- 1 day ago
In other words i love you dailymotion
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🎥
Short filmTranscript
00:00:00I've always described the world in words people moments places all through
00:00:09metaphors and margins okay like my mom self-made stubborn and never wrong
00:00:18almost there you excited for your first day she calls this a fresh start I call
00:00:23it terrifying
00:00:30got this for yourself that's kind of the problem
00:00:53okay morning class and you're not seated because I don't have a seat
00:01:14our new transfer Alice Keaton right let's see no there's a spot next to Charles
00:01:25seriously a charity case sitting next to Charles God what is she quiet Charles
00:01:35move your things I'd rather not she'll be a distraction from what sleeping from
00:01:48everything if anything Charles Miss Keaton will be a positive influence on you
00:01:55I don't know what you're saying I don't know what you're saying I don't know what
00:01:59from what sleeping from everything if anything Charles Miss Keaton will be a
00:02:04positive influence on you she was top of her class at a previous school with all
00:02:10due respect sir her previous school was American I highly doubt that that's
00:02:18enough she can sit here it's fine back to Goldie thank you you got it I'm
00:02:27Sherry Vaughn Alice Keaton it's very important that we look at me what he's
00:02:33talking about their experience of the time
00:02:38wait you sat next to Charles she didn't you totally shut her down oh knew it
00:02:44don't take it past me he's impossible can everyone stop acting like the goal is
00:02:49getting into his pants what he's hot everyone kind of is I I've seen Connor
00:02:57he's not my type you're joking I don't find bullies attractive hey be careful
00:03:02you're talking about the king of Ashford the what his family basically own the
00:03:08school and the town maybe even the country yeah everyone's tried to get
00:03:13close no one can get past his ego you're not the first to get nice okay first of all
00:03:18I wasn't iced it's more like a mutual decision and second ID he's arrogant
00:03:25cold thinks he's untouchable but if you really look at Charles he just seems
00:03:30isolated like he's making honestly I just think he's lonely and kind of what no go
00:03:41on you were saying I'm lonely and pathetic next time read the room before opening your mouth
00:03:59American we're not in Kansas anymore Alice
00:04:20hey how was your first day I good excited cabin not really super uneventful
00:04:28really how's your new job yeah all right get this they said we can stay in
00:04:34the servants wing seriously mmm apparently the young master won't mind the
00:04:39company the young master this is your boss's house yeah isn't incredible I mean I
00:04:48wouldn't call it a house it's a museum with better landscaping
00:04:58wait here I'll talk to the butler
00:05:00Wow rich people you've topped yourselves again
00:05:09Stephen King first edition
00:05:16breaking and entering now how American of you
00:05:29you can get up now I I'm trying wait are you serious well you said you were trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I'm trying I
00:05:59what is wrong with you funny i was about to ask you the same thing what are you doing in my house
00:06:08you wait your house my house my library and now apparently my unwanted guest
00:06:19ah master charles you must be miss alice anne's daughter she said you'd be moving in today
00:06:25she what there there's been some kind of misunderstanding you see i'm not actually
00:06:31moving in is that so yeah i'm not staying here like at all that's a shame you might seem quite
00:06:38pleased with the arrangement well i just don't think it's appropriate well if you're sure then
00:06:44absolutely not come on alice you must stay it'll be fun
00:06:54my dear classmate i'm dead like mentally socially and actually dead
00:07:04just trying to figure out how exactly my life went off the rails
00:07:14get it together alice keaton you've been through hell
00:07:18i'd never find someone to make my head spin around
00:07:21actually no this is hell
00:07:25uh good morning
00:07:29wow
00:07:37sir is that miss keaton
00:07:45what thing doesn't know that stops been closed for months
00:07:49she's going to be late
00:07:51hey how long is this thing gonna take maybe i'll just walk
00:08:01five miles to school
00:08:04okay if i sprint maybe i'll make it before first period
00:08:08or die of exhaustion on the way
00:08:11or die of exhaustion on the way
00:08:16what what are you doing here didn't you already leave
00:08:21wait did you come back for me
00:08:27relax i forgot my textbook don't flatter yourself
00:08:32wait
00:08:33since you're already here maybe you could be a decent person and give me a ride
00:08:41no seriously your car is huge
00:08:48yeah and i'm not a fan of sharing
00:08:52says the guy who forced me to live in his house
00:08:56unbelievable
00:09:01ashford institute please
00:09:12thank you
00:09:13who needs that entitled brat anyway
00:09:19sir you called the cab
00:09:21why not just give miss keaton a lift
00:09:28why not just give miss keaton a lift
00:09:30and have the whole school go crazy
00:09:32she's new
00:09:33everybody's already talking
00:09:35so you're worried about her
00:09:37you're overthinking
00:09:38i just don't like drama
00:09:40asshole
00:09:47who
