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Psycho The Lost Tapes of Ed Gein Episode 4 of 4 - Full HD Movie Uncut
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05:00Psycho originally appealed to one of Hitchcock's assistants who placed the novel in front of Hitchcock and said, let's do this next boss.
05:07We all enjoy, shall we say, putting our toe in the cold water of fear.
05:15Hitchcock had just made North by Northwest and what came after this was the birds.
05:24And what came after this was the birds.
05:30Psycho is a kind of outlier for Hitchcock in many ways.
05:33First of all, of course, it's much more of a horror film compared to the suspense that he typically is associated with.
05:39Possibly what drew Hitchcock, possibly what drew Hitchcock was the idea that this was an American small-town horror story.
05:49I think he was so attracted to this material in general because he was interested in what makes a character tick and how we can understand a character via that character's psychology.
06:03The name of Ed Gein means return of memories, memories that many have been trying to forget.
06:17Hitchcock attempted to get financing through his studio for this, and the studio pushed it away, rejected it, and said, you can't make this film.
06:30This is not what we want.
06:31And so what Hitchcock did was enforce the terms of his contract, which gave him creative control over even big questions like, okay, what film are we doing next?
06:42You have to remember that this process of frightening is done by means of a given medium, the medium of pure cinema.
07:01Hitchcock used his TV crew, not his film crew, to make this, and that's part of the reason why the film's in black and white, when his previous films had been in color.
07:15He was using the tools that his TV crew knew best to make this film.
07:19That's one really interesting thing about Psycho.
07:29Of course, at that time, black and white is still a little bit more associated with realism than color film, right?
07:36Because color has this long history of being used as something of fantasy.
07:41Think about The Wizard of Oz.
07:42When Dorothy goes to Oz, all of a sudden everything's in color.
07:46We still kind of have those associations with black and white versus color by 1960.
07:52We don't think of Psycho as like a realism, realistic kind of movie, but the use of that particular kind of film stock actually places it much more in the realm of lived experience and of the world.
08:05The assembly of pieces of film to create fright is the essential part of my job.
08:14Just as much as a painter would, by putting certain colors together, create evil on canvas.
08:23Well, I run the office and tend the cabins and grounds and do little errands for my mother.
08:36I think the first time I saw Psycho, I was a teenager.
08:40I think I was about 15 and it scared the living daylights out of me.
08:43I was absolutely terrified.
08:45I mean, it was just absolute terror.
08:47The movie signals something about this interest in violence, this interest in the kind of perversions underneath the placid surface.
08:57Sometimes when she talks to me like that, I feel I'd like to go up there.
09:02This is a shot that is so famous and many people turn to this shot when they're talking about Psycho.
09:08And that's because this is a really, really great low angle here where we see Norman Bates.
09:14Something's very, very wrong.
09:16Something's wrong in Norman's psychology.
09:18All is not what it seems.
09:20And this is the scene where Norman says something equivalent to a boy's best friend is his mother.
09:26One of the things that we can see as Hitchcock's career progresses is that he really uses a lot of these kind of psychoanalytic approaches
09:34and approaches to character psychology, and that was part of what made it such a raging success.
09:54Psycho was released just over two years after Ed Gein's crimes were discovered.
10:00I've suggested that Psycho be seen from the beginning.
10:04In fact, this is more than a suggestion.
10:09It is required.
10:14This was the very first time that audiences were not allowed to enter the film after the movie had started.
10:23So if you wanted to buy a ticket and go see Psycho, you had to get there when it started
10:28because Hitchcock didn't want anybody to give away the twist.
10:31No one, but no one, will be admitted to the theater after the start of each performance of Psycho.
10:39Audiences loved the film.
10:43It was amazingly popular.
10:44But reviewers less so.
10:50And in many of the reviews, Hitchcock was getting a lot of credit for like,
10:54and wow, Hitchcock had the courage to kill off the main character so early.
10:58This film had a horrible scene at the beginning of a girl being murdered in the shower.
11:05Well, I deliberately made that pretty rough.
11:08But as the film developed, I put less and less physical horror into it.
11:15I was transferring it from film into their mind.
11:20So towards the end, I had no violence at all.
11:22But the audience by this time was screaming in agony.
11:28Psycho's a lot more raw than earlier Hitchcock films.
11:31And I don't want to make it sound that Hitchcock wasn't interested in psychology before.
