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After The Divorce The Heiress Takes It All – Full HD Movie 2025 [EngSub]
Transcript
00:00Congratulations to Dorothy for winning the best original screenplay at the Rice and Stars Movie Awards.
00:18You did it.
00:20Three years ago, I was moved so tough to screenwriter.
00:24Three years later, I fell in love with Drake.
00:29Keeping my identity a secret for the sake of his pride.
00:33I thought we were happy until...
00:39Hi!
00:46Where the hell have you been?
00:48I told you that Stephanie was coming to help set up for my brother's birthday,
00:51and instead of helping us, he just disappeared.
00:54What, did you bail so you could go and laze around or something?
00:57You know, people say that the only reason you're allowed to stay by Drake's side is because you're nothing more than a free maid.
01:03Otherwise, why would someone like you be allowed to marry my brother?
01:08What?
01:09A maid? I just hid my identity for the sake of this marriage.
01:13Well, I think Drake's idea is great, and it could be really good for us.
01:20But the risk is way too high.
01:23Dad.
01:24Please.
01:27Okay.
01:28And I'm sure you don't want him to know the real reason why I'm a person.
01:37Think about it, Dorothy.
01:38Since you got married, has he ever even touched you?
01:41How often does he actually come home?
01:43He doesn't even want to look at you.
01:46Let alone sleep with you.
01:48That's enough, Ellie.
01:49We're all here to celebrate Drake's birthday.
01:51I'm sure he wouldn't be happy to see us like this.
01:54Everybody knows that if it weren't for her, you would be married to Drake instead of being my late brother's widow.
02:00Ellie!
02:01Whatever happened between me and Drake is all in the past.
02:04Besides, I'm carrying Nick's baby.
02:06It's the perfect time.
02:13Oh my god, oh my god, I missed it.
02:16Dorothy just pushed Stephanie into the pool.
02:18What?
02:25Quick, save Stephanie!
02:26She's carrying Nick's baby!
02:31Quick, get in there!
02:32You chose Stephanie over me.
02:51My baby!
02:52My baby is gone!
02:54Why would you do this to me?
02:58How dare you!
02:59You pushed Stephanie into the pool to try and kill her and her unborn baby.
03:03Are you happy now that Stephanie's baby's gone?
03:05I didn't do it.
03:06I know you don't want me here.
03:08I told you whatever happened between me and Drake is in the past.
03:11You can hate me however you want to, but how could you be so cruel as to kill my unborn child?
03:16You didn't do it.
03:17You know me, I would never do that to Stephanie.
03:20Apologize to Stephanie.
03:23I'm not going to apologize for something I didn't do.
03:25Apologize to Stephanie right now or I will divorce you.
03:29If you apologize right now, then I'm willing to give you another chance.
03:46It's been three years, Drake.
03:48I gave up everything to be your wife.
03:50I've always kept to the shadows, Dorothy.
03:53I already have a life.
03:55And right now I just want to focus on being on my marriage or Drake.
03:59I thought you would always be by my side, but I was wrong.
04:05I was wrong.
04:06The only reason you're allowed to stay by Drake's side is because you're nothing more than a free maid.
04:11Since you got married, has he ever even touched you?
04:13He doesn't even want to look at you.
04:18Fine.
04:21Let's get a divorce.
04:22There's nothing left in my heart.
04:31Drake's nothing without me.
04:35My ring!
04:37My ring is gone!
04:39Well, you must have taken it.
04:41Why would I take her ring?
04:42Well, look how quickly you packed your suitcase.
04:44You're probably seeing someone else.
04:47Dorothy.
04:49Yes?
04:50We were married for three years.
04:52Were you seeing someone else?
04:53Of course she was.
04:54Probably been cheating on you for a really long time.
04:57Couldn't wait for the divorce.
04:59So what if I was, huh?
05:01And what about you?
05:02Still hung up on your so-called sister-in-law?
05:05What gives you the right to talk about me?
05:08I only look after Stephanie because she's my brother's widow.
05:12Yeah.
05:13But you actually seeing someone else?
05:14Who is he?
05:15Big talk!
05:17Don't bring me down to your level.
05:19I'm not like you.
05:21Since your sister-in-law lost her ring.
05:26Why don't you take...
05:33This one.
05:36You've been waiting for this for a long time, haven't you?
05:43Bye.
05:51And so I left.
05:55This is ridiculous!
05:57We, the Bennett family, are one of the four major production companies in the world.
06:00I let him marry my daughter and even invested in his business.
