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Cine Short
In Other Words, I Love You #Dramabox
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
Transcript
00:00:00I've always described the world in words people moments places all through
00:00:09metaphors and margins okay like my mom self-made stubborn and never wrong
00:00:18almost there you excited for your first day she calls this a fresh start I call
00:00:23it terrifying
00:00:30you've got this just be yourself that's kind of the problem
00:00:53okay morning class and you're not seated because I don't have a seat ah a new
00:01:16transfer Alice Keaton right let's see there's a spot next to Charles seriously
00:01:27the charity case sitting next to Charles quiet Charles I've always had words for
00:01:38everything but in that moment I forgot them all
00:01:53Charles move your things I'd rather not she'll be a distraction from what
00:02:00sleeping from everything if anything Charles Miss Keaton will be a positive
00:02:05influence on you she was top of her class at a previous school with all due
00:02:10respect sir her previous school was American I highly doubt that that's
00:02:18enough she can sit here it's fine back to Goldie thank you you got it I'm
00:02:28Sherry Vaughn Alice Keaton it's very important that we look at what he's
00:02:33talking about their experience of the time
00:02:39wait you sat next to Charles she didn't you totally shut her down oh knew it
00:02:45don't take it personally he's impossible can everyone stop acting like the goal is
00:02:50getting into his pants what he's hot everyone kind of is I I've seen Connor he's not my type you're
00:03:00joking I don't find bullies attractive hey be careful we're talking about the king of
00:03:05Ashford the what his family basically own the school and the town maybe even the
00:03:12country yeah everyone's tried to get close no one can get past his ego you're not the
00:03:17first to get nice okay first of all I wasn't iced it's more like a mutual
00:03:23decision and second I think he's arrogant cold thinks he's untouchable but if you
00:03:29really look at Charles he just seems isolated like he's making out honestly I
00:03:34just think he's lonely and kind of what
00:03:41you were saying I'm lonely and pathetic
00:03:51next time read the room before opening your mouth American we're not in Kansas anymore Alice
00:04:06hey how's your first day I good I'm excited Kevin not really super
00:04:28uneventful really how's your new job yeah all right get this is that we can stay in the
00:04:35servants wing seriously hmm apparently the young master won't mind the company the young master
00:04:42this is your boss's house yeah that's not credible I mean I wouldn't call it a house
00:04:50it's a museum with better landscaping right here I'll talk to the Butler Wow rich
00:05:08people you've topped yourselves again Stephen King first edition
00:05:17breaking and entering now how American of you
00:05:30you've been paying rent here in my head try to fight it hard
00:05:46you can get up now I I'm trying wait are you serious well you said you were trying
00:06:01what is wrong with you funny I was about to ask you the same thing what are you doing in my house
00:06:10you wait your house my house my library and now apparently my unwanted guest
00:06:21ah master Charles you must be miss Alice Anne's daughter she said you'd be moving in today
00:06:27she what there there's been some kind of misunderstanding you see I'm not actually moving in
00:06:34that so yeah I'm not staying here like at all that's a shame you must seem quite pleased with the
00:06:41arrangement well I just don't think it's appropriate well for sure then absolutely not
00:06:47come on Alice you must stay it'll be fun my dear classmate
00:07:00I'm dead like mentally socially and actually dead
00:07:06just trying to figure out how exactly my life went off the rails get it together Alice Keaton
00:07:19you've been I'm sure I'd never find someone to make my head spin around actually no
00:07:25be the thing I need they all just let this is how baby you saved me good morning
00:07:32so is that miss Keaton what thing doesn't know that stops been closed for months she's going to be late
00:07:53okay how long is this thing gonna take maybe I'll just walk five miles to school
00:08:06okay if I sprint maybe I'll make it before first period or die of exhaustion on the way
00:08:14what are you doing here didn't you already leave wait did you come back for me relax I forgot my
00:08:33textbook don't flatter yourself wait since you're already here maybe you could be a decent person and
00:08:44give me a ride no seriously your car is huge yeah and I'm not a fan of sharing says the guy who
00:08:57forced me to live in his house unbelievable
00:09:14Ashford Institute please thank you
00:09:16who needs that entitled brat anyway sir you called the cab why don't just give miss Keaton a lift
00:09:26why don't just give miss Keaton a lift and have the whole school go crazy she's new everybody's
00:09:38already talking so you're worried about her you're overthinking I just don't like drama
00:09:44asshole hey morning class back to Golding remind me what he's saying through Lord of the Flies