00:09:49morning class
00:09:51back to golding
00:09:53remind me what he's saying through lord of the flies
00:09:56mr kenwood
00:10:02care to share what you found so amusing
00:10:05not particularly
00:10:06oh i insist
00:10:08you seem very entertained by golding
00:10:10i'm not entertained by golding sir
00:10:13on the contrary
00:10:15i think his ending is
00:10:17weak
00:10:19wait wait
00:10:21you actually read it
00:10:22quiet
00:10:22that's an interesting take
00:10:26explain
00:10:27he had the setup for something brutal
00:10:31something honest
00:10:33but in the end
00:10:34he backed out
00:10:35he could have left the boys on the island
00:10:37forced them to confront the collapse of vulnerability
00:10:39let them choose survival
00:10:41or death
00:10:42but instead
00:10:44he gave them a rescue boat
00:10:45slapped a happily ever after
00:10:47on a book about
00:10:48savagery
00:10:49it's a waste
00:10:53don't you think
00:10:54i'm delightfully surprised charles
00:10:56didn't think you had such strong literary opinions
00:10:59i'm always a model student sir
00:11:01let's not get ahead of ourselves
00:11:03so
00:11:06a critique of golding's mercy
00:11:09anyone disagree
00:11:10i think golding knew exactly what he was doing by ending the book that way
00:11:29it's not mercy
00:11:30it's irony
00:11:31how so
00:11:32the rescue isn't a happy ending
00:11:37you don't just walk back into society and forget you're a monster
00:11:40golding didn't save them
00:11:42he left us with the discomfort of pretending they could be saved
00:11:44that's an interesting take misketa
00:11:46you still think it's a harsh critique
00:11:49in some ways
00:11:50but not harsh enough
00:11:52yes
00:11:54it's a critique of toxic masculinity
00:11:56but still golding sympathize with them
00:11:58and the civilized world
00:12:00toxic
00:12:01violent
00:12:02he didn't call that out nearly as much
00:12:04so yeah i don't think golding pushed far enough
00:12:06but i think it's unfair to call it a happy ending
00:12:08thank you miss keaton
00:12:13well said
00:12:15anyone else
00:12:17both opinions are valid
00:12:20okay
00:12:21that's kind of epic
00:12:22golding faced major backlash when he first published the book
00:12:26good literature will always divide opinion
00:12:29what's happening to me
00:12:33okay what is going on why is everyone staring at me
00:12:41well you're new
00:12:44and apparently had a thing with charles
00:12:46a what now
00:12:47you two are in the middle of the most epic feud asher's teen in years
00:12:51we're not even fighting
00:12:53well according to everyone
00:12:54you confessed your love on day one
00:12:56got rejected
00:12:57begged to sit next to him
00:12:59got rejected again
00:13:00and today in class
00:13:02you broke down crying about not believing in happy endings
00:13:05and stormed out in tears
00:13:07you were there sherry that is not what happened
00:13:11doesn't matter
00:13:13people believe what they want to believe
00:13:15and they want charles to be flawless
00:13:17untouchable
00:13:18wow
00:13:20is misogyny like a rich kid thing or just a british specialty
00:13:23honestly
00:13:24both
00:13:25but
00:13:26seriously alice
00:13:27some people already see you as a threat
00:13:30okay
00:13:38loaded
00:13:39looks like the new girl's in for a rough first semester
00:13:43hello
00:13:58hello
00:14:01is somebody out there
00:14:04oh come on
00:14:06fine
00:14:19seriously
00:14:34seriously
00:14:34oh shit
00:14:38what the hell
00:14:44what the hell
00:14:44Anne
00:14:46I thought you were having dinner with Alice
00:14:48she hasn't come home
00:14:49her phone is off
00:14:50maybe you've seen her this evening
00:14:52yikes
00:14:55looks like the new girl's in for a rough first semester
00:14:58shit
00:15:04Alice
00:15:10Alice
00:15:11Alice
00:15:11Mr. Pelton
00:15:12Charles Kenwood here
00:15:13I was wondering if I could get the timetable for Alice Keaton
00:15:16she hasn't come home
00:15:17I'll have it sent over
00:15:18check the common room in the library
00:15:21I'll take the rest
00:15:22Alice
00:15:25come on Alice
00:15:40close your eyes and jump
00:15:42it's fine
00:15:44we're fine
00:15:46Hey
00:15:55Mr.
00:15:58Nonchalant
00:16:02are you happy with
00:16:09hey mister nonchalant
00:16:10Are you happy with how we ended?
00:16:18What are you doing here?
00:16:22Can you get off me first?
00:16:34You're welcome.
00:16:36I didn't say thank you.
00:16:38I figured saving your life might only be basic manners.
00:16:40Someone just dumped swamp water on me.
00:16:43Excuse me if I'm not feeling very polite.
00:16:45You smell like a biology experiment.
00:16:47Wow.
00:16:49You should try falling out of a window into someone's arms and getting insulted for it.
00:16:53I wouldn't recommend it. You're heavier than you look.
00:16:57I hope you pull your shoulder.
00:17:04Are you okay?
00:17:06No, but I will be.
00:17:09Someone did this on purpose.
00:17:11What do you think, golden boy?
00:17:13Don't worry, I can handle it.
00:17:15You shouldn't have to.
00:17:17I'm sorry.
00:17:27Sorry.
00:17:32Did you just apologize to me?
00:17:35Don't get used to it.
00:17:36I wouldn't dream of it.
00:17:38Alice?
00:17:39Over here.
00:17:40Oh my god.
00:17:41You okay?
00:17:42Why are you drenched?
00:17:43Yeah.
00:17:44I just took a weird shower.
00:17:45Top exploded.
00:17:46Come on.
00:17:47Let's get you home.
00:17:48Alice Keaton, right?
