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General Hospital - Full HD Movie
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00:00Come in, come in. It is so, so good to see you.
00:06Yeah, I know. I'm not interrupting any important city business, am I?
00:11No, no, nothing now. I'm glad you stopped by, you know, because lately you don't get home until after I've gone to bed and then I get up in the morning and you've already gone.
00:21You know, we don't get to see each other at all.
00:23No, no, no. I'm sorry. I've been keeping crazy hours because of, you know, the work that I've been doing.
00:30That's why I'm here, actually.
00:33Okay.
00:34Here it goes.
00:36Um, I've been working with Jen Sidwell on behalf of Drew Cain for the upcoming Measure C vote.
00:43And I just want you to know that I have been encouraging them both to leave you and your relationship with Sonny well out of it.
00:50Wait, you're representing Drew again? I thought you told me you quit that job.
00:55I did. But I kind of... unquit.
00:59Why? Why on earth would you do that, Martin?
01:03All right, I'm here. What do you want, Nina?
01:06Nice to see you, too.
01:08Look, I don't like this any more than you do, and I wouldn't have reached out if I wasn't so desperate.
01:15Desperate is your steady state these days, so I'm going to need a little bit more now.
01:20I want to know if Martin has made any progress on Willow's bail. Whatever it is, no matter how high, I will pay it.
01:27And you think I wouldn't?
01:29Willow was still not eligible for bail.
01:32Well, she can't stay in that horrible place much longer.
01:37What are we going to do?
01:38I'm going to tell the police that Michael shot me.
01:50What's going on?
01:52You just thought that we'd catch up?
01:54No.
01:55Just me?
01:56Well, Dad, you know I'm always happy to see you, but I get the feeling you have a little bit more on your mind than that.
02:05Can't it be both?
02:06Um, I'd like to talk to you about Willow's trial.
02:16I assume you've seen the media coverage.
02:19What do you mean, Willow's article suggesting Willow's not the person who shot Drew?
02:23Yeah, and she's saying that you were.
02:28Yeah, yeah, I'm not worried about it.
02:30Well, you should be, because her defense is going to be all over it.
02:34And her new lawyer does a damn good job.
02:40Who is it?
02:42Alexis.
02:50Mr. Sybil.
02:51This is a surprise.
02:54So, um, what can I help you with?
02:57Nothing, apparently.
02:59That's the issue.
03:00You've been no help at all.
03:01I'm here to inform you that we're undertaking a reorganization, and you're being replaced.
03:08You can't do that.
03:09I already have.
03:10No, no, no.
03:10I've been working on this project for years.
03:12I know it inside and out.
03:13There is no one who knows it like I do.
03:16Someone does.
03:21So, this is the genius who's turned my father's work into a full-blown dumpster fire.
03:31Hello.
03:33Earth to Emma.
03:35I'm sorry.
03:39What is this?
03:40It's pumpkin.
03:41Your favorite.
03:42Consider it a little bribe to keep you coming back.
03:45Oh, no, I think I'd come back anyway.
03:47I think the help here is really cute.
03:49Cook will be very flattered when I tell him you said that.
03:51Hey, where were you a second ago?
03:55Seemed like you were a million miles away from here.
03:57I was thinking about Dalton.
03:59And?
04:00A window of opportunity has opened up.
04:03It's time to expose him and his unethical practices.
04:05Good morning and happy Halloween.
04:16Remind me.
04:18And save your spheres for someone else.
04:21My life is nightmare enough.
04:25Okay.
04:26We can't keep living like this.
04:29We gotta get real here.
04:30More real than my back pain from this couch?
04:33You know, you should send this over to the PCPD.
04:36The confessions will come pouring out.
04:39Step Monster, I love you.
04:41And you are welcome to stay here as long as you need.
04:46But I do not love these boxes.
04:49They gotta go.
04:50Love me, love my boxes.
04:51I don't think my place is big enough for all that love.
04:55Can't we donate some of them or at least put them in storage?
05:00No, no, no, no, no.
05:01Oh, these boxes are filled with precious Quartermain heirlooms.
05:06Absolutely not.
