thought that someone would see it.
14:12So, it will come.
14:13You're okay, Abba Ji.
14:15Don't die, die.
14:17She fought in Tatiya Minch.
14:18And this is Mirabh Bibi.
14:20What is this?
14:22This is Tatiya Minch.
14:24I don't think it's an idea anymore.
14:26She was listening to me.
14:27She will show you tomorrow.
14:28She's a very dangerous girl.
14:30I'm scared of her in the car.
14:32I don't want to take care of the car.
14:34I've put the car in front of Rizwan's face.
14:38Very good.
14:39Are both of them?
14:40I don't know.
14:41I'm going to know what to do.
14:42Don't worry.
14:43You're going to pick up Rizwan's face.
14:45Listen.
14:46It's true.
14:47It's true.
14:48It's true.
14:49It's fast.
14:50It's fast.
14:56You've seen it, Sherry,
14:58people didn't try to help us.
15:00But a bodybuilder
15:03looked at him.
15:04How much fun of him.
15:05How much fun of him.
15:06How many people have been in the car?
15:08I'm going to think about it.
15:09I'm leaving the car.
15:10I'll leave the car and spend the busher on the car.
15:11I'll take two hours a day.
15:13I will be good.
15:15Good.
15:16Good.
15:17Good.
15:18How much?
15:19How many thousand?
15:20Ten thousand.
15:21Ten thousand.
15:22But Sherry, it's a small town.
15:26You'll have to spread the news of your mind.
15:29You'll have to be a bodybuilder, then you'll have to be a golden run.
15:33You'll have to get 10,000 in this small town, so it's enough.
15:36We'll leave now.
15:37But...
15:38...mushra!
15:39Where are you going to find, Sherry? Where are you going to find?
15:42In the streets, in the mountains, in the mountains, in the mountains.
15:45Where are you going to find?
15:46I'm going to go.
15:47I've just left two hours in Karachi.
15:48If you want to come, I'm going to go.
15:50That's okay, you go.
15:51I'll take the bushra.
15:55You don't have any love for anyone.
15:57She's only Sherry.
15:59Her name is Sherry's name.
16:01I'll take the bushra.
16:15Now, how are you going to find, Bashir?
16:18God bless you.
16:20Harpan, this was a very dangerous stunt.
16:23God has done it.
16:25It's done.
16:26Stunt?
16:27Yes.
16:28Now, there will be such stunts in the gharilu drama.
16:31Don't be able to kill the train.
16:33It's easy to kill the train.
16:35And it's easy.
16:37It can be something in it.
16:39Absolutely.
16:39Don't try it at home.
16:43Be careful.
16:43Be careful.
16:45I see not only be a professional actor, but he couldn't do professional.
16:50What a difficult stunt!
16:52And you're very positive.
16:55You are very lucky in the supporting cast.
16:57You're lucky too.
16:59You're not doing your own training.
17:00I'm just saying that's how I'm saying.
17:02I was genuinely concerned for you.
17:05You also need to be a very difficult stunt.
17:08In our times, when we were doing a stunt,
17:12the producer would give us a call.
17:15I'm telling you.
17:17I don't want to ask.
17:19Yes, yes.
17:21It's done.
17:23You guys are doing great.
17:25But now we have to submit a story.
17:27It's necessary for the tutor.
17:29Yes, yes, it's necessary.
17:31Look at the small ones,
17:34they're doing so much time and energy.
17:37Yes, yes, of course.
17:39Look at that,
17:41one kind of scene,
17:43one kind of scene,
17:45one kind of scene,
17:47the public is rising.
17:49That's why if there's a new scene,
17:51the show will rise.
17:53As you can understand,
17:55they're not staying here.
17:57Look,
17:59it's not a good thing.
18:01Don't worry,
18:02it's going to be a happy ending.
18:04The small ones,
18:05they'll go to the school.
18:07And we'll convert them to the good ones.
18:11And if Samya is a shock of cooking,
18:13we'll be busy in the kitchen.
18:15Yes,
18:16we'll have to keep the house
18:18so that we'll keep the house
18:19from the good ones.
18:20And we'll send the house
18:21back to the BS.
18:22So,
18:23we'll have to use the political side
18:24so that we'll use it
18:26to be there.
18:27And then,
18:29your house will become
18:31the miracle of the world.
