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Transcript
00:00:00It was summer 1948.
00:00:30And I needed money.
00:00:32After going door to door all day long, I was back again at Joppy's Bar,
00:00:36trying to figure out where I was going to go looking for work the next day.
00:00:40The newspapers was going on and on about the city elections,
00:00:44like they was really going to change somebody's life.
00:00:47Well, my life had already changed when I lost my job three weeks before.
00:00:51For example, one of the white guys pulls a double shift.
00:00:56Says he's too tired to work overtime, you don't fire them.
00:01:00That's all you have to say.
00:01:12No, no, that's not all. I need...
00:01:14I need to pay my mortgage and eat.
00:01:21I need a house to live in. I need to put clothes on my back, Mr. Giacomo.
00:01:25I need the job.
00:01:26I'm sorry, fella. I gotta get back to work.
00:01:30My name's not Fella.
00:01:35Huh?
00:01:36My name's not Fella.
00:01:39My name is Ezekiel Rawlins.
00:01:41Catch you later, Joppy.
00:01:43Hey! Watch the bar, my damn it!
00:01:45What'd I tell you?
00:01:46Joppy, how much you think they're paying out there to Douglas Headcraft?
00:01:55I don't know.
00:01:57Don't let's stay on your...
00:01:59I don't know.
00:01:59...
00:02:11I don't know.
00:02:17Easy, come on over here.
00:02:27That's the line I want you to meet.
00:02:33Come on, let's hear it in the back.
00:02:37Here, Easy, this is Mr. Albright.
00:02:39You can call me to wait, Easy.
00:02:41How you doing?
00:02:41I'm all right.
00:02:42You got to see it, Easy.
00:02:43Mr. Albright and they go way back before the war.
00:02:52Back when I was still in the fight game.
00:02:55Yeah.
00:02:56You ever seen this guy fight?
00:02:57No.
00:02:58Well, shoot, every time Joppy Shad stepped in the ring,
00:03:03you knew you don't see some real knock-down drag-out fisticuffs.
00:03:07Where you from, Easy?
00:03:09Houston.
00:03:10Houston.
00:03:11It's Joppy's hometown.
00:03:13So here, you need a job.
00:03:19Oh, yeah, Easy.
00:03:21Always trying to do better.
00:03:23He's one of the few colored men around here who own his own house.
00:03:27He's paying the mortgage every month, just like y'all folks.
00:03:31Property on the house.
00:03:33These big companies don't give a damn.
00:03:35They're the hazy.
00:03:36Got out of that racket a long time ago.
00:03:38Look, if you do need a job, you drop by this address.
00:03:40It's 7 o'clock tonight.
00:03:44What kind of work you do?
00:03:48I do favors.
00:03:50I do favors for friends.
00:03:53Drop by.
00:03:54Who is that, Joppy?
00:04:00It's somebody I know.
00:04:02Business man.
00:04:05Yeah, he is.
00:04:07Ain't nothing to worry about.
00:04:09Now, when somebody tell me ain't nothing to worry about, I usually look down to see if
00:04:15my fly is open.
00:04:17But all the way home, all I could think about was a chance to make some money.
00:04:20I first came out to Los Angeles when I got home from the war in Europe.
00:04:27With $300 in my pocket and the GI Bill.
00:04:30Like me, a lot of colored folk from Texas and Louisiana had moved out to California to
00:04:35get them good jobs in the shipyards and in the aircraft companies.
00:04:38Hey, Willie!
00:04:39Now, me, myself, I was a machinist.
00:04:44And the first thing I did when I saved enough money was to buy me a house.
00:04:50Man, I loved coming home to my house.
00:04:53I don't know.
00:04:54I guess maybe I just loved owning something.
00:04:56I'm going to knock down some of the trees in the back of my tree.
00:05:10I ain't going to take you to my tree.
00:05:12Get them!
00:05:13I was feeling pretty desperate that evening.
00:05:38In a week, I'd be two months behind on my mortgage, and no, sir, I wasn't about to
00:05:44lose my house.
00:05:45But a chill running up the back of my neck was talking to me, telling me I was about
00:05:49to make a bad decision.
00:05:52Yeah, Albright made me nervous.
00:05:54He reminded me of a fellow I knew back in Texas named Miles.
00:05:58I thought you said this was your friend's car.
00:06:01What did you do, Miles?
00:06:01Let's ride this son of a bitch.
00:06:03What did you do?
00:06:08So, want the job?
00:06:34It depends on what kind of job it is.
00:06:39I don't want to get mixed up in nothing.
00:06:41Hmm.
00:06:42Walk out the door in the morning easy.
00:06:45You're mixed up in something.
00:06:48Only thing that matters is if you're mixed up to the top or not.
00:06:51I'm just looking for somebody.
00:06:53For a friend.
00:06:55Daphne Monet.
00:06:58Fiancé of Todd Carter.
00:06:59She's been gone two weeks.
00:07:00It upset the poor man so much he stopped running for mayor.
00:07:06I never laid eyes on her.
00:07:08That's a shame.
00:07:10See, Daphne has a predilection for the company of Negroes.
00:07:14She likes jazz and pig's feet and dark meat.
00:07:17Know what I mean?
00:07:20Predilection.
00:07:20Yeah.
00:07:25I go looking for it myself, but
00:07:27not the right persuasion, so to speak.
00:07:30What do you mean from me?
00:07:34What do you mean?
00:07:36What do you want me to do?
00:07:37Set a location on her.
00:07:40Mr. Carter wants to make up with her.
00:07:43$100.
00:07:46I pay in advance.
00:07:53$100.
00:07:54All I got to do is tell you where she's at.
00:07:59That's right.
00:07:59And that's all?
00:08:01That's all.
00:08:03John P. tells me he used to frequent a legal club down on 89th and Central.
00:08:07Yeah, John.
00:08:08Somebody saw a dapy there a few nights ago.
00:08:11You can start tonight.
00:08:13I told you this for grocery stores here.
00:08:28I told you it's the grocery store here.
00:08:32Oh, God.
00:08:35Oh, God.
00:08:36What's your name?
00:08:39Mr. I told you, this is the grocery store here.
00:08:42Hey, how you doing, baby?
00:08:45Mr. I told you, you can't be in here harassing folks.
00:08:50What's going on out there?
00:08:51I just paid these damn cops off.
00:08:53And they're out there rousting my customers.
00:08:56That's what he gets.
00:08:57He's missing with that rifle.
00:08:58Come on.
00:08:59Don't pay him no tension easy.
00:09:01I don't want for Junior to come down and take care of that.
00:09:05Ain't got nobody producing them the name.
00:09:08I had house a day on Thursday.
00:09:10Yeah, you missed it.
00:09:13Junior, Junior, wait for the cops to leave.
00:09:15Take easy on upstairs.
00:09:16And if he's still down here, come on back and throw his ass out, Junior.
00:09:22I'll be here.
00:09:24I'll be waiting.
00:09:25Yeah, you just wait, mister.
00:09:26You just keep, just keep waiting.
00:09:28Mr. McGee, there is no upstairs.
00:09:31You got another one of them cigarettes?
00:09:32Sure.
00:09:33It's a pot.
00:09:34How you smoke these damn things?
00:09:36You're the only thing grown in America that smoke Mexican cigarettes.
00:09:39You know, last time I heard these fellas playing tonight, it was back in Houston.
00:09:42That night, your old buddy Mouse had to pull me up off of your ass.
00:09:44That's the way you remember it.