06:05How dare that Drake do this to my daughter!
06:09Look.
06:10It's actually good from Dad.
06:13Now we know who he really is and he has no idea who I am.
06:17Still, you're my daughter.
06:19I can't let him do this to you.
06:20If it weren't for you, I would not have considered investing in his company.
06:25We're gonna pull our investment immediately.
06:27Yes. It's time to cut him off.
06:29He doesn't deserve you.
06:31I'm over Drake.
06:32If we withdraw the plans now, it's going to hurt the family business.
06:38He's not worth it.
06:40Honey.
06:42Why don't you just take a vacation?
06:45Or just put all this aside and take some time out for yourself?
06:49Yeah.
06:52No.
06:56I've wasted too much time with Drake over the three years.
07:00You know, now I want to focus on something that actually matters.
07:05You know, Christopher has been saying that many people want to buy the movie rights to lie again.
07:11Universal, Paramount, every major studio wants this.
07:15Fire's Game. Your story on the big screen.
07:22If you're in, I'd be happy to be the one headlining it.
07:25Oh. So that's why they're making it. Because of you.
07:28I'm sorry, Christopher Santoro.
07:31See? They're not funding the film. They're funding you.
07:35Wrong. They're funding the story.
07:38It's more than good. It's phenomenal.
07:41Christopher is right.
07:43Tonight, I'm taking my life back.
07:50I'm going to adapt to myself.
07:53You are?
07:55Yes. I will.
07:57Good for you.
07:59I won't tell anyone I'm asking you.
08:01Congratulations to Aria Wong for winning the Best Director.
08:19This is my close friend from college.
08:21Aria, I need your help. I want to adapt the lies game myself. And I want you to direct it.
08:28Of course.
08:30Alright, okay.
08:32There's just one thing. I want to keep my identity as the writer a secret. I don't want anyone to know. Especially not the team.
08:41SQ. Are you sure? But why keep it a secret? I just want people to focus on the story itself.
08:48Got it. Your secret's safe with me.
08:50Hey. Oh my god.
08:57Dave, it's a bit weird.
09:00Ever since news got out about our movie, my phone has not stopped ringing.
09:05Really?
09:06It's Stephanie.
09:12It's Stephanie.
09:17Yeah, just take it.
09:22Hello?
09:23Hello, Miss Wong. I've heard Liar's Game is being made into a movie. I'm interested in playing the lead. Can we arrange an audition?
09:32I'll speak to the writer and I'll let you know.
09:35Thank you, Miss Wong.
09:38What do you think?
09:41Anyone can audition, right? As long as they write for the role.
09:46What happened between me and Stephanie is not important here, so...
09:50Okay.
09:52I'll call her back and let her know.
09:54Mm-hmm.
09:55What about me?
10:05Can I be your hero?
10:08Can I be your hero?
10:13Oh, you mean, uh, a film, right?
10:17I've never considered anyone else.
10:21I have to take this.
10:25Hi.
10:31You know, I'm not just talking about the film, Dorothy.
10:35It's okay.
10:37I can wait.
10:38I've waited this long.
10:46Well, well, well. Look who it is.
10:51Why are you here?
10:52Oh, I see. You're the production assistant.
10:57Well, do your job.
10:59Sip me your water.
11:02Stephanie.
11:04Get your own water.
11:06I'm not your PA.
11:08Look.
11:09It's my first day on set, and I want to buy coffee for the crew.
11:13Why don't you be a doll and mark down everyone's order?
11:16Are you deaf?
11:18I'm not a PA.
11:20Here's your tip.
11:22Go on.
11:24Show some respect, Stephanie.
11:26Do you know who she is?
11:30What are you doing?
11:32Oh, no.
11:33She can't know I'm asking you.
11:34I want to keep my identity as the writer a secret.
11:41I don't want anyone to know, especially not the team.
11:47What do you mean?
11:49Who is she?
11:52No one but a lower PA, I'm sure.
11:58Isn't that right?
12:00Well, actually, she's...
12:04She's just a PA.
12:06You're right.
12:09So why don't you show me a lower PA?
12:12Your acting skills.
12:13Maybe I'll be impressed even by who the coffee's myself.
12:17Watch this.
12:23I loved you once.
12:25Or so I thought.
12:28But now I see that it was all just a lie.
12:31A beautiful...
12:32Painful lie.
12:36You took everything from me.
12:40My dreams.
12:42My future.
12:44See?
12:46There's no soul.
12:48That's not acting, it's just reciting lines.
