In Other Words, I Love You #Dramabox
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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🎥
Short filmTranscript
00:00:00I've always described the world in words people moments places all through
00:00:09metaphors and margins okay like my mom self-made stubborn and never wrong
00:00:18almost there you excited for your first day she calls this a fresh start I call
00:00:23it terrifying
00:00:30you've got this just be yourself that's kind of the problem
00:00:53okay morning class and you're not seated because I don't have a seat ah a new
00:01:16transfer Alice Keaton right let's see there's a spot next to Charles seriously
00:01:27the charity case sitting next to Charles quiet Charles I've always had words for
00:01:38everything but in that moment I forgot them all
00:01:53Charles move your things I'd rather not she'll be a distraction from what
00:02:00sleeping from everything if anything Charles Miss Keaton will be a positive
00:02:05influence on you she was top of her class at a previous school with all due
00:02:10respect sir her previous school was American I highly doubt that that's
00:02:18enough she can sit here it's fine back to Goldie thank you you got it I'm
00:02:28Sherry Vaughn Alice Keaton it's very important that we look at what he's
00:02:33talking about their experience of the time
00:02:39wait you sat next to Charles she didn't you totally shut her down oh knew it
00:02:45don't take it personally he's impossible can everyone stop acting like the goal is
00:02:50getting into his pants what he's hot everyone kind of is I I've seen Connor he's not my type you're
00:03:00joking I don't find bullies attractive hey be careful we're talking about the king of
00:03:05Ashford the what his family basically own the school and the town maybe even the
00:03:12country yeah everyone's tried to get close no one can get past his ego you're not the
00:03:17first to get nice okay first of all I wasn't iced it's more like a mutual
00:03:23decision and second I think he's arrogant cold thinks he's untouchable but if you
00:03:29really look at Charles he just seems isolated like he's making out honestly I
00:03:34just think he's lonely and kind of what
00:03:41you were saying I'm lonely and pathetic
00:03:51next time read the room before opening your mouth American we're not in Kansas anymore Alice
00:04:06hey how's your first day I good I'm excited Kevin not really super
00:04:28uneventful really how's your new job yeah all right get this is that we can stay in the
00:04:35servants wing seriously hmm apparently the young master won't mind the company the young master
00:04:42this is your boss's house yeah that's not credible I mean I wouldn't call it a house
00:04:50it's a museum with better landscaping right here I'll talk to the Butler Wow rich
00:05:08people you've topped yourselves again Stephen King first edition
00:05:17breaking and entering now how American of you
00:05:30you've been paying rent here in my head try to fight it hard
00:05:46you can get up now I I'm trying wait are you serious well you said you were trying
00:06:01what is wrong with you funny I was about to ask you the same thing what are you doing in my house
00:06:10you wait your house my house my library and now apparently my unwanted guest
00:06:21ah master Charles you must be miss Alice Anne's daughter she said you'd be moving in today
00:06:27she what there there's been some kind of misunderstanding you see I'm not actually moving in
00:06:34that so yeah I'm not staying here like at all that's a shame you must seem quite pleased with the
00:06:41arrangement well I just don't think it's appropriate well for sure then absolutely not
00:06:47come on Alice you must stay it'll be fun my dear classmate
00:07:00I'm dead like mentally socially and actually dead
00:07:06just trying to figure out how exactly my life went off the rails get it together Alice Keaton
00:07:19you've been I'm sure I'd never find someone to make my head spin around actually no
00:07:25be the thing I need they all just let this is how baby you saved me good morning
00:07:32so is that miss Keaton what thing doesn't know that stops been closed for months she's going to be late
00:07:53okay how long is this thing gonna take maybe I'll just walk five miles to school
00:08:06okay if I sprint maybe I'll make it before first period or die of exhaustion on the way
00:08:14what are you doing here didn't you already leave wait did you come back for me relax I forgot my
00:08:33textbook don't flatter yourself wait since you're already here maybe you could be a decent person and
00:08:44give me a ride no seriously your car is huge yeah and I'm not a fan of sharing says the guy who
00:08:57forced me to live in his house unbelievable
00:09:14Ashford Institute please thank you
00:09:16who needs that entitled brat anyway sir you called the cab why don't just give miss Keaton a lift
00:09:26why don't just give miss Keaton a lift and have the whole school go crazy she's new everybody's
00:09:38already talking so you're worried about her you're overthinking I just don't like drama
00:09:44asshole hey morning class back to Golding remind me what he's saying through Lord of the Flies
00:10:00Mr Kenwood care to share what you found so amusing not particularly oh I insist you seem very entertained by
00:10:13Golding I'm not entertained by Golding sir on the contrary I think his ending is weak wait wait
00:10:24you've actually read it quiet that's an interesting take explain
00:10:33he had the setup for something brutal something honest in the end he backed out he could have left
00:10:39the boys on the island forced them to confront the collapse of all morality let them choose survival
00:10:45or death but instead he gave them a rescue boat slapped a happily ever after on a book about savagery
00:10:54it's a waste don't you think I'm delightfully surprised Charles didn't think you had such
00:11:01strong literary opinions I'm always a model student sir let's not get ahead of ourselves
00:11:09so a critique of Golding's mercy anyone disagree
00:11:24I think Golding knew exactly what he was doing by ending the book that way
00:11:33it's not mercy it's irony how so
00:11:39the rescue isn't a happy ending you don't just walk back into society and forget you're a monster
00:11:44Golding didn't save them he left us with the discomfort of pretending they could be saved
00:11:48that's an interesting take Miss Keaton you still think it's a harsh critique in some ways but not
00:11:55harsh enough yes it's a critique of toxic masculinity but still Golding sympathize with them and the
00:12:03civilized world toxic violent he didn't call that out nearly as much so yeah I don't think Golding pushed
00:12:09far enough but I think it's unfair to call it a happy ending
00:12:17thank you Miss Keaton well said anyone else
00:12:23both opinions are valid okay that's kind of epic
00:12:27Golding faced major backlash when he first published the book
00:12:30good literature will always divide opinion what's happening to me
00:12:43okay what is going on why is everyone staring at me
00:12:47well you're new and apparently had a thing with Charles
00:12:50a what now you two are in the middle of the most epic feud Asher's teen in years
00:12:56we're not even fighting well according to everyone you confessed your love on day one
00:13:00got rejected begged to sit next to him got rejected again and today in class you broke down crying about
00:13:07not believing in happy endings and stormed out in tears you were there sherry that is not what happened
00:13:17doesn't matter people believe what they want to believe and they want Charles to be flawless untouchable
00:13:24wow is misogyny like a rich kid thing or just a british specialty honestly both
00:13:30but seriously Alice some people already see you as a threat
00:13:42okay loaded looks like the new girl's in for a rough first semester
00:13:53hello hello is somebody out there oh come on
00:14:18hello is somebody out there oh come on
00:14:24fine
00:14:38seriously
00:14:39Oh, shit.