00:17:49I heard you staged the whole thing for attention.
00:17:51I heard you staged the whole thing for attention.
00:17:58Oh my god.
00:17:59Oh my god.
00:18:00Oh my god.
00:18:01Oh my god.
00:18:03Oh my god.
00:18:04Oh my god.
00:18:05Oh my god.
00:18:06Oh my god.
00:18:07Oh my god.
00:18:08Alice Keaton, right?
00:18:09I heard you staged the whole thing for attention.
00:18:13I know how this place works.
00:18:38If you don't do anything about it, it's only going to get worse.
00:18:42I'll look into it.
00:18:45Charles.
00:18:46Good on you.
00:18:49How many here would speak up?
00:18:55I can't believe someone actually locked you in.
00:18:57That's insane.
00:18:58Where the hell was the school when this was happening?
00:19:00Busy protecting their golden boys and trust funds.
00:19:03Well, for what it's worth, I heard Charles looked pretty freaked out when he ran out last night.
00:19:09Please.
00:19:10He just didn't want a lawsuit.
00:19:11Please.
00:19:12He just didn't want a lawsuit.
00:19:16It's a good idea.
00:19:17It's a good idea.
00:19:18I do want a lawsuit.
00:19:19I'm sorry.
00:19:20I'm sorry.
00:19:21I'm sorry.
00:19:22I'm sorry.
00:19:23I'm sorry.
00:19:24I'm sorry.
00:19:25I'm sorry.
00:19:26But I can't believe you're from this.
00:19:27Being a scholarship student has its perks, like saving a fortune on tuition and getting
00:19:35into schools that normally wouldn't even let you pass the gates.
00:19:38Hey!
00:19:39We miss you in Paris!
00:19:41Though there are enough Americans to remind us of you.
00:19:45But sometimes, being here means staying behind, and watching Ashford Elites go on a two-week
00:19:51enrichment program you can never afford.
00:19:56Have fun!
00:19:57Bring me something overpriced and unnecessary.
00:20:04The trip cost 20 grand in pounds, which translates to Mom's salary for half a year.
00:20:10So yeah, I didn't go.
00:20:27What are you doing here?
00:20:29Do you not believe in shirts?
00:20:34Do you not believe in dignity?
00:20:37It's comfortable.
00:20:39You look like a rejected Ewok.
00:20:42This is not even your kitchen.
00:20:43And this is not even your house, and yet you're here, dressed like this.
00:20:47Just don't look.
00:20:49Go away!
00:20:50Hard not to, when you're walking around dressed like that.
00:20:53What do you guys call it?
00:20:55Um, buzzkill?
00:20:56Cockblock.
00:20:57Cockblock.
00:20:58You're insufferable.
00:20:59You're the one cosplaying at breakfast.
00:21:02You know what?
00:21:03I don't get it.
00:21:04Why didn't you go on that tour?
00:21:05I thought rich people live for that kind of thing.
00:21:07Why do you think?
00:21:09Why would I go?
00:21:10I could practically recite the itinerary in my sleep.
00:21:19Florence, walk in the great footsteps of Dante, Michelangelo, Da Vinci, and Titian.
00:21:25Or Tiziano, if you want to sound extra pretentious.
00:21:29Then Venice, because everybody loves a good canal, and getting lost in the most confusing
00:21:33city on earth.
00:21:35Next stop, Napoli, marvel at Pompeii, pretend you're shocked, ancient
00:21:39people had plumbing.
00:21:40The final stop, Paris, the ultimate city of romance.
00:21:47And naturally, Woody Allen's favourite city, outside of New York.
00:21:54That's word for word.
00:21:56I told you, I've done this tour so many times I could run it.
00:22:00Okay, but still, it's Europe.
00:22:02Most people would kill for that chance.
00:22:04Most people haven't had their phones stolen in Paris.
00:22:07Twice.
00:22:08Also, I hate the accommodations.
00:22:10Aren't they all five-star hotels?
00:22:12Standard rooms in five-star hotels.
00:22:15No thank you.
00:22:17Wow.
00:22:18Some were born in Rome, huh?
00:22:20That's unfortunate.
00:22:21It's a very chaotic city.
00:22:22One word of advice?
00:22:24Shut up.
00:22:25That's two words.
00:22:26You're weird.
00:22:27You're loud.
00:22:28You're annoying.
00:22:29You're in my kitchen.
00:22:30You have three other kitchens.
00:22:32And I prefer this one.
00:22:34Just for today.
00:22:35Come back when you've got a shirt on.
00:22:37Come back with normal clothes on.
00:22:38You didn't have to come.
00:22:39Don't tell me what I have to do.
00:22:49Master Charles.
00:22:50Roads are flooded.
00:22:51Staff won't make it tonight.
00:22:52Will you be alright sorting dinner?
00:22:57I've got it sorted.
00:22:58Jesus, what are you doing?
00:23:12Relax.
00:23:13I'm here to make a deal.
00:23:16What deal?
00:23:17You nearly gave me a heart attack.
00:23:19You'll survive.
00:23:24I'm not selling my body.
00:23:27I'm not selling my body.
00:23:32Wow.
00:23:37I am deeply offended.
00:23:40That thought disgusts me.
00:23:42Then what are you doing?
00:23:43Staff's off tonight.
00:23:45I'm buying dinner.
