- 13 hours ago
Thats My Baby 1944 -Sd
Category
🎥
Short filmTranscript
00:00:00The End
00:00:30The End
00:01:00The End
00:01:30The End
00:01:40Hiya Tim
00:01:40Tim we're getting something great something with a real switcheroo
00:01:43Yeah we got a real bubble on it
00:01:45Alright make me bubble
00:01:46Make him bubble
00:01:48Well you know the story
00:01:50Yeah I know the story
00:01:51We'll pick it up for the black wasp has grabbed the girl
00:01:54She's a pretty smart kiddo she knows what's coming and she struggles
00:02:00Wait a minute Joe
00:02:01What's the matter
00:02:02Before she struggles the wasp gives her the business
00:02:05Yeah
00:02:05About the plans remember
00:02:07Yeah
00:02:08He asked her for the plans of Twilight's new rocket ship and she turns him down
00:02:10That's right
00:02:11He's about to give her the sting of his breath
00:02:14Sting of death
00:02:15Sting of death
00:02:15Ah Captain Twilight comes to the rescue
00:02:21Ah but Captain Twilight was caught off guard
00:02:29Captain Twilight realized he's in the tightest spot of his career
00:02:32Does that stop him?
00:02:34No
00:02:34He wathomely gives him everything in his gut
00:02:37He throws himself out of his stuff
00:02:39Why are you
00:02:40Ah he'll almost come back Captain Twilight almost comes
00:02:45Twilight he comes back again
00:02:47Ah
00:02:47Why are you
00:02:50He almost comes back Captain Twilight comes and he comes and he comes
00:02:56The wasp has almost come back
00:02:57Ah
00:02:58Ah the wasp is about to give Captain Twilight the sting of his breath
00:03:03Sting of death
00:03:04Sting of death
00:03:05Why are you
00:03:05Tim what do you say
00:03:17Is that a great twist or not
00:03:18Oh it's great fellas I'll buy it
00:03:21And you can have it
00:03:23Am I crazy
00:03:30Certainly
00:03:31What
00:03:31Well wait a minute
00:03:32You gotta be crazy in this business to make any money
00:03:34Then Mr Moody's crazy
00:03:36Well certainly he's crazy
00:03:37Everybody's crazy
00:03:39We're all crazy
00:03:39So what else have you got?
00:03:45Only your character for next month's magazine
00:03:47I couldn't sleep a wink thinking about it
00:03:50The next time you can't sleep try counting sheep
00:03:53I will
00:03:53My suggestion is to throw this in the wastebasket
00:03:59In that case we'll take the basket up to Moody
00:04:02He might fool you and like it
00:04:04Just a minute Jones
00:04:05I'm still general manager of the plant
00:04:07Hilton Payne remember
00:04:08Oh brother how could I ever forget it
00:04:10And Mr Moody can't approve something he doesn't see
00:04:13No
00:04:14And furthermore I don't approve of anyone who steps on my toes
00:04:18You wouldn't
00:04:19It's like a spot for a pinch hitter
00:04:20What's the score?
00:04:20Hello Betty
00:04:21It's tied
00:04:22He says no I say yes
00:04:23What you boys need is a referee
00:04:25Now honey don't you bother your pretty little head about the tails
00:04:29Jones and I will settle this between us
00:04:32Maybe I could decide
00:04:33I think I know father's likes and dislikes as well as you do
00:04:39And I've decided it's tops
00:04:40Thanks
00:04:41Well Betty I guess your decision just about covers everything
00:04:49You know it's funny what jealousy can do to a guy's judgment isn't it
00:04:53I can understand that
00:04:55Father thinks I'm going to marry him
00:04:58You know you have the most beautiful eyes
00:05:01Tim
00:05:03Father isn't a well man
00:05:05And the most beautiful hair
00:05:07He
00:05:08He depends on me
00:05:09And the most beautiful man
00:05:11Tim stop I'm serious
00:05:13Yes I know
00:05:14And well I think that we should do something about it
00:05:18Yes yes we will but you still have the most beautiful hair
00:05:21And the most beautiful
00:05:22And I've decided to
00:05:23And the most beautiful
00:05:24I've decided that I'm going to get a doctor
00:05:26Yes
00:05:27Okay okay
00:05:29Miss Wilson where's Mr. Austin
00:05:43Good morning Mr. Moody
00:05:44Yes yes where's Mr. Watson
00:05:46He should be here any moment Mr. Moody
00:05:48Stand him in the minute he comes
00:05:49Yes Mr. Moody
00:05:51Good morning Miss Wilson
00:05:55Go right in Mr. Austin Mr. Moody's waiting for you
00:05:57Good
00:05:58Good morning Annie
00:06:04Good morning RP
00:06:05Good morning RP
00:06:06Good morning RP
00:06:07Glad to see you
00:06:08Hi Tilly
00:06:10Start toiling here's the morning news right on the dot
00:06:12What happened to Pickle Pussy the guy that jam he was in yesterday
00:06:16Yeah he made it all right just the cops were closed
00:06:18Hold it don't tell me I want to read it later
00:06:20Say how come his nibs is so scared of the comments
00:06:24If I could make a million bucks with him like he did I'd die laughing
00:06:27Why don't you send one in and see what happens
00:06:30A very funny idea
00:06:32The girl that worked before me forgot just once the comics went inside and boom she was outside
00:06:37Yeah well that makes a difference
00:06:42That's why I like you Henry you're honest
00:06:45Don't try to impress me like everyone else Hilton for instance
00:06:48He's just waiting for me to retire
00:06:51Oh I thought you approved of him that he was going to marry Betty
00:06:54He's the man Betty thinks she wants to marry I'm not going to interfere
00:06:58I made a mistake of my own marriage
00:07:01Who am I to tell her what to do
00:07:03I like Betty I hope she'll be happy and never want for anything
00:07:07She won't at least financially
00:07:09Oh then you're going to give Hilton the business
00:07:11Yes but not the way he expects
00:07:14He's a lucky young man I hope he appreciates it
00:07:18Henry the art of appreciation is lost in this world of dog eat dog
00:07:22Everybody is out for something
00:07:25I know
00:07:26A bunch of cut throats
00:07:33Good morning Marjorie
00:07:34Good morning
00:07:35I'll take this in
00:07:39Good morning Miss Moody
00:07:40Good morning Henry how's dad?
00:07:42Wonderful he brightens up my whole day
00:07:46Dr. Calloway it's good to see you
00:07:48It's a pleasure Miss Moody this is Dr. Swatsky of Prague
00:07:51The Swatsky with the V Calloway
00:07:53Oh sorry with a we
00:07:54How do you do?
00:07:55How do you do?
