00:01But the talla was found between his perteneces.
00:03It was the tall Thomas.
00:04The same man who was accused of Alejo.
00:06Do you think it's raro to leave the talla between his perteneces of Luisa?
00:10Do you think it would have been carried out with him?
00:11What do you think?
00:12What do you think?
00:13What do you think?
00:14What do you think?
00:15What do you think?
00:16What do you think?
00:17What do you think?
00:18What do you think, according to you?
00:21You must be very fond of you to forget your humble origin.
00:24It's strange that someone like the duke
00:27that you have chosen to happen to doña Pilar.
00:30A that fiesta I'm not going to go.
00:32I'm going to go.
00:33I'm going to go with you.
00:34And with all of the Guzmán all over.
00:37What do you think, señorita?
00:39I think it's time for my future nuera
00:42to be accustomed to the social compromises of the Guzmán.
00:46Rafael, it seems very strange that you just appear there,
00:50in a place so dangerous where people go...
00:52Adriana, I think you should do the same and do the same page.
00:56What do you think?
00:57Well, if you say it.
00:58He tried to take the seat of a barranco.
01:00Why would I do it again?
01:02You should be more hospitalary with the guests of the house.
01:05What do you think?
01:06What do you think with the new guest of the house?
01:09With Don Eduardo.
01:10Yes.
01:11You said you were a good friend of Don Bernardo, right?
01:13That's it, yes.
01:14What do you think of the duke of Miramar?
01:17That you know.
01:18What do you think about that guy?
01:19No, I don't like that.
01:21I don't feel comfortable with him.
01:23What do you think?
01:24But don't stop asking me for Gaspar.
01:26Why Gaspar?
01:27Baje and tell your tÃa Eva
01:29that Doña Adriana can't take anything to eat pimenton.
01:32Since she's in state, she feels bad.
01:34Now.
01:38Doña Isabel,
01:39who told her to eat the pimenton?
01:44A su tÃa Eva.
01:45I'm sorry.
01:46If she's kissing,
01:47now I'm sure they're married and wife.
01:49And I'll leave her in peace.
01:51Well.
01:52Well.
01:53Yes.
01:55Let's see.
01:56Let's see the decency
01:57and kiss the man of his life.
01:59Let's see, man.
02:00Let's see.
02:01Let's see.
02:02We'll be able to abandon the Valle,
02:03and I'll see.
02:04We'll be able to.
02:05We'll be able to do this, Victoria.
02:07Why?
02:08Why?
02:09Because that man belongs to your past.
02:10No to mine.
02:11It's yours.
02:12No to me.
02:13The other day,
02:14he told me much about Gaspar.
02:15I don't like to talk about the difuntes.
02:17No, don't you.
02:18No happens to be anything.
02:19When you talk to me,
02:20I don't think this is the moment.
02:21I think it's the moment.
02:22We're alone.
02:23We're alone.
02:24We were alone.
02:25He was a young man who I brought to the palace.
02:28But...
02:29Do you have any reference to your job?
02:30Yes, of Luisa.
02:31Luisa.
02:32They're friends.
02:33Luisa no has a name in any moment.
02:36What a raro.
02:37I'm going to be clear with you.
02:39Luisa has everything in your favor.
02:40It's not him.
02:41It's not him.
02:42It's not him.
02:43It's not him.
02:44It's not him.
02:47Ayúdeme.
02:48Por favor.
02:49Ayúdeme.
02:50Sólo usted puede ayudarme.
02:51Hijo.
02:52Por favor,
02:53le pido que me ayude
02:54y que...
02:55que me perdone.
02:56Perdóneme por todo lo que ha pasado.
02:58Por faltarle al respeto.
02:59Por levantarle la voz
03:00y por renegar de mi apellido.
03:01No...
03:02Yo no...
03:03No sabÃa qué hacer.
03:04Pero por favor,
03:05le pido que me perdone.
03:06Se lo ruego.
03:07Evidence