00:23:46Did you seriously think I'd spend £100 on...
00:23:51No.
00:23:52I'm...
00:23:53Jesus.
00:23:54Wait.
00:23:55You think I'm not worth £100?
00:23:58I'm not spending £100 to snort Chewbacca.
00:24:02You know what?
00:24:03Dinner's cancelled.
00:24:07Are you sure about that?
00:24:10I present to you.
00:24:11Meatball spaghetti, stir-fried veggies, and french fries.
00:24:15You're welcome.
00:24:16Interesting combo.
00:24:17Well, I know we're not in Italy or France, but this will do.
00:24:21It's...
00:24:23Good.
00:24:30Was that a compliment?
00:24:31Although...
00:24:32I am obliged to inform you.
00:24:34Meatball spaghetti isn't Italian.
00:24:36It's American.
00:24:37And french fries, likely born in South America.
00:24:40You should read more.
00:24:42Put it down.
00:24:44I paid for it.
00:24:46You really just have to win every argument, don't you?
00:24:49To be fair, you make it very easy.
00:24:52It's only easy because it costs £200.
00:24:55You know, if you'd asked for more, I probably would have given it to you.
00:24:58I'll make sure you're back.
00:25:00Hey Alice.
00:25:01It's fine.
00:25:02You're fine.
00:25:03You're fine.
00:25:049-1-1-1.
00:25:05It's my dad.
00:25:06He...
00:25:07He...
00:25:09He...
00:25:10He...
00:25:11He...
00:25:12He...
00:25:13He...
00:25:14Hey Alice.
00:25:15It's fine.
00:25:16You're fine.
00:25:17You're fine.
00:25:189-1-1, what's with your emergency?
00:25:309-1-1, what's with your emergency?
00:25:32It's my dad. He needs help. He just had a stroke.
00:25:35Okay, miss. Hurricane's constant traffic. Shut down.
00:25:37We'll get to you as soon as we can.
00:25:39Please, he's not well.
00:25:40I understand. Can you confirm your address?
00:25:45Dad, yes, I'm right here.
00:25:46All right. My daughter.
00:25:50Please stay with me, Dad. Please.
00:25:56No. Please wake up.
00:26:04Dad, please. Please don't leave me.
00:26:16You... What are you doing here?
00:26:40You were crying. Loudly. Kind of hard to ignore.
00:26:51Right. Sorry for the noise.
00:26:54Wait. You know a snarky comeback?
00:26:57Not tonight. I'm too tired. If you're here to argue, knock yourself out.
00:27:01You were calling from your dad, right?
00:27:07A hurricane hit New York. Power went down. Traffic froze.
00:27:12Dad had a stroke. But he couldn't get help in time.
00:27:16I sat there with a candle while he laid there. Peaceful.
00:27:27Like he was asleep.
00:27:29But he wasn't.
00:27:31So that's why you and your mum moved here.
00:27:37This used to be our hometown.
00:27:40After Dad left,
00:27:42we had nowhere else to go.
00:27:49What are you doing?
00:27:55Come on.
00:27:55Wait. I thought the power was out.
00:28:14It is.
00:28:15We have our own generator.
00:28:16Wow.
00:28:17Rich people houses her.
00:28:19Just for tonight,
00:28:21I'll allow it.
00:28:23Allow what?
00:28:25Call this place your house.
00:28:27So enjoy it.
00:28:28Stephen King's first edition.
00:28:30Alan Gisberg's handwritten letters.
00:28:32Jane Austen's notes.
00:28:33All yours.
00:28:38This
00:28:38is your home.
00:28:42Alice Keaton.
00:28:47Careful.
00:28:49Almost sounded sweet.
00:28:51Don't push it.
00:28:52Okay then.
00:28:55I have
00:28:56one request.
00:29:01What is it?
00:29:08Are you ever going to make a move?
00:29:10Wait.
00:29:11Give me a second.
00:29:12I'm thinking.
00:29:14You had one wish.
00:29:16Anything in the world.
00:29:17And in the middle of a thunderstorm,
00:29:19inside a literal mansion,
00:29:22you chose chess.
00:29:24Yeah.
00:29:24Got a problem?
00:29:26It's just so cool.
00:29:27Like spies or genius villains in movies.
00:29:30It's literally a board game.
00:29:32Says the guy who owns a custom set.
00:29:35Wait.
00:29:35Does the knight go diagonally?
00:29:37For the tenth time,
00:29:39it moves in an L shape.
00:29:41One.
00:29:43Two.
00:29:44Then turn.
00:29:45There.
00:29:47Happy?
00:29:48Ecstatic.
00:29:48That's a suicide.
00:29:53Or a brilliant long-term sacrifice.
00:29:55You are playing checkers at a chessboard.
00:29:57Still beating you in sarcasm.
00:29:58You literally haven't won any past arguments.
00:30:00Golding disagrees.
00:30:02It's going to be a long night.
00:30:04Oh my.
00:30:05No.
00:30:05Why?
00:30:06What's that?
00:30:06You can't do that.
00:30:08Can I do that?
00:30:08Oh my God.
00:30:09Glad.
00:30:10Glad.
00:30:10Glad.
00:30:10Glad.
00:30:10Glad.
00:30:10Glad.
00:30:18Maybe he's not so awful after all.