00:07:56If you gentlemen will wait here a minute I'll go in and prepare dad
00:07:59That glint in your eyes can mean only one thing
00:08:15You've got an idea
00:08:16I have and it's a good one
00:08:18I was afraid of that
00:08:19Well what is it?
00:08:20Do you take your medicine?
00:08:21No
00:08:22Why not?
00:08:23Because my medicine does you more good than it does me
00:08:25Now open
00:08:41Now do you feel better?
00:08:43Very much better
00:08:45Hello Dr. Calloway
00:08:47I hope you have better luck this time
00:08:49Well I'm sure we will
00:08:50I'm fortunate in having Dr. Swatsky with me on the case
00:08:52Dr. Swatsky?
00:08:54Swatsky yes
00:08:55Swatsky
00:08:56This is very very interesting
00:08:59Calloway my dear colleague
00:09:00I haven't seen one like this recently
00:09:02Wait a minute there's nothing wrong with me
00:09:04Mr. Moody's a man you want
00:09:06Moody yes Mr. Moody
00:09:08This is a very intriguing example of the paranoid type
00:09:12Yes
00:09:13Consolidated up four points
00:09:15Associated up five
00:09:17Go ahead and order that mink coat
00:09:19But Hilton told me to sell both of them yesterday
00:09:24Hilton
00:09:25Hilton
00:09:26Hilton
00:09:27Were you calling me R.P.
00:09:28No I'm not calling you
00:09:30I'd like to forget you
00:09:37Now daddy don't get upset
00:09:39What would Dr. Calloway think if he saw you this way?
00:09:41Dr. Calloway
00:09:42Yes and we're very lucky
00:09:44He's brought a famous specialist from Prague
00:09:46Specialist medicines what good do they do?
00:09:49Betty I know you're trying to help me but it just won't work
00:09:51All your doctors specialist medicines
00:09:53None of them do any good
00:09:54Please dad
00:09:56Try it just once more
00:09:58This time we'll win
00:09:59I'll bet on it
00:10:01All right but if you lose
00:10:03This will be the last time
00:10:05It's a bet
00:10:06Dr. Calloway father will see you now
00:10:14Dr. Spotsky
00:10:16Yeah
00:10:17No
00:10:18Oh thank you very much
00:10:19Thank you
00:10:20Oh thank you thank you very much
00:10:23Hello Calloway
00:10:27Dr. Spotsky
00:10:29Mr. R.P. Moody
00:10:30R.P. Moody
00:10:31How do you do?
00:10:32How do you do Mr. Moody?
00:10:34Melancholia maribundus Dr. Calloway
00:10:36The pleasure is all mine
00:10:38You're welcome to it
00:10:40Hmm
00:10:41In going over your case with Dr. Calloway
00:10:44We have found that sanity runs in your family
00:10:48Right now I doubt it
00:10:50Now I also found out that you're a successful businessman
00:10:54Don't you feel sometimes that you're all alone?
00:10:59No no no please please don't interrupt me
00:11:01Uh quiet please
00:11:02Shh
00:11:03Now at times you have the feeling
00:11:05As though you are in total darkness
00:11:08Answer me please
00:11:09Yes many times
00:11:10Good good
00:11:11Like going somewhere
00:11:12Now tell me please
00:11:14When
00:11:15When those things do occur?
00:11:17When I turn out the light and go to bed
00:11:19When you turn out the lights and go
00:11:20No no no no no
00:11:21No no no
00:11:22I don't know
00:11:23If it isn't wrong
00:11:24When you laugh
00:11:25When you laugh
00:11:26Is it a high pitched laughter like
00:11:27Ha ha ha ha ha ha?
00:11:29Or is it perhaps a hysterical one like
00:11:31Ha ha ha ha ha ha ha?
00:11:33It has a slow start and then then builds up
00:11:35Or is it a full full whole hearted laughter deep like
00:11:39Ha ha ha
00:11:40I never laugh
00:11:41You never laugh?
00:11:42No no no
00:11:43That
00:11:44That you don't mean
00:11:45That I do mean
00:11:46I haven't smiled let alone laughed in twenty years
00:11:49Doctor Calloway
00:11:50That I cannot believe.
00:11:52An acute case of melancholia.
00:11:54Hmm. No, no, no.
00:11:56The diagnosis we have left behind, my dear colleague.
00:11:58The reasons for it.
00:12:00The etiology, the prognosis of it.
00:12:02That's what, what I cannot understand.
00:12:05The facial muscles?
00:12:07The facial, the facial muscles.
00:12:09That is correct.
00:12:10That is correct.
00:12:11Will you please lean back?
00:12:12Mm-hmm.
00:12:13Like this.
00:12:14The facial muscles.
00:12:16Hmm.
00:12:17That's strange.
00:12:18Strange.
00:12:19Very strange.
00:12:20Very, very strange.
00:12:22No.
00:12:23No, that's correct.
00:12:24Now, let's see the facial muscles and the reactions.
00:12:28Let's see another.
00:12:29Ah.
00:12:30Observe, Dr. Colby.
00:12:32Absolute and normal reaction.
00:12:34Now, let's see this.
00:12:36Ah, sit back, please.
00:12:37Sit back.
00:12:38Hmm.
00:12:39Hmm.
00:12:40Hmm.
00:12:41Now, everything's absolute, you know.
00:12:43Better no better.
00:12:44He's going too far.
00:12:45No, no, no.
00:12:46Now, Mr. Moodie.
00:12:48Mr. Moodie.
00:12:49Mr. Moodie.
00:12:50Now, please.
00:12:51Please.
00:12:52Try to think, if you can.
00:12:54Twenty years ago.
00:12:56Twenty years ago.
00:12:58Remember?
00:12:59Your daughter was just a little baby.
00:13:02What happens to you then?
00:13:04What happened twenty years ago is no concern of yours.
00:13:06And I've had about all I can stand for today.
00:13:08Uh, Dr. Calloway.
00:13:09Unless I have a full cooperation while getting no place fast.
00:13:14This is only an idea, a clue, perhaps a parallel to jump from.
00:13:20What is it, Dr. Svadsky?
00:13:22My dear young lady.
00:13:25In 1783, Philip of Spain was suffering from melancholia so moribund that it threatened his life.
00:13:33After a search, a singer was found, whose voice had a therapeutic effect.
00:13:40Now, the singer provided tectonic.
00:13:43And the king imagined.
00:13:45The king was healed.
00:13:46Oh, brilliant.
00:13:47A massively analysis.
00:13:48Well, thank you.
00:13:49Thank you very much.
00:13:50Now, the cure, it is simple.
00:13:52All we have to do is make Mr. Moodie laugh.
00:13:55I could have told you that without a fee.
