Runway Escape

Rizal Indra Putra

Flight into Danger (Remastered Classic) A tense and thrilling 1940s aviation adventure that takes viewers back to the golden age of suspense cinema.  When a group of passengers boards a routine cargo flight, what begins as a simple journey soon turns into a fight for survival. Hidden secrets, stolen goods, and a mysterious disappearance mid-air put everyone’s life at risk. As danger unfolds above the clouds, one man must uncover the truth before it’s too late.  This restored version of the vintage film Desperate Cargo (1941) delivers old-school mystery, classic performances, and that nostalgic black-and-white tension fans of Golden Age Hollywood love.  Genre: Action | Adventure | Classic Crime Language: English Runtime: 1h 10min Release: 1941   #FlightIntoDanger #ClassicMovie #OldHollywood #VintageFilm #BlackAndWhiteCinema #GoldenAgeMovies #CrimeAdventure #AirplaneThriller #1940sMovies #FullMovie

Transcript

00:00:00The End

00:00:30The End

00:01:00Hotel Puerto Nuevo

00:01:03Yes, they put the new bulletins right now, see?

00:01:10Well, I don't know what says it myself neither.

00:01:13No, because I don't read it yet either.

00:01:15You know, myself.

00:01:17You call later, no?

00:01:19Goodbye.

00:01:20I talk English too, don't you?

00:01:22Yes.

00:01:30Oh, muy bien, señorita.

00:01:33Gracias.

00:01:33Muy bien.

00:01:34Buenos días, señor.

00:01:36How are you?

00:01:36What can I do for you?

00:01:38You have a license to Mr. Ryan and Mr. Tessler, haven't you?

00:01:40Oh, si, señor.

00:01:41Professor Carter, he arranged everything.

00:01:43Oh, is he here already?

00:01:44Oh, for two days ago, he's coming.

00:01:46He was asking where was you.

00:01:48He told me to put you quickly to his room when you're coming.

00:01:51José.

00:01:51Si, señor.

00:01:52Put the señor to Professor Carter's room pronto.

00:01:55Si, señor.

00:01:55Was there something else, señor?

00:01:56No, that's all.

00:01:57Yeah, you can get me the telephone number of the little señorita in the blue dress.

00:02:01Huh?

00:02:01This way, señor.

00:02:02Oh, I did it.

00:02:10Yes?

00:02:11Professor and Ryan to see Professor Carter.

00:02:13Oh, yes.

00:02:13He's expecting you.

00:02:14Come in.

00:02:21How are you, Professor?

00:02:23Hello, there, sir.

00:02:24Professor Carter, this is Mr. Ryan.

00:02:25How do you do, Professor?

00:02:26How do you do?

00:02:27Gee, I'm glad you're here.

00:02:28I've begun to worry about you.

00:02:30You know, when you're sick, little things upset you.

00:02:34Gracias, señor.

00:02:40What do you do?

00:02:41Mine came in on schedule, all right.

00:02:43When I found out the Caribbean cruiser was held up at Rio, I decided to double-check everything

00:02:46with Thompson.

00:02:47That's using your head, Dessa.

00:02:49Well, gentlemen, what about a drink?

00:02:50That suits me.

00:02:51Sure.

00:02:52Fix them up, Madden.

00:02:52Okay.

00:02:53I'll help you.

00:02:55So you're Ryan, are you?

00:02:57Yeah, I'm Ryan.

00:02:58Thompson and Dessa recommend you very highly.

00:03:00You don't have to worry about me.

00:03:02If I did, I wouldn't have fired you.

00:03:04Here you are.

00:03:05What do you think of the layout, Ryan?

00:03:06You can't miss.

00:03:07That's why I'm here.

00:03:09No kidding.

00:03:09It's so simple, it's a wonder someone hasn't thought of it before.

00:03:12Well, it may sound simple, but it took time to work out the details.

00:03:15It's the only thing that kept me from going crazy in a Shanghai jail.

00:03:18Well, how much is that a cup?

00:03:20Close to a half a million.

00:03:23It's lying there in the safe in the Caribbean cruiser right now, just waiting for us to take

00:03:27it.

00:03:27Oh, by the way, Dessa, guess who's the skipper and the cruiser?

00:03:32Who?

00:03:33Hank McFarlane.

00:03:34McFarlane?

00:03:35Yeah.

00:03:35Uh-oh, he's tough.

00:03:36You know that.

00:03:37I haven't forgotten.

00:03:40What's so funny?

00:03:41I was just wondering what my old friend McFarlane would think if he knew what was going to

00:03:45happen to him and this passenger.

00:03:49Here's how.

00:03:59Just a moment.

00:04:02Dr. Taylor at the hospital, Captain.

00:04:07McFarlane speaking.

00:04:09How's Jackson doing?

00:04:11Oh, how long do you think he'll be laid up?

00:04:15No, no, we're still waiting on the weather.

00:04:18Oh, that's fine.

00:04:18How is he?

00:04:19He's doing all right.

00:04:20Some people are all the luck.

00:04:22What's lucky about an operation?

00:04:24Oh, but look at all the fun he's going to have recuperating in a place like this.

00:04:27There's only one difference between you and Jackson.

00:04:30His case isn't hopeless.

00:04:33What is it?

00:04:35We're to pick up a new purse at Puerta Nueva.

00:04:39Tony Bronson.

00:04:40Never heard of him.

00:04:42More grief, I suppose.

00:04:43What do you mean?

00:04:44Stalled by rough weather, purser in the hospital, and now I have to take on a new man.

00:04:48What next?

00:04:49Bronson's okay.

00:04:50I met him a year ago in Miami.

00:04:52You'll like him.

00:04:53Why?

00:04:53Well, he's a good man, smart, gets along well with people.

00:04:58He's a hound for work and keeps his mind on his business all the time.

00:05:02No, no, no, no, no.

00:05:03Not senor Bronson.

00:05:05Now, let's get this straight.

00:05:06In Americana del Norte, I call you Chiquita, I call you Maria, and you call me Tony.

00:05:11Savvy?

00:05:12Tony?

00:05:12Tony, that's right.

00:05:13That's the idea.

00:05:14Yeah, well.

00:05:18Yeah, well.

00:05:20See how you move, Tony.

00:05:21We're like a friend.

00:05:22Tony.

00:05:27Who knows?

00:05:28Excuse me.

00:05:37May I help you?

00:05:39No, thanks.

00:05:40You seem to have your hands full over there.

00:05:42Yes, but that, uh, a little help wouldn't go amiss, would it?

00:05:46Just miss, if you don't mind.

00:05:48Thanks.

00:05:49You're welcome.

00:05:51Jose.

00:05:52Go to work, will you?

00:05:54See.

00:05:54Well, now, where were we?

00:06:00Oh, that's me.

00:06:02Pardon me again.

00:06:04Come in, come in.

00:06:04Yes, Jose.

00:06:08Okay, Jose.

00:06:09Those two over there.

00:06:10Give them number three this time, huh?

00:06:11Si.

00:06:14This one?

00:06:14That's right.

00:06:15In translated form, huh?

00:06:16Si, senor.

00:06:23Senoritas.

00:06:24El senor Branson les manda esta nota.

00:06:30¿Qué dice?

00:06:31Yo no sé leer inglés.

00:06:32¿Qué dice aquí?

00:06:33Que tiene que partir inmediatamente.

00:06:35¿Ya no va a regresar?

00:06:36No.

00:06:37¿Puede más y irnos?

00:06:38Vámonos.

00:06:41Oh, are you liking our shops, no?

00:06:44Oh, they're wonderful.

00:06:45A bed for my pocketbook.

00:06:47I start buying souvenirs and antiques.

00:06:49I never know when to stop.

00:06:51It is lucky for Puerto Nuevo.

00:06:53If only they just feel the same way, won't you?

00:06:56I guess so.

