Get your watchlist ready because 2025 is shaping up to be an unforgettable year for cinema! In this video, we're counting down the Top 10 Hottest NEW Movies of 2025 that you absolutely cannot miss. From epic blockbusters to groundbreaking indie films, this is your ultimate guide to the year's most anticipated movies.
We've got the latest details, trailers, and release dates for the best upcoming movies across every genre—action, sci-fi, drama, and more. If you're looking for the must-watch films of the year, this is the only movie preview you'll need. See which films made our list of the best movies of 2025!
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#movies2025
We've got the latest details, trailers, and release dates for the best upcoming movies across every genre—action, sci-fi, drama, and more. If you're looking for the must-watch films of the year, this is the only movie preview you'll need. See which films made our list of the best movies of 2025!
🔔 SUBSCRIBE for more movie recommendations and trailers!
👍 LIKE the video if your most anticipated movie is on the list!
💬 COMMENT below which 2025 movie you're most excited to see!
#newmovies #movierecommendations #upcomingmovies #movietrailer #bestmovies
#movies2025
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00:00Okay, let's unpack this. We have spent like days sifting through this huge amount of source material here, transcripts detailing the absolute top 10 must see movies coming out across 2025. And yeah, stretching right into early 2026. And this isn't just, you know, a standard prediction list. It feels like a massive snapshot of where Hollywood money is really flowing right now, what studios are betting big on. We're talking action, deep sci fi, some pretty
00:29unsettling horror. And these survival thrillers keep popping up. Exactly. Yeah, we've analyzed pretty comprehensive release info, genre labels, plot pitches for all these upcoming blockbusters. If you want to know what the cinematic landscape is genuinely going to look like next year, the source material, well, it's basically the roadmap. Right. And our mission for this deep dive is really important, I think. We want to look way past the sort of surface level plot stuff in the, you know, glossy trailer. Yeah, the hype. Totally. We want to identify the deep thematic currents, and maybe
00:59the sort of collective cultural anxieties that these huge budget movies are trying to tap into. We're basically going to give you the shortcut to being really well informed about the underlying conflicts that seem to define the next year of filmmaking.
01:12And our focus is really on synthesis, you know, connecting the dots across genres that seem totally different on the surface. Like, what are the common questions about society or authority or just plain survival that links, say, a dark comedy about a stranded boss with a musical sequel about, like, political reform?
01:29That's the kind of analysis we're trying to bring you.
01:31In knowing these core conflicts, the struggle underneath, the surprising ways they mash up genres, it will fundamentally elevate your viewing experience. I really believe that.
01:40Yeah.
01:40You'll go beyond just watching a film and start understanding why that particular story is being told right now.
01:45Makes sense.
01:46So let's jump right in with a theme that honestly dominates, like, nearly half of this list. Isolation and the total breakdown of societal order.
01:55It is genuinely striking. I mean, really, how many of these top rated films put their characters in environments that are just actively, physically hostile, like trying to kill them?
02:05Right.
02:06But the interesting thing is they mostly use those environments to strip away the comfortable social roles, you know, get rid of the job titles, the status.
02:14Expose what's underneath.
02:15Exactly. Expose raw human nature. The hostile setting is really just the catalyst for a very human conflict.
02:22That's the ultimate deconstruction, isn't it?
02:24Oh, okay.
02:24Okay. So we start with a perfect example of this. It's number 10 on the list. Delivery Run. This is labeled a survival horror thriller. And it fits squarely in that man versus the environment category.
02:34But it's got this very specific, modern, socioeconomic anxiety baked right in.
02:40Yeah. Delivery Run sets up its classic survival setting in the really unforgiving, icy wilderness of Minnesota. Pretty standard, right?
02:48Okay. Cold. Isolated.
02:50But the protagonist immediately grounds the story in today's reality. Leland Lee, a food delivery driver. And the sources really emphasize this point. He is struggling with massive personal debt, like desperate for one huge tip just to keep his head above water financially.
03:08Okay. See, that detail is vital. The personal stakes start off so painfully mundane, don't they? It's a struggle against, you know, financial precarity, the gig economy just grinding him down.
03:19It makes that sudden violent drop into horror so much more jarring when it hits, especially since the antagonist isn't like a wolf or a bear or something.
03:27No, not nature itself. The sources describe the main antagonist as a deranged snowplow driver.
