- 2 months ago
🎬 Title: Rise of the Black Dragon – Vintage Adventure
🕰️ Year: 1950s Classic Film
📽️ Genre: Action, Adventure, Mystery
Step into a timeless adventure where courage meets destiny! Rise of the Black Dragon follows a mysterious hero who must face dark forces and uncover an ancient legend that could change the fate of the world.
Experience the charm of 1950s cinema — classic cinematography, dramatic storytelling, and a thrilling battle between light and shadow. A true vintage masterpiece for lovers of old-school adventure films.
🕰️ Year: 1950s Classic Film
📽️ Genre: Action, Adventure, Mystery
Step into a timeless adventure where courage meets destiny! Rise of the Black Dragon follows a mysterious hero who must face dark forces and uncover an ancient legend that could change the fate of the world.
Experience the charm of 1950s cinema — classic cinematography, dramatic storytelling, and a thrilling battle between light and shadow. A true vintage masterpiece for lovers of old-school adventure films.
Category
🎥
Short filmTranscript
00:00:00The
00:01:00I say, Reynolds, what's this I hear about the Army being interested in this project you're lobbying for?
00:01:19Well, it's not for publication, but they're planning to build an ammunition dump near the dam.
00:01:24I thought they were spending all that money just to help out a handful of bombers.
00:01:30And when I mentioned to the committee that more than 50,000 troops were stationed within a mile of the depot,
00:01:37they immediately increased the appropriation by a half a million dollars.
00:01:4250,000 troops.
00:01:4350,000 troops.
00:01:45But don't forget, Mr. Hanlon, all of our shipyards are not located on the coast.
00:01:49I don't think I understand.
00:01:51Well, believe it or not, we have four shipwaves on the lakes.
00:01:55They're turning out an average of a ship a month.
00:01:58That explains a lot of things.
00:02:00With your influence in Washington, why don't you get a bill passed to increase the old age pension for Glamour Girls?
00:02:05Well, now listen here, girlie.
00:02:10We're not following this precarious occupation for, uh, love.
00:02:13What our friend is trying to say is that you ought to organize, start a revolving fund,
00:02:18and you'll be able to speak the language that he understands.
00:02:21Right?
00:02:22That's right.
00:02:23Now that you mention it, it is an ideal location for an air base.
00:02:26The enemy could never spot it in the air, and it's out of the range of the naval gun.
00:02:30It's very curfew.
00:02:31Tell me, coffee is served for now.
00:02:34Oh, coffee.
00:02:35Wait for me, Blondie.
00:02:40Blondie.
00:03:01Blondie.
00:03:02Blondie.
00:03:03Blondie.
00:03:04Blondie.
00:03:05Blondie.
00:03:06Blondie.
00:03:07Blondie.
00:03:08Blondie.
00:03:09Blondie.
00:03:10Blondie.
00:03:11Blondie.
00:03:12Blondie.
00:03:13Blondie.
00:03:14Blondie.
00:03:15Blondie.
00:03:16Blondie.
00:03:17Blondie.
00:03:18Blondie.
00:03:19Blondie.
00:03:20Blondie.
00:03:21Blondie.
00:03:22Blondie.
00:03:23Blondie.
00:03:24Blondie.
00:03:25Blondie.
00:03:26Blondie.
00:03:27Blondie.
00:03:28Blondie.
00:03:29Blondie.
00:03:30Well, gentlemen, if you ask me, I would say this has been a most successful day.
00:03:36Well, it has for me.
00:03:38Now I can postpone that strike until the project has eaten up more of the appropriation.
00:03:45But, gentlemen, since war has been declared, we've learned one lesson.
00:03:50We must proceed cautiously.
00:03:52I think we should make plans to slip into some neutral country before the Intelligence Bureau gets after us.
00:03:57And perhaps when the war hysteria dies down, they will become more lax.
00:04:01These Americans are like children.
00:04:03They forget quickly the fire that burnt their fingers.
00:04:07Well, Doctor, you've actually found a very efficient method of prosecuting our war of nerves.
00:04:11No, no, no. I'm not going to accept all things.
00:04:14Gentlemen, I have insisted we could destroy more ammunition plans before we have to leave.
00:04:19That last operation of yours, carried out with such finesse, you too.
00:04:27Thanks.
00:04:28Do you want me to wait for you, sir?
00:04:30No, thank you.
00:04:31I may be detained here for some time.
00:04:34Oh, uh, are you going back to Cleveland tonight, Kenny?
00:04:36No, I'm staying over for a couple of days.
00:04:37Fine.
00:04:38We'll stop into my office tomorrow morning.
00:04:39That gentleman patient to see you, sir.
00:04:40Patient?
00:04:41I see patients only at my office during the day.
00:04:42I can go elsewhere.
00:04:43I explained you, I saw patients at your home.
00:04:44I saw patients at your home.
00:04:45What's it, sir?
00:04:46I saw patients at your home.
00:04:47I saw patients at your home.
00:04:48Do you see that?
00:04:49I saw patients at your home.
00:04:50I saw patients at your home.
00:04:53Thanks.
00:04:54You want me to wait for you, sir?
00:04:55No, thank you.
00:04:56I may be detained here for some time.
00:04:57Stop into my office tomorrow morning.
00:04:58A gentleman patient to see you, sir.
00:05:00Patient?
00:05:01I see patients only at my office during the day.
00:05:03Ask them to go elsewhere.
00:05:05I explained you tell him some patients at your home.
00:05:07What's his name?
00:05:09Mr. Cologne, or rather Monsieur.
00:05:11Never heard of him.