00:30:40Um, who are you?
00:30:46What are you doing here?
00:30:47Well, your parents said you were still at home.
00:30:49Thank God you skipped that boring grand tour.
00:30:52Who needs Italy and France again, right?
00:30:54When did you get back?
00:30:56Last night.
00:30:57From Zurich.
00:30:58You didn't answer my messages.
00:31:01I missed you.
00:31:03Anyway, thought I'd come surprise you.
00:31:05Apparently, I'm transferring to Ashford.
00:31:08Your parents were so thrilled.
00:31:10They didn't tell me about this.
00:31:11I wanted to deliver the happy news myself.
00:31:14They said it'd be lovely for us to reconnect.
00:31:16You know, considering the engagement and all.
00:31:20Engagement?
00:31:21Oh, did no one tell you?
00:31:25He's promised.
00:31:26Old money stuff.
00:31:28Very retro.
00:31:29I didn't agree to that.
00:31:30You didn't have to.
00:31:31It's never up to us.
00:31:33Where did you find this little toy?
00:31:36Serena.
00:31:37I can hear you, you know.
00:31:38Oh, an American.
00:31:40How refreshing.
00:31:42Goodbye.
00:31:44Wait.
00:31:45Where are you going?
00:31:47You still owe me breakfast.
00:31:49You only paid for dinner.
00:31:50I had homework.
00:31:52Goodbye.
00:31:53Your little toy has quite the temp time.
00:31:54Serena, can you please just stop?
00:31:56What?
00:31:57Teasing the help?
00:31:58where are you going you still owe me breakfast you only paid for dinner i have homework goodbye
00:32:11your little toy has quite the temper serena can you please just stop what teasing the help
00:32:20that's her that's the one from kenwood's house was she like the maid or something
00:32:32oh my god what's wrong with people
00:32:50they're saying you live with charles oh and serena what about her apparently she told
00:32:56everyone you were caught sneaking into his room of course she did
00:33:00careful alice you're starting to look desperate
00:33:20come to the music room urgent i just remembered i need to check something you guys go ahead
00:33:36hello is someone there seriously this is getting old
00:33:48wait music room what
00:34:02james was anybody in here earlier just miss serena said she was waiting for you
00:34:10sir sir it's raining
00:34:14come on alice you're fine you're not that girl again
00:34:29wait can you remind me one more time
00:34:38okay rooks moving straight lines bishops move diagonally and knight the knight's the weird
00:34:46one
00:34:48rooks straight lines bishops diagonally
00:34:59the text
00:35:07are you okay are you hurt i i'm okay i i saw the text and i thought i didn't see the message
00:35:28serena took my phone i didn't know i'm sorry i'm okay you're gonna catch a cold
00:35:35you're freezing you didn't have to come don't tell me what i have to do
00:35:43that wasn't a mistake if that's what you're about to say i wasn't going to
00:35:50that wasn't a mistake if that's what you're about to say
00:35:57that wasn't a mistake if that's what you're about to say
00:36:04that wasn't a mistake if that's what you're about to say
00:36:08that's what you're about to say i wasn't going to
00:36:25really bad at this you know
00:36:27what kissing hiding feelings
00:36:34this is not the beginning of fighting in the unknown
00:36:38tell me what you said tell me where you're gonna
00:36:41tell me how to say
00:36:43dump those ewok pyjamas
00:36:53pyjamas. Oh, you wish. Seriously, it's a cock block. You kissed me. That's basically consent
00:37:05to everything. Dangerous words, Keaton. I might hold you to that.
00:37:23You'll be working in pairs on your comparative essays. The list is on the board.
00:37:30One, two, three, four.
00:37:35Are you okay?
00:37:53You're distracting. You're welcome. They're either enemies or secretly married. Honestly,
00:38:14are you? Right?
00:38:35So, the night goes in an L shape, right? Why is that the only one you remember?
00:38:41Because it's weird. And I like weird.
00:38:52Check.
00:38:59You're cheating.
00:39:00I'm winning. There's a difference.
00:39:02You are very distracting.
00:39:05And you like it.
00:39:11In the dark and space. Hold you in my arms.
00:39:16Charles!
00:39:18We need to talk.
00:39:19I expected poor judgement. But this in my house?
00:39:30It isn't what it looks like.
00:39:32No. Kissing a servant's daughter in the family library. Enlighten me then, Charles.
00:39:38We came back tonight after speaking with Serena. Imagine our surprise walking in on this.
00:39:44She isn't just... You have no right to barge in.
00:39:49On my property.
00:39:53I care about her.
00:39:55I'm not ashamed of her.
00:39:56That's enough!
00:40:00Why do you care?
00:40:01We're protecting our son's future.
00:40:04And our name.
00:40:05You think this protects me?
00:40:07We think she does not belong in your world.
00:40:13Then maybe I don't either.
00:40:16You're ready to give up everything? For a girl you barely know?
00:40:24Yes.
00:40:26Then are you sure she's ready?
00:40:29I'm asking you. Do you think she's ready to lose everything, regardless of how little that is, just to be with you?
00:40:42What are you talking about?
00:40:44You left us no choice, son. You shouldn't disobey your father.
00:40:50Pelton. It's Frederick Kenwood.
00:40:53Ah, Mr. Kenwood. How can I help?