00:10:00Mr Kenwood care to share what you found so amusing not particularly oh I insist you seem very entertained by
00:10:13Golding I'm not entertained by Golding sir on the contrary I think his ending is weak wait wait
00:10:24you've actually read it quiet that's an interesting take explain
00:10:33he had the setup for something brutal something honest in the end he backed out he could have left
00:10:39the boys on the island forced them to confront the collapse of all morality let them choose survival
00:10:45or death but instead he gave them a rescue boat slapped a happily ever after on a book about savagery
00:10:54it's a waste don't you think I'm delightfully surprised Charles didn't think you had such
00:11:01strong literary opinions I'm always a model student sir let's not get ahead of ourselves
00:11:09so a critique of Golding's mercy anyone disagree
00:11:24I think Golding knew exactly what he was doing by ending the book that way
00:11:33it's not mercy it's irony how so
00:11:39the rescue isn't a happy ending you don't just walk back into society and forget you're a monster
00:11:44Golding didn't save them he left us with the discomfort of pretending they could be saved
00:11:48that's an interesting take Miss Keaton you still think it's a harsh critique in some ways but not
00:11:55harsh enough yes it's a critique of toxic masculinity but still Golding sympathize with them and the
00:12:03civilized world toxic violent he didn't call that out nearly as much so yeah I don't think Golding pushed
00:12:09far enough but I think it's unfair to call it a happy ending
00:12:17thank you Miss Keaton well said anyone else
00:12:23both opinions are valid okay that's kind of epic
00:12:27Golding faced major backlash when he first published the book
00:12:30good literature will always divide opinion what's happening to me
00:12:43okay what is going on why is everyone staring at me
00:12:47well you're new and apparently had a thing with Charles
00:12:50a what now you two are in the middle of the most epic feud Asher's teen in years
00:12:56we're not even fighting well according to everyone you confessed your love on day one
00:13:00got rejected begged to sit next to him got rejected again and today in class you broke down crying about
00:13:07not believing in happy endings and stormed out in tears you were there sherry that is not what happened
00:13:17doesn't matter people believe what they want to believe and they want Charles to be flawless untouchable
00:13:24wow is misogyny like a rich kid thing or just a british specialty honestly both
00:13:30but seriously Alice some people already see you as a threat
00:13:42okay loaded looks like the new girl's in for a rough first semester
00:13:53hello hello is somebody out there oh come on
00:14:18hello is somebody out there oh come on
00:14:24fine
00:14:38seriously
00:14:39Oh, shit.
00:14:47What the hell?
00:14:49Anne, I thought you were having dinner with Alice?
00:14:52She hasn't come home. Her phone is off. Maybe you've seen her this evening?
00:14:59Yikes. Looks like the new girl's in for a rough first semester.
00:15:03Shit.
00:15:14Ice! Alice!
00:15:16Mr Pelton, Charles Kenwood here. I was wondering if I could get the timetable for Alice Keaton.
00:15:21She hasn't come home. I'll have it sent over.
00:15:24Check the common room in the library. I'll take the rest.
00:15:30Ice!
00:15:33Come on, Alice. Close your eyes and jump. It's fine. We're fine.
00:15:51We're fine.
00:15:52We're fine.
00:15:57Hey.
00:15:59Hey, Mr. Noncelone.
00:16:03Are you happy with how we ended?
00:16:08Hey, Mr. Nonchalant
00:16:17Are you happy with how we ended?
00:16:24What are you doing here?
00:16:29Can you get off me first?
00:16:31Okay.
00:16:38You're welcome.
00:16:42I didn't say thank you.
00:16:44I figured saving your life might earn me basic manners.
00:16:47Someone just dumped swamp water on me.
00:16:50Excuse me if I'm not feeling very polite.
00:16:51You smell like a biology experiment.
00:16:54Wow.
00:16:55You should try falling out of a window into someone's arms and getting insulted for it.
00:16:59I wouldn't recommend it.
00:17:01You're heavier than you look.
00:17:04I hope you pull your shoulder.
00:17:08Are you okay?
00:17:13No, but I will be.
00:17:16Someone did this on purpose.
00:17:18What do you think, golden boy?
00:17:20Don't worry, I can handle it.
00:17:22You shouldn't have to.
00:17:26I'm...
00:17:26Sorry.
00:17:34Sorry.
00:17:38Did you just apologize to me?
00:17:42Don't get used to it.
00:17:43I wouldn't dream of it.
00:17:47Alice?
00:17:48Over here.
00:17:49Oh my God.
00:17:52You okay?
00:17:55Why are you drenched?
00:17:57Yeah, I just...
00:17:58I took a weird shower.
00:18:00Top exploded.
00:18:03Come on.
00:18:03Let's get you home.
00:18:04Alice's cheating, right?
00:18:18I heard she staged the whole thing for attention.
00:18:20I know how this place works, if you don't do anything about it, it's only going to get
00:18:48worse. I look into it. Charles, good on you. How many here would speak up? I can't believe someone actually locked you in. That's insane. Where the hell was the school when this was happening? Busy protecting their golden boys and trust friends. Well, for what it's worth, I heard Charles looked pretty freaked out when he ran out last night. Please, he just didn't want to
00:19:18lawsuit.
