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  • 2 days ago
House By The River 1950
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00:00:00This video is brought to you by the National Anthem.
00:02:31Back and forth.
00:02:32Back and forth.
00:02:33Oh, I tell you, I hate this river.
00:02:35It's people who should be blamed for the filth, not the river.
00:02:40The mail just arrived, Mr. Byrne.
00:02:42Oh, put it on the table, please.
00:02:49Hmm.
00:02:50Looks like a manuscript.
00:02:52My manuscripts are like the tide out there.
00:02:55They always come back.
00:02:57Maybe they wouldn't if you took my advice.
00:03:00Spice them up.
00:03:01Make them racy.
00:03:02That's what the public wants.
00:03:04Oh.
00:03:09What is it, Emily?
00:03:10Well, it's just that it's getting awfully late, Mr. Byrne, and the plumber hasn't arrived to fix the downstairs tub.
00:03:15Well, if he hasn't come by now, he probably isn't coming at all today.
00:03:18Use the upstairs one, if you like.
00:03:20Oh, thank you, sir.
00:03:22How does your wife like the new maid, Stephen?
00:03:33Uh, what?
00:03:34Oh, uh, very well, I think.
00:03:36Good.
00:03:37Oh, where is Marjorie, by the way?
00:03:39I haven't seen her all day.
00:03:40She's spending the day with the Lawlers in the country.
00:03:42Oh, that's nice.
00:03:43Did she say when she'd be back?
00:03:44Only in time to dress for Miss Whittaker's party.
00:03:45Oh, good heavens.
00:03:46Why, I'd better go and finish my gardening, so that I can start to get ready.
00:03:50I've still millions of things to do out here.
00:04:20Sure.
00:04:22That would be my life here.
00:04:23I can't shut it Lindsay, it would be my help.
00:04:25Just make a few hands down.
00:04:26And we don't worry about anybody when they are Shet мед.
00:04:43Alright, this is my friend.
00:04:46Oh, I'm gonna wake, let me.
00:04:49I don't know.
00:05:19I don't know.
00:05:49I don't know.
00:06:19I don't know.
00:06:49I don't know.
00:07:19I don't know.
00:07:49I don't know.
00:08:19I don't know.
00:08:49I don't know.
00:08:50I don't know.
00:08:51I don't know.
00:08:53I thought you were still in the garden.
00:08:59Did you?
00:09:00I left everything nice and tidy for Mrs. Byrne.
00:09:09Did you?
00:09:10Mr. Byrne, please let me buy.
00:09:21Mr. Byrne, please let me buy.
00:09:30I don't know.
00:09:31I don't know.
00:09:32Nice perfume.
00:09:33Nice perfume you use, Emily.
00:09:34Nice perfume you use, Emily.
00:09:37Don't know.
00:09:38You're hurting me.
00:09:46Oh, Mr. Byrne.
00:09:47You're hurting me.
00:09:48Emily.
00:09:49I've been drinking.
00:09:50I've been drinking.
00:09:51Let me go.
00:09:52Would you like me to tell my wife that you've been giving into her perfume?
00:09:54I don't care.
00:09:55Let me go.
00:09:56Let me go.
00:09:57Emily.
00:09:58Let me go.
00:09:59Let me go.
00:10:00Stop it.
00:10:01Do you want the whole neighborhood to hear you?
00:10:04Pull yourself together and I'll let you go.
00:10:05Put yourself together and I'll let you go.
00:10:06Let me go.
00:10:16Let me go!
00:10:35That's better. All we needed was to have that old Gotham hear us.
00:10:49Emily! Emily! Emily! Emily!
00:11:05Mother of God.
00:11:35Maria!
00:11:41Emily!
00:11:42Emily!
00:11:47Emily!
00:11:51THE END
00:12:21Hello, Stephen.
00:12:41I tried the front door, John.
00:12:44Thank heaven, it's you.
00:12:46What's happened?
00:12:47Well, there's been an accident.
00:12:49Marjorie?
00:12:50No, the new maid, Emily.
00:12:51She fell.
00:12:55Look, no, I, I...
00:12:56Stephen, what's the matter with you?
00:13:02Have you sent for a doctor?
00:13:03No, there's nothing anybody can do.
00:13:04She fell down the stairs.
00:13:05She hit her head.
00:13:05They'll blame me.
00:13:08Well, why should anybody blame you?
00:13:11Well, because I was playing the fool
00:13:13pretending I was going to kiss her.
00:13:14She got frightened and something happened.
00:13:15I don't know what exactly,
00:13:16but of course they'll blame me.
00:13:17Stephen, stop it.
00:13:18Let me look at her.
00:13:29This girl didn't fall.
00:13:30She did.
00:13:31I saw her.
00:13:34She was strangled.
00:13:35It was an accident, I tell you.
00:13:36I, I, I scarcely touched her.
00:13:37I hardly put my hands to her
00:13:38to prevent her screaming.
00:13:39You don't know how quickly
00:13:39it happened, John.
00:13:40You don't know.
00:13:45Where are you going?
00:13:47For the police.
00:13:47You can't.
00:13:48You're my brother.
00:13:50I've gotten you out of a lot
00:13:51of nasty scrapes, Stephen.
00:13:53But this is murder.
00:13:54John, don't let me down.
00:13:56You've always helped me.
00:13:57You can't do that to your own brother.
00:13:59Please, you have to help me.
00:14:00Please, John, please.
00:14:13All right, Stephen.
00:14:43I can't go through with this.
00:15:12You promised to stay up there.
00:15:15Listen to me.
00:15:16The only thing to do
00:15:17is to go to the police
00:15:18and tell them exactly how it happened.
00:15:20It was an accident.
00:15:21But they'll never believe me.
00:15:22Even you don't believe me.
00:15:25Do you?
00:15:27I don't know what to go through.
00:15:29I only know that I'm not going to help you.
00:15:31For once, you're going to get out
00:15:32of this thing by yourself.
00:15:33John, if you won't do this for me,
00:15:35do it for Marjorie, for her sake.
00:15:37Did you know that Marjorie went into town today
00:15:38to see the doctor?
00:15:41Is she ill?
00:15:44She's going to have a baby.
00:15:48Now can you understand
00:15:49why I must get out of this?
00:15:50Why you must help me?
00:15:52Yes.
00:15:54I suppose I must.
00:15:57Good.
00:15:57Now go back and warn me if anyone comes.