00:40:55If a scholarship student were to violate our behavioural code in a public setting with photographic evidence, would that warrant a review?
00:41:05Yes, sir.
00:41:09So, answer me again.
00:41:12Do you think she's ready to lose everything just to be with you?
00:41:16Charles, what happened? Did your parents say something? Are they mad? Is everything okay?
00:41:31Pack your things.
00:41:33You can't stay here anymore.
00:41:36What?
00:41:38My parents fired your mother. She's leaving. So are you.
00:41:42Wait, what, why? Is it because of us? We can fix this, I'll get a job, anything-
00:41:47Stop, stop it. You don't get it.
00:41:50If I don't walk away from this, they'll cut me off.
00:41:53Okay? No card, no trust, no support. Nothing.
00:41:59Then, then we'll figure it out. We don't need all that.
00:42:04Do you really think I'm going to live like that?
00:42:06So that's what this was? Just fun until it got inconvenient?
00:42:15What did they promise you?
00:42:19Nothing.
00:42:23They just reminded me of what's real.
00:42:25Charles, I'm not stupid. You don't just turn into a cold stranger because of one conversation. What did they threaten you with?
00:42:42What did they threaten you with?
00:42:44This is the difference between me and you.
00:42:46What?
00:42:47You don't know me. Or what I have. You don't, Alice.
00:42:52You're still lying.
00:42:53I'm not, Alice.
00:42:55Look around you. This mansion you thought was a museum.
00:42:59It's my house. My world. I was bored into this. I am not choosing between this and something I picked up for a moment of fun.
00:43:12Don't do this, Charles. You don't mean it.
00:43:18Look, it was fun. But you? You don't compare to what I own. I'll survive the loss.
00:43:29Right.
00:43:32I should have known. Guys like you don't end up with girls like me.
00:43:37You play with them, then you throw them away.
00:43:44Go to sleep, Alice.
00:43:45More than we eat.
00:43:46More than we.
00:43:4850% of the nights.
00:43:50More than we eat.
00:43:52And I really need to go down the ground.
00:43:54I'm so good.
00:43:55Come on, Alice.
00:43:56This fall is a little more than I expected.
00:43:59And so deep I can barely see myself.
00:44:03Yeah, around me feels so heavy but depleted.
00:44:08Yeah, around me feels so heavy but depleted.
00:44:12But I find that's the place to test myself
00:44:19Oops
00:44:42Oh sorry, didn't see that
00:44:47Then again, nobody does
00:44:49Move please
00:44:50Try begging
00:44:53You know what, keep it
00:45:00Poor thing, so dramatic
00:45:07Don't
00:45:09Excuse me
00:45:11I warned you
00:45:12Walk away, Serena
00:45:14Last week's group assignments were mostly forgettable
00:45:38But one pair surprised me
00:45:40In a good way
00:45:41Charles Kenwood and Alice Keaton
00:45:44Would you mind giving us a short summary?
00:45:47She loves the sound of her own voice
00:45:49Better have it
00:45:50Our essay explored what happens when two fundamentally different voices meet
00:46:03Like logic and chaos
00:46:04Like logic and chaos or silence and noise
00:46:07Different worlds, different rules
00:46:12At first glance, they clash
00:46:14But what makes the story interesting is what happens next
00:46:17Confusion, curiosity
00:46:20But in the end, some stories aren't about staying
00:46:23And yes, there is no such thing as a happy ending
00:46:26And yes, there is no such thing as a happy ending
00:46:38Is she still talking about the essay?
00:46:39Is she still talking about the essay?
00:46:41Miss Keaton
00:46:45Dramatic as always
00:46:48Are you okay?
00:46:49Are you okay?
00:46:50A reminder
00:46:51That good literature always stirs something
00:46:55Hello?
00:46:56Hi, this is Alan Keaton
00:46:57This is Whitmore Press
00:46:58We've been following your work
00:46:59We'd like to offer you a long-term publishing contract
00:47:00Name your price
00:47:01We'll make it work
00:47:02Sorry, what?
00:47:03That's kind of insane
00:47:15Who's behind this?
00:47:19Your sponsor wishes to remain anonymous
00:47:21Can... can I meet them?
00:47:24I want to, please
00:47:28Or at least tell me a name
00:47:29Please, or at least tell me a name.
00:47:35Sorry, they wish to stay in office, so their only interest in work, not the person.
00:47:39I'd really like to meet them.
00:47:40I'm sorry, Miss Keaton, they were very good.
00:47:42I think it's the most generous offer we've ever given a disability right now.
00:47:46I see.
00:47:47Congratulations again.
00:47:52You got the interview!
00:47:53It's just an interview, I haven't gotten in yet.
00:47:56Still, Alice Keaton at Oxford.
00:47:59That's iconic.
00:48:08You okay?
00:48:10Yeah.
00:48:11I'm so excited!
00:48:25It's done, Mr. Kenwood.
00:48:27Miss Keaton signed the contract.
00:48:29Good.
00:48:30It's a generous deal.
00:48:31You sure you don't want it to know?
00:48:32No.
00:48:33No, it's better if I stay out of her life.
00:48:36I will be for you, babe.
00:48:37I'll be there in your darkened space.
00:48:39Congratulations, Alice Keaton.
00:48:43Go live the life you were always meant to.
00:48:49Your engagement and harassment should align perfectly with the Foundation Gala.
