First Love 1939

ReelRealm

First Love 1939

Transcript

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00:02:24with this graduating class.

00:02:27Goodbye, girls.

00:02:30Good luck.

00:02:32God bless you.

00:02:54.

00:03:03I can't find mine either.

00:03:08If they get a time like this, they'd have sense enough to stay put.

00:03:11Oh, there they are!

00:03:12Oh, honey!

00:03:13You've got to meet Mother and Dad.

00:03:17Mother, Dad, this is coming.

00:03:20Mother and Dad.

00:03:22Mother, Dad, this is Connie.

00:03:24Oh, we're so glad to meet you, Connie.

00:03:26After all, now she's written up.

00:03:27She gave you quite a bill now.

00:03:29Well, look at her.

00:03:30She's tops that song.

00:03:31And you ought to hear her sing.

00:03:32Honestly, when she hits a high note,

00:03:34it sends chills up and down your back.

00:03:36That is that, eh?

00:03:37Where are your father and mother, Connie?

00:03:38We'd like to meet them.

00:03:39My parents are dead, Mr. Clark.

00:03:41Oh, I'm sorry.

00:03:42Mother, I have a wonderful idea.

00:03:44Why can't Connie come with us and spend the summer?

00:03:46Could you, Connie?

00:03:48We'd be so pleased.

00:03:49It's very kind of you, but I have an aunt and uncle in New York,

00:03:52and I'm going to live with them.

00:03:54You see, it's all been arranged that way.

00:03:56Her uncle is James F. Clinton.

00:03:57You know him, Dad.

00:03:58I owe everything to Uncle Jim.

00:04:00The school, my music, everything.

00:04:02I couldn't disappoint them.

00:04:04No, of course not.

00:04:05Jim Clinton, eh?

00:04:06Well, you're a very lucky girl.

00:04:08He's a fine man.

00:04:09Oh, yes, he is.

00:04:10Isn't it his daughter we read so much about?

00:04:12Yes, that's Barbara.

00:04:13She's a year older than I am.

00:04:14Oh, and she's beautiful.

00:04:16Did you see her picture in the magazine?

00:04:17She has a picture in every...

00:04:18Miss Constance Hardy?

00:04:20Yes?

00:04:21I'm Mr. Clinton's battler.

00:04:22We've called for you in the car.

00:04:24Then they're here.

00:04:25Oh, no.

00:04:26Excuse me, please.

00:04:27They're not here.

00:04:28I'm sorry, but only the chauffeur and I are here.

00:04:31Then they didn't come?

00:04:34No, Miss.

00:04:35They were very busy.

00:04:36Of course, they couldn't leave New York, could they?

00:04:39No, Miss.

00:04:40I'll...

00:04:41I'll be back in a few minutes.

00:04:42Very good, Miss.

00:04:43If you'd be so kind of to show me where the car is, please.

00:04:45That's the car over there, Miss.

00:04:46The black car with the white wheels.

00:04:48I'll go and get my bag.

00:04:49Very good, Miss.

00:04:50Connie.

00:04:51They didn't come?

00:04:52No.

00:04:53Oh, Connie, change your mind.

00:04:54Spend the summer with us on the lake.

00:04:55We have a house...

00:04:56I'd love to, Marcia.

00:04:57Really, I would, but they've done so much for me, you know?

00:04:59Honey, when you go to New York, listen, there's a boy that...

00:05:01I'm sorry, Sally.

00:05:02I have to hurry.

00:05:03You're going, young lady.

00:05:04I hope to go up and change my clothes, Miss.

00:05:05Oh, no, you don't.

00:05:06I'm sorry, Miss.

00:05:07I'm sorry.

00:05:08I'll go and get my bag.

00:05:09Very good, Miss.

00:05:10Connie.

00:05:11Connie.

00:05:12Connie.

00:05:13They didn't come?

00:05:14No.

00:05:15Oh, Connie, change your mind.

00:05:16Spend the summer with us on the lake.

00:05:17We have a household...

00:05:18I'd love to, Marsha.

00:05:19Really, I would.

00:05:20But...

00:05:21They've done so much for me, you know?

00:05:22Where do you think you're going?

00:05:23I used to go up and change my clothes.

00:05:24Oh, no, you don't.

00:05:25Oh, you promised to sing.

00:05:26But, Tony, I can't really.

00:05:27Say, what do you think of that girl?

00:05:28She refuses to sing for us.

00:05:29Oh, I've got the last time.

00:05:31Let's go to the music.

00:05:32Come on.

00:05:35Yes?

00:05:36What is it?

00:05:37May we use a piano, Miss Wiggins?

00:05:39What for?

00:05:40Carly's going to sing for us.

00:05:43All right.

00:05:44Go ahead.

00:05:45Miss Wiggins says it's all right.

00:05:47Come on.

00:05:48The middle of the glee club always sings for us.

00:05:50I don't feel like singing.

00:05:52Oh, temperamental, eh?

00:05:53No, I'm not.

00:05:54Say, why that big girls?

00:05:55All those she gave her butterflies.

00:05:56No, I.

00:05:57Anything you like.

00:05:59A home sweet home, for instance.

00:06:01All right.

00:06:03Need pleasures and palaces, though we may roam.

00:06:08Need pleasures and palaces, though we may roam.

00:06:09Need pleasures and palaces, though we may roam.

00:06:13Need pleasures and palaces, though we may roam.

00:06:14Need pleasures and palaces, though we may roam.

00:06:18Need pleasures and palaces, though we may roam.

00:06:23Though we may rule

00:06:31The river so humble

00:06:40There's no place like home

00:06:49A charm from the skies

00:06:58Seems to hallow us there

00:07:07Which sick through the world

00:07:16Is now met with elsewhere

00:07:24Home, home

00:07:34Sweet, sweet home

00:07:43There's no place like home

00:07:53Connie, what is it, Connie?

00:08:05That's funny. Connie never cries.

00:08:08I'm sorry.

00:08:10Don't you feel well?

00:08:13Get out. Go on.

00:08:15Go on.

00:08:15What's all this?

00:08:28Look up here.

00:08:34What's the matter with you?

00:08:36Nothing. It's just that everybody's going home and I'm leaving mine.

00:08:48I thought so.

00:08:51Prying your eyes out just because you don't have a home of your own to go to

00:08:55Or a mother and father

00:08:57To tell you how pity and clever you are

00:08:59Poor little thing

00:09:02You've just got a voice

00:09:04That comes to one in a million

00:09:06Straight from God to you

00:09:09To you alone

00:09:11And you sit there feeling sorry for yourself

00:09:14Yes, you are

00:09:15Sorry for yourself

00:09:16If I were that kind of girl

00:09:18Do you know what I do?

00:09:19I'd stick my tongue out of myself

00:09:20Right there

00:09:21Man

00:09:21Get away. Get away. Get away. What's all this?

00:09:32Oh, isn't it so wonderful to me, Miss Wiggins?

00:09:38Now, you go on up there to New York

00:09:40And make those people love you as much as we do

00:09:44And then, maybe, someday you'll meet a prince

00:09:48And you'll live happily ever after

00:09:50Those fairy stories haven't come true for over a hundred years, Miss Wiggins

00:09:55Fiddlesticks

00:09:58You just have to dust them off

00:10:01Streamline them a bit

00:10:03They'd still be fairy stories, wouldn't they?

00:10:05That's all life is

00:10:06A fairy story

00:10:07The trouble with you young people is you don't believe in anything

00:10:11You're afraid

00:10:12Afraid of hope

00:10:13Afraid of happiness

00:10:14What's New York?

00:10:15It's just another town

00:10:16It's no bigger than you are

00:10:17Go there and laugh in it

00:10:18Love in it

00:10:19Live in it

00:10:20Live in it

00:10:20Make it yours

00:10:21Hold it, Miss Clifton

00:10:35Thank you

00:10:37Blue boy

00:10:39Hold it, Miss Clifton

00:10:41Thank you

00:10:42Blue boy, come up

00:10:44Hold it, Miss Clifton

00:10:46Thank you

00:10:48Hold it, Miss Clifton

00:10:51Thank you

00:10:53Isn't that wonderful?

00:10:55Right in the middle of the air

00:10:57What's wonderful about it?

00:10:58It's like you were a bird

00:10:59It's terrible

00:11:00Throw that white bathing suit out

00:11:01It looks like a flower sack

00:11:02Yes, Miss

00:11:03Get my comb

00:11:04Yes, Miss

00:11:05Send that editor a telegram

00:11:06Telling him he's a darling

00:11:07For putting me on the cover

00:11:08May I fix that spangle now, Miss Barbara?

00:11:09You should have done it before I put the dress on

00:11:11But it wasn't loose then

00:11:12Well, hurry up

00:11:13Pull these curls out

00:11:14Yes, Miss Barbara

00:11:15Ollie

00:11:16It's finished, it's all finished

00:11:17Just one more

00:11:18Can you hold just a little still, please?

00:11:20Give me that comb

00:11:21You can pull on it, it won't come off

00:11:23I didn't want to hurt you, Miss Barbara

00:11:25Get my perfume, the Clair de lune bleu

00:11:26Yes

00:11:27Is mother ready?

00:11:28Yes, I got her done an hour ago

00:11:29What's she wearing?

00:11:30A new one from Hendrix

00:11:31What's it like?

00:11:32You don't have to worry, miss

00:11:33It's nothing like yours

00:11:34Which one did you say, Miss Barbara?

00:11:36Clair de lune bleu

00:11:37Yes, Clair de lune bleu

00:11:38Bleu

00:11:39Bleu

00:11:40Bleu

00:11:41Bleu

00:11:42Blur

00:11:43That isn't right, but you're getting more

00:11:44Oh, thank you, Miss

00:11:45Here's your coat, Miss Barbara

00:11:46All right, bring it along

00:11:47Which flowers would you like?

00:11:48Miss Barbara

00:11:49I don't care, any of them

00:11:50I think these would look very nice on you

00:11:52They're terrible

00:11:53Give me the gardenias

00:11:54Yes, Miss Barbara

00:11:55Call me at noon tomorrow

00:11:56Be sure that I get up

00:11:57Yes, Miss Barbara

00:11:58And you call that Swedish girl

00:11:59Foot massage in the morning

00:12:00You shouldn't dance so much, Miss Barbara

00:12:02If Mr. Warrington calls, tell him to call back

00:12:04If Mr. Patton calls, tell him I have smallpox

00:12:06Yes, Miss, a headache for Mr. Patton

00:12:09Where's my bag?

00:12:10Oh, I forgot it

00:12:11Well, get it

00:12:12Mother, I'm ready

00:12:15Where's Mother Walter?

00:12:17Are you ready?

00:12:18All but one cufflink

00:12:19Mother, please

00:12:20Oh, my darling child

00:12:23You look so sweet

00:12:25And that color's so good for you too

00:12:27Oh, maybe you're good for the color

00:12:28You know, I always say

00:12:29The woman makes the clothes

00:12:30Mother, let's get started

00:12:31Even Walter's ready

00:12:32Oh, ready and raring to go

00:12:33Oh, but it can't go for quite a while yet

00:12:34No good

00:12:35What's the matter now?

