- 2 days ago
Ek jhooti kahani ep 15 Pakistani drama
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00:00How will I go?
00:02It's time to go.
00:04I'm not gonna go.
00:06I'm not gonna go.
00:08I'm not gonna go.
00:10I'm not gonna go.
00:12I'm gonna go.
00:14You're not gonna go.
00:16I'm not gonna go.
00:18I'm gonna go.
00:20I'm gonna go.
00:22Tell me.
00:24We'll be able to find a great place.
00:26How will we buy this place?
00:28We want helpers.
00:30Babra Sabra.
00:38What is it?
00:40Why did you do a message?
00:42We'll keep them in the room.
00:44A room?
00:46I'll be here.
00:48But listen to me, child.
00:50What?
00:52You will have made two jobs.
00:54Tell Mirab.
00:56I didn't talk directly.
00:58I'm gonna go out of the way.
01:00I'm gonna go out of the way.
01:02So when I talk to Mirab,
01:04I'm sure they'll give me my hand.
01:06Shabbat.
01:08I'm gonna go out of the way.
01:10I'm gonna go out of the way.
01:12I'm gonna go out of the way.
01:14What do I learn from you?
01:16I'm gonna go out of the way.
01:18I'm gonna go out of the way.
01:20I'm gonna go out of the way.
01:22I'm gonna go out of the way.
01:24I'm gonna go out of the way.
01:26I don't wanna go out of the way.
01:28I'm gonna go out of the way.
01:30I've come here and have to buy me the money.
01:32I don't come here and take a little money.
01:34Help her, child.
01:36This world is like this.
01:38One person comes with us.
01:40He brings us all the way.
01:42He brings us all the way.
01:44Hey, brother, you're two men and one brother.
01:47Brother?
01:49Which brother?
01:50Brother, Rizwan?
01:51Yes, brother, Rizwan.
01:54You're a brother, brother.
01:56You're my son.
01:57I'm thinking, I don't know what's going on in this situation.
02:00I don't even have any money with tea and papay.
02:05I'm stealing millions of dollars.
02:06I'm using cockroaches and chips.
02:09What will our brother eat?
02:12Pagrappa, this is such a big cast.
02:15He's killing all the shit on the set.
02:17The five men, five girls, didn't kill all the shit on the set.
02:23He could work with two.
02:24But he was a man who didn't come.
02:27He didn't know who could run away from the girl.
02:31He didn't do anything.
02:33My son, Rizwan, will become a tutor.
02:37He will kill all the shit on the set.
02:38He will kill all the shit on the set.
02:42He will kill all the shit on the set.
02:44He will kill all the shit on the set.
02:47But we, poor people, are only going to love to love.
02:50So we will love to love to love.
02:52Love to love.
02:53Yes, love.
02:55Love to love all the shit on the set.
02:57But now you're living in 14 or 15.
03:01What will happen to you?
03:03Will you get some money to your children and brothers?
03:07Right?
03:08Safiya has talked to her about her.
03:15You will send her ideas in front of her.
03:19Don't even understand.
03:21The junior is a junior.
03:23We have to bring her to her.
03:26She will take her to herself.
03:29Baba Ji.
03:30First of all, Irfan has a problem with you.
03:32Because you don't have to tell any dialogue about her story.
03:35I'm just kidding.
03:37That's it.
03:38Just come here.
03:39Just come here.
03:40We will tell them that they are being dead.
03:43Yes.
03:44This will be very good.
03:46That's what you were saying.
03:48It won't be a mess.
03:50And the people who believe that they are looking for a big house
03:53and they will not be a mess.
03:56It will be a mess.
03:58It will not be a mess.
04:00It will be a mess.
04:02And it will be a mess.
04:03My dear.
04:04Will you eat a baby in the kitchen?
04:06Can't you take a house?
04:07Will you take a house?
04:08Will you take a house?
04:09Will you give a house?
04:10Will you give money?
04:11Can't you?
04:12I don't have money.
04:13If you have two, two, two twins and two brothers and brothers
04:16will go.
04:17What will go?
04:18A big house will take the house.
04:19And they will also play the show on the table.
04:22And they will even play the show.
04:23They are working in the drama.
04:25Don't worry, Abba, because before you said that you were very bad.
04:29People say that they are bad people,
04:33but the people who do something, what do you do?
04:37Why, Fakra?
04:38Yes, absolutely.