00:09:45Hell, that's the way it was.
00:09:47Come here.
00:09:49What do you want to admit that you helped Mouse kill old man Navajo, Shay?
00:09:52You know, man, come on, get off that.
00:09:53You know I didn't have nothing to do with that.
00:09:55I bet you did.
00:10:03That's right.
00:10:04Just like you did, help Mouse kill his stepfather.
00:10:06Easy.
00:10:07She helped kill his stepfather, too.
00:10:09Let's go.
00:10:39There's some girl named Dahlia, Delilah, or something like that.
00:10:43White girl, supposed to be something to say.
00:10:45Now, if I do see her, I'm going to keep her to the center.
00:11:09Let's get the change.
00:11:14Zeke and O'Dell.
00:11:16Easy.
00:11:18How you doing tonight?
00:11:19What's going on, Ryan?
00:11:21Sure is good.
00:11:22Easy, Ralph.
00:11:23Is that you?
00:11:24Boy.
00:11:26Boy, you ain't jumped out in the window yet.
00:11:27Nah, I can't do it.
00:11:29Oh, again, you know Corella here, don't you?
00:11:31How you doing, Corella?
00:11:32I'm all right, easy.
00:11:34It's O'Dell.
00:11:34Yeah, you doing?
00:11:35O'Dell.
00:11:36Can we sit down with y'all lazy?
00:11:41Yeah, sure.
00:11:43And we miss you down there at the Flint.
00:11:46Hey, look here.
00:11:47Manny would have gave you the job back, right?
00:11:49All you had to do was go down there and say that you were sorry.
00:11:52Yeah, I'm sorry, all right?
00:11:53Give me a pint of that bourbon.
00:11:54Any man without his paycheck is showing up sorry.
00:11:57Oh, look here, man.
00:12:01I got it.
00:12:01I got it.
00:12:02Your money ain't no good.
00:12:03No, this one's mine.
00:12:04You sure?
00:12:05And you the one ain't got no job.
00:12:06And you the one ain't got no money.
00:12:08Oh, baby.
00:12:10And have y'all seen a white girl by the name of Dahlia or Delia or something like that?
00:12:14First name started with a D.
00:12:15Dahlia or something like that?
00:12:45I ain't gettin' under that tonight.
00:12:48I'm goin' around here tellin' everybody Dahlia.
00:12:59Her name is Daphne.
00:13:05You know her?
00:13:15Where do you want me to put a man in there?
00:13:25This ain't my house.
00:13:27What?
00:13:27This ain't my house.
00:13:29What is it?
00:13:29There's a bar in the on the beat, innit?
00:13:31Shut up, kid.
00:13:32Go, go, go.
00:13:33Move the key.
00:13:36Get off of your door.
00:13:37I'm in the place last week because you couldn't pay the rent.
00:13:42I shouldn't even let him sleep in that.
00:13:44Damn, I need to go to that.
00:13:45I'm not.
00:13:46I know.
00:13:50I need a cigarette.
00:13:53Is that all you need?
00:13:54Girl, let son catch me tiptoeing outside your door.
00:14:01Ain't no tellin' what your neighbors might say.
00:14:03All right, easy.
00:14:04All right.
00:14:06The freedom fell asleep on me.
00:14:08You're just gonna walk out on me like I'm a star on the field, huh?
00:14:13What?
00:14:14Girl, what you talkin' about?
00:14:16Now, come on.
00:14:19Coretta, your man is in the next room.
00:14:26Why don't you tell me about your friend, Dad?
00:14:29Why do you keep askin' about her?
00:14:35Color woman ain't good enough for you no more, huh?
00:14:38No, that ain't it, girl.
00:14:41I mean...
00:14:44Shit.
00:14:46I realized later on that Coretta had found out as much about what I was up to
00:14:50as I had found out about Daphne Monet.
00:14:53As it turned out, Todd Carter wasn't the only man in Daphne's life.
00:14:57She was also shacking up with some small-time-colored gangster named Frank Green.
00:15:02And Coretta had the nerve to charge me $10 for that information.
00:15:05See, everybody was in business in Los Angeles.
00:15:10I spent that morning waiting for Albright to call
00:15:12and trying to feel good about being able to pay a few bills.
00:15:16And I mean just a few.
00:15:17Your shoot-a-loaf of bread was damn near 15 cents.
00:15:20It was easy money.
00:15:23Too easy.
00:15:25Bye, easy!
00:15:27Hey, where you going, Sophie?
00:15:29Back to Texas.
00:15:30Too bad for me out here.
00:15:32Bye, Mr. Allen!
00:15:33All right, then.
00:15:34Hey, get on away from them people's house now.
00:15:40Go on, get away from that tree.
00:15:45Get on away from that tree now.
00:15:48Go on, get away from that tree.
00:15:50Go on, get away from it.
00:16:15Go on, get away from it.
00:16:16Let's go.
00:16:46hello easy how you doing buddy how's it i hope you have good news for me
00:16:59oh mr all right that you sure is easy we're shaking
00:17:03i doubt what you want hey why don't you hold on to that easy i only do business person tell you
00:17:09what real quick you come on out here to malibu meet me at the fisherman's here at the hamburger
00:17:13stand in an hour okay malibu look mr albright
00:17:17mr albright
00:17:43hi
00:17:49hi
00:17:54hi
00:17:58hi
00:18:10it's pretty out here huh
00:18:27yes all right
00:18:28i'm from des moines iowa where are you from
00:18:37texas
00:18:41do they have a notion in texas
00:18:46go go to texas
00:18:50i think your friends are looking for you
00:18:53i don't care
00:18:54your sister brought me here because my parents made her
00:18:58all she wants to do is make out with herman and smoke cigarettes
00:19:03hey man
00:19:05what are you doing out here
00:19:08hey what's going on
00:19:09leave us alone herman we're just talking
00:19:11listen uh we don't need you talking to her okay
00:19:13hey i said leave us alone we're just talking about the ocean
00:19:17this nigger's trying to pick up on barbara that's what's wrong
00:19:19hey fella what's wrong with you got a problem bro you've already got trouble
00:19:21i'm not just trying to be polite
00:19:23no you're not you're talking about the ocean
00:19:25hey there
00:19:26what do you want
00:19:28what's going on
00:19:29what do you want
00:19:30what do i want
00:19:32i want to see your brain
00:19:35i'm sorry sir i didn't mean
00:19:38yes sir i'm sorry i didn't mean
00:19:40yes sir i am
00:19:42yes sir
00:19:43yeah
00:19:44i think he's got the point
00:19:55he's got the point
00:19:58i'll kill you
00:20:00okay okay
00:20:02okay
00:20:03don't you please
00:20:04come on
00:20:04come on
00:20:07uh
00:20:08uh
00:20:09uh
00:20:10uh
00:20:11uh
00:20:13uh
00:20:15uh
00:20:17uh
00:20:19uh
00:20:20uh
00:20:20uh
00:20:21uh
00:20:22uh
00:20:23and
00:20:25uh
00:20:26uh
00:20:27uh
00:24:28I had seen dead bodies before, cold, hard, still as concrete, their eyes wide open, staring
00:24:35up at nothing.
00:24:36But not Coretta.
00:24:38But not Coretta.
00:24:39I could still feel her heartbeat.
00:24:42Hey, Ezekiel Rollins.
00:24:44Hey, Ezekiel Rollins.
00:24:46Hey, Ezekiel Rollins.
00:24:48Hold on, Ezekiel.
00:24:50Hold on, Ezekiel Rollins.
