In Other Words, I Love You #Dramabox
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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Short filmTranscript
00:00:00I've always described the world in words people moments places all through
00:00:09metaphors and margins okay like my mom self-made stubborn and never wrong
00:00:18almost there you excited for your first day she calls this a fresh start I call
00:00:23it terrifying
00:00:30you've got this just be yourself that's kind of the problem
00:00:53okay morning class and you're not seated because I don't have a seat ah a new
00:01:16transfer Alice Keaton right let's see there's a spot next to Charles seriously
00:01:27the charity case sitting next to Charles quiet Charles I've always had words for
00:01:38everything but in that moment I forgot them all
00:01:53Charles move your things I'd rather not she'll be a distraction from what
00:02:00sleeping from everything if anything Charles Miss Keaton will be a positive
00:02:05influence on you she was top of her class at a previous school with all due
00:02:10respect sir her previous school was American I highly doubt that that's
00:02:18enough she can sit here it's fine back to Goldie thank you you got it I'm
00:02:28Sherry Vaughn Alice Keaton it's very important that we look at what he's
00:02:33talking about their experience of the time
00:02:39wait you sat next to Charles she didn't you totally shut her down oh knew it
00:02:45don't take it personally he's impossible can everyone stop acting like the goal is
00:02:50getting into his pants what he's hot everyone kind of is I I've seen Connor he's not my type you're
00:03:00joking I don't find bullies attractive hey be careful we're talking about the king of
00:03:05Ashford the what his family basically own the school and the town maybe even the
00:03:12country yeah everyone's tried to get close no one can get past his ego you're not the
00:03:17first to get nice okay first of all I wasn't iced it's more like a mutual
00:03:23decision and second I think he's arrogant cold thinks he's untouchable but if you
00:03:29really look at Charles he just seems isolated like he's making out honestly I
00:03:34just think he's lonely and kind of what
00:03:41you were saying I'm lonely and pathetic
00:03:51next time read the room before opening your mouth American we're not in Kansas anymore Alice
00:04:06hey how's your first day I good I'm excited Kevin not really super
00:04:28uneventful really how's your new job yeah all right get this is that we can stay in the
00:04:35servants wing seriously hmm apparently the young master won't mind the company the young master
00:04:42this is your boss's house yeah that's not credible I mean I wouldn't call it a house
00:04:50it's a museum with better landscaping right here I'll talk to the Butler Wow rich
00:05:08people you've topped yourselves again Stephen King first edition
00:05:17breaking and entering now how American of you
00:05:30you've been paying rent here in my head try to fight it hard
00:05:46you can get up now I I'm trying wait are you serious well you said you were trying
00:06:01what is wrong with you funny I was about to ask you the same thing what are you doing in my house
00:06:10you wait your house my house my library and now apparently my unwanted guest
00:06:21ah master Charles you must be miss Alice Anne's daughter she said you'd be moving in today
00:06:27she what there there's been some kind of misunderstanding you see I'm not actually moving in
00:06:34that so yeah I'm not staying here like at all that's a shame you must seem quite pleased with the
00:06:41arrangement well I just don't think it's appropriate well for sure then absolutely not
00:06:47come on Alice you must stay it'll be fun my dear classmate
00:07:00I'm dead like mentally socially and actually dead
00:07:06just trying to figure out how exactly my life went off the rails get it together Alice Keaton
00:07:19you've been I'm sure I'd never find someone to make my head spin around actually no
00:07:25be the thing I need they all just let this is how baby you saved me good morning
00:07:32so is that miss Keaton what thing doesn't know that stops been closed for months she's going to be late
00:07:53okay how long is this thing gonna take maybe I'll just walk five miles to school
00:08:06okay if I sprint maybe I'll make it before first period or die of exhaustion on the way
00:08:14what are you doing here didn't you already leave wait did you come back for me relax I forgot my
00:08:33textbook don't flatter yourself wait since you're already here maybe you could be a decent person and
00:08:44give me a ride no seriously your car is huge yeah and I'm not a fan of sharing says the guy who
00:08:57forced me to live in his house unbelievable
00:09:14Ashford Institute please thank you
00:09:16who needs that entitled brat anyway sir you called the cab why don't just give miss Keaton a lift
00:09:26why don't just give miss Keaton a lift and have the whole school go crazy she's new everybody's
00:09:38already talking so you're worried about her you're overthinking I just don't like drama
00:09:44asshole hey morning class back to Golding remind me what he's saying through Lord of the Flies
00:10:00Mr Kenwood care to share what you found so amusing not particularly oh I insist you seem very entertained by
00:10:13Golding I'm not entertained by Golding sir on the contrary I think his ending is weak wait wait
00:10:24you've actually read it quiet that's an interesting take explain
00:10:33he had the setup for something brutal something honest in the end he backed out he could have left