00:05:13Seems very urgent, sir.
00:05:14Insistence it's a matter of life and death.
00:05:16Why don't you see him and get it all over?
00:05:18Oh, very well.
00:05:19Be back in a moment.
00:05:20Oh, Doctor?
00:05:22Don't forget your bedtime manners.
00:05:24Oh, no.
00:05:27That will be all, Stevenson.
00:05:39Doctor Sanders?
00:05:41That's right.
00:05:42I'm not in the habit of receiving patients in my home.
00:05:45Especially at night.
00:05:47I have come a long way to see you.
00:05:51Plenty of other good doctors.
00:05:54I'm a very sick man.
00:05:57Sit down, please.
00:06:07You don't appear to be in any danger of dying.
00:06:11You are quite wrong.
00:06:14All men are in danger of dying.
00:06:17The important question is when.
00:06:19When?
00:06:19When?
00:06:19When?
00:06:19When?
00:06:19When?
00:06:19When?
00:06:19When?
00:06:19When?
00:06:20When?
00:06:20When?
00:06:20When?
00:06:21When?
00:06:21When?
00:06:21When?
00:06:21When?
00:06:22When?
00:06:22When?
00:06:23When?
00:06:23When?
00:06:23When?
00:06:24When?
00:06:24When?
00:06:24When?
00:06:25When?
00:06:32Who are you?
00:06:33Just why did you come here?
00:06:37Wallace, how are things with you in Detroit?
00:06:41Fine. I'm faced with a strike that may tie up my whole plan.
00:06:45Ten thousand men. That's too bad. Yes, because I'll have to
00:06:49close one of my factories waiting for parts. Trouble is, you boys
00:06:53should hire me as a lawyer. Then you could really wreck your business.
00:06:57Listen to him. At that Van Dyke, my plant might be able to
00:07:01use you over in Pittsburgh to throw a few monkey wrenches into the legal machinery.
00:07:05You must be mistaken. I don't know what you're talking about.
00:07:09That's strange. I was sure you would remember
00:07:13me. Your voice seems familiar.
00:07:17But I'm positive I've never seen your face before.
00:07:21That you are but half right. You did see me before.
00:07:25I've changed since then.
00:07:29Just as you have.
00:07:33Nature!
00:07:35Doctor! No, no, please!
00:07:37Please, I don't deserve this!
00:07:47Someone screamed. Sounded like a banshee.
00:07:49Just a momentary upset.
00:07:53Nothing serious.
00:07:55Sorry we intruded. Are you sure everything's all right?
00:07:59Yes, quite.
00:08:01Gentlemen, please accept my apology.
00:08:03I, I shall be detained longer than I anticipated.
00:08:07But in that case, I think we can go.
00:08:09Good night. Good night.
00:08:11Good night. Good night.
00:08:13Well, I hope the doctor knows what he's doing.
00:08:19So do I.
00:08:33This patient looks crazy to me.
00:08:35Weird sort of fellow, is that?
00:08:38Like a European.
00:08:39Seems to me I've seen him before.
00:08:41Well, let's go. Come on.
00:08:42Oh, very strange.
00:08:42Oh, yeah.
00:08:53Can we drop you someplace, Kearney?
00:08:54No, thank you. I have a cab.
00:09:03And be sure that your servant understands the instructions I have given you.
00:09:23Dr. Sanders wants you.
00:09:25You may prepare the guest room for Mr. Cano.
00:09:35He'll be with us for some time.
00:09:39Very well, sir.
00:09:55What are you doing in my cab?
00:10:04I thought perhaps you were going in my direction.
00:10:07Well, I'm not going in your direction.
00:10:09Mr. Carney, are you quite sure you know in what direction you're really going?
00:10:15Why, of course I know.
00:10:17Incidentally, how did you learn my name?
00:10:21You're out. I called you Coco Netobe.
00:10:25You're out.
00:10:27You're out.
00:10:37You're out.
00:10:44You're out.
00:11:15Well, the taxi driver identified the buddy.
00:11:36Said that he picked him up in front of Dr. Saunders' place.
00:11:38Then all we have to do is grab this Dr. Saunders and ask him what he knows.
00:11:41Sure, and put him on his guard, and then where are we?
00:11:44Uh, no. This is one time that we've got to watch our steps.
00:11:47What do you want me to do?
00:11:49Suppose you drop in on the dock and see what you can find out without letting him know that we suspect the place.
00:11:53We have a report that a niece lives there.
00:11:56You might work through her.
00:11:57Don't tell me. Let me guess.
00:11:59She's 50, flat-footed, and fat, with buck teeth, and probably wears glasses.
00:12:03All right, now, look, Sheila.
00:12:05This is your first case, and we don't want you to come and up, see?
00:12:08We don't expect you to marry the girl.
00:12:09Well, just see what you can find out, huh?
00:12:11Okay, Chief. I can dream, can't I?
00:12:14You'll kill me.
00:12:30Hello.
00:12:31You're Stevens, aren't you?
00:12:32I'm Alice Saunders.
00:12:34How do you do, Miss Alice?
00:12:36Won't you step in, please?
00:12:45It's good to be back.
00:12:47Where's Uncle?
00:12:48He's not very well this morning. He's still in bed.
00:12:51I wouldn't disturb him just yet.
00:12:53So sorry.
00:12:54Is it anything serious?
00:12:56Well, I don't know, miss.
00:12:57He took a little quiet after his dinner party.
00:12:59Oh, dear.
00:13:00Everything looks just the same.
00:13:05Anything new?
00:13:06Only myself, I'm afraid, miss.
00:13:17Yes?