05:10Uh, come in!
05:12Oh, wow.
05:18Oh, this is a lot of stuff.
05:21Looks like someone needs help with an estate sale.
05:24Joey!
05:36Joey!
05:36Joey!
05:37Joey!
05:37Joey!
05:37Joey!
05:37Uh, no, sorry to disappoint.
06:07My name's not Joey.
06:10Oh, no, I apologize.
06:13I thought that you were someone that I used to know, you know.
06:18Well, maybe we did know each other in another life.
06:24Either way, uh, we can know each other now.
06:26I'm Jack Brennan.
06:27Oh, hi, Ronnie Bard.
06:29Nice to meet you.
06:32Jack, hi.
06:33Hi.
06:34Where's your friend?
06:36Uh, well, this is Ronnie Bard.
06:38We just met.
06:39Oh, yeah.
06:42My son has told me all about you.
06:47I gotta go.
06:48Meet yourself at home, Lucy.
06:50Oh, I really wish you wouldn't.
06:52Okay.
06:54Could you scoot?
06:55Okay, thank you.
06:57Look, I'm thinking, what, mid-century modern, maybe?
07:02Or what about new construction?
07:05How about a flaming moat?
07:07You know what?
07:08You, Tracy Quartermain, are extreme Victorian through and through.
07:15And I happen to know just the place.
07:16So, I'm gonna stop by Dalton's office before my first class just to see if he needs help
07:25with anything.
07:29I really need to use the time that I have left as his assistant to gain access to the lab.
07:34And then once I get inside, I can find the evidence that he's testing on animals.
07:38All right, when my shift's over, I'll come with you.
07:41I'll run interference if things get dicey.
07:44I really appreciate it.
07:45I think it's better if I go alone.
07:48Why?
07:50Because I may need to appeal to Dalton's giant ego and flirt with him to get access.
07:55And I can't have you stepping in to rescue me.
07:58You really think I'd do that?
07:59Yeah, I don't really think you could stop yourself.
08:02Your protective streak is part of what makes you such an amazing guy.
08:05But I can't have it or you interfere with my plan for Dalton.
08:10So what, you flirt with them and then...
08:13And then I get inside and I find the proof that I need.
08:16The problem is that the key I lifted from Bon isn't gonna get me in.
08:20Dalton changed to some new electronic lock, so now I have to use a key fob to get in.
08:24I know how important this is to you, and I know that you can handle yourself and Dalton, even though I hate that you have to do that.
08:33Just please text me so I know where you are, what you're doing.
08:40I will.
08:41And I should go.
08:43Okay.
08:44Be safe.
08:45Actually, I forgot something.
08:54I've heard a hundred excuses, and I'm tired of your failure to make progress.
09:07I believe that Dr. Westbourne will provide sufficient motivation to expedite your labors.
09:13Well, I'm sorry, but I don't like to work with people I highly know, okay?
09:16Well, suck it up, buttercup.
09:18I don't like to work with anyone at all.
09:19I do my best work alone.
09:20Okay, enough.
09:22This is not a democracy.
09:24You'll both do what you're told.
09:26And don't worry, Dalton.
09:27You won't be working with Britt.
09:29You'll be working for her.
09:31For me.
09:32Got it?
09:33Well, Dr. Westbourne is highly incentivized to bring this project to its worthy conclusion.
09:40And we both know that you are being handsomely rewarded for your continuing involvement.
09:45And I trust that neither of you need more encouragement to bring this project to its swift and successful end.
09:52But if you do, I'd be happy to provide it.
09:56You remember Michael shooting you?
10:03Well, not exactly.
10:04After the first shot hit me in the back, it's all stole a blank.
10:07But that is not what I'm going to tell the police.
10:09That's just brilliant.
10:10That's brilliant.
10:11Willow is being held without bail.
10:14She's going to be on trial for shooting you.
10:18And there is no way that you can suddenly come forward claiming that you have this newly restored memory that just so happens exonerates the woman that you love and condemns the man that you hate.
10:29Okay, that's what Martin said to me.
10:30Well, Martin is right.
10:31You're going to be left out of the PCPD.