00:13:57The whole world needs laughter.
00:13:58Laughter is a medicine.
00:13:59And you can't take an overdose of it.
00:14:01It's good for what ails you.
00:14:02Falling hair, falling arches, bunions.
00:14:04Why, the whole world's crying for it.
00:14:06Say, why don't we bottle it and go into business?
00:14:09It is a very refreshing point of view.
00:14:12Well, there must be somebody who can make him laugh.
00:14:14I doubt it.
00:14:16Tim, I've got the beginning of an idea.
00:14:19And I've got the end of it.
00:14:27If the king of Spain was cured by one singer, then we'll hire the best talent that money can buy.
00:14:32They should be able to do something for Dad.
00:14:39Little.
00:14:42Freddie Fisher and his band.
00:14:44George McKay.
00:14:46Bill.
00:14:47Daddy.
00:14:49That's it.
00:14:50Peanut.
00:14:52Darby and Darnell.
00:14:53Isabel Leiter and the one of the Le H다음 boys.
00:14:56Chuy Reyes and his truck in their band.
00:14:59Mike Riley and his musical maniac.
00:15:01And Bob Roberts.
00:15:02And Mervin.
00:15:04Alphonse Berger and Doris Duane.
00:15:07notice now. Where's Hoskins. Hoskins took the day off to get married sir. I'm his brother who
00:15:32brought that beast here. I did sir. He's not a beast. He's my dog. Well I'm allergic to dogs and I think I'm going to be allergic to you get him out of here. Say listen if you want any help you better take what's available. And with me it's love me love my dog. Besides he's a fine dog. I'm crazy about him. The greatest strict dog that ever lived. But he won't do easy tricks. Only big tricks. And the bigger the tricks the better he'll do them. Did you get that build up I gave you.
00:16:02I told him you won't do easy tricks only big tricks. Come on let's show some class ready. Stand up boy. Up. Come on boy. Stand up. Up. Come on boy stand up. Up. Too easy. Lay down. Dead dog. When I say dead dog you lay down. Well he don't have to lay down he's dead standing up. Look over here. I'll show you look right here. Right here look. Over here. Come on boy. Come on. Head up boy. Right here. Look did you see that trick.
00:16:32He moved. I hope he didn't strain his shoulder. That's all. Take it easy. You're working a little too fast. Slow up a little. Take your time. Go ahead lay down will you. Lay down will you. I think the suit is too big for you. Look at that look.
00:16:47Maybe he's expecting mumps. Why don't you stop suffering and lay down. Collapse. Hold up. Lay down.
00:16:56You won't believe it. When I first got that dog he couldn't do nothing. You know. Look.
00:17:00Go on and bark. Come on bark.
00:17:04Whoa whoa.
00:17:05That was me. Would you like to see him do one more trick. This is the last trick of course. Come here Flash. Flash. Come here Flash. Come on boy. Look at that speed he's burning up today.
00:17:23He couldn't go any further. It's a little uphill over here.
00:17:27Now the dog is going to jump. He's raring to go. Look.
00:17:31Can you make it. One. Two. Three. Go. There he goes. There he goes.
00:17:36The flunk. He's a little out of wind now. Take your time.
00:17:39What I give him a little rub down so he can do it again. Try it again. This time sneak up on it and fall on the other side. Go ahead.
00:17:46Go. There he goes. There he goes. Boom.
00:17:49Well anyway. This is the way he looks after he jumps. Like that. There it is.
00:17:54Oh he's that great pet. I'm telling you. There's no limit to his tricks.
00:17:58Look at him running around here. Look at that. There he goes.
00:18:01Ka-flunk. Boom.
00:18:03And besides the dog is a great music lover.
00:18:06Oh he loves high class music.
00:18:08But let me tell you. Of all the music he's ever heard.
00:18:11He likes my music the best.
00:18:13He'd rather hear me play one song on this harmonica than eat 40 or 50 steaks.
00:18:18And this is his favorite song.
00:18:19Played by his master.
00:18:20Calloway my dear. This is the moment when we should observe our patient at the closer range.
00:18:36Yes. At the closer range.
00:18:39Mm-hmm. Much closer.
00:18:42Doctor. Doctor. What happened?
00:18:52Contradictory symptoms. Calloway. Most contradictory.
00:18:55Tell me please. What is his next move?
00:18:58Oh.
00:18:59Breakfast.
00:19:00Breakfast. That is very good. Very good.
00:19:03Where's Hilda?
00:19:12She took the day off to Mary Hutkins, sir.
00:19:13Oh.
00:19:15What are you doing here?
00:19:16Well, I'm waiting for Vaudeville to come back.
00:19:24Here are your three-minute eggs, sir.
00:19:27Now, uh,
00:19:28do you like him that young or, uh,
00:19:30or would you prefer him on the older side?
00:19:34Betty.
00:19:35Betty.
00:19:37Betty.
00:19:39Betty.
00:19:41That gag always went good in Kansas City.
00:19:44Betty?
00:19:45Who, who's this man around trying to take my job?
00:19:47Oh, it's just for today, Pygmead.
00:19:49Oh, he's only here for the day.
00:19:50I, for the day?
00:19:52What is he going to do here today?
00:19:53He's here to entertain father.
00:19:55Oh, entertain your father.
00:19:57Well, I think if you give me a chance to drop my hair,
00:19:59I can entertain your father.
00:20:00And I'm dropping my hair right now.
00:20:03He-pe-de-dee-dee-dee-dee-dee-dee-dee-dee-dee-de-doe
00:20:06Hey, baby, oh.
00:20:11Hey, dee-doe-dee
00:20:21Hey, dee-doe-dee.
00:20:25Hey, dee-doe.
00:20:25Hey.
00:20:27Hey, dee-dee.
00:20:28I think it might be a very good idea do you think so?
00:20:53What's the meaning of this?
00:20:54Now everything's going to be all right.
00:20:56How can it be all right with a house full of hoodlums?
00:20:58They're not hoodlums, they're a surprise.
00:20:59I don't like surprises.
00:21:01What are you doing here?
00:21:02Well, I...
00:21:03Oh, Mr. Jones is just helping.
00:21:05Yeah, helping out.
00:21:06Well, help me out and tell me who you're helping.
00:21:07Well, uh...
00:21:09Well, uh, you, aren't we, Tim?
00:21:11Yeah, select the entertainment.
00:21:12What entertainment?
00:21:13For the employee's anniversary party, why?
00:21:16When did you get that idea?
00:21:17Well, that we...
00:21:17Oh, recently, in fact, quite recently.
00:21:20Yeah, that's right.
00:21:21Well, it's not a bad idea.
00:21:22Well, let's start selecting.