04:40Okay, that's right.
04:42Now let's give them some advice.
04:45The rest of them are the best.
04:48Okay.
04:55Sorry.
05:00Sorry.
05:01Those things were kept here,
05:04because I didn't get into the guest room,
05:06so I won't be surprised.
05:07Is this okay to you?
05:09I think everyone will be fine tomorrow night.
05:15Do God do that?
05:17I'm tired.
05:20I've never thought about them and leave them in their own life.
05:26Don't say that, Irfan.
05:29They are small.
05:31They are so poor.
05:33Have you ever tried to understand them?
05:37Have you ever played with Mirabh?
05:40I will.
05:42And you will see that they will be the same as Nassar,
05:45who will also be the same as me.
05:47And you will be the same as Nassar.
05:48You will be the same as Nassar.
05:50And you will see how much love you.
05:51That's what I'm saying.
05:52All of this is one of these issues.
05:55What is that?
05:56Love.
05:57Love.
05:58Love?
05:59If you ask them, you will also be the same.
06:02Love.
06:03Everyone is in this house.
06:07Name,
06:08money,
06:09money,
06:10money,
06:11money,
06:12money.
06:13If there is nothing,
06:14it's love for your children.
06:16Lima means you that love…
06:17it'sés love.
06:18That love is missing.
06:20hoof foot Vitamate and there is love.
06:25Yea…
06:26It means that love…
06:27I was concerned about it…
06:29which one of these great love…
06:31…one little love.
06:32Wow…
06:33who is the love?
06:35It's a love for those who say the lyrics,
06:41the lyrics, the lyrics, the filmmakers have made films
06:48and the artists have been very successful.
06:54I don't know about love.
06:57But I know that every love starts from home.
07:04And that's not the place in this house.
07:07That's the place to be born.
07:11You're saying that you're going to learn from love with them?
07:14Absolutely.
07:15Today's girls have dreams.
07:18No one wants to be an architect, no one wants to be a musician,
07:21no one wants to be in the sea,
07:23no one wants to be snortling with children.
07:25It's also my dreams.
07:26I want to be an actor.
07:28You've become complete dreams, right?
07:31Yes.
07:34Do you know why?
07:35Because in my house,
07:37there's no money.
07:39But it's love.
07:41Pagra,
07:43I love my love.
07:45I love the big girls with small girls.
07:47I love the love.
07:49I love the love.
07:50I love the love.
07:52I love the love.
07:53I love the love.
07:54We've decided that we can't do this.
07:57Oh, Uncle Ji!
07:58This can't happen.
08:00Now, the name of Bushra has been mixed with Shari.
08:04Oh!
08:05I love the love.
08:06And I can't do this.
08:07I can't do this.
08:08I can't do this.
08:09I can't do this.
08:10I can't do this.
08:11The story is okay.
08:15I remember one more thing.
08:17What?
08:18What?
08:19What?
08:20What?
08:21What?
08:22What?
08:23You're wearing a dress.
08:24You're wearing a dress.
08:25You're wearing a dress.
08:26Really?
08:27Ah, yes.
08:28There's this little girl.
08:30How do you think he can do it?
08:31What's the producer?
08:32Did I get the wrong thing?
08:33I didn't have anything wrong?
08:34No, you didn't have anything wrong.
08:35You got anything wrong?
08:36Let me do it.
08:39Go?
08:42You're saying that your brother will read the homeenfactorily.
08:45Just send it.
08:46Nassar has said a lot, she doesn't need to accept her every matter.
08:50Shhh.
08:56Who's this thing?
08:57I don't know.
08:59The company is only gone.
09:15You were looking at the whole house.
09:34You're in the guest room.
09:36My dear, this portion is also the same.
09:42And this is very clean.
09:45I get very comfortable here.
09:47Let me know how to make a sandwich.
09:49Hmm?
09:50Hmm.
09:51Hmm.
09:52Hmm.
09:53Hmm.
09:54Hmm.
09:55Hmm.
09:56Hmm.
09:57Hmm.
09:58Hmm.
09:59Hmm.
10:00Hmm.
10:01Hmm.
10:02Hmm.
10:03Hmm.
10:04Hmm.
10:05Hmm.
10:06Hmm.
10:07Hmm.
10:08Hmm.
10:09Hmm.
10:10Hmm.
10:11Hmm.
10:12Hmm.
10:13Hmm.
10:14Hmm.