18:33It will be great.
18:35So,
18:36we'll call the tutor.
18:39Yes,
18:40of course.
18:41Yes,
18:42of course.
18:43Look,
18:44the tutor
18:45needs
18:46to be written
18:47an actor.
18:48Yes,
18:49of course.
18:50Yes,
18:51of course.
18:52Yes,
18:53of course.
18:54Yes,
18:55of course,
18:56the tutor
18:57is
18:58in the second half.
18:59So,
19:00the tutor
19:02of the course
19:03of that.
19:04And that's
19:05a reward.
19:06Yes,
19:07yes,
19:08the tutor
19:09has been
19:11the first half.
19:12Yes,
19:13of course.
19:14Yes,
19:15Of course.
19:16Yes,
19:17of course.
19:18Yes,
19:19of course,
19:20you'll find
19:21the company to
19:22the foe.
19:23Yes,
19:24of course.
19:25Yes,
19:26of course.
19:27Yes,
19:28of course.
19:29Assalamualaikum warahmatullahi wabarakatuh, huriya, apajan.
19:33You have a number of duffer.
19:35How are you?
19:39Bindiya, you're going to meet Farib bhai with Nassar, you're going to be a victim.
19:43Don't do it.
19:44Yes, I swear, it's like this.
19:47I've heard the same Habib and Safiyah from these people.
19:51But the actual deal is Bindiya, you're going to be a victim.
19:53But the fact that when they say that he and Farib bhai with Nassar, you're going to be a victim, it's like this.
20:01Yes, it's like this.
20:05But Mirabh, this is so bad.
20:09There's nothing bad.
20:11All bad people are not bad, huriya.
20:14This Nassar is the only one who is the shaitan, who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones.
20:18But the Bindiya, you know their nature.
20:20They know that Nassar will be the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the ones who are the
20:50He will get a light on the set.
20:53Yes, it will be fun.
20:59Oh!
21:07How long this series is going,
21:09I will sleep with my sleep.
21:12That's why I was telling you,
21:14why did they stay here?
21:16Abba Na is a born artist.
21:18He knows exactly when we have to take the situation,
21:21we have to move on to the story.
21:23Wow.
21:25Was that a tutor cast?
21:28Yes.
21:30Rizwan.
21:32My brother.
21:34If you're a brother,
21:37you're acting as a brother.
21:39We all are a moralist.
21:43You're acting as a brother.
21:46Now,
21:47the situation is so gross,
21:48so no one wanted to give up.
21:50That's why.
21:51Let me tell you something else.
21:53What?
21:57That's not a real person.
22:04Are you robots?
22:05AI?
22:06Art of intelligence?
22:08No.
22:09No.
22:10Abba's genuine intelligence.
22:11Now,
22:12you wanted to be in the house, right?
22:15Yes.
22:16It's a big house.
22:17You want to be in the house.
22:18And whoever comes out,
22:19they come out and take the kids out.
22:21That's the problem.
22:23Of course.
22:24I told Abba that you want to be in the house.
22:27They said,
22:28okay.
22:29So,
22:30my two daughters,
22:31Sabra and Babra,
22:32make me happy.
22:33Make me happy.
22:34One minute.
22:36Your daughter?
22:37Now,
22:38you see.
22:39You see,
22:40you're showing a big house,
22:41but you're not showing a big house.
22:43And the writer wants to write a good character,
22:45but no actor doesn't want to do it.
22:48Everyone wants to become a heroine.
22:50You don't want to become a heroine.
22:51You don't want to become a heroine.
22:52You don't want to become a heroine.
22:53You don't want to become a heroine.
22:54You don't want to become a heroine.
22:55Absolutely.
22:56That's why Abba ji thought,
22:57that they won't be able to get the rest of the cast.
23:00So,
23:01he called Sabra and Babra,
23:03he didn't want to give a dialogue,
23:04so he made Gunga Bhaira.
23:05He didn't say Gunga Bhaira.
23:06He didn't say Gunga Bhaira.
23:07He didn't say Gunga Bhaira.
23:08He was like a heroine.
23:09Look,
23:10he's doing so good acting.
23:11He's doing great.
23:12He's doing great.
23:13He's doing great.
23:14Now,
23:15you don't want to think about it.
23:16The time Abba ji said,
23:17you're looking for attention to your work.