03:33A snowplow driver.
03:34Yeah, whose massive machine is basically transformed into both a weapon and this relentless predator just hunting Lee across these treacherous snow-covered roads.
03:42Wow.
03:42What's really fascinating here, I think, is that shift from an economic struggle, debt, income tips, to a purely primal struggle, survival. And the snowplow, you know, roaring, huge, indifferent. It becomes this really chilling metaphor.
03:56It almost feels like a physical representation of that relentless machine, maybe capitalism, maybe just the system, that was already kind of driving Lee into the ground financially.
04:06That's a really interesting read on it.
04:08Yeah. And now it's literally trying to run him over. That snowplow, it's armed with infrastructure, with technology, turning his job, the thing that was supposed to give him basic income, into this deadly, inescapable game.
04:20It definitely feels like an indictment of, well, of a system that can sometimes view human life as just, you know, expendable overhead.
04:28Yeah.
04:29It is. And this theme, this idea of a brutal environment forcing some kind of moral compromise, it gets immediately escalated in icefall, which is listed at number seven. Here, the environment doesn't just isolate people, it forces this impossible temporary alliance.
04:45Okay, icefall. So this takes us even further north, right? Remote Canadian north.
04:49And the initial conflict sounds pretty straightforward. Noah, he's a young indigenous game warden, really dedicated to conservation. And he captures a notorious wanted poacher. So, good versus bad, law versus crime.
05:02Right. Seems clear cut. But then the environment just acts swiftly. An early violent thaw starts happening, trapping both men in this rapidly, like, disintegrating frozen landscape.
05:14Oh, wow.
05:15And the poacher, you know, in a desperate bid just to save himself, reveals the MacGuffin, you know, the plot device.
05:21The thing everyone's after.
05:22Exactly. The location of this decades-old crashed plane buried under the ice. And it's got millions of dollars in stolen cash inside. Only he knows where it is.
05:31Okay, hang on. If we just look at those plot points. Millions in cash, a notorious criminal, a dedicated lawman. It kind of sounds like a standard crime thriller that just happens to be set somewhere cold.
05:42Fair enough. Doesn't adding a ruthless gang of mercenaries who are also after this buried fortune, doesn't that risk turning the environmental threat into just, like, set dressing? Just a cool backdrop.
05:53That's a really fair question. And maybe it does a little. But the sources seem to emphasize that the early thaw is the real initial catalyst.
06:01It's what strips both men of their comfortable, predefined moral roles, you know, warden and poacher, before the mercenaries even show up.
06:09The melting ice sheets, the sudden blizzards, they are actively separating them from any chance of rescue, forcing Noah, the warden, to make that moral compromise.
06:18He has to cooperate with a criminal just to survive the immediate physical threat from the environment.
06:24Oh, sure.
06:25The mercenaries just raise the stakes on their already really fractured alliance.
06:29So the environmental breakdown forces the ethical one. It challenges the sort of black and white legal definitions of good and bad when, you know, freezing to death is staring you in the face.
06:39The hostile landscape becomes an amplifier for human greed and all those moral gray areas.
06:44So spot on, yeah. Now let's pivot pretty dramatically. We're going from that huge, vast, frozen expanse to almost the exact opposite.
06:52This sort of claustrophobic confinement of psychological isolation. The environment shrinks way down, but the fear just grows inward.
07:00Right. Okay. This brings us to Keeper, which is listed at number five. The premise sounds really classic.
07:05A troubled couple lives in Malcolm. They retreat to this secluded forest cabin miles from anywhere, thinking this isolation is going to fix their deeply fractured relationship.
07:14Yeah. The classic escape to the country to fix things trope.
07:18Exactly. They're escaping the noise of the city, only to find, I guess, that the noise inside their own heads is way louder.
07:25And the isolation, well, it doesn't heal. It just exacerbates the emotional distance that's already there between them.
07:31The real horror, according to the sources, is triggered when Malcolm leaves unexpectedly. He just takes off.
07:36Oh.
07:37Forcing Liz to face this deep solitude, completely alone. And what follows is described as this terrifying descent into uncertainty.
07:44She starts sensing an unseen presence. That's what the sources say. They mention strange sounds echoing from the woods. But crucially, personal items shifting subtly without explanation.
07:57Ooh, creepy.