10:15Hmm.
10:16Hmm.
10:17Hmm.
10:18Hmm.
10:19Hmm.
10:20Hmm.
10:21Hmm.
10:22Hmm.
10:23Hmm.
10:24Hmm.
10:25Hmm.
10:26Hmm.
10:27Hmm.
10:28Hmm.
10:29Hmm.
10:30Hmm.
10:31Hmm.
10:32Hmm.
10:33Hmm.
10:34Hmm.
10:35Hmm.
10:36How long will it take?
10:38How long will it take?
10:40Yes.
10:41I will cut it and cut it.
10:46I will take it in 15-20 minutes.
10:49Then I will make a dish.
10:51Right?
10:52I will take it in 7-8 minutes.
10:55Then I will cook it on a plate.
10:58Then I will eat it.
11:00Then I will take it in 35-40 minutes.
11:05And that is the same.
11:07The work of life is about Satan.
11:09But I am not a Satan.
11:11I am a human.
11:13Yes.
11:14Yes, you will eat it.
11:16I will eat it.
11:17I will eat it.
11:35I will eat it.
11:37I will eat it.
11:38I will eat it.
11:40I will eat it.
11:41I will eat it.
11:42I will eat it.
11:43I will eat it.
11:44I will eat it.
11:45You will eat it.
11:46And you will eat it.
11:47And you will eat it.
11:48And you will eat it.
11:49And you will eat it.
11:51And remember that you will be a fool.
11:54And Barry?
11:55Okay.
11:56What will anyone ask you?
11:57What will you do?
11:58Yes.
11:59You will need it.
12:00You will need it.
12:01And listen to someone else.
12:02You will not say anything.
12:04And you will see anything.
12:06You will forget it.
12:07You will forget it.
12:08And you will forget it.
12:09You will forget it.
12:10Satya Ji, we were going outside, so we come in a little while.
12:17Who are these two?
12:21This is Sabra Babra. They have come to help us.
12:26Habib Sahib, you know what will happen with them?
12:31Nothing will happen.
12:37What will happen? Nothing will happen.
12:40You have something happened to yourself.
12:42It's been the same for her husband and brother Bashir.
12:45Stay there, Irfan. Nothing happened.
12:47People have come here.
12:49Look, the kitchen is so bad.
12:51There are so many trees.
12:53There are so many trees.
12:55If they come, they will cook,
12:57then it will be good.
12:59Maybe they will be affected by everyone's mood.
13:02Hmm.
13:03Did you explain what to them?
13:05Yes.
13:06There are so many trees.
13:08They will not say anything,
13:09nor hear anything.
13:10So, what is their trees?
13:15Oh.
13:16I'm sorry.
13:18I'm sorry, trees.
13:19Okay.
13:20Habib Sahib, let's keep them.
13:24Oh.
13:25I remember a job.
13:27If you go to the car,
13:29I will also come.
13:30Okay.
13:31Okay.
13:36Say something, my friend.
13:38Say something.
13:39I'm sorry.
13:40Why?
13:41I'm sorry.
13:42I'll make the same thing.
13:43I want to go to the set.
13:44I want to go to the set.
13:45Now, you have to go to the set.
13:46I've got a 30-40 minutes.
13:47I don't know the set.
13:49It's not your set.
13:50How long are you?
13:51I don't know.
13:52I'm going to go out of the set.
13:53I'm going to the same place.
13:54If you have anything to do,
13:55then you can take it here or take it here.
13:57I don't know.
13:58I'm not sure.
13:59I'm not going to the same place.
14:01You're not going to the same place.
14:02You're totally self-reaching.
14:04You'll have fun at the scene.
14:07When you have all the characters,
14:09you'll have fun at the scene.
14:10You'll have fun at the scene.
14:12But you'll have fun at the same time.
14:14But you'll have fun at the same time.
14:16Why are we here?
14:18For acting?
14:19No,
14:20we've come here to act.
14:22We've come here to act like this.
14:25I'm going to get out of my mind.
14:28Why?
14:29Now?
14:30Let's talk about the story of the story.
14:32We've got to make it a piece of art.
14:34I've told the producer,
14:36that my family will be far away from me.
14:38We'll be far away from you.
14:39And those who are looking at it,
14:41what do they do?
14:42Don't go.
14:43I'm waiting for you.
14:44I'm going to take care of everything.
14:45Thank you, Papa.
