In Other Words, I Love You #Dramabox

Cine Drama

In Other Words, I Love You #Dramabox    #EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull

Transcript

00:00:00I've always described the world in words people moments places all through

00:00:09metaphors and margins okay like my mom self-made stubborn and never wrong

00:00:18almost there you excited for your first day she calls this a fresh start I call

00:00:23it terrifying

00:00:30you've got this just be yourself that's kind of the problem

00:00:53okay morning class and you're not seated because I don't have a seat ah a new

00:01:16transfer Alice Keaton right let's see there's a spot next to Charles seriously

00:01:27the charity case sitting next to Charles quiet Charles I've always had words for

00:01:38everything but in that moment I forgot them all

00:01:53Charles move your things I'd rather not she'll be a distraction from what

00:02:00sleeping from everything if anything Charles Miss Keaton will be a positive

00:02:05influence on you she was top of her class at a previous school with all due

00:02:10respect sir her previous school was American I highly doubt that that's

00:02:18enough she can sit here it's fine back to Goldie thank you you got it I'm

00:02:28Sherry Vaughn Alice Keaton it's very important that we look at what he's

00:02:33talking about their experience of the time

00:02:39wait you sat next to Charles she didn't you totally shut her down oh knew it

00:02:45don't take it personally he's impossible can everyone stop acting like the goal is

00:02:50getting into his pants what he's hot everyone kind of is I I've seen Connor he's not my type you're

00:03:00joking I don't find bullies attractive hey be careful we're talking about the king of

00:03:05Ashford the what his family basically own the school and the town maybe even the

00:03:12country yeah everyone's tried to get close no one can get past his ego you're not the

00:03:17first to get nice okay first of all I wasn't iced it's more like a mutual

00:03:23decision and second I think he's arrogant cold thinks he's untouchable but if you

00:03:29really look at Charles he just seems isolated like he's making out honestly I

00:03:34just think he's lonely and kind of what

00:03:41you were saying I'm lonely and pathetic

00:03:51next time read the room before opening your mouth American we're not in Kansas anymore Alice

00:04:06hey how's your first day I good I'm excited Kevin not really super

00:04:28uneventful really how's your new job yeah all right get this is that we can stay in the

00:04:35servants wing seriously hmm apparently the young master won't mind the company the young master

00:04:42this is your boss's house yeah that's not credible I mean I wouldn't call it a house

00:04:50it's a museum with better landscaping right here I'll talk to the Butler Wow rich

00:05:08people you've topped yourselves again Stephen King first edition

00:05:17breaking and entering now how American of you

00:05:30you've been paying rent here in my head try to fight it hard

00:05:46you can get up now I I'm trying wait are you serious well you said you were trying

00:06:01what is wrong with you funny I was about to ask you the same thing what are you doing in my house

00:06:10you wait your house my house my library and now apparently my unwanted guest

00:06:21ah master Charles you must be miss Alice Anne's daughter she said you'd be moving in today

00:06:27she what there there's been some kind of misunderstanding you see I'm not actually moving in

00:06:34that so yeah I'm not staying here like at all that's a shame you must seem quite pleased with the

00:06:41arrangement well I just don't think it's appropriate well for sure then absolutely not

00:06:47come on Alice you must stay it'll be fun my dear classmate

00:07:00I'm dead like mentally socially and actually dead

00:07:06just trying to figure out how exactly my life went off the rails get it together Alice Keaton

00:07:19you've been I'm sure I'd never find someone to make my head spin around actually no

00:07:25be the thing I need they all just let this is how baby you saved me good morning

00:07:32so is that miss Keaton what thing doesn't know that stops been closed for months she's going to be late

00:07:53okay how long is this thing gonna take maybe I'll just walk five miles to school

00:08:06okay if I sprint maybe I'll make it before first period or die of exhaustion on the way

00:08:14what are you doing here didn't you already leave wait did you come back for me relax I forgot my

00:08:33textbook don't flatter yourself wait since you're already here maybe you could be a decent person and

00:08:44give me a ride no seriously your car is huge yeah and I'm not a fan of sharing says the guy who

00:08:57forced me to live in his house unbelievable

00:09:14Ashford Institute please thank you

00:09:16who needs that entitled brat anyway sir you called the cab why don't just give miss Keaton a lift

00:09:26why don't just give miss Keaton a lift and have the whole school go crazy she's new everybody's

00:09:38already talking so you're worried about her you're overthinking I just don't like drama

00:09:44asshole hey morning class back to Golding remind me what he's saying through Lord of the Flies

00:10:00Mr Kenwood care to share what you found so amusing not particularly oh I insist you seem very entertained by

00:10:13Golding I'm not entertained by Golding sir on the contrary I think his ending is weak wait wait

00:10:24you've actually read it quiet that's an interesting take explain

00:10:33he had the setup for something brutal something honest in the end he backed out he could have left

00:10:39the boys on the island forced them to confront the collapse of all morality let them choose survival

00:10:45or death but instead he gave them a rescue boat slapped a happily ever after on a book about savagery

00:10:54it's a waste don't you think I'm delightfully surprised Charles didn't think you had such

00:11:01strong literary opinions I'm always a model student sir let's not get ahead of ourselves

00:11:09so a critique of Golding's mercy anyone disagree

00:11:24I think Golding knew exactly what he was doing by ending the book that way

00:11:33it's not mercy it's irony how so

00:11:39the rescue isn't a happy ending you don't just walk back into society and forget you're a monster