00:24:58Hey, Ezekiel Rollins.
00:24:59Hold on, Ezekiel.
00:25:02Somebody in the back.
00:25:03Somebody in the back would like to talk to you.
00:25:04Look, I ain't got time right now.
00:25:06Get in, we'll take you.
00:25:08My boss wants to talk to you.
00:25:09My boss wants to talk to you about Coretta James.
00:25:15Listen.
00:25:16Listen.
00:25:17If I wanted to hurt you, it would have happened already.
00:25:22Come on.
00:25:23Get in.
00:25:24Get in.
00:25:29Get in.
00:25:31Get in.
00:25:59I'm gonna go over the front.
00:26:00And sit with Norman.
00:26:02Okay, give me a kiss.
00:26:11It's my adopted son.
00:26:12Jesus.
00:26:15I can see the police roughed you up a bit.
00:26:19That's a practice of theirs.
00:26:20That has to change, Mr Rolins.
00:26:23That has to change.
00:26:25She was beaten.
00:26:29He died of a heavy blow to the back of the head.
00:26:35I suppose you already know that.
00:26:37No, I didn't, Mr. Terrell.
00:26:39Oh, you know who I am?
00:26:40Well, I read the newspapers.
00:26:42I know you're running for mayor against Todd Carter.
00:26:44I am the next mayor, Mr. Rowlands.
00:26:47And luckily for you, a friend of the Negro.
00:26:51Coretta worked for a while for me.
00:26:54She answered phones at my campaign office on 103rd and Western.
00:26:57So when I heard that the police had a suspect,
00:27:01I got out of bed immediately, personally, because of my concern.
00:27:07Was there anyone with you, Mr. Rowlands?
00:27:11Anyone besides Mr. Dupre Bouchard?
00:27:14No, sir.
00:27:16A young lady named Daphne Monet, perhaps?
00:27:23Nobody.
00:27:23Of course not.
00:27:26I mean, why would, why would you, why would you tell someone whom you've only just met?
00:27:32I mean, you can't trust me, Mr. Rowlands.
00:27:38There was nobody else there.
00:27:43I believe you.
00:27:45Can we drop you off at your...
00:27:47No, I mean...
00:27:49I mean, I can get out of here.
00:27:51Are you sure?
00:27:51This must be quite out of your way.
00:27:53It's okay.
00:27:54It's okay.
00:28:01May I offer you a cab fare?
00:28:05No, thank you.
00:28:06You sure?
00:28:07It's okay.
00:28:08No, thank you.
00:28:23Sorry.
00:28:29No, no.
00:28:32I don't know.
00:28:32I don't know.
00:28:33Oh, they're hittin' a spiral.
00:28:43Daphne's asleep right now.
00:28:45Sorry, sorry, sorry.
00:28:47Go around here, tell them they've got it down.
00:28:51Tell them, woman, they're good enough here.
00:28:52Oh, hi, isn't it?
00:28:55All they do is notice it has lots of me and death.
00:28:59Tell them, woman, they're good enough here.
00:29:00What's up?
00:29:02What's up?
00:29:06Hello?
00:29:15Hello?
00:29:16Is this Mr. Rollins?
00:29:18Yeah, who's this?
00:29:20This is Daphne Monet.
00:29:24You're looking for me.
00:29:26Who told you that?
00:29:28You know who told me.
00:29:31Coretta.
00:29:33She was found murdered this morning.
00:29:38I don't know what I should do.
00:29:41Would you care to talk to me alone, or is this something I should call the police about?
00:29:44No, no, you know we didn't call the police.
00:29:47Then why don't you come over and explain yourself to me?
00:29:50I'm at the Ambassador Hotel.
00:29:52This part of the hotel is white only, so go to the side entrance in half an hour, and Louis the bellboy will sneak you up.
00:29:59I just don't know.
00:30:03I don't know.
00:30:12Have a good night.
00:30:14Hello, Mr. Rollins.
00:30:33Hello, Miss Marlene.
00:30:39And I know if I should think of you as a friend of Corella's or as a private dick.
00:30:44I ain't no detective.
00:30:48And I was just hired by a fella that works for Todd Carter.
00:30:54You know I had to pay credit not to tell you where I was?
00:30:57Oh, she got you, too.
00:31:02Yeah.
00:31:04She definitely gave me the wrong address.
00:31:08Where'd she say I was?
00:31:09Said you was out in Watts over to the Skylar Arms Apartments
00:31:12with a fella named Frank Green.
00:31:14Mm-hmm.
00:31:16And what else did she tell you about me?
00:31:19I don't know. What else is there, too?
00:31:21Nothing.
00:31:23I make no apology for my feelings for Frank.
00:31:25He's very dear to me, and that's that.
00:31:27Bourbon?
00:31:28Please, straight up.
00:31:32So how well did you know Corella?
00:31:35She was a very close friend.
00:31:36So maybe you know why she got killed?
00:31:43Why would I know that?
00:31:46She said she was a very close friend.
00:31:48She knew about you and Frank.
00:31:49Maybe somebody wanted to keep that secret.
00:31:53Mr. Rawlins, if you're thinking...
00:31:54Easy.
00:31:54He's gonna be easy.
00:31:57Easy.
00:31:57If you're thinking that Frank had anything to do with Corella's death,
00:31:59then obviously you don't know very much about him.
00:32:03Frank doesn't go around beating people up.
00:32:05He prefers to use a knife as his weapon.
00:32:08And what do you prefer to use as your weapon?
00:32:11Well, I have to go someplace else on the way.
00:32:15Someplace that I don't want Todd to know about.
00:32:17There's a man named Richard McGee.
00:32:25And he lives up in Moral Canyon.
00:32:28And he delivered a letter of mine to the wrong place.
00:32:30And now I need to make arrangements to get it back.
00:32:32At 4 o'clock in the morning.
00:32:35Must be a pretty important letter.
00:32:37Yes, it is.
00:32:39But I need to go there before I go to Todd's.
00:32:43I'll tell you.
00:32:47What time did you talk to Corella this morning?
00:32:52I don't know.
00:32:527.38, I guess.
00:32:55Listen, easy.
00:32:55I don't...
00:32:57I don't really want to talk about Corella just now.
00:33:00Did you go up to her house?
00:33:11No.
00:33:14She called me.
00:33:17She was in a good mood.
00:33:22She always saw.
00:33:24Look, I didn't mean upset you and Daphne.
00:33:27You understand us.
00:33:30As far as I know, you was the last one talked to her before she got killed.
00:33:33And I don't mean to upset you.
00:33:36But as far as I know, you were the last one with her before she got killed.
00:33:41Now where does that leave us?
00:33:42Why don't you go and change how that house could I carry you?
00:34:09Are you nervous?
00:34:11Nervous.
00:34:11Here I was in the middle of the night in a white neighborhood with a white woman in my car.
00:34:17No, I wasn't nervous.
00:34:18I was stupid.
00:34:20You make the lesson up here.
00:34:22Getting Daphne back to Todd Carter all of a sudden didn't seem so easy.
00:34:27Who was this guy, Richard McGee?
00:34:29Just parked behind that car.
00:34:30I don't know.
00:34:31I'm sorry.
00:34:32I'm sorry.
00:34:33I don't know.
00:34:35I'm sorry.
00:34:35Yeah.
00:34:36I'm sorry.
00:34:36I'm sorry.
00:34:37I'll show you about.
00:34:40Sydney.
00:34:41Sydney.