12:52Why don't you show how it's done?
12:54What?
12:56Go on.
12:58Go on.
13:00Go on.
13:03Go on.
13:05Go on.
13:06Go on.
13:07Oh.
13:14No.
13:18Oh...!
13:20I loved you once.
13:21I loved you once, so I thought, but now I can see it was all a lie, a beautiful, painful
13:40lie. You took everything from me. My heart, my dreams, my future. And for what? For your
13:58own personal gains. How is that possible? Dorothy, that was perfect. The role is yours
14:16if you want it. No! This role is mine! I'm the one with the investment. Without me, there's
14:25no funding for this movie. Do you want your investment? Do you even know who she is? Who
14:31is she? Who is she? As you know, no one but a PA. Dorothy, this movie is important to
14:43Stephanie. I mean, why are you here? You're not a real actress. What are you doing? You're
14:47trying to ruin her career. You're trying to get back at me by ruining her career. I'm not
14:50ruining anything. If she can't handle the role, that's on her, not me. You can't blame
14:57this on anyone else. You embarrassed her in front of everyone. I mean, I know what you're
15:01doing. You're the one pulling all the strings here. You're trying to make her fail so you
15:05can take her place. She's using this whole thing to get to you, Drake. She's been jealous
15:10from the start. Trying to ruin my chances to get back to you. I know. I don't want to fight
15:14this anymore. Well, let's just take a look at the script so maybe we can work something
15:18out. And you are just so damn selfish! You only care about yourself! Just give Stephanie
15:26her role back! You know what? I didn't want to do this. But I will. I'll take the role.
15:34I'll play the lead. No way! You can't be serious! She's not even a real actress! Dorothy's performance
15:48was far stronger than yours. Everyone in the room can see it. I'm so glad you've agreed
15:56to do the role. Right. It's settled then. The lead roles go to Christopher and Dorothy.
16:04I will double my investment if you give Stephanie a role. I never thought I'd see the day my ex-husband
16:16would go this far. For his sister-in-law. I can always count on you. Right? I will double
16:27my investment if you give a role to Stephanie. You two are just such... Okay, look. If the
16:36money's on the table, there's no reason to turn it down. Let's just give her a part.
16:41We have nothing to lose. I guess that'll be fine. I'll talk to SQ.
16:51Your father's production company is already the biggest investor in your movie. So why
16:56take Drake's money? You don't still have feelings for Drake, do you? No! He's an asshole! Come on.
17:06I've got an idea. Why don't we just give her a character? That'll make her miserable.
17:13Wow, Mrs. Sontaro. I feel bad now.
17:19I only wish she didn't have feelings for Drake anymore.
17:27How did she land herself the role? She's practically a nobody. No fan base, no real experience. Just
17:36one good scene. Doesn't make sense.
17:39Find out everything you can about Dorothy. I want all the dirt.
17:46director, there must be a mistake. I'm only a side character and not even in the main scene.
17:57You wanted a role, we gave you a role. I came in with an investment.
18:03Well, you're more than welcome to take it back and leave the set.
18:07Even a small role in SQ's film is going to do great things for your career. Now is not the time for you to be messing around.
18:16Fine.
18:21Two, take one. Action.
18:26Lily, you are my best friend. How could you do this to me?
18:29I'm sorry, but this is a f*** off.
18:34What the hell are you doing? It's part of the scene.
18:41Okay, take it again from the slap. Action.
18:49Cut.
18:50Stephanie, why aren't you saying your lines? You have to keep going in the scene.
18:55I think you've had enough for today. We'll just try again tomorrow.
19:07Did you see her face? Absolute gold.
19:11I mean, she got what she wanted. She asked for a role and that's what we gave her, so...
19:16Seriously, her performance is all over the place.
19:19Maybe we should just... cut down on her screen time.
19:23And we all know the film's better without her slowing us down.
19:26You're right.
19:29I'm not gonna let anyone ruin your story.
19:36So if you can just give me something that's a bit more...
19:40Tell me about her job.
19:42What's going on with my scenes? Why have so many of them been cut?
19:52It's a collective decision.
19:55Fuck that. Let me talk to the writer.
19:58The writer is SQ and as you know, they never show their face, so their decision is final.
20:05I'll see you on set in five.
20:07One set in five.
20:20Now it all makes sense.
20:27Now it all makes sense.
20:29That's the head of the production company.
20:32No wonder she got the role.
20:33Let's see how John's wife feels about that.
20:46Everyone, I have an announcement to make.