00:10:39the boys on the island forced them to confront the collapse of all morality let them choose survival
00:10:45or death but instead he gave them a rescue boat slapped a happily ever after on a book about savagery
00:10:54it's a waste don't you think I'm delightfully surprised Charles didn't think you had such
00:11:01strong literary opinions I'm always a model student sir let's not get ahead of ourselves
00:11:09so a critique of Golding's mercy anyone disagree
00:11:24I think Golding knew exactly what he was doing by ending the book that way
00:11:33it's not mercy it's irony how so
00:11:39the rescue isn't a happy ending you don't just walk back into society and forget you're a monster
00:11:44Golding didn't save them he left us with the discomfort of pretending they could be saved
00:11:48that's an interesting take Miss Keaton you still think it's a harsh critique in some ways but not
00:11:55harsh enough yes it's a critique of toxic masculinity but still Golding sympathize with them and the
00:12:03civilized world toxic violent he didn't call that out nearly as much so yeah I don't think Golding pushed
00:12:09far enough but I think it's unfair to call it a happy ending
00:12:17thank you Miss Keaton well said anyone else
00:12:23both opinions are valid okay that's kind of epic
00:12:27Golding faced major backlash when he first published the book
00:12:30good literature will always divide opinion what's happening to me
00:12:43okay what is going on why is everyone staring at me
00:12:47well you're new and apparently had a thing with Charles
00:12:50a what now you two are in the middle of the most epic feud Asher's teen in years
00:12:56we're not even fighting well according to everyone you confessed your love on day one
00:13:00got rejected begged to sit next to him got rejected again and today in class you broke down crying about
00:13:07not believing in happy endings and stormed out in tears you were there sherry that is not what happened
00:13:17doesn't matter people believe what they want to believe and they want Charles to be flawless untouchable
00:13:24wow is misogyny like a rich kid thing or just a british specialty honestly both
00:13:30but seriously Alice some people already see you as a threat
00:13:42okay loaded looks like the new girl's in for a rough first semester
00:13:53hello hello is somebody out there oh come on
00:14:18hello is somebody out there oh come on
00:14:24fine
00:14:38seriously
00:14:39Oh, shit.
00:14:47What the hell?
00:14:49Anne, I thought you were having dinner with Alice?
00:14:52She hasn't come home. Her phone is off. Maybe you've seen her this evening?
00:14:59Yikes. Looks like the new girl's in for a rough first semester.
00:15:03Shit.
00:15:14Ice! Alice!
00:15:16Mr Pelton, Charles Kenwood here. I was wondering if I could get the timetable for Alice Keaton.
00:15:21She hasn't come home. I'll have it sent over.
00:15:24Check the common room in the library. I'll take the rest.
00:15:30Ice!
00:15:33Come on, Alice. Close your eyes and jump. It's fine. We're fine.
00:15:51We're fine.
00:15:52We're fine.
00:15:57Hey.
00:15:58What?
00:15:59What?
00:16:00What are you doing here?
00:16:01No.
00:16:02No.
00:16:03No.
00:16:05Okay.
00:16:06No.
00:16:07We're in the hospital.
00:16:08No.
00:16:09No.
00:16:11You're here.
00:16:12No.
00:16:13Whatever you do.
00:16:14No.
00:16:15No.
00:16:16No.
00:16:17No.
00:16:18No.
00:16:19No.
00:16:21No.
00:16:22No.
00:16:23No.
00:16:24What? What are you doing here?
00:16:29Can you get off me first?
00:16:40You're welcome.
00:16:42I didn't say thank you.
00:16:44I figured saving your life might turn me basic manners.
00:16:47Someone just dumped swamp water on me.
00:16:50Excuse me if I'm not feeling very polite.
00:16:51You smell like a biology experiment.
00:16:54Wow.
00:16:55You should try falling out of a window into someone's arms and getting insulted for it.
00:16:59I wouldn't recommend it. You're heavier than you look.
00:17:04I hope you pull your shoulder.
00:17:11Are you okay?
00:17:13No. But I will be.
00:17:16Someone did this on purpose.
00:17:18What do you think, golden boy?
00:17:21Don't worry, I can handle it.
00:17:22You shouldn't have to.
00:17:24I'm sorry.
00:17:34Sorry.
00:17:39Did you just apologize to me?
00:17:42Don't get used to it.
00:17:43I wouldn't dream of it.
00:17:44Alice?
00:17:44Alice?
00:17:45Alice?
00:17:45Alice?
00:17:46Alice?
00:17:47Alice?
00:17:47Alice?
00:17:48Alice?
00:17:48Over here.
00:17:49Oh my god.
00:17:50You okay?
00:17:51Why are you drenched?
00:17:52Yeah, I just took a weird shower, tap exploded.
00:17:59Come on, let's get you home.
00:18:01Alice's cheating, right?
00:18:02Come on, let's get you home.
00:18:03Come on, let's get you home.
00:18:14Alice's cheating, right?
00:18:15I heard she staged the whole thing for attention.
00:18:17I heard she staged the whole thing for attention.
00:18:19I know how this place works, if you don't do anything about it, it's only going to get worse.
00:18:35I look into it.
00:18:36Charles?
00:18:37Good on you.
00:18:38How many here would speak up?
00:18:39I can't believe someone actually locked you in in that's insane.
00:18:41And where the hell was the school when this was happening?
00:18:43They're busy protecting their god.
00:18:44They're busy protecting their god.
00:18:45And they're safe and they're stupid.
00:18:46But, we're like, yeah.
00:18:46All right.
00:18:47If you can't become a good person.
00:18:48All right.
00:18:49I think we'll do a good job, you can only come.
00:18:50And we have to pay attention to the street, that's super good.