00:12:36Well, George and Terry aren't back with your cousin Constance yet

00:12:37And they have the car

00:12:38Well, let's take one of the other cars

00:12:39Which one, my dear?

00:12:40The sedan is waiting for your father at his office

00:12:42My little town car is in the garage

00:12:43Having an oil treatment

00:12:44Or whatever you call those things

00:12:45And the big town car we can't use

00:12:46Because the second chauffeur is off today

00:12:47You know, the one who was born in February

00:12:48What's his name?

00:12:49Nick for Nicholas

00:12:50That's it

00:12:51This is terrible

00:12:52I can't be more than an hour and a half late for Wilma's party

00:12:54She's one of my personal friends

00:12:55Why did that child have to graduate today?

00:12:56Well, but graduations are important

00:12:58Well, what's much more important to me is that Wilma's party

00:13:00I can't be more than an hour and a half late for Wilma's party

00:13:02She's one of my personal friends

00:13:03Why did that child have to graduate today?

00:13:05Well, but graduations are important

00:13:07Well, what's much more important to me is that Wilma will think I'm deliberately sabotaging her party

00:13:12Oh, well, if that's the case, perhaps we'd better take a taxi

00:13:15That's idiotic

00:13:16No one can get comfortable in a taxi

00:13:18If you'd learn to drive, we wouldn't have to ride in them

00:13:20Driving is work

00:13:22Not as much work as walking, perhaps, but still work

00:13:25Walter, you came that close to making an epigram

00:13:29You know...

00:13:30They are, Miss Barbara

00:13:31This one matches everything

00:13:33Doesn't match anything, throw it out

00:13:34Now run outside and see if you can find a taxi

00:13:36Yes, ma'am

00:13:37Can you whistle, Agnes?

00:13:39You mean like this?

00:13:42Don't ever do that, Agnes

00:13:44Well, I'm sorry

00:13:45Will you please get that cab?

00:13:46Yes, ma'am

00:13:47Get my coat, please

00:13:48In the future, I hope someone will have enough sense to keep at least one chauffeur around here

00:13:51Ditto

00:13:52Now, now, it's all mother's fault, I know

00:13:54But really, here they are

00:13:58Hello, where have you been?

00:13:59I'm sorry we're so late, Miss Barbara

00:14:01We had a flat tire, ma'am

00:14:02A flat tire on an $8,000 automobile? Impossible

00:14:05We almost had to take a taxi

00:14:07I'm very sorry, Mr. Walter

00:14:09You tell me all about that flat tire in the morning, Terry

00:14:11Yes, ma'am, but I thought I...

00:14:12When you're going touring again, be sure there's somebody here to drive for us

00:14:14Yes, ma'am

00:14:15Oh, Mrs. Clinton, your flowers

00:14:17What's the model with my...

00:14:20Connie!

00:14:22Hello

00:14:23Oh, my baby, I'm so glad to see you

00:14:27Barbara, you haven't said a word to Connie

00:14:29Hello, Connie, so happy you managed to get here

00:14:32Walter, what have you to say to your cousin?

00:14:34Hi

00:14:36Hello

00:14:37We have to run, some friends are waiting

00:14:38Yes, we don't want to be late

00:14:39But I'll cost you a horoscope the first thing in the morning

00:14:41Do you still sing?

00:14:43Yes, I do

00:14:44Oh, I don't know why

00:14:45And George, the minute Mr. Clinton comes in, be sure and tell him to be late

00:14:48By the time we get there, there won't be a photographer left

00:14:50Goodbye, Connie

00:14:51Well, goodbye, goodbye, goodbye, goodbye, goodbye

00:14:58I'll show you to your room, miss

00:15:02Please come this way

00:15:08What time do you think Uncle Jim will be home?

00:15:10You mean Mr. Clinton, miss?

00:15:11Yes

00:15:12The goings and comings of this family are none of my affair

00:15:15But I might say, if they're out, Mr. Clinton usually is here

00:15:18If they're here, Mr. Clinton usually is out

00:15:23This way, miss

00:15:31Here's your room, miss

00:15:43Shall I put the window down, miss?

00:15:44Yes

00:15:45Mm-hmm

00:15:46I said shall I put the window down

00:15:48No, thank you, it's all right

00:15:49May I help you unpack, miss?

00:15:51I think I can do it myself

00:15:53Will there be anything else?

00:15:54Nothing

00:15:55Very well, miss

00:15:56There'll be a light supper served in the dining room just as soon as you are ready for it, miss

00:16:00No, thank you

00:16:01But, but surely you'll want something

00:16:04I don't feel like eating

00:16:06Very well, miss

00:16:14I'll see you very soon

00:16:17I'll tell you

00:16:20I'm always happy

00:16:21In the audience

00:16:23I'd like to hear you

00:16:24Even before you

00:16:27I see you

00:16:29I'm always happy

00:16:31You can see you

00:16:33I feel the research

00:16:35You may talk about

00:16:37In the audience

00:16:39The next one

00:16:40You're all ready.

00:16:42Pardon me, Miss.

00:16:44Oh, supper already?

00:16:46Why, you certainly do things quickly around here, don't you?

00:16:48I thought you said...

00:16:50Well, I'll be down as soon as I've changed.

00:16:52Seconds?

00:16:54And don't make that supper too light. I'm famished.

00:16:56Some more chicken, Miss.

00:16:58Some more chicken, Miss.

00:17:00I'll be down as soon as I've changed.

00:17:02I'll be down as soon as I've changed.

00:17:04Seconds?

00:17:06And don't make that supper too light. I'm famished.

00:17:08Some more chicken, Miss.

00:17:10Oh, I couldn't really.

00:17:12Are you sure, Miss?

00:17:13Oh, yes.

00:17:14Very good, Miss.

00:17:15There is another little piece of white meat.

00:17:17Yes, there is another little piece of white meat, Miss.

00:17:20I know what you're thinking.

00:17:22I hope not, Miss.

00:17:23You're wondering if I always change my mind.

00:17:25I'll get your hot chocolate, Miss.

00:17:26I want any time to go.

00:17:28Will that be all then, Miss?

00:17:30Mm-hmm.

00:17:31Very good, Miss.

00:17:34Do you think if one makes up one's mind about doing something,

00:17:36that that really helps one to do it?

00:17:38Indubitably, Miss.

00:17:39Well, here's what I mean.

00:17:40I made up my mind that I like this house,

00:17:41and I like everybody in it,

00:17:42and everybody in it's going to like me.

00:17:44Very cheerful thought, Miss.

00:17:46They didn't have to have me come here to live with them

00:17:47if they didn't want me, did they?

00:17:48No, Miss, they did not.

00:17:49My Uncle Jim asked me to come here.

00:17:51So Mrs. Clinton told me, Miss.

00:17:53Say, don't you ever smile.

00:17:54I'm sorry, Miss, but if I may say so,

00:17:56gay butlers are a trifle rare.

00:17:59Do you like singing?

00:18:02Yes, I do, Miss, and no, I don't,

00:18:04if you know what I mean.

00:18:05I'm sorry.

00:18:06Either you do or you don't.

00:18:08Well, it's this way, Miss.

00:18:09Some people consider...

00:18:11an inspiring cantata.

00:18:15My preference is for something above that, Miss.

00:18:17Oh.

00:18:18I'm sorry, Miss.

00:18:20I'm sorry, too.

00:18:22I'm sorry, too.

00:18:52the Kiss body!

00:18:53You are?

00:18:54The song is Etiennerua,

00:18:59The song is Etiennerua,

00:19:04Amapule,

00:19:05Linisima Matula,

00:19:10Bob dat fellow will watch this.

00:19:13I'm sorry, Miss.

00:19:18But it has been a long time.

00:19:21Oh

00:19:51Oh

00:20:21Oh

00:20:43You're Connie, huh?

00:20:45Yes, Uncle Jim. I what seems to be the trouble it's my fault. I'm very sorry sir

00:20:50I thought everybody was out. They are out sir. They are? Yes, sir. Good

00:20:56See that there's no more noise until they get in there. Very well, sir

00:21:06Uncle Jim

00:21:09Uncle Jim

00:21:11I

00:21:14I just wanted to thank you for everything. No thanks necessary

00:21:19You've done so much for me and I signed a few checks do that all the time my sister's child

00:21:24We always take care of our own like to do it and I like being here to uncle Jim you like me in here

00:21:30Uh-huh. You met your cousin. Yes, but chant grades. Yes, and you like me in here. Oh, yes

00:21:37Oh, yes

00:21:51Is there anything you want before you go to bed child we've got a big watermelon in the ice box

00:21:58No, thank you don't start taking them too seriously miss you'll get used to them sure we did

00:22:04Good night

00:22:06Good night

00:22:07Good night miss and pleasant dreams

00:22:19Good afternoon miss Barbara. I've been waiting for you to wake up your pictures are in all the morning papers

00:22:25What time is it? It's a little after two

00:22:30Which kind I brought orange juice tomato juice grapefruit and grape sauerkraut?

00:22:35Oh, I never seem to be able to guess I might have known you'd be in the mood for sauerkraut today

00:22:41When mr. Drake called I told him who called mr. Drake he called twice. Why didn't you wake me up?

00:22:47Well, I tried to both times you did not oh, yes

00:22:51I did the pillow the first time and then you threw the alarm clock the second time where'd he call from right here

00:22:57Just got back in town, but what'd he say?

00:22:59He just said he was going over to the club and wanted you to go riding with he and miss Flory and miss Van Everett and a lot of people and

00:23:04They were leaving at 2 30 sharp never be able to get there by 2 30

00:23:08Couldn't you telephone him and ask him to wait make him think I'm running after him

00:23:11I'd run after him paper say he's the catch of the season if I could only stop him from leaving till I get there

00:23:16I have an idea how to stop him miss Barbara

00:23:18You'd call me when he phoned you wouldn't need any of your ideas

00:23:20But it's a good idea miss Barbara really it is

00:23:23I'm sure it is

00:23:24I could hurry out to the club see mr. Drake and faint that would stop him

00:23:27Have his shine

00:23:28Or I could throw myself under his horse's hoof

00:23:30It wouldn't hurt me I wouldn't mind doing it for you because I'm

00:23:33Get that cousin of mine

00:23:34Yes, if she isn't here by the time I count 10 you're fired

00:23:37Yes, miss

00:23:42Miss Connie

00:23:43What is it?

00:23:44Miss Barbara wants you this minute, please hurry

00:23:45Oh yes, all right Agnes

00:23:48Miss Connie will be right in

00:23:49Oh I am

00:23:50Oh you are

00:23:52Never mind

00:24:00Yes Barbara

00:24:01I want you to do something for me

00:24:02Some friends of mine are going riding at the country club in a half hour

00:24:04And I want you to delay their start till I get there, understand?

00:24:06Well you mean stop them?

00:24:08Yes, at least stop Ted Drake

00:24:09But I don't even know him

00:24:10Well you know what he looks like

00:24:11No?

00:24:12Only the most notable young man in New York

00:24:14You must have seen his picture

00:24:15I don't think so

00:24:16Well you'll find one in that drawer

00:24:19Which one?

00:24:20The top drawer

00:24:21In the dresser?