00:21:23I've got a place of business to go to.
00:21:24Yeah, uh, Mr. Moody, Mr. Moody, one more question.
00:21:27Will you ask me later, please?
00:21:28I have something to look at.
00:21:30Crying
00:21:35Crying
00:21:37Every night I'm alone
00:21:41I keep crying
00:21:43For I seem to be lost
00:21:47In a crazy dream
00:21:49In a crazy dream
00:21:50And I'm hopelessly drifting along
00:21:56Crying
00:22:02Every night by the fall
00:22:06I keep crying
00:22:08I'm just groping around
00:22:10I'm just groping around
00:22:12In a hazy dream
00:22:15For there's no use
00:22:17In dreaming alone
00:22:21The harder I try
00:22:27I try
00:22:29To forget all our moments
00:22:32The more the tears come
00:22:34To my eyes
00:22:38Foolish, I know
00:22:41But I can't help but feeling
00:22:44That the whole silly thing
00:22:47Wasn't wise
00:22:50I'm lonely
00:22:52I'm lonely
00:22:53Every morning I wake
00:22:57And I'm lonely
00:22:59As the days pass me by
00:23:03I go drifting along
00:23:06Just like a ship
00:23:08That drips along
00:23:11At sea
00:23:15Hey, Robert!
00:23:16Hey, Robert!
00:23:17Robert, I was standing out there
00:23:18And I heard you sing the song
00:23:19I was singing
00:23:20Crying
00:23:21You said you were crying
00:23:22That's right
00:23:23Well, Robert, I got fooled last night
00:23:25I was crying last night, too, Robert
00:23:27I was gonna cry
00:23:30Robert, let me cry
00:23:32I cried because you
00:23:33I was just
00:23:34I cried
00:23:35I cried
00:23:37Robert, Robert, you said
00:23:39You said you were
00:23:40You said you were
00:23:41Oh, yeah!
00:23:42Robert, I don't know what you're doing
00:23:47Now you can take a band, Mike
00:23:51Oh, I can...
00:23:52What kind of a band?
00:23:53A bubble band
00:23:54There we go
00:23:55A bubble band
00:23:56Robert, this is a terrible way to make a...
00:23:59Robert, I cried every night
00:24:01I cried
00:24:02Hey, I...
00:24:04See, I don't want to set the world on fire
00:24:06Don't worry
00:24:07You won't with that band
00:24:08I don't want to set the world on...
00:24:10Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha
00:24:12Hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey
00:24:42The End
00:25:12The doctor is making a lion into a sheep
00:25:18The lamb, doctor
00:25:20The lamb, the sheep, the mutton
00:25:21What's the difference?
00:25:22It is so beautifully symptomatic of father fixation
00:25:24Now I ask you
00:25:26Where is the mutton?
00:25:27Alright, don't answer
00:25:28I'm going to ask Mr. Moody myself
00:25:30I've asked him already once
00:25:31And I'm going to ask him again
00:25:32Watch me
00:25:33Very good, very good entertainment
00:25:36Will please my employees
00:25:37Yes, yes, yes
00:25:38Mr. Moody
00:25:39There's one more thing I would like
00:25:40Dr. Oblatsky, please
00:25:42I'm occupied
00:25:42Mr. Moody, my name is Dr. Oblatsky
00:25:46With the heat
00:25:46Well
00:26:02I'll attend to that, sir
00:26:05Doris
00:26:06You can't wear a bathing suit
00:26:08I'll have to put some more clothes on you
00:26:10I'll have to put some more clothes on you
00:26:11I'll have to put some more clothes on you
00:26:12I'll have to put some more clothes on you
00:26:13I'll have to put some more clothes on you
00:26:14I'll have to put some more clothes on you
00:26:15I'll have to put some more clothes on you
00:26:16I'll have to put some more clothes on you
00:26:17I'll have to put some more clothes on you
00:26:18I'll have to put some more clothes on you
00:26:19I'll have to put some more clothes on you
00:26:20The End
00:26:50How do you like this?
00:26:52Beautiful.
00:26:54The dress.
00:27:20And this for an afternoon dress.
00:27:32No pins.
00:27:34No pins.
00:27:34No pins.
00:27:37No pins.
00:27:46The End
00:28:16The Bride
00:28:46The Bride
00:29:16He pensado que te quiero
00:29:33Y no sé por qué será
00:29:36Si será por tus caricias
00:29:42O los besos que me das
00:29:45Yo no quiero que te alegres
00:29:51Y te vayas sin saber
00:29:54Que eres tú mi prenda amada
00:29:59Y que tú eres mi querer
00:30:03He pensado que te quiero
00:30:07Y no sé por qué será
00:30:10Si será por tus caricias
00:30:16O los besos que me das
00:30:19Yo no quiero que te alegres
00:30:25Y te vayas sin saber
00:30:28Que eres tú mi prenda amada
00:30:33Y que tú eres mi querer
00:30:36Ya ves, ya ves
00:30:43Mi prenda amada
00:30:44Que tú eres mi querer
00:30:46Ya ves, ya ves
00:30:51Mi prenda amada
00:30:53Que tú eres mi querer
00:30:55Ya ves, ya ves
00:31:12Mi prenda amada
00:31:17Amada
00:31:18Que tú eres mi querer
00:31:20Ya ves
00:31:21Ya ves
00:31:22Ya ves
00:31:24Ya ves
00:31:24Mi prenda amada
00:31:26Amada
00:31:26Amada
00:31:28Queremos que tú eres mi querer
00:31:32Amada
00:31:36Amada
00:31:37Amada
00:31:38Amada
00:31:38Amada
00:31:39Amada
00:31:39Say, he's bouncing out of it
00:31:41Anything can happen
00:31:42Oh, you think so?
00:31:43I know it
00:31:44Gee, thanks, Tim
00:31:46I was beginning to doubt my own impulses
00:31:48Never do that
00:31:49I like your impulses
00:31:51Amada
00:31:52Amada
00:31:53Amada
00:31:54Amada
00:31:55Amada
00:31:56Amada
00:31:56Amada
00:31:57Amada
00:33:05I just remembered.
00:33:19The anniversary of the Moody comics was three months ago.
00:33:27He was bound to find out sooner or later.
00:33:29Don't worry about it.
00:33:30I'm not.
00:33:31I was thinking about something a doctor said.
00:33:33What?
00:33:34He was digging in the past.
00:33:35And the old man didn't like it, huh?
00:33:37Well, there must be souvenirs or keepsakes or something around the house.
00:33:42Not in the house.
00:33:44Wait a minute.
00:33:46There's a confidential file in the office.
00:33:48No one ever touches it.
00:33:50I've got it.