07:58Yeah. This is where the script seems to flip that external horror trope right on its head.
08:03And it raises this really critical analytical question, doesn't it? Is the unseen presence genuinely external, you know, a ghost, a supernatural thing, or maybe just a real stalker taking advantage of her isolation?
08:15Or is it a manifestation of the emotional distance, maybe the guilt, the paranoia that the couple was trying to escape in the first place?
08:21The film seems to expertly tap into that deep human terror of not being able to trust your own senses.
08:26Yeah.
08:26Arguing, effectively, that the mind, when it's cut off from, like, external verification, it becomes its own potential trap, its own prison.
08:34It's the terror of internal collapse just amplified by the deep, dark woods. Wow.
08:40Okay. That fear, that isolation, breeding, psychological distress, it's taken to its darkly comedic extreme and sent help.
08:49That's our number four film. And it's set for an early 2026 release, so just over a year away.
08:54This one feels like it resonates really strongly with those themes of, like, workplace burnout and dissatisfaction we see everywhere today.
09:00Yeah. This pitch sounds perfect. It's described as a darkly comedic psychological horror thriller.
09:06And it forces this brutal immediate role reversal.
09:09You've got Linda Little, described as incredibly competent but, like, chronically underestimated office worker.
09:15We all know one.
09:16Yeah.
09:16Or maybe we are one.
09:17Right. And Bradley Preston, her bombastic, overbearing boss.
09:22Classic nightmare boss.
09:23They are the only two survivors after a plane crash strands them on a remote, uninhabited island during some kind of business trip.
09:30Okay. And this is where we see that theme of subverted authority just crystallize, right?
09:35Bradley, driven by his, like, lifelong corporate arrogance, immediately insists on taking charge.
09:41He wants to maintain the office hierarchy, even though he has absolutely zero practical survival skills.
09:47One whatsoever.
09:48He's ordering her around like they're still in a sterile boardroom, not on a deadly island.
09:52And Linda's competence just swiftly and absolutely eclipses his managerial authority.
09:57Of course it does.
09:58She's the one with the actual skills.
10:00Figuring out what's edible, building a shelter that can withstand the elements, understanding the dangerous terrain.
10:05Yeah.
10:05The island becomes this racket, really unforgiving crucible that just proves that competence, Linda's competence, is the only currency that matters for survival.
10:14It completely invalidates assumed authority and fancy job titles like Bradley's.
10:20So the humor, and I guess the horror, too, comes from watching Bradley just lose his mind as his entire worldview, that status equals power, gets demolished by, like, a palm frond shelter built by his former secretary.
10:33Exactly.
10:33This connects so powerfully back to that idea we mentioned earlier.
10:36Yeah.
10:37The overlooked hero, the underestimated person taking the lead when the whole system just completely fails.
10:42Spot on.
10:43Okay, so if the first section really dealt with human conflict, sort of amplified by isolation, this next segment shifts the focus more towards non-human or, like, existential threats.
10:53Think climate catastrophe, really strange entities.
10:55Or just the simple, terrifying resurfacing of animal instinct.
10:59Right.
10:59Let's begin with maybe the largest, most existential threat on the whole list, the Great Flood, coming in at number three.
11:05This sounds like massive, high-stakes science fiction action detailing, well, the end of the world caused by climate change.
11:11Yeah, the world building here is necessarily pretty bleak.
11:15This is a near-future Earth just devastated by climate collapse and these relentless rising oceans, all culminating in the tidal event, the Great Flood.
11:25Cities are entirely underwater, and what's left of humanity is clustered in the few remaining structures.
11:30That setting sounds specific and really evocative.
11:32Survivors trapped in the upper floors of a crumbling apartment complex, it's one of the last buildings still visible in a drowned metropolis.
11:41This whole vertical existence idea, fighting for the high ground, seems key to the immediate action.
11:46It is, but the core tension, interestingly, doesn't just come from fighting over scarce resources in the high-rise.
11:52It revolves around the central duo.
11:55Anna, described as a brilliant but reclusive artificial intelligence researcher.
11:59Okay.
12:00And Heijo, a former military security operative who's tasked with protecting her.
12:04Why, in a drowned world, why protect an AI researcher?
12:07Because Anna harbors a secret.
12:09Something related to her research that could apparently determine the fate of the entire remaining human population.
12:14Okay, let's connect this to the bigger picture.