00:24:22Yes in the dresser, just open it, you'll find it

00:24:26I don't see any picture here

00:24:28Oh you don't see any picture, I told you it was there, why don't you look for it?

00:24:32What do you think this is?

00:24:34Oh I guess

00:24:35Then please hurry

00:24:36What do I say to him?

00:24:38I don't care what you say

00:24:39As long as you keep him there

00:24:41And be sure he doesn't know I sent you

00:24:43I don't think I can do it Barbara

00:24:45All right, don't then

00:24:47Oh I mean

00:24:48After all this family's done for you

00:24:49The first time we ask you to do something for us, you refuse

00:24:52Well I'll do it then, but I don't know what to do

00:24:56Faint and make him revive you, fall in front of him, steal his horse

00:24:59I don't care what you do, as long as he's there when I get there

00:25:01And hurry

00:25:07Offer a little stroll, Miss Conny?

00:25:09Oh yes, I mean no

00:25:10Oh I'll need the car in my

00:25:11Oh my hat

00:25:12I'll sit in there

00:25:13I'll get the car, Miss Conny

00:25:14Thank you, will you, I'm in an awful hurry

00:25:15Why?

00:25:16I have to stop Ted Drake's horse at the country club for Barbara

00:25:18Oh not his horse, him, but he'll be on it

00:25:21You know what I mean

00:25:22Oh perfectly

00:25:23Well I have to run now, goodbye

00:25:25Connie, give me a cigarette, please

00:25:27Yes, a cigarette

00:25:29When were you born, Connie?

00:25:30December the 4th

00:25:31Sagittarius

00:25:32Oh, how interesting

00:25:34What time of day?

00:25:35Oh, I don't remember

00:25:36I'm going to do your horoscope for you

00:25:38So hurry back and I'll tell you all about yourself

00:25:40Yes, Aunt Grace

00:25:46You'd better wait here, they might recognize the car

00:25:48I'll keep the motor running in case we have to make a quick getaway

00:25:51Thank you, Terry, I'm awfully nervous

00:25:52Don't worry

00:25:53Mr. Drake, are the horses ready, Dan?

00:25:55Yes, sir, all 13 of them

00:25:5713 is bad luck

00:25:58Oh, but we're not superstitious, are we?

00:26:00Oh, let's wait for Barbara

00:26:01Sure, it's all a little after 2.30

00:26:03Let's go, Barbara's a dear

00:26:04But if we wait for her, we'll have to make this a moonlight ride

00:26:06She'll probably just arrive by the time we get back

00:26:08All right, let's go

00:26:09Oh, I think if we go off without, it'll be good for her

00:26:11Kitty, kitty, kitty

00:26:12I still think we should wait for Barbara

00:26:14Hey!

00:26:15Does Barbara know about this clip you're taking?

00:26:30I didn't even tell the family about it this morning

00:26:32When do you leave?

00:26:33About a month

00:26:34We don't start up the Amazon in late September

00:26:35The Amazon's a river, isn't it?

00:26:36Named after a certain tribe of women

00:26:38Women?

00:26:39Well, that's what's behind this expedition

00:26:40Barbara will be thrilling for years

00:26:42Are you about this?

00:26:43No, I'm not with anybody

00:26:44I'm alone

00:26:45How cozy

00:26:47Mr. Kirkpatrick

00:26:49Wanted on the telephone

00:26:54All right, Willie, I'll take it

00:26:55Yes, sir

00:26:56Won't be a minute

00:26:57Mr. Drake

00:26:58What another telephone

00:27:10That must be Barbara

00:27:11Maybe it's Dad

00:27:12You go on along

00:27:14Oh, we'll wait

00:27:15No, no, go ahead

00:27:16I'll meet you at the Willows

00:27:17Don't be long

00:27:18I won't

00:27:19Mary Jane, I love you too

00:27:20Huh?

00:27:27Don't be afraid, no

00:27:28I'm not going to hurt you

00:27:29I just want to

00:27:30I just want to undo this

00:27:31There

00:27:32No, I'm not going to hurt you, see?

00:27:33Sugar

00:27:34Sugar, see?

00:27:35I just want to undo this, see?

00:27:36Just

00:27:37There, that's it

00:27:38Come on, get the sugar now

00:27:39Come on

00:27:40I've got some more in here

00:27:41You can have that when you get to the barn

00:27:42Here

00:27:55See the sugar

00:27:57Now, come on

00:27:59Now, come on, get the sugar

00:28:00See?

00:28:01I have a whole lot of it here

00:28:02And you can have it all

00:28:03If you just come to the barn

00:28:04Now, come on

00:28:05Come on

00:28:06I've got some more for you

00:28:07You like sugar, don't you?

00:28:10So do I. Come on. Come on, get the sugar.

00:28:14It's a good horsey. Come on. Come on.

00:28:17Say, did you call me to the phone?

00:28:19No, Mr. Drake.

00:28:20There's nobody on it, and somebody called.

00:28:22I'm sorry, sir.

00:28:23What's going on with that horse?

00:28:25Come on. Come on, I've got some more for you.

00:28:28Come on, I've got some more with this thing.

00:28:30Come on. Come on. That's it.

00:28:32I don't like my horse to have sugar.

00:28:34Oh, well, he likes it.

00:28:35Hey, Shamrock. Come here, boy. Hey.

00:28:40Come back here. Hey.

00:28:43Hey, Shamrock. Here. Come back here.

00:28:46Here, fella, take me.

00:28:52Hey.

00:28:59Come on. The horse is having enough trouble with this jump

00:29:01without looking out for you.

00:29:02Oh, Chasey.

00:29:04I was chasing a horse. Not that way. Look out!

00:29:08Let's get out of here before another horse takes after you.

00:29:11What are you trying to do? Kill yourself?

00:29:14Between stuffing my horse with sugar and making yourself a steeplechase hazard,

00:29:17you'd have a pretty busy day, hadn't you?

00:29:19If one of those jumpers had been short out there,

00:29:20you'd really have something to worry about.

00:29:22I'll run along and try and keep out a mischief.

00:29:24First of all, there's a thing running around for me.

00:29:27I had you getting in my way.

00:29:29Oh, come on. You're all right now. Is there a handkerchief in there?

00:29:38Let me get it for you.

00:29:39It's nothing. It's just the natural reaction.

00:29:42You must like horses an awful lot.

00:29:47Oh, no, I don't. I just...

00:29:49You'd carry a lot of sugar around for them, then.

00:29:51Oh, that...

00:29:52Could you show me the way out of here, please?

00:29:54You can get out the same way you got in. I'm sorry I got some friends waiting.

00:29:56But it'd only take a few minutes. I'm a little dizzy.

00:29:59A little?

00:30:00That young lady is a masterpiece of understatement.

00:30:03You're the dizzy.

00:30:09I guess now I wonder what's happened to her.

00:30:11Well, that's fine.

00:30:13I thought I had a...

00:30:15She was a nurse.

00:30:16Ted!

00:30:20What are you doing?

00:30:21This kid's fainted. She had a bad scare.

00:30:23Well, you get some water. I'll take care of it.

00:30:25Who is she?

00:30:26I don't know. You'd better run down to the barn and get some water.

00:30:28All right. I'll be right back.

00:30:33All right. Thanks.

00:30:36You didn't have to kill yourself.

00:30:37But you told me to keep him here, Barbara.

00:30:39I didn't tell you to hang on his neck.

00:30:40Oh, but I didn't. He just held me up.

00:30:42All right. Now, go on home and don't let anybody see you.

00:30:44Well, I just wanted to thank him. He was awfully nice.

00:30:47Do you want to spoil everything now?

00:30:49Oh, no. No, but I...

00:30:50Then get out of here before he gets back and hurry up.

00:30:52But, Barbara, if you'd only...

00:30:54Would you do it your toe for a change?

00:30:59But I only want to thank him, Barbara.

00:31:00I'll thank him. Now, go on home before he sees you again.

00:31:02But...

00:31:07Can you get my horse out, Frankie?

00:31:09Yes, Miss Clinton. Right away.

00:31:10What's happened to our patient?

00:31:11Oh, that little brat. The minute you left, she ran off like a rabbit.

00:31:14She's a funny kid. Who do you think she is?

00:31:16You mean to say you don't know?

00:31:18Now, wait a minute. The first time I ever saw her in my life is when I caught her feeding sugar to my horse.

00:31:21A lucky story. Your trouble is girls just will chase you around.

00:31:24Hello, Wilma.

00:31:25Barbara, I'm so glad you finally got here. The gang went on, Ted.

00:31:28I'll get my horse. I'll be right back.

00:31:30You look lovely, Barb. If I slept this late, I'd be a sight.

00:31:33You're priceless, Wilma. You always look the same no matter what you do.

00:31:36Memoiselle Bristol says that whenever she gives me a facial.

00:31:39You ought to try her for that frown. She's marvelous taking bad lines out.

00:31:42She must be miraculous.

00:31:43She is. You'd be surprised what she can do for your nerves.

00:31:45That's where you plump people are lucky. You have no nerves.

00:31:48Hey, Mom, Miss Clinton.

00:31:49Be careful, dear. That hat might make him a little skittish.

00:31:52Oh, don't worry about the general. He has better taste than most people.

00:31:55They say horses always know more than their riders.

00:31:58Which path will we take, girls?

00:31:59The upper one is shorter, but I'm afraid there are too many jumps for Barbara.

00:32:02Oh, don't worry about me. The upper road is at least ten minutes faster.

00:32:05Ted and I will accept that challenge. We'll take the lower winning ratio there.

00:32:08Come on, Ted.

00:32:09All right, let's go.

00:32:10Careful of those jumps, dear.

00:32:23Barbara! How nice of you to hurry home for tea.

00:32:26Tea? Who wants tea?

00:32:27My dear pet, what happened to you?

00:32:29Wilma Van Everett.

00:32:31Well, what did little Wilma do?

00:32:32Little Wilma? I'd like to kill little Wilma.

00:32:34Well, what did she do to you, dear?

00:32:36Something horrible, I trust.

00:32:37She just succeeded in making herself utterly ridiculous in front of everybody at the club this afternoon.

00:32:42You acted like such a fool over Ted Drake. It almost made me ill.

00:32:45That's terrible. Put them there, Connie, please.

00:32:47All right.

00:32:48You certainly covered yourself with glory today.

00:32:50Well, I only tried...

00:32:51You tried brilliantly.

00:32:52Never mind, never mind. I'll tell you a story, Barbara.

00:32:54You wouldn't believe it unless you were there.

00:32:55I would.

00:32:56She only advertised to everybody present that she was head over heels in love with Ted Drake.

00:33:00But silly!

00:33:01It was revolting.

00:33:02Why?

00:33:03Girls do fall in love with Ted all the time.

00:33:05You don't know what you're talking about. She only just met him.

00:33:07Love at first sight. I've read about it.

00:33:09It's very rare. A Leo and Sagittarius might do it if Saturn were in accord.

00:33:14Let this be her birthday on December the 4th.

00:33:16How do you know?

00:33:17I certainly shouldn't.

00:33:19Oh, you know her, do you?

00:33:20Well...

00:33:21Well, what are you...

00:33:22Everybody knows Wilma Van Everett.

