- 7 weeks ago
Category
🐳
AnimalsTranscript
00:00Oh, Harjai, why did you come in my heart, Madhanya?
00:10Oh, Harjai, why did you come in my heart?
00:40Harjai, why did you come in my heart?
01:10Harjai, why did you come in my heart, Madhanya?
01:12Harjai, why did you come in my heart?
01:14Harjai, why did you come in my heart?
01:16Harjai, why did you come in my heart?
01:18Harjai, why did you come in my heart?
01:20Harjai, why did you come in my heart?
01:22Harjai, why did you come in my heart?
01:24Harjai, why did you come in my heart?
01:26Harjai, why did you come in my heart?
01:28Harjai, why did you come in my heart?
01:30the best writer Mustafa Afridi, Shahid Shafat, Malika Riaz, Iqbal Hussain, Alina
01:40Khan and now to present this award, I would like to call on stage our country
01:45Maya Naz, Hidayatkar and Adhakar Saif-e-Hasan. Ladies and gentlemen, please put
01:51your hands together for Saif-e-Hasan.
02:00As-salamu alaykum.
02:05Dekhye, yeh qurach kiske naam pe khula?
02:09Lefafe se je naam beramad hua, usse dhekkar mujhe dilhi khush hujhe.
02:16Dishki ssebseb bade wajahe yeh ke, mein inke kam ko follow kertah hong.
02:21Or doussoe ehe ke, mein shmjta hong.
02:24Yeh shaktsiyat as award ki, jayiz higdaar hai.
02:28Hala ki, inke muqaabilhe me, joe nominees thae, unke saamne yeh award lijaana apne
02:35anndar ek markah maarni ke parabara hai.
02:37To isse saal best trader ka award jata hai, Malika Riaz ko.
02:43And the winner is Malika Riaz.
02:50MICHAELオトZELE ANOTRAROO
02:57The dream is seen in the city, the dream is seen in the city,
03:26the dream is seen in the late day.
03:28This dream coming in the city of God was near her heart and upon her ears went shut of her heart,
03:42and we go to the wrong place and go to the wrong place.
03:47And we can always be able to make our hearts
03:52in our hearts.
03:55Most women's story never started.
04:01We were born in a few nights.
04:05But today I am standing here.
04:10Thank you so much.
04:40Do you want to eat something?
05:00Let me tell you.
05:04Do you want to talk to me in the camera?
05:11Okay.
05:13Let me see.
05:17Okay.
05:20Assalamualaikum.
05:22My name is Malika Riaas.
05:25I am a writer.
05:27I am here today.
07:19See you later.
07:49What did you tell me that you will write something again?
07:52No, I wrote something good with you.
07:54What? You are so happy with your stories in the world.
07:58You see, there are artists.
08:00Annie, I remember from the artist.
08:03I have written such a good artist.
08:05My heart is so good with you today.
08:07What do you need to do yourself? Annie is again.
08:10Listen to me.
08:11Listen to me.
08:12What do you want me to stop?
08:14Listen to me.
08:17Sorry, listen to me.
08:19Listen to me.
08:20Listen to me.
08:21Listen to me.
08:22Listen to me.
08:23Listen to me.
08:38Every thing that he has kept on the table,
08:42no matter what he has left.
08:45You are so happy.
08:46You are so happy.
08:47You are so happy.
08:48Oh, boy.
08:49Hold me.
08:51Bye.
08:52David, that is so happy.
08:53There was a lot of perfume in the dressing room.
09:00There was a lot of perfume in the dressing room.
09:03There was a lot of perfume in the dressing room.
09:06It was all ready to wear.
09:09With a suit and tie wearing,
09:11it was less than a king.
09:14A king?
09:16Where did you see a king?
09:18How much is it?
09:20I don't know about your mother.
09:22I wrote all these things.
09:24I wrote the book well.
09:26Yes, I wrote the book well.
09:28Listen to this story.
09:30We don't have to read this story.
09:32We read this story and say that I wrote it.
09:35I know that everything will look good.