00:06:57When will the next bulletin be in?

00:06:59They're posted every four hours.

00:07:05Give me.

00:07:18You do this all the time?

00:07:19Well, here's one antique I think you better put on ice.

00:07:29When you two feet are sent out.

00:07:33I guess...

00:07:36You have to be able to pull out the other thing.

00:07:37No.

00:07:38This is a very nice habit.

00:07:39I've got to get ready for the next Fantasy.

00:07:41It's okay.

00:07:43I've got a good idea.

00:07:44It's okay.

00:07:44You won't be able to get it.

00:07:44I've got it.

00:07:45I've got a good idea.

00:07:46I'm going to be able to move on the next level.

00:07:47Let's go.

00:08:17Look out!

00:08:25Who's your friend?

00:08:27I don't know who he was.

00:08:28I woke up and found him going through my room.

00:08:30Well, that's a lot of nerve and broad daylight.

00:08:32Did he get what he was after?

00:08:35He sure did.

00:08:36He got my bankroll.

00:08:38I won quite a lot of money last night.

00:08:40I probably showed it around.

00:08:42Where were you?

00:08:43Oh, I was in several places.

00:08:45I ended up in Sullivan's American Bar.

00:08:48Pretty tight, too.

00:08:50Ah, this old story.

00:08:51Did you get a look at him?

00:08:52You know who he was?

00:08:53No, I didn't have time.

00:08:54The whole thing happened too quick.

00:08:55Well, maybe you better call the police.

00:08:57Oh, excuse me.

00:08:57I'm Tony Bronson, the TCA.

00:08:58Maybe I can help you.

00:08:59Well, that's an idea.

00:09:01Oh, say, you're the new purser on the Caribbean Cruiser, aren't you?

00:09:06Yeah, but how did you know?

00:09:06I only found out myself yesterday.

00:09:08Well, I get paid for being curious and finding out things.

00:09:11I'm Jim Halsey of the New York Dispatch.

00:09:13Ah, the famous Jim Halsey.

00:09:15Skip it.

00:09:16I'm just a reporter covering a lot of territory.

00:09:19Say, by the way, have you any idea when we're going to get out of here?

00:09:22Nope, nothing definite.

00:09:24Well, if that plane doesn't hurry up, I'm going to lose a swell job.

00:09:27How's that?

00:09:28I'm due to leave New York for the Orient in four days.

00:09:31And if I'm not there, somebody else takes my place.

00:09:34I sure hate to miss out, brother.

00:09:36You almost missed out when that knife came through the window.

00:09:38I bet you'll be there.

00:09:40I hope you're right.

00:09:42Hand you a little gadget.

00:09:43Police will want to see this.

00:09:45Don't touch the handle.

00:09:46Fingerprints and all that sort of stuff, you know?

00:09:47Yeah.

00:09:48I'll get on with you if you like.

00:09:50Okay, thanks.

00:09:51Mind if I take a shortcut?

00:09:52I'll be right back.

00:09:53I'll live right next door here.

00:09:54Go right ahead.

00:09:54Oh, Bronson.

00:09:59Yeah?

00:10:00Maybe you'd better leave it open.

00:10:01Looks like I need protection.

00:10:04Say, by the way, are you doing anything tonight?

00:10:07No, what?

00:10:07I'm taking two American gals to dinner.

00:10:09Suppose we make it a foursome.

00:10:10None of that blind date stuff for me.

00:10:12I like to pick them myself.

00:10:14Don't worry.

00:10:15I can pick them, too.

00:10:17I've heard that story before.

00:10:19What time and where?

00:10:217.30.

00:10:22Downstairs.

00:10:23Okay.

00:10:24That fish smells good.

00:10:27Yeah.

00:10:28Let's hope that clerk downstairs doesn't get a whip of it.

00:10:31I'll be one of those, uh,

00:10:32no salve las regulaciones senor routines again.

00:10:36Never mind, kid.

00:10:37It won't be long until we're back in the good old USA.

00:10:40Yeah.

00:10:41Or you can get a plate of ham and eggs

00:10:42without having to draw a picture of tablecloth.

00:10:45Can't come too soon for me.

00:10:47You think Miller will send us our fare?

00:10:49Well, sure he wouldn't wire us to come home

00:10:51if Ferris didn't want our act, would he?

00:10:53It's two days since we've wired him for tickets.

00:10:55This is not.

00:10:56It was only yesterday.

00:10:57Day before yesterday.

00:11:02Here's his cable.

00:11:03See the date?

00:11:04We answered him ten minutes later.

00:11:06Do you think he's sore because we sent it collect?

00:11:08Oh, no, not good old Miller.

00:11:18What sweet, sweet words.

00:11:21Here, now you put this in a nice safe place

00:11:23because I'm going to frame that when I get home.

00:11:26Well, let's tear this herring apart.

00:11:29It'll tide us over to dinner when we eat on Mr. Halsey.

00:11:31And how we'll eat.

00:11:33I don't think I'll impose on Halsey.

00:11:36Isn't it wonderful what a difference a cablegram can make?

00:11:41Listen, sweetheart, you're going to be Jim Halsey's guest tonight

00:11:44even if Miller sends us enough money to buy a plane.

00:11:47No, I'm not.

00:11:48That's gold digging.

00:11:49Gold digging, she says.

00:11:50I beg your pardon, but this is ethical.

00:11:53Now, look, I knew Jim Halsey in New York

00:11:55and I meet him here

00:11:56and he asks me to dinner

00:11:57and you too.

00:11:58Do you call it gold digging?

00:12:00If I call it promotion,

00:12:01will it make you feel any better?

00:12:02Ann, what's wrong with negotiating

00:12:04a good dinner with a nice man?

00:12:06We enjoy ourselves and he enjoys himself.

00:12:08We entertain him and he pays.

00:12:11Everybody's happy.

00:12:12There's nothing wrong with it, I guess.

00:12:14I just don't see things the way you do.

00:12:17Oh, I guess you don't.

00:12:19Well, come on, let's eat.

00:12:20Holy smokes.

00:12:27Just a minute.

00:12:28Get the wash, Ann.

00:12:30Get the wash.

00:12:33Scream, scream, scream, scream, scream.

00:12:37Be right there, senor.

00:12:40Get a smell around.

00:12:42Here, here.

00:12:42Oh, it's you.

00:12:53Cable ground.

00:12:54Oh.

00:12:55Ann, get me my purse, will you?

00:13:01Oh, it won't hurt you.

00:13:03It's venison.

00:13:05Oh.

00:13:05It's for my asthma.

00:13:08Transportation.

00:13:12I like that.

00:13:20It's my best perfume, too.

00:13:23Oh, what have you got?

00:13:24A first-class ticket?

00:13:31Oh.

00:13:35Well, that's that.

00:13:38Yeah.

00:13:38Now what do we do?

00:13:40Well, I don't know.

00:13:41I've got to get back to New York where we can earn a living.

00:13:44It's a long swim.

00:13:48How about Halsey?

00:13:50Way ahead of you there.

00:13:52Well, here's where little Peggy really goes to work.

00:13:55Negotiating?

00:13:56No.

00:13:57Digging.

00:13:58Just plain digging.

00:14:00You got an extra shovel?

00:14:01Maybe I can help.

00:14:03My, my.

00:14:04What a big difference a little cablegram can make.

00:14:06Ha, ha, ha, ha, ha.

00:14:07Ha, ha, ha, ha.

00:14:08Ha, ha, ha, ha.

00:14:09You have two girls, I presume.

00:14:14I did an hour ago.

00:14:16I knew Peggy would be late, but I didn't think she'd keep us waiting this long.

00:14:21Hold it forward, will you, Halsey?

00:14:22I'll be right back.

00:14:22Where are you going?

00:14:23Never mind.

00:14:27As soon as we take over the flight deck, they can't do a thing.