00:18:52I know how this place works.
00:18:53If you don't do anything about it, it's only going to get worse.
00:18:57I'll look into it.
00:18:59Charles.
00:19:00Good on you.
00:19:01How many here would speak up?
00:19:02I can't believe someone actually locked you in.
00:19:04That's insane.
00:19:05Where the hell was the school when this was happening?
00:19:07They're busy protecting their Golden Boys and Trust Funds.
00:19:10Well, for what it's worth, I heard Charles looked pretty freaked out when he ran out last night.
00:19:16Please, he just didn't want a lawsuit.
00:19:19Being a scholarship student has its perks.
00:19:38Like saving a fortune on tuition and getting into schools that normally wouldn't even let you pass the gates.
00:19:45Hey! We miss you in Paris!
00:19:48Though there are enough Americans to remind us of you.
00:19:51But sometimes, being here means standing behind.
00:19:55And watching Ashford Elites go on a two-week enrichment program you can never afford.
00:20:01Have fun! Bring me something overpriced and unnecessary.
00:20:10The trip cost 20 grand in pounds, which translates to Mom's salary for half a year.
00:20:16So, yeah. I didn't go.
00:20:19What are you doing here? Do you not believe in shirts?
00:20:22Do you not believe in dignity?
00:20:24It's comfortable.
00:20:25You look like a rejected Ewok.
00:20:26This, this is not even your kitchen.
00:20:27And this is not even your house. And yet, you're here, dressed like this.
00:20:29Just don't look. Go away.
00:20:32Hard not to. And you're walking around dressed like that.
00:20:35What do you guys call it? Um, buzzkill? Cockblock.
00:20:39Uh, what are you doing here? Do you not believe in shirts?
00:20:42Do you not believe in dignity?
00:20:44It's comfortable.
00:20:45You look like a rejected Ewok.
00:20:47This, this is not even your kitchen.
00:20:50And this is not even your house. And yet, you're here, dressed like this.
00:20:54Just don't look. Go away.
00:20:56Hard not to. And you're walking around dressed like that.
00:20:59What do you guys call it? Um, buzzkill? Cockblock.
00:21:05You're insufferable.
00:21:06You're the one cosplaying at breakfast.
00:21:08You know what? I don't get it. Why didn't you go on that tour? I thought rich people live for that kind of thing.
00:21:13Why do you think?
00:21:20Where would I go?
00:21:21I could practically recite the itinerary in my sleep.
00:21:25Florence. Walk in the great footsteps of Dante, Michelangelo, Da Vinci and Titian.
00:21:31Or Tiziano, if you want to sound extra pretentious.
00:21:35Then Venice, because everybody loves a good canal and getting lost in the most confusing city on earth.
00:21:41Next stop, Napoli. Marvel at Pompeii. Pretend you're shocked. Ancient people had plumbing.
00:21:47The final stop, Paris. The ultimate city of romance.
00:21:53And naturally, Woody Allen's favourite city outside of New York.
00:22:00That's word for word.
00:22:02I told you. I've done this tour so many times, I could run it.
00:22:06Okay, but still, it's Europe. Most people would kill for that chance.
00:22:10Most people haven't had their phones stolen in Paris. Twice.
00:22:14Also, I hate the accommodations.
00:22:16Aren't they all five-star hotels?
00:22:18Standard rooms in five-star hotels. No thank you.
00:22:22Wow. Some were born in Rome, huh?
00:22:26Well, that's unfortunate. It's a very chaotic city.
00:22:29One word of advice? Shut up.
00:22:31That's two words.
00:22:34You're weird.
00:22:35You're loud.
00:22:36You're annoying.
00:22:37You're in my kitchen.
00:22:38You have three other kitchens.
00:22:39And I prefer this one.
00:22:41Just for today.
00:22:42Come back when you've got a shirt on.
00:22:44Come back with normal clothes on.
00:22:45You didn't have to come.
00:22:46Don't tell me what I have to do.
00:22:56Master Charles, roads are flooded.
00:22:58Staff won't make it tonight.
00:22:59Will you be alright sorting dinner?
00:23:04I've got it sorted.
00:23:16Jesus, what are you doing?
00:23:19Relax.
00:23:22I'm here to make a deal.
00:23:23What deal?
00:23:24You nearly gave me a heart attack.
00:23:30You'll survive.
00:23:32I'm not selling my body.
00:23:38I'm not selling my body.
00:23:40Wow.
00:23:44I am deeply offended.
00:23:47That thought disgusts me.
00:23:49Then what are you doing?
00:23:50Staff's off tonight.
00:23:52I'm buying dinner.
00:23:57Did you seriously think I'd spend a hundred pounds on-
00:23:59No, I'm- I-
00:24:00Jesus.
00:24:02Wait.
00:24:03You think I'm not worth one hundred pounds?
00:24:06I'm not spending one hundred pounds to snort Chewbacca.
00:24:09You know what?
00:24:10Dinner's cancelled.
00:24:14Are you sure about that?
00:24:18I present to you.
00:24:19Meatball spaghetti, stir-fried veggies, and french fries.
00:24:22You're welcome.
00:24:24Interesting combo.
00:24:25Well, I know we're not in Italy or France, but this'll do.
00:24:29It's...
00:24:31Good.