00:14:47What the hell?
00:14:49Anne, I thought you were having dinner with Alice?
00:14:52She hasn't come home. Her phone is off. Maybe you've seen her this evening?
00:14:59Yikes. Looks like the new girl's in for a rough first semester.
00:15:03Shit.
00:15:14Ice! Alice!
00:15:16Mr Pelton, Charles Kenwood here. I was wondering if I could get the timetable for Alice Keaton.
00:15:21She hasn't come home. I'll have it sent over.
00:15:24Check the common room in the library. I'll take the rest.
00:15:30Ice!
00:15:33Come on, Alice. Close your eyes and jump. It's fine. We're fine.
00:15:51We're fine.
00:15:52We're fine.
00:15:57Hey.
00:15:58Hey Mr. Noncelone. Are you happy with how we ended? Is it warm enough?
00:16:00W-What are you doing here?
00:16:02What are you doing here?
00:16:29Can you get off me first?
00:16:32Did I ask for two months?
00:16:36Isn't my fault, I thought you would...
00:16:40You're welcome.
00:16:42I didn't say thank you.
00:16:44I figured saving your life might earn me basic manners.
00:16:46Someone just dumped swamp water on me.
00:16:49Excuse me if I'm not feeling very polite.
00:16:51You smell like a biology experiment.
00:16:53Wow.
00:16:55You should try falling out of a window into someone's arms and getting insulted for it.
00:16:59I wouldn't recommend it. You're heavier than you look.
00:17:04I hope you pull your shoulder.
00:17:11Are you okay?
00:17:12No.
00:17:13But I will be.
00:17:15Someone did this on purpose.
00:17:17What do you think, golden boy?
00:17:20Don't worry, I can handle it.
00:17:21You shouldn't have to.
00:17:25I'm...
00:17:27Sorry.
00:17:34Sorry.
00:17:35Did you just...
00:17:41Apologize to me?
00:17:42Don't get used to it.
00:17:43I wouldn't dream of it.
00:17:47Alice?
00:17:48Over here.
00:17:49I can't.
00:17:52You okay?
00:17:55Why are you drenched?
00:17:56Yeah.
00:17:57I just...
00:17:58took a weird shower.
00:17:59Tap exploded.
00:18:02Come on.
00:18:03Let's get you home.
00:18:14Alice Keaton, right?
00:18:17I heard she staged the whole thing for attention.
00:18:19I heard she staged the whole thing for attention.
00:18:20I know how this place works. If you don't do anything about it, it's only going to get worse.
00:18:48I'll look into it.
00:18:52Charles.
00:18:54Good on you.
00:18:55How many here would speak up?
00:19:01I can't believe someone actually locked you in. That's insane.
00:19:04Where the hell was the school when this was happening?
00:19:07Busy protecting their golden boys and trust friends.
00:19:10Well, for what it's worth, I heard Charles looked pretty freaked out when he ran out last night.
00:19:16Please, he just didn't want a lawsuit.
00:19:18Please, he just didn't want a lawsuit.
00:19:35Being a scholarship student has its perks.
00:19:38Like saving a fortune on tuition and getting into schools that normally wouldn't even let you pass the gates.
00:19:45Hey! We miss you in Paris!
00:19:48Though there are enough Americans to remind us of you.
00:19:51But sometimes, being here means standing behind.
00:19:55And watching Ashford Elites go on a two-week enrichment program you can never afford.
00:20:02Have fun!
00:20:03Bring me something overpriced and unnecessary.
00:20:09The trip cost 20 grand in pounds.
00:20:12Which translates to,
00:20:14Mom's salary for half a year.
00:20:16So, yeah.
00:20:17I didn't go.
00:20:18What are you doing here? Do you not believe in shirts?
00:20:29Do you not believe in dignity?
00:20:31It's comfortable.
00:20:32You look like a rejected Ewok.
00:20:34This is not even your kitchen.
00:20:35And this is not even your house.
00:20:37And yet you're here
00:20:38dressed like this.
00:20:39Just don't look. Go away.
00:20:40Hard not to.
00:20:41When you're walking around dressed like that.
00:20:42Do you not believe in dignity?
00:20:44It's comfortable.
00:20:46You look like a rejected Ewok.