00:34:42That's all I've been hearing about.
00:34:44Everybody, someone ring into Sydney.
00:34:46Hey, where are you?
00:34:47I'm in here.
00:34:48It's Sydney.
00:34:49Let's go.
00:35:19Let's go.
00:35:49Oh, my God.
00:35:58Oh, my God.
00:36:28Oh, my God.
00:36:58Hey, who's that at the door?
00:37:06It's him.
00:37:07Oh, yeah?
00:37:08You're 40, bro.
00:37:10You can't see if anything's any different for a religious man, huh?
00:37:13I want to show you what I do to people so they see things they ain't seen.
00:37:16I've seen her.
00:37:17Where?
00:37:19She...
00:37:20She called me.
00:37:23She called me.
00:37:23She had me to carry up to the Hollywood Hills.
00:37:27Where is she now?
00:37:28She took off.
00:37:29Bullshit.
00:37:29Where is she now?
00:37:31She took off.
00:37:33There was a dead man up there while I was looking at her.
00:37:35She took off.
00:37:36Come on in.
00:37:45Come on in.
00:37:52Sit down.
00:37:58Okay.
00:37:58What'd you do?
00:38:01Take his card?
00:38:05McGee.
00:38:05Yeah.
00:38:06If you can write, write down where you picked her up at.
00:38:11Write it down.
00:38:12Let's see.
00:38:28Sit down.
00:38:29Blimey gets stuck to my...
00:38:30My bowler.
00:38:32I get that with popcorn.
00:38:37Get me some whiskey, easy.
00:38:40Look at this in the cabinet.
00:38:41I bet you get it your damn self.
00:38:48He's got balls.
00:38:49You gotta give him that.
00:38:52Shoot him.
00:38:53I'm just kidding.
00:39:05You're a brave man.
00:39:07You need a brave man working for me.
00:39:09You're doing a nice job, too.
00:39:10But...
00:39:11You're a whiskey man.
00:39:14You gotta find Frank Green.
00:39:16So he can lead us to her.
00:39:17No, thank you.
00:39:20Too many people getting killed talking around me already.
00:39:24Thanks.
00:39:28Easy.
00:39:29You're connectable to two murders.
00:39:31You're gonna do whatever I tell you to do.
00:39:39You find him.
00:39:40I will be checking in.
00:39:49Cheap shit.
00:39:50Let's go.
00:39:50Since Albright likes surprise parties, I had a friend of my own I wanted to invite.
00:40:14I placed a call to Anna Mae Alexander in Houston.
00:40:18Told her to get a message to her husband.
00:40:20Miles.
00:40:21Ready.
00:40:24Oh, man.
00:40:25Oh, man.
00:40:27I's got you.
00:40:28Let's do it.
00:40:30Now, Here.
00:40:32I'm going to get to you.
00:40:36What?
00:40:39Oh, man.
00:40:40You'll be who I am.
00:40:40I'll go.
00:40:43I'll go.
00:40:44Oh, my, do you feel that level?
00:40:46Oh, my, do you feel that level?
00:41:06Hey, he's in.
00:41:09That girl called me last night, Joppy.
00:41:12What girl is that?
00:41:13One of your friends, Albright, is looking for me.
00:41:16Oh, my, my.
00:41:18That's pretty, look.
00:41:19No, it wasn't no luck at all, Joppy.
00:41:20It was you.
00:41:22You and Coretta was the only ones that had my phone number
00:41:25and knew I was looking for the girl.
00:41:27And Coretta was too busy scamming Daphne,
00:41:29so it couldn't have been her.
00:41:30No, it was you, Joppy.
00:41:31Maybe she looked it in the phone book.
00:41:33I ain't in the phone book.
00:41:34Now, you supposed to be my friend.
00:41:35Now, why in the hell did you tell a man
00:41:37where the girl was your damn self?
00:41:38In the first place, what the hell you mean
00:41:39coming up here looking all ugly
00:41:40like you think you're gonna do something?
00:41:42I think I'm gonna do something.
00:41:44Hey!
00:41:45Hey!
00:41:46I got you!
00:41:48What?
00:41:49That's my mama!
00:41:50My uncle left me there after he died!
00:41:52God damn it, he's about to get it back to me.
00:41:53All right, that's fine.
00:41:54Come on, let's talk.
00:41:55All right, let's talk.
00:41:56What you got me into?
00:41:57All right.
00:41:58She asked me to help her
00:41:59because I told her Albright was looking for her.
00:42:00And I figured I could help you make a few dollars
00:42:02and throw Albright off the track.
00:42:04Now, she wanted to know something about you,
00:42:05so I told her.
00:42:06I guess I'll give her your phone number.
00:42:07Where she at, Joppy?
00:42:08I don't know!
00:42:09Don't lie to me!
00:42:10I'm not lying to you!
00:42:11Where she running from, man?
00:42:13She didn't tell me.
00:42:16Easy.
00:42:17Look at me.
00:42:18I am your friend.
00:42:20Now,
00:42:21I didn't mean to get you in no trouble.
00:42:24I just, I mean, she...
00:42:25Look, you've seen her.
00:42:27I mean, she is something else, man.
00:42:29Do you know what I'm saying?
00:42:37Oh, Joppy.
00:42:40Stay free.
00:42:44What?
00:42:52Like Albright said,
00:42:54when you're mixed up in something,
00:42:56you better be mixed up to the top.
00:42:58So that's where I was going.
00:43:01All the way to the top.
00:43:04Everybody was peeing on my head
00:43:06and telling me it was rain.
00:43:08Guess they figured I was some new kind of fool.
00:43:10And maybe I was.
00:43:12Because I was ready to start fighting back.
00:43:15And I believed somehow
00:43:16that I could live through this bad dream I was having.
00:43:18About pretty girls and gangsters
00:43:20and standing face to face
00:43:23with the richest man in town.
00:43:24May I help you?
00:43:42Yes, ma'am.
00:43:43I'm looking for Mr. Carter.
00:43:44I'm sorry, Mr. Carter.
00:43:45He's a very busy man.
00:43:46Too busy to hear something
00:43:47about that little chip here he is that dumped him?
00:43:49Excuse me, Mr. Romans.
00:43:56Why don't you come with me, sir?
00:44:02I'm very smart talking about Mr. Carter's business
00:44:04to a secretary.
00:44:06I don't want to hear it, man.
00:44:06There's too much going on for me
00:44:08when you give a damn
00:44:08about what you think is smart.
00:44:24Wait here, Mr. Rollins.
00:44:25Mr. Carter will see you.
00:44:43Mr. Rollins.
00:44:44Mr. Carter?
00:44:47You've heard from Daphne?
00:44:49Yeah, last night.
00:44:52She's still in town?
00:44:53She was last night.
00:44:54And what did she say?
00:44:58What was she wearing?
00:45:00Uh, blue dress, high heel.
00:45:03Mm, that's her.
00:45:06I'm sorry.
00:45:06Would you like to come in?
00:45:07Please.
00:45:11Mr. Carter, have a seat.
00:45:14I just want some answers.
00:45:15Would you like a brandy?
00:45:17I want to know what I got myself into.
00:45:21Like a party?
00:45:21Well, I want to know the real reason
00:45:24Mr. Albright hired me.
00:45:28Mr. Albright?
00:45:30Yeah, the man you hired to find Daphne.
00:45:34I think there's been a mistake here.
00:45:36I, uh...
00:45:38Who are you talking about?
00:45:41Wait a minute, you...
00:45:42You didn't...