00:19:35Being a scholarship student has its perks, like saving a fortune on tuition and getting into schools that normally wouldn't even let you pass the gates.
00:19:44Hey, we miss you in Paris.
00:19:48Though there are enough Americans to remind us of you.
00:19:51But sometimes, being here means staying behind. And watching Ashford Elites go on a two-week enrichment program you can never afford.
00:19:59Have fun. Bring me something overpriced and unnecessary.
00:20:08The trip cost 20 grand in pounds, which translates to mom's salary for half a year.
00:20:15So yeah, I didn't go.
00:20:18Uh, what are you doing here? Do you not believe in shirts?
00:20:20Do you not believe in dignity?
00:20:21It's comfortable.
00:20:22You look like a rejected Ewok.
00:20:23This, this is not even your kitchen.
00:20:24And this is not even your house.
00:20:25And yet, you're here.
00:20:26You're here.
00:20:27dressed like this.
00:20:28Just don't. Look, go away.
00:20:29What are you doing here?
00:20:30And what are you doing here? Do you not believe in shirts?
00:20:31Do you not believe in dignity?
00:20:32It's comfortable.
00:20:33You look like a rejected Ewok.
00:20:34This, this is not even your kitchen.
00:20:35And this is not even your house. And yet, you're here, dressed like this.
00:20:40What are you doing here? Do you not believe in shirts?
00:20:43Do you not believe in dignity?
00:20:45It's comfortable.
00:20:46You look like a rejected Ewok.
00:20:48This, this is not even your kitchen.
00:20:51And this is not even your house.
00:20:52And yet, you're here, dressed like this.
00:20:55Just don't look, go away.
00:20:57Hard not to, when you're walking around dressed like that.
00:21:00What do you guys call it?
00:21:02Um, buzzkill?
00:21:05Cockblock.
00:21:06You're insufferable.
00:21:07You're the one cosplaying at breakfast.
00:21:09You know what?
00:21:10I don't get it.
00:21:11Why didn't you go on that tour?
00:21:12I thought rich people live for that kind of thing.
00:21:15Why do you think?
00:21:21Where would I go?
00:21:23I could practically recite the itinerary in my sleep.
00:21:26Florence, walk in the great footsteps of Dante, Michelangelo, Da Vinci, and Titian.
00:21:32Or Tiziano, if you want to sound extra pretentious.
00:21:36Then Venice, because everybody loves a good canal
00:21:38and getting lost in the most confusing city on earth.
00:21:42Next stop, Napoli.
00:21:44Marvel at Pompeii.
00:21:45Pretend you're shocked.
00:21:47Ancient people had plumbing.
00:21:48The final stop, Harry.
00:21:50The ultimate city of romance.
00:21:53And, naturally, Woody Allen's favourite city outside of New York.
00:21:59That's word for word.
00:22:03I told you.
00:22:04I've done this tour so many times, I could run it.
00:22:07Okay, but still, it's Europe.
00:22:09Most people would kill for that chance.
00:22:11Most people haven't had their phones stolen in Paris.
00:22:14Twice.
00:22:15Also, I hate the accommodations.
00:22:18Aren't they all five-star hotels?
00:22:20Standard rooms in five-star hotels.
00:22:23No, thank you.
00:22:25Wow.
00:22:26Some were born in Rome, huh?
00:22:27That's unfortunate.
00:22:28It's a very chaotic city.
00:22:30One word of advice?
00:22:31Shut up.
00:22:32That's two words.
00:22:33You're weird.
00:22:36You're loud.
00:22:37You're annoying.
00:22:37You're in my kitchen.
00:22:38You have three other kitchens.
00:22:40And I prefer this one.
00:22:42Just for today.
00:22:43Come back when you've got a shirt on.
00:22:45Come back with normal clothes on.
00:22:46You didn't have to come.
00:22:47Don't tell me what I have to do.
00:22:57After Charles, roads are flooded.
00:22:59Staff won't make it tonight.
00:23:00Will you be alright sorting dinner?
00:23:03I've got it sorted.
00:23:18Jesus, what are you doing?
00:23:20Relax.
00:23:23I'm here to make a deal.
00:23:25What deal?
00:23:25You nearly gave me a heart attack.
00:23:31You'll survive.
00:23:33I'm not selling my body.
00:23:38I'm not selling my body.
00:23:44Wow.
00:23:45I am deeply offended.
00:23:48That thought disgusts me.
00:23:50Then what are you doing?
00:23:51The staff's off tonight.
00:23:53I'm buying dinner.
00:23:54Did you seriously think I'd spend a hundred pounds on...