00:14:31Now, do you think you know what the inside of a plane looks like?

00:14:34Yeah.

00:14:35All right, that's enough for now.

00:14:37We'll go over this thing again tomorrow.

00:14:39It's not so simple after all, is it?

00:14:41Why, it's a cinch.

00:14:42You two handle the ship.

00:14:43Me and Lesser handle the passengers.

00:14:46We take the dough and scram.

00:14:48The only thing we need is a little luck.

00:14:50Listen, Ryan.

00:14:51Any man that's been flying as long as I have knows you can't depend on luck alone.

00:14:55Sure, but a little never hurts.

00:14:56This perfect crime stuff is the bunk.

00:14:58They always end up with holes in them big enough to drive a truck through.

00:15:01Yeah?

00:15:02Where's the hole in this one?

00:15:04I don't know yet, but one generally shows up, and that's where luck comes in.

00:15:07We're still going to do it my way.

00:15:08Well, now that that's something, how about some blackjack?

00:15:10That suits me.

00:15:11I'm going to take a walk.

00:15:15Wait a minute, Ryan.

00:15:16Now, what is it?

00:15:17Don't leave the hotel.

00:15:18What is this?

00:15:19All I want to do...

00:15:20I said don't leave the hotel.

00:15:22Okay.

00:15:22I still think I'm right.

00:15:28There's our meal ticket.

00:15:33Right over there.

00:15:38Hi, Halsey.

00:15:39Well, say, it's about time.

00:15:40Don't say it, Cookie.

00:15:42And this is Jim Halsey.

00:15:44How do you do, Mr. Halsey?

00:15:45I've enjoyed your articles on South America.

00:15:47Oh, thank you.

00:15:48I didn't think anyone read them.

00:15:50What's this, the cozy little threesome?

00:15:51No, no, just a minute.

00:15:52I've got a very nice boy I want you to meet.

00:15:53He'll be here in just a minute.

00:15:54We'll try this one this time.

00:15:59Yes, sir.

00:16:00Are you sure you understand?

00:16:01Completamente.

00:16:02This will be the signal.

00:16:07There she is.

00:16:09Now, don't let me down.

00:16:10Okay.

00:16:11Well, I figured that any fellow that was brave enough to tackle another man with a knife

00:16:14would certainly be game enough to meet you two.

00:16:16What a pal.

00:16:17He puts me behind the eight ball before he introduces me.

00:16:21Well...

00:16:21Uh, yes.

00:16:23Uh, what, uh, no bundles?

00:16:27How do you do?

00:16:27Hello.

00:16:29Well, let's sit down and have a little bite.

00:16:30Thanks for introducing me, Halsey.

00:16:32Peggy Morton's the name.

00:16:33Hi, Peggy.

00:16:34Hiya.

00:16:34All right, Peggy.

00:16:35Right over here.

00:16:38Certainly kept the party waiting.

00:16:39Now, now, now, now.

00:16:42Well, am I still behind the eight ball?

00:16:44That depends on a number of things, Mr. Bronson.

00:16:47What, for instance?

00:16:49Well, let's not go into that now.

00:16:51All right.

00:16:51Uh, will you excuse me for just a moment?

00:16:58I'll be right back.

00:17:03Something's wrong, senor?

00:17:04Give me, give me, give me.

00:17:09You're fired, my boy.

00:17:11Thank you very much.

00:17:12If I hadn't had a $20 bill in another pants pocket, you kids would be buying my dinner tonight.

00:17:18Oh, a great kidder.

00:17:22Well, where were we?

00:17:23I was just telling the girls it was lucky I paid for my ticket last week or you'd be shy of passenger.

00:17:27Passenger?

00:17:28Yeah, Bronson's with the TCA.

00:17:30Is that so?

00:17:31Yes, I've been with the line ever since I left college.

00:17:33I've just been assigned to the Caribbean cruiser.

00:17:35Pilot?

00:17:36No, I'm the purser.

00:17:39Uh, did you say purser?

00:17:41Uh-huh.

00:17:42Well, um, then you have charge of tickets and reservations, don't you?

00:17:46Yes, I'm responsible for all the passengers from the time they check on the plane until we land.

00:17:52Isn't that interesting?

00:17:53Is it?

00:17:53Oh, yes, it is.

00:17:56Oh.

00:18:00He has charge of the tickets.

00:18:03I heard them the first time.

00:18:05What's that?

00:18:06Oh, the singing.

00:18:07Oh, happy, huh?

00:18:09Uh, uh, oh, Anne, have you got your compact with you?

00:18:13Why, yes, I think so.

00:18:14You know, the one Miller sent you?

00:18:16Do you remember?

00:18:17Oh, I, I, I forgot it.

00:18:20Well, it's on the bureau.

00:18:21I put it there.

00:18:22You remember.

00:18:23I'll be right back.

00:18:40She's really very clever.

00:18:41She writes all the material for our acts, such as this.

00:18:44Hey, Peggy's quite a press agent for you.

00:18:46She's been telling us all about...

00:18:47Oh, wait a minute.

00:18:47I suppose she's been telling you what a great writer I am and what a ham she is.

00:18:51Or was it the other way around?

00:18:52Something like that.

00:18:53Did she tell you about our offer?

00:18:55Not a word.

00:18:56Oh, she wouldn't.

00:18:57Looks as if we're finally going to get a break.

00:19:00You know, it's funny when you're tramping Broadway day after day looking for a job, they can't see you.

00:19:04But now that you're 3,000 miles away, they think you're good and send for you.

00:19:08It'd be a strange business.

00:19:08No kidding.

00:19:10Look, we just got this this afternoon.

00:19:18Well, this is great.

00:19:19Does this mean you're going to be my passenger?

00:19:21No, we don't have our reservation.

00:19:24Well, there's no time like the present.

00:19:25What are we waiting for?

00:19:26We're wired for transportation, but it hasn't arrived yet.

00:19:28Well, you let me know as soon as you can.

00:19:30I'll be glad to take care of it for you.

00:19:31Thanks.

00:19:32That's awfully kind of you.

00:19:34Shall we let Mr. Bronson take care of our tickets?

00:19:37Oh, as far as I'm concerned, he's practically elected.

00:19:40Come on, kids.

00:19:41Close the ticket window.

00:19:41Let's eat.

00:19:42All right.

00:19:43Boy, I'm hungry.

00:19:48Hey, wait a minute.

00:19:49How much further is it?

00:19:50Oh, come on, Peggy.

00:19:52Be a sport.

00:19:53Uh-uh.

00:19:53It's the end of the line for me.

00:19:55Just a little further on, there's a wonderful view of the ocean in the moonlight.

00:19:58I'll take my moon setting right here.

00:20:00Pardon my speed.

00:20:01Come on, Tony.

00:20:02You still have one customer.

00:20:03Well, we won't be long.

00:20:04We'll meet you right back here.

00:20:05All right.

00:20:06I'll be waiting for you.

00:20:06Come on, Peggy.

00:20:07Sit down for a few minutes.

00:20:10Careful.

00:20:12You know, sometimes you have pretty good ideas, Peggy.

00:20:19Yeah, they're pretty good most of the time.

00:20:21The problem is to make them work.

00:20:23That's all.

00:20:24After you have an idea, you've got to sell it.

00:20:27And sometimes the selling isn't easy.

00:20:29Oh, I'm surprised to hear you say that.

00:20:32Why?

00:20:33I've got an idea right now, but I'm not sure I can sell it.

00:20:36Could I help?

00:20:37I don't know anyone better.

00:20:39Okay, let's have it.

00:20:40Well, uh, I have a friend who's been all over the world and met all kinds of people.

00:20:47And it wasn't until last year he met a girl in New York he felt he could really go for.

00:20:53He would have told the girl just how he felt about her.

00:20:56Only she was earning more than he was.

00:20:58Well, since then, things have changed.

