In Other Words, I Love You #Dramabox

SunSight

In Other Words, I Love You #Dramabox    #EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull

Transcript

00:00:00I've always described the world in words people moments places all through

00:00:09metaphors and margins okay like my mom self-made stubborn and never wrong

00:00:18almost there you excited for your first day she calls this a fresh start I call

00:00:23it terrifying

00:00:30you've got this just be yourself that's kind of the problem

00:00:53okay morning class and you're not seated because I don't have a seat ah a new

00:01:16transfer Alice Keaton right let's see there's a spot next to Charles seriously

00:01:27the charity case sitting next to Charles quiet Charles I've always had words for

00:01:38everything but in that moment I forgot them all

00:01:53Charles move your things I'd rather not she'll be a distraction from what

00:02:00sleeping from everything if anything Charles Miss Keaton will be a positive

00:02:05influence on you she was top of her class at a previous school with all due

00:02:10respect sir her previous school was American I highly doubt that that's

00:02:18enough she can sit here it's fine back to Goldie thank you you got it I'm

00:02:28Sherry Vaughn Alice Keaton it's very important that we look at what he's

00:02:33talking about their experience of the time

00:02:39wait you sat next to Charles she didn't you totally shut her down oh knew it

00:02:45don't take it personally he's impossible can everyone stop acting like the goal is

00:02:50getting into his pants what he's hot everyone kind of is I I've seen Connor he's not my type you're

00:03:00joking I don't find bullies attractive hey be careful we're talking about the king of

00:03:05Ashford the what his family basically own the school and the town maybe even the

00:03:12country yeah everyone's tried to get close no one can get past his ego you're not the

00:03:17first to get nice okay first of all I wasn't iced it's more like a mutual

00:03:23decision and second I think he's arrogant cold thinks he's untouchable but if you

00:03:29really look at Charles he just seems isolated like he's making out honestly I

00:03:34just think he's lonely and kind of what

00:03:41you were saying I'm lonely and pathetic

00:03:51next time read the room before opening your mouth American we're not in Kansas anymore Alice

00:04:06hey how's your first day I good I'm excited Kevin not really super

00:04:28uneventful really how's your new job yeah all right get this is that we can stay in the

00:04:35servants wing seriously hmm apparently the young master won't mind the company the young master

00:04:42this is your boss's house yeah that's not credible I mean I wouldn't call it a house

00:04:50it's a museum with better landscaping right here I'll talk to the Butler Wow rich

00:05:08people you've topped yourselves again Stephen King first edition

00:05:17breaking and entering now how American of you

00:05:30you've been paying rent here in my head try to fight it hard

00:05:46you can get up now I I'm trying wait are you serious well you said you were trying

00:06:01what is wrong with you funny I was about to ask you the same thing what are you doing in my house

00:06:10you wait your house my house my library and now apparently my unwanted guest

00:06:21ah master Charles you must be miss Alice Anne's daughter she said you'd be moving in today

00:06:27she what there there's been some kind of misunderstanding you see I'm not actually moving in

00:06:34that so yeah I'm not staying here like at all that's a shame you must seem quite pleased with the

00:06:41arrangement well I just don't think it's appropriate well for sure then absolutely not

00:06:47come on Alice you must stay it'll be fun my dear classmate

00:07:00I'm dead like mentally socially and actually dead

00:07:06just trying to figure out how exactly my life went off the rails get it together Alice Keaton

00:07:19you've been I'm sure I'd never find someone to make my head spin around actually no

00:07:25be the thing I need they all just let this is how baby you saved me good morning

00:07:32so is that miss Keaton what thing doesn't know that stops been closed for months she's going to be late

00:07:53okay how long is this thing gonna take maybe I'll just walk five miles to school

00:08:06okay if I sprint maybe I'll make it before first period or die of exhaustion on the way

00:08:14what are you doing here didn't you already leave wait did you come back for me relax I forgot my

00:08:33textbook don't flatter yourself wait since you're already here maybe you could be a decent person and

00:08:44give me a ride no seriously your car is huge yeah and I'm not a fan of sharing says the guy who

00:08:57forced me to live in his house unbelievable

00:09:14Ashford Institute please thank you

00:09:16who needs that entitled brat anyway sir you called the cab why don't just give miss Keaton a lift

00:09:26why don't just give miss Keaton a lift and have the whole school go crazy she's new everybody's

00:09:38already talking so you're worried about her you're overthinking I just don't like drama

00:09:44asshole hey morning class back to Golding remind me what he's saying through Lord of the Flies

00:10:00Mr Kenwood care to share what you found so amusing not particularly oh I insist you seem very entertained by

00:10:13Golding I'm not entertained by Golding sir on the contrary I think his ending is weak wait wait

00:10:24you've actually read it quiet that's an interesting take explain

00:10:33he had the setup for something brutal something honest in the end he backed out he could have left

00:10:39the boys on the island forced them to confront the collapse of all morality let them choose survival

00:10:45or death but instead he gave them a rescue boat slapped a happily ever after on a book about savagery

00:10:54it's a waste don't you think I'm delightfully surprised Charles didn't think you had such