00:33:23She gets twice as much publicity as you do.

00:33:25She does not.

00:33:26Does.

00:33:27Doesn't.

00:33:28Does.

00:33:29Mother!

00:33:30Walder!

00:33:31Isn't that strange?

00:33:32That's the same way things you have, isn't it, Connie?

00:33:34Yes.

00:33:35Yes, that's right.

00:33:36December the 4th.

00:33:37I'm going to fix Miss Van Everett, all right.

00:33:39I'll see her at the Drake's party.

00:33:40Oh, the Drake's going to have a party?

00:33:42On the 29th.

00:33:43And by that time, I'll have something very choice figured out.

00:33:45Everybody in town will know about it because everybody's going to be there.

00:33:48Everybody?

00:33:49Connie, what are you going to wear?

00:33:51I...

00:33:52I...

00:33:53To the party you mean?

00:33:54Oh, I haven't been in a...

00:33:55I'm not going.

00:33:56Am I?

00:33:57Of course you are.

00:33:58Sister just said everybody's going.

00:34:00I haven't any...

00:34:01I'd have to wear...

00:34:03It's formal, isn't it?

00:34:05Barbara's probably got something upstairs in the dress department that'd suit you perfect.

00:34:08How about it, Sister?

00:34:09And have people say she's wearing my cast-offs.

00:34:11We wouldn't want that.

00:34:12Would we?

00:34:13No.

00:34:14No.

00:34:15No, of course not.

00:34:16But I could wear my...

00:34:17Mother, now...

00:34:18Wait a minute, you're interrupting.

00:34:19Yes, Connie, you could what?

00:34:20Well, I was just going to mention that I could wear my graduation dress.

00:34:23It's very pretty, and it's long, and white.

00:34:25All white.

00:34:26Now, white's a pretty color.

00:34:27Yes, it is.

00:34:28This isn't a garden party.

00:34:29Well, I...

00:34:30I could make it into an evening dress.

00:34:31I just have to fix the sleeves a little...

00:34:32Yeah, how simple it is?

00:34:33Well, I'll go up now and start figuring out just what to do with it.

00:34:36And thank you.

00:34:37Thank you very much.

00:34:38I took sewing in school, you know.

00:34:40I'll have to fix the skirt a little bit, and maybe I can fix the neck.

00:34:44Mother, we're not going to drag her to the ball.

00:34:46If she fixes her dress and it looks all right, I'm afraid we'll have to take her now.

00:34:49You can't get out of it.

00:34:50You're very smart, but don't think I'm going to be bothered with her once she gets there.

00:34:53You must be nice to her at the ball, Sister.

00:34:55Or people have an excuse to say some of the things they've been thinking about you for years.

00:34:59She is.

00:35:05I'm going to the Drake's Ball.

00:35:06What are you going to do?

00:35:07I'm going to the Drake's Ball.

00:35:08No fooling.

00:35:09Absolutely.

00:35:10See, I have to cut the sleeves out of this, maybe.

00:35:12I have to make this into an evening dress.

00:35:14Does the Duchess know you're going?

00:35:15Barbara, certainly.

00:35:16Do you think a tight, loose ash should add enough color to that?

00:35:18They only just told me about it, you know.

00:35:20I didn't dream I was going.

00:35:21Oh, that's wonderful, Miss Connie.

00:35:23I'm so happy for you.

00:35:24Thank you, Agnes.

00:35:25I do want to look pretty when he sees me this time.

00:35:27I mean, when people see me this time.

00:35:29Well, I mean, you know.

00:35:30When who sees you this time?

00:35:32Everybody.

00:35:33Everybody in New York's going to be there.

00:35:35Let me see, what slippers shall I wear?

00:35:37But who's the he you were just talking about?

00:35:39I didn't mean any particular person.

00:35:40I didn't even mean...

00:35:41Do you think these slippers will be all right?

00:35:42They won't show much with this skirt being long.

00:35:44Do you think, well, maybe if I cut the neckline lower and sort of flare out the skirt.

00:35:47Miss Ollie could tell you she makes all her own clothes.

00:35:50Do you think she'd mind?

00:35:51Oh, no, Miss Connie.

00:35:52Ollie loves it.

00:35:53I didn't know you knew any he in New York.

00:35:55I didn't know any he...

00:35:57I mean, anybody.

00:35:58Just because you see a person doesn't mean you know a person, does it?

00:36:00Don't it?

00:36:01Certainly not.

00:36:02Let's go ask Ollie about the dress.

00:36:03She's in the kitchen.

00:36:05You know, once Miss Connie's going to...

00:36:07Yes, George told us.

00:36:08Oh.

00:36:09Oh, they tell you about it?

00:36:10I couldn't help overhearing this.

00:36:11And I must say, I'm almost as happy as if I were going myself.

00:36:13Yes, I've never been to a really big party like this before.

00:36:16It'll be a great night for you.

00:36:17Yes, it certainly will.

00:36:18Is that the dress you want to make over?

00:36:20Yes, it is, Ollie.

00:36:21Agnes said you might help me with it.

00:36:22May I put it down here?

00:36:23Yes, put it anywhere, Miss.

00:36:25You see, it still has sleeves in it.

00:36:26I thought maybe if we'd only use a skirt up to here and then make a bodice and then sort

00:36:29of flirt the skirt.

00:36:30Don't mind me.

00:36:32I...

00:36:33I only eat here.

00:36:34That's my brother, Mike.

00:36:35This is Miss Connie.

00:36:36You know.

00:36:37I told you about her singing.

00:36:38How do you do?

00:36:39Go ahead.

00:36:40Don't let me stop the operation.

00:36:42I'm used to blood.

00:36:43Have you any more of this material?

00:36:44No, but I have a yard of silver lace upstairs.

00:36:46Maybe you can use that.

00:36:47Only a yard?

00:36:48Yes, but it's very pretty.

00:36:49I'll run up and get it.

00:36:50It's a yard long and a yard wide and the design's lovely.

00:36:53You'll see what I mean.

00:36:54It's a good thing it wasn't one of the others that found you here.

00:36:56They would have called the police.

00:36:57Fine crack.

00:36:58Think you can fix it up all right?

00:36:59Well, I can try.

00:37:00I wish the waist was higher.

00:37:02Here, hold this.

00:37:03Gotta look beautiful at that ball for a very special reason.

00:37:06What's his name?

00:37:07What do you think I am, a tattletale?

00:37:08How about Hoops?

00:37:09Never mind the Hoops.

00:37:10You better watch that roast or we'll have a terrible dinner.

00:37:12Oh, my gracious.

00:37:13Well done might be all right for the family, but I like my beef rare.

00:37:17Well, what can I do?

00:37:18Why don't you put some feathers on it?

00:37:20How about those things on the shoulders like football players wear?

00:37:23I just don't know what to do.

00:37:25I can tell you.

00:37:26This ought to be good.

00:37:28You take this dress and first you hide it away.

00:37:32And then you go out and you buy her a whole new outfit.

00:37:35With what?

00:37:36With money.

00:37:37Whose money?

00:37:38My money and your money.

00:37:39And mine too.

00:37:40Count me in.

00:37:41And me.

00:37:42Which only goes to show you don't get nothing for nothing in this world.

00:37:45Not even from your own sister.

00:37:47How much?

00:38:00Why, it wasn't hard to do at all, Miss.

00:38:02I just want another yard or two of that lace and change the square here and there.

00:38:05Every bit of it seems different.

00:38:07Well, when I remind her the dress, Miss Connie, I really remind her.

00:38:10The slippers just arrived and I had to bring them up and see how she looked.

00:38:13Well, it's a perfect fit.

00:38:14It's really magnificent.

00:38:15I still can't believe it's a slippers.

00:38:17Wally did a lot of work on it.

00:38:19May I put these on, please?

00:38:21These aren't my slippers.

00:38:23Well, you see, we took them out to a man to have some silver put on.

00:38:26You know, like...

00:38:27And like dying.

00:38:28Yes.

00:38:29And while he was doing it, he spilled it all inside and you couldn't have worn them anyway.

00:38:33So he only did what was right.

00:38:35He got you a new pair.

00:38:36Oh, he shouldn't have done that.

00:38:37He's insured.

00:38:38Do they feel all right?

00:38:39Yes.

00:38:40Well, they're just a little bit new, but they fit perfectly.

00:38:45Come in.

00:38:46I just wanted to see how you looked, Miss.

00:38:48You couldn't even tell it was the same dress.

00:38:49You really look like a picture.

00:38:51I don't see how...

00:38:52Oh, Ollie must have worked day and night.

00:38:54Oh, turn around a minute.

00:38:55How does the skirt hang?

00:38:56Perfect.

00:38:57Why don't you go in Miss Barbara's room and see how you really look?

00:39:00Oh, that's a good idea.

00:39:01I'll be back in a minute.

00:39:02Oh, just a second, Miss.

00:39:03Just a second.

00:39:04Oh, thank you.

00:39:06These just came for you, Miss.

00:39:09Oh, a corsage.

00:39:10How lovely.

00:39:11Who sent it?

00:39:12There wasn't any card in it.

00:39:13Probably some admire when we were going to the ball.

00:39:15Oh, you mean...

00:39:16No.

00:39:17How could he?

00:39:18Oh, I don't think so.

00:39:20Well, they just matched your dress.

00:39:21Now, isn't that nice?

00:39:22Ollie!

00:39:23Oh, I've been expecting that.

00:39:25Ollie, where have you been?

00:39:26Well, I just...

00:39:27I want a large chiffon handkerchief.

00:39:28Black.

00:39:29I'll get that.

00:39:30The bracelet.

00:39:31Yes, Miss.

00:39:32Pardon me a minute, Barbara.

00:39:34Excuse me.

00:39:35I just want to see how the skirt hangs in the back.

00:39:37I think it's all right, don't you?

00:39:39What school did you graduate from in that dress?

00:39:41We fixed it all up.

00:39:42You like it?

00:39:43I think the skirt hangs perfect.

00:39:44Oh, I forgot my locket.

00:39:45I'd better go get it.

00:39:46You look very nice, too, Barbara.

00:39:48Thanks.

00:39:49Only, I don't think I'd look so good in black.

00:39:51Oh, and you'd better hurry, Barbara.

00:39:53We don't want to be too late.

00:39:56Did you see that?

00:39:57Yes, Miss.

00:39:58I think she looks very nice.

00:39:59What's the matter with her?

00:40:00She's gone crazy, storming in here patronizing me.

00:40:02Oh, no, Miss Barbara.

00:40:03She's just so thrilled about going to the drakes and all.

00:40:05She's taking an awful lot for granted.

00:40:07She isn't there yet.

00:40:08Bring my wrap.

00:40:09Yes, Miss.

00:40:12Did you hear that?

00:40:13Yes.

00:40:14What'd she say?

00:40:15Mother, are you ready?

00:40:16Yes, dear.

00:40:17I was looking up the stars for tonight, and we're going to have a really marvelous evening.

00:40:20I doubt that.

00:40:21Oh, you mustn't doubt the stars, dear.

00:40:23They control your destiny, whether you like it or not.

00:40:25Well, are we ready?

00:40:26That's a very smart gown you have on that gown.