00:24:00No, I'm...
00:24:01Jesus.
00:24:03Wait.
00:24:04You think I'm not worth one hundred pounds?
00:24:08I'm not spending one hundred pounds to snort you back up.
00:24:11You know what?
00:24:11Dinner's cancelled.
00:24:12Are you sure about that?
00:24:18I present to you.
00:24:20Meatball spaghetti, stir-fried veggies, and french fries.
00:24:23You're welcome.
00:24:25Interesting combo.
00:24:26Well, I know we're not in Italy or France, but this will do.
00:24:31It's...
00:24:31Good.
00:24:38Was that a compliment?
00:24:40Although...
00:24:40I am obliged to inform you.
00:24:43Meatball spaghetti isn't Italian.
00:24:45It's American.
00:24:46And french fries, likely born in South America.
00:24:49You should read more.
00:24:50Put it down.
00:24:54I paid for it.
00:24:55You really just have to win every argument, don't you?
00:24:57To be fair, you make it very easy.
00:25:01It's only easy because it costs you a hundred pounds.
00:25:05You know, if you'd ask for more, I probably would have given it to you.
00:25:07I'll make sure that.
00:25:08Hey, Alice, it's fine.
00:25:25You're fine.
00:25:33911, look for your emergency.
00:25:38911, what's for your emergency?
00:25:41It's my dad.
00:25:42He needs help.
00:25:43He just had a stroke.
00:25:44Okay, miss.
00:25:45Hurricane's constant traffic shut down.
00:25:47We'll get to you as soon as we can, right?
00:25:48Please, he's not well.
00:25:49I understand.
00:25:51Can you confirm your address?
00:25:54Daddy, yes, I'm right here.
00:25:56Hi.
00:25:58My daughter.
00:25:59Please stay with me, Dad.
00:26:01Please.
00:26:06No.
00:26:06Please wake up.
00:26:13Dad, please.
00:26:15Please don't leave me.
00:26:16I don't know what to say.
00:26:46You... What are you doing here?
00:26:53You were crying. Loudly. Kind of hard to ignore.
00:27:00Right. Sorry for the noise.
00:27:03Wait. You know Snarky come back?
00:27:06Not tonight. I'm too tired. If you're here to art, you knock yourself out.
00:27:12You were calling for your dad, right?
00:27:16Hurricane hit New York. Power went down. Traffic froze.
00:27:21Dad had a stroke. But he couldn't get help in time.
00:27:28I sat there with a candle while he laid there.
00:27:33Peaceful. Like he was asleep.
00:27:38But he wasn't.
00:27:43So that's why you and your mum moved here?
00:27:46This used to be our hometown.
00:27:49After dad left, we had nowhere else to go.
00:27:58What are you doing?
00:28:03Come on.
00:28:05Wait. I thought the power was out.
00:28:23It is. We have our own generator.
00:28:26Wow. Rich people houses her.
00:28:28Just for tonight, I'll allow it.
00:28:31Allow what?
00:28:33You can call this place your house.
00:28:36So enjoy it.
00:28:37Stephen King's first edition.
00:28:39Alan Gisberg's handwritten letters.
00:28:41Jane Austen's notes.
00:28:42All yours.
00:28:47This is your home.
00:28:50Alice Keaton.
00:28:57Careful.
00:28:58It almost sounded sweet.
00:29:01Don't push it.
00:29:02Okay then.
00:29:05I have one request.
00:29:11What is it?
00:29:19Are you ever going to make a move?
00:29:20Wait. Give me a second. I'm thinking.
00:29:24You had one wish.
00:29:26Anything in the world.
00:29:27And in the middle of a thunderstorm.
00:29:29Inside a literal mansion.
00:29:31You chose chess.
00:29:33Yeah.
00:29:34Got a problem?
00:29:36It's just so cool.
00:29:37Like spies or genius villains in movies.
00:29:40It's literally a board game.
00:29:41Says the guy who owns a custom set.
00:29:44Wait. Does the knight go diagonally?
00:29:47For the tenth time.
00:29:49It moves in an L shape.
00:29:52One.
00:29:53Two.
00:29:54Then turn.
00:29:56There.
00:29:57Happy?
00:29:58Ecstatic.
00:30:01No.
00:30:02That's suicide.
00:30:03Or a brilliant long term sacrifice.
00:30:05You are playing checkers at a chess board.
00:30:07Still beating you in sarcasm.
00:30:08You literally haven't won any past arguments.
00:30:10Golding disagrees.
00:30:12It's going to be a long night.
00:30:14Oh my.
00:30:15No.
00:30:16You can't do that.
00:30:17You can't do that.
00:30:18No.
00:30:19Oh my god.
00:30:20Oh my god.
00:30:21You had to shop a trip.