11:35But here in Psycho, we have it linked up with it actually being a real story.
11:41And that makes it really, really scary.
11:45It's in the title.
11:47It's about somebody being a psychotic.
11:50And that is really different from just saying, this monster's outlandish.
11:56This monster can never happen.
11:58And here we have a monster who is defined by the inner workings of his brain.
12:06And that's what I think makes it such a different horror film.
12:12I grew up in the 1950s, Baby Boomer, and going to the movies all the time.
12:18And all the monsters, all the monsters in movies back then
12:22were alien in some way.
12:28What Hitchcock did with Psycho was
12:38he created the first, like, all-American cinematic monster.
12:44And it was, of course, directly inspired by Gein.
12:47I was doing emergency coverage at Mendota Mental Health Institute.
13:14I was on the ward, and one of the nurses said, have you met Ed Gein?
13:19I said, no, I haven't.
13:21But she said, well, let me introduce you.
13:23I was interested.
13:24I've always been curious.
13:27That's been my downfall.
13:29I saw the movie Psycho when I was in high school.
13:38And I was terrified, but I remember I was with a girlfriend of mine.
13:47We had gone to see the movie.
13:49When we left the movie, we walked down the middle of the street
13:53because we weren't going to be near anybody who could do anything to us.
13:57When you saw the rocker, the rocking chair, and you saw the mother,
14:05and you saw him, you could see that Ed Gein was the prototype for the character.
14:16The first meeting of him, he was in what we called the day room,
14:23and I went up to talk to him.
14:26What would you do with the sexual part?
14:30That was him.
14:32One was painted, they said.
14:34Oh, that wasn't enough.
14:37You know, the main guy.
14:40Yeah.
14:40We would talk about the weather.
14:52We would talk about some of the things he remembered about his life.
14:57He was aware that he had been very much written about and talked about.
15:03Nice man, just like anybody else.
15:07He seems to be harmless, you know.
15:10I know his dad more than 40 years ago when he used to haul potatoes in town.
15:17He was very soft-spoken.
15:19My sister-in-law, she's in a home now.
15:22She said, did you know Eddie Gaines killed Mrs. Wharton?
15:26I'm afraid that if people found out about that, there might be quite an uprising.
15:31He knew that they had made a movie in which he was the prototype for the character.
15:40No, we have 12 vacancies.
15:4412 cabins, 12 vacancies.
15:46Ed Gein was Norman Bates.
15:48Norman Bates was Ed Gein.
15:50Mild-mannered, attractive, nice to people around him.
15:55But very much hidden were all of the crazy things that he did.
16:05Some people had made movies or some characters after him.
16:18But that didn't make him any better.
16:21He's just very bland about everything.
16:24He never seemed to show much emotion.
16:29But that's so common in serial murderers.
16:32But he didn't like to talk about his crimes.
16:37He didn't want to glorify it.
16:45Psycho was such a powerful movie.
16:48He had so many people after him.
16:55He was hounded by everybody.
16:59So there was a bunch of photographers from the newspaper.
17:01You want to take your picture?
17:02You want to take your picture?
17:03No, of course not.
17:05Yeah, we want to.
17:06We'll get to.
17:08Save them all.
17:08There will be an auction here, Palm Sunday.
17:27But this house and the personal belongings of Ed Gein will be conspicuously absent.
17:33Call it an act of God or whatever you will.
17:35The main attraction will be missing.
17:37Reduced to a mass of rubble by a mysterious fire.
17:44All we knew is that that one morning we got up and Ed Gein's house had burnt down.
17:51The farm where Ed Gein lived and where much of the grisly evidence has been found has been leveled.
17:59It burned down one night.
18:00No one knows why.
18:01But since then, the ground has been bulldozed over and trees planted there.
18:05Trying, apparently, to wipe out every vestige of the grisly tragedy.
18:11We had heard that it took a long time for the fire department to get there.
18:16I'm sure it was arson and I think there was proof of that.
18:19But everybody was glad.
18:21We had heard they were going to make a museum out of it.
18:44And that would be the last thing that the community needed.
18:49After it burnt, everybody was glad that it had burnt rather than having a museum of a sick man's home.
18:56The people of Plainfield in the area hope that 10 years...
19:08Oh, stop.
19:10Stop a minute.