00:11:44Golding didn't save them he left us with the discomfort of pretending they could be saved

00:11:48that's an interesting take Miss Keaton you still think it's a harsh critique in some ways but not

00:11:55harsh enough yes it's a critique of toxic masculinity but still Golding sympathize with them and the

00:12:03civilized world toxic violent he didn't call that out nearly as much so yeah I don't think Golding pushed

00:12:09far enough but I think it's unfair to call it a happy ending

00:12:17thank you Miss Keaton well said anyone else

00:12:23both opinions are valid okay that's kind of epic

00:12:27Golding faced major backlash when he first published the book

00:12:30good literature will always divide opinion what's happening to me

00:12:43okay what is going on why is everyone staring at me

00:12:47well you're new and apparently had a thing with Charles

00:12:50a what now you two are in the middle of the most epic feud Asher's teen in years

00:12:56we're not even fighting well according to everyone you confessed your love on day one

00:13:00got rejected begged to sit next to him got rejected again and today in class you broke down crying about

00:13:07not believing in happy endings and stormed out in tears you were there sherry that is not what happened

00:13:17doesn't matter people believe what they want to believe and they want Charles to be flawless untouchable

00:13:24wow is misogyny like a rich kid thing or just a british specialty honestly both

00:13:30but seriously Alice some people already see you as a threat

00:13:42okay loaded looks like the new girl's in for a rough first semester

00:13:53hello hello is somebody out there oh come on

00:14:18hello is somebody out there oh come on

00:14:24fine

00:14:38seriously

00:14:39Oh, shit.

00:14:47What the hell?

00:14:49Anne, I thought you were having dinner with Alice?

00:14:52She hasn't come home. Her phone is off. Maybe you've seen her this evening?

00:14:59Yikes. Looks like the new girl's in for a rough first semester.

00:15:03Shit.

00:15:14Ice! Alice!

00:15:16Mr Pelton, Charles Kenwood here. I was wondering if I could get the timetable for Alice Keaton.

00:15:21She hasn't come home. I'll have it sent over.

00:15:24Check the common room in the library. I'll take the rest.

00:15:30Ice!

00:15:33Come on, Alice. Close your eyes and jump. It's fine. We're fine.

00:15:51We're fine.

00:15:52We're fine.

00:15:57Hey.

00:15:58Hey, Mr. Noncelone.

00:16:19Are you happy with how we are?

00:16:24What are you doing here?

00:16:29Can you get off me first?

00:16:40You're welcome I

00:16:43Didn't say thank you. I figured saving your life might only basic manners someone just dumped swamp water on me

00:16:50Excuse me if I'm not feeling very polite. You smell like a biology experiment

00:16:54Wow

00:16:55You should try falling out of a window and if someone's arms are getting insulted for it wouldn't recommend it heavier than you look I

00:17:04Hope you pull your shoulder

00:17:11Are you okay? No, but I will be

00:17:16Someone did this on purpose. What do you think golden boy?

00:17:19Don't worry, I can handle it. You shouldn't have to

00:17:25I'm sorry

00:17:34Sorry

00:17:36Did you just apologize to me? Don't get used to it. I wouldn't dream of it

00:17:47Alice?

00:17:48Over here

00:17:52You okay?

00:17:54Why are you drenched?

00:17:56Yeah, I just took a weird shower. Tap exploded

00:18:03Come on, let's get you home

00:18:14Alice cheating, right?

00:18:16I heard you stage the whole thing for attention

00:18:20I

00:18:22heard you stage the whole thing for attention

00:18:24I know how this place works.

00:18:45If you don't do anything about it, it's only going to get worse.

00:18:49I'll look into it.

00:18:52Charles, good on you.

00:18:56Not many here would speak up.

00:19:01I can't believe someone actually locked you in, that's insane!

00:19:05Where the hell was the school when this was happening?

00:19:07Busy protecting their golden boys and trust flags.

00:19:10Well, for what it's worth, I heard Charles looked pretty freaked out when he ran out last night.

00:19:16Please, he just didn't want a lawsuit.

00:19:22Being a scholarship student has its perks, like saving a fortune on tuition and getting into schools that normally wouldn't even let you pass the gates.

00:19:41Hey! We miss you in Paris!

00:19:43Though there are enough Americans to remind us of you.

00:19:45But sometimes, being here means staying behind, and watching Ashford elites go on a two-week enrichment program you can never afford.

00:20:00Have fun!

00:20:02Bring me something overpriced and unnecessary.

00:20:07The trip cost twenty grand in pounds, which translates to mom's salary for half a year.

00:20:15So yeah, I didn't go.

00:20:22What are you doing here? Do you not believe in shirts?

00:20:42Do you not believe in dignity?

00:20:44It's comfortable.

00:20:45You look like a rejected Ewok.

00:20:47This, this is not even your kitchen.

00:20:49And this is not even your house.

00:20:51And yet, you're here, dressed like this.

00:20:54Just don't look, go away!

00:20:56Hard not to, when you're walking around dressed like that.

00:20:59What do you guys call it?

00:21:01Um, buzz kill? Cock block.

00:21:05You're insufferable.

00:21:06You're the one cosplaying at breakfast.

00:21:08You know what? I don't get it.

00:21:10Why didn't you go on that tour?

00:21:12I thought rich people live for that kind of thing.

00:21:14Why do you think?

00:21:20Where would I go?

00:21:22I could practically recite the itinerary in my sleep.

00:21:25Florence, walk in the great footsteps of Dante, Michelangelo, Da Vinci, and Titian.