00:30:22And about it all wrong.
00:30:23Tied to pull you in close.
00:30:25As we're locked on your phone.
00:30:27It's out work.
00:30:28Cause I'm moving on.
00:30:30Oh yeah.
00:30:31Showing up at my door.
00:30:35Holding your heart there.
00:30:37Inside your hands.
00:30:39Maybe he's not so awful after all.
00:30:43um who are you what are you doing here well your parents said you were still at home thank god you
00:31:01skipped that boring grand tour who needs italy and france again right when did you get back
00:31:06last night from zurich you didn't answer my messages
00:31:10i missed you anyway thought i'd come surprise you apparently i'm transferring to ashford
00:31:19your parents were so thrilled they didn't tell me about this i wanted to deliver the happy news
00:31:24myself they said it'd be lovely for us to reconnect you know considering the engagement and all
00:31:31oh did no one tell you he's promised old money stuff very retro
00:31:40i didn't agree to that you didn't have to it's never up to us
00:31:43where did you find this little toy serena oh an american how refreshing
00:31:55goodbye
00:31:58wait
00:32:00where are you going you still owe me breakfast
00:32:18you only paid for dinner i have homework goodbye
00:32:23your little toy has quite the temper serena can you please just stop what teasing the help
00:32:32that's her that's the one from kenwood's house
00:32:40was she like the maid or something
00:32:43oh my god what's wrong with people they're saying you live with charles oh and serena
00:33:05what about her apparently she told everyone you were caught sneaking into his room
00:33:09of course she did
00:33:12careful alice you're starting to look desperate
00:33:27come to the music room urgent i just remembered i need to check something you guys go ahead
00:33:48help is someone there seriously this is getting old
00:34:00wait music room what
00:34:14james james was anybody in here earlier just miss serena said she was waiting for you
00:34:22sir sir it's raining
00:34:26come on alice you're fine
00:34:38you're not that girl again
00:34:41wait can you remind me one more time
00:34:50okay rooks move in straight lines
00:34:54bishops move diagonally
00:34:56and knight
00:34:58the knight's the weird one
00:34:59rooks
00:35:05straight lines
00:35:07bishops
00:35:09the text
00:35:24the text
00:35:32i'm okay i saw the text and i thought i didn't see the message
00:35:41serena took my phone i didn't know i'm sorry
00:35:45i'm okay
00:35:46you're gonna catch a cold
00:35:49you're freezing
00:35:50you didn't have to come
00:35:51don't tell me what i have to do
00:35:56that wasn't a mistake if that's what you're about to say
00:36:11that wasn't a mistake if that's what you're about to say
00:36:22i wasn't going to
00:36:25you're really bad at this you know
00:36:39what kissing
00:36:41hiding feelings
00:36:42i'm right back
00:36:43dump those ewok pajamas
00:37:04Dump those Ewok pyjamas.
00:37:07Oh, you wish.
00:37:10Seriously, it's a cock block.
00:37:13You kissed me.
00:37:15That's basically consent to everything.
00:37:23Dangerous words, Keaton.
00:37:25I might hold you to that.
00:37:34You'll be working in pairs on your comparative essays.
00:37:39The list is on the board.
00:37:43One, two, three, four.
00:37:48Are you okay?
00:37:49Fly me to outer space.
00:37:54That's where I'll see your face.
00:37:58And have you with me.
00:38:04It may seem dark.
00:38:08But you always fly in my spark.
00:38:13In my heart.
00:38:16You're welcome.
00:38:22They're either enemies or secretly married.
00:38:26Honestly, both.
00:38:30I was sure I'd never find someone to make my head spin around.
00:38:35No one's ever gonna be the thing I need.
00:38:37They all just let me down.
00:38:39But baby, you saved me.
00:38:42Time's been new.
00:38:44Everything's so different now.
00:38:48So, the night goes in an L shape, right?
00:38:52Why is that the only one you remember?
00:38:55Because it's weird.
00:38:57And I like weird.
00:39:06Check.
00:39:06You're cheating.
00:39:14I'm winning.
00:39:15There's a difference.
00:39:16You are very distracting.
00:39:18And you like it.
00:39:20I will be the fall in your day.
00:39:24I'll be the little dark in space.
00:39:28I'll hold you in my arms.
00:39:30Charles.
00:39:30We need to talk.
00:39:33I expected poor judgment.
00:39:43But this in my house?
00:39:45It isn't what it looks like.
00:39:46No.
00:39:48Kissing a servant's daughter in the family library.
00:39:51Enlighten me then, Charles.
00:39:52We came back tonight after speaking with Serena.
00:39:56Imagine our surprise walking in on this.
00:39:59She isn't just...
00:40:01You have no right to barge in.
00:40:03On my property.
00:40:07I care about her.