00:11:01strong literary opinions I'm always a model student sir let's not get ahead of ourselves

00:11:09so a critique of Golding's mercy anyone disagree

00:11:24I think Golding knew exactly what he was doing by ending the book that way

00:11:33it's not mercy it's irony how so

00:11:39the rescue isn't a happy ending you don't just walk back into society and forget you're a monster

00:11:44Golding didn't save them he left us with the discomfort of pretending they could be saved

00:11:48that's an interesting take Miss Keaton you still think it's a harsh critique in some ways but not

00:11:55harsh enough yes it's a critique of toxic masculinity but still Golding sympathize with them and the

00:12:03civilized world toxic violent he didn't call that out nearly as much so yeah I don't think Golding pushed

00:12:09far enough but I think it's unfair to call it a happy ending

00:12:17thank you Miss Keaton well said anyone else

00:12:23both opinions are valid okay that's kind of epic

00:12:27Golding faced major backlash when he first published the book

00:12:30good literature will always divide opinion what's happening to me

00:12:43okay what is going on why is everyone staring at me

00:12:47well you're new and apparently had a thing with Charles

00:12:50a what now you two are in the middle of the most epic feud Asher's teen in years

00:12:56we're not even fighting well according to everyone you confessed your love on day one

00:13:00got rejected begged to sit next to him got rejected again and today in class you broke down crying about

00:13:07not believing in happy endings and stormed out in tears you were there sherry that is not what happened

00:13:17doesn't matter people believe what they want to believe and they want Charles to be flawless untouchable

00:13:24wow is misogyny like a rich kid thing or just a british specialty honestly both

00:13:30but seriously Alice some people already see you as a threat

00:13:42okay loaded looks like the new girl's in for a rough first semester

00:13:53hello hello is somebody out there oh come on

00:14:18hello is somebody out there oh come on

00:14:24fine

00:14:38seriously

00:14:39Oh, shit.

00:14:47What the hell?

00:14:49Anne, I thought you were having dinner with Alice?

00:14:52She hasn't come home. Her phone is off. Maybe you've seen her this evening?

00:14:59Yikes. Looks like the new girl's in for a rough first semester.

00:15:03Shit.

00:15:14Ice! Alice!

00:15:16Mr Pelton, Charles Kenwood here. I was wondering if I could get the timetable for Alice Keaton.

00:15:21She hasn't come home. I'll have it sent over.

00:15:24Check the common room in the library. I'll take the rest.

00:15:30Ice!

00:15:33Come on, Alice. Close your eyes and jump. It's fine. We're fine.

00:15:51We're fine.

00:15:52We're fine.

00:15:57Hey.

00:15:58It's fine.

00:15:59Mojo.

00:16:02Here is this one.

00:16:03PHONE RINGS

00:16:24What... what are you doing here?

00:16:29Can you get off me first?

00:16:33Did I ask for two months?

00:16:37Isn't my fault I thought you would...

00:16:40You're welcome.

00:16:42I didn't say thank you.

00:16:44I figured saving your life might earn me basic manners.

00:16:46Someone just dumped swamp water on me.

00:16:49Excuse me if I'm not feeling very polite.

00:16:51You smell like a biology experiment.

00:16:53Wow!

00:16:55You should try falling out of a window into someone's arms and getting insulted for it.

00:16:59You wouldn't recommend it. You're heavier than you look.

00:17:02I hope you pull your shoulder.

00:17:11Are you okay?

00:17:12No.

00:17:13But I will be.

00:17:15Someone did this on purpose.

00:17:17What do you think golden boy?

00:17:19Don't worry I can handle it.

00:17:21You shouldn't have to.

00:17:25I'm...

00:17:27Sorry.

00:17:34Sorry.

00:17:39Did you just apologize to me?

00:17:42Don't get used to it.

00:17:43I wouldn't dream of it.

00:17:47Alice?

00:17:48Over here.

00:17:49Oh my god.

00:17:52You okay?

00:17:55Why are you drenched?

00:17:56Yeah.

00:17:57I just...

00:17:58Took a weird shower.

00:17:59Top exploded.

00:18:02Come on.

00:18:03Let's get you home.

00:18:14Alice cheating right?

00:18:15I heard she staged the whole thing for attention.

00:18:19I know how this place works.

00:18:20If you don't do anything about it, it's only going to get worse.

00:18:24I'll look into it.

00:18:25Charles?

00:18:26I know how this place works.

00:18:27If you don't do anything about it, it's only going to get worse.

00:18:29I'll look into it.

00:18:30Charles?

00:18:31Good on you.

00:18:32How many here would speak up?

00:18:33I know how this place works.

00:18:34I know how this place works.

00:18:37I know how this place works.

00:18:39If you don't do anything about it, it's only going to get worse.

00:18:43I'll look into it.

00:18:45Charles?

00:18:46Good on you.

00:18:47How many here would speak up?