00:15:59John.
00:16:27John.
00:16:28John.
00:16:29Wait a minute.
00:16:59It'll soon be over, John.
00:17:01She'll soon be in the river and it'll all be forgotten.
00:17:04Forgotten?
00:17:05Yes, yes.
00:17:06I mean, for the time being.
00:17:07We'll wait it and take it way out.
00:17:08We'll stay sunk.
00:17:10Steve.
00:17:11Marjorie?
00:17:12Marjorie, is that you out there?
00:17:14No, it's me, Mrs. Ambrose.
00:17:16Oh, it's you, Steve.
00:17:18Stay down.
00:17:19I'll get rid of them.
00:17:20Marjorie, back yet?
00:17:21No, not yet.
00:17:22Marjorie, is that you out there?
00:17:24No, it's me, Mrs. Ambrose.
00:17:25Oh, it's you, Steve.
00:17:26Stay down, I'll get rid of them.
00:17:27Marjorie, back yet?
00:17:28No, not yet, Mrs. Ambrose.
00:17:29I wanted to ask her what she was going to wear tonight.
00:17:32I thought of my best black.
00:17:34But still, in all, it's never very dressy at the Whitaker's.
00:17:36Well, she'll be home before long, Mrs. Ambrose.
00:17:38My, she stayed late, didn't she?
00:17:40Well, of course, the lawless are always hard to get away from.
00:17:43Maybe she missed her train.
00:17:44Well, I'm not worried.
00:17:45She'll be here soon.
00:17:46Well, ask her to drop in for a moment if she has time, will you, Steve?
00:17:49Yes, I'll do that.
00:17:50I must go in now.
00:17:51I have to get ready myself.
00:17:52Well, I'll see you at the party then.
00:17:53Until later.
00:17:58I thought the old hag would never leave.
00:17:59I thought you said Marjorie went to the doctor's for them.
00:18:00She did?
00:18:01Mrs. Ambrose said she went to the lawless.
00:18:02She went both places.
00:18:03The lawless live in the country.
00:18:04If she went there it means she spent the day.
00:18:05I'd be the hell yeah, she went to the doctor's.
00:18:07Now stop quibbling and help.
00:18:08A scandal would ruin all of us.
00:18:09There are more people to be considered
00:18:11than this than this.
00:18:12Yes, I'm interested.
00:18:13It's a single plague.
00:18:14No, I'm interested.
00:18:15No, what do you want to know if you're on the young market?
00:18:18I'm interested.
00:18:19No.
00:18:20You know what?
00:18:21You're interested.
00:18:22You're interested.
00:18:23You might be interested.
00:18:24No, there's a question.
00:18:25No, you're interested.
00:18:26Oh, I'm interested.
00:18:27You're interested.
00:18:28You're interested.
00:18:29a scandal would ruin all of us and more people to be considered than this dead servant girl
00:18:33you used to refer to her as emily don't be like that can't you understand how i feel if i could
00:18:39undo what's happened if i could go back but i can't i've got to think of marjorie and my child
00:18:44this has been a lesson to me i know i've been foolish but i'll change i swear i will
00:18:51john marjorie will be back any minute
00:18:53all right all right talk me into this too since you have a thousand times before
00:19:23that's filthy moon
00:19:30don't you need to tie the anchor to the sack yes
00:19:36others should do it push the anchor
00:19:45all right lift up
00:19:53did you see that what something bright something flashed out there in the water
00:20:05let's get away from here i'll drop you off at weeds point so marjorie doesn't see you
00:20:23it's
00:20:28it's
00:21:07Emily.
00:21:13Stephen?
00:21:16Marjorie.
00:21:18Is that you, Stephen?
00:21:23Yes, Marjorie.
00:21:25You frighten me.
00:21:27Sorry, dear. I couldn't seem to find the light.
00:21:30Where have you been, dear?
00:21:31I, uh, took the boat out.
00:21:34Do you know where Emily is?
00:21:37Emily?
00:21:37Yes. She's not in the house, and she promised they'd help me dress for the party.
00:21:41Oh, she said something about going for a walk.
00:21:43Oh, not like her. She knows it's cooked day off, and I'm alone.
00:21:46She probably went off with a young man someplace and forgot the time.
00:21:49I can help you if you like.
00:21:50I could say that you're all farmers today, but I won't.
00:21:57I'm not only doing my best, but I'm enjoying it.
00:21:59Oh, you're very sweet.
00:22:00Did you do much writing today?
00:22:02No.
00:22:03Why not?
00:22:05Oh, another script came back.
00:22:07I'm sorry, darling.
00:22:09Is that why you went boating?
00:22:11Yes, I suppose so.
00:22:18I should have been with you.
00:22:21Did you miss me?
00:22:24Very much.
00:22:25I wish you hadn't gone out today.
00:22:46Come on.
00:22:47Darling, what is it? What's happened?
00:22:57Oh, what is it? What is it?
00:23:01It's nothing. I have a terrible headache.
00:23:03Then we'd better stay home tonight.
00:23:06No, no. I'll be all right.
00:23:07Don't worry.
00:23:08Oh, darling.
00:23:09Grab the lady by the hand.
00:23:18Round the lady over there.
00:23:23Into the center with a one, two, three.
00:23:25And round that gem from Tennessee.
00:23:27Oh, I can't anymore, Stephen.
00:23:28I'm sorry.
00:23:29Go on. You're the liveness of the bunch.
00:23:30What a whole body, Mr. Whitaker.
00:23:32I'm not here, boy.
00:23:34Sure, go away.
00:23:35Eight hands around.
00:23:36You've got your toe and you'll fall down at last.
00:23:39That's my favorite soccer.
00:23:39How many times have you said that this evening?
00:23:41Four. First time I've met it.
00:23:42Circuline. Eight hands around.
00:23:44Oh, Stephen, you're wonderful.
00:23:45You inspire me, isn't it?
00:23:46Stephen, you're right.
00:23:47It's really nice to sing.
00:23:49All the man left.
00:23:50Grab the man left.
00:23:53First you're right, and then you're left.
00:23:56To meet your partner, give it a swing
00:23:58and throw it a huddle around the ring.
00:24:09Oh, that brother of yours is a real devil.
00:24:17A real devil.
00:24:19Oh, Stephen, do you know what'll happen to me
00:24:20if I drink that?
00:24:21Why do you think I'm giving it to you?
00:24:25Stephen, you're the limit.