00:21:31Or Titian, if you want to sound extra pretentious.

00:21:35Then Venice, because everybody loves a good canal and getting lost in the most confusing city on earth.

00:21:41Next stop, Napoli.

00:21:43Marvel at Pompeii. Pretend you're shocked. Ancient people had plumbing.

00:21:47The final stop, Harry.

00:21:50The ultimate city of romance.

00:21:53And, naturally, Woody Allen's favourite city outside of New York.

00:21:59That's...word for word.

00:22:03I told you. I've done this tour so many times, I could run it.

00:22:07Okay, but still, it's Europe. Most people would kill for that chance.

00:22:11Most people haven't had their phones stolen in Paris. Twice.

00:22:15Also, I hate the accommodations.

00:22:17Aren't they all five-star hotels?

00:22:19Standard rooms in five-star hotels. No thank you.

00:22:23Wow. Some were born in Rome, huh?

00:22:27Well, that's unfortunate. It's a very chaotic city.

00:22:29One word of advice? Shut up.

00:22:31That's two words.

00:22:35You're weird. You're loud. You're annoying.

00:22:37You're in my kitchen. You have three other kitchens.

00:22:39And I prefer this one.

00:22:41Just for today.

00:22:43Come back when you've got a shirt on.

00:22:45Come back with normal clothes on.

00:22:47You didn't have to come. Don't tell me what I have to do.

00:22:49After Charles, roads are flooded. Staff won't make it tonight. Will you be alright sorting dinner?

00:23:05I've got it sorted.

00:23:07Oh, Jesus! What are you doing?

00:23:19Relax.

00:23:23I'm here to make a deal.

00:23:25What deal? You nearly gave me a heart attack.

00:23:31You'll survive.

00:23:33I'm not selling my body.

00:23:39I'm not selling my body.

00:23:45Wow. I am deeply offended.

00:23:47That thought disgusts me.

00:23:49Then what are you doing?

00:23:51The staff's off tonight.

00:23:53I'm buying dinner.

00:23:55Did you seriously think I'd spend a hundred pounds on-

00:23:59No, I'm-I-I-

00:24:00Jesus.

00:24:03Wait.

00:24:04You think I'm not worth one hundred pounds?

00:24:07I'm not spending one hundred pounds to snort you back up.

00:24:10You know what? Dinner's cancelled.

00:24:15Are you sure about that?

00:24:18I present to you.

00:24:19Meatball spaghetti, stir fried veggies, and french fries.

00:24:22You're welcome.

00:24:24Interesting combo.

00:24:25Well, I know we're not in Italy or France, but this'll do.

00:24:29It's...

00:24:31Good.

00:24:38Was that a compliment?

00:24:39Although...

00:24:41I am obliged to inform you.

00:24:42Meatball spaghetti isn't Italian.

00:24:44It's American.

00:24:45And french fries, likely born in South America.

00:24:48You should read more.

00:24:51Put it down.

00:24:53I paid for it.

00:24:54You really just have to win every argument, don't you?

00:24:56To be fair.

00:24:58You make it very easy.

00:25:00It's only easy because it costs you a hundred pounds.

00:25:04You know, if you'd ask for more, I probably would've given it to you.

00:25:06You wanna make sure that?

00:25:07I don't know.

00:25:08Okay, Alice. It's fine.

00:25:09You're fine.

00:25:10You're fine.

00:25:12Hey, Alice, it's fine.

00:25:25You're fine.

00:25:33911, what's for your emergency?

00:25:39911, what's for your emergency?

00:25:41It's my dad. He needs help. He just had a stroke.

00:25:44Okay, miss. Hurricane's constant. Traffic's shut down.

00:25:47We'll get to you as soon as we can.

00:25:48Please, he's not well.

00:25:49I understand. Can you confirm your address?

00:25:54Dad, yes, I'm right here.

00:25:56Hi.

00:25:58My daughter.

00:25:59Please stay with me, Dad. Please.

00:26:06No.

00:26:08Please, wake up.

00:26:09Dad, please.

00:26:15Please don't leave me.

00:26:16I don't know.

00:26:47You... what are you doing here?

00:26:53You were crying.

00:26:56Loudly.

00:26:58Kind of hard to ignore.

00:27:00Right.

00:27:01Sorry for the noise.

00:27:03Wait, you know Snarky come back?

00:27:06Not tonight, I'm too tired.

00:27:08If you're here to argue, knock yourself out.

00:27:13You were calling for your dad, right?

00:27:16Hurricane hit New York.

00:27:18Power went down, traffic froze.

00:27:21Dad had a stroke.

00:27:23But he couldn't get help in time.

00:27:28I sat there with a candle while he laid there.

00:27:34Peaceful.

00:27:36Like he was asleep.

00:27:38But he wasn't.

00:27:43So that's why you and your mum moved here?

00:27:46This used to be our hometown.

00:27:49After dad left, we had nowhere else to go.

00:27:58What are you doing?

00:28:03Come on.

00:28:04Come on.

00:28:20Wait, I thought the peril was out.

00:28:23It is.

00:28:24We have our own generator.

00:28:26Wow.

00:28:27Rich people houses her.

00:28:28Just for tonight, I'll allow it.

00:28:32Allow what?

00:28:34You can call this place your house.

00:28:36So enjoy it.

00:28:37Stephen King's first edition.

00:28:39Alan Gisberg's handwritten letters.

00:28:41Jane Austen's notes.