19:11But a period of 10 years isn't enough for people to forget.
19:20And the farmers and people of Plainfield hope they won't have to return to the agony,
19:26the notoriety that accompanied the Ed Gein case just 10 years ago.
19:30He was found incompetent for many years.
19:49And I think the reason was is because what he did was just so outrageous.
19:54It was so bizarre that the psychiatrist that evaluated him, as well as the judge, probably said,
20:00I just don't know.
20:02Let's just wait and see what we have.
20:07Eventually he was found competent to proceed because he always was competent.
20:14Oh, he looked somewhat healthier.
20:17He was rather, seemed a rather dark and gaunt personage 10 years ago.
20:21Oh, he seems more like a middle-aged businessman at this time.
20:29Ed Gein, he had all kinds of fantasies about traveling to Europe.
20:51This is the courtroom where Ed Gein was.
20:56Hey, Wes.
20:58Good to see you.
21:03This would have been whereabouts Ed Gein stood when he was on trial.
21:07Pretty much think it's identical to what it was back then from the photos I've seen.
21:10Judge Robert Gomar presided over Gein's 1968 trial.
21:26Gein was found insane.
21:27When he first appeared before me, I got the impression somewhat of a puppy.
21:33He's a small, meek-looking man, and he stood there with a kind of a ingratiating little smile on his face.
21:42It was obvious he wanted to make a good impression on the judge.
21:46And if he'd had a tail to wiggle, I'm sure the puppy description would apply to him.
21:52I had contacted Judge Robert Gomar and was invited to his home.
22:03He did have this kind of Colonel Sanders aura about him.
22:08He'd kind of basked, I think, a little in his connection to the Gein case.
22:17Because it was obviously kind of the highlight of his judicial career.
22:24And he had taken advantage of his position in the case to write a book about Gein.
22:32One thing he did do in the book was reproduce crime scene photographs of Bernie's warden's violated corpse hanging from the rafters, disemboweled, very shocking photographs.
22:52Which had incurred the anger and the resentment of the people of Plainfield, because they felt those photographs should never have been publicized.
23:08He took parts of the people home with him.
23:12He took the skin of women particularly.
23:16He decorated furniture with it.
23:18But he made many other items out of it.
23:25At that time, I don't know if it still holds, but Wisconsin had what they call these bifurcated or split trials.
23:33First, Gein would be tried for the murder of Bernie's warden.
23:38Then he would immediately have another trial in which his mental competence would be determined.
23:44My folks never talked about a trial.
23:50I don't think that they thought we needed to know these horrific details of the crime.
23:56We knew that my dad was having, we thought that my dad was having heart problems.
24:02My dad would get such bad pains.
24:05And I hated to see that.
24:07I'd say, Dad, what's the matter? What's the matter?
24:09Oh, nothing. I just got indigestion, he'd say.
24:11But then one night, it was just a massive heart attack, and that was it.
24:16He had just turned 43 years old.
24:20One of his relatives said that this sheriff was actually the last victim of Ed Gein.
24:25Because he was so disturbed by what he'd seen, and so disturbed by what Ed Gein's actions did to him personally,
24:32Ed Gein may as well have killed him.
24:33Ed Gein was found guilty of the first-degree murder of Bernie's warden.
24:45Immediately, there was a second part of the trial,
24:48and he was declared mentally incompetent and returned to the mental institution.
24:53And so, in effect, Gein was convicted and acquitted at the same time.
25:01The issue is his mental state at the time of the crime.
25:19In this case, you could argue that he has a mental disorder,
25:22but that's not all with respect to meeting the legal standard.
25:26Would you enjoy it while you were doing it?
25:27You need a defect of reason, and that usually means your thinking is delusional.
25:45God told me to do it, Martians are controlling my mind, that type of thing.
25:48Well, Gein knew what he was doing. He knew very well what he was doing.
25:52When you take the braids up, you were kind of in the haze, too, is that it?
25:56And that's what I could do, just learn how he's doing it.
26:03And then one time, you said you were going to realize what you were doing,
26:06and you covered her up without taking the thing.
26:08That's right.
26:09When I look at this from a distance, I don't see any basis for incompetency or legal insanity.
26:22Disturbance? Yes.
26:23Legal insanity? Based on what?
26:26He knew what he was doing, and he knew what he was doing was wrong.
26:29That's the standard.