00:24:29Thanks.
00:24:31Well, John, aren't you going to try the punch?
00:24:33No, I don't feel like Ricky tonight.
00:24:39What's the matter with him?
00:24:41What?
00:24:42He seems depressed.
00:24:44Have you ever seen him when he wasn't?
00:24:45Oh, that's not nice, Stephen.
00:24:47It must be very hard to love music very much
00:24:49and not to be able to dance
00:24:50and to be a part of things.
00:24:51He could have been part of things tonight.
00:24:53Why didn't he call the dancers as I suggested?
00:24:56He's just naturally a wet blanket, I thought.
00:24:57That's very cruel, Stephen.
00:24:59You wouldn't have said such a thing
00:25:00if you hadn't had...
00:25:01Well, if you hadn't had, say,
00:25:03about four or too many...
00:25:05Don't start me, Ben Lodger.
00:25:10I'll go see what's wrong with it.
00:25:15John!
00:25:18Why are you leaving?
00:25:20Just what is the purpose
00:25:21of all this dancing, this drinking?
00:25:24Don't you understand?
00:25:25Can't you see what I'm trying to do?
00:25:26No.
00:25:27Well, if anything should ever come out,
00:25:28everyone will remember
00:25:29that we were here at the party
00:25:30acting in a normal manner.
00:25:32Well, I think it's repulsive.
00:25:33Do you think I'm enjoying myself?
00:25:35Frankly, I do.
00:25:36I'd beware for the fact
00:25:36that I'm protecting both of us.
00:25:38Us?
00:25:38Yes, us.
00:25:39You helped me get rid of it, didn't you?
00:25:41Whatever I've done,
00:25:42you're in it with me.
00:25:43So I advise you to keep your mouth shut.
00:25:47I thought I had to remind you of that.
00:25:51I'm going to join the party.
00:25:56Is that you, Mrs. Burns?
00:26:17Yes, Mrs. Beach.
00:26:19Oh, you shouldn't have bothered to stay up for us.
00:26:21Oh, Mrs. Burns.
00:26:22What is it?
00:26:25It's Emily.
00:26:26She's not home yet.
00:26:28She's not?
00:26:29No.
00:26:29When I first got here,
00:26:30I thought maybe you'd sent her
00:26:32on an errand or something.
00:26:33She still isn't home.
00:26:35I'm afraid something's happened.
00:26:37She's probably with her parents.
00:26:38No, Mr. Burns.
00:26:39You don't get on with them.
00:26:40Well, she would have told us
00:26:41if she was going to spend a night with them.
00:26:42The thing that puzzles me
00:26:43is that none of her dresses are missing.
00:26:47How do you know that, Mrs. Beach?
00:26:51She showed me her things
00:26:52when she first came to us, Mr. Burns.
00:26:53She didn't have very much.
00:26:55Well, if none of her dresses are missing,
00:26:56she can't have gone far, naked.
00:26:58Steve!
00:26:59I'm not going to sit up
00:26:59and worry about a promiscuous servant girl
00:27:01who wants to make a night of it someplace.
00:27:02I'm going to bed.
00:27:03I'm going to bed.
00:27:34Young men follow her
00:27:35and heaven knows what all.
00:27:37There's no doubt
00:27:37but that she was out
00:27:38with one of her many sweethearts
00:27:39the night she disappeared
00:27:40and she went further than she meant.
00:27:44But,
00:27:45you make your own bed,
00:27:47you must lie on it.
00:27:49Would you like your eggs now?
00:27:52No, I don't care for any this morning.
00:27:54Now, Mr. Burns,
00:27:55you haven't eaten proper all week.
00:27:57Miss Banton,
00:27:58did you know Emily Gaunt?
00:28:00No.
00:28:01But to know them that did,
00:28:03it seems to me
00:28:04you speak with great authority
00:28:05about a person you never knew.
00:28:06Well, Mrs. Beach knew it,
00:28:07didn't she?
00:28:09I happened to be present
00:28:10the day after Emily disappeared
00:28:11when the cook was questioned.
00:28:13She didn't give the impression
00:28:14she believed Emily
00:28:15wasn't a decent girl.
00:28:16Yes,
00:28:16but Miss Beach
00:28:17just happened to overhear Mr. Stephen
00:28:19when Emily's parents
00:28:21came worrying around
00:28:22the other day.
00:28:23Wouldn't you like
00:28:24just one egg?
00:28:26Emily's parents
00:28:27came to see my brother?
00:28:28Yes,
00:28:28and he let him have it,
00:28:30he did.
00:28:30Said he never should have
00:28:31let her work in an honest house
00:28:32in the first place.
00:28:33That she was a thief
00:28:34and a good-for-nothing trial.
00:28:36That's a lie!
00:28:38Good gracious,
00:28:39Mr. Burns,
00:28:39don't shout at me.
00:28:42Wasn't me that said it,
00:28:44it was your brother.
00:28:55It's the truth, John.
00:28:56At first,
00:28:56I didn't believe it either,
00:28:58but Stephen kept after me
00:28:59to go through my thing.
00:29:00Oh,
00:29:01it was Stephen then
00:29:02who was first suspicious.
00:29:03Yes,
00:29:04our whole outfit was missing.
00:29:06Hat,
00:29:07dress,
00:29:07shoes,
00:29:07everything.
00:29:09And only yesterday
00:29:10I discovered
00:29:10that the opal earrings
00:29:11that Stephen had given me
00:29:12for my birthday
00:29:13were missing too.
00:29:17Oh,
00:29:17but let's not talk
00:29:18about Emily anymore.
00:29:23It's Stephen
00:29:24that I'm concerned about.
00:29:27I don't know
00:29:27exactly how to say it.
00:29:29There's such a...
00:29:31such a peculiar look
00:29:33that comes over his face
00:29:34when he's talking
00:29:35about Emily.
00:29:37It almost seems
00:29:38as though we were
00:29:38actually enjoying it.
00:29:40As though he
00:29:41delighted in her disappearance.
00:29:44He goes on
00:29:45and on about her.
00:29:47Well,
00:29:47Marjorie,
00:29:48I...
00:29:48I wouldn't worry about him
00:29:49if I were you.
00:29:50After all,
00:29:51he's a...
00:29:52he's a writer.
00:29:53The...
00:29:54the mystery
00:29:55of her disappearance
00:29:56probably intrigued him.
00:29:58Oh,
00:29:58probably you're right.