00:18:48get worse I look into it Charles good on you how many here would speak up I can't

00:19:02believe someone actually locked you in that's insane where the hell was the

00:19:06school when this was happening busy protecting their golden boys and trust

00:19:10friends well for what it's worth I heard Charles it's pretty freaked out when he

00:19:15ran out last night please he just didn't want a lawsuit

00:19:35being a scholarship student has its perks like saving a fortune on tuition and

00:19:41getting into schools that normally wouldn't even let you pass the gates

00:19:46hey we miss you in Paris though there are enough Americans to remind us of you

00:19:51sometimes being here means standing behind and watching Ashford Elites go on a two-week

00:19:58enrichment program you can never afford have fun bring me something overpriced and unnecessary

00:20:08the trip cost 20 grand in pounds which translates to mom's salary for half a

00:20:16year so yeah I didn't go

00:20:38what are you doing here do you not believe in shirts do you not believe in dignity it's

00:20:45comfortable you look like a rejected Ewok this this is not even your kitchen and this is not even your

00:20:52house and yet you're here dressed like this just don't look go away hard not to and you're walking

00:20:59around dressed like that what do you guys call it buzzkill cock block you're insufferable you're the one cosplaying at breakfast you know what I don't get it why didn't you go on that tour I thought rich people live for that kind of thing

00:21:14why do you think

00:21:19where would I go I could practically recite the itinerary in my sleep Florence walk in the great

00:21:28footsteps of Dante Michelangelo da Vinci and Titian or Tiziana if you want to sound extra pretentious

00:21:35then Venice because everybody loves a good canal and getting lost in the most confusing city on earth

00:21:42next stop Napoli marvel at Pompeii pretend you're shocked ancient people had plumbing the final stop

00:21:49Harry the ultimate city of romance and naturally Woody Allen's favorite city outside of New York

00:21:59that's word for word I told you I've done this tour so many times I could run it okay but still

00:22:08it's Europe most people would kill for that chance most people haven't had their phones stolen in Paris

00:22:13twice also I hate the accommodations aren't they all five-star hotels standard rooms in five-star hotels

00:22:22no thank you wow some were born in Rome huh that's unfortunate it's a very

00:22:29chaotic city one word of advice shut up that's two words you're weird you're loud you're annoying

00:22:37you're in my kitchen you have three other kitchen and I prefer this one just for today come back when

00:22:44you got a shirt on come back with normal clothes on you didn't have to come don't tell me what I have

00:22:48I've got it sorted

00:22:53I've got it sorted

00:23:07Jesus what are you doing relax I'm here to make a deal what deal you nearly gave me a heart attack

00:23:27you'll survive I'm not selling my body I'm not selling my body

00:23:40wow I am deeply offended that thought disgusts me then what are you doing the staff's off tonight

00:23:52I'm buying dinner did you seriously think I'd spend a hundred pounds and no I'm I Jesus wait

00:24:03you think I'm not worth 100 pounds I'm not spending 100 pounds to snort you back up you know what

00:24:11dinner's cancelled are you sure about that I present to you meatballs spaghetti stir-fried veggies and

00:24:22french fries you're welcome interesting combo well I know we're not in Italy or France but this will

00:24:28do it's good

00:24:32was that a compliment although I am obliged to inform you meatball spaghetti isn't Italian

00:24:45it's American and french fries likely born in South America you should read more put it down I paid for it

00:24:55you really just have to win every argument don't you to be fair you make it very easy it's only easy

00:25:02because it cost 200 pounds you know if you'd ask for more I probably would have given it to you

00:25:07make sure

00:25:08hey Alice it's fine you're fine

00:25:32it's my dad he needs help he just had a stroke okay miss the hurricane constant traffic shut down get to you as soon as we can

00:25:48as well

00:25:49you understand can you confirm your address

00:25:53yes I'm right here

00:25:56all right

00:25:57my daughter

00:25:59please stay with me dad please

00:26:02no

00:26:06please wake up

00:26:09dad please

00:26:14please please don't leave me

00:26:40You... what are you doing here?

00:26:54You were crying... loudly.

00:26:58Kind of hard to ignore.

00:27:00Right. Sorry for the noise.

00:27:03Wait, you know Snarky come back?

00:27:06Not tonight, I'm too tired.

00:27:08If you're here to argue, knock yourself out.

00:27:12You were calling for your dad, right?

00:27:16Hurricane hit New York.

00:27:18Power went down, traffic froze.

00:27:22Dad had a stroke.

00:27:24But he couldn't get help in time.

00:27:28I sat there with a candle while he laid there.

00:27:34Peaceful.

00:27:36Like he was asleep.

00:27:38But he wasn't.

00:27:40So that's why you and your mum moved here?

00:27:46This used to be our hometown.

00:27:48After dad left, we had nowhere else to go.

00:27:54What are you doing?

00:28:00Come on.

00:28:04Come on.

00:28:20Wait, I thought the power was out.

00:28:22It is.

00:28:24We have our own generator.

00:28:26Wow.

00:28:27Rich people houses her.

00:28:28Just for tonight, I'll allow it.

00:28:32Allow what?

00:28:34You can call this place your house.

00:28:36So enjoy it.

00:28:37Stephen King's first edition.

00:28:39Alan Gisberg's handwritten letters.

00:28:41Jane Austen's notes.