00:24:37Was that a compliment?
00:24:39Although...
00:24:40I am obliged to inform you.
00:24:42Meatball spaghetti isn't Italian.
00:24:44It's American.
00:24:45And french fries, likely born in South America.
00:24:49You should read more.
00:24:51Put it down.
00:24:53I paid for it.
00:24:54You really just have to win every argument, don't you?
00:24:56To be fair.
00:24:58You make it very easy.
00:25:01It's only easy because it costs you a hundred pounds.
00:25:03You know, if you'd ask for more, I probably would have given it to you.
00:25:06I'll make sure that.
00:25:22Hey Alice, it's fine.
00:25:25You're fine.
00:25:26You're fine.
00:25:27You're fine.
00:25:32911, what's with your emergency?
00:25:39911, what's with your emergency?
00:25:41It's my dad.
00:25:42He needs help.
00:25:43He just had a stroke.
00:25:44Okay, miss.
00:25:45Hurricane's constant traffic shut down.
00:25:46We'll get to you as soon as we can, right?
00:25:47Please, he's not well.
00:25:49I understand.
00:25:50Can you confirm your address?
00:25:52Dad.
00:25:54Yes, I'm right here.
00:25:55All right.
00:25:58My daughter.
00:25:59Please stay with me, Dad.
00:26:00Please.
00:26:05No.
00:26:07Please wake up.
00:26:13Dad, please.
00:26:14Please don't leave me.
00:26:15Don't leave me.
00:26:46You...
00:26:48What are you doing here?
00:26:53You were crying.
00:26:56Loudly.
00:26:58Kind of hard to ignore.
00:27:00Right.
00:27:01Sorry for the noise.
00:27:03Wait.
00:27:04You know Snarky come back?
00:27:06Not tonight.
00:27:07I'm too tired.
00:27:08If you're here to argue, knock yourself out.
00:27:11You were calling for your dad, right?
00:27:16Hurricane hit New York.
00:27:18Power went down.
00:27:19Traffic froze.
00:27:21Dad had a stroke.
00:27:23But he couldn't get help in time.
00:27:28I sat there with a candle.
00:27:31While he laid there.
00:27:34Peaceful.
00:27:36Like he was asleep.
00:27:38But he wasn't.
00:27:43So that's why you and your mum moved here?
00:27:46This used to be our hometown.
00:27:49After Dad left...
00:27:52We had nowhere else to go.
00:27:58What are you doing?
00:28:04Come on.
00:28:07Wait.
00:28:09I thought the power was out.
00:28:11It is.
00:28:13We have our own generator.
00:28:14Wow.
00:28:15Rich people houses her.
00:28:17Just for tonight.
00:28:19I'll allow it.
00:28:21Allow what?
00:28:23You can call this place your house.
00:28:24So enjoy it.
00:28:25Stephen King's first edition.
00:28:26Alan Gisberg's first edition.
00:28:27Alan Gisberg's handwritten letters.
00:28:28Jane Austen's notes.
00:28:30All yours.
00:28:32This is your home.
00:28:34Alice Keaton.
00:28:35Careful.
00:28:36Almost sounded sweet.
00:28:37Don't push it.
00:28:38Okay then.
00:28:39I have...
00:28:40One request.
00:28:42all yours. This is your home, Alice Keaton.
00:28:57Careful, almost sounded sweet. Don't push it. Okay then.
00:29:04I have one request. What is it?
00:29:18Are you ever going to make a move? Wait, give me a second, I'm thinking.
00:29:23You had one wish, anything in the world, and in the middle of a thunderstorm, inside a literal mansion, you chose chess.
00:29:33Yeah, got a problem? It's just so cool, like spies or genius villains in movies.
00:29:39It's literally a board game.
00:29:41Says the guy who owns a custom set. Wait, does the knight go diagonally?
00:29:47For the tenth time, it moves in an L shape. One, two, then turn. There. Happy?
00:29:57Happy? Ecstatic.
00:30:01No. That's suicide.
00:30:03Or a brilliant long-term sacrifice.
00:30:05You are playing checkers at a chessboard.
00:30:07Still beating you in sarcasm.
00:30:08You literally haven't won any past arguments.
00:30:10Golding disagrees.
00:30:12It's going to be a long night.
00:30:14Oh my, no.
00:30:15Why? What's wrong with that?
00:30:16You, you can't do that.
00:30:17You can't do that.
00:30:18No, no, no, no.
00:30:19Oh my, no.
00:30:20You had to shop a trip when about it all wrong.
00:30:23Time to pull you in close as we're locked on your phone.
00:30:27Buy yourself up cause I'm moving on.
00:30:30Oh yeah.
00:30:31Showing up at my door.
00:30:35Holding your heart there inside your hands.
00:30:39Maybe he's not so awful after all.
00:30:50Um, who are you?
00:30:57What are you doing here?
00:30:58Well, your parents said you were still at home.
00:31:00Thank God you skipped that boring grand tour.
00:31:03Who needs Italy and France again, right?
00:31:05When did you get back?
00:31:06Last night.
00:31:07From Zurich.
00:31:08You didn't answer my messages.
00:31:12I missed you.
00:31:13Anyway, thought I'd come surprise you.
00:31:15Apparently, I'm transferring to Ashford.