10:33It was a huge mistake for me to lie and give Willow that alibi.
10:39And it's going to be an even bigger one if you lie for her now.
10:42If you do this, it's going to backfire.
10:46And Willow is going to rot in prison and never see her children again.
10:53It's a curveball, sure, but that's not over yet.
10:56I'm going to tell you something.
10:57I need you to listen.
11:00I'm going to give it to you straight.
11:03Willow has been through a lot, and Alexis is going to use all of it.
11:08The fact that Shiloh victimized her, she lost a child, how hard she fought to beat cancer.
11:15And she's going to turn that around and compare that to your life of privilege, of wealth, quarter main heritage, your connection to me.
11:26This is all in Willow's favor.
11:29And it draws the wrong attention.
11:33To you.
11:35You know, I had a pretty good idea about how people viewed me and my ex-wife.
11:44I said, no, my father would be one of them.
11:46Drew may be the worst of the worst.
11:51And I mean, he's as dirty as they come.
11:53But there is nothing in the legal profession that requires me to actually like my clients at all.
11:58Yeah, I guess you're right.
12:01I mean, I guess we all kind of work with people every day we wouldn't eat lunch with if we didn't have to.
12:08Yeah, okay, good, good, good.
12:10But don't break any laws, okay?
12:14I won't.
12:16It's not for Drew Kane.
12:17He's joke.
12:18Joke.
12:19Yeah.
12:20Joke.
12:20Yeah, better be a joke, okay?
12:23And thanks for the notice about the measure seething.
12:26At this point, you know what?
12:27No matter how it goes, I don't even care anymore.
12:29I just want it to be over.
12:31Hey, Mom.
12:32Hello.
12:32What if it isn't my beautiful niece?
12:36This is a wonderful surprise.
12:38However, I gotta get going.
12:41So, I'll leave you to it.
12:44And, Laura, I'll see you at home.
12:47Maybe.
12:48Bye, Martin.
12:52Bye.
12:52It's good to see you, sweetheart.
12:55Tell me something.
12:56Do we have plans that I forgot about?
12:58No, no, no, no.
12:59I just need advice.
13:01Yes, and you're the person I trust most to be honest with me about it.
13:05What is it?
13:07It's Rocco and Charlotte.
13:09They're lying to me.
13:11No matter what Willow has done,
13:15her struggle with mental health is tough.
13:19What is so sympathetic about a woman who slept with her husband's uncle?
13:24Okay, she exploited my hospitalization,
13:26took my kids across state line without my permission.
13:29She targeted Daisy.
13:30You don't know.
13:30I can prove everything else, okay?
13:35That's what I'm talking about.
13:37That anger, that intensity
13:40coming from your voice.
13:42If Alexis puts you on the stand and you talk like that,
13:50the jury will know that you could have shot someone.
13:55And I'm talking about Drew.
13:57I'm sorry, I don't mean to be rude, but I don't know who your son is.
14:03Michael Crenthos.
14:04Michael Crenthos, Monica's grandson.
14:06Oh, Michael.
14:08He is such a lovely guy.
14:10He is.
14:11Yeah.
14:12It's too bad you're kicking him out of his house.
14:15Michael's being forced to leave the court of man's state line.
14:17No, it's not personal, okay?
14:22I'm selling the house.
14:24Yeah, which is bad enough because you could have sold it to Michael, whose kids grew up there
14:28and who so badly wanted to buy it so he could honor his grandmother.
14:32But instead, you're selling it to Drew, and who the hell knows what he's going to do with it?
14:37Well, I'm truly sorry if my decision has caused Michael or any of the court remains any pain.
14:44But look, I just came here to say goodbye to my sister.
14:50And her leaving the house was completely unexpected, you know?
14:55I need to let it go and move on.
15:00You may want to let the house go.
15:02But I know the quarter mains, they're not going to let you just move on.
15:08Excuse me.
15:13Did I hear that right?
15:16You're selling the quarter main estate?
15:20I know this is very, very hard for you.
15:23There will never, ever be another house like the quarter main mansion.
15:28I know that, and you know that, and you love that house.