00:28:43All yours.

00:28:48This is your home.

00:28:50Alice Keaton.

00:28:52Careful.

00:28:53Almost sounded sweet.

00:28:54Don't push it.

00:28:55Okay then.

00:28:56I have one request.

00:29:09What is it?

00:29:11Are you ever going to make a move?

00:29:16Wait.

00:29:17Give me a second.

00:29:18I'm thinking.

00:29:19You had one wish.

00:29:20Anything in the world.

00:29:21And in the middle of a thunderstorm.

00:29:22Inside a literal mansion.

00:29:23You chose chess.

00:29:24Yeah.

00:29:25Got a problem?

00:29:26It's just so cool.

00:29:27Like spies or genius villains in movies.

00:29:29It's literally a board game.

00:29:30Says the guy who owns a custom set.

00:29:31Wait.

00:29:32Does the knight go diagonally?

00:29:33The tenth time.

00:29:34It moves in an L shape.

00:29:35One.

00:29:36Two.

00:29:37Then turn.

00:29:38There.

00:29:39Happy?

00:29:40Ecstatic.

00:29:41No.

00:29:42No.

00:29:43No.

00:29:44No.

00:29:45No.

00:29:46No.

00:29:47No.

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00:29:49No.

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00:29:53No.

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00:29:55No.

00:29:56No.

00:29:57No.

00:29:58No.

00:29:59No.

00:30:00No.

00:30:01No.

00:30:02No.

00:30:03That's suicide.

00:30:04Or a brilliant long term sacrifice.

00:30:05You are playing checkers at a chess board.

00:30:07Still beating you in sarcasm.

00:30:08You literally haven't won any past arguments.

00:30:11Golding disagrees.

00:30:12It's going to be a long night.

00:30:14Oh my.

00:30:15No.

00:30:16Why wasn't I doing that?

00:30:17You can't do that.

00:30:18No.

00:30:19No.

00:30:20No.

00:30:21No.

00:30:22No.

00:30:23No.

00:30:24No.

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00:30:54No.

00:30:55No.

00:30:56No.

00:30:57No.

00:30:58Well, your parents said you were still at home. Thank God you skipped that boring grand tour.

00:31:03Who needs Italy and France again, right?

00:31:05When did you get back?

00:31:07Last night. From Zurich. You didn't answer my messages.

00:31:12I missed you.

00:31:13Anyway, thought I'd come surprise you.

00:31:16Apparently, I'm transferring to Ashford. Your parents were so thrilled.

00:31:20They didn't tell me about this.

00:31:22I wanted to deliver the happy news myself.

00:31:24They said it'd be lovely for us to reconnect.

00:31:28You know, considering the engagement and all.

00:31:31Engagement.

00:31:33Oh, did no one tell you?

00:31:36He's promised.

00:31:38Old money stuff. Very retro.

00:31:40I didn't agree to that.

00:31:41You didn't have to. It's never up to us.

00:31:45Where did you find this little toy?

00:31:47Serena.

00:31:48I can hear you, you know.

00:31:50Oh, an American.

00:31:52How refreshing.

00:31:58Goodbye.

00:31:59Wait.

00:32:00Wait.

00:32:15Where are you going?

00:32:16You still owe me breakfast.

00:32:18You only paid for dinner.

00:32:20I have homework.

00:32:22Goodbye.

00:32:26Your little toy has quite the temper.

00:32:28Serena, can you please just stop?

00:32:30What? Teasing the help?

00:32:32That's her.

00:32:33That's the one from Kenwood's house.

00:32:34Was she, like, the maid or something?

00:32:47Oh my god, what's wrong with people?

00:33:01They're saying you live with Charles.

00:33:03Oh, and Serena.

00:33:05What about her?

00:33:06Well, apparently she told everyone you were caught sneaking into his room.

00:33:09Of course she did.

00:33:11Careful, Alice.

00:33:24You're starting to look desperate.

00:33:26Desperate.

00:33:39Yeah.

00:33:401066.

00:33:41Yeah.

00:33:42Come to the music room.

00:33:43Urgent.

00:33:44Oh.

00:33:45I just remembered, I need to check something.

00:33:47You guys go ahead.

00:33:48Yeah, okay.

00:33:49Hello?

00:33:50Is someone there?

00:33:51Seriously?

00:33:52This is getting old.

00:33:53Wait.

00:33:54Music room?

00:33:55What?

00:33:56James?

00:33:57Was anybody in here earlier?

00:33:58No.

00:33:59No.

00:34:00No.

00:34:01No.

00:34:02No.

00:34:03No.

00:34:04No.

00:34:05No.

00:34:06No.

00:34:07No.

00:34:08No.

00:34:09No.

00:34:10No.

00:34:11No.

00:34:12No.

00:34:13No.

00:34:14No.

00:34:15No.

00:34:16No.

00:34:17No.

00:34:18No.

00:34:19Just Miss Serena.

00:34:20Said she was waiting for you.

00:34:22Sir?

00:34:23Sir, it's raining.

00:34:25Sir, it's raining.

00:34:26Come on, Alice.

00:34:27You're fine.