00:28:43All yours.

00:28:44This is your home, Alice Keaton.

00:28:57Careful.

00:28:59Almost sounded sweet.

00:29:01Don't push it.

00:29:02And then...

00:29:05I have...

00:29:07One request.

00:29:11What is it?

00:29:12What is it?

00:29:13Are you ever going to make a move?

00:29:19Wait.

00:29:21Give me a second.

00:29:22I'm thinking.

00:29:24You had one wish.

00:29:26Anything in the world.

00:29:28And in the middle of a thunderstorm,

00:29:30inside a literal mansion,

00:29:32you chose chess.

00:29:34Yeah.

00:29:36It's just so cool, like...

00:29:38spies or genius villains in movies.

00:29:40It's literally a board game.

00:29:42Says the guy who owns a custom set.

00:29:44Wait.

00:29:45Does the knight go diagonally?

00:29:48For the tenth time,

00:29:50it moves in an L shape.

00:29:52One.

00:29:53Two.

00:29:54Then turn.

00:29:56There.

00:29:58Happy?

00:29:59Ecstatic.

00:30:02That's suicide.

00:30:03Or a brilliant long-term sacrifice.

00:30:05You are playing checkers at a chess board.

00:30:07Still beating you in sarcasm.

00:30:08You literally haven't won any past arguments.

00:30:10Golding disagrees.

00:30:12It's going to be a long night.

00:30:14Oh my... no.

00:30:15Why? What's that?

00:30:16You can't do that.

00:30:17You can't do that.

00:30:18No, no. Oh my god.

00:30:19Can I not do that?

00:30:20You had to shop a trip and about it all wrong.

00:30:23Time to pull you in close as we're locked on your phone.

00:30:27All yourself work cause I'm moving on.

00:30:31Oh yeah.

00:30:32Showing up at my door.

00:30:36Holding your heart there inside your hands.

00:30:40Maybe...

00:30:41he's not so awful after all.

00:30:43Um, who are you?

00:30:57What are you doing here?

00:30:58Well your parents said you were still at home.

00:31:00Thank god you skipped that boring grand tour.

00:31:03Who needs Italy and France again, right?

00:31:05When did you get back?

00:31:06Last night.

00:31:07From Zurich.

00:31:08You didn't answer my messages.

00:31:10I missed you.

00:31:13Anyway, thought I'd come surprise you.

00:31:15Apparently, I'm transferring to Ashford.

00:31:18Your parents were so thrilled.

00:31:20They didn't tell me about this.

00:31:21I wanted to deliver the happy news myself.

00:31:23They said it'd be lovely for us to reconnect.

00:31:27You know, considering the engagement and all.

00:31:31Engagement.

00:31:33Oh, did no one tell you?

00:31:36He's promised.

00:31:37Old money stuff, very retro.

00:31:39I didn't agree to that.

00:31:41You didn't have to.

00:31:42It's never up to us.

00:31:45Where did you find this little toy?

00:31:47Serena.

00:31:48I can hear you, you know.

00:31:49Oh, an American.

00:31:52How refreshing.

00:31:57Goodbye.

00:31:59Wait.

00:32:09Serena.

00:32:10Where are you going?

00:32:11You still owe me breakfast.

00:32:12You only paid for dinner.

00:32:13I have homework.

00:32:14Goodbye.

00:32:15Your little toy has quite the temper.

00:32:16Serena, can you please just stop?

00:32:17What?

00:32:18Teasing the help?

00:32:19That's her.

00:32:20That's her.

00:32:21That's the one from Kenwood's house.

00:32:22Was she like, the maid or something?

00:32:23Was she like, the maid or something?

00:32:24What?

00:32:25What?

00:32:26What?

00:32:27What?

00:32:28That's her.

00:32:29That's her.

00:32:30That's her.

00:32:31That's the one from Kenwood's house.

00:32:32Was she like, the maid or something?

00:32:33Oh my God.

00:32:34What's wrong with people?

00:32:35What?

00:32:36What?

00:32:37What?

00:32:38What?

00:32:39What?

00:32:40What?

00:32:41What?

00:32:42What?

00:32:43What?

00:32:44What?

00:32:45What?

00:32:46What?

00:32:47What?

00:32:48What?

00:32:49What?

00:32:50What?

00:32:51What?

00:32:52What?

00:32:53What?

00:32:54What?

00:32:55What?

00:32:56What?

00:32:57What?

00:32:58What?

00:32:59Oh my God.

00:33:00What's wrong with people?

00:33:01They're saying you live with Charles.

00:33:03Oh, and Serena.

00:33:04What about her?

00:33:05Well, apparently she told everyone you were caught sneaking into his room.

00:33:10Of course she did.

00:33:23Careful, Alice.

00:33:24You're starting to look desperate.

00:33:29Yeah.

00:33:30Can we help you?

00:33:31Yeah.

00:33:32I know.

00:33:33It's 1066.

00:33:34Yeah.

00:33:35Come to the music room.

00:33:36Urgent.

00:33:37I just remembered I need to check something.

00:33:38You guys go ahead.

00:33:39Yeah.

00:33:40Okay.

00:33:41Hello?

00:33:42Is someone there?

00:33:43Seriously?

00:33:44This is getting old.

00:33:45Wait.

00:33:46Music room?

00:33:47What?

00:33:48What?

00:33:49What?

00:33:50James?

00:33:51Hello? Is someone there? Seriously! This is getting old!

00:34:11Wait... Music room? What?