00:33:52The rapid joint.
00:33:54In broad daylight.
00:33:55No, tonight.
00:33:56There you are.
00:33:57Start raffling.
00:33:58Hardly worthy of my talents.
00:33:59Now this is going to be very easy.
00:34:04I broke my knife.
00:34:05Maybe I should have brought a toolkit.
00:34:06Oh, you should find what you want in here.
00:34:10I don't know.
00:34:25I don't.
00:34:27That's glad.
00:34:28Last.
00:34:29This time of the night.
00:34:30Might wake up the watchman.
00:34:31Don't worry about that.
00:34:33This building would have to fall down before we could wake up Ansel.
00:34:36Ansel.
00:34:38Now the watchman you're only one trouble with this thing it won't open.
00:34:44Oh why didn't you say so in the first place marvelous darling Martin.
00:34:52What's that just dance or remember oh yeah answer when may we expect just three more doors.
00:34:59Two more. Perhaps you better go through this after all it's your best not afraid of all skeletons are you skeletons don't worry me.
00:35:16Mother and daddy when they were first married mother's getting pretty you know put a modern dress on it it could be you.
00:35:24Am I crazy or your father's laughing.
00:35:29Yeah it's too bad he can't laugh like that now.
00:35:33I'll be happy.
00:35:38Oh.
00:35:53Good evening answer.
00:35:54Who are you.
00:35:58I was expecting and so I wasn't expecting anybody what's your name.
00:36:03Oh Betty Moody.
00:36:05That movie.
00:36:07Oh yes sir.
00:36:13Your name is on my list Miss Moody.
00:36:15So I'm glad my name is on your list.
00:36:19Well good night.
00:36:22Good night Miss Moody.
00:36:23All the time I thought you knew Ansel.
00:36:40Tim isn't it terrible the way people have violent tempers when they're young.
00:36:44Oh that's all right darling I'll forgive you.
00:36:47Mother refers to it as artistic temperament father calls it blank blank blank stubborn.
00:36:54And three years later they're the same thing.
00:36:58Apparently they haven't changed a bit.
00:37:02Tim.
00:37:03That could never happen to us.
00:37:04Not a million years down.
00:37:12They were going to have colors again.
00:37:14Okay.
00:37:21Why Betty.
00:37:24I saw a light in the office I was driving by I thought I'd come up and.
00:37:27Investigate.
00:37:28And now that you've investigated.
00:37:31I am perfectly satisfied with what I found.
00:37:34What have you found you.
00:37:37Just when I was getting the silly idea that I lost you.
00:37:40You have.
00:37:41Betty be sensible.
00:37:43You're not going to let a ridiculous infatuation for a fellow like Jones upset your whole future.
00:37:48Just a minute but you're going too far did you come from in there.
00:37:53What are you doing here.
00:37:54Looking after Miss Moody's future starting now.
00:37:56And I'd say you've got a great start going through Mr Moody's private papers.
00:38:00And I think you'd better leave.
00:38:01I'm going to.
00:38:02When I go I'll walk out not sneak out.
00:38:04Sneak out.
00:38:05Isn't that clear.
00:38:06Perfectly clear.
00:38:09I'm not forgetting this Jones we'll settle this later.
00:38:17Good morning R.P.
00:38:19Where'd you get that Hilton.
00:38:21Well it was this way.
00:38:22I know you ran into a door.
00:38:23Yes.
00:38:24Uh no I was driving by the office last night and I saw a light through the window.
00:38:29I came up to investigate and I found one of your employees going through your private papers.
00:38:33Going through my papers.
00:38:34Yes.
00:38:36Naturally I took exception and that's how I got the black eye.
00:38:39Who was it.
00:38:40Timothy Jones.
00:38:41Jones.
00:38:42Why that good for nothing.
00:38:44How do you do Mr Moody.
00:38:44Not now Swatsky.
00:38:46Morning Dr Swatsky.
00:38:47Oh the paranoid type.
00:38:49Now look Dr Swatsky I know but the last time I saw you I told you that Mr Moody was a gentleman that you should have talked to.
00:38:56I know but I'm awfully busy.
00:38:58You should get excited.
00:38:59You see in criminal types it's a lot of interesting things.
00:39:00Dr Swatsky I know but I'm not the one you know I'm not the one you know I'm not the one you know I'm not the one you know.
00:39:04Oh strange character isn't he.
00:39:07Monk will run through it a couple times before he tried on him.
00:39:10Ah the story begins the way out west.
00:39:14What am I going to be.
00:39:16You're going to be Monk the killer.
00:39:20I'm not afraid of you.
00:39:21Besides you've got a little rattle on Bill Philist the two boy ranges trapped in the cabin.
00:39:25Monk you move out be ready to make it run the door.
00:39:30I'll get the chalk.
00:39:31I'll get the mail.
00:39:34This is the cabin.
00:39:35Uh-huh.
00:39:36What's that little cabin.
00:39:39Oh remember now we are the two boy ranges.
00:39:44And youth pre-sodified.
00:39:52The most powerful youth in all the land.
00:39:59Ah it's a matter of minutes before the killer bashes down the door.
00:40:02Yes send to the scenes the mail sack.
00:40:03Ah-ha.
00:40:10Okay Monk.
00:40:14Right to me.
00:40:14Oh.
00:40:15Now on the floor on the floor.
00:40:17Oh we've got the killer quickness so.
00:40:20You mean the rope.
00:40:21The rope.
00:40:21The rope.
00:40:22The rope.
00:40:23The rope.
00:40:24I got him.
00:40:25That's the rope.
00:40:25Nope.
00:40:26Swag.
00:40:27I got him.
00:40:28I'm tearing fast.
00:40:29I'm going to be a fabulous.
00:40:30But will we.
00:40:30True.
00:40:31Show him.
00:40:31I will get sacked.
00:40:33Hey.
00:40:35What's more.
00:40:35The boy rangers comes to with victory.
00:40:37Right.
00:40:39They'll keep coming.
00:40:40They'll come to the end of time.
00:40:41They'll always come.
00:40:42The boy rangers will always come.
00:40:44What are you.
00:40:45Ha-ha.
00:40:46Hey.
00:40:46How can you be standing there and in the sack too.
00:40:49Well it ain't me.
00:40:50Well who's in the sack.
00:40:52Yeah who's in the sack.
00:40:53I don't know.
00:40:57You scoundrel.
00:40:58Oh Mr. Moody.
00:40:58You scoundrel.
00:40:59You're through.
00:41:00You're finished.
00:41:00Yeah.
00:41:01Get out and scale.
00:41:02Yeah I know I'm throwing them out.
00:41:03Send my mail to the club will you boys.
00:41:05Bye.