00:29:59And he fancies
00:30:00the whole thing
00:30:01as a great big melodrama
00:30:03with himself
00:30:03in the leading role.
00:30:05He'd like that.
00:30:06Like the article
00:30:07in this morning's paper?
00:30:08I didn't see it.
00:30:09Stephen took it with him.
00:30:11He left early this morning.
00:30:15Haven't they promised
00:30:16to keep our name
00:30:17out of it?
00:30:17Well,
00:30:18you can't blame them.
00:30:19Makes a better story.
00:30:21I don't understand
00:30:23why they kept
00:30:23their promise
00:30:24for a whole week
00:30:24and...
00:30:25then suddenly today
00:30:27even a picture of Stephen.
00:30:30I wonder how
00:30:30they got hold of it.
00:30:32I don't know.
00:30:35It...
00:30:36Why...
00:30:38there's only one
00:30:38print of that picture
00:30:39that I know of.
00:30:40Now,
00:30:51isn't he like a child?
00:30:53He wanted
00:30:53his picture in the paper.
00:30:54but...
00:31:24How do you do, Mr. Byrne?
00:31:29Mr. Miller?
00:31:30What do you think of the display?
00:31:32Very attractive.
00:31:33But it wasn't up when I passed yesterday.
00:31:36No, your brother called me last night and told me of the publicity he was expecting in the papers.
00:31:41And he wanted me to cash in on it.
00:31:45Thank you, dear boy.
00:31:46Oh, gee, I'd love to be a writer, too.
00:31:50Well, why don't you try, Effie?
00:31:52Your mother says you're very good at making things up.
00:31:54But some of your excuses are masterpieces of imagination.
00:31:59Don't you listen to this scoundrel.
00:32:01Imagination's not enough.
00:32:03Just the other day, I read in a magazine that a writer must write only about things he knows.
00:32:07If he puts down truthfully the things he's actually experienced, if they're exciting enough,
00:32:13he's bound to be very successful.
00:32:16It's very interesting, Mrs. Hampton.
00:32:18I love you.
00:32:38Don't touch that!
00:33:00Did you read it?
00:33:01No, I only picked it up.
00:33:04What's the matter, Stephen?
00:33:05Nothing.
00:33:06It's not ready to be read, that's all.
00:33:08You never minded my reading your things before.
00:33:11I've changed my ideas about a lot of things.
00:33:13I know.
00:33:15Just the other night when you went out by yourself...
00:33:16Don't nag.
00:33:18The writer needs to be alone to gather experiences.
00:33:19Can't you understand that?
00:33:20I wasn't nagging, Stephen.
00:33:22What I started out to say was simply that when I was alone the other night and John dropped in...
00:33:26What did he want?
00:33:27Nothing special.
00:33:29It seems so forlorn lately.
00:33:32We reminisced about those evenings when you used to read your stuff aloud to us.
00:33:35I wish you and John wouldn't disgust me behind my back.
00:33:42I'm not interested in what my brother has to say.
00:33:45He's a bookkeeper and will always be one.
00:33:47He'll never understand the problems of an artist.
00:33:49I was a fool to let you pick on me and criticize my writing.
00:33:51No one picked on you, Stephen.
00:33:52You asked us for our honest opinion and we gave it to you.
00:33:55Never mind.
00:33:55I didn't need anyone then and I don't need anyone now.
00:33:58I'm doing very well on my own.
00:33:59You mean Mrs. Emily.
00:34:05Go on.
00:34:10Go on.
00:34:11You can say it.
00:34:13I didn't mean it that way, Stephen.
00:34:15The success of my books and Mrs. Emily thing proves that they were good in the first place.
00:34:19All I needed was a little publicity.
00:34:21In the future they'll not only be good but they'll be great.
00:34:23Because they'll be about things I know.
00:34:24Like what you're writing now?
00:34:26Yes.
00:34:27Well, what's it about?
00:34:28Will you stop prying?
00:34:34Let's have our tea.
00:34:37I wasn't prying, Stephen.
00:34:38I was only interested.
00:34:40I don't care for any tea.
00:34:58John Byrne's accounting office.
00:35:04Walter Herbert.
00:35:05Office boy speaking.
00:35:08One moment, please.
00:35:11It's your housekeeper.
00:35:12She'd like a word with you, Mr. Byrne.
00:35:13Thank you, Walter.
00:35:14Check these over, Elmer.
00:35:26What is it, Miss Bantam?
00:35:27Mr. Byrne?
00:35:29With the cold weather coming on, I told the neighborhood boys to gather some driftwood.
00:35:33Save you catching coal like last year.
00:35:34But when I went to get the wood sack, I found that your brother hadn't returned it.
00:35:38I wonder, would you mind stopping there on your way home this evening?
00:35:42When did my brother borrow it, Miss Bantam?
00:35:44Several weeks ago when he was doing the gardening.
00:35:46He sent Emily for it.
00:35:48All right, I'll...
00:35:50When did you say he borrowed it?
00:35:52Several weeks ago.
00:35:52And even though that Emily isn't with them anymore, you'd think they'd return the sack.
00:35:57After all, your name's on it.
00:35:58My...
00:35:58My name is on it?
00:36:07Yes.
00:36:08I stenciled everything you own with India ink.
00:36:11I'll go for it if you're missing.
00:36:13No, no.
00:36:14I'll stop by for it, Miss Bantam.
00:36:22I hate this river.
00:36:30We neighbors really should gather the petition to see them.
00:36:34What's the trouble today, Mrs. Ambrose?
00:36:37That horrible thing floated by again.
00:36:39That dead animal.
00:36:43Couldn't be.
00:36:44Must have sunk long ago.
00:36:47No.
00:36:48No, it isn't.
00:36:50Why, it's a sack.
00:36:50Yes, that's what it is.
00:36:53A sack of some kind.
00:36:55Probably filled with rubbish.
00:36:58You see it?
00:37:06Well, I've other things to do besides standing out here.
00:37:08But I tell you, Stephen, you should write up a petition for it.
00:37:12Yes.
00:37:13Yes, Mrs. Ambrose.
00:37:18Miss, the way some people use this river
00:37:20if it is great.
00:37:41Yes.
00:37:42Unless it is great.
00:37:43Please.
00:37:43Yes.
00:37:44Yes.
00:37:44I will.
00:37:45Yes.
00:37:46To be fair.
00:37:48Yes.