15:31Yes, I get it.
15:32And actually, I love the house, too.
15:35When Ellen was kicking me out, I kept thinking, I'm going to miss this house and that gorgeous staircase.
15:40You were married to my brother for five minutes.
15:44And unlike myself, you deserve to be kicked out.
15:47You were nothing but an opportunistic gold digger, just like Ronnie Bard.
15:52Wow.
15:53Why do you do that all the time?
15:56Why do you dwell on the worst moments when there are actually sometimes some good moments to be seen?
16:02Like, for example, Ellen and I did have some good moments.
16:05It was our wedding day.
16:07We worked together at the nurse's ball.
16:09That was great.
16:10And then toward the end, you know, we got to kind of a goodish place.
16:16Really?
16:17Yes, really.
16:18Which brings me to this topic.
16:23Monica's funeral.
16:25Look, you said at the funeral that with Monica gone, it was going to be really hard because you wouldn't have anybody to talk to or share memories about Alan and Edward and Lila.
16:40And it really hurt me.
16:44Gee, you seem fine.
16:46I think about Alan.
16:49I miss Alan.
16:50But even more, I'm...
16:52I really do miss Edward and Lila.
16:55I'm so fond of...
16:56I was so fond of them.
16:58And, um...
17:00You know, we could talk.
17:01We could share memories of them.
17:03I would be happy to talk about them anytime you want.
17:06You can't keep doing this.
17:08You know, I know you're hurting, but you keep...
17:10Pushing people away.
17:13You're going to keep living in this grief.
17:16You're not going to get any better if you have to face all of this alone.
17:27I found out from Nathan that Rocco had dinner with him, Britt, and Obrecht.
17:36And I guess Rocco didn't tell you about it.
17:41Nope.
17:42And then when Dante and I confronted him about it, Rocco lied right to our faces and Charlotte backed him up and gave him cover.
17:48Wow.
17:49The lying is not a good thing.
17:51No.
17:51But it sounds like the kids are just trying to protect each other.
17:58You know, they've always had such a strong bond.
18:00And also, if I'm being honest, it sounds a little like they might be trying to protect you.
18:06That is a good thing, isn't it?
18:08I think it's just...
18:10It's less about them protecting me and more about them walking on eggshells around me.
18:17Rocco's keeping secrets.
18:18And I suspect that Charlotte isn't being completely honest with me about how much she misses Valentin or about how upset she is that she doesn't get to see him more often.
18:27It just...
18:29It feels like...
18:32That neither of my kids is comfortable being honest around me.
18:37Mom, it hurts.
18:39And that's got to be hard.
18:41It's got to be really hard.
18:42But it may not be the case, you know?
18:46It may not just try to remember that before you jump to conclusions.
18:51Especially something that's such a painful conclusion.
18:58Yeah, I just need to be honest with myself so I can deal with this.
19:04Charlotte is drawn to Valentin and Rocco is drawn to Britt.
19:12And even though I know that they are both terrible influences, I cannot deny that they both hold major parts of my children's lives.
19:22I'm so sorry, sweetheart.
19:25I'm so sorry.
19:27It's just everyone thinks that I am so strong.
19:30And I like to think that I am.
19:34But this is tearing me apart.
19:38I have told my kids that I love them and that I trust them unconditionally, but it's not enough.
19:48I can feel the most slipping away.
19:52Oh, sweet girl.
19:53Even if I don't go to the police about Michael, I will find another way to help Willow.
20:02And you will not be a part of it because you've already done enough damage betraying Willow by recanting your alibi.
20:09You are the last person to lecture anyone about betraying Willow.
20:13Willow, you know, I am so sick and tired of hearing about what a hero you are and your endless plans to save Willow that somehow never pan out.
20:23You know, Drew, your savior act is wearing so thin.
20:30If you have any hope at all of getting back into Willow's life, it will only happen if I get behind it, too.
20:37So if I were you, I'd start showing me a whole lot more gratitude.
20:41Ah, father-son breakfast.
20:50How nice.
20:51What do you want?