00:45:44You didn't hire somebody
00:45:44to find your girlfriend?
00:45:45Of course not.
00:45:48As a matter of fact, until just now,
00:45:49I thought she was hundreds of miles away from here.
00:45:53You say someone's looking for her?
00:45:55Yeah.
00:45:58Someone's looking for her.
00:45:59Look, Mr. Carter,
00:46:02nothing personal,
00:46:03but what's going on, Queen Y'all?
00:46:05Nothing.
00:46:07We were going to get married,
00:46:09and we had a fight,
00:46:11and it is really none of your concern,
00:46:13Mr. Rollins.
00:46:15So someone's after her.
00:46:17Mr. Albright.
00:46:19And he says I'm...
00:46:21I'm his employee.
00:46:22You ever heard of a fella named Richard McGee?
00:46:24Who?
00:46:28Look, I...
00:46:29Why would somebody be half-aulence?
00:46:32Do you think you can find her again?
00:46:35It's important.
00:46:36For her sake.
00:46:39I'm willing to pay you.
00:46:41Why'd she leave in the first place?
00:46:44It's really none of your concern, Mr. Rollins,
00:46:46but I am willing to pay you to find her.
00:46:49Okay.
00:46:52Okay.
00:46:53$1,000.
00:46:58$1,000.
00:46:59Yeah.
00:47:00Yeah, I'll take $200 right now.
00:47:02You know what?
00:47:03I think you're trying to take advantage of me.
00:47:05Let me inform you of something.
00:47:06The incumbent mayor, the chief of police,
00:47:09close personal friends of mine.
00:47:10They eat at my house regularly,
00:47:12and my father's house.
00:47:13That's good, Mr. Carter.
00:47:14They can help us find her.
00:47:19No, they can't.
00:47:20I'll have Baxter write you out a check.
00:47:25Mr. Carter, why'd you stop running for mayor?
00:47:27I'll have Baxter write you a check.
00:47:29All right.
00:47:29Why is Matthew Terrell looking for Daphne, too?
00:47:31Baxter will write you a check.
00:47:33I'll take care.
00:47:34Here, take it off.
00:47:43Just take it off.
00:47:49I'll be in touch with God.
00:47:50So Albright had lied to me.
00:48:10Instead of working for Carter,
00:48:11he was working for Matthew Terrell,
00:48:13the man running for mayor against Carter.
00:48:15And for whatever reason,
00:48:16they was all throwing money my way
00:48:18to find the girl in the blue dress.
00:48:19Anyway, I knew that her boyfriend...
00:48:23Oh, I don't need anybody...
00:48:24Zinkle, didn't?
00:48:26Zinkle.
00:48:28Zinkle.
00:48:29Zinkle.
00:48:31Zinkle.
00:48:33What?
00:48:34There's a man.
00:48:35There's a man.
00:48:35Frank, wait a minute.
00:48:50Wait, hold it.
00:48:50Hold it.
00:48:51Let's talk.
00:48:54Let's talk, Frank.
00:48:59Frank, wait a minute.
00:49:00Wait a minute.
00:49:00Wait a minute.
00:49:01I got $500 for you, Frank.
00:49:03Listen.
00:49:04You rich white man wants to find...
00:49:04What's the fuck?
00:49:29Hey.
00:49:29Hey.
00:49:31You want to shoot this son of a bitch easy?
00:49:33Miles!
00:49:34You want to shoot him?
00:49:35No.
00:49:41It's all right.
00:49:42What the hell is happening, man?
00:49:46Goddamn it.
00:49:46I'm going to blow your nose.
00:49:47No, wait.
00:49:47No, no.
00:49:47Don't shoot him.
00:49:51Where's Daphne Monet, Frank?
00:49:54All right.
00:49:54Look, all right.
00:49:55Maybe you don't know where she is,
00:49:56but hey,
00:49:56we can help each other find him, man.
00:50:00Miles, no.
00:50:01All is resident.
00:50:09Nah.
00:50:10Nah, I ain't busy right now.
00:50:12You're going to have to call back.
00:50:17Look.
00:50:19A rich man is willing to pay $1,000
00:50:21just to talk to this girl.
00:50:24$1,000.
00:50:25That's a hell of a lot of money, man.
00:50:27Frank.
00:50:30Frank.
00:50:31Wait, wait, wait, wait, wait, wait, wait, wait.
00:50:33Let me try.
00:50:38Now, look here, Frank.
00:50:39Is Frank right?
00:50:40Yeah.
00:50:41Frank?
00:50:47What the hell are you?
00:50:48You ain't got all of a lot of money.
00:50:49They call me that.
00:50:50Hey, man.
00:50:51Damn it.
00:50:53What's wrong with you, man?
00:50:54Don't you ever grab me when I got a gun in my hand.
00:50:58Shit.
00:51:02Got blood on my coat, easy.
00:51:04It's a damn expensive coat.
00:51:09Where's your bathroom at, man?
00:51:10It's in there.
00:51:10Now we got to go find that girl
00:51:21so we can get that money, huh?
00:51:22Hell no, we don't have to go find nobody.
00:51:25I done changed my mind.
00:51:26I don't need your kind of help, Mouse.
00:51:29Boy, look at you.
00:51:30Man cut a damn smile in your neck.
00:51:32You gonna tell me you don't need my kind of help?
00:51:34See, this is the same shit you pulled five years ago
00:51:35when you killed old man, never shedding them.
00:51:37You ain't even been in my house five minutes
00:51:38and you done shot somebody already, Mouse.
00:51:40Come on, Easy.
00:51:42Come in on this thing, man.
00:51:45Easy, I'm trying to do right.
00:51:47I mean, you know, now.
00:51:51Come on, man, I can help you.
00:51:53Now you know you're gonna need somebody at your back.
00:51:57I swear I'm gonna let you run the show.
00:51:59Oh, you're gonna let me run the show.
00:52:00Well, I ain't gonna do nothing you don't tell me to do.
00:52:02Ain't you nothing.
00:52:03You're gonna let me run the show.
00:52:04You're gonna do everything I say?
00:52:09Man, I'm gonna do everything you say.
00:52:12That's the wrong hand, Mom.
00:52:14Oh.
00:52:18Boy, how you been?
00:52:21Who was that on the phone?
00:52:23Oh, uh, I don't know, man.
00:52:24Sound like some white girl.
00:52:25Ezekiel, I came to ask you a few more questions.
00:52:52So why don't you invite us here?
00:52:54I'll come out.
00:52:54What happened to your neck?
00:52:59Did I do that?
00:53:00I don't remember doing that.
00:53:02What do you know about a man named Richard McGee?
00:53:05A dead white man in a cabin over in Laurel Canyon.
00:53:08He just happens to have a note in his pocket with Coretta James written on it.
00:53:12You feel a little more talkative?
00:53:14Because I'll bet you six bits to a bottle of piss we're looking at a double here.
00:53:18All we gotta do is place you in a dead man's house.
00:53:20I want you to know dead man's house.
00:53:22Yeah, well, you know what we could do?
00:53:23We could go down the station.
00:53:24We'll send a team over here.
00:53:25Believe me, they'll find something to replace you at that dead man's house.
00:53:29Evidence has a funny way of showing up, you know?
00:53:31Nah, y'all ain't got nothing on me because I ain't done nothing and you know I ain't done nothing.
00:53:35We know you know a lot more than you're letting on.
00:53:37Now, you're gonna tell us everything you know, but you're going down for the murder of Richard McGee and Coretta James.