00:20:48This, this is not even your kitchen.
00:20:50And this is not even your house.
00:20:52And yet you're here, dressed like this.
00:20:54Just don't look, go away.
00:20:56Hard not to, when you're walking around dressed like that.
00:21:00What do you guys call it?
00:21:02Um, buzzkill?
00:21:04Cockblock.
00:21:06You're insufferable.
00:21:07You're the one cosplaying at breakfast.
00:21:09You know what? I don't get it.
00:21:10Why didn't you go on that tour?
00:21:12I thought rich people live for that kind of thing.
00:21:14Why do you think?
00:21:20Where would I go?
00:21:22I could practically recite the itinerary in my sleep.
00:21:26Florence, walk in the great footsteps of Dante, Michelangelo, Da Vinci and Titian.
00:21:32Or Tiziano, if you want to sound extra pretentious.
00:21:36Then Venice, because everybody loves a good canal and getting lost in the most confusing city on earth.
00:21:42Next stop, Napoli.
00:21:44Marvel at Pompeii. Pretend you're shocked. Ancient people had plumbing.
00:21:48The final stop, Paris.
00:21:50The ultimate city of romance.
00:21:54And naturally, Woody Allen's favourite city outside of New York.
00:22:00That's word for word.
00:22:03I told you, I've done this tour so many times I could run it.
00:22:07Okay, but still, it's Europe. Most people would kill for that chance.
00:22:10Most people haven't had their phones stolen in Paris. Twice.
00:22:14Also, I hate the accommodations.
00:22:16Aren't they all five-star hotels?
00:22:18Standard rooms in five-star hotels. No thank you.
00:22:22Wow. Some were born in Rome, huh?
00:22:26That's unfortunate. It's a very chaotic city.
00:22:28One word of advice? Shut up.
00:22:30That's two words.
00:22:32You're weird. You're loud. You're annoying. You're in my kitchen.
00:22:38You have three other kitchens. And I prefer this one. Just for today.
00:22:43Come back when you've got a shirt on. Come back with normal clothes on.
00:22:46You didn't have to come. Don't tell me what I have to do.
00:22:49After Charles, roads are flooded. Staff won't make it tonight. Will you be alright sorting dinner?
00:23:05I've got it sorted.
00:23:07Oh, Jesus! What are you doing?
00:23:20Relax.
00:23:23I'm here to make a deal.
00:23:24What deal? You nearly gave me a heart attack.
00:23:31You'll survive.
00:23:32I'm not selling my body.
00:23:37Wow. I am deeply offended. That thought disgusts me.
00:23:50Then what are you doing?
00:23:51The staff's off tonight. I'm buying dinner.
00:23:57Did you seriously think I'd spend a hundred pounds on-
00:23:59No, I- I-
00:24:00Jesus.
00:24:02Wait. You think I'm not worth one hundred pounds?
00:24:06I'm not spending one hundred pounds to snort Chewbacca.
00:24:10You know what? Dinner's cancelled.
00:24:15Are you sure about that?
00:24:18I present to you. Meatball spaghetti, stir-fried veggies, and french fries. You're welcome.
00:24:23Interesting combo.
00:24:25Well, I know we're not in Italy or France, but this'll do.
00:24:28It's... good.
00:24:38Was that a compliment?
00:24:39Although, I am obliged to inform you. Meatball spaghetti isn't Italian. It's American. And french fries, likely born in South America. You should read more. Put it down. I paid for it.
00:24:41You really just have to win every argument, don't you? To be fair. You make it very easy. It's only easy because it costs you a hundred pounds.
00:24:46You know, if you'd ask for more, I probably would've given it to you.
00:24:47I'll make sure that.
00:24:51I'll make sure that.
00:24:52No.
00:24:53No.
00:24:54No.
00:24:55No.
00:24:56No.
00:24:57No.
00:24:58No.
00:24:59No.
00:25:00No.
00:25:01No.
00:25:02No.
00:25:03No.
00:25:04No.
00:25:05No.
00:25:06You're here.
00:25:07Right.
00:25:08OK, Alice.
00:25:09You're fine.
00:25:12No.
00:25:13No.
00:25:15No.
00:25:16No.
00:25:18No.
00:25:21No.
00:25:23No, no.
00:25:26No.
00:25:27No.
00:25:29Oh, no.
00:25:30Yeah.
00:25:31911, what's with your emergency?
00:25:39911, what's with your emergency?
00:25:41It's my dad. He needs help. He just had a stroke.
00:25:44Okay, miss. Hurricane's constant. Traffic's shut down.
00:25:46We'll get to you as soon as we can, right?
00:25:48Please, he's not well.
00:25:49I understand. Can you confirm your address?
00:25:54Dad, yes, I'm right here.
00:25:56Alright.
00:25:58My daughter.
00:25:59Please stay with me, Dad.
00:26:01Please.
00:26:06No!
00:26:07Please wake up!
00:26:13Dad, please.
00:26:14Please don't leave me.
00:26:31You... what are you doing here?
00:26:48You were crying... loudly. Kind of hard to ignore.
00:27:00Right. Sorry for the noise.
00:27:03Wait, you know Snarky come back?
00:27:06Not tonight. I'm too tired.
00:27:08If you're here to argue, knock yourself out.
00:27:13You were calling for your dad, right?
00:27:16Hurricane hit New York.
00:27:18Power went down. Traffic froze.
00:27:21Dad had a stroke.
00:27:23But he couldn't get help in time.
00:27:25I sat there with a candle while he laid there.
00:27:32Peaceful.
00:27:33Like he was asleep.