00:40:09I'm not ashamed of her.
00:40:10That's enough.
00:40:13Why do you care?
00:40:15We're protecting our son's future.
00:40:18And our name.
00:40:20You think this protects me?
00:40:21You think she does not belong in your world?
00:40:25Then maybe I don't either.
00:40:31You're ready to give up everything?
00:40:34For a girl you barely know?
00:40:38Yes.
00:40:39Then, are you sure she's ready?
00:40:43I'm asking you, do you think she's ready to lose everything, regardless of how little
00:40:54that is, just to be with you?
00:40:56What are you talking about?
00:40:58You left us no choice, son.
00:41:00You shouldn't disobey your father.
00:41:04Pelton, it's Frederick Kenwood.
00:41:07Ah, Mr. Kenwood.
00:41:09How can I help?
00:41:09If a scholarship student were to violate our behavioural code in a public setting with
00:41:16photographic evidence, would that warrant a review?
00:41:20Yes, sir.
00:41:23So, answer me again.
00:41:27Do you think she's ready to lose everything just to be with you?
00:41:30Charles, what happened?
00:41:43Did your parents say something?
00:41:44Are they mad?
00:41:44Is everything okay?
00:41:47Pack your things.
00:41:49You can't stay here anymore.
00:41:51What?
00:41:53My parents fired your mother.
00:41:55She's leaving.
00:41:57So are you.
00:41:57Wait, what?
00:41:58Why?
00:41:58Is it because of us?
00:42:00We can fix this.
00:42:01I'll get a job, anything.
00:42:02Stop, stop it.
00:42:03You don't get it.
00:42:05If I don't walk away from this, they'll cut me off.
00:42:08Okay?
00:42:09No card.
00:42:10No trust.
00:42:11No support.
00:42:13Nothing.
00:42:14Then, then we'll figure it out.
00:42:16We don't need all that.
00:42:18Do you really think I'm going to live like that?
00:42:21So, that's what this was.
00:42:26Just fun until it got inconvenient.
00:42:30What did they promise you?
00:42:34Nothing.
00:42:38They just reminded me of what's real.
00:42:40Charles, I'm not stupid.
00:42:46You don't just turn into a cold stranger because of one conversation.
00:42:49What did they threaten you with?
00:42:56What did they threaten you with?
00:42:58This is the difference between me and you.
00:43:00What?
00:43:00You think you know me or what I have.
00:43:05You don't, Alice.
00:43:07You're still lying.
00:43:08I'm not, Alice.
00:43:10Look around you.
00:43:11This mansion you thought was a museum.
00:43:14It's my house.
00:43:16My world.
00:43:17I was bored into this.
00:43:20I am not choosing between this
00:43:22and something I picked up for a moment of fun.
00:43:30Don't do this, Charles.
00:43:32You don't mean it.
00:43:33It was fun.
00:43:35But you?
00:43:37You don't compare to what I own.
00:43:40I'll survive the loss.
00:43:44Right.
00:43:45I should have known.
00:43:50Guys like you don't end up with girls like me.
00:43:55You play with them, then you throw them away.
00:43:59Go to sleep, Alice.
00:44:00This fall is a little more than I expected.
00:44:18In so deep, I can barely see myself.
00:44:24Yeah, around me feels so heavy, but depleted.
00:44:27But I find that's the place to test myself.
00:44:43Oops.
00:44:43Oops.