09:37That's right.
09:52What kind of perfume is it?
09:54What kind of perfume is it?
09:56What kind of perfume is it?
09:58What kind of perfume is it?
10:00I love it.
10:02Cool.
10:04What kind of perfume is it?
10:05Would you like to bring me to the house?
10:10What kind of perfume, Reza?
10:17Did you give me a chance to come in?
10:22I knocked several times, but you didn't give me the answer.
10:28If you didn't get the answer, that means I'm busy.
10:31Then you came in without asking.
10:33I just asked so many questions.
10:35What kind of perfume do you have to do with your perfume?
10:40No.
10:41The perfume is necessary, but it's mine.
10:44When I'm at home, I'll be able to do it.
10:46I don't have a hand at all. Thank you.
10:49It's good for you.
10:51Close the door, please.
11:05What kind of perfume do you have to do with your perfume?
11:15Yes, yes.
11:19Do you have any perfume?
11:22Yes, yes.
11:26What kind of perfume do you have to do with your perfume?
11:28What's wrong?
11:29It's the first time you have to do it.
11:32I wanted to ask for this, I wanted to ask you to do it with your perfume.
11:37You've got a lot of perfume.
11:39As I did, I wanted her to help her.
11:41I was able to help her.
11:42You know her?
11:45If you do anything, she never heard a lot of perfume.
11:47Now, she did not have such a perfume.
11:48She had such a perfume.
11:50She had such a perfume.
11:51I thought.
11:52She had no perfume.
11:54She never did.
11:55She did how she did it.
11:56She did it.
11:57She had a good girl to get married.
11:59She did it.
12:01This is why she's coming from a wedding.
12:07Why? There's no girl in your eyes.
12:11She's her husband.
12:14But you have to ask her to ask her.
12:17She doesn't know anything.
12:19She gets more sweet and more sweet.
12:27Come on, son.
12:29You have to ask her to ask her.
12:31Mother.
12:32Come on.
12:33Come on.
12:34Come on.
12:35When have you started this work?
12:38I'm going to school very late.
12:40You're right.
12:43I'm doing a lot of work in the kitchen.
12:45Do you have to do it later?
12:47If you're talking about children, you should listen to it.
12:49Thank you, ma'am.
12:50Come on.
12:51You're right.
12:52You're right.
12:53You're right.
12:54This story is such a hero that's different from others.
12:59If you're the beautiful woman's voice, you're right.
13:03You're right.
13:04You're right.
13:05You are right.
13:07No.
13:08Listen.
13:09Listen.
13:10Every person has a lot of love and love with each other.
13:15A person who has a very lucky person,
13:17a person who has a very lucky person,
13:19has a very lucky person.
13:20One day, the hero is going to the house,
13:22but there are four people sitting there.
13:24And they go to the house and go to the house.
13:27As they start fighting,
13:29our hero reminds us that...
13:32What do you think?
13:34Did he say that?
13:36How did he say that?
13:40How did he say that?
13:41He's very angry.
13:43He's a very angry writer.
13:46Mom, I wrote it and didn't write it.
13:48He's listening to me wrong.
13:49And...
13:50Mom, look at me.
13:51And I'm going to kill myself.
13:53I'm going to leave you alone.
13:55Let me show you.
13:56I'm going to kill you.
13:58Open up.
13:59Where did you like this?
14:01I'm not going to listen to you.
14:05Okay, listen to me.
14:06I'll read your story in Risaalye.
14:10My story?
14:11Hmm.
14:12In Risaalye?
14:15How about it?
14:16I didn't know it.
14:17No, no, no, no.
14:18I'm angry.
14:19Please tell me.
14:20Open the door.
14:21No, let me go.
14:23What are you saying?
14:24How about my story in Risaalye?
14:26My friend is...
14:27You can see your story in Risaalye.
14:29I'm talking about it.
14:30Really?
14:31Yes.
14:32I'll read it.
14:33I'll read it.
14:34I'll read it.
14:35I'll read it.
14:36I'll read it.
14:37I'll read it.