00:48:50And the Browns already offered to host the London reception.
00:48:56It's all coming together beautifully.
00:48:57I've lost my appetite.
00:48:58I've lost my appetite.
00:48:59I'll go check on him.
00:49:00What's your problem, Charles?
00:49:01What's your problem?
00:49:02What's your problem, Charles?
00:49:03What's your problem, Charles?
00:49:04This engagement is not happening.
00:49:05It's not up to you.
00:49:06It's not up to you.
00:49:07You know that.
00:49:08Serena, we're not doing this.
00:49:09It's not up to you.
00:49:10You know that.
00:49:11Serena, we're not doing this.
00:49:13You've changed.
00:49:14Or maybe I'll be able to do this.
00:49:15I've lost my appetite.
00:49:16I've lost my appetite.
00:49:17I'll go check on him.
00:49:20What's your problem, Charles?
00:49:26This engagement is not happening.
00:49:31It's not up to you.
00:49:34You know that.
00:49:35Serena, we're not doing this.
00:49:37You've changed.
00:49:39Or maybe I finally just stopped pretending.
00:50:07Charles!
00:50:11You're the sponsor.
00:50:14You've been funding Alice Keaton this whole time!
00:50:20So?
00:50:21You lied to everyone.
00:50:22Including her!
00:50:23I protected her.
00:50:28You loved her.
00:50:29Still do.
00:50:32Let it go, Serena.
00:50:33There's no point.
00:50:35There's no point.
00:50:45I need a favour.
00:50:46Find out when the Oxford interview is.
00:50:49And make sure Alice Keaton won't show up.
00:50:56Anything? No?
00:50:58She's not answering.
00:51:00The interview's almost over.
00:51:02Well, she won't just not show up.
00:51:04Something's wrong.
00:51:06Where's Alice?
00:51:08When was the last time you heard from her?
00:51:10Last night. She said she was prepping all evening.
00:51:16James, track someone for me.
00:51:20Wait, where are you going?
00:51:29Chill, okay? We won't hurt you.
00:51:32Yeah, we're just supposed to keep you away from the interview, that's it.
00:51:43Shit!
00:51:44Come back!
00:51:45No!
00:51:46No!
00:51:48No!
00:51:49No!
00:51:50Come back!
00:51:51Oh, that's it!
00:51:54I'm crazy!
00:51:55No!
00:51:56No!
00:51:57No!
00:51:58Hey, hey, hey, Alex, Alex, stay with me, stay with me, stay with me Alex.
00:52:28You're awake.
00:52:36Where, where am I?
00:52:38A local clinic. Passer-by brought you in.
00:52:42Passer-by?
00:52:43He found you on the side of the road. He had to leave, he didn't leave a name.
00:52:49Oh.
00:52:51The interview, what time is it?
00:52:53Easy, it's okay. Someone already contacted the university.
00:52:58And sent in your writing samples. They've rescheduled your interview for tomorrow.
00:53:01Wait, what, who?
00:53:03No idea, but it's all taken care of.
00:53:08What did you say?
00:53:10Nothing. I just had a dream.
00:53:14I got him!
00:53:29Oh, I knew it!
00:53:30Oh, too bad Charles isn't here to watch you crush it.
00:53:34He's not here.
00:53:36Oh, you didn't know?
00:53:39Know what?
00:53:40He left.
00:53:42A few days ago, yeah, everyone doesn't really know where he went.
00:53:45Honestly, Ashford's been quieter without him. It's probably for the best.
00:53:48Come on.
00:53:55Alice!
00:53:59The summer I met Charles Kenwood was loud.
00:54:03Chaotic.
00:54:05Unexpected.
00:54:08And with his absence...
00:54:09Come on!
00:54:10It ended quietly.
00:54:16Like summers always do.
00:54:29And joining us today, the decade's most unexpected literary phenomenon, Alice Keaton.
00:54:36Thank you for having me.
00:54:37Now, your words moved millions. They say your stories feel real, especially the ones about love.
00:54:46Which brings us to the most obvious question. How's your dating life like these days?
00:54:50No comment.
00:54:52A little bird told me that the past four years has been just writing and working, not even a single date.
00:54:58Let me guess, a bird named Shiri.
00:54:59Oh, she caught me.
00:55:00Still no comment.
00:55:02All right, all right. No matter what you say,
00:55:04you write love like someone who's lived it.
00:55:09If you're so real...
00:55:10Because once, I did, with someone who felt like chaos and clarity.
00:55:16And no one ever quite matched the light after that.
00:55:19And let's give it up for Alice Keaton one more time.
00:55:22Congratulations, Alice. The numbers just came in. You broke your own record.
00:55:38That's incredible.
00:55:40We're thinking celebration, press, photos, maybe tonight.
00:55:44Actually, there's something I'd rather do.
00:55:48I'd like to meet with the person who believed in me first.
00:55:53My sponsor.
00:55:54You're sure?
00:55:54Yeah. Just once.
00:55:58Tonight, 7pm.
00:55:59Good evening.
00:56:15Good evening.
00:56:18May I sit?
00:56:19Hey, Mr. Nonchalant.
00:56:28Hi.
00:56:30Hi.
00:56:33You look well.
00:56:36And you look like you just stepped out of a GQ cover.
00:56:40You always did.