20:53I'm not sure if you're aware that in a few short hours, Ronnie Bard and I will be signing the papers that gives me ownership of the Quartermain estate.
21:03Yeah, yeah, I'm aware.
21:04Oh, good.
21:06Good, because I just thought maybe you might want to be there for it.
21:08I know I'd love to have you there, otherwise I'd have to imagine the look on your face the moment you realize it's all officially mine.
21:19I guess that means you're still thinking about it.
21:23Enjoy your breakfast.
21:30You know what?
21:32We baited you pretty hard.
21:34You just sat there and did nothing.
21:36That's a good thing.
21:39No, thanks.
21:41It's going to be a lot harder to deal with the signing.
21:44Are you going to be able to watch and take the house?
21:47I don't want to, but...
21:50I owe it to my grandmother the bear witness, Todd.
21:54Yes, I am selling the Quartermain estate.
21:58Why?
22:00Last I heard you were trying to make it work with the Q's.
22:03Well, that was my intention, you know, but I received an all-cash offer, and for someone in my position, that's just too much to turn down.
22:13Please rethink this.
22:15I mean, that place is the family home, and it means so much to the Q's.
22:18I know that they can be alive at first.
22:20I do.
22:21But once you get used to them, and they, they...
22:25You'll see that they're all good people.
22:27Really, even Tracy.
22:28Well, technically, I am keeping the house and the family.
22:31No, no.
22:32Drew isn't one of them.
22:35Not really.
22:36Your sister banned him from the estate.
22:38He tried to bulldoze the family crypt.
22:40Does that sound like someone who, who cares about the family and the house?
22:46Look, I'm sorry, okay?
22:47I know I keep saying that, but I really am.
22:51And, and I realize this is very hard on everybody, but the sale's already in motion.
22:57Can you stop it?
23:00At home, and its history deserve better.
23:05So does Monica.
23:06I know you had a genuine fondness for my parents and your own unique kind of love for Alan.
23:18This is all that's left of them.
23:20It's hard to believe.
23:22They were so much more than all this stuff.
23:27Um, I will deny that I said this, and, uh, hope you don't repeat it, because it would be career suicide for a real estate agent.
23:40But, uh, in the end, a house?
23:45Just a house.
23:46All those wonderful memories, they're outside those four walls.
23:57They're in your heart.
24:02Oh, I know this, this, this had to be lying.
24:07I was right.
24:07I bet it has an amazing history.
24:09It does.
24:10Oh, wow.
24:17Oh, this is Edward's Bible.
24:19It meant so much to him.
24:20This is my father's prized possession.
24:23Our family tree is written inside of it.
24:26Monica and I kept updating it after he died.
24:30Good.
24:30I'm sure you did.
24:31I'm sure you did.
24:32Oh, wow, that, this, this, right here.
24:38That has got to have very fond memories.
24:41It does.
24:45Alan used to set it up every Christmas and say it was for the children.
24:49Oh, that meant that he would, um, he would allow the children to watch him while he played with it,
24:58because he said he made him feel like a kid.
25:08What?
25:11Nothing.
25:12Just for a minute there, you know, looking at you, I, um, I could see you seeing you and Alan around the Christmas tree.
25:23Maybe.
25:24Hmm.
25:26Didn't that feel good?
25:27Just for a minute.
25:28Having that little memory, just for that precious, precious moment.
25:33And didn't it feel even better to share that moment with someone who actually knew Alan, too?
25:42Okay, um, I won't take any credit for that.
25:50Your children are not slipping away from you, okay?
25:54What they're doing is they're trying to learn how to juggle something that is important to them without hurting the person they love the most in the world.
26:05Maybe.
26:05Maybe.
26:05Maybe.
26:07Maybe.
26:07Maybe.
26:07Yeah.
26:08Yeah.
26:09You know what you could do?
26:12You could be even more proactive.
26:14What I'm thinking is that you could actually extend the invitations to Brit and to Valentin,
26:20and then be there, be present, right there with them for these meetings, because if you do that, there's no room for secrets or lies.
26:31It's just that Brit and Valentin stole so much time from me with my children that I'll never get back.
26:40Being pleasant with them in conversations is easier said than done.