00:40:28Oh, thank you.

00:40:29Have you seen my new vest?

00:40:30No.

00:40:31But, Connie, it's amazing.

00:40:32My wrap, please.

00:40:33Mother, can we go?

00:40:34Certainly.

00:40:35George, is the car waiting?

00:40:36Yes, Miss Connie.

00:40:37Your cigarette case, now.

00:40:38Where did you find it, George?

00:40:39I've gone with Mr. Clifton's study.

00:40:40Oh, dear.

00:40:41Well, I'll leave it next.

00:40:42Have you seen the newspaper?

00:40:43The society page is full of details about the ball.

00:40:45Really?

00:40:46It mentioned the names of all the famous people who are going to be there, and lots of them.

00:40:49It's sure to be a brilliant affair.

00:40:51Oh, yes.

00:40:52I hope they don't just play rumbits.

00:40:53You'd prefer waltzes.

00:40:54I like waltzes.

00:40:55I do, too.

00:40:56So do I.

00:40:57Dreamy ones.

00:40:58My wrap.

00:40:59This one, Miss Barbara?

00:41:00No, the other one.

00:41:01Mother, I think I'll wear your pearl bracelet.

00:41:03It goes down in your black dress.

00:41:05Certainly, dear.

00:41:06This isn't mine.

00:41:07It is tonight, Miss.

00:41:08Tomorrow he'll go back in Cousin Egbert's show window.

00:41:10Oh, but really, I...

00:41:11If Mr. Clinton comes, tell him we'll be late.

00:41:14Yes, ma'am.

00:41:15Mother, suppose Uncle Jason comes in from Washington tonight, and we're all out.

00:41:18Well, what makes you think he's coming tonight?

00:41:20Oh, nothing, except Aunt Louise said yesterday that he might.

00:41:22She did?

00:41:23Yes, I forgot to tell you about it when she called.

00:41:25Oh, let's all hope he doesn't arrive until tomorrow.

00:41:27But if he does come, and there isn't even one member of the family at home, we'll never hear the end of him.

00:41:30I'll be glad to stay and welcome him, sister.

00:41:32He hates the sight of you.

00:41:33Can't say that I blame him.

00:41:34How about your father?

00:41:35Well, your father won't be home until all hours.

00:41:37Well, it's no great problem.

00:41:39Connie can stay and sing to him or something.

00:41:42You don't mind, do you, Connie?

00:41:43Tonight?

00:41:44Now?

00:41:45Your debts do it, Connie.

00:41:48You mean I'm to wait here?

00:41:50Just make our excuses.

00:41:51Then fuss over him when he arrives.

00:41:53No.

00:41:54No.

00:41:55No, you're not really going to make me miss the party.

00:41:59You can't.

00:42:00That isn't fair.

00:42:01You could have told me sooner, so I wouldn't plan and... and wait and...

00:42:06If you're going to argue about everything we ask you to do, Connie, I'll stay myself.

00:42:09Well, no, you can't do that.

00:42:10The Drakes would be offended.

00:42:12We'll make it up to you, Connie.

00:42:14Barbara, you're only...

00:42:15I should think you'd be happy to do something for us once in a while.

00:42:18I could have told you a week ago this had happened.

00:42:21Just wanted to see if I guessed right.

00:42:23I did.

00:42:24Good night.

00:42:29Perry!

00:42:30Sorry, madam.

00:42:31Well, we'll be talking.

00:43:01Keep coming back, everyone!

00:43:04Let's go back!

00:43:09Hey, I'm...

00:43:24Hey,

00:43:28All right.

00:43:44I'll stay home.

00:43:46I'll say you will.

00:43:50Going to the ball wasn't my idea in the first place.

00:43:52You were pretty anxious.

00:43:54I like to dance. Is there anything wrong with that?

00:43:56Who would you dance with? Ted Drake?

00:43:58Oh, that's silly.

00:44:00Of course it's silly. That's who you mean.

00:44:02And it's twice as silly to be getting any foolish ideas about it.

00:44:06I'm not getting any foolish ideas.

00:44:08Oh, no. What about that picture you cut out of the newspaper?

00:44:12Who was that? Ted Drake, that's who.

00:44:14Well, I'd just cut it out. There wasn't any reason for cutting it out.

00:44:18I suppose there isn't any reason for keeping it hidden in that book, either.

00:44:22In what book?

00:44:24In that book.

00:44:26In that book.

00:44:27That?

00:44:28Now, stop being a silly girl.

00:44:30Get that picture and tear it up and throw it away this very minute.

00:44:33That's just exactly what I'm going to do.

00:44:35I'll throw it away.

00:44:37Here, see?

00:44:38I'm tearing it up.

00:44:39I don't want to hear any more about him or think any more about him

00:44:41or have any more silly ideas about myself or anybody like...

00:44:47Georgia, I didn't know you.

00:44:49I knocked twice, miss.

00:44:50And when I heard you talking to someone, I thought I'd better step in.

00:44:53Well, there's no one in here.

00:44:55Talking?

00:44:56Oh.

00:44:57Oh, I must have been talking to myself.

00:45:00I'm sorry to interrupt, miss.

00:45:02But everything's been arranged.

00:45:03And you're going to the ball after all.

00:45:04I am?

00:45:05Indeed you are, miss.

00:45:06Uncle Jason's still in Washington.

00:45:07Oh, but Aunt Grace said...

00:45:08Well, they'll be there.

00:45:09They won't arrive until midnight, miss.

00:45:10Midnight?

00:45:11Oh, they'll be there long before that.

00:45:12Well, they've been gone for...

00:45:13Oh, no, they won't, miss.

00:45:14Everything's been changed about.

00:45:15You'll be there and back before they even arrive.

00:45:16How will I go, miss?

00:45:17In your car, Aunt.

00:45:18It's a fippin'.

00:45:19Well, who'll take me?

00:45:20You'll have an escort of six white bikes.

00:45:21Six white what?

00:45:22Bikes, miss.

00:45:23The motor police.

00:45:24And there they are, miss.

00:45:26You mean I'm to go with them?

00:45:27They'll get you there before you can save Jack Robinson.

00:45:29I told you you in a hurry.

00:45:30Mike?

00:45:31My brother, miss.

00:45:32These lads worked with him.

00:45:33They even borrowed the commission for him.

00:45:34Oh.

00:45:35Oh.

00:45:36Oh.

00:45:37Oh.

00:45:38Oh.

00:45:39Oh.

00:45:40Oh.

00:45:41Oh.

00:45:42Oh.

00:45:43Oh, my goodness.

00:45:44Oh.

00:45:45Oh.

00:45:46Oh, my goodness.

00:45:47Oh, my goodness.

00:45:48I don't know what you're looking for.

00:45:49I'll never know what you're looking for.

00:45:50Oh, my goodness.

00:45:51Oh, my goodness.

00:45:52Oh, my goodness.

00:45:53Oh, my goodness.

00:45:54Oh, my goodness.

00:45:55Oh, my goodness.

00:45:56Oh, my goodness.

00:45:57They even borrowed the commissioner's car.

00:45:59Now, remember, miss, you're not to stay

00:46:01a minute later than 12 o'clock.

00:46:03I won't.

00:46:04And the boys will be waiting for you to bring you back.

00:46:05Right?

00:46:06Well, I...

00:46:07I, I just want to tell you all how much I appreciate all this.

00:46:09I'll never forget.

00:46:10I'm going to kill the clock!

00:46:32Everybody gone?

00:46:32Everybody, sir.

00:46:33That's good.

00:46:34What time will they be back?

00:46:35Very late.

00:46:36I'm quite sure, sir.

00:46:37That's good, too.

00:46:39Motorcycle.

00:46:41What'll that family think of next?

00:46:43I really don't know, sir.

00:46:45See that there's no noise around here until they get back.

00:46:47Very well, sir.

00:46:48Will that be all, sir?

00:46:49That'll be all.

00:46:51Police.

00:46:52Passport.

00:46:54Servants.

00:46:55No.

00:47:09Well, have you got it or ain't you got it?

00:47:11I know I had it yesterday.

00:47:12I usually keep it in the pocket in this store.

00:47:14I don't want to know anything about your personal habits, fella.

00:47:17All I want is to see the owner's license.

00:47:19Terry, tell the young man we have to go now.

00:47:21Yes, ma'am, just to sort of...

00:47:22I think the whole thing is ridiculous.

00:47:23Maybe it is and maybe it ain't, sister.

00:47:25But I gotta stop all cars of this make and model and see the owner's license or else take them in.

00:47:29This is my father's car.

00:47:30Maybe.

00:47:31Come on.

00:47:32Come on, buddy.

00:47:33You're making a big mistake, officer.

00:47:34This is Mr. Clinton's car.

00:47:35This is Mr. Clinton's family.

00:47:36That ain't my mistake, bud.

00:47:37That's Mr. Clinton's.

00:47:38Now, officer, we can't stay here all night.

00:47:40People are waiting for us and we're all going to a party.

00:47:42Ah, none of that.

00:47:43I got it worse till 2.30.

00:47:45You're being very insolent.

00:47:46I don't think you realize who we are.

00:47:48Oh, yes, I do.

00:47:49Just three people all dressed up riding around in a car you ain't even got an owner's license for.

00:47:53Do we look like the kind of people who would steal an automobile?

00:47:56Why should I answer that and make you sore?

00:47:58You'll pay for this.

00:47:59We know our rights.

00:48:00And when I tell my father what you've done...

00:48:01All I know is, lady, that I got to do my duty and I'm doing it.

00:48:05How do I know that ain't a dead body?

00:48:08Why, that's Walter.

00:48:10Say something to the officer, Walter.

00:48:12Hello.

00:48:13See, he's all right.

00:48:16Could be ventriloquism.

00:48:18Make him move.

00:48:20You think I'm a dummy?

00:48:22I'll pass that question too, brother.

00:48:24You're being deliberately difficult.

00:48:25You're humiliating us and keeping us here without any cause at all.

00:48:27I wouldn't do that for the world, lady.

00:48:29If you don't want to stay here, we'll go someplace else.

00:48:31Why don't you cut out doing that St. Vitus dance and admit you ain't got it?

00:48:34I guess I left it when I changed uniforms or I lost it today.

00:48:37I've heard that in a million times.

00:48:39May we go now?

00:48:40Right this minute, lady.

00:48:41And just because you've been so nice, I'm going to have the judge take your case before anybody else, right at 12 o'clock.

00:48:46At 12 o'clock?

00:48:47At 12 o'clock?

00:48:48We won't go.

00:48:49We'll settle it right here.

00:48:50You're going, sister.

00:48:51Do you want to go in the car or do you want to go on the bike?

00:48:55Follow me.

00:48:56I could have told you this would happen.

00:48:57I saw it in the stars.

00:48:58You and your stars, you told me this was going to be a perfect evening.

00:49:01I know, and it would have been except for Venus.

00:49:03You see, my dear, when Venus...

00:49:04Tell it to the judge, mother.

00:49:34May I check your wrap, miss?

00:49:35Oh, yes, please do.

00:49:36A little check, miss?

00:49:38Well, where are you going to put that?

00:49:39In the check room just over there.