00:31:18Your parents were so thrilled.
00:31:20They didn't tell me about this.
00:31:21I wanted to deliver the happy news myself.
00:31:23They said it'd be lovely for us to reconnect.
00:31:27You know, considering the engagement and all.
00:31:30Engagement.
00:31:33Oh, did no one tell you?
00:31:35He's promised.
00:31:37Old money stuff.
00:31:39Very retro.
00:31:40I didn't agree to that.
00:31:41You didn't have to.
00:31:42It's never up to us.
00:31:45Where did you find this little toy?
00:31:47Serena.
00:31:48I can hear you, you know.
00:31:49Oh, an American.
00:31:52How refreshing.
00:31:57Goodbye.
00:31:58Wait.
00:31:59Wait.
00:32:15Where are you going?
00:32:16You still owe me breakfast.
00:32:17You only paid for dinner.
00:32:18You only paid for dinner.
00:32:19I have homework.
00:32:20Goodbye.
00:32:25Your little toy has quite the temptation.
00:32:27Serena, can you please just stop?
00:32:29What?
00:32:30Teasing the help?
00:32:31That's her.
00:32:32That's the one from Kenwood's house.
00:32:33Was she like...
00:32:34the maid or something?
00:32:35Oh my god.
00:32:36What's wrong with people?
00:32:37They're saying you live with Charles.
00:32:38Oh, and Serena.
00:32:39What about her?
00:32:40Apparently she told everyone you were caught
00:32:41sneaking into his room.
00:32:42There he is.
00:32:43She's been dead from Kenwood's house.
00:32:44Is she like the maid or something?
00:32:51Oh my god!
00:33:00What's wrong with people?
00:33:01They're saying you live with Charles.
00:33:03Oh, and Serena?
00:33:04What about her?
00:33:05Well, apparently she told everyone
00:33:07and everyone you were caught sneaking into his room.
00:33:10Of course you did.
00:33:23Careful, Alice. You're starting to look desperate.
00:33:37Come to the music room, urgent.
00:33:43I just remembered I need to check something.
00:33:46You guys go ahead.
00:33:47Yeah, okay.
00:33:54Hello! Is someone there?
00:33:56Seriously! This is getting old!
00:34:07Wait. Music room? What?
00:34:16James?
00:34:17Was anybody in here earlier?
00:34:18Just Miss Serena.
00:34:19Said she was waiting for you.
00:34:22Sir?
00:34:24Sir, it's raining!
00:34:26Come on, Alice. You're fine.
00:34:39You're not that girl again.
00:34:47Wait. Can you remind me one more time?
00:34:50Okay.
00:34:51Rooks move in straight lines.
00:34:53Yeah.
00:34:54Bishops move diagonally.
00:34:56And knights...
00:34:57The knights the weird one.
00:35:03Rooks.
00:35:06Straight lines.
00:35:07Bishops.
00:35:09Diagonally.
00:35:11Hello?
00:35:24The text.
00:35:33Are you okay?
00:35:34Are you hurt?
00:35:35I...
00:35:36I'm okay.
00:35:37I...
00:35:38I saw the text and I thought...
00:35:39I... I didn't see the message.
00:35:41Serena took my phone.
00:35:42I didn't know.
00:35:43I'm sorry.
00:35:44I'm...
00:35:45Okay.
00:35:47You're gonna catch a cold.
00:35:48You're freezing.
00:35:49You didn't have to come.
00:35:53Don't tell me what I have to do.
00:35:55Give me hope that feels like hope...
00:36:02That wasn't a mistake. If that's what you're about to say.
00:36:08I...
00:36:09I...
00:36:10Wasn't going to.
00:36:11I see the smiles.
00:36:12Spreading like a wildfire.
00:36:13I'm really bad at this, you know.
00:36:20What?
00:36:21kissing?
00:36:22I'm...
00:36:23I...
00:36:24I'm really bad at this, you know.
00:36:25I'm really sure you leave the comments below.
00:36:26That's why it looks so much세요.
00:36:27I see the smiles.
00:36:36I can catch you in the morning.
00:36:41R- Sky is the morning.
00:36:42Right back.
00:37:04Dump those Ewok pyjamas.
00:37:06Oh, you wish.
00:37:08Seriously, it's a cock block.
00:37:12You kissed me.
00:37:14That's basically consent to everything.
00:37:22Dangerous words, Keaton.
00:37:24I might hold you to that.
00:37:26You'll be working in pairs on your comparative essays.
00:37:38The list is on the board.
00:37:42One, two, three, four.
00:37:44Paper planes.
00:37:46Are you okay?
00:37:48Fly me to outer space.
00:37:52That's where I'll see your face.
00:37:56And have you with me.
00:38:00You're distracting.
00:38:18You're welcome.
00:38:22They're either enemies or secretly married.
00:38:26Honestly, both.
00:38:48So, the night goes in an L shape, right?
00:38:52Why is that the only one you remember?
00:38:54Because it's weird.
00:38:56And I like weird.
00:39:06Check.
00:39:12You're cheating.
00:39:14There's a difference.
00:39:16You are very distracting.
00:39:18And you like it.
00:39:30Charles.
00:39:32We need to talk.
00:39:34I expected poor judgement.
00:39:40I expected poor judgement.