00:13:18Miss Saunders was expecting me.
00:13:19Dick Martin.
00:13:20Yes.
00:13:21Come in, Mr. Martin.
00:13:24Miss Saunders, would you see a Mr. Martin?
00:13:27How do you do?
00:13:28I'm from the department.
00:13:29I'd like to see your father, Dr. Saunders.
00:13:32He's my uncle.
00:13:33He isn't feeling well.
00:13:35Is there something I could do?
00:13:36Why, yes.
00:13:37Your uncle gave a dinner party here last night.
00:13:40Do you know who his guests were?
00:13:42I just arrived myself.
00:13:44Maybe Stevens could tell you.
00:13:45Stevens, was there a man by the name of Kearney here last night?
00:13:49Yes, sir.
00:13:50Know anything about him?
00:13:51No.
00:13:51If you could tell me what this is all about, maybe I could help.
00:13:54Well, you see, the police found the body of Kearney last night.
00:13:57He was either murdered or committed suicide.
00:13:59Oh, how awful.
00:14:00And if I could see your uncle, it might clear the matters up.
00:14:04I'll try to see you.
00:14:11Stevens, where's the dining room?
00:14:13In there, sir.
00:14:13Yes.
00:14:14Yes.
00:14:14Yes.
00:14:15Yes.
00:14:16Yes.
00:14:17Yes.
00:14:18Yes.
00:14:19Yes.
00:14:21Uncle Bill.
00:14:23Hmm?
00:14:30Uncle Bill.
00:14:31It's Alice.
00:14:32I just got in.
00:14:33Oh, what is it, dear?
00:14:36Uncle Bill let me in.
00:14:37I'm back.
00:14:38Oh, Alice, dear.
00:14:39Forgive me.
00:14:40But I was dozing.
00:14:42Stevens said you didn't feel well.
00:14:44No, nothing serious.
00:14:46Nerve, that's all.
00:14:47I've decided to remain in my room for a long rest.
00:14:53But I'm so glad you're back, dear.
00:14:57Can't I come in for a moment?
00:14:59I have so much to tell you.
00:15:03It's been so many years since I've seen you.
00:15:06Oh, I'm sorry, dear.
00:15:09Isn't there something I can do for you?
00:15:10I have so many years ago.
00:15:16Are you a new servant?
00:15:18Not exactly.
00:15:20Rather, a very old friend of your uncle's, Monsieur Cologne.
00:15:25I'm Alice.
00:15:25Isn't he?
00:15:26Greetings.
00:15:29You're very sweet.
00:15:31And a beautiful young woman.
00:15:34You'll excuse me.
00:15:40What's your first name?
00:16:09Richard, but you can call me Dick.
00:16:13Oh, Dick.
00:16:14This is Monsieur Colon.
00:16:15He's an old friend of Uncle Bill's.
00:16:17Dick Martin.
00:16:18How do you do?
00:16:19It's a pleasure.
00:16:20Were you here at the dinner party last night?
00:16:22No.
00:16:23I came later.
00:16:24Do you know a Mr. Kearney?
00:16:26Kearney?
00:16:27I'm afraid not.
00:16:29Is there something wrong?
00:16:30Just a slight case of murder.
00:16:32That's too bad.
00:16:33Can I help in any way?
00:16:35Nope.
00:16:36Excuse me.
00:16:39Handsome devil, isn't he?
00:16:55I'd hate to meet him in a dark alley.
00:16:57Oh, I don't know.
00:16:59Make it a moonlight night in a park bench.
00:17:01Might be exciting.
00:17:02Oh, yeah?
00:17:07What's this first name business?
00:17:09Well, I didn't know him any better than you did.
00:17:12How long has he lived here?
00:17:14I don't know that either.
00:17:15How about yourself?
00:17:16It's been years.
00:17:17Listen, do I see the uncle or don't I?
00:17:20He must be terribly ill.
00:17:21He wouldn't even see me.
00:17:22What business?
00:17:23You scared living here like this?
00:17:25You better come along with me.
00:17:26I think I can take care of myself.
00:17:27What's your name?
00:17:28Alice.
00:17:29Okay, Alice.
00:17:30See you later.
00:17:31See you later.
00:17:32See you later.
00:17:33I'm sorry.
00:17:34I'm sorry.
00:17:35I'm sorry.
00:17:36I'm sorry.
00:17:37You better come along with me.
00:17:38I think I can take care of myself.
00:17:39What's your name?
00:17:40Alice.
00:17:41Okay, Alice.
00:17:42I'll see you later.
00:17:43See you later.
00:18:12Oh, your room is ready, Miss Alice.
00:18:17Steven, tell me something about our guest.
00:18:21Well, there's not much I know.
00:18:23When he came here last evening, I thought he was simply another patient of Burakles.
00:18:27He's an interesting man.
00:18:29Yes.
00:18:30Very.
00:18:42Immediately.
00:18:43He's not very well this morning, sir.
00:18:44He's still in bed.
00:18:45He'll see me.
00:18:46In front of him at Wallace.
00:18:47Yes, sir.
00:18:48Will you please wait?
00:19:12I told you I wasn't to be disturbed, David.
00:19:15Is Mr. Morris here?
00:19:16No.
00:19:17No.
00:19:18No.
00:19:19No.
00:19:20No.
00:19:21No.
00:19:22No.
00:19:23No.
00:19:24No.
00:19:25No.
00:19:26No.
00:19:27No.
00:19:28No.
00:19:29No.
00:19:31No.
00:19:32No.
00:19:33No.
00:19:34No.
00:19:35No.
00:19:36No.
00:19:37No.