26:44But the important things usually are, you know, so I'm afraid this time it's on you to be the bigger person, but it will absolutely bring you closer to your kids.
26:59It will close that emotional gap.
27:02I hate being the bigger person.
27:06Me too.
27:07But I think you are on to something.
27:11You never get tired of being right.
27:14Not yet.
27:18I was under the impression there was no love lost between you and Michael's extended family.
27:23My relationship with the Quartermains has always been complicated.
27:27And I have always wanted Michael out of that house, so I guess in that sense I'm getting what I want.
27:32You just didn't want it this way.
27:34No.
27:35Michael loves that house.
27:36Now it's going to Drew.
27:38It just feels like another loss, and he's already had so many this year.
27:42Be careful what you wish for, huh?
27:44Exactly.
27:50You know, there's a reason I asked the universe for it, right?
27:56Just like I asked the universe for a good man.
28:01One that I could trust completely.
28:02And it sent me you.
28:12I know I like to complain about all the people that were living in the Quartermain mansion, but you know what?
28:22It really wasn't that bad.
28:23There was always somebody to have a cup of tea with and fighting and driving each other crazy.
28:29It's just what families do.
28:30Especially your family.
28:32Yeah, it was our specialty.
28:33Okay, then.
28:35If you really want all that chaos again, you can have it.
28:40Just not in that house.
28:41You can make another home, and you can get everybody together to do that.
28:45And think about it.
28:47Think about those fresh walls that really have never heard a true yelling family argument like that.
28:53You're right.
28:57Well, that is another thing I will keep to myself.
29:00You can show me more houses.
29:03Yes, I...
29:04I, uh...
29:07I need some privacy.
29:09I have to go through these boxes and decide what to do with everything.
29:12It's not going to be easy, but I have to do it.
29:16Oh, hello, Michael.
29:29Hi.
29:31I hope it's okay that I'm here.
29:33I just came to grab a few things and...
29:36say goodbye to the house.
29:40I know Drew's coming, and you're making a sale today.
29:43That's right.
29:45We are.
29:46Ronnie, whatever Drew's paying you, I'll pay you more.
29:49Just name your prices.
29:50Please don't do this, okay?
29:53No.
29:54What's done is done.
29:55No, no, no.
29:55Something else is going on here.
29:57If this was just about money, you'd be more than happy to hear a competing offer.
30:01I have stuff to do before they get here.
30:04You said you wanted to learn more about your sister.
30:09I knew my grandmother really well, and I'm telling you, this is not what she would have wanted.
30:13Ronnie, this house was her sanctuary.
30:17And before she got sick, she'd walk these grounds every morning.
30:25She said the sun on the lake had soothed her soul.
30:28After she got sick, she'd watch that sunrise from her bedroom just to watch it dance across the water.
30:33Most of the time Jason was with her, sometimes I was.
30:41Ronnie, you wanted to learn more about Monica, and I have to believe that you have.
30:45Given what you know now, do you really think that she would want you to sell this place to someone she wouldn't even allow inside of it?
30:57Michael, I'm...
30:58I'm so sorry.
31:02There is something else going on here, but...
31:05I'm in too far over my head not to sell to Drew.
31:10Hello, Lou.
31:16Hi.
31:18Happy Halloween.
31:20Same to you.
31:22Actually, I'm glad you're here.
31:23I, um...
31:25I have some potential information that might interest you.
31:31It concerns your daughter.
31:32Now, I know you two have a lot to talk about, so...
31:38I'll leave you to it.
31:45I apologize if I seem harsh.
31:48My, uh, my problem is not with you.
31:53It's reciprocal.
31:54Whatever.
31:55Just leave me out of it next time.
31:58Actually, uh...
32:01I have a better idea.
32:04How about we leave Symbol out of it?
32:09Sunny.
32:11Hi.
32:14Can we talk?
32:16Well, I mean, with everything that's going on with Michael and Willow, I don't think it's a good idea, do you?
32:22I understand that.
32:23But this concerns them.
32:26There might be a way that we can protect both of them.
32:31Make it quick.