00:39:42But this in my house?
00:39:44It isn't what it looks like.
00:39:45No.
00:39:47Kissing a servant's daughter in the family library.
00:39:50Enlighten me then, Charles.
00:39:52We came back tonight after speaking with Serena.
00:39:55Imagine our surprise walking in on this.
00:39:58She isn't just...
00:40:00You have no right to barge in.
00:40:02On my property.
00:40:06I care about her.
00:40:08I'm not ashamed about her.
00:40:09That's enough.
00:40:13Why do you care?
00:40:14We're protecting our son's future.
00:40:16And our name.
00:40:18You think this protects me?
00:40:20We think she does not belong in your world.
00:40:24Then maybe I don't either.
00:40:28You're ready to give up everything?
00:40:32For a girl you barely know?
00:40:34Yes.
00:40:36Then...
00:40:38Are you sure...
00:40:40She's ready?
00:40:42I'm asking you.
00:40:44Do you think she's ready?
00:40:46To lose everything, regardless of how little that is.
00:40:48Just to be with you.
00:40:49What are you talking about?
00:40:50You left us no choice, son.
00:40:51You shouldn't disobey your father.
00:40:52Helton.
00:40:53It's Frederick Kenwood.
00:40:54Ah, Mr. Kenwood.
00:40:55How can I help?
00:40:56If a scholarship student were to violate our behavioural code in a public setting with photographic evidence, would that warrant a review?
00:41:02Yes, sir.
00:41:04So.
00:41:05Answer me again.
00:41:06Do you think she's ready to lose everything just to be with you?
00:41:25To be with you.
00:41:27She's ready to lose everything, just to be with you.
00:41:41Charles, what happened? Did your parents say something? Are they mad? Is everything okay?
00:41:47Pack your things.
00:41:49You can't stay here anymore.
00:41:51What?
00:41:53My parents fired your mother. She's leaving.
00:41:56So are you.
00:41:57Wait, what, why? Is it because of us? We can fix this, I'll get a job, anything-
00:42:02Stop, stop it, you don't get it.
00:42:05If I don't walk away from this, they'll cut me off. Okay?
00:42:09No card, no trust, no support, nothing.
00:42:14Then, then we'll figure it out. We don't need all that-
00:42:19Do you really think I'm going to live like that?
00:42:24So that's what this was.
00:42:26Just fun until it got inconvenient.
00:42:30What did they promise you?
00:42:34Nothing.
00:42:37They just reminded me of what's real.
00:42:43Charles, I'm not stupid.
00:42:46You don't just turn into a cold stranger because of one conversation.
00:42:49What did they threaten you with?
00:42:56What did they threaten you with?
00:42:58This is the difference between me and you.
00:43:00What?
00:43:01You think you know me.
00:43:03Or what I have.
00:43:05You don't, Alice.
00:43:07You're still lying.
00:43:08I'm not, Alice.
00:43:09Look around you.
00:43:11This mansion you thought was a museum.
00:43:14It's my house.
00:43:16My world.
00:43:18I was bored into this.
00:43:19I am not choosing between this and something I picked up for a moment of fun.
00:43:28Don't do this, Charles.
00:43:31You don't mean it.
00:43:33It was fun.
00:43:35But you?
00:43:37You don't compare to what I own.
00:43:38What I own.
00:43:41I'll survive the loss.
00:43:44Right.
00:43:47I should have known.
00:43:50Guys like you don't end up with girls like me.
00:43:55You play with them, then you throw them away.
00:43:59Go to sleep, Alice.
00:44:08Get some in.
00:44:12This fall is a little more than I expected.
00:44:18It's so deep I can barely see myself.
00:44:25Yeah, round me feels so heavy but the pleated.
00:44:30I'm gonna find that's the place to test myself.
00:44:38I'm sorry didn't see that then again nobody does move please
00:45:06hmm try begging
00:45:13you know what keep it
00:45:17poor thing so dramatic
00:45:23don't
00:45:25excuse me
00:45:27I warned you
00:45:29walk away Serena
00:45:31I'm
00:45:38I'm
00:45:40I'm
00:45:42I'm
00:45:44I'm
00:45:51last week's group assignments were mostly forgettable but one pair surprised me in a good way
00:45:57Charles Kenwood and Alice Keaton would you mind giving us a short summary
00:46:03she loves the sound of her own voice better have it
00:46:10I thought that you should know that I would have
00:46:14our essay explored what happens when two fundamentally different voices meet like logic and chaos or silence and noise
00:46:24different worlds different roles
00:46:28at first glance they clash
00:46:30but what makes the story interesting is what happens next
00:46:34confusion
00:46:35curiosity
00:46:36but in the end some stories aren't about staying
00:46:39and yes there is no such thing as a happy ending
00:46:43is she still talking about the essay
00:46:58miss Keaton
00:47:02dramatic as always
00:47:04alright
00:47:05thank you Alice
00:47:06thank you Alice
00:47:07that was
00:47:08layered
00:47:11are you ok
00:47:12a reminder
00:47:13that good literature
00:47:14always stirs something
00:47:19hello
00:47:20hi here's Alice Keaton
00:47:21this is Whitmore Press
00:47:22we've been following your work
00:47:23we'd like to offer you a long term publishing contract
00:47:25name your price
00:47:26we'll
00:47:27we'll make it work
00:47:28sorry what
00:47:33that's
00:47:34kind of
00:47:35insane
00:47:36who's behind this
00:47:37your sponsor wishes to remain anonymous
00:47:39can
00:47:40can
00:47:41I meet them
00:47:44I want to
00:47:45please
00:47:46or at least tell me a name
00:47:51sorry
00:47:52they wish to stay in office
00:47:53since their early interest in work
00:47:54not the person
00:47:55I'd really like to meet them
00:47:56oh
00:47:57I'm sorry for to keep them
00:47:58their name was very good
00:47:59I think the most generous offer we've ever given a dignity right time
00:48:03I see
00:48:04congratulations again
00:48:09you got the interview
00:48:10it's just an interview
00:48:11I haven't gotten in yet
00:48:12still
00:48:13Alice Keaton
00:48:14at Oxford
00:48:15that's iconic
00:48:25you ok?