00:53:41There's nothing to tell you.
00:53:42I don't know nothing.
00:53:42You sure you do?
00:53:43Come on, let's go.
00:53:44All right, look.
00:53:45Why don't you just give me a little more time?
00:53:47You get it.
00:53:47Maybe till tomorrow morning.
00:53:48Give me till tomorrow morning.
00:53:49Maybe I can dig something up.
00:53:50What do you think, Jack?
00:53:54We could do that.
00:53:56Okay.
00:53:56I'll take the cuffs for you.
00:53:58You got till tomorrow morning.
00:54:04Have a nice evening, you see, Gil.
00:54:06I played along just like the cops wanted me to.
00:54:10It was all a game to them.
00:54:13But in the morning, they'd be playing for keeps because a white man was dead now.
00:54:17And guilty or not, somebody was gonna have to pay for this one.
00:54:25Hey, man.
00:54:25Is Dupree's sister house over there off of Compton Boulevard or Compton Avenue?
00:54:29I can't find it.
00:54:29Don't worry about it.
00:54:30We're going somewhere else for her.
00:54:31Oh, did that girl call?
00:54:34Easy.
00:54:34We finna go see that girl?
00:54:37No.
00:54:40Watch your house.
00:54:41I've been seeing all them people that's been giving you trouble.
00:54:43Just leave my trees alone, all right?
00:54:45I'm going to go back and knock down a couple of things for you.
00:54:48Just leave my trees alone.
00:54:50Tell me what you think when you get back, all right?
00:54:52We've got a few days out of that girl.
00:55:05Can I play again?
00:55:07Can I see you then?
00:55:08Can I call it?
00:55:09No.
00:55:13You know what I am?
00:55:13What's that?
00:55:27Easy.
00:55:33What you want?
00:55:34Let me ask Junior's promise.
00:55:35I ain't got no time to be fooling with you now.
00:55:37I'm trying to get some sleep.
00:55:38You better go and open this door, Junior.
00:55:40Act like you got some sense.
00:55:42Ow.
00:55:43Go on, fool. Get out the way. We ain't got all day.
00:55:47Have a seat.
00:55:49Y'all want a beer?
00:55:50Yeah, sure.
00:55:52What you smoking at, Junior's or Potters?
00:56:01This one's yours, too, ain't it?
00:56:03So why you killed Richard McGee?
00:56:05Huh? What you talking about?
00:56:07Ain't no time to play, Junior. I know you want to kill him.
00:56:09You crazy, man.
00:56:11Sit down, Junior.
00:56:13Tell me what happened, Junior.
00:56:19I don't know what you're talking about.
00:56:20Well, the police will when they find out the fingerprints they got up in that man's house belong to you.
00:56:24What fingerprints? What house?
00:56:26Had he had you to pull that man out of John's bar the night I was dead,
00:56:29he was laying up in his house dead with the same suit on and a bullet hole in his head.
00:56:32I ain't killin' nobody here.
00:56:34Oh, quit lyin', you big ol' sweated, thick-headed cornbread eatin' me.
00:56:37Thick-headed, you damn set.
00:56:38Sit down, Junior.
00:56:42Oh, sit down, now.
00:56:53You better tell me what happened, Junior.
00:56:54Maybe I'll forget what I know.
00:56:55Otherwise, I'm gonna tell Mouse to shoot you.
00:56:56Because, you know, I don't like your monkey ass, and you don't like you either.
00:56:58Now, you killed that man.
00:56:59You took his money, didn't you?
00:57:00I don't even know who you're talkin' about, didn't you?
00:57:02You just had to rob him, didn't you?
00:57:03I didn't.
00:57:04I didn't touch nothin' in that man's house.
00:57:06God damn, I'm kidding.
00:57:10Mm-hmm.
00:57:11Sit down.
00:57:16Paddy had me take him out to his car.
00:57:19The man was so drunk, he gave me $10 just to drive him home.
00:57:22I know you took that.
00:57:23Hell yeah.
00:57:25Then he was askin' me about that white girl you was askin' everybody about at the club.
00:57:28I told him I seen her with Coretta.
00:57:30What the hell, I care if he knows.
00:57:31Oh, so you gon' tell him, but you won't tell me.
00:57:34I don't like your ass easy.
00:57:35And he give me $50.
00:57:37$50?
00:57:37Just to tell him that you saw her with Coretta?
00:57:39No.
00:57:40To deliver a letter.
00:57:42I give it to Coretta to give to her the next morning.
00:57:47Yeah, well, you better be tellin' the truth.
00:57:49Come on, let's go.
00:57:51I'm tellin' the truth.
00:57:52I ain't killed nobody.
00:57:53That man was alive when I let him.
00:57:55I ain't killed nobody.
00:57:57The letter that was so important to Daphne had worked his way over to the other side of town
00:58:03to Dupree's sister's house in Compton.
00:58:06I hoped.
00:58:07And Junior was innocent like I knew all along.
00:58:09But I couldn't see no harm to lettin' the big waterhead suck a sweat a little bit.
00:58:26Hey, now.
00:58:27Hey, hey, hey.
00:58:27Tried to call you.
00:58:29Yeah, the cops just let me out today.
00:58:30My sister's gone to work, and I ain't feel much like talkin'.
00:58:34Raymond.
00:58:35Yeah, big man.
00:58:36Hey.
00:58:36All right, now.
00:58:38Hey, is it pigtails I smell over there?
00:58:40Oh, yeah.
00:58:40Lula made me something before she went to work.
00:58:42Well, y'all gonna have to.
00:58:43She just been here.
00:58:46Do free.
00:58:47Yeah.
00:58:50Oh, God.
00:58:54I'm sorry.
00:58:58Thank you, Easy.
00:58:58Why somebody want to kill her like that, man?
00:59:02It don't make sense to me.
00:59:11Did Corretta say anything to you about the letter she was keeping?
00:59:17What kind of letter?
00:59:21From that white girl.
00:59:23Nah.
00:59:24I know it's on count of her that Corretta got killed.
00:59:28Yeah?
00:59:29Yeah.
00:59:31Everything between Daphne and Corretta was always such a damn secret.
00:59:35That old girl, she didn't think nothin' about two-timing old Franky.
00:59:41You want some more tales, Raymond?
00:59:42Oh, yeah.
00:59:43Thanks, Dupre.
00:59:45And you know she messin' around with that guy running for mad, don't you?
00:59:48Todd, Todd.
00:59:49Yeah, Carver.
00:59:49That's his name.
00:59:51She probably introduced Corretta to one of them guys she knew.
00:59:54He probably came over to the house, saw that Corretta wasn't that type of woman.
00:59:59Cops said she fought her.
01:00:05Can you imagine that?
01:00:07My baby fought her.
01:00:11Fought her because she wouldn't have nobody but me.
01:00:13I can't sleep.
01:00:22Uh-uh.
01:00:23I still keep seeing her face that morning before I went to work.
01:00:26Junior had just came by the house and she come running out carrying her Bible.
01:00:33She say, um, keep this for me, baby.
01:00:42Am I wrong?
01:00:44Yeah.
01:00:46And the police won't even let me go near the house.
01:00:51That's the only thing I got left that belonged to her.
01:00:55Am I wrong?
01:00:58I know it was a sign because she's so religious.
01:01:01Oh, God.
01:01:03Oh, God.
01:01:06It's all right, baby.
01:01:08I'm sorry.
01:01:10No, no, it's all right.
01:01:11Too attractive, huh?