00:19:38No.
00:19:39No.
00:19:40No.
00:19:41No.
00:19:42No.
00:19:43Yes, sir, he's below.
00:19:44Please obey my order.
00:19:58Well?
00:19:59It's impossible, sir.
00:20:01Dr. Sanders can't see you.
00:20:03Don't.
00:20:42Could the medical history of a sick person possibly interest an industrialist from Detroit?
00:21:00You're the man who came here last night.
00:21:04As a patient, Mr. Wallace, as a patient.
00:21:06You're the man who came here last night.
00:21:36Is this someone here?
00:21:38Mr. Wallace, miss.
00:21:39He just left.
00:21:41I heard a funny noise.
00:21:43Is this room below mine?
00:21:44Yes, miss.
00:21:45Then it came from here.
00:21:53Is there something wrong?
00:21:55I heard a strange noise like a body falling.
00:21:57Oh, I was stumbling.
00:21:58I was awkward.
00:21:59Yes, but there were gurgling sounds.
00:22:02Oh, I was humming.
00:22:05Is my voice as bad as that?
00:22:08Humming.
00:22:09Have you known my uncle very long?
00:22:18Time passed so swiftly, it's hard to say.
00:22:22I think I first met him abroad.
00:22:24Some kind of international meeting, I believe.
00:22:28Are we going to have the pleasure of your company very long?
00:22:30It depends on circumstances.
00:22:36You sound like a man of destiny.
00:22:39One must not flirt with one's destiny.
00:22:44With the world in the condition it is today,
00:22:47aren't we all flirting with destiny?
00:22:50I suppose I finish my book upstairs.
00:22:53Oh, no, please.
00:22:54I didn't mean to disturb you.
00:22:55Excuse me.
00:22:56I didn't mean to disturb you.
00:23:26I didn't mean to insult you.
00:23:54Eric?
00:23:54yes put him on hello John what is the time nine add three plus nine and you
00:24:06tell me two one three one four one okay listen Ryder have you seen the headlines
00:24:12I certainly have I never knew Connie had heart trouble he didn't he was only 34
00:24:18sound as a dollar that Japanese dagger what about that one of us ought to go
00:24:23immediately back to Washington I tried to get dr. Saunders on the phone but he's
00:24:27sick according to the Butler Wallace is still registered at his hotel but he's
00:24:32out maybe we can catch him before he returns to Detroit both of us should go
00:24:37back I'll grab the first plane out of Pittsburgh here and meet you in front of
00:24:40Wallace's hotel good see you then
00:24:48here's the letter perhaps should have been thrown in the basket but it
00:24:53seemed rather strange why it's the plastic surgery ad but it mentions no
00:24:57name that'll be all miss Hanson
00:25:02yes mr. writer get me Amos Hanlon in New York the exchange bank
00:25:17Mr. Hanlon mr. writer calling long distance from Pittsburgh
00:25:25Hanlon speaking
00:25:32Mr. Philip Wallace is he in I think I saw you walk to the elevator a few moments ago you may tell us when it's room
00:25:39if you please thank you
00:25:46Mr. Wallace's room
00:25:47yes
00:25:48yes
00:25:49Wallace is that you who is it
00:25:53writer what time is it
00:26:18what time is it Wallace
00:26:20nine add three plus nine then you tell me
00:26:25two one three one four one Van Dyke is with me we've got to see you right away
00:26:31come up to my room
00:26:35no no
00:27:02no no no no no no no no no no no no do
00:27:09want
00:27:23oh
00:27:27uh
00:27:29Wallace!
00:27:33Wallace!
00:27:41Wallace!
00:27:45What could he be?
00:27:47He obviously isn't here.
00:27:49I'm gonna try again to get Saunders.
00:27:53I want Dr. Saunders.
00:27:55National, 6516.
00:27:59I want to talk to Dr. Saunders.
00:28:03I'm very sorry, but Dr. Saunders is still confined to his room.
00:28:07Don't bother. I just want to make sure he was there.
00:28:15Put your hand away.
00:28:17You think I was a child.
00:28:19Make good the way you fellow.
00:28:21His hand.
00:28:29Japanese staggered.
00:28:3533.
00:28:37Now, Wallace.
00:28:39And now, Wallace.
00:28:41There's nothing in the hall.
00:29:10I'm going to call the police.
00:29:11You fool.
00:29:12You want them prying around in our business?
00:29:14Better that than to be like Wallace there.
00:29:16Don't you realize we're at war with this country?
00:29:19Place yourself.
00:29:20We're forewarned.
00:29:21Now we're forearmed.
00:29:23I guess you're right.
00:29:25Get down the back stairs.
00:29:26Let's go.
00:29:27Let's go.
00:29:28Let's go.
00:29:29Let's go.
00:29:30Let's go.
00:29:31Let's go.
00:29:32Let's go.
00:29:33Let's go.
00:29:34Let's go.
00:29:35Let's go.
00:29:36Let's go.
00:29:37Let's go.
00:29:38Let's go.
00:29:39Let's go.
00:29:40Let's go.
00:29:41Let's go.
00:29:42Let's go.
00:29:43Let's go.
00:29:44Let's go.
00:29:45Let's go.
00:29:46Let's go.
00:29:47Let's go.
00:29:48Let's go.
00:29:49Let's go.
00:30:19There's someone in my room.
00:30:43Oh!
00:30:44What is the matter with you?
00:30:46There was a horrible something in my room.
00:30:48Are you quite sure it wasn't a nightmare?
00:30:51Oh, it most certainly wasn't.
00:30:54There was no new room, miss.