00:49:40It'll be all right there, won't it?

00:49:41Indeed it will, miss.

00:49:47Well, where are you going to put that?

00:49:48In the check room just over there.

00:49:49It'll be all right there, won't it?

00:49:50Indeed it will, miss.

00:50:13Hello there.

00:50:14A wonderful party, isn't it?

00:50:15Hello.

00:50:16Glad to see you.

00:50:17Excuse me.

00:50:18A jolly little group here this evening, isn't it?

00:50:19Yes.

00:50:20I'm trying to think where we met before.

00:50:21Of course, I know you perfectly well, but I can't seem to remember your name.

00:50:23Not Fisher, not Fowler.

00:50:24Foster.

00:50:25Wrong.

00:50:26Follensby, I know.

00:50:27You're Caroline Follensby's daughter.

00:50:28Wrong again.

00:50:29I'm sorry.

00:50:30I have a remark on you.

00:50:31I have a remark on you.

00:50:32I have a remark on you.

00:50:33I have a remark on you.

00:50:34I have a remark on you.

00:50:35I have a remark on you.

00:50:36I have a remark on you.

00:50:37I have a remark on you.

00:50:38I have a remark on you.

00:50:39I'll get yours in a minute.

00:50:40Oh, I don't think you will.

00:50:41Oh, yes, I will.

00:50:42And when I do, I'm going to make you pay a forfeit.

00:50:43All right.

00:50:44But I don't think you'll find out.

00:50:45I have to go and look for somebody.

00:50:46Goodbye.

00:50:47Goodbye.

00:50:48Hello, Bevins.

00:50:49Signorina Carolina.

00:50:50Oh, Mr. Bevins, you are sweet.

00:50:51And you're going to sing for us tonight.

00:50:52Oh, I can't.

00:50:53I'm in such poor voice.

00:50:54My tour was so, so trying.

00:50:55I said to Doug, I will go, but I will not sing.

00:50:58Oh, you must sing.

00:50:59I insist.

00:51:00But I can't.

00:51:01I'm in such poor voice.

00:51:02My tour was so, so trying.

00:51:04And I have no music with me except, Doug, you have it.

00:51:09It's just a straw small.

00:51:10A straw small.

00:51:11And tell the orchestra that I did mark a change in tone in the first eight bars in case they

00:51:15do have to play it, you know.

00:51:16Oh, I'm sorry.

00:51:17Oh, Mr. Drake.

00:51:18I should have watched where I was going.

00:51:19Oh, no, it's all my fault.

00:51:20Having a good time?

00:51:21Oh, yes, yes, I am.

00:51:22Oh, I'm sorry.

00:51:23Mr. Drake.

00:51:24I should have watched where I was going.

00:51:25Oh, no, it's all my fault.

00:51:26Having a good time?

00:51:27Oh, yes, yes, I am.

00:51:28It's fine.

00:51:29I'm glad you came.

00:51:30Oh, are you?

00:51:31Oh, I didn't think I was going to get here at all.

00:51:32That would have been terrible.

00:51:33How's the rest of your...

00:51:34How's everybody?

00:51:35Oh, I don't know.

00:51:36I haven't seen them since...

00:51:37Well, they're all right, I guess.

00:51:38How are you...

00:51:39You still live at the same place on...

00:51:40Oh, yes.

00:51:41Yes, so do we.

00:51:42Ted, we're dancing this way.

00:51:43Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.

00:51:47Oh, they're all right, I guess.

00:51:48How are you...

00:51:49You still live at the same place on...

00:51:51Oh, yes.

00:51:52Yes, so do we.

00:51:54Ted, we're dancing this one.

00:51:55You're going to be around?

00:51:56Oh, I'll be around somewhere here.

00:51:58Excuse me.

00:51:59I'll see you later.

00:52:00Who's that pretty little girl?

00:52:02No, I have faces you.

00:52:04I can't figure out where I met her.

00:52:14Oh, good evening.

00:52:15How do you do?

00:52:16Good evening.

00:52:31Ladies and gentlemen, we are most fortunate in having with us tonight...

00:52:36a singer whose greatness is exceeded only by a loveliness.

00:52:40She truly has the gift of song, a golden voice, an inspired talent...

00:52:45and a charming personality.

00:52:47Now she's a very shy young lady.

00:52:49And though I know I should not impose upon her by making this request...

00:52:53I do so in the name of Mr. Drake, our host.

00:52:56And because it happens, quite by chance...

00:52:58that the orchestra has here a Strauss-Waltz...

00:53:00which I think we may persuade her to sing for us.

00:53:04Shall we ask her?

00:53:05Ladies and gentlemen, it is now my great privilege to introduce to you...

00:53:23Signorina Margherita Cotellini.

00:53:27Wrong again.

00:53:29I'm afraid someone's made a frightful mistake.

00:53:32Oh, no, no.

00:53:33Whoever told you I could sing was right.

00:53:34But my name is not that signorina whatever you say.

00:53:37Life is sweet and gay, all the words that pay...

00:53:44There are blossoms of sunbees that glorify the day...

00:53:48And the gentry trees walking through the trees...

00:53:52Serenade in the music of kindled melodies.

00:53:56Ah, ah, ah, ah, ah, ah, ah, ah, ah...

00:54:05And it's sweet to me, so sweet from heaven and me...

00:54:08To day and falling, you'll live by.

00:54:15This is May time.

00:54:19Flowers in bloom varnished for gloom.

00:54:23This is play time.

00:54:27Joy fills the air in the May time.

00:54:34Ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah.

00:54:46And my heart is so light and gay.

00:54:53Spring in my heart is forever and ever to be.

00:55:01And I'll sing to the birds as they sing to me.

00:55:09After God's honor and ever to all,

00:55:12I'm so happy and ever to pray.

00:55:14No, I'm so happy and ever to be.

00:55:15Hello, I'm so happy and ever,

00:55:18I'm so happy and ever to make it easy for whoever's love.

00:55:19's trine and ever to be.

00:55:20We'll forever run the fire.

00:55:22We'll forever run the fire.

00:55:24Have you ever lost by laughter?

00:55:26Our own music of kind with another spirit would fill in this summer,

00:55:27The land and ever to be out of my heart.

00:55:29The land of the sea.

00:55:31You will when it's GG.

00:55:33Hasagh while he says

00:55:38And I'll sing to the birds as they sing to me.

00:55:55I'll sing to the birds as they sing to me.

00:56:16Every day I feel strange in my heart.

00:56:25In my heart.

00:56:33Bravo! Bravo!

00:56:37Bravo!

00:56:41My dear young lady, that was a real treat. I want to thank you for it.

00:56:48Well, you're welcome. I like you singing.

00:56:50Gerald, Gerald, this young girl has a great voice.

00:56:52I thought you'd like her, Mr. Drake. You were splendid.

00:56:55Oh, are you...

00:56:56Yes, I'm Ted's father. Just between us, I'm going to tell that young man something.

00:56:59We're not bringing you around sooner. Where is that boy?

00:57:01Right over there.

00:57:03Ted.

00:57:04Wasn't that great?

00:57:05I'm glad you liked it.

00:57:06I was just telling this young lady I was a little disappointed in you in keeping her hidden this long.

00:57:10while. I didn't even know that...

00:57:12No, no, no, son. I know I'm old, but there's nothing wrong with my eyes.

00:57:15I can tell just by looking at you two that you're real old friends.

00:57:18Mr. Drake.

00:57:19Would you like to dance?

00:57:20Do you hear that, Bevins? Would she like to? What's the matter with you young fellows nowadays?

00:57:23She'd love to dance.

00:57:24Yes, sir.

00:57:37Lovely young lady, Gerald.

00:57:39Yes, indeed she is, Mr. Drake.

00:57:40I wish that boy of mine would get really interested in a girl like that and stay home instead of hopping off on that South American thing.

00:57:45Well, maybe he will.

00:57:46Yes, maybe.

00:57:47What did you say her name was?

00:57:49Now, don't stop that. I don't know.

00:57:59Oh, I'm sorry.

00:58:00It's my fault. I'm used to leading. You know, at school when just we girls dance, one led and...

00:58:06And the other followed?

00:58:07That's right. How's your horse?

00:58:09Shamrock?

00:58:10Yes. I hope the sugar didn't make him sip.

00:58:16What's the matter?

00:58:17Oh, I'm sorry. I was just thinking how different you look.

00:58:20Oh, I'm glad of that. I didn't see my face until I got in the car.

00:58:24You were in a pretty bad way there for a few minutes.

00:58:26I didn't thank you for being so nice about everything and to tell you I was all right.

00:58:30I figured you were all right when I heard that you'd run away.

00:58:32I couldn't help that.

00:58:34Don't, don't ever run away again, will you?

00:58:37Without saying goodbye.

00:58:38I mean it.

00:59:04I shouldivavers.

00:59:05I'm locking a chest.

00:59:06Hi.

00:59:07I'm holding a chest.

00:59:09It's hot.

00:59:10I'm loving it.

00:59:19Good night.

00:59:22I'm going to be all right now.

00:59:23I didn't lose all this before.

00:59:25It was good to get sailed on him.

00:59:28It's actually amazing!

00:59:30Too many people here.

00:59:50Let's go outside.

00:59:53All right.

01:00:00Well, it isn't too cool for you, is it?

01:00:06Oh, no.

01:00:07No, not at all.

01:00:08You'd rather go inside.

01:00:09No.

01:00:10Maybe you would, though.

01:00:11I could get you a wrap.

01:00:12Oh, no, no, really.

01:00:13I'm all right.

01:00:14I'm...

01:00:15Go ahead.

01:00:16No, it was nothing.

01:00:17What were you going to say?

01:00:18I was just thinking.

01:00:19I'm leaving here next week.

01:00:21Are you?

01:00:23I'm going to South America with Dr. Mackenzie.

01:00:26You've heard of him, haven't you?

01:00:27Mackenzie, I think I have.

01:00:29He's the world's greatest authority on rubber trees.

01:00:32He's pinned to the Amazon 30 times.

01:00:34He always says, I'm very, very fond of the wee river.

01:00:36He talks like that and calls me Lottie.

01:00:39Lottie?

01:00:43Do you have to go?

01:00:45I want to.

01:00:46It's sort of a declaration of independence to Dad.

01:00:48He's got a lot of ideas about handing me a ready-made future.

01:00:52Oh, I see.

01:00:54Look at that traffic.

01:00:56It's after 12 o'clock.

01:00:58Yes, it certainly is.

01:01:00Will you go away long?

01:01:02About six months.

01:01:04Where will you stay?

01:01:05On our boat.

01:01:06It's a big sailboat.

01:01:08An auxiliary.

01:01:09Diesel engine.

01:01:10Sailboats are beautiful.

01:01:12Yes, they are beautiful.

01:01:15What's a diesel engine?

01:01:28Well, it's on the same principle as a regular gasoline engine, only instead of using crude oil, I mean instead of...

01:01:35Did you say it was 12 o'clock before?

01:01:37It's after 12 o'clock.

01:01:38See the clock down there?

01:01:39Oh, I...

01:01:40Well, goodbye.

01:01:41Wait a minute.

01:01:43Wait a minute.

01:01:53You're not going to run away now, are you?