14:38How are you?
14:39I'll read it.
14:40I'll read it.
14:41My friend.
14:42You're the one who's drunk.
14:43You're the one who's drunk.
14:44Thank you so much.
14:45You're so good.
14:46Love you guys.
14:47I'll read it.
15:09You're coming out by your house.
15:11You asked me in the camera.
15:14Is this a bad thing?
15:17No, I don't have a bad thing.
15:20I don't think I'll tell you.
15:22Okay, but who wants to see you in front of me?
15:27I mean, I always thought you were thinking about everything.
15:31She was talking about you today.
15:35I understand that you have put on your own things, but...
15:38You also need to see who you are in front of me.
15:42Is this a bad thing?
15:49I'm scared.
15:51I've never been scared before.
15:53But I don't understand myself.
15:56I've never been able to find this way,
15:58and I've never been able to find this way.
16:01I've never been able to find this way.
16:06I know.
16:08I've never been able to find this way.
16:12What?
16:13I'm going to get you today.
16:15You should go to the office, okay?
16:19Okay.
16:20Anything else?
16:22Raheem, my son.
16:23You gave me a whole date, right?
16:24Yes, my daughter gave me a whole date.
16:26You gave me a whole date.
16:27Okay, that's my story.
16:28I've never read it.
16:29I've never read it.
16:30I've never read it.
16:31Yes, my daughter didn't read it.
16:32She said,
16:33it's a good story.
16:34It's a good story.
16:35It's a good story.
16:36It's a good story.
16:37It's a good story.
16:38I told her,
16:39I've written a story now.
16:40Let's read it.
16:41Okay, okay.
16:42God bless you.
16:43God bless you.
16:44God bless you.
16:45God bless you.
17:15God bless you.
17:45Please tell me about the office boy in the front of the camera.
17:52They apply for the park properties.
17:57Why do they keep applying for the loan again and again?
18:03Why do they keep applying for the loan again and again?
18:06And they don't apply for the old loan?
18:08What can they do?
18:10What are you saying?
18:14Chacha?
18:16Your story is very good.
18:18Very good.
18:20My mother is very good.
18:22And her stories are capable of giving.
18:25Mother.
18:26Why are you talking about the message?
18:30I'm going to go with her.
18:32Do you like my story?
18:34I know.
18:36She always liked your story.
18:38What are you saying?
18:40My prayers are always on your side.
18:42Today I'm going to pray for a new prayer.
18:44That a good relationship will come.
18:46And I'm going to marry you quickly.
18:48I'll do a marriage with you.
18:50Who?
18:51I'll do a marriage with you.
18:52Who?
18:53I'll do a marriage with you in my mind.
18:55Who will be like God.
18:57He will walk like God.
18:58He will talk like God.
19:00He will be like God.
19:02I don't think so much.
19:04I hope for Allah.
19:06I'll do a marriage with you.
19:08I'll do a marriage with you.
19:09I'll do a marriage with you.
19:10I'll do a marriage with you.
19:15Mother.
19:16Can you see here?
19:17Yes.
19:19Did you talk about anything?
19:20No.
19:21No.
19:22No.
19:23No.
19:24No.
19:25No.
19:26No.
19:27No.
19:28No.
19:29No.
19:30No.
19:31No.
19:32No.
19:33No.
19:34No.
19:35No.
19:36No.
19:37No.
19:38No.
19:39No.
19:40No.
19:41No.
19:42No.
19:43No.
19:44No.
19:45No.
19:46No.
19:47No.
19:48No.
19:49No.
19:50No.
19:51Ani, what is it?
20:02What are you hiding?
20:04Nothing.
20:05You're hiding something?
20:06Nothing is hiding.
20:07Let's go.
20:08Let's go.
20:09Let's go.
20:10I'm not saying anything.
20:11We're going to go to the office of Rasaliya.
20:14Don't tell me about this work.
20:16Ani, you told me and told me.
20:19You're crazy.
20:20You told me.
20:21You didn't have a job.
20:22You told me.
20:23I know.