23:19everything is right.
23:20As you want,
23:21it will be the same.
23:36No.
23:37What happened?
23:38That's...
23:41Everything happens all day,
23:42that my mind is falling apart.
23:44I...
23:45I need to sleep.
23:46I've kept my life in your house.
23:48Then I will also let the other shopping.
23:50Yes.
23:51So,
23:52Do you want me to take the drink?
23:53I've also,
23:54I want to take it!
23:55Come on,
23:56go.
23:57Yes.
23:58The day of my heart has given you.
24:01Everything has given you.
24:03The day of my heart has given you.
24:04The day of the time to die.
24:05I got you,
24:06I got you.
24:07But it's the day of the time to die.
24:08The day of my heart has done the way.
24:10Why is my attention to a day?
24:12My attention to the day of my heart.
24:13It's the day of my heart.
24:14You can see how easy it is.
24:23The drum of a horse, and my heart was broken.
24:30All of these are the same.
24:33These are the same for me.
24:36When you saw the first day,
24:39I felt the same for the same time.
24:43Red flag, you can see that I have to look at all the things that I have to look for.
24:51If you have a child and a child, what kind of appearance do you have to look like?
24:56Oh my God!
24:58I've learned a lot to learn from my parents.
25:02I'm just saying that they don't have any kind of bias.
25:08I've said that the house is very big and we'll have more money.
25:13and then we will not have to fix the house,
25:16and then we will fix the house,
25:18nor have to fix the house,
25:20nor have to fix the house.
25:22We will not have to fix the house,
25:24nor have to fix the house.
25:27Nor have to fix the house.
25:29The truth is a good thing.
25:32They both look at their faces.
25:38I feel like
25:41one group will be one group.
25:44One group will be one group.
25:47Now the third group will be one group.
25:50I can't understand that
25:54Irfan will not have anything to do with it.
25:58Is it our relationship?
26:00Yes.
26:02We have no relationship with it.
26:04We have to have a relationship with it.
26:06We have to have a relationship with it.
26:09We have to have a relationship with it.
26:11We have to have a relationship with it.
26:13Shhh!
26:14It's a habit that we all know about our own life.
26:19We've had our eyes.
26:21We didn't know that.
26:23We just thought that we will understand.
26:29These all have so many years
26:31that if we can become a human being,
26:34we can write down a special literature.
26:38Please leave them.
26:40Please tell us that we started our plans and discussed it
26:43First, tell me.
26:45Do you want to take a look at Bindiya?
26:47What is our relationship with our plan?
26:49It's a relationship.
26:53It's a very close relationship.
26:55Can I ask you?
27:01No.
27:03First, tell us about Bindiya.
27:05Look, you know what is going on in his mind.
27:09And I...
27:11My sister has been...
27:13I think I've paid my money.
27:17I've had a lot of money.
27:19My sister feels like she's gone.
27:21And she's both a monster.
27:23And Bindiya also?
27:27One thing I can do, I want to make myself?
27:29Just...
27:31Because I feel like she's going to live in a bar.
27:33And she's going anywhere.
27:35She's going to stay for it.
27:37And you hold it's starting to stay.
27:39It's not possible.
27:43Have you sent a passport for visa?
27:47There is an appointment.
27:49I'll send it to you.
27:51Good.
27:53There is a story,
27:55and there is such a story,
27:57that people don't understand what happened.
28:01People ask me.
28:09When I collected these CDs,
28:15I'll be interested in the world of Veneedah.
28:19You were the most interested in working with them.
28:23That's why the shock will be different.
28:27But, brother,
28:29I don't like these veneedahs.
28:33Only veneedahs?
28:35What do you mean?
28:37Do you know Ghazal?
28:39Yes.
28:43Ghazal means to speak with beautiful women.
28:47Hmm.
28:49When they know so much,
28:51why do you ask this question?
28:53That's it.
28:57Ghazal is listening to you.
28:59Because tomorrow,
29:01I don't know how many people will spend this whole day.
29:03I'll ask you.
29:05I'll ask you.
29:07Absolutely.
29:08He's the Ghazal, right?
29:09I don't know how many people've missed them,
29:10and you remember me.
29:11One of the other people was the same,
29:13who was a male.
29:14Was a male.
29:15He was the same.
29:18Please take it.
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