01:01:12Long, not attractive.
01:01:14All right.
01:01:15I'm so afraid.
01:01:17Oh, God.
01:01:18It's all right.
01:01:18Oh, God.
01:01:18Oh, God.
01:01:18Oh, God.
01:01:19Oh, God.
01:01:33Oh, God.
01:01:40Oh, God.
01:01:42Oh, God.
01:01:45Oh, God.
01:01:45Let's go.
01:02:15Let's go.
01:02:45I'll put that gun right there.
01:02:50I'm gonna see who was drunk.
01:02:54Watch it, watch it, goddammit.
01:02:58Right there now.
01:03:00Oh, yeah.
01:03:01Now this fool gonna call me out.
01:03:03He ain't even got no gun.
01:03:04I'll kill that motherfucker.
01:03:06No.
01:03:08Let him go.
01:03:10Well, let him live.
01:03:12And he'll be scared of you every time you walk into a room.
01:03:15He better be scared, goddammit, I'll kill him.
01:03:17He will.
01:03:18If he ain't out, you better tell him.
01:03:20I will.
01:03:22Trust me.
01:03:23I'll tell her.
01:03:29Right there, goddammit.
01:03:31Where you going?
01:03:35That's right.
01:03:35The pictures was eaten at my pocket like a cigarette burn.
01:03:57Albright had killed for those pictures to get them back for Matthew Terrell.
01:04:02He had killed Richard McGee, who had sold the pictures to Daphne.
01:04:06Time was running out.
01:04:08But I had some unfinished business with the girl.
01:04:10She had called that afternoon, and all I needed was for her to call again.
01:04:30Hello?
01:04:31Hello?
01:04:33Hello?
01:04:33Hello?
01:04:40I'm sorry.
01:04:53I broke into your house, Ed.
01:04:57Please don't be angry with me.
01:04:59Now, why should I be angry at you?
01:05:08I have a cigarette.
01:05:10You know, Carilla's boyfriend, Dupree, got out of jail today.
01:05:19Then you need me to help you find him.
01:05:23I already got the pictures, Daphne.
01:05:36I have a cigarette.
01:05:37I have a cigarette.
01:05:38I have a cigarette.
01:05:39I have a cigarette.
01:05:40You know, I paid $7,000 for those pictures.
01:06:03They belong to me.
01:06:04Matthew Terrell might have something to say about that.
01:06:08All right, then I'll pay you four of them.
01:06:09I'll give you $1,000.
01:06:10You gave Richard McGee seven.
01:06:12Then I'll give you seven.
01:06:14Damn, what does Terrell have on you, girl?
01:06:16Nothing.
01:06:17You want the money or not?
01:06:18No.
01:06:20No, I got two murders hanging over my head.
01:06:22Unless I give the cops a killer by tomorrow morning, I'm going to jail.
01:06:26Now, who killed Coretta?
01:06:27I don't know.
01:06:28It was because of them pictures she was killed, or wasn't it?
01:06:30I don't know.
01:06:30Your boyfriend, Frank Green, killed her to bring you them pictures, didn't he?
01:06:33Of course not.
01:06:34Yeah, well, you can tell it to the police, because I ain't taking a rat.
01:06:37Easy, put the phone down.
01:06:41Put the phone down.
01:06:42Put the phone down.
01:06:43Easy.
01:06:45So it was, Frank, wasn't it?
01:06:46He had nothing to do with it.
01:06:47Yeah, sure he did.
01:06:48I knew there was more between y'all than just some backdoor romance.
01:06:50He probably pimped you out to call it in the first place.
01:06:52We go on to the pool.
01:06:53Get out.
01:06:54Come on.
01:06:55Yeah, why don't you scream, huh?
01:06:56So I can tell the police about your boyfriend, Frank Green.
01:06:58Frank is my brother.
01:07:00What?
01:07:04A mother's Creole.
01:07:05We have different fathers.
01:07:07Mine is white.
01:07:11And that's what Terrell has on me.
01:07:14And so far, I've been able to keep Frank out of this.
01:07:18Who killed Coretta?
01:07:20It was an accident.
01:07:21Who killed her?
01:07:22She threatened to sell her pictures to Terrell.
01:07:24Who killed her?
01:07:25God damn it!
01:07:27I just asked Joppy to go home and put her scare into her.
01:07:30Joppy?
01:07:32I didn't mean to hurt anybody.
01:07:35I didn't mean to hurt anybody.
01:07:36But Todd and his family, you know, they had to pull out of the election because of me.
01:07:41They really wanted us to get married.
01:07:42It was just because of the election that we...
01:07:44Yeah, son of a bitch.
01:07:49Get her, Sharif.
01:07:56Get her.
01:08:00Look at the pictures.
01:08:01You know what?
01:08:01You're talking about them.
01:08:02Yeah?
01:08:03Get that car.
01:08:04Yeah.
01:08:05Come on!
01:08:06Come on!
01:08:08Who would have to look to cover this shit, huh?
01:08:09Yeah!
01:08:10I woke up Mouse and told him to drive-thru.
01:08:14I woke up Mouse and told him to drive-thru.
01:08:15Dupree's car to 34th and Central.
01:08:42Because it had come to me in less time than it takes to think.
01:08:45They were taking Daphne someplace more deserted than Albright's office up in Hollywood.
01:08:50Someplace where there would be no witnesses.
01:08:52And I was being left alive to take the fall.
01:08:54Mouse, give me one of them guns you got.
01:09:14Give me one of them guns.
01:09:15Start on my car.
01:09:16Keep it hot.
01:09:16I'm coming out.
01:09:17I'm coming out.
01:09:47Let's go.
01:09:48Let's go.
01:09:49Let's go!
01:09:51Throw your face off.
01:09:52Let's go.
01:09:52Hey, shut up!
01:09:58What the hell are you doing?
01:10:01You just use it.
01:10:05Let's drive, man.
01:10:06The old Bryce got the girl, and he's going to kill her.
01:10:20Now, you better tell me where it is, and you better get it right.
01:10:23No, easy. I don't know.
01:10:24Get it right, Josh. I don't know.
01:10:25Get it right.
01:10:26There is a cabin now.
01:10:29That's all I know. There's a cabin.
01:10:30Where is it?
01:10:31It's in Malibu, on Route 9.
01:10:33Make a right turn to Ali.
01:10:36Oh, yeah.
01:10:40Now, you sure this is where all Bryce is going to be, right?
01:10:42I guess so.
01:10:43Don't be guessing, Joppy.
01:10:44Look, he done done this kind of thing out there before, so I guess so.
01:10:48Easy.
01:10:49Man, what's done got into you? I thought y'all was supposed to be friends.
01:10:51He killed Dupree's girlfriend, Coretta.
01:10:53Hey, I ain't.
01:10:54You lying?
01:10:54Nah.
01:10:55I ain't done that bad, Jack.
01:10:56Hey, wait, no.
01:10:57Now, we need him.
01:11:03The girl got $7,000.
01:11:05What?
01:11:10The girl offered to pay me $7,000 for them pictures.
01:11:14Oh, my God.
01:11:16Oh, my goodness.
01:11:18Oh, my God.
01:11:20Oh, my God.
01:11:21How much further is it?
01:11:39We're coming up on it.
01:11:40Raymond isn't moving the drunk timer.
01:12:03Oh, my God.
01:12:04You all right?
01:12:13Oh, man, come on.
01:12:15The girl is lying.
01:12:17Did she told you I killed that woman?
01:12:20Who said she told me?