26:29Back in 1962, the crime scene investigators returned all the body parts from Ed Gein's house,
26:50and they put them on a mass grave, which would include Mary Hogan's head.
26:53So they're all in that one grave.
26:59So this is the spot of the mass grave where all the body parts are.
27:03His skin suit, all the mass.
27:06Mary Hogan's head is probably here.
27:08So now we're trying to uncover it.
27:09Okay, this is it.
27:19We found it.
27:24It says this is dedicated to the unknown that are buried here.
27:32Gein admitted to digging up 9 to 11 bodies, most from this Plainfield cemetery.
27:37But to this day, no one is sure how many graves may actually be empty.
27:59So it's actually weird that they would not have confirmed and identified precisely who was missing from which grave.
28:07I don't think nowadays anyone would accept the, what should we call him?
28:14The patient or the perpetrator would accept their self-report as being valid and entirely truthful,
28:23especially if you're raising issues about mental illness.
28:29Plainfield does not want to be remembered as the home of Ed Gein.
28:32People here do not want to be reminded that it was murder and grave robbery which put Plainfield on the map.
28:38The people of Plainfield were angry that the world had shined a spotlight on them as the home of Ed Gein.
28:50They were this small farming community that was perfectly happy with being isolated and not being known by the rest of the world.
29:01It was very traumatic to the community.
29:03And after the Gein crimes came to light, all these jokes began to circulate around the community.
29:14They were called Geiners.
29:18So, you know, they're not especially funny, but it would be like, why did Ed Gein always keep the heat on his house so the furniture wouldn't get goosebumps?
29:29Or, why didn't people want to play cards with Ed?
29:36Because they were afraid he'd come up with a good hand.
29:40What were Ed Gein's favorite pastries?
29:45Ladyfingers, you know, stuff like that.
29:48You know, folklorists, you know, tend to see that kind of sick humor as, you know, defense against all the, you know, horrors.
29:59I remember when we first were reading Harold Schechter about the concept of Geiners, and it's kind of a direct line to us, to the last podcast on the left.
30:10It's more of kind of a mirror of, like, how people react to that horrible thing and why we say these jokes, which is to cope with horrible information.
30:29It's showtime.
30:42It's showtime.
30:50Texas Chainsaw Massacre came out in 1974.
30:53A lot of people were very upset by Texas Chainsaw Massacre.
30:58What's the matter, honey? You don't look so good.
31:00Some people were very, very disgusted and walked out of the film.
31:06They were so upset by what they saw as hyper-violence on screen.
31:10I think you're going to see a movie called Texas Chainsaw Massacre, like, what do you expect?
31:20But for a lot of audiences, it also was thrilling.
31:25It was something that was so new, that was so different, that was doing something entirely new with this form and with this genre.
31:33When you understand that it's partially based on an actual story, on something that actually happened.
31:42What happened was true.
31:45All of a sudden, that outlandishness becomes something that's possible in real life and possible in somewhere like Wisconsin.
31:55Part of the film's inspiration came from the news.
31:59And it was so graphic.
32:02I mean, it was, it was unbelievable.
32:07I have relatives from Wisconsin that lived about 27 miles from, you know, where the Ed Gein incident happened.
32:14And so when the Wisconsin relatives came to town, they would tell the story about the guy that covered his furniture with human skin, makes the human skin lampshades.
32:31Oh, my God. And, you know, those people continuously wound me up.
32:38Whatever they told me, and I'm sure I can't, wouldn't even want to recall all of it, but it stuck with me.
32:46It was always, it was always ever present.
32:49The Texas Chainsaw Massacre.
32:51After you stop screaming, you'll start talking about it.
32:54People are afraid of that little house in the middle of an abandoned field.
33:03When you're driving down the highway, it's why Texas Chainsaw Massacre was based off of his actions.
33:10Why Psycho was based off of his actions, because it was just such a unique moment in crime history.
33:16And then you see the guy who did it, and it's this goofy, backwoods gremlin.
33:35I first saw Texas Chainsaw Massacre when I was 22.
33:38I can identify that it was at this exact moment because it left like a really dirty stain on my brain that I have never been able to scrub away since.
33:53I remember really clearly seeing that opening of the film and being so unsettled and so upset.
34:00Because what that extreme close-up of an eye does is it puts us immediately in the zone of watching something.