00:41:06Bye.
00:41:07Get out of here both of you.
00:41:11A boy ranger never fails.
00:41:13He always goes through.
00:41:21Dad.
00:41:22Dad what happened.
00:41:23Everything everything bad mainly Jones.
00:41:25Now wait a minute.
00:41:26Nobody's going to sneak behind my back and pry through my private office.
00:41:29I kicked him out.
00:41:30Tim was with me last night.
00:41:31We both poked through your office.
00:41:33Betty.
00:41:34Dad we were only trying to help you.
00:41:36That's another thing I will not stand for.
00:41:37I will not allow anybody to pry into my private life.
00:41:40Well this time you're going to stand for it.
00:41:41It's my life too and up until now you've run it.
00:41:43Run it.
00:41:44I've been an indulgent father.
00:41:45Right.
00:41:46You've indulged yourself for 20 years.
00:41:48Made me miserable and sorry for you.
00:41:50Now I know why mother.
00:41:51Your mother has nothing to do with this.
00:41:53Leave her out of it.
00:41:53I'm not going to leave her out of it.
00:41:55She's my mother and I'm glad I found out she's a person instead of a rumor.
00:41:59And.
00:42:01And another thing.
00:42:02Whether you like Tim or not I love him.
00:42:04I'm not going to leave her out of it.
00:42:05I'm not going to leave her out of it.
00:42:06I'm not going to leave her out of it.
00:42:07I'm not going to leave her out of it.
00:42:08I'm not going to leave her out of it.
00:42:09I'm not going to leave her out of it.
00:42:10I'm not going to leave her out of it.
00:42:11I'm not going to leave her out of it.
00:42:12I'm not going to leave her out of it.
00:42:13I'm not going to leave her out of it.
00:42:15I'm not going to leave her out of it.
00:42:17I'm not going to leave her out of it.
00:42:21I'm not going to leave her out of it.
00:42:23PYM JBZ
00:42:53PYM JBZ
00:43:23PYM JBZ
00:43:53PYM JBZ
00:43:55PYM JBZ
00:43:57PYM JBZ
00:43:59PYM JBZ
00:44:01PYM JBZ
00:44:03PYM JBZ
00:44:05PYM JBZ
00:44:07PYM JBZ
00:44:09PYM JBZ
00:44:11PYM JBZ
00:44:13PYM JBZ
00:44:15PYM JBZ
00:44:17PYM JBZ
00:44:21PYM JBZ
00:44:23PYM JBZ
00:44:25PYM JBZ
00:44:27PYM JBZ
00:44:31PYM JBZ
00:44:33PYM JBZ
00:44:35PYM JBZ
00:44:37PYM JBZ
00:44:39You know, Tim, Henry might be able to help.
00:44:43Henry?
00:44:44Yeah.
00:44:45He's been shaving Dad for the last 30 years.
00:44:48He knows him better than anyone.
00:44:50Hey, Marv.
00:44:52Give me a phone, will you?
00:44:56Got the number?
00:44:57Yeah.
00:45:02Um.
00:45:03Rescue.
00:45:09Hello, Henry.
00:45:11Oh, hello.
00:45:12Hello, Henry.
00:45:13Say, they didn't have saloons like this when I was your age.
00:45:15Club, Henry.
00:45:16Oh, so that's what they call them now.
00:45:19What do they have?
00:45:20Lemonade.
00:45:21Lemonade?
00:45:22I get what you mean, but what's in it?
00:45:25Lemons, sugar, and water.
00:45:27Lemons, sugar, water.
00:45:30Henry, I thought you might be able to tell us something about Mother.
00:45:34Where can we find her?
00:45:35Well, she spends her winters in California,
00:45:38the summer season in Connecticut,
00:45:40and the play season here.
00:45:42Then she should be here now.
00:45:44Well, if she is, she's at the Tower Hotel.
00:45:46Tower Hotel?
00:45:47She's a writer, you know,
00:45:48under the name of Lacey Thornton.
00:45:57Get excited, darling.
00:45:58Oh, I'm not excited.
00:46:00I just realized what this means.
00:46:02You see, I've never seen my mother.
00:46:05Now that you're going to see her, you wonder what she's like.
00:46:08Yeah.
00:46:09What is she like you and me?
00:46:12Well, there's only one way to find out.
00:46:16Do come right in.
00:46:31Oh, it's such a relief to be with young people.
00:46:33You know, usually I'm interviewed by these horribly businesslike people
00:46:36who insist upon pinning you down to places and dates and...
00:46:39Oh, I'm sorry, uh, mister...
00:46:42Jones, he's...
00:46:43He's going to be your son.
00:46:45That is, I'm going to marry him and I'm your daughter.
00:46:48Why, how delightful.
00:46:49Oh, I love romance.
00:46:51In fact...
00:46:53A daughter?
00:46:54Betty!
00:46:56Oh!
00:46:58Oh, it just doesn't seem possible.
00:47:00Little Betty, grown into such a beautiful young lady.
00:47:04And about to marry such a beautiful young man.
00:47:07Oh, it's...
00:47:09Beautiful, period.
00:47:10Oh, oh, oh, do sit down.
00:47:19I wrote your story once.
00:47:20Let me see.
00:47:21It was the book before the last.
00:47:23No, the one next to that.
00:47:25Mother, Dad has been...
00:47:29Well, he hasn't been well and I thought maybe that we could help him.
00:47:33Oh, poor Phineas.
00:47:35He was always hard to understand.
00:47:38But he has done well in business, hasn't he?
00:47:40Haven't you heard?
00:47:42Oh, I've been away for months and months.
00:47:44Oh, ever so long.
00:47:46I used to do all my work in Europe and...
00:47:49Oh, it's so stimulating.
00:47:52Mother...
00:47:53Dad...
00:47:54Dad is quite ill.
00:47:56No, is he?
00:47:58What are you doing here?
00:48:02You're just the guy I'm looking for.
00:48:05I'm here to do you a favor.
00:48:07Here, grab a chair and hang on.
00:48:10You know what I'm gonna do?
00:48:11I'm gonna double your production and triple your income.
00:48:14You know, you know the way things are now.
00:48:16The American working man's got to have something besides an automobile and a house and a lot.
00:48:20He's got to be made happy and he's got to be kept happy.
00:48:24Give him music to make him happy.
00:48:26The American working man loves music.
00:48:28You can tell that by the way he jumps when the whistle blows.
00:48:31Why, sure.
00:48:32Just give him that music and just make his day a big, long, beautiful song.
00:48:37The sky's the limit.
00:48:39Give him that old razzmatazz.
00:48:41Okay, boys.
00:48:42Let him have it.
00:48:43Look, there's an
00:48:44Always lull over there.