14:47I've eaten your food.
14:49Now, let me make some sauce.
14:51I'll take care of everything.
14:52You're looking out.
14:53You're feeling the kind of a food,
14:54you're coming to the sea.
14:55You're moving to the sea.
14:56I'm getting to the sea.
14:57What is the sea?
14:58So, let's go.
15:19Oh, Sherry.
15:20Be careful, Boss.
15:22Today, we would have to make our faluda.
15:25Hey, we're not going to kill you.
15:30Up! Up! Up!
15:35Sheriff, if you want to get out of here, give me the direction.
15:39We'll be hanging out with this strange name in the city.
15:42And if you don't know what else will happen to you.
15:45Hey, if someone's hand is holding a hand,
15:48then it'll be very fast.
15:50And he'll throw a song in his head.
15:52Give me 100 rupees, Baba.
15:55Give me 100 rupees, Baba.
15:57Give me 100 rupees.
15:58You're hungry, you're hungry, you're hungry.
16:01There are little children in my house.
16:04You have to help the people and the people.
16:07Help me.
16:09Oh, my dear.
16:11How beautiful a color is.
16:14My hand is a tender.
16:17Let's take this.
16:22Let's keep it.
16:23Let's eat the food.
16:25Okay, son?
16:30What is the time, Baba?
16:32It's wrong.
16:33It's wrong.
16:34So, run away.
16:35It's a decision.
16:36If you think about it, I'll take it back.
16:38I told you to go to the house that you don't have to go to the house in the house in the house.
16:47That's right.
16:48I'm afraid of Nassara.
16:50And especially Mereb has done this.
16:53Why do we leave out of this situation?
16:56You're the only one in the house.
16:58I was young.
16:59I wasn't young.
17:00I was the only one in the house.
17:01Why is this?
17:02Why is this?
17:05Our mother's mother was called.
17:07If that house was the only one,
17:09then there was no meeting with them.
17:11The house had been given its way to the house.
17:13They started to get away from their homes.
17:15The house was all you need to and put away.
17:19The house was the only one that was not on the house.
17:21To the house was not on the house.
17:23Like, you know what?
17:25I think you're the only one in the house.
17:27I am on the house.
17:29You should take the house.
17:31So, you are on the house.
17:34The house is on the house.
17:36Ghazal, Faiz, Ahmed, Faiz.
17:39That's it.
17:41But as the media has gone,
17:43it's now that they are.
17:45Okay.
17:49Let's take this.
17:51Did you like the media?
17:55Yes.
17:57I'm thinking that
17:59when you started talking to me,
18:01I didn't want to tell you.
18:04That's it.
18:06Actually,
18:07I've been in the market.
18:09That's what it's called.
18:12A new villa.
18:32No, I don't need you.
18:36Now, are you coming out of the character?
18:38Do you want to buy me a ghazal?
18:42Sure.
18:43You wanted to wear me a ghazal?
18:46Yes.
18:48Yes.
18:49On the walls of the walls
18:51There is written in Ginnat's stories
18:54Yellow.
18:55Put it. Thank you.
19:00Now you're going to go out of the artist.
19:02For the artist, you need to wear these gajrers.
19:05So...
19:07Put your hand on your hand.
19:08You've got 10 lakh rupees,
19:10so you've got to do acting.
19:19My love is not my love.
19:27Okay, I'm going to take a look.
19:30This is my love.
19:33My love is not my love.
19:37But my love is not my love.
19:41Everyone knows that my brother has been playing with his hands.
19:44He's not always thinking about you.
19:47Listen to me, Mirab.
19:48You sorry me.
19:50Then we will meet her and her husband and her husband.
19:55My heart is very good.
19:57There are so many new faces and the stories of her.
20:00No.
20:02If we start this game, we will end.
20:05And until I will give her to her husband and her husband,
20:10I will forgive myself.
20:12You have been very much.
20:14I think it's enough.
20:17I will give you some more.
20:20What was that?
20:23It was a few of them.
20:25There were many.
20:27She was always dancing on the other side.
20:30She was always dancing on the other side.
20:32She was just dancing on the other side.
20:35It was so funny.
20:37But there is so much.
20:39She said that she didn't come.
20:42I will tell you one thing.
20:45What?
20:46Look, don't take my name.
20:48But if you have given me a chance to change from Naspi,
20:52then I will tell you one way.
20:54Oh!