00:37:49Yes.
00:37:49Oh, my God.
00:38:19Oh, my God.
00:38:25Your thoughts?
00:38:33Hello, John.
00:38:35Hello, Marjorie.
00:38:35Is Steven in?
00:38:36No, he's on the river somewhere.
00:38:37He seems to have found an unusual interest there lately.
00:38:41But won't you come in?
00:38:49I'm glad you've come, John.
00:38:52I need someone to talk to very badly.
00:38:55When I feel like this, there doesn't seem to be anyone else in the world like you.
00:38:58Do you mind?
00:38:59You know that I don't.
00:39:00You're nice, John.
00:39:01Very, very nice.
00:39:03Yes.
00:39:03Like mint tea when you have a cold.
00:39:05Oh, no, John.
00:39:06Like a...
00:39:07Like a friend.
00:39:12More than that.
00:39:17Stephen?
00:39:19I think you know, John, that I've tried to make a success of my marriage.
00:39:27It hasn't always been, well, exactly perfect.
00:39:32Maybe it was my fault.
00:39:34Girls have foolish ideas.
00:39:36And when they marry, they think they've snared Prince Charming himself.
00:39:40And he is charming, John.
00:39:43Very charming.
00:39:45But a woman sees deeper.
00:39:46I see things now in Stephen that I never let myself see before.
00:39:51Don't get bitter, Marjorie.
00:39:53Oh, I know the countless things you've done for him.
00:39:55And we couldn't live like this if you hadn't given up most of your share of the inheritance
00:39:59so that he could continue right...
00:40:00You wanted a career for him, didn't you?
00:40:02Yes.
00:40:03But I didn't want a freak success like this Emily's disappearance has brought on.
00:40:07At first, I thought it was simply childish the way he capitalized on it.
00:40:10There's a limit, and it's become ghoulish.
00:40:15You should have hurt him today.
00:40:18Did you quarrel?
00:40:21Yes.
00:40:22I hadn't wanted to tell you that.
00:40:25But I'm beginning to wonder why he ever married me at all.
00:40:29Perhaps it was because he needed you.
00:40:31He told me today that he's never needed anyone.
00:40:37Well, let's just talk.
00:40:40Everybody needs someone.
00:40:42Believe me.
00:40:55Are you lonely, John?
00:40:56Pardon me, Mrs. Byrne, but I thought it was getting dark here.
00:41:11Thank you, Miss Beat.
00:41:11Sorry I said so much, John.
00:41:28It's unfair to talk about Stephen behind his back.
00:41:31But when you're worried, darkness does something to you.
00:41:35I understand, Marjorie.
00:41:36Perhaps you're not prepared to tell me yet, but since you are troubled, I'd like to tell you that I honestly think things are going to be better for you.
00:41:44Stephen's bound to change when the baby comes.
00:41:48The baby?
00:41:49Stephen told me.
00:41:52Stephen told you that I was going to have a baby?
00:41:57Yes.
00:41:58But it's not true.
00:42:00I wish that it were.
00:42:01Now, what on earth would make him want to tell you a thing like that?
00:42:08Maybe I misunderstood.
00:42:09Oh, don't go protecting him again, John.
00:42:11You must know why he lied to you.
00:42:23I can't discuss it now, Marjorie.
00:42:25Tell him to come to my place when he gets home.
00:42:28I'll talk to him.
00:42:31I'll talk to him again, John.
00:42:32I'll talk to him again, John.
00:42:33I'll talk to him again, John.
00:42:34I'll talk to him again, John.
00:42:35I'll talk to him again, John.
00:42:36I'll talk to him again, John.
00:42:37I'll talk to him again, John.
00:42:38I'll talk to him again, John.
00:42:39I'll talk to him again, John.
00:42:40I'll talk to him again, John.
00:42:41I'll talk to him again, John.
00:42:42I'll talk to him again, John.
00:42:43I'll talk to him again, John.
00:42:44I'll talk to him again, John.
00:42:45I'll talk to him again, John.
00:42:46I'll talk to him again, John.
00:42:47I'll talk to him again, John.
00:42:48I'll talk to him again, John.
00:42:49I'll talk to him again, John.
00:42:50I'll talk to him again, John.
00:42:51THE END
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00:46:37I'm leaving tonight and you can get somebody else to take your insults and I hope you get
00:46:52a steving hussy like that Emily Collins that's what you deserve not a decent girl like myself
00:47:07oh
00:47:10oh
00:47:13oh
00:47:16oh
00:47:19oh
00:47:22oh
00:47:25oh
00:47:27oh
00:47:28oh
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00:51:50it's about the sack ever seen before I don't know that's sort of pretty much
00:52:01alike
00:52:04looks like the wood sack was stolen from here stolen belong to my brother oh yes
00:52:10his name is stenciled in there that I didn't know that you say that the stolen
00:52:15from here yes we borrowed it from him and when I went to return it it was gone
00:52:18hmm how long ago is that about three or four weeks ago if you know it belongs to
00:52:25him why do you return it to me well we try to contact them all day but that's no
00:52:30success see this sack contained the body of Emily Gaunt clad only in this
00:52:39inexpensive dressing gown and according to the medical expert who testified at
00:52:45this inquest strangled and afterwards thrown into the river now when did you
00:52:54first discover that this dressing gown was missing it was when we were getting her
00:53:01things together to send back to her parents and when and how did you
00:53:06discover that your own things were missing Mrs. Byrne the morning after Emily
00:53:10failed to return it was my husband who suggests that I go through my wardrobe he
00:53:15insisted that in as much as none of Emily's dresses were missing she might have
00:53:19gone out and some of my own things and then we discovered that not only was my
00:53:23lace dress gone but some of my best lingerie an evening wrap and a pair of
00:53:28silver slippers was there any other thing of bad you've gone yes several days later I
00:53:38found that but a pair of Oprah earrings that my husband had given me for my
00:53:42birthday were missing two then you're under the impression that it was Emily Gaunt who
00:53:53took these things it was hard for me to believe for in the short time that Emily
00:53:57worked for us I found her most dependable but I I was forced to this conclusion
00:54:05what is your occupation miss Banton I was a housekeeper the home of mr. John Byrne sir
00:54:12but I'm unemployed at present how long were you employed there it would have been
00:54:17five years is coming Christmas why are you no longer employed by mr. Byrne because
00:54:24he became too impossible to get along with from the time that Emily got
00:54:28disappeared please explain yourself miss Banton well mr. Byrne became so irritable I
00:54:41could scarcely speak to him and get a civil answer in what manner would you say
00:54:45that he had changed well mr. Connor he was in the habit of eating a very hearty
00:54:51breakfast draw your the work for but after that Emily got disappeared in fact