20:49Today will be Stephanie's last day on set.
20:52You really think I don't see through your little games?
21:00Somebody will be walking out that door today.
21:02But it won't be me.
21:05You really think you can get away with this?
21:07Sleeping your way up?
21:12John's wife is on her way.
21:14Let's see how you talk your way out of this one.
21:16Slut.
21:17That's enough!
21:18So were you the one who was stalking and secretly taking photos?
21:30What?
21:31Scared the truth is going to come out?
21:33Someone had to expose her for who she really is.
21:36So you admit it.
21:38You did it.
21:39Damn right I did.
21:40And I'd do it again if I had to.
21:42You don't know who you just crossed!
21:46Oh I know!
21:48Just some rich old bastard throwing a tantrum.
21:51I sent those photos to your wife too.
21:53And now your mistress is about to be exposed.
21:57Yeah, security.
21:59Stephanie is banned from the studio.
22:01Make sure she never sets foot here again.
22:03You can't just do that!
22:05Oh this is insane!
22:06What?
22:07I have rights!
22:08I was only telling you the truth!
22:09She is a mistress!
22:10A loose woman!
22:11A lady of the night!
22:20Is it true that Dorothy is John's sugar baby?
22:23Otherwise why would he come onto the set and get me banned from the movie?
22:27That's unbelievable.
22:29And he humiliated me.
22:30He had me dragged off the set like a criminal!
22:32You should have seen it!
22:34I'm not gonna let her just ruin her reputation like this!
22:38I mean this whole mess is just making us look like fools!
22:42Dorothy's always been trouble.
22:45I mean first she goes off with a married man and now this.
22:48I don't know how you put up with her for three years.
22:52You should have got a divorce earlier.
22:55Stephanie, are you 100% sure that Dorothy is John's sugar baby?
22:59It's the only explanation!
23:01She's clearly nothing but a slut!
23:03Oh!
23:05Drake, Stephanie is your sister-in-law.
23:09Now you need to take care of her and forget about Dorothy.
23:13Can't you see she's the one behind all of this?
23:16She was sleeping her way to the top.
23:19Killing Stephanie's unborn child.
23:22And John dragging her off the set.
23:25You should be sticking up for Stephanie!
23:30I'm not gonna let her do this to you.
23:31Do you think you can just walk away from what you did like nothing happened?
23:32I didn't walk away from anything.
23:33You did.
23:34You chose Stephanie over me.
23:35Remember this one?
23:36Oh, she's my sister-in-law.
23:37I'm so sick of hearing this.
23:38You have feelings for her and I'm just tired of it.
23:39You're out of your mind if you think I'm gonna let you get away with this.
23:41You do what you want to do.
23:42For now, get out of my heart.
23:43Do you think you can just walk away from what you did like nothing happened?
23:46I didn't walk away from anything.
23:48You did.
23:50You chose Stephanie over me.
23:52Remember this one?
23:53Oh, she's my sister-in-law.
23:55I'm so sick of hearing this.
23:59You have feelings for her and I'm just tired of it.
24:03You're out of your mind if you think I'm gonna let you get away with this.
24:06You do what you want to do.
24:08But for now, get out!
24:11Why?
24:18We were married for three years.
24:20We never...
24:21Fuck, you might let go of me!
24:32No wonder you want me to go.
24:35Just look at yourself.
24:37You're not half the man Christopher is.
24:41Get out.
24:43Or I will call the cops.
24:45Just go!
24:55Are you okay?
25:01Dorothy?
25:02Yeah?
25:03Remember, safety first.
25:04The lifeguard's right there if you need him.
25:07Okay.
25:10Anything you need, let the AD know.
25:12Okay.
25:13Got it.
25:22Here's a coffee for you.
25:24It's still early before the shoot.
25:25Take your time.
25:26Thanks for your time.
25:28I will be here for you!
25:29I will be here for you!
25:30Take your time!
25:31I don't know.
26:01Something's wrong.
26:24That's not acting.
26:26She's in trouble.
26:31Where's the left guard?
26:38Where's the left guard?
26:39Where the fuck is the left guard?
27:01Come on, Dorothy.
27:11Why did you do that?
27:36I'll do anything for you, Dorothy.
27:43Christopher risked everything without hesitation.
27:47How could I have been so blind?
27:48I wasn't expecting that.
28:13Where were you?
28:22I'm sorry.
28:22I'm sorry.
28:22They could have drowned.
28:23I'm sorry.
28:23I had a stomachache.
