Conspiraciones. Cine y filosofía: John Berger o el arte de ver (copete apertura) - Canal Encuentro - Vídeo Dailymotion

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00:00Música

00:30What are you doing, Tam?

00:36Good, and what were you doing?

00:38Good, everything's fine

00:39Anyway, here I am looking at some photos I took the other day

00:41I didn't know I took photos

00:43Yeah, well, very amateurish anyway

00:45No, I love them, they're really good

00:48Thanks

00:50If I upload them to Instagram later, you'll see that we're all artists there

00:54Well, what can I get you?

00:59Um, something like a chanonic, but not a chanonic

01:02Shin

01:03Fish has soda, lemon, a cherry

01:05Go ahead, go ahead

01:07Look, they're showing a documentary about John Berger

01:13Do you have it?

01:14No, who is he?

01:16He's an art critic, one of the most important of the 20th century

01:18The documentary starts by talking about his eyes

01:22Which if you've ever seen a photo, you'll realize deserve a movie

01:25They had beautiful eyes

01:26But obviously the documentary isn't about that

01:29Rather, it talks about the issue he worked on about the gaze

01:32About the act of looking

01:33And especially about the act of looking at art

01:36He dedicated his entire life to demystifying the idea that looking at art was something for the few

01:41Of course, I think like when I enter a museum and suddenly there are people looking at a painting with faces

01:47That seem to understand something and I end up staying outside, right?

01:52Exactly

01:52Berger wanted precisely to dispel that idea

01:56That looking at art is something difficult and exclusive, if you will

01:59He was quite a critical critic in criticism, if you want to put it that way

02:20Because he thought that criticism, especially criticism that he considered bourgeois

02:24Could often put art on a pedestal that made it inaccessible to the working classes

02:29And at the same time erased the political conflict present in works of art

02:32And turned the act of looking into an empty-ism format

02:35But then he is against theories, right?

02:40Question mark

02:40What you ask is good because we should not confuse Berger's anti-bourgeois position with an anti-theoretical position

02:46Okay, for him, reflecting on art was super important

02:50But it had to serve to enrich the view of art

02:53Not to make it more difficult or more exclusive

02:56To enrich our experience with art

02:57There are three concepts that I think need to be traced in the documentary that I suggest we follow

03:02And then we can discuss how they were seen

03:03One is the body, another is work, and the third is the political nature of the gaze

03:08One is the popular culture of art

03:11Another is the divergent Heist

03:15OOrン

03:16OOrンハ offer

03:18The same Hippoly

03:20The hidden wall

03:21Is the visor

03:22Is the meaning hmm

03:23This is the father

03:24One is the people

03:24Cause the dead

03:25The bed

03:26Big

03:27Big

03:28Big

03:29Big

03:30completely

03:30Big

03:33Number

03:34Big

03:35Big

03:36Big

03:37Big

03:38Big

Conspiraciones. Cine y filosofía: John Berger o el arte de ver (copete apertura) - Canal Encuentro

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