00:54:57the very morning the story appeared in the newspapers he scarcely touched the
00:55:02thing and several times when I even indicated that the husband might have got
00:55:07what she deserved he practically snapped my head off
00:55:15miss Banton tell us what you know about this thing
00:55:38it's mr. John Byrne's all right I stenciled his name in it the one that was
00:55:47borrowed by mr. Stephen Byrne yes mr. Stephen was doing some gardening and
00:55:51needed an extra sack Emily came for it and to your knowledge the sack was never
00:55:56returned
00:55:58what do you mean by that miss Banton I mean simply that it's peculiar to me that
00:56:16mr. John Byrne would have allowed the sack to remain at his brother's for any
00:56:19length of time at all please clarify that statement well it was his habit to go out
00:56:24and collect firewood off the river I should say it what might be called a
00:56:29hobby the only sort of hobby possible for a man with his affliction please
00:56:36continue miss Banton well recently I called in some of the neighborhood boys
00:56:42together firewood but when I went to the sack I found that mr. Stephen hadn't
00:56:45returned it yet so I phoned mr. John and he agreed to pick it up but when he got
00:56:51home I reminded him that he hadn't he was quite rude to me said he was perfectly
00:56:56capable of running his own household he raised his voice to such an extent that
00:57:02I was quite nervous and upset then he dismissed me and when did the scene occur
00:57:08between you miss Banton it was the night before Emily's body was found in the
00:57:15you've heard testimony that you borrowed the sack some time ago from your brother
00:57:22is that correct it is and to your knowledge it was never returned to your
00:57:27brother that is correct before I could return it I found that someone had stolen
00:57:29it and has your brother access to your home he has you mean he has a key to your
00:57:38home no mr. coroner the back door is always open then there was nothing to
00:57:44prevent his coming to your home at a time when you were not there and taking
00:57:47what was rightfully his no nothing to prevent it but in this case I don't think
00:57:51it's probable by the way mr. Byrne it may have helped this case if you'd
00:57:57reported that the sack had been stolen from your home I didn't think the loss of
00:58:01an old sack worth troubling the police about but why didn't you report the theft of
00:58:05the more valuable things either the opal earrings for example because I didn't
00:58:12wish to cause Emily's parents further concern besides my wife and I thought
00:58:19that eventually poor Emily would return and the articles will be recovered now
00:58:27tell me mr. Byrne when was the last time you used this sack for gathering wood
00:58:34some weeks ago it's hard to say oh could it have been about three weeks ago
00:58:41what you mean is about the time that Emily gone disappeared I must ask you not
00:58:51to mind what I mean mr. Byrne would you say it was for perhaps I couldn't be sure then
00:58:58would you say it was near the time that Emily gone disappeared I couldn't be sure
00:59:03the collection of firewood unlike a marriage or a birthday is not a festive
00:59:12moment in my life I don't remember but you do remember the testimony that the
00:59:19sack was stolen from your brother will you kindly give an oral answer to the
00:59:27questions asked at this inquest I do does it not strike you as being rather odd that a
00:59:38thief would bother to take an object of such little value I wouldn't know or that a
00:59:46girl if we concede for a moment that Emily gone took it do you think she would
00:59:53have taken such a sack with her to some mysterious rendezvous I'm not here to
01:00:00answer riddles no I shouldn't think you were mr. Byrne I will be more direct then
01:00:09did you know the deceased Emily gone intimately mr. Byrne I asked it was
01:00:22employed by my brother I knew Emily gone by sight is it usual for you to
01:00:27zealously defend persons whom you're known by sight to the extent that you snap
01:00:31off the head of a woman who has served you faithfully for five years I would
01:00:35defend anyone who was being maliciously slandered very admirable indeed
01:00:38especially when they were being slandered by people whose bitterness that is all
01:00:41mr. Byrne the one who was not here to answer riddles I must say you've done very
01:00:50well mr. Connor mr. John Byrne was the last of the witnesses for this inquest I have a
01:01:02few things I'd like to say if anyone will let me if they pertain to this
01:01:06inquest by all means mrs. Ambrose I can't sit here any longer listening to all
01:01:11these insinuations against a boy who couldn't possibly harm a fly it's
01:01:14ridiculous preposterous it's downright silly that's what it is mrs. Ambrose will
01:01:21you kindly control your temper and give us a more coherent reason for your
01:01:26impatience with this inquest now Harry I'm not trying to take advantage of our
01:01:30friendship but I've known these burn boys since they were lads and John's only
01:01:34fault is that he works too hard never thinks evil of anyone and as for this
01:01:38silly old maid I explain as the nose on your face she's in love with him and
01:01:42imagined heaven knows what about him and when an old maid's in love heaven protect
01:01:46the object of her affections if that love goes unrequited all the devils and all the
01:01:51of your eyes oh and if there's anyone else who wants to know anything about himself just let me know
01:02:03was there anything else you wish to know Harry
01:02:11that will be all mrs. Ambrose and so in all probability Emily Gaunt dressed in
01:02:20her mistress's finery went off to some secret tryst therefore the conclusion of
01:02:26this inquest is that the girl was murdered by person or persons unknown
01:02:36in quest dismissed
01:02:38he's got it with Emily but he might end with me
01:02:46here he comes now
01:02:49Oh, Mr. Byrne.
01:03:08Mr. Byrne.
01:03:12Yes?
01:03:12No, not you. Mr. Stephen Byrne.
01:03:15Me?
01:03:16Yes. They'd like to see you inside a moment.
01:03:18Certainly.
01:03:20You go on. I won't be long.
01:03:40Sorry to trouble you again, Mr. Byrne, but you probably realize the case is far from being closed.
01:03:45So?
01:03:45No. Are you certain you have nothing more you'd like to say to us?
01:03:49Nothing.
01:03:50I can understand your feeling, Mr. Byrne. After all, the man is your brother.
01:03:54But if there's any further light you can throw on this...
01:03:57There's nothing more I can say.
01:03:59Except that I'm fully convinced that my brother is innocent.
01:04:03Was that all?
01:04:06That was all.
01:04:07It was foolish to call him back.