32:32Okay.
32:34Well, you and I both know, Sunny, that besides Willow, Michael is the obvious suspect in Drew's shooting, but there's someone else who could have done it.
32:45For reasons that no one else knows about.
32:48But maybe it's time that someone did.
32:55Ronnie, please.
32:56Just tell me what's going on.
32:58Okay?
32:58I promise I can help you.
33:04Michael!
33:05I had my doubts that you were going to show up, but I'm so happy you're here.
33:09You get to witness me signing the papers that hands this house over to me, and then I get to witness you walking off the grounds never to return.
33:17That must tear you up, though, knowing that I'm making my home in your old house with Willow and your kids.
33:24Okay.
33:24You know what?
33:25That's enough.
33:27You got what you wanted.
33:29You don't have to rub it in this face.
33:30Okay.
33:31Okay.
33:33Everybody, let's just take a deep breath.
33:35Let's get the paperwork signed, shall we?
33:37Right.
33:38Right.
33:38Please.
33:39Think about Monica.
33:41Think about how much this piece meant to her.
33:43Is this really what you want to do?
33:45Michael, I'm sorry.
33:51This house has to go to Drew.
34:00Valentin wants another visit with Charlotte.
34:04Absolutely not.
34:06Charlotte is not flying all the way to Switzerland again.
34:08She has a life here, and she needs stability not to be dragged into whatever games you and Valentin are playing.
34:14Would you feel differently if Valentin was stateside?
34:18The research that we're doing here, well, it has the potential to recalibrate the entire energy landscape, and there are people that would pay an obscene amount of money for it.
34:34I'm aware of the financial upside.
34:37Well, that's good, isn't it?
34:38Then you must have asked yourself the question, why is it that we do all the hard work, while Sidwell and company, while they just sit back and reap all the profits?
34:47It's not really fair, is it?
34:49That it's our genius that's powering this entire enterprise.
34:53So what?
34:54All we have to do is circumvent them and take it to a third party, and then, well, I suppose we could secure a payout that would set us both up for life.
35:06I'm sorry, Blake.
35:09Britch?
35:11What the hell are you doing with Professor Dalton?
35:13Mayor Collins, so very lovely to see you.
35:23Do you always just burst into people's offices unannounced?
35:28Not always, no.
35:30But your assistant was away from her desk, and since you haven't been returning my calls, I decided to come in.
35:37Well, I need to step into a meeting so you have exactly two minutes.
35:42What can I do for you?
35:45You and I are going to work together to save Port Charles.
35:53Well, I'm sure by now Carly has told you that I am the one that set up Drew that night at the Savoy.
36:01You're talking about the ketamine escort night?
36:03Um, yeah, I kind of heard something about that.
36:07Well, I'm not proud of it, but I will do anything to save my daughter.
36:11Honey, I wasn't alone.
36:17Portia Robinson was helping me.
36:19Drew was blackmailing her.
36:21I don't know with what, but I do know that she was desperate and would do absolutely anything to get out from under Drew's thumb.
36:30Interesting.
36:31Now, Portia, she is a wonderful woman, and I'm not accusing her of shooting Drew, but here's the thing.
36:38Nobody even realizes that Portia had a motive, a very good one.
36:44Another potential suspect thrown into the mix could cast even more doubt.
36:55The more people could have done it, the more reasonable doubt could have, you know, had any one of them.
37:02That's right, and I can't use this information myself because Portia and I are friends, but you can.
37:12That's right, and I'll be looking for it.
37:15Let's do it.
37:28Good.
37:29Google Maps
37:30Google Maps
37:31Google Maps
37:32Google Maps
37:34Google Maps
37:36Google Maps
37:38Google Maps
37:39Google Maps
37:40Go ahead, just sign next to the tab there, and the sale will be complete.
38:10The last will and testament of Blahnik's corner, ma'am.
38:36On the next General Hospital, I can point you towards another suspect, one that isn't mine.
38:42Everyone has that price, even you.
38:45I want you, just you.
38:47You do this, and you'll never have to deal with us ever again.
38:50Buckle up, Ronnie, I'm coming for you.
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