12:17In a world literally drowning underwater, why is an AI researcher the most important person?
12:23What could this secret possibly be?
12:26The sources seem to imply her research isn't about, like, physical survival tricks.
12:31No, probably not building better rafts.
12:34Right.
12:34But maybe.
12:35Maybe a way to transfer consciousness.
12:37Or perhaps an advanced predictive model for relocating humanity, like a technological arc or something.
12:44That's the fascinating blend, isn't it?
12:46This film seems to argue that even when the environment has catastrophically failed, and humanity is reduced to fighting these desperate battles for food and dry space, the fight for intellectual knowledge, for technological advancement, remains absolutely critical.
13:00The crisis isn't just the water.
13:02It's the fight to preserve the idea of humanity, maybe through this specific AI technology.
13:07Wow.
13:08Okay, now let's take that huge global catastrophe and contrast it with something bizarrely localized.
13:13This is Ick, taking the number nine spot.
13:15It's labeled a science fiction horror comedy, but the sci-fi element sounds like it's been thoroughly domesticated.
13:21Yeah, that's a good way to put it.
13:23The setting is this slow, quiet town called Eastbrook, where life just moves at a glacial pace.
13:29But the kickle is, Eastbrook is home to this bizarre, unsettling entity that the residents have simply accepted.
13:36They've casually named it the Ick.
13:38They call it the Ick.
13:39Yeah.
13:40Apparently, the entity is pervasive, maybe growing, but the residents have just normalized its existence.
13:47It's just another oddity of small town life, is how the source puts it.
13:51Okay, this is where that genre matchup really seems to work.
13:54The cosmic horror is made mundane, almost boring, which means the real tension must be the human drama.
14:02Exactly.
14:02The protagonist is Hank Wallace.
14:04He's a science teacher, but also a former high school football star who's completely grappling with, you know, unfulfilled potential and past regrets, midlife crisis territory.
14:12Gotcha.
14:13So the Ick, this entity, it's essentially just background noise to Hank's personal crisis.
14:18The film seems to use the sci-fi element, this unexplained, maybe creeping anomaly, as a visible, unsettling metaphor for the stagnation in Hank's own life.
14:27And maybe the way small town inhabitants sometimes accept the decay of their dreams, you know.
14:31The film apparently focuses much more on Hank reconnecting with his old friends, facing his former flames, and he's aided by this sharp-witted student who probably sees things more clearly.
14:41So the humor comes from the town's total apathy towards the cosmic horror, maybe.
14:46And the tension comes from the much more universal horror of confronting your past choices and what you've become.
14:51The bizarre sci-fi monster just serves as a mirror for that deep psychological malaise that can set in when you feel stuck.
14:58Seems like it.
14:59Yeah, pretty interesting concept.
15:01Hashtag tag tag tag 2.2 when instinct takes over.
15:04We transition now, I guess, from the systemic failures like climate change and cosmic absurdity to something maybe more immediate.
15:12The terror of instinctual collapse.
15:14The failure of domestication.
15:15This is Primate, listed at number 6.
15:17Sounds like pure, suspenseful horror thriller, focusing on that thin boundary between human control and untamed nature.
15:24Yeah, the setup is deliberately provocative, it seems.
15:27Lucy returns home for the summer to this isolated tropical house where her father and stepmother live.
15:32Okay, sounds normal.
15:34But crucially, the family has adopted a young chimpanzee named Ben.
15:38Adopted a chimp?
15:39Yeah, and they're raising him as an almost human child within the household.
15:43They've intentionally tried to erase that line between civilization and the wild.
15:48Okay, well that choice just makes the horror feel inevitable, doesn't it?
15:51You know where this is going.
15:52Pretty much.
15:53The trigger is external but deeply primal.
15:56Ben gets bitten by a rabid animal that just wanders onto the property and immediately that whole veneer of domestication starts to crack.
16:02Oh boy.
16:03Ben starts exhibiting terrifyingly erratic behavior.
16:06The sources mention violent mood swings, uncharacteristic aggression, and maybe most hauntingly long periods of just unnatural silent staring.
16:15Yikes.
16:15The core of the horror seems to stem from the audience watching the breakdown of that chosen, loving family structure.
16:21Family tries to treat him, contain him, but communication and connection just fail completely as his primal instincts resurface violently.