01:04:18It was foolish to call him back.
01:04:18Yes?
01:04:19Yes.
01:04:20Stephen.
01:04:20What is it? You know I'm working.
01:04:21Yes, Stephen, what is it, you know I'm working, why are you so irritable, what is it, I'm
01:04:48rather worried, can't you wait and tell me about it later, all right, I'll be in my room, it's about Lieutenant Sarton,
01:05:18I'm sorry I snapped at you, I was trying to finish a chapter, what did you want to tell me,
01:05:30well, it's, it's in these last weeks, since the inquest, I seem to run into that detective all the time,
01:05:42and just a little while ago at the market too, and he always looks at me as though, as though he thinks
01:05:50I know something I haven't told about Emily, has he ever asked you any questions, no, but last night
01:05:58after you'd gone out, I decided to go over to Mrs. Ambrose's, and I saw someone across the street,
01:06:04it looked like him, and I, I almost had a feeling that, that he's been watching the house,
01:06:12how long was he there, I don't know, when I got back, he was gone,
01:06:26well, if he has any snooping to do, I should think he'd do it in John's direction,
01:06:30what do you mean Stephen, you were at the inquest, you know what I mean, no I don't,
01:06:36well if you ask me, he acted so stupidly, that he forced everyone to believe,
01:06:40that he had something to do with it, Stephen, on top of everything else,
01:06:44he hasn't acted normal since the inquest, he shuns everybody, he won't even talk to me,
01:06:50let's face it, John's a cripple, he knows he hasn't a chance with a girl of our class,
01:06:55it's not hard to believe that he carried on with a servant girl, stop it,
01:06:59aside from everything he's done for you, he's your brother,
01:07:02there's a limit to this business of being brothers, Marjorie,
01:07:07Stephen, you're insane,
01:07:09you're very fond of him, aren't you, you know that,
01:07:15are you in love with him,
01:07:19how long has this been going on,
01:07:23I don't think I haven't been aware of it,
01:07:27you have a filthy mind,
01:07:31this isn't going to be very flattering my dear,
01:07:33I haven't the slightest pang of jealousy,
01:07:35no, I shouldn't think you would,
01:07:37the husband who comes home drunk night after night,
01:07:39and reeking of cheap perfume,
01:07:41isn't exactly in a position to be jealous,
01:07:43sometimes cheap perfume can be very exciting,
01:07:59Sometimes cheap perfume can be very exciting.
01:08:03You are a swine, Jean.
01:08:29Marjorie!
01:08:47Hello, Jean.
01:08:50Jean?
01:08:52Hello, Marjorie.
01:08:59I met your office boy on his way over here.
01:09:05I told him I'd bring these up for him.
01:09:09I've been here so many times, Jean.
01:09:11And to the office, too. But you were never in.
01:09:13I know.
01:09:20Why have you refused to see me or to answer my calls?
01:09:29I'll see you.
01:09:35Haven't you found a housekeeper yet?
01:09:37There seems to be an extreme shortage of domestic help at present.
01:09:41Why, that's not true.
01:09:42Only yesterday, Mrs. Beach was telling me...
01:09:44It's true in the case of Mr. John Byrne.
01:09:47Even the children know that I killed Emily Gaunt.
01:09:50I know, John.
01:09:54I've learned a lot about people myself lately.
01:09:58They can be very vicious.
01:10:01You think that because you've lived with them for years, they're fond of you.
01:10:06But it's not true.
01:10:11I'm going away, Marjorie.
01:10:13Oh, no, John.
01:10:15Oh, don't run away from them.
01:10:17I'm not running away from them.
01:10:19Is it that you think it'll be better for...
01:10:22For all of us if you go away?
01:10:30I've got to be sensible.
01:10:36Ever since the inquest, my mail consists chiefly of anonymous letters.
01:10:40Not too flattering suggestions.
01:10:42Most of my clients are closing out their accounts.
01:10:46John, maybe it wasn't wise.
01:10:47Refusing to see people and not going anyplace.
01:10:50But you still have friends in this town.
01:10:53Let me give a party.
01:10:54We'll ask everyone you like.
01:10:56Our real friends.
01:10:57We'll show this town.
01:11:00Wouldn't do any good.
01:11:01This town likes its nasty little back stairs gossip.
01:11:05If I stay and you keep on seeing me, defending me,
01:11:10they'll think that we...
01:11:15I wouldn't put anything.
01:11:16I don't care what they say or think about me.
01:11:22Marjorie, my darling.
01:11:27I'd rather die than cause you any suffering.
01:11:29Oh, John, don't talk like that.
01:11:32There must be something I can do.
01:11:40No.
01:11:42The only thing to do is to go away.
01:11:44I thought it out very clearly.
01:11:45John.
01:11:47And promise me one thing.
01:11:49Before you do anything.
01:11:51Before you make any decisions.
01:11:53Let me know.
01:11:54I promise.
01:12:14Won't you come in, John?
01:12:17I'd rather not, Marjorie.
01:12:19Good night, Ben.
01:12:20And thanks for seeing me home.
01:12:22Good night.
01:12:39Stephen.
01:12:41Stephen, it's about John.
01:12:42I'm not interested.
01:12:44Stephen, please.
01:12:45He's desperate.
01:12:46I'm afraid he's going to harm himself in some way.
01:12:48Don't be dramatic.
01:12:50He's much as told me so tonight.
01:12:51He said he'd rather be dead than go on the way things have been going.
01:13:00You mean...
01:13:02suicide?
01:13:03Yes, Stephen.
01:13:04Please, Stephen.
01:13:05Try to stay with him as much as you can.
01:13:07If you hurry, you can catch up with him now.
01:13:10All right, Marjorie.
01:13:13If you insist.
01:13:15Thank you, Stephen.
01:13:25I almost forgot.
01:13:26Mrs. Ambrose was over.
01:13:28She said as long as it's Cook's day off, you should let her know if you want to have supper with her.
01:13:32Ivan, don't move for her tonight.
01:13:34I'll have something here.
01:13:40Well, you'd better tell her now before she goes to any trouble.
01:13:44You know how sensitive she is.
01:13:46Yes, I guess you're right.
01:14:09I can't wait for her, but he's soacer.
01:14:11He's sooing, and she's so happy for her but as long as he's got to make a big mess.
01:14:14If you haven't been to the first house, the one you got to come to the first house.
01:14:19Then he doesn't have to go.