28:25I had to go to the back.
28:26Make sure it doesn't happen again.
28:32Do you think that I should call Dorothy just to make sure she's okay?
28:34Are you still hung up on her?
28:41It's not like that.
28:42I'm just trying to be helpful.
28:43Don't you remember, Drake?
28:45She's the one who had me kicked out of the movie.
28:49She's the one who killed my baby.
28:51Not just my baby, but Nick's baby.
28:53I know I'm just your sister-in-law.
28:56Whatever happened between us is in the past, but I have no one now.
29:01No husband.
29:03No baby.
29:05I have left a snooze.
29:09Haven't you seen through Dorothy yet?
29:11She's nothing but a slut sleeping her way to the top.
29:13You don't know that.
29:14You know I'm right.
29:18Why else would John come onto the set and stand up for her?
29:21Not just John, but Christopher too.
29:23She's sleeping around with anyone she can find.
29:25She's a whore.
29:26Shut up!
29:36You want war?
29:39I'll give you war.
29:44Do it.
29:45Make sure Dorothy feels every bit of it.
29:49Breaking news.
29:54Unknown actress seduces Hollywood heartthrob.
29:57Rising star or opportunist?
29:59Actress Dorothy's shocking affair with Christopher.
30:02Christopher's new flame or a heartless gold digger?
30:04Donaldson!
30:05Donaldson!
30:05Donaldson!
30:06Liar!
30:07Hey, bitch!
30:08This is getting out of hand.
30:13Maybe we should just reveal her real identity.
30:16Let everyone know she's not just some random actress.
30:23No.
30:23Dorothy, once we tell them who you are, there's no reason for them to attack you.
30:27There's someone behind this.
30:29And whoever they are, I'll make them hang.
30:32Oh, God.
30:37Fuck off.
30:39This can't be right.
30:47I'd die in the second scene.
30:54This must be Dorothy and John forcing S.Q. to cut me out.
30:58They won't get away with this.
31:05Trank, can you believe this?
31:07They've completely written me out of the script.
31:09Do you remember when Nick was lying in that hospital bed?
31:13You promised him you'd look after me.
31:14I've already lost my husband and my baby.
31:17I can't lose my career, too.
31:19Don't worry.
31:21I'll get you your character back.
31:39There's a tape of a documentary that apparently S.Q. has always wanted.
31:42So, we win this bid and we gift it to them.
31:46We should be able to get you your role back.
31:51Up next, a rare gem.
31:54The original film documentary chronicling the creative journey of none other than herself.
32:00Legendary screenwriter, Margaret Lane.
32:0350,000.
32:03What's she doing here?
32:08I don't know.
32:10I'm not going to let her win this.
32:1260,000.
32:1770,000.
32:21100,000.
32:22This is my grandmother's documentary.
32:27It's her legacy.
32:29She's the one who inspired me to become a screenwriter.
32:32I can't let it fall into the wrong hands.
32:36500,000.
32:46500,000.
32:47I'm trying to get you your role back.
32:52Don't worry.
32:53I've got it covered.
32:55Ladies and gentlemen, we are down to the final bid.
32:59Standing at a whopping 500,000.
33:03500,000 going once.
33:06500,000 going twice.
33:09Sold.
33:10To the lady in the blue dress.
33:17I can't believe this.
33:22You have no right to take that film reel with you.
33:28You have no right to take that film reel with you.
33:34What's going on?
33:41Ladies and gentlemen, I've just been informed.
33:43Miss Dorothy is, in fact, not an invited guest.
33:48Therefore, as per our rules,
33:51this documentary reel will not be released to Miss Dorothy.
33:54This is ridiculous.
33:56I was invited.
33:57Well, in that case,
33:59may I see your invitation?
34:06I did have it.
34:07I swear.
34:08I'm sorry, Miss Dorothy.
34:09If you do not have the invitation at hand,
34:11the documentary reel has to go to the second highest bidder.
34:14This is the protocol.
34:15Oh, I don't understand.
34:16I'm sorry.
34:35I'm sorry.
34:37These are the rules.
34:39The documentary reel will go to the honorable couple.
35:00Stephanie, wait.
35:02Just sell it to me.
35:05Name your price.
35:06I'll pay you anything you want.
35:07It's really important to me, please.
35:09Why are you doing this?
35:12You're just trying to get my attention
35:13by going after something that Stephanie wants.
35:16No, you don't understand.
35:18Just let me buy this.
35:21Whatever it takes.
35:23Dorothy.