00:27:34But he wasn't.
00:27:35So that's why you and your mum moved here?
00:27:36This used to be our hometown.
00:27:37After Dad left...
00:27:38We had nowhere else to go.
00:27:39What are you doing?
00:27:40Come on.
00:27:41What are you doing?
00:27:42Come on.
00:27:43What?
00:27:44You're backing Waarom.
00:27:45I gotta get my lado idea.
00:27:47Thekhastavo.
00:27:48What are you doing?
00:27:49This wasn't what anyone have đâu existed
00:27:51Causeoooo there is no way before.
00:27:52Thekhastavo.
00:27:53Besides that advisors
00:28:06and others know they're unknown.
00:28:08we all need to be proud.
00:28:09So that's why you and your mum moved here?
00:28:11This used to be our hometown.
00:28:13Wait, I thought the power was out?
00:28:24It is.
00:28:25We have our own generator.
00:28:26Wow.
00:28:27Rich people houses her.
00:28:29Just for tonight, I'll allow it.
00:28:33Allow what?
00:28:34You can call this place your house, so enjoy it.
00:28:38Stephen King's first edition,
00:28:40Alan Gisberg's handwritten letters,
00:28:42Jane Austen's notes,
00:28:43all yours.
00:28:48This is your home, Alice Keaton.
00:28:57Careful.
00:28:59Almost sounded sweet.
00:29:01Don't push it.
00:29:02Okay then.
00:29:05I have one request.
00:29:11What is it?
00:29:12Are you ever going to make a move?
00:29:21Wait.
00:29:22Give me a second.
00:29:23I'm thinking.
00:29:24You had one wish.
00:29:26Anything in the world.
00:29:27And in the middle of a thunderstorm,
00:29:30Inside a literal mansion,
00:29:32You chose chess.
00:29:34Yeah.
00:29:35Got a problem?
00:29:36It's just so cool, like,
00:29:38Spies or genius villains in movies.
00:29:40It's literally a board game.
00:29:42Says the guy who owns a custom set.
00:29:44Wait, does the knight go diagonally?
00:29:48For the 10th time, it moves in an L shape.
00:29:52One, two, then turn.
00:29:56There.
00:29:58Happy?
00:29:58Ectatic.
00:29:59That's a suicide.
00:30:03Or a brilliant long-term sacrifice.
00:30:06You are playing checkers at a chessboard.
00:30:07Still beating you in sarcasm.
00:30:09You literally haven't won any past arguments.
00:30:11Golding disagrees.
00:30:13It's going to be a long night.
00:30:14Maybe he's not so awful after all.
00:30:44What are you doing here?
00:30:58Well, your parents said you were still at home.
00:31:01Thank God you skipped that boring grand tour.
00:31:03Who needs Italy and France again, right?
00:31:06When did you get back?
00:31:07Last night.
00:31:08From Zurich.
00:31:09You didn't answer my messages.
00:31:12I missed you.
00:31:13Anyway, thought I'd come surprise you.
00:31:16Apparently, I'm transferring to Ashford.
00:31:19Your parents were so thrilled.
00:31:21They didn't tell me about this.
00:31:22I wanted to deliver the happy news myself.
00:31:25They said it'd be lovely for us to reconnect.
00:31:28You know, considering the engagement and all.
00:31:32Engagement.
00:31:32Oh, did no one tell you?
00:31:36He's promised.
00:31:38Old money stuff.
00:31:39Very retro.
00:31:40I didn't agree to that.
00:31:41You didn't have to.
00:31:42It's never up to us.
00:31:45Where did you find this little toy?
00:31:48Serena.
00:31:48I can hear you, you know.
00:31:49Oh, an American.
00:31:53How refreshing.
00:31:58Goodbye.
00:31:59Wait.
00:32:00Where are you going?
00:32:17You still owe me breakfast.
00:32:19You only paid for dinner.
00:32:21I have homework.
00:32:22Goodbye.
00:32:23Goodbye.
00:32:23Your little toy has quite the temper.
00:32:28Serena, can you please just stop?
00:32:30What?
00:32:31Teasing the help?
00:32:38That's her.
00:32:39That's the one from Kenwood's house.
00:32:42Was she like, the maid or something?
00:32:43Oh my god, what's wrong with people?
00:33:02They're saying you live with Charles.
00:33:04Oh, and Serena.
00:33:05What about her?
00:33:06Well, apparently she told everyone you were caught sneaking into his room.
00:33:10Of course she did.
00:33:13Careful, Alice.
00:33:25You're starting to look desperate.
00:33:38Can we help you?
00:33:39Yes, I know.
00:33:40It's 1066.
00:33:42Come to the music room.
00:33:43Urgent.
00:33:44I just remembered, I need to check something.
00:33:47You guys go ahead.
00:33:48Yeah, okay.
00:33:55Hello?
00:33:56Is someone there?
00:33:57Seriously?
00:33:59This is getting old.
00:34:00Wait.
00:34:11Music room?
00:34:14What?
00:34:16James?
00:34:17Was anybody in here earlier?
00:34:19Just Miss Serena.
00:34:20Said she was waiting for you.
00:34:21Sir?
00:34:23Sir?
00:34:25Sir, it's raining.
00:34:37Come on, Alice.
00:34:38You're fine.
00:34:40You're not that girl again.
00:34:41Wait, can you remind me one more time?
00:34:51Okay.
00:34:52Rooks move in straight lines.
00:34:54Yeah.
00:34:55Bishops move diagonally.
00:34:57And knights...
00:34:58The knight's the weird one.
00:35:04Rooks.