01:14:21It's like he's used to be working with the aunt and the cowardly.
01:14:23Is that is?
01:14:24No?
01:14:26No.
01:14:28I didn't have to take that.
01:14:30I'm sorry.
01:14:31I am sorry.
01:14:33It's going to take that.
01:14:34I am sorry.
01:14:36That's all right.
01:14:37I am sorry.
01:14:38Let's go.
01:15:08Let's go.
01:15:38Let's go.
01:16:08Let's go.
01:16:38Let's go.
01:16:39Let's go.
01:16:40Let's go.
01:16:41Let's go.
01:16:42Let's go.
01:16:43Let's go.
01:16:44Let's go.
01:16:45Let's go.
01:16:46Let's go.
01:16:47Let's go.
01:16:49Let's go.
01:16:50Let's go.
01:16:51Let's go.
01:16:52Let's go.
01:16:53Let's go.
01:16:54Let's go.
01:16:55Let's go.
01:16:56Let's go.
01:16:57Let's go.
01:16:58Let's go.
01:16:59Let's go.
01:17:00Let's go.
01:17:01Let's go.
01:17:02Let's go.
01:17:03Let's go.
01:17:04Let's go.
01:17:05Let's go.
01:17:06Let's go.
01:17:07Let's go.
01:17:08Let's go.
01:17:09Let's go.
01:17:10Let's go.
01:17:11Let's go.
01:17:12Let's go.
01:17:13Let's go.
01:17:14Let's go.
01:17:16Let's go.
01:17:17Let's go.
01:17:18Let's go.
01:17:19Let's go.
01:17:20Let's go.
01:17:21Let's go.
01:17:22Let's go.
01:17:23Let's go.
01:17:24Let's go.
01:17:25Let's go.
01:17:26What do you think of as you stood there?
01:17:28Another night on this river.
01:17:29You know, John.
01:17:32Spide of everything that's happened.
01:17:35And everything that's going to happen.
01:17:36I want you to know that I've gained something.
01:17:39Gained something?
01:17:40Yes.
01:17:41I was always afraid as a child.
01:17:42I didn't have the courage to do things.
01:17:44I was afraid of people.
01:17:45What they might say or think.
01:17:47Maybe that's why my writing wasn't good.
01:17:49You were right in that.
01:17:50But I'm not afraid anymore, and I've written something good.
01:17:54Because it's real.
01:17:56It took a murder to do that.
01:17:59Doesn't the end justify the mean?
01:18:03You must be very, very ill, Stephen.
01:18:06Ill?
01:18:07Yes, sick.
01:18:08Otherwise, you couldn't think as you do.
01:18:10What's happened to you?
01:18:12You know, John, I wish I could really trust you again.
01:18:16I can't.
01:18:18Am I right?
01:18:24Suppose the policeman would have come up to us here right now.
01:18:27Suppose you were to ask which of us killed Emily.
01:18:30What would you do?
01:18:32I know what you would do.
01:18:34You would point at me.
01:18:39Would I?
01:18:41You stepped right out of Emily's murder as though you were shedding your skin.
01:18:44You shifted the blame to me.
01:18:46Did I?
01:18:47Yes.
01:18:50John, which one of us would the world miss the most?
01:18:55I mean, if there were a choice of one of us.
01:18:57Blast the world.
01:18:59I'm going to start thinking about myself.
01:19:01You're very much in that with Marjorie.
01:19:03I know that.
01:19:04You've always been.
01:19:05You had the opportunity that night of getting rid of him by going to the police.
01:19:09Why didn't you take her?
01:19:11There are things you would never understand, Stephen.
01:19:14You're right, John.
01:19:15I can't understand my own brother expecting to go on sharing my wife with me.
01:19:22I'm going to the police, Stephen.
01:19:24I'm going to tell them the whole story, including my partner's.
01:19:27I should have a long time ago.
01:19:57Oh!
01:19:58All right, John.
01:19:59You've Давайте hear me.
01:20:00I'm just going to say.
01:20:01All right, John!
01:20:02What is he doing?
01:20:03Good job, John.
01:20:12Have I touched on you?
01:20:16Hello, Chuck, Paul.
01:20:17Well, Joe, that wouldn't be good.
01:20:18Watch here, by the way, prove me.
01:20:19You are those who are Wu-Breh.
01:20:21We need grabs.
01:20:22What are you doing?
01:20:23Where are you going now?
01:20:24How many times have I told you to keep away from my desk?
01:20:52I didn't expect to have it read for some time, but since you have read it, tell me what you think about it.
01:20:59How can you ask me that?
01:21:02Well, don't you think it's good? Can't you appreciate its quality, quite apart from its content?
01:21:06Not when it says that my husband is a murderer.
01:21:09I thought I disguised it completely. But you read between the lines, didn't you?
01:21:13John must love you very much, letting everyone think he did it.
01:21:16Oh, no. He loved you very much. He was old-fashioned.
01:21:20He believed in chivalry. That's why he kept silent about it.
01:21:25But you, I... I don't think I can expect you to keep silent about it. Can I?
01:21:32You intend to go on forever, letting people think he did it?
01:21:36Of course I don't think that he died...
01:21:38mattered that far too much.
01:21:41It's rough, man.
01:21:43What if I was lovin' it?
01:21:47Alright, let's see.
01:21:49Let's see.
01:21:51knows he was driven to commit suicide by his guilt wouldn't they you're forgetting about me
01:21:57oh no i'm not forgetting about you john committed suicide tonight what i saw to it
01:22:05before i'm through with you they'll know that what john did once he did again
01:22:13steven you're insane am i
01:22:21don't you realize marjorie you're reading the manuscript to salt everything
01:22:35you know i met emily on the stairs she was coming down from her bath she'd used your perfume
01:22:43she looked rather pretty and i wanted to kiss her but she got frightened and screamed i had to stop
01:22:46her squealing i didn't mean to kill her i hardly touched her but i didn't realize how easy it would
01:22:52be so very easy
01:23:16have to get off
01:23:22or
01:23:23don't
01:23:26don't
01:23:27don't
01:23:29don't
01:23:33don't
01:23:35don't
01:23:36don't
01:23:37don't
01:23:40Emily!
01:23:42Emily!
01:23:44Emily!
01:23:46Let me go!
01:23:48Let me go!
01:23:50Let me go!
01:24:10Let me go!
01:24:22Write in the end...
01:24:30... fun...
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