00:21:00And now, this fella has really got himself a swell job.

00:21:05With the New York dispatch, his name is Jim Halsey, but Peggy says no.

00:21:10Hmm.

00:21:11Well, I thought it was a good idea.

00:21:14Oh, it was a lovely idea, Jim.

00:21:16But it won't work.

00:21:18You mustn't let a little tropical moonlight spoil a good friendship.

00:21:21Let's just keep it give and take, huh?

00:21:25Yeah.

00:21:26I give.

00:21:28And you too.

00:21:28That's it, brother.

00:21:31Ooh.

00:21:35There, isn't that worth the climb?

00:21:39Oh, it's beautiful.

00:21:41I'm glad we came.

00:21:43Oh, my.

00:21:44Every time I come up here, it gives me a thrill.

00:21:47I suppose you always come alone.

00:21:50No, not always.

00:21:52At least you're honest.

00:21:53Is that unusual?

00:21:54Yes.

00:21:57Surprising.

00:21:58Surprising?

00:21:58Yes.

00:22:00How did you get away from those two charming young ladies in the patio?

00:22:04Oh, that.

00:22:04Well, that's a long story.

00:22:06Let's not talk about me.

00:22:08Tell me something about you.

00:22:09What would you like to know?

00:22:10Everything.

00:22:12It's a large order.

00:22:13Well, for a starter, it's good to be down here.

00:22:17Oh, things were pretty tough in New York, so we took 12 weeks booking down here.

00:22:23Opened for two weeks in Rio, and then we've been playing a week here and there up the coast.

00:22:27Now it looks as if we're going to get a chance to get back on Broadway.

00:22:30That's great.

00:22:32Good break for you, huh?

00:22:33Mm-hmm.

00:22:34And your new job's a break for you, isn't it?

00:22:36Yeah.

00:22:37There you have it.

00:22:38Double feature success story.

00:22:40Let's get Halsey to write it up, huh?

00:22:42Ha, ha, ha.

00:22:43You know, Ann, yesterday I couldn't wait for that plane to arrive.

00:22:55Today I don't care if it ever comes.

00:22:57That's a fine statement for a budding young executive to make.

00:23:00I mean it.

00:23:01I'm serious.

00:23:02This is marvelous.

00:23:04Is it, Tony?

00:23:06Yes.

00:23:07You know, Ann, life is funny.

00:23:09You kick about things not happening the way you think they should.

00:23:12Like this plane being late.

00:23:14Then all of a sudden you realize it's the most important thing that could have happened to you.

00:23:18What was?

00:23:20You.

00:23:20Wait a minute.

00:23:26I'm trying to tell you something.

00:23:31I guess there's only one way to tell you.

00:23:43Hiya.

00:23:44Everything all set?

00:23:45Hey, what's the matter?

00:23:52We can't take that plane, Peggy.

00:23:54Don't tell me Tony turned you down.

00:23:56No, but I can't go through with it.

00:23:58I just can't.

00:24:00I like him a lot and I'm not going to cheat him.

00:24:06Take it easy.

00:24:08We aren't cheating him.

00:24:10We're going to pay him back.

00:24:11No matter what you say, it's wrong.

00:24:13Don't tell me you broke down and gave the whole thing away.

00:24:15No.

00:24:16Still thinks the radiogram's okay.

00:24:19He knows we need money for reservations.

00:24:21But you didn't ask him to trust us for the tickets, did you?

00:24:23No, and I'm not going to.

00:24:25And if you try to, I'll tell him the truth.

00:24:28Okay.

00:24:34I'll get it.

00:24:38Hello, there.

00:24:38For Senorita Howard, compliments of Senor Bronson.

00:24:42Senor Bronson?

00:24:43Si.

00:24:44Oh, thanks.

00:24:45Gracias, Peggy.

00:24:46No, de que.

00:24:47Yeah.

00:24:50Gosh.

00:24:54Oh.

00:24:56Gosh, the way I thought you were talking, I thought it was all off.

00:25:00The way I feel it is.

00:25:01Wow.

00:25:15Wow.

00:25:17Tickets.

00:25:23You didn't ask for them and he gave them to you anyway?

00:25:27Baby, it's time I was taking lessons from you.

00:25:30And it's encouraging to note the effect of the American good neighbor policy in such a small town as Puerto Nueva.

00:25:39That's all for today.

00:25:40I'll cover the cotton angle tomorrow.

00:25:43Come in.

00:25:43What's that?

00:25:48Oh, just a minute.

00:25:49The names of the plane?

00:25:51Not a word.

00:25:53Don't know.

00:25:53Still waiting for it.

00:25:54Oh, by the way, here's a little item for the drama editor.

00:25:57Ann Howard and Peggy Morton, young American comedians who have recently completed a successful engagement in Buenos Aires,

00:26:03have just been signed by Ned Ferris for his new review.

00:26:06And are returning to New York on the Caribbean cruiser.

00:26:08Sure, they're here.

00:26:10I had dinner with them last night.

00:26:11I saw the radiogram myself.

00:26:14When did that happen?

00:26:16Uh-oh.

00:26:18Okay.

00:26:20I hope when I call you tomorrow, it'll be from the plane.

00:26:22Oh, those little gold diggers.

00:26:25Gold diggers?

00:26:26Yeah, Ann and Peggy.

00:26:27I don't follow you.

00:26:28Who are you talking to?

00:26:29The New York office.

00:26:30The rewrite man just told me that Ned Ferris died four days ago and that the show closed.

00:26:33Oh, that's too bad.

00:26:36What's the joke?

00:26:37Joke?

00:26:37That means the radiogram the girl showed us last night was a fake.

00:26:40A fake?

00:26:41But why would they show us a...

00:26:42Now, just a minute.

00:26:43They showed us that message last night at dinner, didn't they?

00:26:47Remember them telling us they received it that same afternoon and that they were waiting for a check?

00:26:51That's right.

00:26:52Well, what more do you want?

00:26:55Peggy's up to her old tricks.

00:26:57It's a good thing she knew I didn't have any cash or she'd have had it by now.

00:27:01Oh.

00:27:02So that's it.

00:27:04Well, it looks like I've been the number one sap this time.

00:27:08Now, look, Ann, if we just take this...

00:27:10Oh, Peggy, why go all over this again?

00:27:12I've told you the way I feel.

00:27:14I'm going to tell Tony the truth.

00:27:15Oh, why not be sensible?

00:27:17Well, you're letting this get you down.

00:27:19Once we get to New York, we'll get a job, pay Tony back, and everything will be lovely.

00:27:22You call that being sensible?

00:27:24I sure do.

00:27:25Well, I don't.

00:27:26If I had any sense, I wouldn't have started it in the first place.

00:27:28Oh, a fine thing.

00:27:30We've got a smart plan, then it works.

00:27:32But you had to spoil it by falling in love.

00:27:35I'm sorry, Peggy.

00:27:36Oh.

00:27:42Hello?

00:27:43Mr. Bronson, please.

00:27:44Well, do you know where he went?

00:27:51All right, thanks.

00:27:56Hey, where are you going?

00:27:58Sullivan's American Bar.

00:27:59Ann, you can't go there by yourself.

00:28:01Can't I?

00:28:02You watch me.

00:28:03Well, of all the stubborn little...

00:28:07Hello?

00:28:09Uh, oh, uh, well, oh, get me Jim Halsey, please.

00:28:18Hello?

00:28:19Hello, Jim.

00:28:20Jim, this is Peggy.

00:28:22Yeah, Ann and I have had an argument.

00:28:23She's gone on to Sullivan's to meet Tony.

00:28:25I want you to take me there.

00:28:26Okay, Peggy.

00:28:27Yeah, I'll meet you downstairs in five minutes.

00:28:30Oh, Peggy.

00:28:32Something backfire?

00:28:33Huh?

00:28:35What do you think?

00:28:36Hmm.