00:34:28You're not that girl again.

00:34:29No.

00:34:30No.

00:34:31No.

00:34:32No.

00:34:33No.

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00:35:00No.

00:35:01No.

00:35:02No.

00:35:03No.

00:35:04No.

00:35:05No.

00:35:06No.

00:35:07No.

00:35:08No.

00:35:09No.

00:35:10No.

00:35:11No.

00:35:12No.

00:35:13No.

00:35:14the text okay you hurt I I'm okay I I saw the text and I thought I didn't see the

00:35:41message Serena took my phone I didn't know I'm sorry okay you're gonna catch a cold you're

00:35:50freezing you didn't have to come don't tell me what I have to do

00:36:11that wasn't a mistake if that's what you're about to say I wasn't going to

00:36:25really bad at this you know what kissing hiding feelings

00:36:55dump those Ewok pajamas oh you wish seriously it's a cock block you kissed me

00:37:15that's basically consent to everything

00:37:23dangerous words Keaton I might hold you to that

00:37:36you'll be working in pairs on your comparative essays the list is on the

00:37:40board are you okay

00:37:49fly me to outer space that's where I'll see your face and have you with me

00:38:01you're distracting

00:38:10you're welcome

00:38:19they're either enemies or secretly married

00:38:25honestly

00:38:27both

00:38:28I was sure I'd never find someone to make my head spin around no one's ever

00:38:36gonna be the thing I need they all just let me down

00:38:39but baby you saved me

00:38:42till I'm brand new everything's so different now

00:38:47so the night goes in an L shape right why is that the only one you remember

00:38:54because it's weird and I like weird

00:39:06check

00:39:12you're cheating

00:39:13I'm winning there's a difference

00:39:15you are very distracting

00:39:17and you like it

00:39:22I'll be in the darkened space

00:39:26hold you in my arms

00:39:29Charles

00:39:30we need to talk

00:39:32I expected poor judgment but this in my house

00:39:44it isn't what it looks like

00:39:46no

00:39:46kissing a servant's daughter in the family library

00:39:50enlighten me then Charles

00:39:52we came back tonight after speaking with Serena

00:39:55imagine our surprise walking in on this

00:39:59she isn't just

00:40:01you have no right to barge in

00:40:03on my property

00:40:04I care about her

00:40:08I'm not ashamed

00:40:10that's enough

00:40:14why do you care

00:40:15we're protecting our son's future

00:40:17and our name

00:40:19you think this protects me

00:40:21we think

00:40:22she does not belong in your world

00:40:28then maybe I don't either

00:40:29you're ready to give up everything

00:40:33for a girl you barely know

00:40:38yes

00:40:39then

00:40:40are you sure

00:40:41she's ready

00:40:49I'm asking you

00:40:50do you think she's ready

00:40:51to lose everything

00:40:52regardless of how little that is

00:40:54just to be with you

00:40:56what are you talking about

00:40:57you left us no choice son

00:40:59you shouldn't disobey your father

00:41:04Pelton

00:41:05it's Frederick Kenwood

00:41:07ah

00:41:08Mr Kenwood

00:41:09how can I help?

00:41:10if a scholarship student

00:41:11were to violate our behavioural code

00:41:14in a public setting

00:41:15with photographic evidence

00:41:16would that warrant a review?

00:41:19yes sir

00:41:24so

00:41:25answer me again

00:41:27do you think she's ready

00:41:28to lose everything

00:41:29just to be with you?

00:41:30do you think she's ready

00:41:31to lose everything

00:41:32just to be with you?

00:41:41Charles!

00:41:42what happened?

00:41:43did your parents say something?

00:41:44are they mad?

00:41:45is everything okay?

00:41:46pack your things

00:41:47you can't stay here anymore

00:41:49you can't stay here anymore

00:41:50what?

00:41:51my parents fired your mother

00:41:54she's leaving

00:41:55so are you

00:41:56wait

00:41:57why?

00:41:58is it because of us?

00:41:59we can fix this

00:42:00i'll get a job

00:42:01anything

00:42:02stop stop it

00:42:03you don't get it

00:42:04if i don't walk away from this

00:42:06they'll cut me off

00:42:07okay?

00:42:08no card

00:42:09no trust

00:42:10no support

00:42:11nothing

00:42:12nothing

00:42:13then

00:42:14then

00:42:15then we'll figure it out

00:42:16we don't need all that

00:42:17we can

00:42:18do you really think i'm going to live like that?

00:42:24so that's what this was?

00:42:26just

00:42:27fun until it got inconvenient

00:42:29what did they promise you?

00:42:31i promise you

00:42:35nothing

00:42:38they just reminded me

00:42:39of what's

00:42:40real

00:42:44charles i'm not stupid

00:42:46you don't just turn into a cold stranger

00:42:48because of one conversation

00:42:49what did they threaten you with?

00:42:57what did they threaten you with?

00:42:58this is the difference between me and you

00:43:00what?

