00:00Namaskar. This is the first time, helemaal in the world.
00:04Everyone's watching you and everyone's watching you.
00:06We'll talk about how we say it in Bangla is now.
00:09And so, we will talk about it all on the Bangladesh.
00:13If we talk about your otherdling in the way it is now, Priyanka.
00:17Thank you for much. We'll come here with you.
00:20We've talked about Bangladesh.
00:23It's true.
00:25It's true, it's true.
00:27I just do it, but.
00:29Yeah, exactly.
00:31Because I'm a pro-Bangali.
00:34I'm lazy, I'm selfish.
00:37I mean, because there's adaptability,
00:40English and Hindi,
00:42that language is too strong.
00:45Because you're not thinking in Bengali anymore, right?
00:49I'm doing a Marathi film.
00:51I'm an independent artist,
00:55I'm an actor,
00:57which is also got to do with, say,
01:01the subculture of India.
01:03I mean, India is,
01:05as it is so diverse,
01:07it's a subculture,
01:09it's a culture,
01:11it's a caste,
01:13it's a culture,
01:15like subcultures.
01:17I mean,
01:19if you think my choices have been unconventional,
01:23only because of the fact that
01:25the subcultures actually relate to an actor like me,
01:31rather than my part being done by someone very commercially viable.
01:37You know, so it works because it's me.
01:41So that's how I see it.
01:43And,
01:45our range,
01:47our range,
01:49I mean,
01:51I mean,
01:53I mean,
01:55I mean,
01:57I need a tutor anyway.
01:59I like to learn,
02:01I like to be polished,
02:03I like to make it as authentic as possible,
02:05and really live,
02:07and make that world very strong.
02:09So,
02:11what's the difference between the two languages?
02:13That's our conviction,
02:15and our sincerity,
02:17there are some variations.
02:19I mean,
02:21that's the difference between the two languages.
02:23We are in Kolkata.
02:25This is the last point.
02:27Kolkata is in Kolkata.
02:28Back check, yes.
02:30First, we are in a very good place for the first place.
02:33We are in a very good place for Kolkata.
02:36And we are in a very good place for Kolkata.
02:40We are not working in Bangla.
02:43We are not working in Bangla.
02:45What has happened to you?
02:48I have no feeling that I am in Bangla.
02:52So, we are not working in a way.
02:54We have been working on a trajectory.
02:57We are in a very good place.
02:59I am in Bangla from GK2.
03:01We are in a very good place.
03:03Because we are working in Bombay in the film industry.
03:07We are working in a very good capacity.
03:10We are working in a very good place.
03:12We are in a very good place.
03:14We are working in Mainta, World Cinema,
03:17We are working as a travel,
03:19I don't think Bengali or non-Bangali
03:29I don't think I understand it.
03:38Do you understand?
03:39I feel we can do anything we want to do.
03:46We are artists.
03:47We are open to learning and as long as it excites me
03:51and I just want to do a good job
03:58and not be embarrassed of what I've put out there in that way.
04:04I'm not sure how to do this in Bangalore.
04:09I'm not sure how to do this in Bangalore.
04:17I mean, she's definitely someone I have admired and seen her work and her life in that way.
04:40And so it's very inspiring.
04:45But we did interact but we didn't have scenes together.
04:51But what we have in common is a film that we don't talk about so much.
04:56So I don't think she's also asked about that film because her other films have done much better.
05:03So yeah, we've never really talked about it but yeah, I really love Konkana's work.
05:10Her acting work is prolific but her directing work is even better.
05:13So I just wanted to collaborate with an artist and a revolution with travel with more experience.
05:25With like, you know, trying to intuitively understand what's best you're going to do with your career.
05:32I would love to work with Konkana's work.
06:02But we are actually just goofballs in the house, you know, and we encourage it.
06:07So we find it very safe that we can be ourselves a little bit.
06:12My Instagram is exactly like how it is in real life.
06:18I would prefer it.
06:19I want to change it now.
06:22Let's see, keep my private life private.
06:24Because you know, so I like to, but yeah, obviously I like to have fun very much.
06:36So I revisited that again and Pothir Pachali is my all-time favorite.
06:51So I revisited, I'm educating a certain, you know, Gen Z who doesn't know this part of like, you know, cinema at all.
07:01So, and as I'm opening that box, I'm also re-educating myself saying that, oh, this was fun.
07:12And I watched Ijazad again the other day and I was like, wow, what happened?
07:18So I was like, I don't know what I was doing.
07:48I mean, these were great foundations to have for a young girl, Sridevi.
07:54You know, I've always said, then as you grew and everything, now I see so many, so much of cinema from outside.
08:03There are so many people's work I really, really love.
08:08And some of them I've got to work with.
08:11And my list is growing actually, where I'm able to collaborate with people and then move ahead, wanting and desiring to be collaborative with other really talented people.
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