00:28:36You looking for somebody, lady?

00:29:05Yes, have you seen Tony Bronson?

00:29:07I don't know him.

00:29:08Take a seat.

00:29:08I'll see if he's around here.

00:29:12If anybody gets fresh with you, just holler for Butch.

00:29:14That's me.

00:29:22Well, this is a pleasant surprise.

00:29:25Is it?

00:29:26Yeah.

00:29:27You know, ever since I first saw you around the hotel,

00:29:29I wanted to say hello.

00:29:31So I've noticed.

00:29:33Well, that calls for a drink.

00:29:35What do you have?

00:29:36Nothing.

00:29:36I'm waiting for someone.

00:29:38Fine.

00:29:38If it's your girlfriend, we'll make a party of it.

00:29:45I'm not the other guy.

00:29:47Please have a drink with me.

00:29:49No, thanks, really.

00:29:50What's the matter?

00:29:50Well, you're a pretty fast worker, aren't you?

00:29:52What are you trying to get out of him?

00:29:53Why, Tony, what do you mean?

00:29:55I'll tell you what I mean.

00:29:55Come on.

00:29:56I want to talk to you.

00:29:57Hey, what's the idea?

00:29:58You stay out of this, will you?

00:30:00Wait a minute.

00:30:00Now, look, mister, I want to talk to this lady in the loan.

00:30:04Maybe she doesn't want to listen to you.

00:30:05You listen to me, whether she likes it or not.

00:30:07Nobody's going to stop me.

00:30:08No?

00:30:09No.

00:30:09Hey, wait a minute.

00:30:27What's going on here?

00:30:28Oh, it's all right.

00:30:29Just a personal argument, that's all.

00:30:32I'm going.

00:30:32That's a good idea.

00:30:35Tony, let's get out of here.

00:30:37We're not going anywhere.

00:30:38I want to talk to you.

00:30:38Come on, sit down.

00:30:39Tony, I just came here to tell you something.

00:30:41You've done your talking, and what a lie.

00:30:43Please.

00:30:44Shut up.

00:30:45Come on, outside.

00:30:46All right, all right.

00:30:47Did you use 20 bucks?

00:30:48Well, who couldn't?

00:30:50Well, look.

00:30:52I can't get some.

00:30:54I want you to...

00:30:54You couldn't be on the level if you wanted to.

00:31:02You fake a radiogram, feed me a pack of lies, and make a sap out of me.

00:31:06You're a better actress than I thought you were.

00:31:07Won't you give me a chance to tell you...

00:31:09You missed your chance.

00:31:10If you'd have told me the truth, I'd been glad to help you.

00:31:11Won't you let me explain?

00:31:13You don't need to explain.

00:31:14I know all the answers.

00:31:15You pulled a fast one on me.

00:31:16You were getting away with it, too, until Halsey accidentally spilled the beans.

00:31:19You're nothing but a cheap little gold digger.

00:31:21Are you quite sure you're all through?

00:31:25And how?

00:31:26Okay, Santa Claus.

00:31:27Then thanks for the tickets.

00:31:34Say, what's the idea?

00:31:35Starting more trouble?

00:31:36What do you mean?

00:31:37I'm not starting any trouble.

00:31:38Oh, the best place for you is outside.

00:31:40Come take your hands off of me, will you?

00:31:41Get me fresh, huh?

00:31:43Quite.

00:31:51Come take your hands off of me.

00:32:21Hey, hey, hey, hey.

00:32:34Hey, hey.

00:32:35What is the trouble?

00:32:37Come on.

00:32:38This man started two fights in one night.

00:32:39What are you talking about?

00:32:41I didn't start any fights.

00:32:42Hey, you are true.

00:32:43For disturbing the peace and assaulting an officer.

00:32:46Come on.

00:32:46Wait a minute.

00:32:46You got the wrong idea.

00:32:47Now, wait a minute.

00:32:48Don't say a word, Tony.

00:32:49What do you mean, don't say a word?

00:32:51This guy deliberately bumps into me.

00:32:52He starts an argument, takes a poke at me.

00:32:53What is this?

00:32:54Don't say a word.

00:32:55He's bumping at me again.

00:32:55I'll take another poke at me.

00:32:56Come on, come on, come on.

00:32:57I got it.

00:32:58Let's do it.

00:32:58Come on, come on.

00:32:59Come on, come on, come on.

00:33:00Come on, come on.

00:33:01Come on, come on.

00:33:02Come on, come on.

00:33:03Come on, come on.

00:33:04Come on, come on.

00:33:05Come on.

00:33:06Hey, Em, what was that all about?

00:33:07I don't know.

00:33:08It looks like Tony was framed, if you ask me.

00:33:10Now, listen.

00:33:11I'm going to the police station.

00:33:12I'm quite sure I can fix it up.

00:33:13You two kids, go on back to the hotel and wait for me.

00:33:15It'll only be a few minutes.

00:33:16Everything is going to be OK.

00:33:17Leave it to me.

00:33:19You giving back the tickets?

00:33:20No.

00:33:22Here, you keep them, just in case I weaken.

00:33:24Now I can relax.

00:33:25And don't you worry.

00:33:27Jim Halsey will fix it all up fine.

00:33:29And when Tony cools off, you can explain everything to him.

00:33:31The only time I'll ever speak to him again

00:33:33is when I pay him back for those tickets.

00:33:35Come on, let's get out of here.

00:33:38Gracias, adios.

00:33:40My friends, both the senores is in the calabozo right now.

00:33:44Both of them?

00:33:45Si, both of it.

00:33:46He can do what he can, but it didn't

00:33:48was a way to do something until tomorrow morning, neither.

00:33:52Jim certainly fixed it all right.

00:33:55I can't understand it.

00:33:58Now, let's see if there's another bulletin.

00:34:00Well, first we had men and no tickets.

00:34:15Now we have tickets and no men.

00:34:18You know, Ann, I think we're going to New York without a purser.

00:34:21It's perfectly all right with me.

00:34:26You see, sir, I don't use discussing this any further.

00:34:28You know the rules of the company as well as I do.

00:34:30If there had been another purser available,

00:34:32you'd still be in jail.

00:34:33Don't try to thank me.

00:34:35That's all.

00:34:36Aye, aye, sir.

00:34:51OK, Dick, thanks.

00:34:52I'll take over.

00:34:53How'd you make out?

00:34:54I didn't.

00:34:55Got the tickets, Peggy?

00:34:56Yeah, I got them.

00:34:57But I hope they're good.

00:34:58What do you mean?

00:34:59Well, he's the purser, remember?

00:35:00For all we know, we might have canceled them.

00:35:01Well, there's only one way to find out.

00:35:02Come on.

00:35:03Well, how about it?

00:35:04Let's go.

00:35:05Take it easy, Brian.

00:35:06There's still six minutes left.

00:35:07There's still six minutes left.

00:35:08Come on.

00:35:09Come on.

00:35:10Come on.

00:35:11Come on.

00:35:12Come on.

00:35:13Come on.

00:35:14Come on.

00:35:15Come on.

00:35:16Well, how about it?

00:35:17Let's go.

00:35:18Take it easy, Brian.

00:35:19There's still six minutes before take-off time.

00:35:22What's this going to be?

00:35:23A hundred-yard dash?

00:35:24Listen, you.

00:35:25I've got this time to hit the float two minutes before take-off.

00:35:28That still gives us only four more minutes, and we've got to get down there.

00:35:31All right.

00:35:32Let's go.

00:35:34Get the blanket, Madden.

00:35:36Right with you.

00:35:40Wait a minute.

00:35:42All right.

00:35:43There you are.

00:35:45How does this look, Madden?

00:35:46OK to me.

00:35:47If McFarlane himself is on the float, he'll never know you.

00:35:50OK, let's go.

00:35:57Gee, I looked all over for you.

00:35:58Where were you?