35:24You think this is about money?
35:26Please.
35:27This isn't something you can just buy.
35:30Dorothy.
35:31What the hell are you doing?
35:33Why do you always have to go against her like that?
35:34This reel is important to Stephanie.
35:36She can use this to help her career.
35:39Her career?
35:41Is this about your role being cut from the dead?
35:45Is that why you're doing this?
35:49I'm the writer.
35:50I can fix this.
35:52I can write the story and bring your character back.
35:54Just...
35:55Just let me have the real place.
35:58You're the writer.
35:59Are you telling me that you're SQ?
36:05You.
36:06The writer SQ.
36:08Can you give us a break?
36:09Look.
36:10This reel is important to Stephanie.
36:13End it.
36:14Don't make this harder than it has to be.
36:17You've been with Dorothy for so long
36:19and you don't even know her.
36:20Oh, and you do.
36:21A hell of a lot more than you.
36:23What the fuck do you think you are?
36:24Both of you, calm down!
36:39Scratched all over.
36:40It's ruined.
36:42Not even fit to be a gift anymore.
36:44I can fix this.
36:45Stephanie, I know someone who can restore it.
36:47Just sell it to me.
36:48Please, just name your price.
36:49Even if I had no use for it,
36:54I'd never give it to you.
36:55I'll never give it to you.
37:19I want to be a writer like you, Grandma.
37:26I want to make movies like you do.
37:29This reel has more than pictures and sound on it.
37:34Really?
37:35An entire world I've captured.
37:38But it's just one way of seeing things.
37:41The magic is creating it yourself.
37:44And someday you will.
37:45Dorothy, I need you to go apologize to Stephanie
38:00and give her her rollback.
38:03Apologize?
38:04To her?
38:05She destroyed the reel.
38:06And she wouldn't have done that
38:07if you hadn't pushed her.
38:13So go apologize or I'm pulling my funding.
38:15Look, Dorothy, let's be real here.
38:21Without Stephanie,
38:22Barry's going to be pissed.
38:24Even the production company will call out
38:26if they hear that she's not involved anymore.
38:28Her name carries weight.
38:30Let's not pretend that your reputation
38:31is exactly stellar right now.
38:34Christopher's fans hate you.
38:35Stephanie's fans hate you.
38:37Even if you actually make this film,
38:39no one's going to support you.
38:41You will be Barry.
38:42But if you apologize to Stephanie now,
38:47I can help you.
38:50I can control the press.
38:52I can control the narrative.
38:54I can actually give you a chance.
38:58What's so funny?
39:01What's so funny?
39:02Pull your funding?
39:05Do it.
39:06You'll see it does nothing for the movie.
39:09Okay.
39:10So what if I tell the production head
39:11to pull his funding too?
39:14Didn't I tell you that I know Mr. Bennett?
39:16Oh.
39:17Go ahead.
39:18Try it.
39:20You want me to call?
39:21Mm-hmm.
39:21Fine.
39:27Hi, Mr. Bennett.
39:28It's Drake.
39:29Drake Mossbacher.
39:31Yeah, I'm pulling my funding from Lies Game
39:32and I suggest that you do the same thing.
39:34I've seen it and it's a sinking ship.
39:38You're pulling out?
39:39Great.
39:40I'll take full control of the investment.
39:42Not a problem.
39:49So you sat with him?
39:51That's why he's supporting you, isn't it?
39:58Is this how you see me?
39:59The type of woman who would use her body
40:00to get what she wants?
40:02What other explanation do you have?
40:05You know nothing about Dorothy.
40:10Apologize to Stephanie.
40:11Cut ties with Mr. Bennett and end this.
40:13Dorothy, come back to me.
40:14Whatever he's offering you, I'll match it.
40:16I'll double it.
40:17You must be ill to your fucking mind.
40:20What makes you think
40:21I would ever go back
40:23to that living hell?
40:24Living hell?
40:25You heard me!
40:26Being married to you
40:27was a fucking nightmare.
40:30You made me believe
40:31you loved me.
40:33And then you had me waiting in vain
40:35for three years, Drake.
40:37You said you'd always protect me
40:39but then when I needed you the most
40:41you just turned your back on me.
40:43You chose your sister-in-law
40:45over your wife.
40:50I've had enough, Drake.
40:51You were my prison.
40:53So just go back
40:54to your precious Stephanie.
41:00Let's just go.
41:01Why are you hurt?
41:12Are you okay?
41:20What is that?
41:20What are you doing?