20:24They will read my stories about who I am taking.
20:27How important is it, Malka?
20:29No, it's not.
20:30It's not the case.
20:31It's not the case.
20:32It's not the case.
20:33Listen.
20:34Time comes to me.
20:35I'll give you some money.
20:37Okay, Malka.
20:38You're ready.
20:39Then I'll get you.
20:40Let's go.
20:41Let's go.
20:42Yeah, let's go.
20:50Let's go.
20:51Let's go.
20:52Let's go.
20:53Let's go.
20:54Let's go.
20:55No, no.
20:56Let's go.
20:57It's a lot.
20:59Thank you so much.
21:00Oh, my God.
21:01Let's go.
21:02Let's go.
21:03Let's go.
21:10People.
21:15These 옆est boys they have recently.
21:17They've already changed.
21:18To us?
21:19If we could talk about it,
21:20let's come back from here.
21:21So try and suppress it.
21:22Oh my wife is young,
21:24but you can write about it.
21:25Don't write things prac.
21:26Pick ways happened immediately.
21:27Because you should get back.
21:28How do you want to give it back?
21:29I'm not a kid.
21:31I'm not a kid.
21:33I'm a kid.
21:35I'm a kid.
21:37You should have to get married before.
21:39Now, look at the girls.
21:41He's got a brother.
21:43He's got a brother.
21:45He's got a brother.
21:47He's got a son.
21:49He's got a son.
21:53How did you tell me?
21:55I'm not a kid.
21:57I'm not a kid.
21:59I'm not a kid.
22:01Now, think about it.
22:03If there was no one else,
22:05then when he was married,
22:07then who was married?
22:09When are we leaving?
22:11I'm not a kid.
22:13I'm not a kid.
22:15I'm not a kid.
22:17I'm a kid.
22:19I'm a kid.
22:21I'm a kid.
22:23I'm a kid.
22:25I'm a kid.
22:27I'm a kid.
22:29I'm a kid.
22:31I'm a kid.
22:33I'm a kid.
22:35I'm a kid.
22:37I'm a kid.
22:39I'm a kid.
22:41But if he wants to live alone,
22:43then we have no objection.
22:45and if we want to say that, we have no objection.
22:49Raza Gya.
23:15Do you have anything? Try something?
23:19No, thank you. I'll take that book.
23:21Okay.
23:22I like it.
23:26Raza, Tariq Bhatt Sahib,
23:29and his clothie-beeti, Mehmel.
23:45Raza, I'll talk about starring.
23:46I feel very sorry for that.
23:55Did you fill up When Raza,
23:56you should judge people follow.
23:57No, I don't.
24:11Have you done the house?
24:12Yes.
24:13Yes, you're talking about Ahmed.
24:15I'll talk a bit.
24:17I understand.
24:17You have written a story?
24:19I'll talk a bit.
24:20Stop.
24:21Stop it.
24:22Stop it.
24:24Beep.
24:24I'll talk a bit.
24:26I'll talk a bit.
24:28Come on.
24:29I'll talk a bit.
24:31Sit here.
24:32Sit.
24:33Sit down.
24:33You look very shy now.
24:44It's not like that.
24:47What's that?
24:49I'm going to stay a little bit.
24:53That's good.
24:55We can get a good nip both.
24:58I don't want to stay in the first place.
25:05Yes, but you can think about it, right?
25:10Anyways, all of your cars are good,
25:14but it's a shock to you.
25:20It's never been old.
25:23I'm the one that I've been with you.
25:26This was my first car.
25:29Hmm.
25:31That's what I like.
25:33But it's new.
25:36If it's old, you'll forget it.
25:39Come on, no.
25:41There's a difference between the values and the values.
25:44Right?
25:45You can't save a lot of people.
25:48I've saved a lot of old trees.
25:51Hmm.
25:52I'm just saying,
25:54I'm a lot of old trees.
25:56But I don't think that.
25:58I know.
26:00My thoughts are very little.
26:02Well,
26:07I just felt good.
26:09So, keys please.