00:35:59In the lion's den.

00:36:00And?

00:36:02Goodbye, Bronson, Miami.

00:36:03Cheer up.

00:36:04I've got a lot of strings I can pull there.

00:36:06I know.

00:36:07Like the strings you pulled here, huh?

00:36:08No.

00:36:09Anyway, I don't think McFarlane can make that stink.

00:36:10You don't know McFarlane.

00:36:11And you don't know Hallby.

00:36:12Oh, no.

00:36:17Uh-oh.

00:36:19Count up to ten, pal.

00:36:27Tickets, please.

00:36:28Oh, yes, we have them.

00:36:29It's a compartment E.

00:36:31I must see your tickets, please.

00:36:33Oh.

00:36:34Say hi.

00:36:44Miss Morton?

00:36:45That's me.

00:36:46Miss Howard?

00:36:50Miss Howard.

00:36:51That's her.

00:36:54Rodriguez.

00:36:56Yes?

00:36:57Compartment E.

00:36:58All right, sir.

00:37:03Follow.

00:37:12Well, look who's here, Ann.

00:37:13I was afraid you weren't going to make it.

00:37:16Sister, you took the words right out of my mouth.

00:37:25Tickets, please.

00:37:34Mr. Desser?

00:37:35That's me.

00:37:36Mr. Carter?

00:37:37Yes.

00:37:39Mr. Madden?

00:37:40Uh-huh.

00:37:41Mr. Ryan?

00:37:42Yeah.

00:37:43Mr. Ryan.

00:38:00Stand by to cast off.

00:38:03Get ready for taking.

00:38:1327.

00:38:14Is this bourbon?

00:38:16Yes, sir.

00:38:17What's the matter?

00:38:18Well, don't let your personal matters interfere with our plans.

00:38:19Don't worry.

00:38:20I'll take care of them in my spare time.

00:38:21Cease at 2 at 6.

00:38:22Right, that's just...

00:38:23Oh, Ann.

00:38:24Stop moving.

00:38:25You're in love with them.

00:38:26Oh, Ann.

00:38:27Stop moving.

00:38:28You're in love with them.

00:38:29How did you go find them and get it off your chest?

00:38:31Could have canceled those tickles, you know, but he didn't.

00:38:32See, I wish I was sitting as pretty as you are.

00:38:33See, I wish I was sitting as pretty as you are.

00:38:34Don't worry, I'll take care of them in my spare time.

00:38:35Don't worry, I'll take care of them in my spare time.

00:38:36Cease at 2 at 6.

00:38:37Oh, Ann, stop moving.

00:38:38You're in love with them.

00:38:39How did you go find them and get it off your chest?

00:38:42Could have canceled those tickles, you know, but he didn't.

00:38:44See, I wish I was sitting as pretty as you are.

00:38:47Here's little Peggy, just crazy over a guy named Jim Halsey and I don't dare let him know it.

00:38:52Why not?

00:38:53Why not?

00:38:54Why?

00:38:55Because he'd ask me to marry him again.

00:38:56I know it wouldn't work.

00:38:57Oh, well, look at his job.

00:38:58Here today, China tomorrow, Egypt the day after.

00:38:59First thing you know, you're married to a string of telegrams.

00:39:01I'm sorry, dear, but I'm leaving for the North Pole.

00:39:02Please send my winter underwear.

00:39:03See you next summer.

00:39:04Oh, Ann.

00:39:05Oh, Ann.

00:39:06Oh, Ann.

00:39:07Oh, Ann.

00:39:08Oh, Ann.

00:39:09Oh, Ann.

00:39:10Oh, Ann.

00:39:11Oh, Ann.

00:39:12Oh, Ann.

00:39:13Oh, Ann.

00:39:14Oh, Ann.

00:39:15Oh, Ann.

00:39:16Oh, Ann.

00:39:17Oh, Ann.

00:39:18Oh, Ann.

00:39:19Oh, Ann.

00:39:20Oh, Ann.

00:39:21Oh, Ann.

00:39:22What life is that for a gal who wants a home with a little garden and a chicken?

00:39:27Come in.

00:39:32Well, I'd have handed to you two kids.

00:39:33You say put it over.

00:39:35A dirty trick to play on a nice fella like Tony.

00:39:37Oh, if I hear any more about that, I'll scream.

00:39:39Uh, uh, uh.

00:39:40Watch your blood pressure, dearie.

00:39:42Buy me a drink, will you, Halsey?

00:39:43Yes.

00:39:44Come on.

00:39:52Let's celebrate, Peggy.

00:39:57Celebrate what?

00:39:58My new job and the fact that I'm going to get back in time to take it.

00:40:02Didn't I tell you about it?

00:40:03No, where are you going now?

00:40:05Yes.

00:40:06Gee, Peggy, I've been angling for that for three years.

00:40:09Well, how long are you going to be gone, Jim?

00:40:11Oh, I don't know.

00:40:12Maybe a year, maybe two.

00:40:14It all depends on what I run into.

00:40:16Isn't that great?

00:40:17Yeah, that's great.

00:40:19You know, Peggy, it's sure funny how things change.

00:40:21What do you mean?

00:40:22Well, the last time we were celebrating Tony's new job, and I wasn't sure about mine.

00:40:26Now, I'm all set and Tony isn't.

00:40:29But, uh, that's life, isn't it?

00:40:32Yeah, that's life.

00:40:34Stewart, Stewart!

00:40:36Service is not so good.

00:40:42Bronson speaking.

00:40:44Okay, Steven, I'll report at once.

00:40:46Oh, Tony, send the Stewart in here, will you?

00:40:55Yeah, all right.

00:41:01Hold it.

00:41:03What's the idea?

00:41:04Show it up.

00:41:04Where's the Stewart?

00:41:08Yeah, in the Deluxe compartment.

00:41:09How many passengers are in the line?

00:41:12Four.

00:41:13All right, now listen.

00:41:15We're going to send these people to their compartments, and you're going to lock them in.

00:41:19Remember, I'm right behind you.

00:41:21And I don't like you anyway.

00:41:22Okay.

00:41:23Okay.

00:41:25Okay.

00:41:25Let's go.

00:41:38Well.

00:41:41Take it easy.

00:41:43All right, let's go.

00:41:44Hello, Ann.

00:41:45Feeling any better?

00:41:46Yeah.

00:41:47Sit down.

00:41:48Now, just take it easy.

00:41:50And no one will get hurt.

00:41:52All right, get over there.

00:41:54Get over by the purse, sir.

00:41:56Not you two, just him.

00:41:57Why, I, you, you, what?

00:42:00Do you know what they do to people like you?

00:42:03I know what I'll do to you if you don't stop yapping.

00:42:06Cut that out.

00:42:07Now, you're all going to your compartments.

00:42:24Let it lay.

00:42:29All right, bring it up.

00:42:30Bring it up.

00:42:34Why, you...

00:42:35Hold it, Ryan.

00:42:35If you made one mistake, don't be a fool and make another.

00:42:38Besides, we need him.

00:42:46All right, now just relax.

00:42:55I've taken over this ship for a while.

00:42:58Come here.

00:43:02Open that safe.

00:43:03Do whatever these thugs tell you to.

00:43:06We'll catch up with them later.

00:43:08You heard him, Pursor.

00:43:09Open the safe.

00:43:10Chief, that's an order.

00:43:15I helped put you in jail once, Carter.

00:43:18You'll go to the death house for this one.

00:43:19Yeah?

00:43:20Well, listen, McFarlane.

00:43:21It wasn't my plan to kill anyone.

00:43:23If any of a navigator had used their heads,

00:43:24they'd still be alive.

00:43:30Safe's open.

00:43:30Who's got the key to this?

00:43:44Who's got the key to this?

00:43:44I've got the key to this.

00:43:47I've got another job for you, Pursor.

00:43:50Keep the passengers quiet.