16:29It becomes this horrifying exploration of the limits of human civilization that the film forces you to confront just how fragile that line between, you know, our intellect and pure animal instinct truly is.
16:43It sounds deeply claustrophobic too.
16:45A battle where the threat isn't the masked intruder outside, but a loved one who has reverted to an uncontrollable, rabid state right there within the walls of their isolated home.
16:55Exactly. It really pushes that boundary.
16:57Okay, let's shift gears a bit now.
16:58Yeah. We're moving from those deep anxieties about survival and instinctual fear to maybe slightly more comforting territory, established franchises, and high energy action.
17:07Though, as we'll probably see, those themes of betrayal and subverted authority, they tend to follow us even here.
17:11Oh, absolutely. And we need to give this section the analysis it deserves, right?
17:16Because these big sequels and action films, they are massive cultural markers.
17:21People wait years for these.
17:23Let's start with Wicked for Good.
17:25This is the highly anticipated sequel to Wicked, and it's sitting at number eight on the list.
17:31These big fantasy sequels are always fascinating because they're forced to deal with the political mess left behind by the original story.
17:37Absolutely. That's a great point.
17:39Hashtag, tagged, hashtag, 3.1, the magic and the mayhem of established IP.
17:43And the sequel picks up right after Alphaba, the quote-unquote Wicked Witch, and Glinda, the Good Witch, expose the wizard's political corruption.
17:51So the focus is still on their really complex friendship, and now they're separated by the consequences of their, well, their heroism, I guess.
17:58Right. Let's unpack those political layers.
18:00Alphaba, still branded the Wicked Witch despite her good intentions, has basically retreated into the shadow world.
18:05She's grappling with guilt, fear, her reputation.
18:09Meanwhile, Glinda has leveraged her popularity to gain immense political influence back in the Emerald City.
18:15She's now dedicated to reform, to governance, trying to fix things.
18:19And this is where the tension really lies, according to the material.
18:23The film pivots from a simpler narrative of just good versus evil to this complex struggle about governance itself, about the difficulty of enacting real reform in a system that was built on corruption.
18:35Glinda struggles daily with the compromises required of a politician and also her lingering feelings of, well, affection, but also betrayal towards the missing alphabet.
18:44Yeah, that makes sense. It's messy. And the conflict gets reignited by a mysterious new arrival in Oz.
18:51The sources suggest this new character's appearance threatens the fragile political peace Glinda has somehow managed to establish.
18:57Oh, the catalyst.
18:58Exactly. And this catalyst doesn't just challenge Glinda's rule.
19:01It apparently exposes lingering secrets from the past shared by both women, forcing them to confront mistakes they probably hoped were buried forever.
19:08So the sequel sounds like high fantasy political drama just wrapped up in musical spectacle.
19:13It's an exploration of how power can corrupt even the well-intentioned, maybe, and how true friendship has to navigate these treacherous waters of political necessity and public perception.
19:24Definitely sounds more complex than just thinking about defying gravity again.
19:28Okay, now from political reform in Oz, let's jump to pure domestic chaos in Europe with the film taking the number one spot, The Family Plan 2.
19:37Right. This sounds like pure action comedy starring Mark Wahlberg returning as Dan Morgan.
19:42He's the former covert assassin who desperately wants to maintain his facade of normal suburban family life.
19:48It's a very safe, established premise, sure, but the execution seems to rely on maximizing that comedic contrast.
19:55Yeah, the fish out of water thing, but the water is his own family.
19:58So Dan plans what he thinks is the perfect, cozy European Christmas vacation, which is already a logistical nightmare, right?
20:04Family travel across London and Paris.
20:06Oh, yeah.
20:07He's meticulous about the details, hotels, schedules, the kids' needs all, while trying to suppress decades of, like, hyper-violent training.
20:15And the disruption is inevitable. It's required in this genre, isn't it?
20:19A mysterious and dangerous figure from Dan's old life recognizes him, and boom, immediately turns the cozy holiday into a high-stakes, citywide espionage game.
20:29Right.
20:30The film relies heavily on that classic trope, the retired operative dragged back in, but it seems to weaponize the demands of family vacation as the perfect comedic foil.
20:40Think about the logistics.
20:41Like, he's trying to evade professional assassins while simultaneously dealing with lost luggage, or a demanding teenager who won't put down their phone, or needing to suddenly change a secret meeting point because his daughter absolutely needs a specific pastry she saw in Paris.