26:11I'll drive.
26:12Keys, inside?
26:16Go.
26:17Go.
26:18Go.
26:19Go.
26:44When are you waiting for the last time?
26:47I'll wait for the last time.
26:49I'll wait for the last time.
26:55We talked about the last time. Why?
26:57Our time will come.
26:59Excuse me?
27:00Why are we waiting for 2 hours?
27:02Please ask me when are you calling?
27:04Yes, I'll tell you.
27:14Yes, sir.
27:16Madam, sir, I'm telling you to give a story.
27:20If it was good, we'll call you.
27:28The truth is that nothing will happen.
27:32Listen to me.
27:34My lord.
27:36They've done a story.
27:38We'll tell you.
27:40Listen to me.
27:42Listen to me.
27:46Come on.
27:47No, what's the traffic going on?
27:48Listen to me.
27:49If it's time, go to the store.
27:51This is a list.
27:52This is a list of money.
27:53We'll take the money tomorrow.
27:54We'll take the money in two minutes.
27:55No.
27:56I'll wait for my job.
27:57I'm waiting for a long time.
27:58Come on.
27:59Come on.
28:00Come on, Shabash.
28:03Come on.
28:04Hurry up.
28:05Hurry up.
28:06Come on.
28:07What's the truth?
28:08How is it?
28:09What's it?
28:10What's the truth?
28:11What's it?
28:12How's it going on?
28:13You're a liar, you're a liar, you're a liar.
28:14You're a liar.
28:15You're not listening to me.
28:16I'm a liar.
28:17You're a liar.
28:18I'm not listening to you.
28:19I'm a liar and you're going to call me.
28:20and said that we will call you, then you go.
28:23We will call, but what do we do with it?
28:26We will listen to my story once.
28:28I believe it's good for them.
28:32We will listen to your story and keep it.
28:36I pray for my daughter,
28:39that God will make my daughter's hands
28:41to make my daughter's hands.
28:43Whatever it is written,
28:45it will love everyone.
28:47My daughter's mother's hands are not.
28:53What happened to you?
28:55Why are you afraid?
28:56No, I'm afraid not.
28:58I was just saying that.
29:01Come on, sit here.
29:03You are ready to go.
29:04You are ready to go.
29:06And yes,
29:08there are my big sleepers.
29:10They will go to the bank.
29:12There are so many blinders.
29:14How do you wear it?
29:16I don't have to wear it too much.
29:19Why?
29:20You have two years later,
29:22I've gone to the world.
29:25I feel good now.
29:28I'm wearing a woman wearing a dress.
29:31Why?
29:32She doesn't have a heart.
29:34She doesn't have a man.
29:35I don't have a man.
29:36You are the one who does.
29:37She doesn't have a woman.
29:38But she doesn't feel good now.
29:40It's time for them.
29:41And there are so many.
29:43I don't have to wear them.
29:44I don't know.
29:45I think the truth is being made this.
29:47I think that the real people of the people who have been living in the world
29:51are the ones who have been living in the world.
29:55No, Milka.
29:59The only woman is not able to do anything.
30:04The situation is just as a strange woman.
30:10If she doesn't do anything, she doesn't do anything.
30:14then everything will be fine.
30:17You need to accept the same place,
30:19which you should give to your heart.
30:24If you don't do it,
30:27you need to get any child to this person.
30:33It's a very sad feeling.
30:38The truth of love is the same as women who give to each other.
30:46And in every room they have a question.
30:50Do you think that the love of the death of the death?
30:58Or the love of the death of the death?
31:08Okay, don't worry about it.
31:14Stop, stop, stop.
31:16I'm right, right?
31:20Your daughter will do everything for you.
31:23You will give all your happiness.
31:26And your daughter is Malika.
31:28And she will be Malika.
31:30Why are you?
31:32It's my dressing room.
31:35Let's go.
31:37See you guys.
32:27And Razak, how did you feel?
32:29Materialistic.
32:30Hmm?
32:31Materialistic.
32:33What do you mean?