00:30:56I couldn't find a trace.
00:30:58Shall I look outside?
00:30:59Yes, please do.
00:31:01No one.
00:31:02You see?
00:31:03You think my eyes are playing tricks on me?
00:31:07When a young woman's nurse commenced to give way,
00:31:10it is time she sought refuge in a strong man's arms.
00:31:14I just ran into yours.
00:31:16Mine might be dangerous.
00:31:18You're a strange man.
00:31:24I've been trying to make you out.
00:31:26Why try?
00:31:27Curiosity killed a cat.
00:31:29Oh.
00:31:30Don't misunderstand.
00:31:32I'm not worth bothering your pretty head about.
00:31:35What if I think differently?
00:31:36Then I would say that you're a silly young creature.
00:31:39Why did we leave the cab down the street and walk?
00:31:42Just a precaution.
00:31:43I still think we should notify the police.
00:31:45After all, we can prove we're Americans.
00:31:47We just can't afford to risk the publicity.
00:31:49I want to see the doctor immediately.
00:32:03I want to see the doctor immediately.
00:32:05I'm very sorry, sir.
00:32:06Bill, I'll go up to his room.
00:32:07Perhaps I'd better speak to him first.
00:32:09Hey.
00:32:23Which is his room?
00:32:26I won't need you.
00:32:27Saunders.
00:32:38Ryder?
00:32:39Let me in.
00:32:40I've got to talk to you.
00:32:41Go ahead and talk.
00:32:42I'm not seeing anyone.
00:32:44You know, of course, about Kearney.
00:32:46He's dead.
00:32:47Yes, I know.
00:32:48Well, so is Wallace.
00:32:51Van Dyke and I found him in his hotel room.
00:32:53The point is, Van Dyke is breaking.
00:32:56Lost his nerve.
00:32:58Wants to seek protection with the police.
00:33:00There's only one protection against a weakling, Ryder.
00:33:04Take the outside door to my cellar.
00:33:07I needn't tell you more.
00:33:22The saunders is going to meet us in the cellar.
00:33:29Wants to talk to us.
00:33:30I thought he was ill.
00:33:31Confined to his room.
00:33:32Only a subterfuge.
00:33:52Close the door.
00:34:08Why?
00:34:09Why?
00:34:10Hurry.
00:34:15You seem to know your way around, Ryder.
00:34:18I was down here once before.
00:34:19I have a strange feeling this is a trap.
00:34:36Where are the lights?
00:34:38Right now.
00:34:40Why isn't Saunders here?
00:34:43The important thing, you're here.
00:34:45You turned weakling, Van Dyke.
00:34:49We can't afford to take any chances with you.
00:34:50We can't afford to take any chances with you.
00:34:51We can't afford to take any chances with you.
00:34:52We can't afford to take any chances with you.
00:34:53We can't afford to take any chances with you.
00:34:54We can't afford to take any chances with you.
00:34:55We can't afford to take any chances with you.
00:34:56We can't afford to take any chances with you.
00:34:57We can't afford to take any chances with you.
00:34:58We can't afford to take any chances with you.
00:34:59We can't afford to take any chances with you.
00:35:00We can't afford to take any chances with you.
00:35:01We can't afford to take any chances with you.
00:35:02We can't afford to take any chances with you.
00:35:03We can afford to take any chances with you.
00:35:04We can afford to take any chances with you.
00:35:05We can afford to take any chances with you.
00:35:06We can afford to take any chances with you.
00:35:07You were both very accommodating, Mr. Ryder.
00:36:37I don't know what it's all about, but I like it.
00:36:41There's a body in the basement.
00:36:43A what?
00:36:44A body.
00:36:45Right by the cell of Sayers.
00:36:46I stumbled over it.
00:36:47Let's take a look.
00:36:48It was right here.
00:37:03Isn't there now?
00:37:04Let's get out of here.
00:37:15Oh, Alice, there's nothing to be frightened of.
00:37:17Well, I don't like it.
00:37:19Come on.
00:37:19I don't know.
00:37:21I don't know.
00:37:25I don't know.
00:37:25It's all right.
00:37:26I don't know.
00:37:28I don't know.
00:37:30I don't know.
00:37:33I can't understand it.
00:37:51I know. I stumbled over something.
00:37:53Maybe I'm going daffy.
00:37:55Well, here's something else that's darn queer.
00:37:57This man Wells was another guest of Yorkel's.
00:37:59That makes two of them.
00:38:01Oh, this is terrible.
00:38:03Stephens, where have you been?
00:38:04In the dining room, sir.
00:38:06You haven't been in the cellar, have you?
00:38:07No.
00:38:10Seen this?
00:38:14Boy, that's incredible.
00:38:16I know we're both at that dinner, too.
00:38:18Alice, I'm going upstairs and talk to your uncle
00:38:20if I have to break that door in.
00:38:21It might be better if I spoke to Dr. Saunders.
00:38:24I might have more influence.
00:38:27Monsieur Cologne,
00:38:28I stumbled over a body in the cellar.
00:38:30You still there?
00:38:31No, it disappeared.
00:38:32Perhaps it is your nerves, I guess.
00:38:35There's nothing wrong with Miss Saunders' nerves.
00:38:36Of course not.
00:38:37Come on, Alice.
00:38:39A body in the cellar?
00:38:41Oh.
00:38:41You see that?
00:39:02Uncle Bill, Uncle Bill, I have to see you.
00:39:13Something terrible has happened.
00:39:14I'm very tired, dear.
00:39:16Please don't disturb me.
00:39:17Dr. Saunders, two of your friends who were here last night are dead.