34:14I think by making Leatherface into this character who wears somebody else's face,
34:21Toby Hooper is in some ways making a really sick joke about how we understand character psychology to work,
34:27and how we understand our own psychologies to work.
34:29The face that we present to the world, often that is kind of the face of another person.
34:34But here it's literalized in Leatherface, right?
34:37And so imitators and people inspired by it, they kind of sprang up really, really quickly,
34:42because it was so abundantly clear that this was a work of such imagination, such creativity,
34:47but also it was a work that was so rooted in exactly what was happening in the U.S. at exactly that moment.
34:59I probably saw him about 10 times.
35:09Every time I went, I was a new person to him, even though I had seen him before.
35:15And he would not recognize me, or he wouldn't seem to recognize me.
35:30People in the hospital basically didn't react at all to him because he was basically just a patient.
35:36He was demented, so he really didn't cause any problems.
35:42They never had to call any codes or any special kinds of interventions because he was acting out.
35:49He was just there.
35:50He was a monster, and I think people tended to not see that part of him.
36:09I think people tended to not see that part of him.
36:26Gein lived as a model prisoner.
36:30Never displayed certainly any signs of violence.
36:34The big story was that he was harmless.
36:40I think people kind of felt sorry for him because he had been there for years now and wasn't showing symptoms.
36:49It just seemed in many, many ways, Ed's life in a mental institution was far better, you know, than the kind of life he had been living up to that point.
37:05You know, he was living in this horror house, you know, surrounded by the body parts of human beings, no electricity, no running water.
37:18The only living things in the house were the spiders and the vermin.
37:23Now he was, as they say, three hots and a cot.
37:28We had other human interactions and so on and so forth.
37:31So, you know, I think he lived out his life, you know, pretty contentedly.
37:37My takeaway from my time with Ed Gein was I was very sad for him.
37:43He was really an enigma and he could never have made anything different in his life.
37:55He was really an enigma and he was really an enigma and he couldn't know.
38:01I know.
38:03I know.
38:04I know.
38:05He has a very strong spirit of love again.
38:07He has a great know.
38:08Well, he doesn't have any problems for him.
38:09He lives recently.
38:10He has a great idea.
38:12He hasn't been in the world.
38:13He's a great idea.
38:15He works.
38:16He has a great idea.
38:17He's an amazing genius do nothing to YOU.
38:19To be continued...
38:49This is it.
38:52Ed's right here.
38:56The tombstone kept getting stolen.
38:59So once it got returned,
39:01it's right now in the basement of some cemetery board member has it.
39:06And they're talking about burying it somewhere,
39:08so they never put one back on.
39:10Augusta's right here.
39:12And Henry's on the far left end.
39:16Always get an adrenaline rush to be out here.
39:17I've seen all the souvenirs being left for Ed.
39:22All the incense and work gloves and flowers.
39:26A lot of people come under and visit Ed.
39:27Eddie had a very troubled life.
39:43And I think it had to be a relief to him when the end came.
39:47It affected me not one way or the other.
39:56Eddie had been there, part of my life.
39:58Now he's gone.
39:59I'm from Chicago.
40:16So Ed Gein was always satelliting in my consciousness.
40:19I'm Chuck Pirello.
40:22I am the director of the movie Ed Gein.
40:25It is time for you to do the Lord's work.
40:29Are you ready, Edward?
40:30I'm ready, Mama.
40:31I got into the preparation for making the Ed Gein movie
40:38by first watching as many incarnations of the story
40:42that I could.
40:44So I watched Psycho, Silence of the Lambs,
40:47Texas Chainsaw Massacre, Deranged.
40:50And we did go to Plainfield.
40:57I did feel an obligation to make it historically accurate.
41:02I thought there had been so many fictitious takes on it
41:05and people just borrowing elements from it
41:08that this time around we were going to tell it
41:10the way that it really happened.
41:14The portrayal of Ed in my film actually comes off
41:17as kind of sympathetic.
41:20I think that ended up being the right decision
41:22because you do empathize with him
41:25even though he's a horrible, degenerate person.
41:28He was misunderstood and he just didn't get any help.
41:32I don't really see him as evil.
41:34I see him as someone who's sick,
41:36whose psychosis just kept getting worse and worse
41:39and who couldn't get any help.
41:44The evilness that manifests itself in the bad stuff
41:48that he did was quite another matter.