00:43:50We're going to land soon.

00:43:52After that, they're free to come and go as they please,

00:43:53as long as they keep away from the flight deck stairs.

00:43:54Understand?

00:43:55Turn them open to Ryan.

00:43:55All right, come on, Hill.

00:44:00Oh, by the way, you can feed them if you like.

00:44:00If they don't like our service, tell them to complain to the line.

00:44:05Get going.

00:44:06All right, McFarlane.

00:44:06On your own.

00:44:07All right, McFarlane.

00:44:08On your own.

00:44:09That's fine.

00:44:10That's fine.

00:44:11I've got another job for you, Pursor.

00:44:12Keep the passengers quiet.

00:44:13We're going to land soon.

00:44:14After that, they're free to come and go as they please,

00:44:15as long as they keep away from the flight deck stairs.

00:44:17Understand?

00:44:18Turn them open to Ryan.

00:44:19All right, come on, Hill.

00:44:20Oh, by the way, you can feed them if you like.

00:44:23If they don't like our service, tell them to complain to the line.

00:44:26Get going.

00:44:29All right, McFarlane, on your feet.

00:44:31Put these men in the anchor room.

00:44:33All right, get going.

00:44:34All right, all right.

00:44:43Take them down below, man.

00:44:44Right.

00:44:45All right, move along.

00:44:56We don't need him anymore, so if he gets tough...

00:45:07All right.

00:45:08Into your compartments.

00:45:09Everybody.

00:45:18Give me your key.

00:45:24All right.

00:45:26Go down in the anchor room and help Madden tie them up.

00:45:31Sure, sure.

00:45:32When do we land?

00:45:34We should get there about two o'clock.

00:45:43Here's where we changed our course to due east.

00:45:45Here's where we are now.

00:45:47These here are the shoals.

00:45:49That'll be it.

00:45:51As soon as we land, go down and break out one of those light anchors.

00:45:53You'll need about a hundred passes of line.

00:45:57I'll take her down.

00:45:58I'll take her down.

00:46:07The last Caribbean cruiser disappeared.

00:46:11What a headline that will make.

00:46:12Sure did a good job of tying.

00:46:27How are you coming, Stevens?

00:46:29Not so good.

00:46:30How long do you think we've been down here, Captain?

00:46:32About a half an hour, I'd say.

00:46:34Well, we sat down at two.

00:46:36They're expecting their plane here at three.

00:46:38That means we've still got thirty minutes.

00:46:40That's right.

00:46:42I think Carter was trying to scare you when he said he'd set the ship on fire before he left.

00:46:45No, you're wrong, Stevens.

00:46:46I know Carter.

00:46:48He'll do what he says.

00:46:49That's his getaway.

00:46:52I wonder what they've done with Bronson and the passengers.

00:47:01Well, nothing like a spot of tea for the nerves, eh, buddy?

00:47:04Hey.

00:47:14Where are you going?

00:47:16None of your business.

00:47:27Looks like our only chance to get a gun is from Ryan.

00:47:30Well, do you think we can rush him?

00:47:31No.

00:47:32We've got to trick him some way.

00:47:33Well, maybe I could make a play for him and get his gun.

00:47:36You might get tickets that way, but not guns.

00:47:38This is a man's job.

00:47:39You didn't get very far when you tried it.

00:47:44Now, look, Bronson.

00:47:45I've got an idea.

00:47:47Suppose I go back into my compartment...

00:47:48Two ounces, Purser, and not too strong.

00:47:52Yes, ma'am.

00:47:53And for you?

00:47:54None for me, thanks.

00:47:55Make mine pretty strong.

00:47:57Right.

00:47:58None for me.

00:48:04Purser, can't you get that awful man to put that gun away?

00:48:07If he points it at me again, I'll scream.

00:48:10Well, I'm sorry, madam, but if you'll just go to your compartment, we're doing the best we can.

00:48:13Well, please do something about it.

00:48:15Yes, ma'am.

00:48:17Come on, Bronson.

00:48:18Let's go in my cabin.

00:48:19We can figure it out in there.

00:48:20Too many interruptions here.

00:48:21Go on, Peggy.

00:48:43Go on.

00:48:47Go, Bronson.

00:48:49Go, Bronson.

00:48:51Go.

00:48:53Do große, do, do.

00:48:56No.

00:48:58Let's go in.

00:49:01It's not.

00:49:03Calling.

00:49:05Go, Bronson.

00:49:09No.

00:49:10This is the galley door.

00:49:25Here are the steps that lead to the flight deck.

00:49:28This is the spot where he had been standing.

00:49:31Right in back of him is a door.

00:49:40Hello.

00:49:47Hello.

00:49:52I, uh, I just wanted to tell you that I'm sorry for what happened at the bar at Puerto Nuevo.

00:49:59Oh, that's all right, honey. Forget it.

00:50:02That start never bothers me.

00:50:06Won't you sit down?

00:50:08Thanks.

00:50:10Boy, this is the first chance I've had to relax since we took off.

00:50:17What about me?

00:50:19Yeah, it's been kind of tough on you, hasn't it, kid?

00:50:22Well, don't you worry. You've got one friend. I'll take care of you.

00:50:26But, Mr. Mr.

00:50:28Ryan's the name.

00:50:30Mr. Ryan. I don't understand it. What's going on on this ship?

00:50:34Oh, don't you worry your pretty little head about that.

00:50:38Nothing's going to happen to you.

00:50:40You know something, baby?

00:50:44When this is over, I'm going to have a barrel of dough.

00:50:46And I'll need somebody to help me spend it.

00:50:49Now, what do you say?

00:50:51Shall we make up for the time we lost in Puerto Nova?

00:50:57Sounds all right to me.

00:50:58Now, who's going to take care of who?

00:51:05Give me that gun.

00:51:06You stay where you are.

00:51:08Give me that gun.

00:51:13That's Ann.

00:51:17Lock us in.

00:51:18Get that door open.

00:51:22Anybody got a knife?

00:51:23Yes.

00:51:32Next time you try to shoot somebody, I'd advise you to take off the safety.

00:51:36You've really got what it takes.

00:51:38You little double-crosser.

00:51:40Take a good look down the hall before you go out.

00:51:52Daddy!

00:51:53Daddy!

00:51:58Daddy!

00:51:59Daddy!

00:52:00Daddy!

00:52:01Daddy!

00:52:02Daddy!

00:52:03Daddy!

00:52:04Daddy!

00:52:05Daddy!

00:52:06Daddy!

00:52:07Daddy!

00:52:08Daddy!

00:52:12Tony!

00:52:15Well, I got his gun for you, didn't I?

00:52:17You crazy little fool, trying a thing like this.

00:52:19You're just lucky that it worked out all right and...

00:52:21and...

00:52:22And what, Tony?

00:52:23Nothing.

00:52:24If I heard that shot on the flight deck, they'll all be down here.

00:52:26You people get to the back of the ship.

00:52:28Go down and see what's happened.

00:52:29Right.

00:52:38I don't know, but they must have got his gun.

00:52:39Get down!

00:52:40I thought you might need some more ammunition.

00:52:41We'll be all right as long as they can't up here.

00:52:42Yeah, but we gotta get that gun.

00:52:43Get down!

00:52:44I thought you might need some more ammunition.

00:52:48You'll be all right as long as they can't up here.

00:52:49Yeah, but we gotta get that gun.

00:52:50We will.

00:52:51You stay here.

00:52:52Come on.

00:52:53Tony, I want to tell you something.

00:52:54There's no time to talk.

00:52:55Well, you can listen, can't you?

00:52:56I can't help myself.

00:52:57My sister, I don't know what that's going to be.

00:52:58I have to do.

00:52:59I don't know.

00:53:00Really?

00:53:01I don't know, but they must've got his gun.

00:53:02Get down.

00:53:03I thought you might need some more ammunition.