00:34:15James?

00:34:17Was anybody in here earlier? Just Miss Serena. Said she was waiting for you.

00:34:22Sir? Sir, it's raining!

00:34:36Come on, Alice. You're fine. You're not that girl again.

00:34:47Wait, can you remind me one more time?

00:34:51Rooks move in straight lines. Bishops move diagonally. And knights...

00:34:57The knights the weird one.

00:35:03Rooks. Straight lines. Bishops. Diagonally. Hello?

00:35:12No!

00:35:31The text...

00:35:33Are you okay? Are you hurt?

00:35:35I... I'm okay. I... I saw the text and I thought...

00:35:40I... I didn't see the message.

00:35:42Serena took my phone. I... I didn't know. I'm sorry.

00:35:45I'm... okay.

00:35:47You're gonna catch a cold.

00:35:49You're freezing.

00:35:50You didn't have to come.

00:35:53Don't tell me what I have to do.

00:35:56Give me hope that feels like home.

00:36:19That wasn't a mistake. If that's what you're about to say.

00:36:22I... wasn't going to.

00:36:37You're really bad at this, you know.

00:36:39What? Kissing?

00:36:41Hiding feelings.

00:36:42Like...

00:37:04Dump those Ewok pajamas.

00:37:07Oh, you wish.

00:37:09Seriously. It's a cock block.

00:37:12You kissed me.

00:37:15That's basically consent to everything.

00:37:23Dangerous words, Keaton. I might hold you to that.

00:37:26You'll be working in pairs on your comparative essays.

00:37:39The list is on the board.

00:37:43One, two, three, four...

00:37:47Are you okay?

00:37:48Fly me to outer space.

00:37:53That's where I'll see your face.

00:37:57And have you with me.

00:38:03It may seem dark.

00:38:07But you always...

00:38:09You're distracting.

00:38:11In my heart.

00:38:15You're welcome.

00:38:18You're welcome.

00:38:22They're either enemies or secretly married.

00:38:26Honestly?

00:38:28Both.

00:38:29I was sure I'd never find someone to make my head spin around.

00:38:35No one's ever gonna be the thing I need.

00:38:37They all just let me down.

00:38:39But baby, you saved me.

00:38:42Until I'm brand new.

00:38:45Everything's so different now.

00:38:48So, the night goes in an L shape, right?

00:38:52Why is that the only one you remember?

00:38:54Because it's weird.

00:38:56And I like weird.

00:39:05Check.

00:39:12You're cheating.

00:39:13I'm winning.

00:39:15There's a difference.

00:39:16You are very distracting.

00:39:18And you like it.

00:39:19I will be there for a young day.

00:39:22I'll be there in your darkest days.

00:39:28I'll hold you in my arms.

00:39:30Charles!

00:39:32We need to talk.

00:39:33I expected poor judgement.

00:39:34But this in my house?

00:39:35It isn't what it looks like.

00:39:36No.

00:39:37Kissing a servant's daughter in the family library.

00:39:39Enlighten me then, Charles.

00:39:41We came back tonight after speaking with Serena.

00:39:43Imagine our surprise walking in on this.

00:39:46She isn't just...

00:39:48You have no right to barge in.

00:39:49On my property.

00:39:51I care about her.

00:39:53I'm not ashamed of her.

00:39:54That's enough!

00:39:56Why do you care?

00:39:57We're protecting our son's future.

00:39:59And our name.

00:40:01And our name.

00:40:03I'm not ashamed of her.

00:40:04I'm not ashamed of her.

00:40:05I'm not ashamed of her.

00:40:06That's enough!

00:40:08Why do you care?

00:40:09We're protecting our son's future.

00:40:10And our name.

00:40:11You think this protects me?

00:40:12We think she does not belong in your world.

00:40:16Then maybe I don't either.

00:40:18You're ready to give up everything.

00:40:19For a girl you barely know.

00:40:21Yes.

00:40:23Then maybe I don't either.

00:40:25You're ready to give up everything.

00:40:26For a girl you barely know.

00:40:29Yes.

00:40:31Then I'm not ashamed of her.

00:40:32I'm not ashamed of her.

00:40:33That's enough!

00:40:34Why do you care?

00:40:35We're protecting our son's future.

00:40:36And our name.

00:40:37You think this protects me?

00:40:39Then...

00:40:40Are you sure...

00:40:42She's ready?

00:40:48I'm asking you.

00:40:50Do you think she's ready?

00:40:51To lose everything.

00:40:52Regardless of how little that is.

00:40:54Just to be with you.

00:40:56What are you talking about?

00:40:58You left us no choice son.

00:40:59You shouldn't disobey your father.

00:41:04Pelton.

00:41:05It's Frederick Kenwood.

00:41:06Mr Kenwood.

00:41:07Ah.

00:41:08Mr Kenwood.

00:41:09How can I help?

00:41:10If a scholarship student were to violate our behavioural code in a public setting with photographic evidence, would that warrant a review?

00:41:19Yes sir.

00:41:20Yes sir.

00:41:23So.

00:41:24Answer me again.

00:41:26Do you think she's ready to lose everything just to be with you?

00:41:30Charles.

00:41:31What happened?

00:41:32Did your parents say something?

00:41:33Are they mad?

00:41:34Is everything okay?

00:41:35Pack your things.

00:41:36You can't stay here anymore.

00:41:37What?

00:41:38My parents fired your mother.

00:41:39She's leaving.

00:41:40So are you.

00:41:41Wait.