00:35:05Straight lines.
00:35:07Straight lines.
00:35:08Bishops.
00:35:10Diagonally.
00:35:11Hello?
00:35:12Hello?
00:35:12The text.
00:35:33Are you okay?
00:35:35Are you hurt?
00:35:36I...
00:35:36I'm okay.
00:35:37I...
00:35:38I saw the text and I thought...
00:35:40I didn't see the message.
00:35:41Serena took my phone.
00:35:43I didn't know.
00:35:44I'm sorry.
00:35:45I'm...
00:35:46Okay.
00:35:48You're gonna catch a cold.
00:35:49You're freezing.
00:35:50You didn't have to come.
00:35:54Don't tell me what I have to do.
00:35:56Give me hope that feels like hope...
00:36:11That wasn't a mistake.
00:36:20If that's what you're about to say.
00:36:23I...
00:36:24Wasn't going to.
00:36:25I'm really bad at this, you know.
00:36:40What?
00:36:41Kissing?
00:36:41Hiding feelings.
00:36:42Dump those Ewok pyjamas.
00:37:06Oh, you wish.
00:37:10Seriously.
00:37:11It's a cock block.
00:37:13You kissed me.
00:37:15That's basically consent to everything.
00:37:23Dangerous words, Keaton.
00:37:25I might hold you to that.
00:37:26You'll be working in pairs on your comparative essays.
00:37:39The list is on the board.
00:37:43One, two, three, four.
00:37:45Paper planes
00:37:48Are you okay?
00:37:49Fly me to outer space
00:37:53That's where I'll see your face
00:37:58And have you with me
00:38:01It may seem dark
00:38:07But you always like my spark
00:38:12In my heart
00:38:15You're welcome
00:38:19They're either enemies or secretly married
00:38:25Honestly
00:38:27Both
00:38:28I was sure I'd never find someone to make my head spin around
00:38:35No one's ever gonna be the thing I need
00:38:37They all just let me down
00:38:39But baby, you saved me
00:38:42So, the night goes in an L shape, right?
00:38:52Why is that the only one you remember?
00:38:55Because it's weird
00:38:56And I like weird
00:38:59Check
00:39:06You're cheating
00:39:13I'm winning
00:39:14There's a difference
00:39:16You are very distracting
00:39:17And you like it
00:39:20I would be the four you'll be
00:39:22I'll be the new dark and space
00:39:27I'll hold you in my arms
00:39:30Charles!
00:39:30We need to talk
00:39:33I expected poor judgment
00:39:42But this in my house
00:39:44It isn't what it looks like
00:39:46No
00:39:46Kissing a servant's daughter
00:39:49In the family library
00:39:51Enlighten me then, Charles
00:39:52We came back tonight
00:39:53After speaking with Serena
00:39:55Imagine our surprise
00:39:57Walking in on
00:39:58This
00:39:59She isn't just
00:40:00You have no right
00:40:02To barge in
00:40:03On my property
00:40:04I care about her
00:40:08I'm not ashamed
00:40:10That's enough
00:40:11Why do you care?
00:40:15We're protecting our son's future
00:40:17And our name
00:40:19You think this protects me?
00:40:21We think
00:40:22She does not belong
00:40:24In your world
00:40:25Then maybe I don't either
00:40:29You're ready to give up everything
00:40:33For a girl you barely know
00:40:35Yes
00:40:38Then
00:40:39Are you sure
00:40:41She's ready?
00:40:48I'm asking you
00:40:50Do you think she's ready
00:40:51To lose everything
00:40:53Regardless of how little
00:40:54That is
00:40:55Just to be with you
00:40:56What are you talking about?
00:40:58You left us no choice, son
00:40:59You shouldn't disobey your father
00:41:01Pelton
00:41:05It's Frederick Kenwood
00:41:07Ah, Mr. Kenwood
00:41:09How can I help?
00:41:10If a scholarship student
00:41:11Were to violate our behavioural code
00:41:14In a public setting
00:41:16With photographic evidence
00:41:17Would that warrant a review?
00:41:20Yes, sir
00:41:20So
00:41:24Answer me again
00:41:26Do you think she's ready
00:41:28To lose everything
00:41:29Just to be with you?
00:41:41Charles
00:41:41What happened?
00:41:43Did your parents say something?
00:41:44Are they mad?
00:41:44Is everything okay?
00:41:45Pack your things
00:41:47You can't stay here anymore
00:41:50What?
00:41:53My parents fired your mother
00:41:54She's leaving
00:41:56So are you
00:41:57Wait, what?
00:41:58Why?
00:41:59Is it because of us?
00:42:00We can fix this
00:42:01I'll get a job
00:42:02Anything
00:42:02Stop, stop it
00:42:02You don't get it
00:42:04If I don't walk away from this
00:42:06They'll cut me off
00:42:07Okay?
00:42:09No card
00:42:10No trust
00:42:11No support
00:42:12Nothing
00:42:13Then
00:42:14Then we'll figure it out
00:42:16We don't need all that
00:42:18We can
00:42:18Do you really think
00:42:20I'm going to live like that?
00:42:24So that's what this was
00:42:25Just fun
00:42:27Until it got inconvenient
00:42:29What did they promise you?
00:42:34Nothing
00:42:35They just reminded me
00:42:39Of what's real
00:42:40Charles, I'm not stupid
00:42:45You don't just turn into a cold stranger
00:42:48Because of one conversation
00:42:49What did they threaten you with?
00:42:56What did they threaten you with?
00:42:58This is the difference between me and you
00:43:00What?