00:53:04We'll be all right as long as they can't up here.

00:53:06Yeah, but we gotta get that gun.

00:53:11We will.

00:53:12You stay here.

00:53:13Come on.

00:53:14Tony, I want to tell you something.

00:53:15There's no time to talk.

00:53:16Well, you can listen, can't you?

00:53:17I can't help myself.

00:53:18Well, you're going to listen, Tony Bronson, whether you like it or not.

00:53:31Gee, it's awful quiet.

00:53:32Maybe Tony got him.

00:53:34Maybe they're all dead.

00:53:37He got me in the hand.

00:53:38Watch those tears.

00:53:43What's that?

00:53:44Oh, it's over there.

00:53:52Yes?

00:53:53Where's Bronson?

00:53:55Well, put him on the line, quick.

00:53:57Okay, Napoleon.

00:53:59He wants Tony on the phone.

00:54:00Huh?

00:54:01Yeah, yeah, go get him, go get him.

00:54:05And I only came down there, Tony, to tell you the truth.

00:54:09So, you see, if you'd only listened to me, everything might have been different.

00:54:12Sorry, Ed.

00:54:17Captain and the crew.

00:54:18But you can't do a thing.

00:54:19What is it?

00:54:20Yes or no?

00:54:22The elders have as much to say about that gun as I have.

00:54:25Give me five minutes to persuade them.

00:54:26All right, but that's the deadline.

00:54:32Tony, what's it all about?

00:54:33If we don't hand over that gun in five minutes, they're going to kill the skipper and the crew.

00:54:37Oh, dear.

00:54:38Nice voice.

00:54:40What are you going to do?

00:54:42I'm going to gamble with that five minutes.

00:54:44Get Halsey, will you?

00:54:45Here.

00:54:48You think they'll give up the gun?

00:54:50Sure, then.

00:54:51What else can they do?

00:54:52Relax, relax.

00:54:53What are you going to do?

00:54:57I'm going to take a long chance.

00:54:59Now, look.

00:54:59If I'm not back by ten minutes to three, ring that phone and give up the gun.

00:55:04Crouch, put out the lights, will you?

00:55:05Tony.

00:55:06Don't worry, Ann.

00:55:15Keep your fingers crossed.

00:55:23Turn on the lights.

00:55:30And he's going to get fired if we ever get to Miami.

00:55:50I'll get out of these ropes if I have to cut off a rest.

00:55:53Shut up, William.

00:55:53Shut up.

00:55:53What's that?

00:56:06It's Bronson.

00:56:08Bronson?

00:56:08Yes, he's outside.

00:56:10I've got to open that door.

00:56:12See if you can make it, Anderson.

00:56:23He's outside.

00:56:25Hmm.

00:56:55Nice going, Bronson.

00:57:08Well, there's no use waiting any longer.

00:57:10Get it over with.

00:57:14Wait a minute.

00:57:18Yes?

00:57:18Okay.

00:57:20We quit.

00:57:21Go down and get the gun.

00:57:30Listen, Bronson, there's a plane coming to pick up these murderers.

00:57:33I know, I know.

00:57:34And Carter's going to set the ship on fire before they leave.

00:57:36What?

00:57:37Yeah.

00:57:39Untie the others, Williams.

00:57:40Right.

00:57:40Yeah?

00:57:49Yeah, but what happened to Ryan?

00:57:51He's dead.

00:57:52And that person's missing.

00:57:53Never mind the person now.

00:57:55I've just had a call from the plane.

00:57:56Come on back.

00:57:57Should be here any minute.

00:57:58Okay.

00:58:03Come on.

00:58:03Come on in.

00:58:18Snap out of it.

00:58:22Everything's in control.

00:58:23Hey, Carter.

00:58:24Hold it.

00:58:25Put those guns on the table.

00:58:32Listen, I'll take over.

00:58:35Bronson, you and Anderson take these fellas down and tie them up.

00:58:38Stevens, get on that radio.

00:58:39Contact Miami and let them let me talk to them.

00:58:41Yes, sir.

00:58:41Williams, you take care of the passengers.

00:58:42All right, now come on.

00:58:43Snap into it.

00:58:43Williams, get my clothes, will you?

00:58:45They're in the lounge.

00:58:45Okay, Tony.

00:58:46Come on.

00:58:46Get out of there.

00:58:46Come on.

00:58:50Good job of tying up.

00:58:51Wait till you see what we do.

00:58:52Caribbean cruiser calling Miami.

00:58:54Come in, Miami.

00:58:56If something doesn't happen soon, I'm going up there myself.

00:59:02Why, it's one of the officers.

00:59:06Where's Tony?

00:59:06On the flight deck.

00:59:08Is he all right?

00:59:10Yeah.

00:59:11He'll be down later.

00:59:19Now, we're taking off in just a few minutes, and we'll only be about four hours late getting

00:59:23into Miami.

00:59:23That week.

00:59:24How soon can I get a radiogram off to my paper?

00:59:26Oh, I'm sorry, sir.

00:59:27But under the circumstances, we're not sending any messages.

00:59:30The newspapers will get the story as soon as we land.

00:59:32But listen, my job depends on it.

00:59:33Captain, has anybody seen Mr. Bronson's...

00:59:35Yeah.

00:59:36Yeah.

00:59:36They're right over there.

00:59:37Oh, thank you.

00:59:38Tough break, Jim.

00:59:43Looks like you're not going to make that a job in the Orient, huh?

00:59:59Yeah, looks like it.

01:00:01I'm sorry.

01:00:02Thanks, Peggy.

01:00:04But you got me wrong.

01:00:06I was just thinking how glad I am that I can't get back in time to take it.

01:00:09What?

01:00:10Yeah.

01:00:11You know, for the last five years, I've been trying to make up my mind to quit batting

01:00:14around the world and settle down to something I really want to do.

01:00:17And it took something like this to make me do it.

01:00:20I'm quitting the newspaper racket.

01:00:22I've got a hobby I'm going to turn into a business.

01:00:24Do you know what it is?

01:00:26No, what?

01:00:27Raising tulips.

01:00:28Raising tulips?

01:00:30Well, go on and laugh if you want to, but there's money in it.

01:00:33Especially now with the war on.

01:00:34Well, you raise tulips in the country, don't you?

01:00:39Yeah, sure.

01:00:40On a farm?

01:00:41Well, they don't grow on Broadway.

01:00:45A farm.

01:00:47You can count me in, Jim.

01:00:49Fine.

01:00:49Now, as soon as I get back to...

01:00:53Huh?

01:00:59Oh, Bronson.

01:01:00Yes, sir?

01:01:01Tell the passengers to get ready for a take-off.

01:01:03Aye, sir.

01:01:03Just a minute.

01:01:05I, uh, I hope you'll be with me a long time, Tony.

01:01:10Thank you, sir.

01:01:17Tony!

01:01:18Purser.

01:01:23Oh, pardon me.

01:01:26I, I was just going up to congratulate the captain.

01:01:29Well, he's, uh, really quite busy now, Mrs. Pettengill.

01:01:32Oh, all right.

01:01:33Oh, all right.

01:01:34Excuse me.

01:01:38Do you think he'll be down later?

01:01:41I really don't know, Mrs. Pettengill.

01:01:43Why don't you just sit right down here?

01:01:45That way you can't possibly miss him.

01:01:46I think I will.

01:01:47Yeah.

01:01:48Wait till we get to Miami.

01:01:51Tulips and chickens.

01:01:55Boy, that's the life.

01:01:58Maybe at first you could write a few articles, now and then.

01:02:01Oh, no.

01:02:03I'm going to be too busy for that.

01:02:05Oh, maybe, you know, after we get on a paying basis, I may write a book or so.

01:02:09It all depends.

01:02:11Uh, Jim, not that it matters, but, uh, I'll see you to see proposals to who.

01:02:16You lose.

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