00:43:01you think you know me

00:43:03or what i have

00:43:05you don't

00:43:06Alice

00:43:07you're still lying

00:43:08i'm not

00:43:09Alice

00:43:10look around you

00:43:11this mansion

00:43:12you thought was a museum

00:43:13it's

00:43:14my

00:43:15house

00:43:16my

00:43:17world

00:43:18i was bored into this

00:43:19i am not choosing

00:43:21between this

00:43:24and something i picked up

00:43:26for a moment

00:43:27of fun

00:43:30don't do this charles

00:43:31you don't mean it

00:43:33it was fine

00:43:35but you?

00:43:37you don't compare to what i own

00:43:41i'll survive the loss

00:43:45right

00:43:47i should have known

00:43:50guys like you don't end up with girls like me

00:43:52you play with them then you throw them away

00:43:59go to sleep Alice

00:44:00this fall is a little more than i expected

00:44:16in so deep i can barely see myself

00:44:21yeah

00:44:22around me feels so heavy but the pleated

00:44:28but i find this the place to test myself

00:44:42oops

00:44:43oops

00:45:00oh sorry

00:45:01didn't see that

00:45:03then again nobody does

00:45:05move please

00:45:07hmm

00:45:08try

00:45:09begging

00:45:14you know what keep it

00:45:21poor thing

00:45:22so dramatic

00:45:24don't

00:45:26excuse me

00:45:27i warned you

00:45:29walk away serena

00:45:31fuck

00:45:51last week's group assignments were mostly forgettable

00:45:54but one pair surprised me

00:45:56in a good way

00:45:58charles kenwood

00:46:00and alice keaton

00:46:02would you mind giving us a short summary

00:46:04she loves the sound of her own voice

00:46:06better have it

00:46:14our essay explored what happens when two fundamentally different voices meet

00:46:20like logic and chaos

00:46:22or silence and noise

00:46:24different worlds, different rules

00:46:28at first glance they clash

00:46:30but what makes the story interesting is what happens next

00:46:34confusion

00:46:35curiosity

00:46:37but in the end some stories aren't about staying

00:46:40and yes there is no such thing as a happy ending

00:46:42and yes there is no such thing as a happy ending

00:46:56is she still talking about the essay

00:46:59miss keaton

00:47:02dramatic as always

00:47:05alright

00:47:06thank you alice

00:47:08that was

00:47:09layered

00:47:11are you ok

00:47:12a reminder

00:47:13that good literature

00:47:15always stirs something

00:47:17hello

00:47:20hi this is alice keaton

00:47:22this is whitmore press

00:47:23we've been following your work

00:47:24we'd like to offer you a long term publishing contract

00:47:26name your price

00:47:28we'll make it work

00:47:29sorry what?

00:47:33that's

00:47:35kind of insane

00:47:37who's behind this?

00:47:38your sponsor wishes to remain anonymous

00:47:39can

00:47:40can

00:47:41can i meet them?

00:47:43i want to

00:47:45please

00:47:47or at least tell me a name

00:47:52sorry they wish to stay in office

00:47:53since their only interest in words

00:47:54not the person

00:47:55i'd really like to meet them

00:47:56i'd really like to meet them

00:47:57i'm sorry for the kiss

00:47:58their name was very soon

00:47:59i think the most generous offer we've ever given an interview right now

00:48:03i see

00:48:04congratulations again

00:48:09you got the interview

00:48:10it's just an interview

00:48:11i haven't gotten it yet

00:48:13still

00:48:14alice keaton at oxford

00:48:16that's iconic

00:48:17for your love

00:48:18i'd be

00:48:19going back to my dinner

00:48:25you ok?

00:48:26yeah

00:48:28i'm so excited

00:48:29it's so exciting

00:48:43it's done mr camwood

00:48:44miss keaton signed the contract

00:48:47Good.

00:48:48It's a generous deal. You sure you don't want it to know?

00:48:52No.

00:48:54No, it's better if I stay out of her life.

00:49:05Congratulations, Alice Keaton.

00:49:08Go live the life you were always meant to.

00:49:11Your engagement and announcement should align perfectly with the Foundation Gala.

00:49:20And the Browns already offered to host the London Reception.

00:49:26It's all coming together beautifully.

00:49:31I've lost my appetite.

00:49:36I'll go check on him.

00:49:42What's your problem, Charles?

00:49:47Disengagement is not happening.

00:49:50It's not up to you. You know that.

00:49:52Serena, we're not doing this.

00:49:55You've changed.

00:49:59Or maybe I finally just stopped pretending.

00:50:11You're the sponsor. You've been funding Alice Keaton this whole time.

00:50:21So?

00:50:22You lied to everyone, including her.

00:50:25I protected her.

00:50:27You loved her.

00:50:29Still do.

00:50:30Let it go, Serena.

00:50:31There's no point.

00:50:33There's no point.

00:50:34time. So? You lied to everyone including her. I protected her. You loved her. Still do.

00:50:50Let it go, Serena. There's no point. I need a favour.

00:51:03Find out when the Oxford interview is. And make sure Alice Keaton won't show up.

00:51:14Anything with Lyra?

00:51:16She's not answering. The interview is almost over.

00:51:19Well, she won't just not show up. Something's wrong.

00:51:23Where's Alice? When was the last time you heard from her?