41:21Well, you want me, don't you?
41:23Just kiss me.
41:23I'm all yours.
41:24Steph!
41:25You're Nick's wife.
41:26I've always thought of you.
41:27You're like a sister.
41:28What's that?
41:29Sister!
41:31Funny.
41:32Don't you remember
41:33when you came to me
41:33the night Nick and I got married?
41:35Don't you remember
41:35what you said?
41:38Remember this?
41:39Yeah.
41:40Why not marry Stephanie?
41:42God.
41:43You were practically
41:44begging me not to marry Nick.
41:45No, I shouldn't have said that.
41:46I shouldn't have said that.
41:47I don't want to see that.
41:50What's that?
41:52Oh, it's nothing.
41:53Yeah, what is that?
41:54No, Drake, no.
41:55Please.
41:58You lied about this.
42:02You lied about this.
42:06You said that Dorothy
42:07pushed you into the water,
42:08but this shows you
42:09shoving her in.
42:11It's a glitch.
42:12A glitch.
42:14So, do you actually
42:15expect me to believe that?
42:17What's this?
42:20Buying pills off the black market?
42:23Terminate your pregnancy.
42:25It's you.
42:26It was time when you blamed Dorothy
42:28like some sort of scapegoat
42:29and she was innocent
42:30the whole time.
42:31Please, no,
42:32you have to believe me.
42:33I didn't...
42:33Do you know what?
42:34I've always thought of you
42:35like a sister.
42:37I've always taken care of you.
42:38I even thought that I loved you once,
42:39but that was before
42:39you were Nick's wife.
42:43You changed.
42:47You changed.
42:48You're not the person
42:50I thought you were.
42:53I only looked after you
42:54because I thought it was my duty
42:55as Nick's brother
42:56to look after his widow.
42:59I guess there's no need
43:01to look after you anymore, huh?
43:02What does that mean?
43:04You're just going to
43:05throw me away?
43:06I'm going to throw you away?
43:08But this is my house.
43:12I'm not back.
43:12I hope you'll be gone.
43:13But you can't just
43:15walk away from me like that.
43:16I've said everything
43:17that I need to say.
43:18Now I'm going to go find
43:19the person that I actually
43:20care about.
43:25Dorothy,
43:26this is all your fault.
43:32Let's take this bitch down.
43:43I was wrong.
43:56I misunderstood everything
43:58about you and about us.
44:03Can you please just hear me out?
44:05You think you can just
44:06come here and apologise?
44:09After everything?
44:10I didn't mean to hurt you.
44:13Look, I understand what I did
44:14but it was just because
44:15it was definitely
44:16an anyone.
44:17Can you please just forgive me?
44:20I don't need your apology, Drake.
44:22You let me down.
44:24You abandoned me.
44:26And I needed you the most.
44:29You used me.
44:31Manipulated me.
44:31And now you beg
44:33for my forgiveness?
44:34Oh my God, please
44:35just don't show me out.
44:37I can fix this.
44:38I can fix it.
44:39I can do anything.
44:40Dorothy, please.
44:42No.
44:43You were never
44:45the person
44:45I thought you were.
44:47And I'm not either.
44:49I've moved on.
44:52I don't need you.
44:57Not like I used you.
44:59Just stay back.
45:01After everything.
45:02Yeah, that's it.
45:03I just have better than this.
45:17I just have better than this.
45:17Before you all celebrate this movie,
45:45there's something you should know.
45:48Dorothy is nothing but a homewrecker.
45:51What's going on?
45:53A glorified mistress
45:54who's been playing the part
45:55of a wonderful actress
45:56when all she's really done
45:58is ruin lives.
46:00This is true, Dorothy.
46:03We're being involved
46:03with a married man.
46:04What's your response
46:05to Stephanie's claim?
46:09This is ridiculous.
46:11Let's talk about
46:12how she got here.
46:14Shall we?
46:15She didn't get here
46:16off her talent.
46:17Oh no.
46:18She got here
46:19by clinging
46:19to powerful men.
46:22No real experience.
46:23No skill.
46:24Just a man's name
46:25and a man's money.
46:27Security!
46:28Get her out of here.
46:29Wait.
46:30If she has something to say,
46:32let's hear it.
46:33Dorothy,
46:34it's a trap.
46:35I'm not afraid of the truth.
46:38Let's see what she's got.
46:42What's going on?
46:44So tell us, Dorothy.
46:46How did you get here?
46:47Did you use your relationship
46:49with John Bennett
46:50to land the part?