00:43:01You think you know me
00:43:02Or what I have
00:43:04You don't
00:43:05Alice
00:43:06You're still lying
00:43:08I'm not
00:43:08Alice
00:43:09Look around you
00:43:10This mansion
00:43:12You thought was a museum
00:43:13It's my house
00:43:16My world
00:43:17I was bored into this
00:43:19I am not choosing
00:43:20Between this
00:43:22And something I picked up
00:43:26For a moment of fun
00:43:27Don't do this Charles
00:43:31You don't mean it
00:43:33It was fine
00:43:34But you
00:43:35You don't compare to what I own
00:43:38I'll survive the loss
00:43:42Right
00:43:45I should have known
00:43:48Guys like you
00:43:51But don't end up with girls like me
00:43:53You play with them
00:43:55Then you throw them away
00:43:57Go to sleep Alice
00:43:59Go to sleep Alice
00:44:01Go to sleep Alice
00:44:19I can barely see myself
00:44:20I'm going to try to test myself.
00:44:24Yeah, around me feels so heavy but depleted.
00:44:30But I find that's the place to test myself.
00:44:42Oops.
00:44:50Oh, sorry. Didn't see that.
00:45:02Then again, nobody does.
00:45:04Move, please.
00:45:06Hmm. Try begging.
00:45:14You know what? Keep it.
00:45:20Poor thing. So dramatic.
00:45:24Don't.
00:45:26Excuse me.
00:45:27I warned you.
00:45:29Walk away, Serena.
00:45:50Last week's group assignments were mostly forgettable.
00:45:54But one pair surprised me.
00:45:56In a good way.
00:45:57Charles Kenwood and Alice Keaton.
00:46:00Would you mind giving us her short summary?
00:46:03She loves the sound of her own voice.
00:46:05Better have it.
00:46:06I couldn't stay.
00:46:07I couldn't wait.
00:46:08I thought that you should know that I would have.
00:46:14Our essay explored what happens when two fundamentally different voices meet.
00:46:18Like logic and chaos.
00:46:20Or silence and noise.
00:46:23Different worlds.
00:46:24Different rules.
00:46:27At first glance, they clash.
00:46:29But what makes the story interesting is what happens next.
00:46:33Confusion.
00:46:34Curiosity.
00:46:36But in the end, some stories aren't about staying.
00:46:39And yes, there is no such thing as a happy ending.
00:46:42And yes, there is no such thing as a happy ending.
00:46:56Is she still talking about the essay?
00:47:01Miss Keaton.
00:47:03Dramatic as always.
00:47:05Alright.
00:47:06Thank you, Alice.
00:47:07That was...
00:47:08Laid.
00:47:10Are you okay?
00:47:11A reminder.
00:47:12That good literature...
00:47:14Always stirs something.
00:47:19Hello?
00:47:20Hi, here's Alice Keaton.
00:47:21This is Whitmore Press.
00:47:22We've been following your work.
00:47:23We'd like to offer you a long-term publishing contract.
00:47:25Name your price.
00:47:26We'll...
00:47:27We'll make it work.
00:47:28Sorry, what?
00:47:33That's...
00:47:34Kind of...
00:47:35Insane.
00:47:36Who's behind this?
00:47:37Your sponsor wishes to remain anonymous.
00:47:38Can...
00:47:40Can I meet them?
00:47:43I want to.
00:47:44Please.
00:47:46Or at least tell me a name.
00:47:51Sorry, they wish to stay in office.
00:47:53So their only interest in words, not the person.
00:47:55I'd really like to meet them.
00:47:56Oh, I'm sorry for to keep them.
00:47:57The name was very good.
00:47:58I think the most generous offer we've ever given in New York City.
00:48:02I see.
00:48:03Congratulations again.
00:48:09Have you got the interview?
00:48:10It's just an interview.
00:48:11I haven't gotten it yet.
00:48:12Still, Alice Keaton at Oxford.
00:48:15That's iconic.
00:48:16Are you okay?
00:48:17Yeah.
00:48:18I'm so excited.
00:48:19I'm so excited.
00:48:20It's done, Mr. Kenwood.
00:48:21Miss Keaton signed the contract.
00:48:22Good.
00:48:23It's a generous deal.
00:48:24You sure you don't want it to know?
00:48:25No.
00:48:26No.
00:48:27It's better if I stay out of the room.
00:48:28No.
00:48:29It's better if I stay out of the room.
00:48:30You're okay?
00:48:32Yeah, I'm so excited.
00:48:33It's all right.
00:48:34I'm so excited.
00:48:36I'm so excited.
00:48:37What's that?
00:48:38It's done, Mr. Kenwood.
00:48:39Miss Keaton signed the contract.
00:48:40Good.
00:48:41It's a generous deal.
00:48:42You sure you don't want it to know?
00:48:44No.
00:48:45No, it's better if I stay out of the room.
00:48:46It's a generous deal.
00:48:47It's a generous deal.
00:48:48It's a generous deal. Are you sure you don't want her to know?
00:48:51No. No, it's better if I stay out of her life.
00:49:05Congratulations, Alice Keaton. Go live the life you were always meant to.
00:49:11Your engagement and announcement should align perfectly with the Foundation Gala.
00:49:20And the Browns already offered to host the London reception. It's all coming together beautifully.
00:49:30I've lost my appetite.
00:49:35I'll go check on him.
00:49:41What's your problem, Charles?
00:49:47Disengagement is not happening.
00:49:49It's not up to you. You know that.
00:49:51Serena, we're not doing this.
00:49:54You've changed.
00:49:59Or maybe I finally just stopped pretending.