01:02:03No matter who you have, it doesn't make a difference.

01:02:06Oh, hello, Ted.

01:02:07Oh, hello.

01:02:08Walter.

01:02:09Oh, we've had an appalling experience.

01:02:11Oh, we've had an appalling experience.

01:02:13Oh, no.

01:02:14Oh, no.

01:02:15Oh, no.

01:02:16Oh, no.

01:02:17Oh, no.

01:02:18Oh, no.

01:02:19Oh, no.

01:02:20Oh, no.

01:02:21Oh, no.

01:02:22We're jailbirds.

01:02:23What are you doing with that slipper?

01:02:24Oh, looking for its owner.

01:02:25I'll be right back.

01:02:26Who did he say he was looking for?

01:02:27I don't know.

01:02:28Oh, he's probably playing some games.

01:02:29He certainly seemed delighted we were here.

01:02:30Hello, Grace.

01:02:31Oh, we thought you'd never get here.

01:02:32Well, we were delayed.

01:02:33Well, the law.

01:02:34It wasn't simply horrible, dear.

01:02:35It wasn't much fun.

01:02:36I don't know.

01:02:37I rather enjoyed it.

01:02:38Well, what happened?

01:02:39Well, you see, just as we were...

01:02:40Oh, Ted, your father knows the mayor, doesn't he?

01:02:41His mother wants to reform the whole city government.

01:02:42Good.

01:02:43Oh, excuse me, Melanie.

01:02:44Say, you didn't see a girl go anyplace around here without a slipper, did you?

01:02:46No, Mr. Drake, I didn't.

01:02:47I'll be back in a minute.

01:02:48I never heard of such inefficiency.

01:02:49Does anybody know who Ted's looking for?

01:02:50Probably the girl who was singing.

01:02:51He's certainly in a dither about it.

01:02:52Well, let's all go up and help him find her.

01:03:16Did you see that girl with the white wrap?

01:03:26She looked just like Connie.

01:03:27Well, it can't be Connie.

01:03:28Connie isn't here.

01:03:29Did that wrap she was wearing have a hood on it?

01:03:30I don't know why.

01:03:31Have you seen Ted running around with that slipper in his hand?

01:03:33I thought it was yours till I saw how small it was.

01:03:35It belonged to some new girl somebody no one ever saw before, and she just ran away with the party.

01:03:39Nobody's even seen Ted since she sang.

01:03:41And when she danced, she just closed her eyes and lost herself in a dream.

01:03:45Did that girl wear a silver lace dress?

01:03:47Mm-hmm.

01:03:48Very sweet.

01:03:49Not severe like your black.

01:03:50Just girlish.

01:03:51Do you know her?

01:03:52I'll tell you later.

01:03:53Get my wrap, please.

01:03:54Yes, Miss.

01:03:57We've been waiting for you, Miss.

01:03:58I don't know where to begin.

01:04:00Did you have any trouble getting in?

01:04:02Oh, no.

01:04:03You didn't run into Mrs. Clinton and the brats, did you?

01:04:04Oh, no.

01:04:05No, but I saw them.

01:04:06You did?

01:04:07Did they see you?

01:04:08No, I hid behind a post.

01:04:09They got in about midnight.

01:04:10How did you know?

01:04:11Oh, a little bird told us.

01:04:12A little bird named Mike.

01:04:13Did you dance?

01:04:14Yes, and I sang.

01:04:15They cheered.

01:04:16Oh, and Mr. Drake.

01:04:17Oh, so that's the he.

01:04:21Agnes, it was what I wouldn't have given to see you.

01:04:23He was so nice, Agnes.

01:04:24Oh, don't ask me.

01:04:25Why don't you sing?

01:04:26The Strauss Waltz.

01:04:27You know.

01:04:30We best go in the kitchen, Miss, don't you think?

01:04:32I've got some house up and a nice piece of cake for you.

01:04:33And you can start at the very beginning.

01:04:35You're lame.

01:04:36Oh, I've just lost my slipper.

01:04:37Well, how'd you do that?

01:04:38Oh, it was awful.

01:04:39I had to start running.

01:04:40No more here.

01:04:41The man's working in his study.

01:04:42And we'll get the...

01:04:47I'm working.

01:04:48You're making noise.

01:04:49So we'll have to stop the work or stop the noise.

01:04:51Nobody saw it.

01:04:53It's my fault, Uncle Jim.

01:04:55Maybe there's.

01:04:56We won't have any more of it.

01:05:05Uncle Jim.

01:05:06Huh?

01:05:07George told me to be quiet or go to another room so I wouldn't disturb you.

01:05:09Have a nice town at the party.

01:05:11What?

01:05:12Oh, yes, wonderful.

01:05:13Dance, huh?

01:05:14Uh-huh.

01:05:15Met some nice people.

01:05:17Oh, yes, Uncle Jim.

01:05:18Very nice.

01:05:19What did your cousin say to you when she saw you?

01:05:21Well, I didn't speak to Barbara or Aunt Grace or Walter either.

01:05:25Smart girl.

01:05:27Run up to bed now.

01:05:28Good night.

01:05:29Good night.

01:05:30The family must have stopped someplace on the way.

01:05:33Yeah, stopped in jail.

01:05:35Kept them there till midnight.

01:05:36Should have kept them there longer.

01:05:38Jail?

01:05:39What happened?

01:05:40Don't know.

01:05:41They called me to get my lawyer.

01:05:42Couldn't get him.

01:05:43Couldn't remember his telephone number.

01:05:44Couldn't even remember his name.

01:05:45Couldn't remember anything.

01:05:46I don't understand.

01:05:47Had a good time, you said.

01:05:48What?

01:05:49You knew about Uncle Jason?

01:05:52I know a lot of things.

01:05:53I know Evercloud has a silver lining.

01:05:54They went to jail.

01:05:55You went to the ball.

01:05:56Uncle Jim, you...

01:05:57Oh!

01:05:58Car coming up the driveway.

01:05:59Oh!

01:06:00Oh!

01:06:01Oh!

01:06:02Oh!

01:06:03Oh!

01:06:04Oh!

01:06:05Oh!

01:06:06Oh!

01:06:07Oh!

01:06:08Oh!

01:06:09Oh!

01:06:10Oh!

01:06:11Oh!

01:06:12Oh!

01:06:13Oh!

01:06:14Hiinho.

01:06:15Hi.

01:06:16Hey!

01:06:17Come on, I got a car coming up the driveway.

01:06:18This is all a secret.

01:06:19Oh!

01:06:20Never tell us so.

01:06:21Make my life miserable if you do.

01:06:22Yours too.

01:06:23It's Barbara.

01:06:24You'd better stay.

01:06:25Goodnight.

01:06:32Hurry up.

01:06:33Hurry up.

01:06:34Hurry up.

01:06:35The pode- at...

01:06:36Travel.

01:06:37Let's go.

01:06:38Watch your trash.

01:06:39Are you asleep?

01:06:57Uh-huh.

01:06:58The light hurts my eyes.

01:07:00Just wanted to see that you were in.

01:07:02I'm in.

01:07:03Good night.

01:07:04Have you been in all night?

01:07:06What time is it?

01:07:07You were home all night.

01:07:08Uncle Jason didn't arrive.

01:07:11I'm sorry if I interrupted your beauty sleep.

01:07:13Oh, that's all right.

01:07:34So you were at the party, hmm?

01:07:36Yes.

01:07:37And you sang.

01:07:38Mm-hmm.

01:07:39I sang.

01:07:40Didn't I tell you to stay here?

01:07:42I didn't want to.

01:07:44Oh, you didn't want to.

01:07:46Nope.

01:07:47I knew Uncle Jason wasn't coming and I had a chance to go, so I went.

01:07:49You mean so you sneaked in.

01:07:51There's nothing you can do or say that could spoil this night for me.

01:07:54Would it spoil things if I ask how you turned your graduation dress into a Paris creation?

01:07:58Ollie made it over out of some silver lace I had.

01:08:00Not that it's any of your business.

01:08:02And that wrap, I suppose she made that out of a pair of pet ermine she's been keeping all these years.

01:08:06A friend of mine said I could, uh, I'm not going to quarrel with you, Barbara.

01:08:10I'm so sorry I wasn't there.

01:08:11You must have been wonderful.

01:08:12Oh, thank you.

01:08:13Now, if you're through being sarcastic.

01:08:15Even Ted said he never had so much fun in his life.

01:08:17He thought you were a nightclub singer pretending to be somebody important, so he decided to play up to it.

01:08:22It's so funny, Ted, and his imitation of you dancing with your eyes shut is wonderful.

01:08:26People just roll on the floor when he does it.

01:08:29He does it over and over again.

01:08:31And leaving your slipper, that was so touching.

01:08:32Ted's going to use it to try and find you again.

01:08:34He wants to hire you to play the same joke on a friend of his in Boston.

01:08:37Now, you get out of here.

01:08:39This is my room.

01:08:39Oh, you want to be alone.

01:08:41You have so much to think about and so much to dream over.

01:08:44Get out!

01:08:44All right.

01:08:46I'll go down in the kitchen and tell your chums what a success you were.

01:08:59Good morning, sir.

01:09:00Morning.

01:09:02Your orange juice, sir.

01:09:03Your coffee, black as usual.

01:09:06Anything else, sir?

01:09:07Not a thing.

01:09:12And this is goodbye, sir.

01:09:14Going someplace?

01:09:18I'm leaving, sir.

01:09:19Miss Barbara sacked the whole staff last night when she found out we'd help Miss Connie get to the party, sir.

01:09:24What?

01:09:24Oh, that's all right, sir.

01:09:26Not one of us would have stayed after Miss Connie left.

01:09:32Connie left?

01:09:34Bag and bag, sir.

01:09:36We wanted her to stay and have a talk with you, sir.

01:09:38But she said she had made enough trouble.

01:09:40And didn't leave a note?

01:09:41She said she'd write to you, sir,

01:09:42when she was settled and making her own way.

01:09:46I do think she was trying to make it easier for us all.

01:09:52Well, I'd like to talk to the other servants, George.

01:09:54They've been gone, Allison.

01:09:55Jimmy!

01:09:58Oh, Jimmy, you may have to drive me to town.

01:10:00We have no chauffeur, you know.

01:10:01Did you know that Connie had left?

01:10:03Yes, so is everyone else.

01:10:04No cook, no butler, no mazer.

01:10:06And you're not with us anymore, are you, George?

01:10:08No, madam, I'm not.

01:10:09Such a pity.

01:10:10You're such a good butler, too.

01:10:11It was nothing personal, you know, George.

01:10:13Just a bad constellation for everybody.

01:10:15It won't happen again.

01:10:17Connie's a very young girl to be out on her own.

01:10:20It's not right.

01:10:21I'm going to look up her horoscope

01:10:22and find out what evil influences brought all this about.

01:10:24And I'm also going to see if it's a good time

01:10:26to employ new people.

01:10:27You know, we have to wait until the stars are all right.

01:10:29I'm hungry.

01:10:30The cook has left, Mr. Walter.

01:10:33Say, Father, can you make coffee?

01:10:38Do you know that your cousin has left this house?

01:10:42I only know I'm hungry.