00:41:42What?

00:41:43Why?

00:41:44Is it because of us?

00:41:45We can fix this.

00:41:46I'll get a job.

00:41:47Anything.

00:41:48Stop.

00:41:49Stop it.

00:41:50You don't get it.

00:41:51If I don't walk away from this, they'll cut me off.

00:41:52Okay?

00:41:53No card.

00:41:54No trust.

00:41:55No support.

00:41:56Nothing.

00:41:57Then...

00:41:58Then...

00:41:59Then we'll figure it out.

00:42:00We don't need all that.

00:42:01We can...

00:42:02Do you really think I'm going to live like that?

00:42:03So that's what this was?

00:42:04Just...

00:42:05Fun.

00:42:06Fun.

00:42:07Fun.

00:42:08Fun.

00:42:09Fun.

00:42:10Fun.

00:42:11Fun.

00:42:12Fun.

00:42:13Fun.

00:42:14Fun.

00:42:15Fun.

00:42:16Fun.

00:42:17Fun.

00:42:18Fun.

00:42:19Fun.

00:42:20Fun.

00:42:21Fun.

00:42:22Fun.

00:42:23Fun.

00:42:24Fun.

00:42:25Fun.

00:42:26Fun.

00:42:27Fun.

00:42:28Fun.

00:42:29Fun.

00:42:30Fun.

00:42:31Fun.

00:42:32Fun.

00:42:33Fun.

00:42:34Fun.

00:42:35Fun.

00:42:36Fun.

00:42:37Fun.

00:42:38Fun.

00:42:39Fun.

00:42:40Fun.

00:42:41Fun.

00:42:42Fun.

00:42:43Fun.

00:42:44Fun.

00:42:45Fun.

00:42:46Fun.

00:42:47Fun.

00:42:48Fun.

00:42:49Fun.

00:42:50Fun.

00:42:51Fun.

00:42:52Fun.

00:42:53Fun.

00:42:54Fun.

00:42:55Fun.

00:42:56What did they threaten you with?

00:42:58This is the difference between me and you.

00:43:00What?

00:43:01You think you know me.

00:43:03Or what I have.

00:43:04You don't, Alice.

00:43:07You're still lying.

00:43:08I'm not, Alice.

00:43:09Look around you.

00:43:11This mansion you thought was a museum.

00:43:14It's my house.

00:43:16My world.

00:43:18I was bored into this.

00:43:19I am not choosing between this...

00:43:22and something I picked up for a moment of fun.

00:43:28Don't do this, Charles.

00:43:31You don't mean it.

00:43:32It was fun.

00:43:34But you?

00:43:36You don't compare to what I own.

00:43:39I'll survive the loss.

00:43:43Right.

00:43:46I should have known.

00:43:49Guys like you don't end up with girls like me.

00:43:55You play with them, then you throw them away.

00:43:59Go to sleep, Alice.

00:44:01They catch you

00:44:06Come to sleep

00:44:06You graduate.

00:44:09What?

00:44:10This fall is a little more, then I expected

00:44:14Go to sleep

00:44:18Go to sleep

00:44:23No, no, no, no

00:44:27agree

00:44:29But I find that's the place to test myself.

00:44:43Oops.

00:45:00Oh, sorry. Didn't see that.

00:45:03Then again, nobody does.

00:45:05Move, please.

00:45:08Try begging.

00:45:14You know what? Keep it.

00:45:21Poor thing. So dramatic.

00:45:25Dance.

00:45:26Excuse me?

00:45:27I warned you.

00:45:29Walk away, Serena.

00:45:51Last week's group assignments were mostly forgettable.

00:45:54But one pair surprised me. In a good way.

00:45:58Charles Kenwood and Alice Keaton.

00:46:01Would you mind giving us a short summary?

00:46:03She loves the sound of her own voice. Better have it.

00:46:06Better have it.

00:46:07I couldn't stay.

00:46:08I couldn't wait.

00:46:09I thought that you should know that I would have.

00:46:14Our essay explored what happens when two fundamentally different voices meet.

00:46:20Like logic and chaos or silence and noise.

00:46:24Different worlds, different rules.

00:46:26At first glance, they clash.

00:46:30But what makes the story interesting is what happens next.

00:46:34Confusion.

00:46:35Curiosity.

00:46:37But in the end, some stories aren't about staying.

00:46:39And yes, there is no such thing as a happy ending.

00:46:42And yes, there is no such thing as a happy ending.

00:46:56Is she still talking about the essay?

00:46:58Miss Keaton.

00:47:01Miss Keaton.

00:47:03Dramatic as always.

00:47:05Alright.

00:47:06Thank you, Alice.

00:47:07That was...

00:47:09Laid.

00:47:11Are you okay?

00:47:12A reminder,

00:47:13that good literature

00:47:15always stirs something.

00:47:16Hello?

00:47:17Hi, Miss Alice Keaton.

00:47:18This is Whitmore Press.

00:47:19We've been following your work.

00:47:20We'd like to offer you a long-term publishing contract.

00:47:21Name your price.

00:47:22We'll make it work.

00:47:23Sorry, what?

00:47:24That's...

00:47:25kind of...

00:47:26insane.

00:47:27Who's behind this?

00:47:28Your sponsor wishes to remain anonymous.

00:47:29Can...

00:47:30Can I meet them?

00:47:32I want to.

00:47:34Please.

00:47:35I want to.

00:47:36Please.

00:47:37I want to.

00:47:38I want to.

00:47:39I want to.