00:39:20That's most unfortunate.
00:39:22Heart failure, probably.
00:39:24I know, Uncle, but there's someone dead down in our cellar.
00:39:26Alice, I'm afraid your imagination is running away with you.
00:39:30No, it isn't.
00:39:31Alice, I insist you allow no disturbance to be made.
00:39:35My own condition would stand it.
00:39:37Matters are quite all right in the house.
00:39:39But, Uncle...
00:39:40Please obey me, Alice.
00:39:42Very well.
00:39:49That door always been locked since you've been here?
00:39:51Yes.
00:39:52Well, haven't you even seen them?
00:39:54No, I haven't.
00:39:55Who takes care of them, feeds them?
00:39:57Stevens or Monsieur Cologne.
00:39:59That's a fine pair.
00:40:01I don't like either one.
00:40:03I'm going to take you out of here.
00:40:05It's too dangerous.
00:40:06I'm not frightened.
00:40:07I'll be all right.
00:40:08If anything happens, you take and call me here.
00:40:11All right.
00:40:12Good night.
00:40:13Good night.
00:40:27Good night, young man.
00:40:29Good night, mature.
00:40:42Good night.
00:40:43Good night.
00:40:44Good night.
00:40:45Good night.
00:40:46Good night.
00:40:47Good night.
00:40:48Good night.
00:40:49Good night.
00:40:50Good night.
00:40:51Good night.
00:40:52Good night.
00:40:53Good night.
00:40:54Good night.
00:40:55Good night.
00:40:56Good night.
00:40:57Good night.
00:40:58Good night.
00:40:59Good night.
00:41:00Good night.
00:41:01Good night.
00:41:02Good night.
00:41:03Good night.
00:41:04Good night.
00:41:05Good night.
00:41:06Good night.
00:41:07Good night.
00:41:08Good night.
00:41:09Good night.
00:41:10What is that?
00:41:40Two more, and it was right here I found the body of Mr. Kearney, and just about this
00:41:52time.
00:41:53Oh, I'll tell you this time, it's murder, jacked daggers.
00:41:59Judging by their clothes, they were no tramps either.
00:42:02Well, get busy, officer.
00:42:03Get on the phone.
00:42:04Right.
00:42:05All right, but Stevens, the butler's disappeared.
00:42:17Do you have any idea where he could have gone?
00:42:20No, he just hasn't come back.
00:42:22Okay, Alice, watch her step and I'll be over as soon as I can.
00:42:26That's a lot of bunk, I got you.
00:42:27Ms. Saunders says the butler's disappeared.
00:42:28Well, this is one time I refused to suspect the butler in the case.
00:42:33There's no doubt those men found that the Jap embassy were murdered, but what do you make
00:42:37of those two daggers in their hands?
00:42:39Well, it adds up to only one thing.
00:42:41The man who did the job was also responsible for the Kearney and Wallace murders.
00:42:45Who was the best guest at Saunders' house that evening?
00:42:48Hanlon, the banker.
00:42:49Oh, I think I see what you're driving at.
00:42:52It may only be a hunch, but if we take Hanlon to Dr. Saunders, we may force the real murderer
00:42:57out until they open.
00:43:00Suppose you grab a plane, Dick, and have a little talk with this Hanlon.
00:43:04Point out to him the danger that he's in and see if you can get him to come to Washington
00:43:07with you.
00:43:08Yes?
00:43:09Mr. Hanlon, a special delivery letter for you.
00:43:26And since the envelope has a black border, I thought you would want it immediately.
00:43:31Bring it in.
00:43:33There we go.
00:43:34A Trept países
00:43:43Than a mansion
00:43:45One, two, three, four a pound.
00:43:47Two, three, four, three hire people
00:43:56And the mentors behind as a friend.
00:43:58The Berkeley River
00:44:00The End
00:44:30Alice, will you marry me?
00:44:43What for?
00:44:44So I can beat you up.
00:44:45It's the only way I can get you out of here.
00:44:48Say, has the butler shown up yet?
00:44:50No, he's probably frightened and quit his job.
00:44:52Alice, you were right.
00:44:53There was a body in the cellar last night.
00:44:55You know that?
00:44:56I'm positive of it.
00:44:57Only there were two bodies.
00:44:59They were found on the steps of the Japanese embassy
00:45:01with a dagger clutched in each hand.
00:45:03And they weren't killed there.
00:45:04Their bodies were dumped there.
00:45:06Why should you think they came from here?
00:45:08There were two more of your uncle's dinner guests
00:45:10who were here that night.
00:45:13Mr. Martin,
00:45:15I found this note in the dining room
00:45:17from the butler.
00:45:20It's Stevens.
00:45:21He's gone to see a sick friend.
00:45:23Brand new alibi, eh?
00:45:25You recognize the handwriting?
00:45:26No.
00:45:27Yes, I recognize it.
00:45:29You would.
00:45:31You doubt me?
00:45:32I'm not accusing anyone, Colon.
00:45:34All I know is that four men are dead
00:45:36under mysterious circumstances
00:45:37after leaving this house.
00:45:39Possible coincidence.
00:45:41But most unfortunate.
00:45:42Yes.
00:45:43There's only one guest left alive.
00:45:45Hanlon.
00:45:46Let us hope that Mr. Hanlon
00:45:48escapes the fate of the others.
00:45:51Yeah.
00:45:53Get your hat, Alice.
00:45:55As long as Mr. Colon is here,
00:45:56I feel perfectly safe.
00:45:59You suffer, Cass.
00:46:01So long.
00:46:06Nice fellow.
00:46:08I hope you'll be happy.