41:50There was a scene in the script
41:59where Ed was sewing together a skin suit
42:03and I ended up taking it out
42:06just because it was too similar to something
42:07that was in The Silence of the Lambs.
42:10I knew there would be fanboys who would say,
42:19oh, you took that from The Silence of the Lambs,
42:21you know, not knowing that it was actual source material stuff.
42:24There's been six movies based on the book Psycho
42:39and there's been a prequel TV show.
42:43House of a Thousand Corpses is a movie that clearly fits into this lineage.
42:48It's so clearly influenced by Toby Hooper,
42:51but then also with Ed Gein put back in and made central,
42:55more so than in Texas Chainsaw Massacre.
42:58Then Devil's Rejects is a great example
43:01because that film also takes on a kind of twisted Americana.
43:08There's definitely things about movies like Ed Gein and Psycho
43:11that really makes you look twice at the kindly neighbor,
43:15you know, that lives next door to you.
43:19When Ed Gein came out, it just became a hit.
43:22All of a sudden, it was everywhere.
43:26But at the end of the day, you just turn it off
43:29and go back to leading your normal life.
43:32One thing I tried to do was to show the plight of the victims
43:36and show that these people actually had horrible things happen.
43:41I think that's what makes it have longevity
43:43and stick to your ribs kind of appeal.
43:46I think all of these movies and the story of Ed Gein,
43:52they really demonstrate a couple of things.
43:55They tell us that horror is something
43:59that is a way that we understand ourselves.
44:02It is a necessary element of how the United States functions.
44:09I think one of the main attractions to the Ed Gein character
44:12is that he was an outsider.
44:14We've all felt like we didn't belong.
44:15People didn't like us.
44:18So there's this general thing there
44:21just that everybody can identify with,
44:23and I certainly did.
44:24What kind of them do we're feeling?
44:26Oh.
44:26Oh.
44:27Oh.
44:27Oh.
44:31Oh.
44:32Oh.
44:32Go.
44:37Go.
44:37Go.
44:40Go.
44:43Go.
44:47Go.
44:47Go.
44:48how does the tapes change the story well I mean no one knew of the existence of this tape
45:00I mean this casts a whole new light on the Gein case it's the whole context
45:08it's almost as if something emerged a crack in Gein's psychology that allowed all this
45:32primitive archaic stuff to pour out in this modern America where all these families were gathered
45:42around you know watching leave it to beaver on TV you know you have this guy simultaneously
45:49in this little hell hole of a house dressing in the victim's skin and so on
45:58the question arises as to why does Gein or any offender like him keep doing it over and over
46:15again and the answer is it's part of what arouses them sexually and the sexual instinct itself is
46:21strong the fact that Gein kept doing it shows how strong the compulsion was how strong the urge was
46:31to do it over and over and over again and if he didn't get caught he would have continued to do
46:38it until he got arrested when I listen to the tapes there's the researcher in me that's interested
46:52at an intellectual level about learning more from the the actual words of a killer describing in detail
47:01why they did what what they did so there's a part of me that's just like intellectually fascinated by that
47:06but then there's another part of me that you know when I take off the researcher hat there's an eeriness
47:11and hearing somebody seemingly so oblivious to the nature of what they have been doing Ed Gein
47:20doesn't even remember some of the things or pretends or talks about how he doesn't remember things right
47:26so the banality of what he's talking about is also really striking how long ago did you start so
47:35like I say what before years the man is truly very ill so as you're talking to him and it's becoming very
47:43very evident that he is you're hearing him one word sentences the ending like that's right that's right
47:50like just trying to just like he's talking about the weather he sounds exactly as I expected him to
48:04sound but he has an underlying urge that he does not understand like there's something inside of him
48:11that is absolutely undying it will not go away and this is the only way that he can manifest that
48:19that's the most calm person I've ever heard with a bunch of vulvas in a box what do you think Augusta
48:33would have thought of all this Augusta would have disapproved Ed Gein was a puzzle why did he come out
48:45the way he did why didn't his brother turn out the way Ed Gein did they were raised in the same family
48:54the same kind of relationship the same mother and father the same environment
49:01why did Ed Gein did why did Ed Gein become such a horrible murderer
49:09someday somebody who's smarter than I am is going to figure out these people before they kill everybody
49:18the end
49:27to be
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