00:47:40I want to.

00:47:41I want to.

00:47:42I want to.

00:47:43I want to.

00:47:44I want to.

00:47:45Please.

00:47:46Or at least tell me a name.

00:47:52Sorry.

00:47:53They wish to stay in office.

00:47:54So they're only interested in words,

00:47:55not the person.

00:47:56I'd really like to meet them.

00:47:57I'm sorry, Miss Keaton.

00:47:58The name was Barry Smith.

00:47:59I think the most generous offer

00:48:00we've ever given an interview right now.

00:48:03I see.

00:48:04Congratulations again.

00:48:10You got the interview!

00:48:11It's just an interview.

00:48:12I haven't gotten in yet.

00:48:13Still,

00:48:14Alice Keaton at Oxford.

00:48:16That's iconic.

00:48:25You okay?

00:48:27Yeah.

00:48:29I'm so excited!

00:48:30It's done, Mr. Kenwood.

00:48:43Miss Keaton signed the contract.

00:48:47Good.

00:48:48It's a generous deal.

00:48:49You sure you don't want it to know?

00:48:52No.

00:48:53No.

00:48:54It's better if I stay out of her life.

00:48:56I will be before you, babe.

00:49:01I'll be there in your darkest days.

00:49:06Congratulations, Alice Keaton.

00:49:08Go live the life you were always meant to.

00:49:16Your engagement and announcement should align perfectly with the Foundation Gala.

00:49:21And the Browns already offered to host the London Reception.

00:49:25It's all coming together beautifully.

00:49:31I've lost my appetite.

00:49:36I'll go check on him.

00:49:42What's your problem, Charles?

00:49:43Disengagement is not happening.

00:49:46It's not up to you.

00:49:47You know that.

00:49:48Serena, we're not doing this.

00:49:50You've changed.

00:49:53Or maybe I finally just stopped pretending.

00:49:57Or maybe I finally just stopped pretending.

00:50:27You've changed.

00:50:30Charles.

00:50:31You're the sponsor.

00:50:32You've been funding Alice Keaton this whole time.

00:50:37So?

00:50:39You lied to everyone.

00:50:40Including her.

00:50:42I protected her.

00:50:45You loved her.

00:50:47Still do.

00:50:50Let it go, Serena.

00:50:53There's no point.

00:50:57I need a favour.

00:51:03Find out when the Oxford interview is.

00:51:07And make sure Alice Keaton won't show up.

00:51:14Anything?

00:51:15No?

00:51:17She's not answering.

00:51:18The interview's almost over.

00:51:20Well, she won't just not show up.

00:51:22Something's wrong.

00:51:24Where's Alice?

00:51:25When was the last time you heard from her?

00:51:28Last night.

00:51:29She said she was prepping all evening.

00:51:34James.

00:51:35Track someone for me.

00:51:38Wait.

00:51:39Where are you going?

00:51:47Chill.

00:51:48Okay.

00:51:49We won't hurt you.

00:51:50Yeah.

00:51:51We're just supposed to keep your eye from the interview.

00:51:53That's it.

00:52:02Shit!

00:52:03Come back!

00:52:23Hey.

00:52:24Hey.

00:52:25Hey.

00:52:26Hey.

00:52:27Alice.

00:52:28Alice?

00:52:29Hey.

00:52:30Hey.

00:52:31Stay with me.

00:52:32Stay with me.

00:52:33Stay with me, Alice.

00:52:34Alice.

00:52:35You're awake.

00:52:36Where am I?

00:52:37A local clinic.

00:52:38Passerby brought you in.

00:52:39Passerby?

00:52:40He found you on the side of the road.

00:52:41He had to leave.

00:52:42He didn't leave a name.

00:52:43Oh.

00:52:44Oh.

00:52:45The interview.

00:52:46What time is it?

00:52:47Easy.

00:52:48It's okay.

00:52:49Someone already contacted the university.

00:52:50And sent in your writing samples.

00:52:51They've rescheduled you.

00:52:52You're awake.

00:52:53Is that what you're trying to do?

00:52:54I'm sorry.

00:52:55I'm sorry.

00:52:56I'm sorry.

00:52:57I'm sorry.

00:52:58I'm sorry.

00:52:59I'm sorry.

00:53:00I'm sorry.

00:53:01I'm sorry.

00:53:02I'm sorry.

00:53:03you on the side of the road he had to leave he didn't leave a name

00:53:08oh the interview what time is it easy it's okay

00:53:14someone already contacted the university and sent in your writing samples

00:53:18they've rescheduled your interview for tomorrow wait what who

00:53:22no idea but it's all taken care of

00:53:26what did you say nothing i just had a dream

00:53:41yeah did you i got him

00:53:48oh i knew it too bad charles isn't here to watch you crush it he's not here

00:53:56oh you didn't know know what he left a few days ago yeah everyone

00:54:02doesn't really know where he went honestly ashford's been quieter without

00:54:06him it's probably for the best come on

00:54:14alice

00:54:18the summer i met charles kenward was loud chaotic unexpected

00:54:26to me and with his absence come on with me it ended quietly

00:54:32and joining us today the decade's most unexpected literary phenomenon alice keaton thank you for

00:54:42having me no your words moved millions they say your stories feel real especially the ones about love thank you

00:55:05which brings us to the most obvious question how's your dating life like these days no comment

00:55:11a little bird told me that the past four years has been just writing and working not even a single date

00:55:17let me guess a bird named sherry she caught me still no comment all right all right no matter what you say