00:46:09Goodbye.
00:46:10You're leaving?
00:46:12Yes, I must.
00:46:13It's most unfortunate
00:46:14that your uncle will understand.
00:46:16Will we see you again?
00:46:18Who knows in this crazy world?
00:46:46All right, come on, Colon.
00:47:13Well, that gentleman
00:47:25is my considered decision.
00:47:27This institution
00:47:28will not lend its support
00:47:29to any company,
00:47:30even in this emergency,
00:47:31which permits itself
00:47:33to be forced into bankruptcy
00:47:34because of the demand
00:47:35of its employees.
00:47:39What is it?
00:47:41There's a gentleman
00:47:41here to see you.
00:47:42No, I'm too busy.
00:47:43I think you should see
00:47:45this man immediately,
00:47:46Mr. Hanlon.
00:47:49Very well.
00:47:51There, gentlemen,
00:47:52you see what a slave,
00:47:53even a banker,
00:47:53can be to his secretary.
00:47:56We'll continue this talk
00:47:57after lunch.
00:48:09Mr. Hanlon?
00:48:11Yes?
00:48:12I'm Dick Martin.
00:48:15Sit down, Mr. Hanlon.
00:48:16I don't have to tell you,
00:48:17Mr. Hanlon,
00:48:18but in the past 48 hours,
00:48:20four of your friends have died.
00:48:22Well, I'm not exactly illiterate.
00:48:24You know,
00:48:24I can read the newspapers.
00:48:26I gather you're not frightened either.
00:48:28A busy man has very little time
00:48:30to indulge in feminine emotions.
00:48:33Just what do you want?
00:48:34I'm hearing your interest,
00:48:35Mr. Hanlon,
00:48:36and possibly the interest
00:48:37of this country.
00:48:37In the present emergency,
00:48:39we can't afford to lose
00:48:41any of the much-needed
00:48:42business leaders.
00:48:43And you think my life
00:48:44is in danger?
00:48:45I'm almost certain of it.
00:48:50Here's something I received
00:48:51in the morning mail.
00:48:53I hadn't intended
00:48:54to speak of it.
00:48:56Do you have any idea
00:48:57who the murderer
00:48:58or murderers might be?
00:49:00I do not.
00:49:02If I had,
00:49:02I would inform the police.
00:49:04Of course.
00:49:05As a good American,
00:49:06Mr. Hanlon,
00:49:07possibly you will be willing
00:49:08to cooperate with our department
00:49:09in trapping the criminals.
00:49:12Just what have you
00:49:13in your mind?
00:49:15Well, we're reasonably certain
00:49:16that these killings
00:49:17have occurred in or near
00:49:19Dr. Saunders' home
00:49:20in Washington.
00:49:21I see.
00:49:22And you want me to act
00:49:23as a decoy or bait.
00:49:25Is that it?
00:49:26Of course.
00:49:27There will be danger.
00:49:28Well, I'm not afraid
00:49:29of danger.
00:49:31I'd like very much
00:49:33to meet this murderer.
00:49:35Even more than you.
00:49:37Good.
00:49:37We'll take the first plane
00:49:38back to Washington.
00:49:39May I use that phone?
00:49:52Chief, you cover
00:49:53the inside of the house.
00:49:54Be sure you keep your eye
00:49:55on handling.
00:49:55I'll take the outside.
00:49:59in there, Hanlon.
00:50:17All right,
00:50:17let's have a look
00:50:18and get upstairs.
00:50:19You're not going to
00:50:19leave me here alone.
00:50:21He'll be here with you.
00:50:32This is Cologne's room.
00:50:33You mean it was?
00:50:35This is Saunders.
00:50:39All right, Saunders.
00:50:40Come on out,
00:50:40or we're coming in.
00:50:41I thought you said
00:50:47this was always locked.
00:50:48It always has been.
00:50:49It always has been.
00:50:49I thought so.
00:51:16So, they're messing you up
00:51:18too, are you, old-timer?
00:51:21Any other rooms?
00:51:22No.
00:51:23Savants quarters?
00:51:24Anything like that?
00:51:25One small one downstairs.
00:51:26Yeah.
00:51:31Listen, Chief.
00:51:32Oh, don't talk to me.
00:51:33You've messed up
00:51:33everything as it is.
00:51:35Take it easy, Stevens.
00:51:38Over there on the couch.
00:51:41Hold up.
00:51:42No, no, no.
00:51:42No, I'm all right.
00:51:44Who is this?
00:51:45Stevens, the missing butler.
00:51:47What happened to you?
00:51:48He was slugged
00:51:48and tied up in that basement.
00:51:50You didn't happen
00:51:51to do that to yourself,
00:51:52did you?
00:51:52Why, no, sir.
00:51:53I...
00:51:53Stevens, did you write this?
00:51:55No.
00:51:57Cologne again.
00:51:58Or Dr. Saunders,
00:51:59who also disappeared.
00:52:01Saunders missing?
00:52:02Yeah.
00:52:03What do you know
00:52:04about that?
00:52:05Why, nothing, sir.
00:52:07Who fed him?
00:52:08Well, I did.
00:52:09What illness
00:52:10was he suffering from?
00:52:11Well, I don't know, sir.
00:52:12When I brought him his food,
00:52:13he always spoke
00:52:14from an anti-room
00:52:15or a dark corner.
00:52:16You couldn't have possibly
00:52:17have sneaked in there
00:52:18just once and fed him,
00:52:19could you?
00:52:19Well, I...
00:52:20Yeah, you fell down
00:52:21on the job.
00:52:22Who, Miss Saunders?