46:55A homework, are you saying?
47:09Is there something wrong
47:10with me appearing
47:11with my own dad?
47:13You're the one
47:13who sent me this photo, right?
47:15How about you take another one?
47:17This time,
47:18of my lovely family of three.
47:20Dorothy, Dorothy, Dorothy.
47:21Are you really
47:22John Bennett's daughter?
47:23Yes.
47:23I bet you'll never ask
47:25my last name.
47:26It's Bennett,
47:27by the way.
47:29So, Dorothy
47:30is the producer's daughter.
47:33Dorothy,
47:34so,
47:35did you use your father
47:35to get the part?
47:37Uh-huh.
47:37So, it's just nepotism,
47:39then.
47:44Well, even if she didn't
47:45fuck her way to the top,
47:46she still only got here
47:47through her connections.
47:48Whether you like it or not,
47:49my performance
47:50speaks for itself.
47:51And everyone here
47:52saw it.
47:53She was actually
47:53really good.
47:54Yeah, she handled
47:55the movies.
47:56Oh, are you saying
47:57that everyone here is wrong?
47:58You think you're so clever,
48:00don't you?
48:02Fine.
48:03You can act
48:03a little bit.
48:05But let's be real,
48:06you didn't land
48:06this role on your own.
48:08You just snapped
48:09your bony little fingers
48:10and let daddy
48:10give you a role.
48:11How else
48:12would a nobody like you
48:13have landed yourself
48:14the lead otherwise?
48:16Dorothy
48:16isn't just a nobody.
48:18she wrote
48:21Liar's Game.
48:23She is SQ.
48:28Dorothy is SQ.
48:30How can that
48:31be possible?
48:32Liar's Game is a
48:33masterpiece.
48:34There's no way
48:34you could have written it.
48:35You don't have to
48:36believe me.
48:37Just let the credit
48:38speak for itself.
48:39How can this be true?
48:46Oh, my God.
48:47It's not like that.
48:50Dorothy Van Eyck,
48:51you're the daughter
48:51of the producer
48:52and the famous writer
48:53SQ.
48:54Why did you keep
48:54your identity a secret
48:55so long?
48:59Why did you keep
48:59your identity a secret
49:00so long?
49:01Stephanie Marsbecker,
49:02Linda Marsbecker
49:03and Ellie Marsbecker,
49:04I'm arresting you
49:05on suspicion of defamation.
49:06No, no, no, no.
49:07I didn't do anything wrong.
49:08This is all Stephanie's
49:09idea.
49:09I didn't do anything.
49:17This whole time
49:19she was actually
49:19telling the truth.
49:21Dorothy's SQ.
49:24She cheated.
49:26That's why she always
49:28had a book in her hand.
49:31Always writing something
49:32on her laptop,
49:33always lost in her thoughts.
49:37Didn't even see her.
49:38I guess I was blind
49:41all along.
49:43I don't deserve that.
49:48I think...
49:49I've missed this place.
50:05Don't you remember?
50:07Of course I do.
50:10We saw so many films here.
50:11We would just stay in our seats
50:14and talk about life
50:17and everything.
50:20But you just made me feel
50:21like I could face
50:21anything really.
50:27God, I used to be so nervous
50:28back then.
50:29About everything.
50:31About the future.
50:32But you just made me feel like I could face
50:36or anything really.
50:39No.
50:41Someone had to be there
50:42to make sure you didn't
50:42overthink everything.
50:44I remember you used to
50:45unpick every little detail
50:47like it was a life or death situation.
50:48You know, Dorothy.
50:57Life's not been the same without you.
51:02Even when we parted ways,
51:03I...
51:03I always knew that we would
51:06find each other again.
51:07I don't care what we've been through.
51:13I don't care what's happened.
51:14All I know
51:15is that I need you now.
51:21More than ever.
51:21And the award
51:37for Best Adapted Screenplay
51:38goes to
51:39Dorothy Bennett
51:41with Liar's Game.
51:45Wow.
51:47Best Screenplay.
51:49What, shall I start calling you
51:50Your Majesty?
51:51I think that's the greatest idea.
51:54Why don't I start now?
51:56You deserve this.
51:58Your Majesty.
52:00Every bit of it.
52:02Now.
52:04Since you won,
52:05I think this calls for a reward.
52:08Oh, yeah?
52:11And what would that be?
52:15Me.
52:21God.
52:22God.
52:22Amen.
52:23Amen.
52:24Amen.
52:48Good.
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