00:56:42You were expecting someone else.
00:56:43I was hoping.
00:56:48But I guess I always knew.
00:56:51I didn't come here to confuse you.
00:56:53Or to reopen anything.
00:56:57I just wanted to say congratulations.
00:57:00Oh.
00:57:04Didn't know you're still reading.
00:57:06You're rich enough not to do so.
00:57:09Always.
00:57:11Either way,
00:57:11your sponsorship started my career.
00:57:15No.
00:57:16No, you've earned everything.
00:57:21Every word.
00:57:23Every page.
00:57:25Every reader.
00:57:27That's what I came to say.
00:57:33It was good to see you again.
00:57:34I hope.
00:57:34Charles.
00:57:37Can you just...
00:57:40wait a little longer?
00:57:41I think I knew it was you.
00:57:50There was one email.
00:57:53You said something.
00:57:54It felt familiar.
00:57:55Really?
00:57:56I kind of had that rich asshole with a conscience energy.
00:58:00Very on brand.
00:58:02I should have anonymized my grammar.
00:58:04No, too late.
00:58:05Your semicolon usage gave you away.
00:58:08Still the only girl I know who flirts through punctuation.
00:58:11Still the only guy I know who uses wiles unironically.
00:58:14You've changed, but not really.
00:58:21You haven't changed, but maybe you've grown into who you really were.
00:58:28I've been here.
00:58:30Anyway.
00:58:32I wanted to say...
00:58:36And...
00:58:38Thanks for being here tonight.
00:58:40You didn't have to come.
00:58:42Don't tell me what I have to do.
00:58:46You didn't have to come.
00:58:49Don't tell me what I have to do.
00:58:51If you could go back, if you had the chance to do it all again,
00:59:14would you do anything differently?
00:59:22No.
00:59:26No.
00:59:31I see.
00:59:35I know my answer now.
00:59:36I didn't have the power back then.
00:59:39Not enough to protect you.
00:59:41I couldn't watch you get crushed because of me.
00:59:44Because of my name, my family.
00:59:49I didn't want to be the reason you lost everything.
00:59:52So you just disappeared without a word.
00:59:58If you had the chance to see the world without me weighing you down.
01:00:02If you still chose me after that.
01:00:08You keep saying you wanted to give me a choice.
01:00:11But you made a choice for me.
01:00:15Did it ever cross your mind that maybe...
01:00:20I would have chosen you anyway?
01:00:27I didn't think I was the smart choice.
01:00:28You weren't.
01:00:32But I never claimed to be that smart.
01:00:35This is me.
01:00:45Right.
01:00:53I'm still mad at you, you know.
01:00:54I'm still in love with you, you know.
01:01:07Do you want to come in for a bit?
01:01:08You're asking your ex, who you haven't seen in four years,
01:01:15to come into your hotel at approximately 11pm.
01:01:20You were right.
01:01:22You never were that smart.
01:01:24You don't have to come.
01:01:25Don't tell me what I have to do.
01:01:35Don't tell me what I have to do.
01:01:41Stop quoting yourself.
01:01:42I recycle.
01:01:43It saves energy.
01:01:46This feels wildly irresponsible.
01:01:48You sound like a disclaimer.
01:01:50You're the one who wants called romance a distraction.
01:01:52I said that?
01:01:53Yeah.
01:01:54Before calling Wuthering Heights overrated.
01:01:57Still is.
01:01:58You're lucky you're a good kisser.
01:02:04That is cute to me.
01:02:05Don't you dare quote poetry.
01:02:07I wasn't going to.
01:02:09I forgot all of it the day you left.
01:02:11Then shut up.
01:02:13And prove it.
01:02:20I still can't believe this is happening.
01:02:21I told you they're either worst enemies or secretly married.
01:02:25And I told you they're both.
01:02:26I vow to always tell you the truth.
01:02:56Except for when you ask how your cooking was.
01:02:59Then I lie.
01:03:00Respectfully.
01:03:03I vow to keep choosing you.
01:03:06Loudly.
01:03:07Quietly.
01:03:09Always.
01:03:11Even when you forget to do the laundry.
01:03:15Is he actually good at this?
01:03:17I mean you did beat her at sarcasm.
01:03:23I vow to argue with you at least twice a week.
01:03:25Especially over Shakespeare.
01:03:28I vow to write you in your every story.
01:03:30Even when I say I didn't.
01:03:33You will always be a part of my life.
01:03:34If she quotes Austen in this toast, I'm out.
01:03:38No you're not.
01:03:39You're going to cry harder.
01:03:40I can't believe you picked Paris.
01:04:05Such a cliche honeymoon destination.
01:04:09Guard your phone.
01:04:10Relax.
01:04:11Just don't dress like a walking inheritance and you'll be fine.
01:04:14You are not wearing that on our honeymoon.
01:04:20Please Alice, go change.
01:04:22Don't tell me what I have to do.
01:04:24No, no, no, no, no.
01:04:30That is not an invitation to do not take off these clothes.
01:04:33Overruled.
01:04:35You look much better without them.
01:04:42To the ones who loved in silence, in chaos, in chapters,
01:04:48you will find your way home.
01:04:54One day's coming now.
01:05:15It's up to us to make sure that we can gain what's been passed through these books.
01:05:29Help us develop, learn, and grow.
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