00:50:11You're the sponsor. You've been funding Alice Keaton this whole time.
00:50:21So?
00:50:22You lied to everyone, including her.
00:50:25I protected her.
00:50:27You loved her.
00:50:29Still do.
00:50:30Let it go, Serena.
00:50:31There's no point.
00:50:32Let it go, Serena.
00:50:33There's no point.
00:50:34You're the sponsor.
00:50:35You've been funding Alice Keaton this whole time.
00:50:37So?
00:50:38You lied to everyone, including her.
00:50:39I protected her.
00:50:40You loved her.
00:50:41Still do.
00:50:42Let it go, Serena.
00:50:43There's no point.
00:50:44I need a favor.
00:50:45Find out when the Oxford interview is.
00:50:46And make sure Alice Keaton won't show up.
00:50:51ORCHEINN
00:51:01Anything?
00:51:02No?
00:51:03She's not answering.
00:51:04The interview is almost over.
00:51:05She won't just not show up.
00:51:06She's not answering.
00:51:07The interview's almost over.
00:51:08Well, she won't just not show up.
00:51:09She doesn't just show up.
00:51:15She's not answering.
00:51:17The interview is almost over.
00:51:18The interview is almost over.
00:51:20Well, shouldn't just not show up.
00:51:22Something's wrong.
00:51:24Where's Alice?
00:51:26When was the last time you heard from her?
00:51:28Last night.
00:51:29She said she was prepping all evening.
00:51:34James, track someone for me.
00:51:38Wait, where are you going?
00:51:39Chill, okay?
00:51:48It won't hurt you.
00:51:50Yeah, we're just supposed to keep away from the interview, that's it.
00:52:01Shit!
00:52:02Come back!
00:52:09I remember how I meant
00:52:33Didn't need a second guess
00:52:39Hey, hey, hey, Alice, Alice
00:52:42Alice, stay with me, stay with me, stay with me, Alice
00:52:46Alice
00:52:46You're awake
00:52:54Where, where am I?
00:52:57A local clinic
00:52:58Passerby brought you in
00:52:59Passerby
00:53:01He found you on the side of the road
00:53:04He had to leave, he didn't leave a name
00:53:05Oh
00:53:08The interview, what time is it?
00:53:12Easy, it's okay
00:53:13Someone already contacted the university
00:53:16And sent in your writing samples
00:53:18They've rescheduled your interview for tomorrow
00:53:20Wait, what, who?
00:53:22No idea, but it's all taken care of
00:53:24What did you say?
00:53:29Nothing
00:53:29I just
00:53:31Had a dream
00:53:38I got him!
00:53:44Oh, I knew it
00:53:49Too bad Charles isn't here to watch you crush it
00:53:53He's not here
00:53:54Oh, you didn't know
00:53:57Know what?
00:53:59He left
00:54:00A few days ago, yeah, everyone doesn't really know where he went
00:54:04Honestly, Asher has been quieter without him
00:54:06It's probably for the best
00:54:07Come on
00:54:08Alice
00:54:14The summer I met Charles Kenwood was loud
00:54:21Chaotic
00:54:23Unexpected
00:54:25And with his absence
00:54:28Come on
00:54:29It ended quietly
00:54:32Like summers always do
00:54:36And joining us today
00:54:50The decade's most unexpected literary phenomenon
00:54:54Alice Keaton
00:54:55Thank you for having me
00:54:56Now, your words moved millions
00:54:59They say your stories feel real
00:55:02Especially the ones about love
00:55:04Thank you
00:55:05Which brings us to the most obvious question
00:55:07How's your dating life like these days?
00:55:10No comment
00:55:11A little bird told me that the past four years has been just writing and working
00:55:16Not even a single date
00:55:17Let me guess a bird named Sherry
00:55:19She caught me
00:55:20Still no comment
00:55:21Alright, alright
00:55:22No matter what you say
00:55:24You write love
00:55:25Like someone who's lived it
00:55:28If you're so real
00:55:29Because once
00:55:30I did
00:55:31With someone who felt like chaos and clarity
00:55:34And no one ever quite matched the light after that
00:55:38And let's give it up for Alice Keaton one more time
00:55:42Congratulations Alice
00:55:53The numbers just came in
00:55:55You broke your own record
00:55:56That's incredible
00:55:59We're thinking celebration
00:56:01Press
00:56:01Photos
00:56:02Maybe tonight
00:56:03Actually
00:56:04There's something I'd rather do
00:56:06I'd like to meet with the person who believed in me first
00:56:11My sponsor
00:56:13You're sure?
00:56:15Yeah
00:56:15Just once
00:56:16Tonight
00:56:187pm
00:56:19Good evening
00:56:30Good evening
00:56:35May I sit?
00:56:41Hey Mr. Nonchalant
00:56:45Hi
00:56:49Hi
00:56:50You look well
00:56:53And you look like you just stepped out of a GQ cover
00:56:58You always did
00:57:00You were expecting someone else
00:57:03I was
00:57:05Hoping
00:57:07But I guess I always knew
00:57:10I didn't come here to confuse you
00:57:12Or to reopen anything
00:57:14I just wanted to say congratulations
00:57:19Oh
00:57:20Thank you
00:57:22Didn't know you were still reading
00:57:26You were rich enough not to do so
00:57:28Always
00:57:30Either way
00:57:32Your sponsorship started my career
00:57:34So
00:57:35No
00:57:35No
00:57:36No
00:57:37You earned everything
00:57:38Every word
00:57:42Every page
00:57:44Every reader
00:57:46That's what I came to say
00:57:49It was good to see you again
00:57:54I hope
00:57:55Charles
00:57:55Can you just
00:57:58Wait a little longer
00:58:01I think I knew it was you
00:58:09There was one email
00:58:12You said something
00:58:14It felt familiar
00:58:16Really?