00:52:23Oh, Miss Saunders,
00:52:24my eye, she's my best girl.
00:52:26Your best girl?
00:52:27My best girl operator.
00:52:28Or was.
00:52:30So you're a flatfoot, eh?
00:52:32How well did you know Saunders?
00:52:34I know him slightly
00:52:35in a business way.
00:52:37Did you know
00:52:37that he was supposed
00:52:38to have mysteriously disappeared
00:52:39from a ship in the Orient
00:52:40ten years ago?
00:52:41Why, that's ridiculous.
00:52:42Something new, Chief?
00:52:44No, this is something old.
00:52:46See, the real Miss Saunders
00:52:47came to my office.
00:52:48She's been living abroad
00:52:49for the last ten years
00:52:50on the legacy.
00:52:51When she saw this picture
00:52:51of her uncle in the paper,
00:52:52she figured something was wrong.
00:52:54Well, I figured
00:52:55if somebody was posing
00:52:56as her uncle,
00:52:56I could put someone...
00:52:57But this has nothing
00:52:57to do with me.
00:52:58I'm leaving.
00:52:59Oh, sit down.
00:53:00We'll find out
00:53:14who you are
00:53:15by twelve o'clock.
00:53:17Better get him a drink.
00:53:19I'll get him.
00:53:19At last we meet.
00:53:37And then?
00:53:39Shall I call you?
00:53:41That's what was in my room.
00:53:49Who are you?
00:53:49Hey, Dr. Saunders.
00:53:51Hang him in there.
00:53:54All right, Doc.
00:53:55Take it easy.
00:53:55Cologne.
00:53:56Cologne.
00:53:57Look out for Cologne.
00:54:08Hold it, fella.
00:54:11Do you know him?
00:54:12Sure, it's Cologne.
00:54:15Well, it looks like
00:54:15we're too late.
00:54:16At least your hunch was late.
00:54:17All right, come on, you.
00:54:25Is this your man back?
00:54:27Yes, yes.
00:54:28He's a man.
00:54:30That's Dr. Neltzer.
00:54:32Elias, wie sie fiel?
00:54:33He's mad.
00:54:35Mad?
00:54:35Mad?
00:54:36Who will be mad?
00:54:38It all started
00:54:39some time ago
00:54:40in my homeland.
00:54:40I'll hit law.
00:54:51I'll hit law.
00:54:53I'll hit law.
00:55:01It was considerate of your Fuhrer to permit you to come here to serve us.
00:55:08Your famous plastic surgeon is well known in land of rising sun.
00:55:17This is my first request of wholesale surgery.
00:55:21Are these my subjects?
00:55:23Yes.
00:55:25All trusted members of the Order of Black Dragons ready to serve Empire until death.
00:55:41And Americans, they are to impersonate.
00:55:44You have photos of them. I will need many angles.
00:55:48Better than that.
00:55:50We have Papac...
00:55:53Papacus.
00:55:55Death mask.
00:55:57Oh.
00:55:58Good.
00:55:59I shall be ready to operate as soon as the surgery is prepared.
00:56:03Very well.
00:56:05This is Dr. Nacucci. He will assist you.
00:56:14This way, Herr Doctor.
00:56:35That was so funny.
00:56:36Here it is.
00:56:37Possibly.
00:56:38One Osmanerou.
00:56:51You are theabilonia!
00:56:52Let me wait.
00:56:53Oh.
00:56:54It is.
00:56:55That was a coincidence.
00:56:56It is dead.
00:56:57This woman is recorded in this sentence there.
00:56:58Oh, my God.
00:57:28Oh, my God.
00:57:58The transformation is complete.
00:58:08Our faith in your ability was well-founded, honorable doctor.
00:58:14We owe you and your Fuhrer our dying gratitude for what you have done for us.
00:58:28Anything I can do to hasten the establishment of our new order and to destroy the archaic democracies is an honor and a privilege.
00:58:38Well, you accompany these men and they will see that you are fittingly rewarded.
00:58:55Away here, doctor.
00:59:15What's the meaning of this?
00:59:21I'm a member of the party.
00:59:23The Fuhrer will hear of this.
00:59:25That's just what we're going to prevent.
00:59:27The little trick we learned from you, Natsi.
00:59:30Leave no evidence behind.
00:59:31Let no sentimentality stand in your way.
00:59:33Since you're the only one who knows our real identity,
00:59:35this is merely a precaution to make sure that no one else finds them out.
00:59:41All right.
00:59:42Sorry we have to ask you to share these quarters with someone else.
00:59:57But he won't be with us for long here, doctor.
01:00:00You will pay for this, you apes.
01:00:03You swathe.
01:00:05The Fuhrer will wipe you off the face of the earth.
01:00:07It will take you off the face of the root of the car.
01:00:17No.
01:00:23Ah, dear.
01:00:24Ha, dear.
01:00:27Justin Smith.
01:00:28Ah.
01:00:33Oh, dear.
01:00:34fortunes!
01:00:36So you get out of here, huh?
01:00:49He evidently made good his escape to America
01:00:52and set out to kill us one by one.
01:00:55Why didn't you kill him like the other?
01:00:57Oh, I was necessary to the completion of his plans.
01:01:01Instead, he inoculated me with an insidious serum
01:01:04which quickly transformed me
01:01:07into this horrid monster you see before you.
01:01:13And you must go on living.
01:01:17I don't!
01:01:18I don't want to live!
01:01:20I don't want to live!
01:01:34I don't want to live!
01:01:38I don't want to live!
01:01:42I don't carry!
01:01:43I don't want to live!
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