20:56Ah, yeah.
20:57The absurdity of managing extreme violence alongside those mundane family demands, that's where the humor and probably the tension comes from.
21:04Hashtag, tag, tag, tag, 3.2, action, humor, and high pressure.
21:08Okay, our final film, Code 3.
21:10This lands at number two, and it takes this blend of action and comedy and applies it specifically to emergency services.
21:16It sounds like it gives us a pretty fresh perspective on high-pressure environments.
21:20Yeah, the protagonist is Randy.
21:21He's described as a completely burnt-out paramedic, facing his final 24 hours on the job before retirement.
21:28Yeah.
21:28After years of trauma and bureaucratic frustration, he's cynical, jaded, just counting the seconds until he can finally walk away.
21:35Been there.
21:35Well, not the paramedic part.
21:37And on his very last shift, of course, he gets saddled with Jessica.
21:41She's an enthusiastic, wide-eyed new EMT who views the job with total idealism and this eagerness to prove herself.
21:48The classic odd couple pairing.
21:49Exactly.
21:50And this perfect mentor-mentee contrast is rounded out by his longtime partner, who apparently serves as the kind of moral compass and source of practical, maybe dark humor, balancing Randy's intense cynicism with some much-needed wisdom.
22:03Gotcha.
22:04And the story takes place over just one single, ridiculously chaotic shift.
22:09The sources detail this nonstop barrage of unpredictable, high-stress emergencies mixed with genuinely absurd, almost slapstick encounters.
22:17It sounds like it captures that unique blend of tension and camaraderie that's inherent to emergency services.
22:22Yeah, what sounds fresh about this take is that the action is centered on life-or-death medical situations, not, you know, military stuff or spy games.
22:30Yeah.
22:31It seems to find the humanity, the humor, and those unexpected bonds that get formed when people are just constantly pushed to their absolute limits in crisis moments.
22:39Right.
22:40It sounds like a film about resilience, maybe, and finding connection even when the world around you seems to be falling apart in the most ridiculous ways.
22:48Hashtag, hashtag, conclusion.
22:50So, okay.
22:51If we try and synthesize all 10 films on this list, what does the cinematic zeitgeist of 2025 actually look like based on this material?
22:59The overriding pattern for me is this pervasive obsession with fractured systems and subverted authority.
23:05Yeah, definitely.
23:06And the terror of isolation, whether it's environmental, political, or psychological, that seems to be the main engine driving the conflict in so many of these.
23:14And the genre labels are almost useless, aren't they?
23:17Virtually every film blends horror with comedy or action with sci-fi or thriller with political drama.
23:22It's all mixed up.
23:23And we see these clear repeating patterns, that intense drive to secure hidden fortunes or critical secrets, like in Icefall or with Anna's AI research in The Great Flood.
23:34Then there's the swift breakdown of rigid social order when crisis hits, like in Send Help or maybe Code 3.
23:41And protagonists who are forced to face the unforgiving consequences of past choices, whether it's big political mistakes like in Wicked for Good or just personal stagnation like in Eck.
23:50Yeah, and understanding these underlying anxieties, you know, the failure of traditional leadership, the volatility of the environment, the need for actual competence over credentials.
24:00It helps you understand why these movies are getting the massive studio investment.
24:05They're reflecting our current societal dialogue, consciously or not.
24:08That brings us to our final, maybe defining trend.
24:11We saw it so clearly in Delivery Run and Send Help, didn't we?
24:14This significant trend of taking protagonists who are typically overlooked, the ones often at the bottom of the socioeconomic hierarchy, the delivery driver drowning in debt, the underestimated office worker.
24:27Right.
24:27And placing them in these extreme existential situations.
24:31And in those environments, their overlooked competence becomes the sole factor for survival.
24:36So what does it say about our current culture, about right now, that the ultimate heroes of the 2025 cinematic year aren't the billionaires or the government agents or the established political leaders?
24:49Yeah.
24:49They're the working class individuals, the people who usually struggle just to get a good tip or get credit for their hard work.
24:54That is definitely something for you to mull over or maybe explore on your own the next time you watch a movie trailer.
24:59Pay attention to who the hero actually is and what job they held just before the world ended or the monster showed up or the plane crashed.
25:06It's telling.
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