01:10:52Don't you think we'd better do something practical about Connie?

01:10:55I'm doing the most practical thing in the world,

01:10:57checking her complementary influence

01:10:59against Jupiter's emphasis.

01:11:01And there's a trend of depression.

01:11:02That's been a full problem.

01:11:04Jim, what are you doing?

01:11:25Jim, it's taken me years to work that all out.

01:11:30I never liked this thing either.

01:11:34Jim, stop it.

01:11:36You're losing your mind.

01:11:38Now, you listen to me, Gracie Schultz.

01:11:40I've had all the twaddle I'm going to have

01:11:41about the Etonite house

01:11:42and the influence of this and that

01:11:44and Leobian in the library that I'm going to have.

01:11:47They only make you eat these things.

01:11:49But if I ever hear another peep out of you

01:11:51about the sun, the moon, or the stars,

01:11:52I promise you, Brother Bigger Little Dipper,

01:11:55that you'll only be talking about stars.

01:11:57You'll be seeing them.

01:11:58Now, you let the heavens take care of themselves

01:12:01and you get on Earth.

01:12:02You're right.

01:12:04Brian.

01:12:06You brute.

01:12:06Don't flatter me.

01:12:07I've only just begun.

01:12:08Father, have you gone crazy?

01:12:10Oh, you're up.

01:12:11That's fine.

01:12:12I was hoping I wouldn't have to go upstairs

01:12:14and pull you out of there.

01:12:15Father.

01:12:16Never mind your mother.

01:12:17Why did you make Connie leave this house?

01:12:18No, Father.

01:12:19Don't father me.

01:12:20I know what you did.

01:12:21For once in your life, you're going to pay the consequence.

01:12:22You selfish, and you'll dress up...

01:12:23I won't be hot to him like that.

01:12:25Yeah, we'll stop you.

01:12:26Hey.

01:12:27You come in.

01:12:28You're just a child, and I'm going to treat you like a child.

01:12:31What are you doing?

01:12:50I'll pay you for this.

01:12:51Oh, no, sir. This one's on me.

01:12:52There's one more thing I wanted you to...

01:12:58I'll pay you for it.

01:13:16Don't you ever do anything but sit sprawled out in that chair?

01:13:19But, Father, I have a theory, you know.

01:13:21Really?

01:13:22A theory of relaxation. I worked it all out myself.

01:13:25In that chair?

01:13:27Mm-hmm. It's taken years.

01:13:29I believe that one through relaxation, prolonged and constant,

01:13:32can store up sufficient energy to surmount any emergency that arises,

01:13:36where vitality is called for and force is needed.

01:13:39Simple, isn't it?

01:13:40Almost too simple.

01:13:41You see, Father, I don't spend energy. I hoard it.

01:13:44Sort of sit on it.

01:13:46Exactly.

01:13:47I've already proved that all forms of exercise are wrong.

01:13:50Say a man gets up in the morning and does his daily doesn't.

01:13:53The first time he stretches, bends over, touches the floor,

01:13:58he spent 14 pounds of energy.

01:14:01Now, to get back to his normal position, how much do you think he spends?

01:14:04Uh, from the, uh, position that you were in just now?

01:14:09Mm-hmm. Identical with it.

01:14:10Mm-hmm.

01:14:11Just about...

01:14:12Well, practically none, because I'd help him like...

01:14:19Very well, bold, sir.

01:14:21Now, there's only one more thing we gotta do here,

01:14:23and that's to find Connie and bring her back here.

01:14:26Does everybody understand that?

01:14:28This is your station, miss.

01:14:55Oh, Miss Wiggins.

01:14:57Did you get my telegram?

01:14:59No.

01:15:00I meet all the trees.

01:15:01That's all I have to do.

01:15:02Did I get your telegram?

01:15:03Get those bags up!

01:15:09It's so quiet and restful here.

01:15:11It's going through that stage, eh?

01:15:13Cities are such noisy places.

01:15:15They're not dull and full of squealing girls.

01:15:18Are you surprised that I'm back?

01:15:20No.

01:15:21Oh, you must be.

01:15:22All right, then I will be.

01:15:23I'm surprised.

01:15:24Feel better?

01:15:26I want to teach music.

01:15:28Most of them want to be missionaries.

01:15:30Who?

01:15:31Never mind.

01:15:32Go on.

01:15:33You want to teach.

01:15:34Yes, but I'll have to have more training.

01:15:36I hope so.

01:15:37I'd like to get a scholarship at the Teachers' Conservatory of Music.

01:15:41Mm-hmm.

01:15:42I suppose it's only fair that I tell you why I've made this decision, Miss Williams.

01:15:47Practiced that little speech on the way up?

01:15:50Why, I guess I did.

01:15:52What's that?

01:15:53I guess I did.

01:15:55Never mind the rest.

01:15:56I know the important part.

01:15:58Your heart's broken.

01:15:59Your faith's gone.

01:16:00You want to be independent.

01:16:01Who told you?

01:16:02About 40 old maids I know.

01:16:03It happened to them, too.

01:16:05Make it 41.

01:16:06I've forgotten myself.

01:16:08Well, the...

01:16:09This is so...

01:16:10Well, you don't want to hear about it.

01:16:12Oh, go on.

01:16:13Get it off your chest.

01:16:14Might make you feel better.

01:16:15It won't make me feel any worse.

01:16:17First, you'll be a junior instructor.

01:16:20You'll get paid for that about half as much as you need to live on.

01:16:23You call it living.

01:16:24You'll wear last year's hats and two-year-old dresses and patched-up shoes.

01:16:28But it won't make much difference how you look because there won't be anybody looking at you except a lot of so-called students.

01:16:34I'll have my work.

01:16:35You'll have that.

01:16:36Later on, by scrimping, you'll have enough money to travel on, third class and alone, with another teacher.

01:16:43I like to be alone.

01:16:45You don't even know what the word means, child.

01:16:48My pupils will love me.

01:16:50I hope as much as they love you.

01:16:51I'm a character.

01:16:52A crotchety, lovable old character.

01:16:55I hate being a character.

01:16:57Do you like cats?

01:16:59No, not much.

01:17:01You'll get to love them.

01:17:03They've got sense.

01:17:04They're like men.

01:17:06Feed them and pet them and admire them and they'll purr.

01:17:09Every woman wants to make somebody purr.

01:17:12You want to lock yourself up in a world of women.

01:17:14A little world.

01:17:15A sheltered world.

01:17:16A useless, polite, frightened world.

01:17:18Miss Wiggins, I'm not a child.

01:17:20I know what I want to do.

01:17:21Work and support myself and not depend on other people for happiness or anything else.

01:17:29All right.

01:17:31Where's your diploma?

01:17:33I'll have to send it along with the application for the scholarship.

01:17:38It's right here.

01:17:42There's a teacher's power here on the 6th.

01:17:45They'll be here from all over the state.

01:17:48I'll have to line up some votes for you while they're on the ground.

01:17:51Here's a list of credits.

01:17:53Hmm.

01:17:54Pretty sippy.

01:17:55The other one, I suppose, is the one Mr. Blake had.

01:17:58Mr. Drake.

01:17:59What you keeping it for?

01:18:01Just having to pack it.

01:18:02There's something to cry into 20 years from now.

01:18:05Then you get rid of it.

01:18:11Now you will sing at that meeting.

01:18:13Show them a sample of what you know about music.

01:18:15Have them make up their minds right away.

01:18:17Oh, thank you.

01:18:18That'll be marvelous.

01:18:19It'll be terrible, but I'll do it.

01:18:21You get a new dress for it.

01:18:23I'll have all the girls go to the auditorium so you'll have an audience.

01:18:27And you'll sing something that'll be effective.

01:18:29The spring song.

01:18:30No, not the spring song.

01:18:31One Fine Day, Butterfly by Puccini.

01:18:35Know it?

01:18:36Yes.

01:18:37We'll get to work on it.

01:18:39That'll make them all cry.

01:18:41All the old maids will sniffle.

01:18:43You know, one fine day he'll come back to me.

01:18:46Oh, but I'd rather...

01:18:49I...

01:18:50Rather what?

01:18:51Well, couldn't I sing something else?

01:18:53Why?

01:18:54Well, I don't think it's a good idea to make them sad.

01:18:57Make you sad to sing it?

01:18:59No.

01:19:01No, not me.

01:19:02You decided to make them cry.

01:19:03Old maids are only happy when they cry.

01:19:06You'll find that out.

01:19:09Miss Wiggins, we just turned to Connie...

01:19:11Oh, hello, Connie.

01:19:12Why didn't you go with Connie?

01:19:15Oh, I don't know.

01:19:16I don't know.

01:19:17Stop that chatter in.

01:19:18Come on, Connie.

01:19:21Oh, Connie.

01:19:26Why didn't you go with Connie?

01:19:27Oh, I don't know.

01:19:28Oh, I don't know her.

01:19:29I just came in to see if you'd mark the cuts

01:19:31in its orchestration for me.

01:19:32Irene told me to...

01:19:33I'll fix it.

01:19:34You will?

01:19:35Oh, thanks a lot, Miss Ricketts.

01:19:36Goodbye.

01:19:41I said I'll fix it, didn't I?

01:19:48Weeping and why and why

01:19:55At his face you are looking

01:20:02Hear me

01:20:08One fine day we'll notice

01:20:15A thread of smoke arising on the sea

01:20:25In the far horizon

01:20:30And then the ship appearing

01:20:38Then the dream white vessel

01:20:44Glides into the harbor

01:20:52Thunders for the cannon

01:20:59Sing it

01:21:03Now he's coming

01:21:09I do not go to meet him

01:21:14Not I

01:21:18I stay upon the brow of the hillock

01:21:24And wait there

01:21:26And wait for a long time

01:21:31But never weary

01:21:36Of the long waiting

01:21:41From out the crowded city

01:21:45There is coming

01:21:48And then a little speck

01:21:52In the distance

01:21:56Climbing the hillock

01:22:00In the hillock

01:22:06Can you guess who it is?

01:22:09And when he's reached the summit

01:22:12Can you guess what he'll say?

01:22:15He will call

01:22:16He will call

01:22:18Butterfly

01:22:21From the distance

01:22:24I, without answering

01:22:26Hold myself quietly concealed

01:22:30A bit to feel

01:22:31A bit to tease him

01:22:32A bit to tease him

01:22:33And a bit

01:22:36So as not to do

01:22:37And ever see him

01:22:41And then a little troubled

01:22:43He will call

01:22:45He will call

01:22:47Dear baby wife of mine

01:22:49Dear little orange blossom

01:23:02The names he used to call me

01:23:06When he came here

01:23:10This will all come to pass

01:23:13As I tell you

01:23:16Then he shall never fear

01:23:21But he shall return

01:23:26He shall return

01:23:29He shall return

01:23:33To separate

01:23:34To iterations

01:23:35Mixing

01:23:40る

01:23:41Mary

01:23:48Mama

01:23:49Una

01:23:50W-a-w-a-w-a-w-a-w-a-w-a-w-a-w-o-a-w-a-w-a-w-a-w-a-w-a-w-a-w-a-w-a.

01:23:52THE END

01:24:22THE END

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