00:48:45It's you.
00:48:46It's the best way.
00:48:46A little razzmatazz.
00:48:47The many gaffes are so very proficient...
00:48:48There is real ponderful Man.
00:48:49She's the only coach and hold the room.
00:48:51Un Zigg tiny.
00:48:52Trchainством.
00:48:53We've got some razzmatazz.
00:48:57You can't buy money, in Harry.
00:49:00You'll buy money, in Harry.
00:49:02Yeah!
00:49:04Put the blue facts on our razzmatazz.
00:49:05Finally, indeed, it's a great мерczema.
00:49:08That's a nice example.
00:49:09Because of them it's only ever being pretty,
00:49:10they says it's a great party for us.
00:49:12I'm plenty slick feller from North Dakota, I've even seen a little bit of Minnesota, oh give me that tea-yucka too, and let me holler wahoo, now people think I'm in a rut, but that's because they're off, they're not, oh give me that razz of my tag.
00:49:42Oh, give me that razz of my tag, and let me holler wahoo, now people think I'm in a rut, I'm in a rut, I'm in a rut, I'm in a rut, I'm in a rut, I'm in a rut, I'm in a rut, I'm in a rut.
00:50:12Oh!
00:50:38I don't think we're gonna make it.
00:50:40Oh, give me that razz of my razz of my tag, give me that razz of my tag.
00:50:47Hey, how'd you like it?
00:50:49Get that hardware and those spare parts out of here.
00:50:51Absolutely no soul.
00:50:54Miss Wilson.
00:50:55Yes sir.
00:50:56Miss Wilson, get me a ticket on the train to California, make it the chief.
00:50:59Go get it on the super chief.
00:51:01And how long I can stand at this, I'm getting out of here.
00:51:04Yes.
00:51:05If only he hadn't gone completely sour on cartoons.
00:51:11Cartoons?
00:51:12What about cartoons?
00:51:13Why, he was laughing at one the last time we were together, or next to the last time.
00:51:22We had gone to a cafe, or a modest little place, to celebrate the night before his 35th birthday.
00:51:31That was the night he had the baby.
00:51:33He had the baby?
00:51:36You mean me?
00:51:37No darling, a brain child.
00:51:39He drew it on the wall of the cafe.
00:51:42Poor Phineas.
00:51:44His one ambition was to be an artist.
00:51:46But, being artistic myself, I realized he could never be a great artist.
00:51:51And there's nothing worse than a poor artist, is there?
00:51:54No, nothing could be worse.
00:51:56That's just what I told Phineas.
00:51:58Oh!
00:51:59It was dreadful.
00:52:00He created quite a scene.
00:52:02Poor Phineas.
00:52:04I never realized what that cartoon meant to him.
00:52:07I can.
00:52:08Maybe that cartoon was an ideal, and you shattered it.
00:52:11You took everything away.
00:52:12Oh, well, no, I didn't.
00:52:14It was on the wall of the cafe.
00:52:16Maybe it might revive something, give him a new life.
00:52:19Tim, wouldn't it be wonderful if it would?
00:52:23Oh, but that was 20 years ago.
00:52:25It surely wouldn't be there now.
00:52:28Could you remember where the cafe was?
00:52:30Well, I don't know.
00:52:32But it would be fun to try, wouldn't it?
00:52:34That's the chance we'll have to take.
00:52:36I love to go places.
00:52:38I remember once in London, with the Earl of Catherstone.
00:52:43Mother, is this your idea of a nice, cozy little place?
00:52:46I'm positive this is where it was.
00:52:48Or is it?
00:52:51Good evening, sir.
00:52:52A table for three, please.
00:52:54Just a moment, sir.
00:52:58Good evening, sir.
00:52:59Thank you, Dr.
00:53:00Joseph Smith.
00:53:01Hey!
00:53:02You.
00:53:03How a bounce?
00:53:07See you.
00:53:09Anteri Baby.
00:53:10Look how many things are.
00:56:16As I remember it, Phineas was sitting there.
00:56:19You see, we wanted to be secluded.
00:56:22That's exactly what I was hoping for when we came in here.
00:56:25Pardon, madame.
00:56:27Your table is over there.
00:56:28Oh, but we don't want to be over there.
00:56:32We want to be over here.
00:56:33Perhaps we could sit over there.
00:56:35Yeah, don't go yet.
00:56:47If you could remember approximately where it was.
00:56:51Yes, I remember.
00:56:52Yes, I remember.
00:56:52Yes, I remember.
00:56:52I remember it was, that wall.
00:56:54Was it near the corner?
00:56:56Yes, it was in that corner.
00:56:59Now we're getting somewhere.
00:57:01Yes, madame.
00:57:02What are you doing there, young man?
00:57:03Oh, excuse me, Curly.
00:57:31You see, if you insist on annoying our guests, I'll have to ask you to leave.
00:57:35Pardon me, Junior.
00:57:37Junior, huh?
00:57:43Darling, didn't I teach you not to flirt with strange ladies?
00:57:46Oh, but you can meet some lovely people that way.
00:57:49Mother, would you say the picture would be about here?
00:57:52Yes, it would be right there.
00:57:54Only over there.
00:57:58What?
00:58:01What?
00:58:02What?
00:58:04What?
00:58:05What?
00:58:06What?
00:58:07What?
00:58:08What?
00:58:09What?
00:58:10What?
00:58:11What?
00:58:12What?
00:58:13What?
00:58:14What?
00:58:15How do you like that?
00:58:25No picture.
00:58:26No picture.
00:58:27No picture.
00:58:28No picture.
00:58:29Sorry, Gus.
00:58:30Pierre.
00:58:34Eddie, you're all wrong.
00:58:35I looked and the little man wasn't there.
00:58:36But.
00:58:37Madame, Madame.
00:58:38Madame.
00:58:39But why an egg?
00:58:40I ordered roast beef medium.
00:58:41Madame, F is an egg.
00:58:43F is beef.
00:58:44You ordered F and not beef.
00:58:46Why didn't you say that in the first place?
00:58:48Madame.
00:58:49Madame.
00:58:50Oh, he doesn't understand French.
00:58:52Probably born in Brooklyn.
00:58:56Well, I know it here someplace.
00:58:58Then it's very simple.
00:58:59All we have to do is take all the paper off the wall.
00:59:02Oh.
00:59:03Oh, not all the paper.
00:59:04Uh, just, uh, just the part of the picture.
00:59:06See, we couldn't do that.
00:59:08Now, supposing the picture was here.
00:59:16The picture isn't there.
00:59:17All you have to do is put the piece back.
00:59:19The baby.
00:59:21There it is.
00:59:22Right where I said it would be.