00:55:24you write love like someone who's lived it if you so real because once i did with someone who felt like

00:55:32chaos and clarity behind alice keaton's and no one ever quite matched the light after that and let's give it up

00:55:40congratulations alice the numbers just came in you broke your own record

00:55:57that's incredible we're thinking celebration press photos maybe tonight actually there's something i'd rather do

00:56:06i'd like to meet with the person who believed in me first my sponsor you're sure yeah just once

00:56:20good evening

00:56:34good evening

00:56:38may i sit

00:56:43hey mr nonchalant

00:56:45hi hi hi hi you look well

00:56:56and you look like you just stepped out of a gq cover you always did you were expecting someone else

00:57:04i was hoping but i guess i always knew i didn't come here to confuse you

00:57:13or to reopen anything

00:57:17i just wanted to say congratulations

00:57:20oh thank you

00:57:24didn't know you're still reading you're rich enough not to do so

00:57:30always

00:57:31either way

00:57:33your sponsorship started my career so

00:57:35no

00:57:36no you you earned everything

00:57:38every word

00:57:43every page

00:57:46every reader

00:57:47that's what i came to say

00:57:53it was good to see you again i hope

00:57:55charles

00:57:57can you just

00:58:00wait a little longer

00:58:01i think i knew it was you

00:58:11there was one email

00:58:13you said something

00:58:15felt familiar

00:58:16really

00:58:17kind of had that

00:58:18rich asshole with a conscience energy

00:58:21very on brand

00:58:22i should have anonymized my grammar

00:58:24no too late

00:58:25your semicolon usage gave you away

00:58:28still the only girl i know who flirts through punctuation

00:58:31still the only guy i know who uses wiles unironically

00:58:34you've changed

00:58:39but

00:58:41not really

00:58:44you haven't changed

00:58:46but maybe you've grown into who you really were

00:58:51anyway

00:58:52i wanted to say

00:58:54thank you

00:58:56and

00:58:58thanks for being here tonight

00:58:59you didn't have to come

00:59:02don't tell me what i have to do

00:59:07you didn't have to come

00:59:09don't tell me what i have to do

00:59:29if you could go back

00:59:33if you had the chance to do it all again

00:59:35would you do anything differently

00:59:42no

00:59:47no

00:59:52i see

00:59:56i know my answer now

00:59:57i didn't have the power back then

01:00:00not enough to protect you

01:00:02i couldn't watch you get crushed because of me

01:00:05because of my name

01:00:07my family

01:00:10i didn't want to be the reason you lost everything

01:00:13so you just disappeared without a word

01:00:18if you had the chance to see the world without me weighing you down

01:00:23if you still chose me after that

01:00:27you keep saying you wanted to give me a choice

01:00:32but you made a choice for me

01:00:36did it ever cross your mind that maybe

01:00:41i would have chosen you anyway

01:00:42i didn't think i was the smart choice

01:00:51you weren't

01:00:54but i never claimed to be that smart

01:00:56this is me

01:01:06right

01:01:06i'm still mad at you you know

01:01:15i'm still in love with you

01:01:19you know

01:01:28do you want to come in for a bit

01:01:29you're asking your ex

01:01:34who you haven't seen in four years

01:01:37to come into your hotel

01:01:38at approximately 11 pm

01:01:41you were right

01:01:43you never were that smart

01:01:45you don't have to come

01:01:47don't tell me what i have to do

01:01:59stop quoting yourself

01:02:04i recycle

01:02:05it saves energy

01:02:08this feels wildly irresponsible

01:02:10you sound like a disclaimer

01:02:12you're the one who wants called romance a distraction

01:02:14i said that

01:02:15yeah before calling wallering heights overrated

01:02:18still is

01:02:20you're lucky you're a good kisser

01:02:21that is cute to me

01:02:27don't you dare quote poetry

01:02:29i wasn't going to

01:02:30i forgot all of it the day you left

01:02:33then shut up

01:02:35and prove it

01:02:42i still can't believe this is happening

01:02:43i told you they're either worst enemies or secretly married

01:02:47and i told you they're both

01:02:51i vow to always tell you the truth

01:03:18except for when you ask how your cooking was

01:03:21then i lie

01:03:22respectfully

01:03:25i vow to keep choosing you

01:03:28loudly

01:03:29quietly

01:03:31always

01:03:33even when you forget to do the laundry

01:03:35i vow to argue with you at least twice a week

01:03:47especially over shakespeare

01:03:50i vow to write you in your every story

01:03:53even when i say i didn't

01:03:55you will always be part of my life

01:03:58if she quotes austin in this toast

01:04:00i'm out

01:04:00no you're not

01:04:01you're going to cry harder

01:04:21i woke up to the smell of roses

01:04:25i can't believe you picked paris

01:04:28such a cliche honeymoon destination

01:04:31guard your phone

01:04:33relax just don't dress like a walking inheritance and you'll be fine

01:04:39you are not wearing that on our honeymoon

01:04:43please alice go change

01:04:45don't tell me what i have to do

01:04:46no no no no no no that is not an invitation

01:04:55do not take off these clothes

01:04:56i've ruled

01:04:57you look much better without them

01:04:59do not others

01:05:05to the ones who loved in silence

01:05:07in chaos

01:05:08in chapters

01:05:10you will find your way home

01:05:23exercise

01:05:26madame

01:05:27It's up to us to make sure that we can gain what's been passed through these books.

01:05:51Help us develop, learn, and grow.

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