20:55Look, if you have given me my name, then...
20:58Oh!
20:59You little girl!
21:00Don't fall from your mouth.
21:01I'm not your kind.
21:02This is my fight.
21:03I will fight.
21:04I will tell you one way.
21:05I will tell you one way.
21:06I will tell you one way.
21:07I will tell you one way.
21:08Of my life.
21:09How are you your expectations?
21:10What?
21:11Well, the way.
21:13You are afraid of me.
21:14You're afraid of me.
21:15But this is not the right.
21:16It is the right.
21:17The right is that I love you and I love them.
21:20That's exactly what I love you.
21:21That's the predictable.
21:22How can I love you?
21:24How can you like it?
21:25And if you want to do it, then how long will you do it?
21:29And if you like the name of your name and do it,
21:34it's not possible.
21:37Hey!
21:38You've heard someone else.
21:41First, listen to the whole story.
21:44Then do it again.
21:45Say it, my mother.
21:47The reason is...
21:50...that Fareed brothers love Naspi.
21:56Don't do it, Hurya.
21:58Really?
21:59Yes, I swear.
22:01And you can never kill Naspi.
22:05Fareed brothers and our two big sisters,
22:08they do great things.
22:11You can use this to use Naspi and Naspi.
22:16Don't let this happen.
22:19I don't believe.
22:21If you told me, I don't believe.
22:23But if I told you, I don't believe.
22:25But how did you know?
22:27It's just like everyone is in the house.
22:30Did you listen to them?
22:32Yes.
22:33Who?
22:34Who?
22:36No.
22:37Habib and Safiyyah.
22:39And?
22:40And did you speak to them?
22:41What happened once?
22:43I said one-and-a-one,
22:44I said one-and-one.
22:45I heard them all.
22:46That's the same thing.
22:47And I told them two-and-one.
22:49I explained them them.
22:50And we understood them.
22:52All these things.
22:53Oh, you're a little girl, right?
23:09Why did you take only four pairs? Why did I give you money?
23:13My Abba Ji says,
23:16if your mouth is open,
23:18then you should open your mouth with your mouth.
23:24Interesting.
23:26Yes.
23:27How many days have been left?
23:29I've got 15 today.
23:31I've got 4 clothes.
23:33So if I wear a clothes twice, then 8.
23:35And if I repeat again, then 16.
23:39So I'll repeat the clothes?
23:41It seems natural.
23:43In the normal way, you can wear clothes in your life.
23:46That's right.
23:47And so...
23:49If a producer has been given in advance,
23:53then you don't need to lose it.
23:55Which producer will lose 4 clothes?
23:58I'll tell you about Abba Ji.
24:01If you open your mouth,
24:03then you should have to blame yourself.
24:07Let's accept it.
24:09I remember one more thing.
24:11What?
24:13Let me fresh a beauty parlor in front of me.
24:16Now the color of mehendi is a little.
24:19It's dark now.
24:20This is the demand of character.
24:23This will be light again for 15 days.
24:26When I'm wearing mehendi,
24:27the screen is better.
24:39Let's go to the kitchen.
24:42I'll try to make some samosas.
24:46What did you do?
24:48You ate this?
24:50I was eating it!
24:51I was eating it!
24:53What?
24:54I was eating it!
24:55What?
24:56What?
24:57What?
24:58What?
24:59What?
25:00What?
25:01What?
25:02What?
25:03What is the name?
25:04What?
25:06What is the name?
25:07What does nothing other thing?
25:08No.
25:09What?
25:10What are business?
25:11What is the name of mehendi?
25:13That is the truth?
25:14The seer's got me to tell myself.
25:16And I'll be fresh.
25:17And soon after my margarine will be my margarine.
25:19What?
25:20How will I eat this?
25:21What?
25:22No.
25:22I don't have any idea. I've been doing this for the past 25 years and I've been doing this for the past 25 years.
25:27No, no, no, no. This is the thing that you have to go to the sky and go to the sky and go to the sky.
25:36Yes, absolutely. You need to make some samosas, right?
25:41Yes.
25:42Let's do this. We go to the market.
25:45You have seen that when you make a dish, they go to the market and sell it themselves.
25:51They do the groceries so that they make a dish, it's good because it's fresh.
25:57So let's take some samosas, we'll do the grocery.
26:01Okay. I'll call Farid Bhai. I'll drive the car.
26:05We'll take the train.