00:51:27Last night. She said she was prepping all evening.

00:51:34James, track someone for me.

00:51:38Wait, where are you going?

00:51:47Chill, okay? It won't hurt you.

00:51:49Yeah, we're just supposed to keep your eye from the interview. That's it.

00:51:53Shit! Come back!

00:52:02Shit! Come back!

00:52:06It's by the end of the interview.

00:52:09It's hard for us.

00:52:10It's so difficult for us.

00:52:12I mean, you're so difficult for us.

00:52:14I mean, you're so difficult for us.

00:52:16I mean, you look good.

00:52:17You look bad for us.

00:52:18I'm sorry, he's not that bad.

00:52:19I'm not that bad.

00:52:20You're so desperate for us.

00:52:21I mean, you're all you're on the other side.

00:52:23I remember how I met

00:52:33Didn't need a second guess

00:52:37Hey, hey, hey, Alex, Alex

00:52:42Alex, stay with me, stay with me, stay with me, Alex

00:52:46Alex

00:52:53You're awake?

00:52:55Where, where am I?

00:52:57A local clinic. Passer-by brought you in

00:53:00Passer-by?

00:53:02He found you on the side of the road

00:53:04He had to leave, he didn't leave a name

00:53:07Oh

00:53:10The interview, what time is it?

00:53:12Easy, it's okay

00:53:14Someone already contacted the university

00:53:16and sent in your writing samples

00:53:18They've rescheduled your interview for tomorrow

00:53:20Wait, what, who?

00:53:21No idea, but it's all taken care of

00:53:27What did you say?

00:53:28Nothing

00:53:30I just

00:53:32had a dream

00:53:44I got in!

00:53:45Oh, I knew it

00:53:50Too bad Charles isn't here to watch you crush it

00:53:53He's not here

00:53:55Oh, you didn't know?

00:53:58Know what?

00:53:59He left

00:54:00A few days ago, yeah, everyone doesn't really know where he went

00:54:04Honestly, Ashford's been quieter without him

00:54:06It's probably for the best

00:54:07Probably for the best

00:54:08Come on

00:54:09Fuck

00:54:14Alice?

00:54:19The summer I met Charles Kenwood was loud

00:54:22Chaotic

00:54:23Unexpected

00:54:24Unexpected

00:54:27And with his absence

00:54:28Come on

00:54:30It ended quietly

00:54:31Like summers always do

00:54:36From fantasy

00:54:37Did you feel from across the room

00:54:39Did you feel from across the room

00:54:41Did you feel a little enchanted

00:54:45And joining us today

00:54:50The decade's most unexpected literary phenomenon

00:54:54Alice Keaton

00:54:55Thank you for having me

00:54:56Now, your words moved millions

00:54:59They say your stories feel real

00:55:02Especially the ones about love

00:55:04Thank you

00:55:05Which brings us to the most obvious question

00:55:07How's your dating life like these days?

00:55:09No comment

00:55:10A little bird told me that the past four years

00:55:13Has been just writing and working

00:55:15Not even a single date

00:55:17Let me guess a bird named Sherry

00:55:19She caught me

00:55:20Still no comment

00:55:21All right

00:55:22All right

00:55:23No matter what you say

00:55:24You write love

00:55:26Like someone who's lived it

00:55:28If you so real

00:55:29Because once

00:55:30I did

00:55:31With someone who felt like chaos and clarity

00:55:34And no one ever quite matched the light after that

00:55:38And let's give it up for Alice Keaton one more time

00:55:51Congratulations Alice

00:55:53The numbers just came in

00:55:54You broke your own record

00:55:56That's incredible

00:55:59We're thinking celebration

00:56:00Press

00:56:01Photos

00:56:02Maybe tonight

00:56:03Actually

00:56:04There's something I'd rather do

00:56:06I'd like to meet with the person who believed in me first

00:56:11My sponsor

00:56:13You're sure?

00:56:14Yeah

00:56:15Just once

00:56:16Tonight

00:56:187pm

00:56:21Good evening

00:56:30Good evening

00:56:35Good evening

00:56:38May I sit?

00:56:48Hi

00:56:49You look well

00:56:50And you look like you just stepped out of a GQ cover

00:56:59You always did

00:57:00You were expecting someone else

00:57:03I was hoping but I guess I always knew

00:57:10I didn't come here to confuse you

00:57:13Or to reopen anything

00:57:15Hope you liked the attention

00:57:17I just wanted to say congratulations

00:57:20Oh

00:57:21Thank you

00:57:22Thanks for keeping me so much

00:57:24Didn't know you were still reading

00:57:26You were rich enough not to do so

00:57:29Always

00:57:31Either way

00:57:32Your sponsorship started my career

00:57:34No

00:57:35No

00:57:36No

00:57:37You earned everything

00:57:41Every word

00:57:43Every page

00:57:45Every reader

00:57:47That's what I came to say

00:57:53It was good to see you again

00:57:54I hope

00:57:55Charles

00:57:56Can you just

00:57:59Wait a little longer

00:58:06I think I knew it was you

00:58:10There was one email

00:58:13You said something

00:58:15It felt familiar

00:58:16Really?