00:48:27yeah
00:48:28I'm so excited
00:48:29I'm so excited
00:48:42it's done Mr. Kenwood
00:48:43Miss Keaton signed the contract
00:48:44good
00:48:45it's a generous deal
00:48:46you sure you don't want it to know?
00:48:47no
00:48:48no
00:48:49no
00:48:50no
00:48:51it's better if I stay out of her life
00:48:53no
00:48:54no
00:48:55it's better if I stay out of her life
00:48:56I will be for you
00:48:59I'll be there in your darkest days
00:49:05congratulations
00:49:06Alice Keaton
00:49:07go live the life you were always meant to
00:49:10your engagement and announcement should align perfectly with the Foundation Gala
00:49:19and the Browns already offered to host the London reception
00:49:23it's all coming together beautifully
00:49:27I've lost my appetite
00:49:32I'll go check on him
00:49:37what's your problem Charles?
00:49:43disengagement
00:49:48is not happening
00:49:49it's not up to you
00:49:50you know that
00:49:51Serena we're not doing this
00:49:55you've changed
00:49:59or maybe I finally just stopped pretending
00:50:13you're the sponsor
00:50:14you've been funding Alice Keaton this whole time
00:50:33so?
00:50:34you lied to everyone
00:50:35including her
00:50:36I protected her
00:50:38you loved her
00:50:46still do
00:50:49let it go
00:50:50Serena
00:50:52there's no point
00:51:02I need a favour
00:51:03find out when the Oxford interview is
00:51:05and make sure Alice Keaton won't show up
00:51:14anything?
00:51:15no?
00:51:17she's not answering
00:51:18the interview is almost over
00:51:19well she won't just not show up
00:51:21something's wrong
00:51:24where's Alice?
00:51:26when was the last time you heard from her?
00:51:27last night
00:51:28she said she was prepping all evening
00:51:30James
00:51:35track someone for me
00:51:38wait
00:51:39where are you going?
00:51:47chill okay
00:51:48we won't hurt you
00:51:49yeah
00:51:50we're just supposed to
00:51:51keep your eye from the interview
00:51:52that's it
00:51:53that's it
00:52:01shit
00:52:02come back
00:52:03no
00:52:04no
00:52:05no
00:52:06no
00:52:07no
00:52:08no
00:52:09no
00:52:10no
00:52:11no
00:52:12no
00:52:13no
00:52:14no
00:52:15no
00:52:16no
00:52:17no
00:52:18no
00:52:19no
00:52:20no
00:52:21no
00:52:40hey
00:52:41hey hey Alice
00:52:42Alice
00:52:43Alice
00:52:44stay with me
00:52:45stay with me
00:52:46stay with me Alice
00:52:47you're awake where where am i local clinic passerby brought you in passerby he found you
00:53:03on the side of the road he had to leave he didn't leave a name oh the interview what time is it easy
00:53:13it's okay someone already contacted the university and sent in your writing samples they've rescheduled
00:53:19your interview for tomorrow wait what who no idea but it's all taken care of
00:53:27what did you say nothing i just had a dream
00:53:42oh i knew it too bad charles isn't here to watch you crush it he's not here
00:53:55oh you didn't know know what he left a few days ago yeah everyone doesn't really know where he went
00:54:04honestly ashford's been quieter without him it's probably for the best come on
00:54:18the summer i met charles kenward was loud chaotic unexpected
00:54:24and with his absence come on it ended quietly like summers always do
00:54:41and joining us today the decade's most unexpected literary phenomenon alice keaton
00:54:55thank you for having me no your words moved millions they say your stories feel real especially the ones
00:55:03about love thank you which brings us to the most obvious question how's your dating life like these
00:55:09days no comment a little bird told me that the past four years has been just writing and working
00:55:16not even a single date let me guess a bird named sherry she caught me still no comment all right all right
00:55:23no matter what you say you write love like someone who's lived it if you so real because once
00:55:30i did with someone who felt like chaos and clarity and no one ever quite matched the light after that
00:55:38and let's give it up for alice keaton one more time
00:55:52congratulations alice the numbers just came in you broke your own record
00:55:56that's incredible we're thinking celebration press photos maybe tonight actually there's something i'd rather
00:56:06do i'd like to meet with the person who believed in me first my sponsor you're sure yeah just once
00:56:16tonight seven p.m
00:56:30good evening
00:56:34good evening
00:56:38may i sit
00:56:46good evening
00:56:48hi hi
00:56:53you look well
00:56:56and you look like you just stepped out of a gq cover
00:56:59you always did
00:57:02you were expecting someone else
00:57:04i was
00:57:06hoping
00:57:08but i guess i always knew
00:57:11i didn't come here to confuse you
00:57:12you
00:57:13or to reopen anything
00:57:14hope you liked the attention
00:57:17i just wanted to say congratulations