00:59:31Um, uh, would you mind bringing our check?
00:59:33Mind?
00:59:34It will be a pleasure.
00:59:52I don't think Phineas would recognize his own work.
00:59:56But you've got to draw it so that he will.
01:00:10I never pay bills.
01:00:11I just signed my name.
01:00:12I was afraid of something like this.
01:00:14I left to see the manager.
01:00:16That's a good idea.
01:00:17I hate to complain.
01:00:18But I think he ought to know how you would annoy them.
01:00:21Oh.
01:00:25Gentlemen, observe that the original cartoon has its lines up, up, and up.
01:00:30That means that the creator of it was in the up mood.
01:00:33In other words to say, happy.
01:00:36That's good logic.
01:00:37Thank you very much.
01:00:40How's that, Hetty?
01:00:41I really can't say, Timothy.
01:00:42But, uh, it does look a little like quack quack.
01:00:44Don't you think?
01:00:45Could be.
01:00:46Keep it up, Tim.
01:00:47You're doing swell.
01:00:48Well, that isn't it.
01:00:51But, Tim, take a look at mine, will you?
01:00:53Yeah.
01:00:56Gentlemen, of course, I'm not an artist.
01:00:58But from the medical point of view, if Mr. Timothy will trade his nose with this gentleman's ears.
01:01:03Oh, no, no.
01:01:04He couldn't do that.
01:01:05But why?
01:01:06Because I like his nose much better.
01:01:09Thank you, Hetty.
01:01:12Uh, Mr. Timothy.
01:01:13Yes?
01:01:14Uh, remember that laughter that you wanted to put in bottles.
01:01:17Yes?
01:01:18Do you think that has commercial possibility?
01:01:19Oh, definitely.
01:01:20Definitely.
01:01:24How's that, Hetty?
01:01:25Timothy, I just know that is not quack quack.
01:01:29No?
01:01:30That's baby.
01:01:31All right.
01:01:32Let's go home.
01:01:33Let's put baby to bed.
01:01:34That's it.
01:01:35Congratulations to you, Mr. Timothy.
01:01:37Congratulations.
01:01:38Thank you, Mr. Timothy.
01:02:10I don't want you to miss this train.
01:02:36I don't intend to.
01:02:37Oh this is perfect for you.
01:02:39California relaxation in the sun.
01:02:41Say by the way Hilton.
01:02:44Betty happens to need anything now you look out for her won't you.
01:02:48Of course RP leave everything to me.
01:02:50You just get out in that sun.
01:02:51Stop harping on that sun business will you.
01:02:54I don't tan I burn.
01:02:56I know that but as I was saying count on me forget the fern.
01:03:00I've forgotten it already.
01:03:01RP we've got to go the cab's waiting.
01:03:03If you've forgotten anything I'll send it to you.
01:03:05Hey who's taking this trip you or me.
01:03:07But you know I haven't seen finish for years and it gives me a funny feeling.
01:03:12Or am I beginning to be afraid.
01:03:14You don't have to be afraid we're doing all we can.
01:03:16If he growls at you you just growl right back mother.
01:03:19Oh are you taking a trip.
01:03:23Those are father's bags.
01:03:24Yes he's off to California.
01:03:25If you'll excuse me there's a cab waiting.
01:03:27Oh but he can't do that to us.
01:03:29Not after all the trouble we've gone to.
01:03:31You just explain it to him mother.
01:03:35Oh Phineas.
01:03:38Why Hattie.
01:03:40Phineas dear how wonderful you look after all these years.
01:03:44Why it seems just like yesterday and we were so happy.
01:03:47And you were so foolish.
01:03:49I was not foolish.
01:03:50Now Phineas if you're going to be stubborn I'll have to growl at you.
01:03:53And remember you didn't like it before.
01:03:56So don't be silly and do it all over again.
01:03:58I am not silly.
01:03:59Then why are you taking a trip.
01:04:01You took a trip.
01:04:02A long one.
01:04:03Oh but I like trips.
01:04:05Trips are so nice.
01:04:06But you can't.
01:04:07Not that we've just found each other.
01:04:09Oh Hattie my little flutter brain.
01:04:12If you'll excuse me RP we've got to get going.
01:04:15The train won't wait.
01:04:16Hilton can't you see I'm busy.
01:04:18A young man.
01:04:19Just explain to them that he'll be a few moments late.
01:04:22Oh Phineas I want you to meet two of the nicest young people.
01:04:26Hattie I don't want to meet any more people.
01:04:28I've met enough people today.
01:04:29Forever.
01:04:30That's such a sweet thought Phineas.
01:04:31But we'll be all alone or almost.
01:04:33And we'll see the picture together.
01:04:35Picture?
01:04:36Yes it'll be like old times Phineas darling.
01:04:39But I don't want to see any picture.
01:04:41Now or any other time.
01:04:42And that's fine.
01:04:43Father you sit right down.
01:04:44Phineas you'd better do what she says.
01:04:47I guess you're right.
01:04:49Chip off the old block.
01:04:55My paranoia.
01:04:56Now I know that I'm the paranoid type.
01:04:58I know that.
01:04:59And we've been all through that.
01:05:00But my name is not.
01:05:02Now look.
01:05:03Now look.
01:05:04I'm not the paranoid type.
01:05:06If I can see you.
01:05:08Now I can see you.
01:05:09Well let me know that.
01:05:10What a doll.
01:05:11I missed you.
01:05:12Youura.
01:05:13ambitious!
01:05:14How am I?
01:05:15Youura!
01:05:16I'm not the new piece.
01:05:18Youura!
01:05:18Youura!
01:05:19Youura!
01:05:20Youura!
01:05:21Youura!
01:05:22Youura!
01:05:23Youura!
01:05:24Youura!
01:05:25Youura!
01:05:26Youura!
01:05:27Youura!
01:05:28Youura!
01:05:30Youura!
01:05:31Youura!
01:05:32Youura!
01:05:33Youura!
01:05:34Youura!
01:06:05What do you know? Eleanor's back.
01:06:09Who's Eleanor?
01:06:13How am I doing now, Pete?
01:06:16Great. You're my baby.
01:06:25That's all I wanted to hear.
01:06:32Bye now.
01:06:35Ha, ha, ha.
01:06:36Ha, ha.
01:06:37Ha, ha.
01:06:38The End
01:07:08The End
Recommended
1:04:09
|
Up next
1:56:19
1:16:18
1:40:32
1:30:47
1:02:21
1:23:35
1:37:35
1:28:40
2:06:47
1:15:11
1:37:51
16:50
1:29:44
1:54:12
1:23:17
1:32:43
1:21:33
2:27:12
2:08:10
Be the first to comment