00:58:17Kind of had that

00:58:18Rich asshole with a conscience energy

00:58:21Very on brand

00:58:23I should have anonymized my grammar

00:58:24Too late

00:58:25Your semicolon usage gave you away

00:58:28Still the only girl I know who flirts through punctuation

00:58:31Still the only god I know who uses wiles unironically

00:58:37You've changed

00:58:39But

00:58:41Not really

00:58:43You haven't changed

00:58:45But

00:58:46Maybe you've grown into who you really were

00:58:51Anyway

00:58:52I wanted to say

00:58:54Thank you

00:58:56And

00:58:58Thanks for being here tonight

00:59:00You didn't have to come

00:59:02Don't tell me what I have to do

00:59:07You didn't have to come

00:59:08Don't tell me what I have to do

00:59:32If you could go back

00:59:33If you had the chance to do it all again

00:59:35Would you do anything differently?

00:59:38No

00:59:42No

00:59:47No

00:59:52I see

00:59:56I know my answer now

00:59:57I didn't have the power back then

01:00:00Not enough to protect you

01:00:02I couldn't watch you get crushed because of me

01:00:05Because of my name

01:00:06My name

01:00:07My family

01:00:10I didn't want to be the reason you lost everything

01:00:13So you just disappeared

01:00:15Without a word

01:00:19If you had the chance to see the world

01:00:21Without me weighing you down

01:00:23If you still chose me after that

01:00:25That's

01:00:29You keep saying you wanted to give me a choice

01:00:32But you made a choice for me

01:00:36Did it ever cross your mind that maybe

01:00:39I would have chosen you anyway

01:00:42You and you anyway

01:00:48I didn't think I was the smart choice

01:00:49I didn't think I was the smart choice

01:00:51You weren't

01:00:54But

01:00:55I never claimed to be that smart

01:00:56This is me.

01:01:06Right.

01:01:14I'm still mad at you, you know.

01:01:18I'm still in love with you, you know.

01:01:26Do you want to come in for a bit?

01:01:32You're asking your ex, who you haven't seen in four years, to come into your hotel at approximately 11pm.

01:01:41You were right. You never were that smart.

01:01:45You don't have to come.

01:01:47Don't tell me what I have to do.

01:01:56Stop quoting yourself.

01:02:04I recycle. It saves energy.

01:02:08This feels wildly irresponsible.

01:02:10You sound like a disclaimer.

01:02:12You're the one who once called romance a distraction.

01:02:14I said that?

01:02:15Yeah, before calling Wuthering Heights overrated.

01:02:18Still is.

01:02:20You're lucky you're a good kisser.

01:02:26That is cutin'.

01:02:27Don't you dare quote poetry.

01:02:29I wasn't going to.

01:02:30I forgot all of it the day you left.

01:02:33Then shut up.

01:02:35And prove it.

01:02:42I still can't believe this is happening.

01:02:43I told you, they're either worst enemies or secretly married.

01:02:47And I told you, they're both.

01:02:49I vow to always tell you the truth.

01:03:11I vow to always tell you the truth except for when you ask how your cooking was, then I lie. Respectfully. I vow to keep choosing you. Loudly. Quietly. Always. Even when you forget to do the laundry.

01:03:35Is he actually good at this? I mean, he did beat her at sarcasm. I vow to argue with you at least twice a week, especially over Shakespeare. I vow to write you in your every story, even when I say I didn't. You will always be part of my life.

01:03:57If she quotes Austen in this toast, I'm out. No you're not, you're gonna cry harder.

01:04:05I vow to always be part of my life.

01:04:25I can't believe you picked Paris. Such a cliché honeymoon destination. Guard your phone.

01:04:32Relax, just don't dress like a walking inheritance and you'll be fine.

01:04:39You are not wearing that on our honeymoon.

01:04:42Please, Alice, go change.

01:04:44Don't tell me what I have to do.

01:04:46No. No, no, no, no, no, no. That is not an invitation to- Do not take off these clothes!

01:04:56I've arrived. You look much better without them.

01:04:59To the ones who loved in silence, in chaos, in chapters, you will find your way home.

01:05:13Sometimes I want to be on my own. But I don't want to die alone.

01:05:20God!

01:05:21God!

01:05:22God!

01:05:23God!

01:05:24God!

01:05:25God!

01:05:26God!

01:05:27God!

01:05:28God!

01:05:29God!

01:05:30God!

01:05:31God!

01:05:32God!

01:05:33God!

01:05:34God!

01:05:35God!

01:05:36God!

01:05:37God!

01:05:38God!

01:05:39God!

01:05:40God!

01:05:41God!

01:05:42God!

01:05:43God!

01:05:44God!

01:05:45God!

01:05:46God!

01:05:47God!

01:05:48God!

01:05:49God!

01:05:50God!

01:05:51God!

01:05:52God!

01:05:53God!

01:05:54God!

01:05:55God!

01:05:56God!

01:05:57God!

01:05:58God!

01:05:59God!

01:06:00God!

01:06:01Wow, that's incredible.

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