00:57:20oh
00:57:21thank you
00:57:24i didn't know you're still reading
00:57:26you're rich enough not to do so
00:57:29always
00:57:31either way
00:57:33your sponsorship started my career
00:57:34so
00:57:35no
00:57:36no
00:57:37no you
00:57:37you weren't everything
00:57:41every word
00:57:43every page
00:57:46every reader
00:57:47that's what i came to say
00:57:53it was good to see you again i hope
00:57:55charles
00:57:57can you just
00:58:00wait a little longer
00:58:01i think i knew it was you
00:58:11there was one email
00:58:13you said something
00:58:15felt familiar
00:58:16really
00:58:17kind of had that
00:58:18rich
00:58:19asshole with a conscience energy
00:58:21very on brand
00:58:23i should have anonymized my grammar
00:58:24too late
00:58:25your semicolon usage gave you away
00:58:28still the only girl i know who flirts through punctuation
00:58:31still the only god i know who uses wiles unironically
00:58:37you've changed
00:58:39but
00:58:41not really
00:58:42you haven't changed
00:58:46but maybe you've grown into who you really were
00:58:51anyway
00:58:52i wanted to say
00:58:55thank you
00:58:57and
00:58:58thanks for being here tonight
00:59:00you didn't have to come
00:59:02don't tell me what i have to do
00:59:07you didn't have to come
00:59:08don't tell me what i have to do
00:59:31if you could go back if you had the chance to do it all again would you do anything differently
00:59:38do you have to do it all again
00:59:42no
00:59:47no
00:59:52i see
00:59:56i know my answer now
00:59:57i didn't have the power back then
01:00:00not enough to protect you
01:00:02i couldn't watch you get crushed because of me
01:00:05because of my name
01:00:07my family
01:00:10i didn't want to be the reason you lost everything
01:00:13so you just disappeared without a word
01:00:18if you had the chance to see the world without me weighing you down
01:00:22if you still chose me after that
01:00:29you keep saying you wanted to give me a choice
01:00:32but you made a choice for me
01:00:36did it ever cross your mind that maybe
01:00:41i would have chosen you anyway
01:00:43i didn't think i was the smart choice
01:00:51you weren't
01:00:54but i never claimed to be that smart
01:00:56this is me
01:01:06right
01:01:14i'm still mad at you you know
01:01:18i'm still in love with you you know
01:01:26do you want to come in for a bit
01:01:32you're asking your ex
01:01:34who you haven't seen in four years
01:01:37to come into your hotel
01:01:38at approximately 11 pm
01:01:41you were right
01:01:43you never were that smart
01:01:45you don't have to come
01:01:47don't tell me what i have to do
01:01:56do you have to come in for a bit
01:02:03stop quoting yourself
01:02:04i recycle
01:02:05it saves energy
01:02:08this feels wildly irresponsible
01:02:10you sound like a disclaimer
01:02:11you're the one who once called romance a distraction
01:02:14i said that
01:02:15yeah before calling wallering heights overrated
01:02:18still is
01:02:20you're lucky you're a good kisser
01:02:21that is cute to me
01:02:27don't you dare quote poetry
01:02:29i wasn't going to
01:02:30i forgot all of it the day you left
01:02:33then shut up
01:02:35and prove it
01:02:42i still can't believe this is happening
01:02:43i told you they're either worst enemies or secretly married
01:02:47and i told you they're both
01:02:51i vow to always tell you the truth
01:03:18except for when you ask how your cooking was
01:03:21then i lie
01:03:23respectfully
01:03:25i vow to keep choosing you
01:03:28loudly
01:03:29quietly
01:03:31always
01:03:33even when you forget to do the laundry
01:03:37is he actually good at this
01:03:39i mean he did beat her at soccer
01:03:45i vow to argue with you at least twice a week
01:03:47especially over shakespeare
01:03:49i vow to write you in your every story
01:03:53even when i say i didn't
01:03:55you will always be part of my life
01:03:58if she quotes austin in this toast i'm out
01:04:00no you're not you're gonna cry harder
01:04:02i can't believe you picked paris
01:04:14i can't believe you picked paris
01:04:28such a cliche honeymoon destination
01:04:31guard your phone
01:04:33relax just don't dress like a walking inheritance and you'll be fine
01:04:36you are not wearing that on our honeymoon
01:04:43please alice go change
01:04:45don't tell me what i have to do
01:04:46no no no no no no that is not an invitation to do not take off these clothes
01:04:56i've arrived
01:04:57you look much better without them
01:04:59yes
01:05:05to the ones who loved in silence in chaos in chapters you will find your way home
01:05:16sometimes i wanna be on my own
01:05:21it's up to us to make sure that we can gain what's been passed through these books
01:05:39help us develop learn and grow
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