32:35I was also a liar?
32:37I'm not sure I'm going to put my hair on my head.
32:38He's not a liar.
32:39He's not a liar.
32:40He's not a liar.
32:41He's not a liar.
32:43He's not a liar.
32:44He's not a liar.
32:46He's not a liar.
32:47He's a liar.
32:48He's a liar.
32:49If this girl is your brother,
32:51and if you have a woman,
32:53you have to ask about it.
32:55I don't like her.
32:57I don't like my seniority.
33:02I mean, I'll tell you now.
33:06Because on the next weekend, it's our love for dinner.
33:11What do you want me to do?
33:21Let's go.
33:26What are you?
33:31I'm just feeling some beauty.
33:33What are your dreams?
33:34I'm not feeling you today.
33:36You look really in this day, huh?
33:38It's always my love.
33:39You don't get your love without your love.
33:41Hmm.
33:42Look, this is my money.
33:43Yes, you are a little.
33:46Oh my God, my God, how much love I am.
33:49You look so much love, everyone is saying.
33:53I don't like this.
33:55Don't say that.
33:57My son is so much love.
34:00What are you doing?
34:01I'm not taking you for your love.
34:03I'm taking you for your love.
34:05I'm taking you for your love.
34:07And I'm taking you for your love.
34:09Where are you from, Gajre?
34:12I'm not going to die.
34:13I'm taking you for your love.
34:14I'm taking you for your love.
34:15I'm going to die.
34:17The king!
34:19Stop!
34:20One minute, stop.
34:22I'm not talking to you.
34:23One minute, please.
34:24I'm taking you for your love.
34:25Why?
34:26That's it.
34:27I'm taking you for your love.
34:28Why?
34:29That's it.
34:30I'm taking you for your love.
34:31What's your love, Gajre?
34:32The night is so nice.
34:33You're with me.
34:34And this is my love.
34:35The night is so nice.
34:36You're with me.
34:37And this is the Gajre.
34:39You're with me.
34:40And the Gajre will be in your love.
34:42Oh, so sweet and sweet.
34:44Do you watch the old film?
34:46Or do you play behind a truck?
34:48I'll play behind a truck.
34:49I'll play with you.
34:50I'll play with you.
34:51Point.
34:52Right?
34:53Okay, I'll ask you one more.
34:54Yeah.
34:55If someone sees us together,
34:57then tell us how we feel.
34:59They're very bad.
35:00They say that the girl is so sad,
35:02and what time is coming from her.
35:04Give me a job and give me a pool.
35:06Why?
35:07Are you nervous?
35:08No.
35:09You're my best friend.
35:10You're my best friend.
35:11It's a unique thing.
35:12You've never felt like I'm alone.
35:16That's why I tell you
35:18you're my best friend.
35:19You're my best friend.
35:20You're my best friend.
35:21I'll be there.
35:22I'll be there.
35:23You're my best friend.
35:24Bye.
35:25Bye.
35:27Bye bye.
35:33I love you.
36:03We love you, we love you
36:24We love you, we love you
36:31We love you, we love you
36:40We love you, we love you
36:54We love you, we love you
37:00We love you, we love you
37:03We love you, we love you
37:13We love you, we love you
37:14We love you, we love you
37:16Don't think about it
37:17And call me a medical doctor
37:18And call me insulin
37:20I don't understand
37:21You're going to go
37:22So who will you talk about?
37:24I'm going to go for a while
37:26I'll come back
37:27Let's do it
37:28I'll do it
37:29Let's do it
37:30Let's do it
37:31Let's film it
37:32I'll wait for you
37:33Nothing
37:34I'll come back
37:35I'll come back
37:36I'll come back
37:37I'll come back
37:38Let's go
37:39Let's go
37:40Let's go
37:41Let's go
37:42Bye, baby
37:43Let's go
37:44I'll come back
37:45I'll come back
37:46What I could do
37:47Let's go
37:48Tell me
37:50questions
37:51Let's go
37:52Let's go
37:58This is the question
38:00Happy specific
38:01You