01:12:22I...
01:12:22No, for me.
01:12:28Easy.
01:12:28I was gonna go on to shoot him now, okay?
01:12:30No, don't shoot him.
01:12:32Don't shoot him.
01:12:33No, don't shoot.
01:12:49He said he did.
01:12:49Three.
01:12:52Two.
01:12:52Two.
01:13:23Help me! Help me! Help me!
01:13:34Shut up!
01:13:39I think I'm going to come with the pictures of, okay?
01:13:49I don't want to push you over to tell me where are the pictures of you.
01:13:54I don't want to push you over to tell me where are the pictures of you.
01:14:06I don't want to push you over to tell me where are the pictures of you.
01:14:17I don't want to push you over to tell me where are the pictures of you.
01:14:21Your arm is in there.
01:14:23Look, your face is in there.
01:14:28What body is that good?
01:14:31What do you want to do?
01:14:33I don't know.
01:14:34Please.
01:14:35I'm going to be going to come out of you.
01:14:37No!
01:14:37No! No! No!
01:15:07No!
01:15:37Hey, easy! Is that you?
01:15:40Hey, easy!
01:15:42Easy!
01:16:07OK!
01:16:37You're going, man.
01:16:59You're going.
01:17:07You all right?
01:17:14You all?
01:17:17You all?
01:17:17All right, come on, let's go.
01:17:19Where'd you have your house?
01:17:41Huh?
01:17:43Where'd you have it?
01:17:45You're right there.
01:17:49What happened?
01:18:00I ain't had no time to be tying him up easy.
01:18:04What?
01:18:05Look, you just said don't shoot him, right?
01:18:07That's right.
01:18:08Well, I didn't.
01:18:09I just, I choked him.
01:18:12What?
01:18:13Well, how am I going to help you out if I'm back here fooling around with him now?
01:18:16Easy, look, if you ain't wanting to kill, why'd you leave him with me?
01:18:30Come on, we have to go easy.
01:18:36Easy, come on, let's go now.
01:18:37All right, here we go.
01:18:58I left this.
01:18:59You think you're going to have to do that dude, Frank?
01:19:02I just run by and kill him and take that evening train to use him.
01:19:04No, Miles.
01:19:05Sure.
01:19:06Time to do it.
01:19:09Very long.
01:19:10Oh, look here.
01:19:12Now, I'll cut you in for half because I know you was too big a fool to take your share from that white girl yourself.
01:19:17All right.
01:19:18Hey, man, look.
01:19:19If you need somebody to run them streets with you again, just give me a call.
01:19:22Because you know how to put some money in the niggas' pocket.
01:19:24All right.
01:19:25Well, what upset them the most was that I didn't tell them.
01:19:47And then Terrell threatened to go public about my mother.
01:19:52And I just had an insult to injury.
01:19:55But when Todd sees the pictures, there'll be nothing to stand in the way of us getting married.
01:20:00You sure about that?
01:20:01Of course.
01:20:01Terrell doesn't want to go to jail.
01:20:04What are you talking about Terrell?
01:20:07Todd and I are very much in love.
01:20:09But in the end, his family just wants him to be happy.
01:20:19Daphne had gotten the money out of a locker at the YWCA.
01:20:23It was money she had gotten from Carter's family.
01:20:26$30,000 to leave town.
01:20:31She was still convinced, though, that her Negro blood didn't matter.
01:20:34Now that Terrell couldn't use it to keep the man she wanted to marry out of the Maz race.
01:20:40She was in love and couldn't see for dreaming.
01:20:43Any better than the rest of us, I guess.
01:20:46Because even though we had fought a war to keep the world free,
01:20:50the color line in America worked both ways.
01:20:52And even a rich white man like Todd Carter was afraid to cross it.
01:20:57I'll walk away.
01:21:00Wait.
01:21:04Wait.
01:21:09Please.
01:21:11Please.
01:21:19Look.
01:21:22Look.
01:21:23Here's the $800 that I owe you, and thank you for protecting her.
01:21:43You have some pictures.
01:21:53I'd put you back in the race.
01:22:02I'm going to need you to do something for me, too.
01:22:07I know.
01:22:09You'll have no trouble with the police.
01:22:12It's a promise.
01:22:23Mr. Rollins, just so you know, I do love her.
01:22:53You want me to walk you inside?
01:23:20I dropped her off at her brother's apartment, a fourplex on Denker Street.
01:23:47She had told me her story on the way home like a sinner who wanted to confess.
01:23:53Her name was Ruby Hanks from Lake Charles, Louisiana.
01:23:57And I suppose all she really wanted was a place to fit in.
01:24:00A few days later, my conscience got the best of me, and I went by her place to bring back my half of her money.
01:24:08I was kind of excited about seeing her again.
01:24:10But when I got there, she and her brother had picked up and gone.
01:24:15I was like, I said, how long as she was like, I made her half of her money.
01:24:19I made her look at her beautiful glove.
01:24:21I didn't know how to do it.
01:24:22I don't know.
01:24:23So I was just I went to a girl.
01:24:24I made her.
01:24:25I did it.
01:24:26I made her look at her.
01:24:27And I love her.
01:24:29I love her.
01:24:29I love her.
01:24:34I love her.
01:24:35I love her.
01:24:39I love her.
01:24:40I love her.
01:24:407, 7, 8, 5.
01:24:56Hey, easy.
01:24:57Find a job yet?
01:24:59I ain't studying no job, Odell.
01:25:02Studying no job?
01:25:03How you gonna live?
01:25:04I got a little money saved up.
01:25:05Invest in some real estate.
01:25:08Maybe go into business with myself.
01:25:10What kind of business?
01:25:11From private investigating.
01:25:14You see the girl been doing that?
01:25:16Yeah, well, like a man told me once.
01:25:19Step out your door in the morning, you're already in trouble.
01:25:22It's just a matter of whether you mixed up at the top of that trouble or not, that's all.
01:25:25Yeah, I guess you're right.
01:25:33If you got a friend that you know does bad things, I mean real bad things,
01:25:37and you still keep him as a friend even though you know what he's like.
01:25:44You think that's wrong?
01:25:47All you got is your friends.
01:25:48Hey, hey, hey, hey, what are you doing?
01:25:54You better get out by y'all.
01:25:55You get all that.
01:25:56Hey, get on away from there.
01:25:57You know that fool knocking down to the country.
01:26:00Get on away from there.
01:26:02You better get on.
01:26:07You all right?
01:26:08You better get on the street.
01:26:28Watch it.
01:26:29I thought about what Odell had said about friends.
01:26:59And it made sense to me.
01:27:02Odell goes to church every Sunday so he would know.
01:27:05Later on, he challenged me to a game of dominoes.
01:27:08Now, what are you going to do that for?
01:27:10We got to talking about Texas.
01:27:12Fooled around.
01:27:14Drunk almost a quart of whiskey.
01:27:16And I forgot all about Daphne.
01:27:18And I sat with my friend on my porch at my house.
01:27:28And we laughed a long time.
01:27:30And I forgot.
01:27:30I was like, oh, I like to be somewhere.
01:27:32Really?
01:27:33I was like, oh, my God.
01:27:34Oh, my God.
01:27:34Wow.
01:27:36Oh, my gosh.
01:27:36Oh, my God.
01:27:37I was like, oh, my God.
01:27:38Oh, my God.
01:27:39Oh, my God.
01:27:40Oh, my God.
01:27:41Oh, my God.
01:27:41Oh, my God.
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