00:58:17Kind of had that
00:58:18Rich asshole with a conscience energy
00:58:20Very on brand
00:58:22I should have anonymized my grammar
00:58:24Too late
00:58:25Your semicolon usage gave you away
00:58:27Still the only girl I know
00:58:30Who flirts through punctuation
00:58:31Still the only guy I know
00:58:33Who uses wiles unironically
00:58:34You've changed
00:58:38But
00:58:40Not really
00:58:42You haven't changed
00:58:45But
00:58:46Maybe you've grown into who you really were
00:58:49Anyway
00:58:51I wanted to say
00:58:53Thank you
00:58:55And
00:58:57Thanks for being here tonight
00:58:59You didn't have to come
00:59:01Don't tell me what I have to do
00:59:04You didn't have to come
00:59:08Don't tell me
00:59:11What I have to do
00:59:12If you could go back
00:59:33If you had the chance to do it all again
00:59:35Would you do anything differently
00:59:37No
00:59:43No
00:59:43No
00:59:48I see
00:59:53I know my answer now
00:59:57I didn't have the power back then
00:59:59Not enough to protect you
01:00:01I couldn't watch you get crushed because of me
01:00:04Because of my name
01:00:06My family
01:00:08I didn't want to be the reason you lost everything
01:00:12So you just disappeared
01:00:14Without a word
01:00:15If you had the chance to see the world
01:00:20Without me weighing you down
01:00:22If you still chose me after that
01:00:25You keep saying you wanted to give me a choice
01:00:31But you made a choice for me
01:00:34Did it ever cross your mind that maybe
01:00:38I would have chosen you anyway
01:00:43I didn't think I was the smart choice
01:00:50You weren't
01:00:52But I never claimed to be that smart
01:00:56This is me
01:01:05Right
01:01:06I'm still mad at you
01:01:15You know
01:01:15I'm still in love with you
01:01:19You know
01:01:20Do you want to come in for a bit
01:01:29You're asking your ex
01:01:33Who you haven't seen in four years
01:01:36To come into your hotel
01:01:38At approximately 11pm
01:01:40You were right
01:01:42You never were that smart
01:01:44You don't have to come
01:01:46Don't tell me what I have to do
01:02:03Stop quoting yourself
01:02:04I recycle
01:02:05It saves energy
01:02:06This feels wildly irresponsible
01:02:10You sound like a disclaimer
01:02:11You're the one who once called romance a distraction
01:02:14I said that
01:02:15Yeah
01:02:15Before calling Wuthering Heights overrated
01:02:18Still is
01:02:19You're lucky you're a good kisser
01:02:22That is cute
01:02:26Don't you dare quote poetry
01:02:29I wasn't going to
01:02:30I forgot all of it the day you left
01:02:32Then shut up
01:02:34And prove it
01:02:36I still can't believe this is happening
01:02:43I told you
01:02:44They're either worst enemies
01:02:46Or secretly married
01:02:47And I told you
01:02:47They're both
01:02:48I vowed to always tell you the truth
01:03:05I vowed to always tell you the truth
01:03:17Except for when you ask how your cooking was
01:03:20Then I lie
01:03:22Respectfully
01:03:23I vowed to keep choosing you
01:03:27Loudly
01:03:28Quietly
01:03:30I vowed to argue with you at least twice a week
01:03:47Especially over Shakespeare
01:03:49I vowed to write you in your every story
01:03:52Even when I say I didn't
01:03:54You will always be part of my life
01:03:57If she quotes Austen in this toast
01:04:00I'm out
01:04:00No you're not
01:04:01You're going to cry harder
01:04:02Can't believe you picked Paris
01:04:14Such a cliche honeymoon destination
01:04:29Guard your phone
01:04:32Relax
01:04:33Just don't dress like a walking inheritance
01:04:36And you'll be fine
01:04:36You are not wearing that on our honeymoon
01:04:41Please Alice go change
01:04:44Don't tell me what I have to do
01:04:47No
01:04:51No no no no
01:04:53That is not an invitation
01:04:54Do not take off these clothes
01:04:56Overruled
01:04:57You look much better without them
01:05:05To the ones who loved in silence
01:05:07In chaos
01:05:08In chapters
01:05:09You will find your way home
01:05:16Sometimes I wanna be on my own
01:05:18But I don't wanna die alone
01:05:20Cut
01:05:21I'm on my own
01:05:23I'm on my own
01:05:24I'm on my own
01:05:25Do not like it
01:05:25It feels like it's been a virgin
01:05:26I'm gone by the morning
01:05:28I'm on my own
01:05:29I'm on my own
01:05:30I'm on my own
01:05:30I'm on my own
01:05:31I'm on my own
01:05:32Oopsie
01:05:33I'm on my own
01:05:34Oopsie
01:05:35My king
01:05:35I'm on my own
01:05:36I'm on my own
01:05:36My king
01:05:38Okay
01:05:38I'm on my own
01:05:39Okay
01:05:40Okay
01:05:40Okay
01:05:40Okay
01:05:40Your day's coming now
01:05:42Ooh
01:05:42Ooh
01:05:43Ooh
01:05:44Ooh
01:05:45That's a funny
01:05:45What's up to us
01:05:45So
01:05:45It's up to us
01:05:47To make sure that we can gain
01:05:50what's been passed through these books. Help us develop, learn and grow.
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