00:44:43oh sorry didn't see that then again nobody does move please try begging
00:45:13you know what keep it
00:45:19poor thing so dramatic dance excuse me i warned you walk away serena
00:45:43last week's group assignments were mostly forgettable but one pair surprised me
00:45:56in a good way charles kenwood and alice keaton would you mind giving us a short summary
00:46:03she loves the sound of her own voice better have it
00:46:14our essay explored what happens when two fundamentally different voices meet
00:46:19like logic and chaos or silence and noise different worlds different rules
00:46:28at first glance they clash but what makes the story interesting is what happens next
00:46:34confusion curiosity but in the end some stories aren't about staying
00:46:40and yes there is no such thing as a happy ending
00:46:43and yes there is no such thing as a happy ending is she still talking about the essay
00:46:58miss keaton
00:47:03dramatic as always all right thank you alice that was late
00:47:09that's kind of insane who's behind this
00:47:26your sponsor wishes to remain anonymous
00:47:39can
00:47:40can i meet them
00:47:42i want to please or at least tell me a name
00:47:51sorry they wish to stay in office so they're only interested in words
00:47:55not the person i'd really like to meet them
00:47:57oh i'm sorry i'm sorry but keep saying your name was very soon
00:47:59i think the most jealous awkward we've ever given an interview right now
00:48:03i see congratulations again
00:48:05have you got the interview it's just an interview i haven't gotten in yet
00:48:13still alice kian at oxford that's iconic
00:48:16it's done mr kenwood miss keaton signed the contract
00:48:47good
00:48:47it's a generous deal
00:48:49you sure you don't want it to know
00:48:52no no it's better if i stay out of her life
00:49:05congratulations alice keaton
00:49:08go live the life you were always meant to
00:49:11your engagement announcement should align perfectly with the foundation gala
00:49:20and the browns already offered to host the london reception
00:49:26it's all coming together beautifully
00:49:31i've lost my appetite
00:49:32i'll go check on him
00:49:42what's your problem charles
00:49:47disengagement
00:49:49is not happening
00:49:50it's not up to you you know that
00:49:51serena we're not doing this
00:49:53you've changed
00:49:59or maybe i finally just stopped pretending
00:50:14it's not up to you
00:50:31you're the sponsor you've been funding alice keaton this whole time
00:50:34so you lied to everyone including her
00:50:41i protected her
00:50:43you loved her
00:50:45you loved her
00:50:46still do
00:50:49let it go serena
00:50:53there's no point
00:50:57i need a favor
00:51:04find out when the oxford interview is
00:51:07and make sure alice keaton won't show up
00:51:14anything
00:51:16she's not answering
00:51:18the interview is almost over
00:51:19well she won't just not show up
00:51:21something's wrong
00:51:22where's alice
00:51:26when was the last time you heard from her
00:51:28last night she said she was prepping all evening
00:51:34james track someone for me
00:51:38wait where are you going
00:51:47chill okay
00:51:48we won't hurt you
00:51:50yeah we're just supposed to keep you away from the interview
00:51:53that's it
00:52:01shit come back
00:52:19hey hey hey alice
00:52:44stay with me stay with me
00:52:45alice
00:52:46alice
00:52:53you're awake
00:52:55where
00:52:56where am i
00:52:57a local clinic
00:52:58passerby brought you in
00:53:00passerby
00:53:02he found you on the side of the road
00:53:04he had to leave he didn't leave a name
00:53:07oh
00:53:10the interview what time is it
00:53:12easy
00:53:13it's okay it's okay
00:53:14someone already contacted the university
00:53:16and sent in your writing samples
00:53:18they've rescheduled your interview for tomorrow
00:53:20wait what who
00:53:22no idea but it's all taken care of
00:53:27what did you say
00:53:29nothing
00:53:30i just
00:53:32had a dream
00:53:33i got him
00:53:45oh i knew it
00:53:50too bad charles isn't here to watch you crush it
00:53:53he's not here oh you didn't know know what hey he left a few days ago yeah
00:54:02everyone doesn't really know where he went honestly Ashford's been quieter
00:54:06without him it's probably for the best come on
00:54:10the summer I met Charles Kenwood was loud chaotic unexpected and with his absence
00:54:28come on it ended quietly like summers always do
00:54:40and joining us today the decades most unexpected literary phenomenon Alice
00:54:55Keaton thank you for having me no your words moved millions they say your
00:55:00stories feel real especially the ones about love which brings us to the most
00:55:06obvious question how's your dating life like these days no comment a little
00:55:12bird told me that the past four years has been just writing and working not even a
00:55:17single date let me guess a bird named sherry she caught me there's still no
00:55:21comment all right all right no matter what you say you write love like someone
00:55:27who's lived it if you so real because once I did with someone who felt like chaos and
00:55:33clarity and no one ever quite matched the light after that and let's give it up
00:55:40for Alice Keaton one more time
00:55:52congratulations Alice the numbers just came in you broke your own record that's
00:55:58incredible we're thinking celebration press photos maybe tonight actually there's something I'd
00:56:06rather do I'd like to meet with the person who believed in me first my sponsor yeah just once