26:07We'll take the train here.
26:08I'll call Farid Bhai to Farid Bhai.
26:12Okay.
26:21Okay.
26:24Two hours.
26:38Great.
26:39Yes, it's stuck. But for two hours in the kitchen?
26:42Two hours?
26:43I have to wait. I will eat the dessert.
26:46I told Abba that they are far away from the kids.
26:50But Samia wanted to learn how to make some samosa.
26:54We'll handle it. I have a problem with Mirob.
26:57No, it looks like it's on the ground.
27:02Yes, I'll take it.
27:05This is...
27:15Okay, Abba.
27:17Come back to me.
27:18Here we had a Haji Sahib.
27:20He was not alone.
27:22He had a son with him.
27:24He would take him with him as he would say to me.
27:29Look, my house is very bad.
27:33My house is very bad.
27:35Those who are passing out a few hours,
27:37my mind is a little relaxed.
27:39However, Mirob's prank and the rest of the others
27:44have to laugh at me.
27:46Don't say dialogue with me.
27:48Sorry, let's go.
28:00Who are you guys?
28:02What's happening?
28:06Beheri, you're not listening.
28:16What's happening?
28:19What's happening?
28:20What's happening?
28:21You're not listening.
28:22Who are these people?
28:24Who are you guys?
28:26Who is calling in the house?
28:27Who is calling in the house?
28:31They're not giving answers.
28:32Are you?
28:33Who is it?
28:34Who is calling in the house?
28:36What?
28:37What do you want to tell?
28:38What?
28:39What?
28:40What?
28:41What?
28:42What?
28:43What?
28:44What?
28:45What are you doing?
28:48Yes, tell me. What is it? What are you doing here?
28:53She can't speak or listen, but you can see.
28:57She's doing it.
28:58So, this is Naukrania.
29:01Who has kept her?
29:02And she also asked me without her.
29:05Habib, Habib!
29:08She's the name of her sister.
29:10God bless you.
29:12Yes.
29:15Who is this?
29:19Babra Sabra.
29:20Huh?
29:23She has kept her name so much.
29:26Babra, Sabra, Nasra.
29:32She was really innovative.
29:38Bindiya, she doesn't need to take my norm.
29:42And Habib, all of you?
29:44Who asked them and asked them?
29:45Who has kept them?
29:46Who?
29:47Who?
29:48Who has kept them well?
29:50The house is clean.
29:51She's clean.
29:54Hello.
29:55Hello.
29:56Hello.
29:57Hello.
29:58What are you doing?
29:59No.
30:00You've come to call someone.
30:04Yes.
30:05That's right.
30:07Are you coming?
30:08Let's go.
30:09Let's go.
30:10Wait!
30:11Wait.
30:12Wait.
30:13Wait!
30:15Wait!
30:16Wait!
30:18Wait!
30:19What's happening?
30:20Someone will tell me!
30:21What's happening?
30:22I have to be honest with you.
30:24I'm thinking something.
30:29What?
30:31We can't send Meirab and Hurya to any coaching centre.
30:36Or call a tutor at home so that they can do it again.
30:40Do it again.
30:42Don't ask what teachers do.
30:45There was no time to start the heat.
30:47Fareed gave me an idea to keep a tutor.
30:49I've called so many tutors.
30:51All of them have to run away.
30:53Because Meirab had a lot of prank with them.
30:55He had a medicine delivery.
30:57He was making a tree on a tree.
30:59And his favourite? Cockroach.
31:02Why is Meirab such a body?
31:04It's a body, but it's a body.
31:06It's a fine line.
31:09It's not a body.
31:10Now, let's look at the kids.
31:12They will learn the kids.
31:14They will learn the kids.
31:16It's all about Nasrani Shabbar.
31:18And now they are made the kids.
31:20We have made the kids.
31:21We have made the kids.
31:22We have made the kids.
31:23We have made the kids.
31:24Yes, but...
31:26It's not a body.
31:28What is the body?
31:30And how much it will be made?
31:33God knows.
31:34This body is just a body of Nasrani Shabbar.
31:38I have done a lot of the kids.
31:39How many people really do?
31:40This is a body.
31:41This is something for me.
31:42Is someone to have a body.
31:43Is someone to have a body?
31:44This is something for me.
31:47Why?
31:48It's here.
31:49It's just a body's being made.
31:53Uh, aap saaf kerte?
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