00:56:16good evening
00:56:30good evening
00:56:35may I sit
00:56:39hey mr. nonchalant
00:56:46hi hi
00:56:50you look well
00:56:53and you look like you just stepped out of a GQ cover
00:56:58you always did
00:57:00you were expecting someone else
00:57:03I was
00:57:05I was
00:57:05I was hoping
00:57:07but I guess I always knew
00:57:10I didn't come here to confuse you
00:57:12or to reopen anything
00:57:14I just wanted to say congratulations
00:57:19oh
00:57:20thank you
00:57:22didn't know you're still reading
00:57:26you're rich enough not to do so
00:57:28always
00:57:30either way
00:57:32your sponsorship started my career
00:57:34so
00:57:35no
00:57:35no
00:57:36you
00:57:37you earned everything
00:57:38every word
00:57:42every page
00:57:44every reader
00:57:46that's what I came to say
00:57:48it was good to see you again
00:57:54I hope
00:57:55Charles
00:57:55can you just
00:57:58wait a little longer
00:58:01I think I knew it was you
00:58:09there was one email
00:58:12you said something
00:58:14felt familiar
00:58:16really
00:58:16kind of had that
00:58:18rich asshole with a conscience energy
00:58:20very on brand
00:58:22I should have anonymized my grammar
00:58:24too late
00:58:25your semicolon usage gave you away
00:58:27still the only girl I know
00:58:30who flirts through punctuation
00:58:31still the only guy I know
00:58:33who uses wiles unironically
00:58:34you've changed
00:58:38but
00:58:40not really
00:58:42you haven't changed
00:58:45but maybe you've grown into who you really were
00:58:49anyway
00:58:51I wanted to say
00:58:53thank you
00:58:55and
00:58:57thanks for being here tonight
00:58:59you didn't have to come
00:59:01don't tell me what I have to do
00:59:04you didn't have to come
00:59:08don't tell me
00:59:11what I have to do
00:59:12if you could go back
00:59:33if you had the chance to do it all again
00:59:35would you do anything differently
00:59:37no
00:59:39no
00:59:43no
00:59:44no
00:59:48I see
00:59:53I know my answer now
00:59:57I didn't have the power back then
00:59:59not enough to protect you
01:00:01I couldn't watch you get crushed because of me
01:00:04because of my name
01:00:06my family
01:00:08I didn't want to be the reason you lost everything
01:00:12so you just disappeared
01:00:14without a word
01:00:15if you had the chance to see the world
01:00:20without me weighing you down
01:00:22if you still chose me after that
01:00:25you keep saying you wanted to give me a choice
01:00:31but you made a choice for me
01:00:34did it ever cross your mind that maybe
01:00:38I would have chosen you anyway
01:00:43I didn't think I was the smart choice
01:00:50you weren't
01:00:52but I never claimed to be that smart
01:00:56this is me
01:01:05right
01:01:06I'm still mad at you you know
01:01:15I'm still in love with you you know
01:01:20do you want to come in for a bit
01:01:29you're asking your ex
01:01:33who you haven't seen in four years
01:01:36to come into your hotel
01:01:38at approximately 11pm
01:01:40you were right
01:01:42you never were that smart
01:01:44you don't have to come
01:01:46don't tell me what I have to do
01:01:49stop quoting yourself
01:02:04I recycle
01:02:05it saves energy
01:02:06this feels wildly irresponsible
01:02:10you sound like a disclaimer
01:02:11you're the one who once called romance a distraction
01:02:14I said that
01:02:15yeah before calling wallering heights overrated
01:02:18still is
01:02:19you're lucky you're a good kisser
01:02:21that is cute to me
01:02:27don't you dare quote poetry
01:02:29wasn't going to
01:02:30I forgot all of it the day you left
01:02:32then shut up
01:02:34and prove it
01:02:36I still can't believe this is happening
01:02:43I told you
01:02:44they're either worst enemies
01:02:46or secretly married
01:02:47and I told you
01:02:47they're both
01:02:48I vow to always tell you the truth
01:03:17except for when you ask how your cooking was
01:03:20then I lie
01:03:22respectfully
01:03:23I vow to keep choosing you
01:03:27loudly
01:03:28quietly
01:03:30always
01:03:32even when you forget to do the laundry
01:03:35is he actually good at this?
01:03:39I mean
01:03:40he did beat over at sarcasm
01:03:41I vow to argue with you
01:03:46at least twice a week
01:03:47especially over Shakespeare
01:03:48I vow to write you
01:03:51in your every story
01:03:52even when I say I didn't
01:03:54you will always be part of my life
01:03:57if she quotes Austin in this toast
01:04:00I'm out
01:04:00no you're not
01:04:01you're going to cry harder
01:04:02I can't believe you picked Paris
01:04:27such a cliche honeymoon destination
01:04:30guard your phone
01:04:32relax
01:04:33just don't dress like a
01:04:34walking inheritance
01:04:36and you'll be fine
01:04:36you are not wearing that
01:04:40on our honeymoon
01:04:41please
01:04:43Alice
01:04:44go change
01:04:44don't tell me what I have to do
01:04:47no
01:04:51no
01:04:52no
01:04:53no
01:04:53that is not an invitation
01:04:54do not take off these clothes
01:04:56I have a road
01:04:57you look much better without them
01:04:59to the ones who loved in silence
01:05:07in chaos
01:05:08in chapters
01:05:09you will find your way home
01:05:12sometimes I want to be on my own
01:05:18but I don't want to die alone
01:05:21cut
01:05:21cut
01:05:22cut
01:05:22I don't want to die
01:05:24you look good
01:05:27baby
01:05:28Park
01:05:40I am
01:05:46What's up to us
01:05:48to make sure
01:05:49we can gain what's been passed through these books. Help us develop, learn and grow.
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